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Auction Description for Van Ham: Contemporary Art
Sale Notes:
www.artfact.com/van-ham

Contemporary Art

by Van Ham Fine Art Auctioneers

Platinum House

246 lots with images

May 28, 2014

Live Auction

Schönhauser Straße 10-16

Köln, 50968 Germany

Phone: +49 221 925862-0

Fax: +49 221 925862-4

Email: info@van-ham.com

246 Lots
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ANTES, HORST 1936 Heppenheim Head. Steel, red

Lot 200: ANTES, HORST 1936 Heppenheim Head. Steel, red

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Description: ANTES, HORST 1936 Heppenheim Head. Steel, red corroded. 45 x 45 x 13 cm. Numbered underneath the chin: 247/1000. Number 247/1000. Literature: Cf. Exhibition cat. Horst Antes - Der Kopf, Badischer Kunstverein e.V. (ed.), p. 6 (ill.) Cf. exhibition cat.-Kat. Horst Antes, Sprengel Museum Hanover (ed.), p. 161 (ill. 560).

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ANTES, HORST 1936 Heppenheim Figure 1000. Steel,

Lot 201: ANTES, HORST 1936 Heppenheim Figure 1000. Steel,

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Description: ANTES, HORST 1936 Heppenheim Figure 1000. Steel, red-brown patinated and engraved. 220 x 90 x 67 cm. Signed and numbered on the plinth: Antes, 802/1000. Edition Volker Huber (ed.). Number 802/1000.

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APPEL, KAREL 1921 Amsterdam - 2006 Zurich

Lot 202: APPEL, KAREL 1921 Amsterdam - 2006 Zurich

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Description: APPEL, KAREL 1921 Amsterdam - 2006 Zurich L'enfant. 1950. Mixed media on brown vellum. 65 x 50 cm. Signed and dated lower right: K. Appel 50. Framed. We would like to thank Nieuwenhuizen Segaar, Antwerp, for the oral confirmation of authenticity of this work. Provenance: Private collection, Germany.

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ARAKI, NOBUYOSHI 1940 Tokyo - lives and works in

Lot 203: ARAKI, NOBUYOSHI 1940 Tokyo - lives and works in

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Description: ARAKI, NOBUYOSHI 1940 Tokyo - lives and works in Tokyo Untitled (Obscenities). 1994. C-print. 65,5 x 99,7 cm. Verso signed with a black felt pen: 'Nobuyoshi Araki'. Framed. - Minimal scratches and finger prints on the edges and the corner area. Glossy C-print otherwise in a very good condition. Provenance: Collection Goetz, Munich (adhesive label).

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ARMAN (ACTUALLY ARMAND FERNANDEZ) 1928 Nice - 2005

Lot 204: ARMAN (ACTUALLY ARMAND FERNANDEZ) 1928 Nice - 2005

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Description: ARMAN (ACTUALLY ARMAND FERNANDEZ) 1928 Nice - 2005 New York Le Violoncelle automate. 1985. Assemblage of a miniature cello made of wood, gears and metal springs. 15 x 4 x 7 cm. In a plexiglass case. The work was realised for a production of "L'Heure Espagnol", an opera by Maurice Ravel. The premiere took place in 1985 at the Opéra comique in Paris. This work is unique. The work is registered under no. APA #7010.85.007 in the archive of the Studio Arman, New York. Moreover it is listed in the Archive Durand-Ruel, Rueil-Malmaison, under the archive number 10253.

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ARMLEDER, JOHN MICHAEL 1948 Genf Ohne Titel. 1991.

Lot 205: ARMLEDER, JOHN MICHAEL 1948 Genf Ohne Titel. 1991.

