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Auction Description for Shannon's: American & European Fine Art
Viewing Notes:
October 14 - 19 Monday - Saturday 11 a.m. - 6 p.m. October 20 Sunday Closed October 21 Monday 11 a.m. - 6 p.m. October 22 Tuesday 11 p.m. - 6 p.m. October 23 Wednesday 12 p.m. - 7 p.m. October 24 Thursday 12 p.m. - 5:30 p.m.

American & European Fine Art

by Shannon's

Platinum House

296 lots with images

October 24, 2013

Live Auction

354 Woodmont Road

Milford, CT, 06460 USA

Phone: 203 877 1711

Fax: 203 877 1719

Email: info@shannons.com

296 Lots
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LEON DABO, American (1864-1960), Landscape, oil on canvas, monogrammed lower left., 20 x 24

Lot 1: LEON DABO, American (1864-1960), Landscape, oil on canvas, monogrammed lower left., 20 x 24

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Description: LEON DABO American (1864-1960) Landscape oil on canvas, monogrammed lower left. 20 x 24 Provenance: Private collection, New York, New York.

Condition Report: Canvas: Lined Condition: Good Restoration: Very Minor/Minor Frame: Quality Reproduction Comments: scattered restoration mostly in the sky In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEON DABO, American (1864-1960),

Lot 2: LEON DABO, American (1864-1960), "Woodstock After the Rain", oil on canvas, signed lower left, signed, titled and dated 1911 on the...

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Description: LEON DABO American (1864-1960) "Woodstock After the Rain" oil on canvas, signed lower left, signed, titled and dated 1911 on the reverse. 23 1/2 x 29 1/2 Provenance: Graham Gallery, New York, New York; Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction Comments: scattered very minor inpaint to the sky, right edge and lower right edge In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEON DABO, American (1864-1960),

Lot 3: LEON DABO, American (1864-1960), "Paris 5 Etude de Forms", oil on canvas board, signed and monogrammed lower left, dated 53, monogra...

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Description: LEON DABO American (1864-1960) "Paris 5 Etude de Forms" oil on canvas board, signed and monogrammed lower left, dated 53, monogrammed and titled on the reverse. 16 1/4 x 13 1/8 Provenance: Estate of the artist; Private collection, Atlanta, Georgia.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHN GRABACH, American (1886-1981),

Lot 4: JOHN GRABACH, American (1886-1981), "Along the Sea Wall", oil on canvas, signed lower right., 16 x 20

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Description: JOHN GRABACH American (1886-1981) "Along the Sea Wall" oil on canvas, signed lower right. 16 x 20 Provenance: Private collection, Massachusetts.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ABRAHAM A. MANIEVICH, American (1881-1942), Houses in Autumn, oil on board, signed lower left., 10 x 8

Lot 5: ABRAHAM A. MANIEVICH, American (1881-1942), Houses in Autumn, oil on board, signed lower left., 10 x 8

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Description: ABRAHAM A. MANIEVICH American (1881-1942) Houses in Autumn oil on board, signed lower left. 10 x 8 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DAVID BURLIUK, Russian/American (1882-1967), Flowers on a Beach, oil on canvas board, signed lower right., 16 x 12

Lot 6: DAVID BURLIUK, Russian/American (1882-1967), Flowers on a Beach, oil on canvas board, signed lower right., 16 x 12

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Description: DAVID BURLIUK Russian/American (1882-1967) Flowers on a Beach oil on canvas board, signed lower right. 16 x 12 Provenance: Private collection, Beverly Hills, California.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Old In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DAVID BURLIUK, Russian/American (1882-1967), Fishermen and Boats, oil on canvas, signed lower left., 16 x 22

Lot 7: DAVID BURLIUK, Russian/American (1882-1967), Fishermen and Boats, oil on canvas, signed lower left., 16 x 22

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Description: DAVID BURLIUK Russian/American (1882-1967) Fishermen and Boats oil on canvas, signed lower left. 16 x 22 Provenance: Private collection, Beverly Hills, California.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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VASSILI YACOVIETCH-GRACHEV, Russian (1831-1905),

Lot 8: VASSILI YACOVIETCH-GRACHEV, Russian (1831-1905), "Galloping Cherkessians", bronze, Woerffel ed., signed., 14 1/2"H, 9 1/2"W, 17 1/2"...