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Description: ARMLEDER, JOHN MICHAEL 1948 Genf Ohne Titel. 1991. Acryl on canvas. 250 x 169cm. Signiert, datiert und mit Richtungspfeil versehen verso: John Armleder 1991. Provenienz: Galleria de Carlo, Mailand Sammlung Alessandro Grassi, Mailand Ausstellung: Collezioni alle Stelline, Mailand 2010-2014 Literatur: Ausst.-Kat. Pittura europea dagli anni Ottanta ad oggi. Opere dalla Collezione Alessandro Grassi, Mailand 2011, S. 8 (Farbabb.) target="_blank">Infotext_Sammlung_Grassi "Ein Punkt ist ein Punkt, eine Linie ist eine Linie. Manchmal verselbstständigen sie sich im inszenierten Spiel der Formen und Farben. So ähnelt die Produktion des Künstlers auch dem zweckfreien Spiel des Kindes. Die Bilder sind buchstäblich sie selbst und können somit am besten durch Vergleiche beschrieben werden. An den verschiedenen Orten für die Dauer einer Ausstellung festgehalten, sind sie der Aufführung der Performance oder eines Musikstückes ähnlich. (...) Armleder verweist oft auf die Punktbilder von Francis Picabia. Es gibt Anlehnungen an ihn und an El Lissitzky und auch an die Punkte bei Rodchenko. John M Armleder malt Punkte, Flächen und Streifen, aber so, wie die Künstler, auf die er sich bezieht, sie nie gemalt hätten. "Die Nachbildungen (simulacres) und Übernahmen haben in ihrem Aussehen, intellektuell und politisch, mit dem, was von der historischen Abstraktion repräsentiert wurde, nichts mehr zu tun (...). Ich berufe mich auf die heroische Abstraktion zu Anfang des Jahrhunderts." (Aus: John M Armleder. Kritisches Lexikon der Gegenwartskunst, Ausgabe 58, Heft 9, 2002, S. 7).

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AUBERTIN, BERNARD 1934 Fontenay-aux-Roses,

Lot 206: AUBERTIN, BERNARD 1934 Fontenay-aux-Roses,

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Description: AUBERTIN, BERNARD 1934 Fontenay-aux-Roses, Hauts-de-Seine "Relief-Eponge". 1962/1977. Acrylic on textile tape on wood, in display case. 50 x 50 x 3 cm. Signed, titled, dated and denoted verso: AUBERTIN, RELIEF-EPONGE, 1962/1977, 50cm x 50 cm.

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BACON, FRANCIS 1909 Dublin - 1992 Milan Trois

Lot 207: BACON, FRANCIS 1909 Dublin - 1992 Milan Trois

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Description: BACON, FRANCIS 1909 Dublin - 1992 Milan Trois études pour un autoportrait. 1990. Colour lithograph on arches. Each 34 x 29,8 cm (51,8 x 94 cm). Signed and numbered. Michel Archimbaud, Paris (ed.). Number 36/60. - Sheet minimally cockled in the upper edge area. Minor foxing in the lower left edge area. Light staining on the upper left edge. Verso slightly bled through colour. Fingerprints in the lower edge area. Remains of a former mounting on the upper edge. The colour lithograph emerged after the painting "Three studies for a self-portrait" from 1983. Literature: Sabatier, Bruno: Francis Bacon - Oeuvre graphique - The grafic work, Catalogue raisonné, Paris 2011, cat.rais. no. Lithographs 26, ill. p. 88 f.

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BAERWIND, RUDI Mannheim 1910 - 1982 Untitled. Oil

Lot 208: BAERWIND, RUDI Mannheim 1910 - 1982 Untitled. Oil

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Description: BAERWIND, RUDI Mannheim 1910 - 1982 Untitled. Oil on canvas. 84 x 140 cm. Signed thrice on the bottom: Baerwind. Framed.

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BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled

Lot 209: BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled

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Description: BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled (confinium black). 1962. Synthetic polymer on canvas with paint. 92 x 65,3 cm. Signed lower right: Bartels as well as verso denoted # 145/ 1962 Hermann Bartels. Framed.

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BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled.

Lot 210: BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled.

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Description: BARTELS, HERMANN 1928 Riesenburg - 1989 Untitled. 1963. Oil on canvas. 116 x 146 cm. Inscribed, dated and signed verso: 295 '1963 Hermann Bartels. Studio placket.

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BASELITZ, GEORG (GEORG KERN) 1938 Deutschbaselitz

Lot 211: BASELITZ, GEORG (GEORG KERN) 1938 Deutschbaselitz

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Description: BASELITZ, GEORG (GEORG KERN) 1938 Deutschbaselitz Untitled (Eagle). 2009. Bronze, copper and steel, painted in black. 250 x 100 x 100 cm. Monogrammed and numbered on one of the movable parts: G.B. 9/10. Number 9/10. Included is a certificate (in copy) by Georg Baselitz, dated August 18, 2010.

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BAUER, FRANK 1964 Recklinghausen

Lot 212: BAUER, FRANK 1964 Recklinghausen "Michiko (in the

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Description: BAUER, FRANK 1964 Recklinghausen "Michiko (in the hotel)". 2003. Oil on canvas. 70 x 100 cm. Signed and dated verso: Bauer 7/03. Titled above. Framed.

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BAUER, FRANK 1964 Recklinghausen

Lot 213: BAUER, FRANK 1964 Recklinghausen "Hotelfrühstück

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Description: BAUER, FRANK 1964 Recklinghausen "Hotelfrühstück (mit Zimmerschlüssel)". Hotel Breakfast (with Room Key). 2004. Oil on untreated cotton. 70,5 x 100 cm. Signed and dated verso left: Bauer 8/04. Titled above.

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BEUYS, JOSEPH 1921 Krefeld - 1986 Düsseldorf Trace

Lot 214: BEUYS, JOSEPH 1921 Krefeld - 1986 Düsseldorf Trace

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Description: BEUYS, JOSEPH 1921 Krefeld - 1986 Düsseldorf Trace I. 1974. Suite of nine colour lithographs on multicoloured laid paper. Each sheet: 72 x 52 cm resp. 52 x 72 cm. Signed and numbered. Propyläen Verlag, Berlin (ed.). Number 2/98. - All sheets: minimal, partly slight creases; recto traces of the former mounting; verso remains of a former mounting on the upper egde. Cat.rais no. 117: slightly cockled in the upper edge area. Each sheet with the blind stamp of the printer Mathieu AG, Dielsdorf/Zurich. Literature: Schellmann, Jörg: Joseph Beuys - Die Multiples, Werkverzeichnis der Auflagenobjekte und Druckgraphik, Munich 1992 (7. ed.), cat.rais. no. 109 to 117 with colour ill.

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VAN BOHEMEN, KEES The Hague 1928 - 1985

Lot 215: VAN BOHEMEN, KEES The Hague 1928 - 1985

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Description: VAN BOHEMEN, KEES The Hague 1928 - 1985 "Osterreichring". 1970. Oil on canvas. 110 x 110 cm. Verso signed, dated, titled and indication of measurements: KvBOHEMEN 70 OSTERREICHRING 110 x 110 cm. Framed.

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BONATO, VICTOR 1934 Cologne

Lot 216: BONATO, VICTOR 1934 Cologne

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Description: BONATO, VICTOR 1934 Cologne Glass-Mirror-Deformation Kx-73 (Mirror Object). 1973. Curved mirror, silver coated, mounted on wood. Aluminium ledge. 103 x 103 x 5 cm. Signed on the edition label: VBonato (initials ligated). Signed again below as well as dated: VBonato (initials ligated) 73. Number 12/50.

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BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano

Lot 217: BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano

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Description: BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano Untitled. 1962. Oil on Japan. Laid down on carboard. 50,8 x 65 cm. Signed and dated in the depiction lower left: Francis Bott 62. Dedication in the depiction bottom right. Framed. No longer in the cat.rais. Henze. Cf. here cat.rais no. 604 and 607 from the group of works "Projet pour un monument: L'heure du trace, forme vorace".

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BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano

Lot 218: BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano

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Description: BOTT, FRANCIS 1904 Frankfurt/ Main - 1998 Lugano Composition. 1958. Oil on lumber-core plywood. 71,5 x 78 cm. Signed and dated lower right: Francis Bott, 58. Craftman's frame. Literature: Henze, Wolfgang: Francis Bott - Das Gesamtwerk, Stuttgart/Zurich 1988, cat.rais. no. 562 with ill.

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BROWN, JAMES 1951 Los Angeles/USA lives in Mexico

Lot 218A: BROWN, JAMES 1951 Los Angeles/USA lives in Mexico

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Description: BROWN, JAMES 1951 Los Angeles/USA lives in Mexico and Paris "14 Stations # 8". 1990. Acrylic on silk cloth on wood. 41 x 32 cm. Titled, signed, indictaion of location and dated verso: 14 Stations # 8 James Brown naples 1990. Framed. Provenance: Galleria Lucio Amelio, Naples.