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Description: VASSILI YACOVIETCH-GRACHEV Russian (1831-1905) "Galloping Cherkessians" bronze, Woerffel ed., signed. 14 1/2"H, 9 1/2"W, 17 1/2"L Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Comments: a few very minor scuff sand abrasions; needs cleaning In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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VASSILI YACOVIETCH-GRACHEV, Russian (1831-1905), The Farewell Kiss, bronze, Woerffel ed, signed., 8 7/8

Lot 9: VASSILI YACOVIETCH-GRACHEV, Russian (1831-1905), The Farewell Kiss, bronze, Woerffel ed, signed., 8 7/8"H

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Description: VASSILI YACOVIETCH-GRACHEV Russian (1831-1905) The Farewell Kiss bronze, Woerffel ed, signed. 8 7/8"H Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Comments: a few minor scuffs and abrasions; needs cleaning In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JANE PETERSON, American (1876-1965),

Lot 10: JANE PETERSON, American (1876-1965), "The Ghetto, New York", gouache, signed lower left, titled and dated 1916 on the reverse., 18 x...

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Description: JANE PETERSON American (1876-1965) "The Ghetto, New York" gouache, signed lower left, titled and dated 1916 on the reverse. 18 x 24 Provenance: Gift from the artist to Bernard Beck; To his sister-in-law, Katherine Irving Baxter; descended in the family to the present owner. Exhibitions: New York Watercolor Club Art Federation, New York, Fall of 1919.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Reproduction Comments: A repaired 1" tear upper center; losses to 3 corners not visible as framed; some fine craquelure in some of the whites; 2 small spots lower edge; not laid down In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JANE PETERSON, American (1876-1965),

Lot 11: JANE PETERSON, American (1876-1965), "Mott Street", gouache, signed lower right, titled and dated 1916 on the reverse., 18 x 24

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Description: JANE PETERSON American (1876-1965) "Mott Street" gouache, signed lower right, titled and dated 1916 on the reverse. 18 x 24 Provenance: Gift from the artist to Bernard Beck; To his sister-in-law, Katherine Irving Baxter; descended in the family to the present owner. Exhibitions: New York Watercolor Club Art Federation, New York, Fall of 1919.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Reproduction Comments: scattered minor anomalies; fine craquelure to some of the whites; not laid down In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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J. CARLETON WIGGINS, American (1848-1932), Sunlight Through the Clouds, oil on canvas, signed lower light., 18 x 30

Lot 12: J. CARLETON WIGGINS, American (1848-1932), Sunlight Through the Clouds, oil on canvas, signed lower light., 18 x 30

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Description: J. CARLETON WIGGINS American (1848-1932) Sunlight Through the Clouds oil on canvas, signed lower light. 18 x 30 Provenance: Private collection, New York; Descended in the family to the present owner, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Minor Frame: Period Comments: possibly original frame; inpaint to the right and left edges; some other scattered inpaint. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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SANFORD ROBINSON GIFFORD, American (1823-1880),

Lot 13: SANFORD ROBINSON GIFFORD, American (1823-1880), "Mountain Sketch", oil on canvas, initialed lower right., 6 x 7 1/2

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Description: SANFORD ROBINSON GIFFORD American (1823-1880) "Mountain Sketch" oil on canvas, initialed lower right. 6 x 7 1/2 Provenance: Gifford family; Post Road Gallery, New York; Alexander Gallery, New York; Adams Davidson Galleries, Inc. Washington, D.C.; Roger D. Hansen; Richard York Gallery, New York; Private collection, New York. Exhibitions: Adams Davidson Galleries, Washington D.C., "Portraits of Places: A Survey of American Landscapes, 1979, n. 11; Adams Davidson Galleries, Washington, D.C., "American Luminism", February 7-April 15, 1980. n. 8, pp. 16-17 ill.; Richard York Gallery, New York, "The Art Show", 1998. Literature: "Poetic Landscape: The Art and Experience of Sanford R. Gifford", Ila Weiss, 1987, p. 298, ill.