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BULGAKOVA, OLGA 1951 Moscow

Lot 219: BULGAKOVA, OLGA 1951 Moscow "Red Clowns". 1990.

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Description: BULGAKOVA, OLGA 1951 Moscow "Red Clowns". 1990. Oil on canvas. 60,5 x 60 cm. Signed, titled and dated (Cyrillic) verso top left: O. Bulgakova Rote Clowns 90. Studio placket.

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BURGERT, JONAS 1969 Berlin Untitled. 2000. Oil on

Lot 220: BURGERT, JONAS 1969 Berlin Untitled. 2000. Oil on

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Description: BURGERT, JONAS 1969 Berlin Untitled. 2000. Oil on canvas. 170 x 149,5 cm. Signed and dated verso upper right: Jonas Burgert 5.2000.

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CALDER, ALEXANDER 1898 Philadelphia - 1976 New

Lot 221: CALDER, ALEXANDER 1898 Philadelphia - 1976 New

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Description: CALDER, ALEXANDER 1898 Philadelphia - 1976 New York Wood-piece ("Open door system"). 1952. Wood, metal eyelet 22,5 x 8 x 3 cm. Included is an assembly instruction for the object (in copy). The work was presented to the Calder Foundation, New York, October 3, 2013 and was registered under no. A25257. Provenance: Collection Renée Nitzschke Private collection, Luxembourg.

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CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno

Lot 222: CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno

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Description: CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno di Vacciago Spazio Luce. 1962-1964. Oil on wood. 36 x 36 cm. Inscribed verso right: artist's address, title, dating and technical information. Bottom middle: dedication. Framed. Verso there is a stamp with the information: no. 111(?)/ Antonio Calderara, paolo e luigia arpesani 7 Milano/ Spazio luce/ olio su tavola/ 1962 - 1964/ 36 x 36. Moreover a collection stamp on the bottom left (1994).

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CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno

Lot 223: CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno

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Description: CALDERARA, ANTONIO 1903 Abbiategrasso - 1978 Ameno di Vacciago Presenze A. 1974. Watercolour on vellum. 16 x 15,5 cm. Monogrammed and dated lower left: A. C. 74. Signed and dated verso bottom right: Antonio 1974 Calderara. Framed. Provenanace: Marlborough Galleria d'Arte, Rome (dated: 1972; adhesive label).

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CAVAEL, ROLF 1898 Königsberg - 1979 Munich

Lot 224: CAVAEL, ROLF 1898 Königsberg - 1979 Munich

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Description: CAVAEL, ROLF 1898 Königsberg - 1979 Munich Untitled (56/Jn 15). Oil on canvas. 49,5 x 62 cm. Monogrammed lower right: CA (ligated). Verso inscribed and signed: No. 56/Jn 15 ROLF CAVAEL. Framed.

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CAVAEL, ROLF 1898 Königsberg - 1979 Munich

Lot 225: CAVAEL, ROLF 1898 Königsberg - 1979 Munich

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Description: CAVAEL, ROLF 1898 Königsberg - 1979 Munich Untitled (73/Mi 6). Oil on canvas. 60,3 x 80 cm. Monogrammed lower right: CA (ligated). Verso denoted and signed: No. 73/Mi 6 CAVAEL. Craftman's frame.

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CAVAEL, ROLF 1898 Königsberg - 1979 Munich

Lot 226: CAVAEL, ROLF 1898 Königsberg - 1979 Munich

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Description: CAVAEL, ROLF 1898 Königsberg - 1979 Munich Untitled (74/OK3). Oil on canvas. 50 x 60 cm. Monogrammed lower right: CA (ligated). Verso denoted and signed: No. 74/OK3 CAVAEL. Framed.

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CÉSAR 1921 Marseille - 1998 Paris

Lot 227: CÉSAR 1921 Marseille - 1998 Paris

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Description: CÉSAR 1921 Marseille - 1998 Paris Cafetiere-Hommage a Morandi. 1990s. Bronze, grey-black patinated. 19 x 18,5 x 2 cm. Stamped signature on the plinth: César as well as numbered on the edge of the plinth V/XXX. Number V/XXX. Metal plinth.

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CHAPMAN, JAKE UND DINOS 1966 Cheltenham and 1962

Lot 228: CHAPMAN, JAKE UND DINOS 1966 Cheltenham and 1962

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Description: CHAPMAN, JAKE UND DINOS 1966 Cheltenham and 1962 London Double Deathshead. 1997. Colour serigraph on Somerset satin. 71,3 x 86,4 cm (73,4 x 88,3 cm). Signed (verso). The Paragon Press, London (ed.). Framed. - Verso slightly soiled. Otherwise in very good condition. Sheet outside the total of 90 signed and numbered copies published. Part of the portfolio "Screen".

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CHILLIDA, EDUARDO San Sebastián 1924 - 2002

Lot 229: CHILLIDA, EDUARDO San Sebastián 1924 - 2002

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Description: CHILLIDA, EDUARDO San Sebastián 1924 - 2002 Columbus. 1992. Serigraph and embossed printing on Paperki. 18 x 55,5 cm (74,5 x 55,5 cm). Signed and numbered. Edition Domberger, Filderstadt/Artists United for Nature e.V., Munich (ed.). Number 47/100. - Soft cockling due to printing process. Otherwise in perfect condition. Cat.rais. van der Koelen, Nr. 92010. With the blind stamp: "Edition Domberger Columbus". The sheet belongs to the portfolio "Columbus: In Search of a New Tomorrow", for which 37 artists provided works.

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CHRISTO ('Christo Javatscheff') 1935 Gabrovo

Lot 230: CHRISTO ('Christo Javatscheff') 1935 Gabrovo

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Description: CHRISTO ('Christo Javatscheff') 1935 Gabrovo Wrapped Reichstag (Project for Berlin). 1993. Two part collage (fabric, yarn, pencil, charcoal, wax crayon, city map) on cardboard, mounted on wood. 66,8 x 77,5 cm and 30,5 x 77,5 cm. Each in plexiglass case. Signed and dated on the maller work bottom right: Christo 1993. Verso each with the handwritten copyright endorsement of the artist and the dating as well as a handwritten instruction for the hanging of the work. Provenance: Directly from the artist to the current owner.

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CHRISTO ('Christo Javatscheff') 1935 Gabrovo

Lot 231: CHRISTO ('Christo Javatscheff') 1935 Gabrovo

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Description: CHRISTO ('Christo Javatscheff') 1935 Gabrovo Wrapped Trees, Project for the Avenue des Champs-Elysées, Paris. 1992. Colour lithograph and collage (transparent plastic foil worked on with wax crayon, yarn, siteplan, photo, adhesive tape) on cardboard. 70 x 74,5 cm. Signed, dated (1969-90) and numbered. La Polígrafa, Barcelona (Ed.). Number AP 6/30. Craftman's frame. - Bottom right corner minimally bumped. Verso mounted. Cat.rais. Schellmann (1995), no. 160. Collage outside the signed and numbered edition of 100 copies.

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CHRISTOPHER, TOM 1952 Hollywood Messenger at Park.

Lot 232: CHRISTOPHER, TOM 1952 Hollywood Messenger at Park.

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Description: CHRISTOPHER, TOM 1952 Hollywood Messenger at Park. 2000. Acrylic on canvas. 61,5 x 101,5 cm. Signed verso: T Christopher as well as dedication: To Wolf all the Best! Tom Christopher 3-24-2000. Provenance: Gallery Barbara von Stechow, Frankfurt (Main) Literature: Exhibition cat. Tom Christopher. Neue Bilder, Galerie Barbara von Stechow, Frankfurt am Main, colour ill., without page.

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CRAGG, TONY 1949 Liverpool Pallet. 1986. Wood

Lot 232A: CRAGG, TONY 1949 Liverpool Pallet. 1986. Wood

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Description: CRAGG, TONY 1949 Liverpool Pallet. 1986. Wood pallet, coated with plastic granulate, in plexiglass case. 61 x 81 x 4,5 cm. Galerie Bernd Klüser, Munich/ Edition Schellmann, Munich, New York (ed.). The work is part of to the portfolio "Für Joseph Beuys. Dreißig internationale Künstler unserer Zeit ehren Joseph Beuys" ("For Joseph Beuys. Thirty international artists of our time honour Jospeh Beuys"), which was published in an edition of 90 copies.

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CRAGG, TONY 1949 Liverpool Untitled. 2010. Bronze,

Lot 233: CRAGG, TONY 1949 Liverpool Untitled. 2010. Bronze,

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Description: CRAGG, TONY 1949 Liverpool Untitled. 2010. Bronze, green-black patinated. Ca. 210 x 75 x 75 cm. Foundry mark Kunstgießerei Kayser, Düsseldorf. Number unicum. On bronze base. Provenance: Gallery Sies + Höke, Düsseldorf. Private collection, North Rhine-Westphalia. The sculpture exist in another version in stainless steel as well as in bronze with different-coloured patina. Each piece is unique. The sculpture can be inspected in the Greater Cologne area.

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CROISSANT, MICHAEL 1928 Landau (Palatinate) lives

Lot 234: CROISSANT, MICHAEL 1928 Landau (Palatinate) lives

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Description: CROISSANT, MICHAEL 1928 Landau (Palatinate) lives in Munich Head. 1987. Bronze, welded, gold-brown patina. 54 x 27,5 x 4 cm. Included to this work is a photo expertise by the artist Michael Croissant, Gronsdorf, dated December 10, 1988. Provenance: Gallery Wentzel, Cologne (label) Private collection, North Rhine-Westphalia. Literature: Gabler, Josephine/Ohnesorge, Birk (ed.): Der Bildhauer Michael Croissant 1928-2002, mit dem Werkverzeichnis der Skulpturen, Berlin 2003, cat.rais. no. 619 with b/w ill. ERRATUM: The artist died in 2002.

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CROISSANT, MICHAEL 1928 Landau (Palatinate) lives

Lot 235: CROISSANT, MICHAEL 1928 Landau (Palatinate) lives

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Description: CROISSANT, MICHAEL 1928 Landau (Palatinate) lives in Munich Statue. 1990. Bronze, welded, gold-brown patinated. 60 x 17 x 6,5 cm. Monogrammed and dated (incised) on the inside: MC 90. Provenance: Private collection, North Rhine-Westphalia. Literature: Gabler, Josephine/Ohnesorge, Birk (ed.): Der Bildhauer Michael Croissant 1928-2002, mit dem Werkverzeichnis der Skulpturen, Berlin 2003, cat. rais. no. 826 with b/w ill. (here indicated "not inscribed"). ERRATUM: The artist died in 2002.

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DAHMEN, KARL FRED 1917 Stolberg - 1981

Lot 236: DAHMEN, KARL FRED 1917 Stolberg - 1981

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Description: DAHMEN, KARL FRED 1917 Stolberg - 1981 Preinersdorf Untitled. 1964. Mixed media on beaverbord. 48,5 x 40,5 cm. Signed lower centre: Dahmen as well as verso signed, dated and equipped with direction arrows and encircled 3: K.F. Dahmen 1964. Framed. This work is registered by Thomas Weber at the Archive Karl Fred Dahmen, Cologne. Provenance: Gallery Lauter, Mannheim Private collection, North Rhine-Westphalia. ERRATUM: The work is listed by mistake in the catalogue raisonné by Weber under the year 1961 (Wvz-Nr. 053.61 B0344). But it is dated clearly by the artist verso with 1964. Exhibitions: Galerie La Roue, Paris; Galerie Lauter, Mannheim 1972 (image on the invitation). Literature: Lehmbruck/ Rothe, Stuttgart 1976, p. 124 (colored image); Rossenbach, Köln 2000, p. 19 (colored image).

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DAHN, WALTER 1954 Krefeld - lebt und arbeitet in

Lot 237: DAHN, WALTER 1954 Krefeld - lebt und arbeitet in

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Description: DAHN, WALTER 1954 Krefeld - lebt und arbeitet in Köln Ohne Titel. 1987. Oil on canvas. 250 x 250cm. Signed, and dated verso: Walter Dahn 87. Provenienz: Galerie Monika Sprüth, Köln Sammlung Alessandro Grassi, Mailand Literatur: Ausst.-Kat. Pittura europea dagli anni Ottanta ad oggi. Opere dalla Collezione Alessandro Grassi, Mailand 2011, S. 18 (Farbabb.).

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DUBUFFET, JEAN 1901 Le Havre - 1985 Paris Corps de

Lot 238: DUBUFFET, JEAN 1901 Le Havre - 1985 Paris Corps de

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Description: DUBUFFET, JEAN 1901 Le Havre - 1985 Paris Corps de dame. 1950. India ink brush drawing on paper. 27 x 21,3 cm. Signed and dated bottom middle right: J. Dubuffet. Verso inscribed: Collection Gauen(?). Framed. Provenance: Private collection, Rhineland Literature: Loreau, Max: Catalogue des travaux de Jean Dubuffet, vol. VI, Corps de dames, Lausanne 1965, cat.rais. no. 149 with ill.

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FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906

Lot 239: FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906

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Description: FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906 Mainz-Kastel - 1974 Düsseldorf "The silver Village". Ca. 1942. Mixed media on canvas. 85 x 125 cm. Verso signed, dated, titled and indication of measurements: Fath, Winther, Düsseldorf, 1992, "Das silberne Dorf" basic mass with gel scumble. Additionally inscribed on the back of the frame: Fath (Winter Murnau) 13b) Am Eichholz 262F. Framed. Exhibition: Städtische Sammlungen Schweinfurt, 07.-10.2000.

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FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906

Lot 240: FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906

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Description: FATHWINTER, (ACTUALLY FRED A. TH. WINTER) 1906 Mainz-Kastel - 1974 Düsseldorf Untitled (Indiference). 1950. Oil on fibre. 73,5 x 101,5 cm. Dated, inscribed and titled verso: 1950 ... Indiference. Framed. Included with this painting is a certificate by Michael Winter (son of the artist), Düsseldorf, dated June 1, 2001.

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FETTING, RAINER 1949 Wilhelmshaven

Lot 241: FETTING, RAINER 1949 Wilhelmshaven "Mann und Axt

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Description: FETTING, RAINER 1949 Wilhelmshaven "Mann und Axt IX". 1980. Acryl on canvas. 216,5 x 160cm. Signed, dated, and titled verso: Fetting '80' Mann u. Axt IX. Provenienz: Dorsky Galleries LTD., New York (Aufkleber) Mary Boone Gallery, New York (Aufkleber) Sammlung Alessandro Grassi, Mailand Ausstellung: Collezioni alle Stelline, Mailand 2010-2014 Literatur: Ausst.-Kat. Pittura europea dagli anni Ottanta ad oggi. Opere dalla Collezione Alessandro Grassi, Mailand 2011, S. 21 (Farbabb.). Vgl.: Hoet, Jan/ Hartog, Arie (Hrsg.): Fetting. Köln, 2009, S. 152 (Abb.) Infotext_Collection_Grassi "Das Werk von Rainer Fetting unterscheidet sich (...) von der Malerei, die wir aus der Zeit der Modernismen kennen, mit Matisse, den Fauvisten und den Expressionisten, bei denen die Subjektivität der Vision grundlegend war. Bis zu einem gewissen Grad ist dieses Element auch bei Fetting vorhanden. Aber da ist noch mehr: Bei Rainer Fetting geht es vor allem um das Erlangen von Authentizität, wobei jedes Werk Bezug auf die Identität des Künstlers nimmt, seine ganz spezifische Eigenheit, seine Wahrnehmungen und seine Empfindungen, bis hin zu seiner gestisch-visuellen Getriebenheit und seiner Fähigkeit zur Kommunikation. Jedes Kunstwerk unternimmt aufs Neue einen Versuch, das sensible Kontinuum zwischen Kunstwerk und Identität zu gewährleisten. Einzig und allein dadurch besitzt die Malerei die Möglichkeit, uns jedesmal von neuem zu verführen und in Verwunderung und Bewunderung darüber staunen zu lassen, wie es Künstlern gelingt, uns von der Notwendigkeit der schöpferischen Kraft zu überzeugen (...) Rainer Fetting beantwortet diese Vielschichtigkeit mit der Fokussierung auf die sichtbaren Spannungen zwischen Melancholie und Hoffnung, zwischen Geschichte und Zukunft, zwischen Verletzlichkeit und Präzision, zwischen Virtuosität und dem Unbekannten." (Jan Hoet: Bildkraft, Licht und Heftigkeit, in: Fetting. Pfefferle, Karl/ Deschler, Marcus/ Wiechers, Simone u.a. (Hrsg.), Köln 2009, S. 10-11).

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FETTING, RAINER 1949 Wilhelmshaven

Lot 242: FETTING, RAINER 1949 Wilhelmshaven "Arab". 1983.

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Description: FETTING, RAINER 1949 Wilhelmshaven "Arab". 1983. Oil on canvas. 99,5 x 79,5cm. Signed, and dated verso top: Fetting 83. Darüber betitelt: Arab B(?). Framed. Provenienz: studio d'arte cannaviello, Mailand (Galleria Enzo Cannaviello; Stempel) Sammlung Alessandro Grassi, Mailand.

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FISCHER, OLE 1943 Remscheid - 2005 Cologne

Lot 243: FISCHER, OLE 1943 Remscheid - 2005 Cologne

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Description: FISCHER, OLE 1943 Remscheid - 2005 Cologne Untitled. 1983. Mixed media on cardboard. 100 x 73 cm. Signed and dated lower right: Fischer 83. Framed.

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FLEISCHMANN, ADOLF RICHARD 1892 Esslingen - 1968

Lot 244: FLEISCHMANN, ADOLF RICHARD 1892 Esslingen - 1968

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Description: FLEISCHMANN, ADOLF RICHARD 1892 Esslingen - 1968 Stuttgart Composition (588xy). 1961. Oil on canvas. 91 x 73,5 cm. Signed, dated and titled verso top left: a. r. fleischmann 1961, Comp# 588xy. Below indication of measurements. Framed. Provenance: Collection Schoffeniels Private collection, Nuremberg Exhibitions: Salon du XXme Anniversaire, Musée des Beaux-Arts, Liège 1965, cat. pg. 38, without ill., no. 58 (label with provenance information: Schoffeniels)

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FONTANA, LUCIO 1899 Rosario/ Argentina - 1968

Lot 245: FONTANA, LUCIO 1899 Rosario/ Argentina - 1968

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Description: FONTANA, LUCIO 1899 Rosario/ Argentina - 1968 Comabbio (Varese) Zu Otto Hahn: Portrait d'Antonin Artaud. 1968. Perforated Rhodoid plate (oval). 18,5 x 14,5 cm. Monogrammed and numbered bottom right next to the perforation: L.F. 101/150. Le Soleil Noir, Paris (ed.). Number 101/150. Double plexiglass frame. The transparent pink panel is the cover illustration of the book's deluxe edition. Literature: Ruhé, Harry/Rigo, Camillo: Lucio Fontana - graphics, multiples and more..., Amsterdam 2006, cat. rais. no. M-13 with ill.

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FRIEDLANDER, LEE 1934 Aberdeen, Washington - lives

Lot 246: FRIEDLANDER, LEE 1934 Aberdeen, Washington - lives

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Description: FRIEDLANDER, LEE 1934 Aberdeen, Washington - lives in New City, New York NYC. 1966. Gelatin silver print. 22 x 32,7 cm (27,9 x 35,4 cm). Verso signed, titled, dated, indication of number and the photographer's copyright stamp.- Creases in the lower right corner (max. 2,5 cm). Corners are minimally bumped. Slight pressure mark in the lower right image margin. Otherwise in good condition.

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FRUHTRUNK, GÜNTER Munich 1923 - 1982

Lot 247: FRUHTRUNK, GÜNTER Munich 1923 - 1982 "Leichte

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Description: FRUHTRUNK, GÜNTER Munich 1923 - 1982 "Leichte Bewegung II". Slight Movement II. 1959. Casein. Masonite. 122 x 104 cm. Illegibly monogrammed verso bottom right Titled and dated verso top left: Leichte Bewegung II, Nov. 59. Below indication of measurements. Framed. Provenance: Estate Fruhtrunk Gallery Neher, Essen (label) Private collection, Nuremberg Literature: Wendt, Karin: Günter Fruhtrunk - Monographie und Werkverzeichnis, Möglichkeiten und Grenzen des konkreten Bildes, Frankfurt/M. 2001, cat.rais no. 1959-2 without ill. (here titled: "Leichte Bewegung").

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