Condition Report: Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALFRED THOMPSON BRICHER, American (1837-1908), Sailing Near a Coast, oil on canvas, signed lower right., 9 x 18

Lot 14: ALFRED THOMPSON BRICHER, American (1837-1908), Sailing Near a Coast, oil on canvas, signed lower right., 9 x 18

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Description: ALFRED THOMPSON BRICHER American (1837-1908) Sailing Near a Coast oil on canvas, signed lower right. 9 x 18 Provenance: Christie's, New York, March 5, 2009, lot 112; Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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HUGH BOLTON JONES, American (1848-1927), The Harbor at Pont Aven, oil on canvas, signed lower right and dated 1878., 14 1/2 x 22

Lot 15: HUGH BOLTON JONES, American (1848-1927), The Harbor at Pont Aven, oil on canvas, signed lower right and dated 1878., 14 1/2 x 22

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Description: HUGH BOLTON JONES American (1848-1927) The Harbor at Pont Aven oil on canvas, signed lower right and dated 1878. 14 1/2 x 22 Provenance: Private collection, Cincinnati, Ohio.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROBERT J. PATTISON, American (1838-1903), Brooklyn with Staten Island in the Distance, oil on canvas, signed lower right and dated 1...

Lot 16: ROBERT J. PATTISON, American (1838-1903), Brooklyn with Staten Island in the Distance, oil on canvas, signed lower right and dated 1...

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Description: ROBERT J. PATTISON American (1838-1903) Brooklyn with Staten Island in the Distance oil on canvas, signed lower right and dated 1875. 29 x 48 Provenance: Charles M. Higgins, Brooklyn, New York c. 1900; descended in the family to the present owner, Westport, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Reproduction Comments: a few very minor spots in the sky. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WARREN EATON, American (1857-1937), Early Morning, Winter, watercolor, signed and dated 1889., 19 1/4 x 13 1/4 (sight)

Lot 17: CHARLES WARREN EATON, American (1857-1937), Early Morning, Winter, watercolor, signed and dated 1889., 19 1/4 x 13 1/4 (sight)

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Description: CHARLES WARREN EATON American (1857-1937) Early Morning, Winter watercolor, signed and dated 1889. 19 1/4 x 13 1/4 (sight) Provenance: Private collection, Long Island, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Period Comments: laid down, slight toning to the paper; mat burn to the right edge In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WARREN EATON, American (1857-1937), Sunlight Through the Trees, oil on canvas, signed lower left., 16 x 12

Lot 18: CHARLES WARREN EATON, American (1857-1937), Sunlight Through the Trees, oil on canvas, signed lower left., 16 x 12

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Description: CHARLES WARREN EATON American (1857-1937) Sunlight Through the Trees oil on canvas, signed lower left. 16 x 12 Provenance: Private collection, New York.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EMIL CARLSEN, American (1848-1932),

Lot 19: EMIL CARLSEN, American (1848-1932), "Full Tide Coast of Maine", oil on canvas, signed lower left, signed and titled on the reverse.,...

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Description: EMIL CARLSEN American (1848-1932) "Full Tide Coast of Maine" oil on canvas, signed lower left, signed and titled on the reverse. 30 x 35 Provenance: Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period Comments: Super quality period frame In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BRUCE CRANE, American (1857-1937),

Lot 20: BRUCE CRANE, American (1857-1937), "Russet Fields", oil on canvas, signed lower left., 20 x 30

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Description: BRUCE CRANE American (1857-1937) "Russet Fields" oil on canvas, signed lower left. 20 x 30 Provenance: Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period Comments: inpaint around the trees In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WARREN EATON, American (1857-1937), Early Evening, oil on canvas on masonite, signed lower left., 20 x 24

Lot 21: CHARLES WARREN EATON, American (1857-1937), Early Evening, oil on canvas on masonite, signed lower left., 20 x 24

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Description: CHARLES WARREN EATON American (1857-1937) Early Evening oil on canvas on masonite, signed lower left. 20 x 24 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good/Good Restoration: Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DWIGHT WILLIAM TRYON, American (1849-1925),

Lot 22: DWIGHT WILLIAM TRYON, American (1849-1925), "Twilight Autumn", oil on panel, signed lower left and dated 1913, signed and titled on...

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Description: DWIGHT WILLIAM TRYON American (1849-1925) "Twilight Autumn" oil on panel, signed lower left and dated 1913, signed and titled on the reverse. 16 x 24 Provenance: Montross Gallery, New York, New York; Vose Gallery, Boston, Massachusetts; Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Period Comments: The frame is possibly original and is of superior quality. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ELMER LIVINGSTON MAC RAE, American (1875-1953),

Lot 23: ELMER LIVINGSTON MAC RAE, American (1875-1953), "Girl in a White Dress", oil on canvas, signed lower left., 27 x 22 1/8

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Description: ELMER LIVINGSTON MAC RAE American (1875-1953) "Girl in a White Dress" oil on canvas, signed lower left. 27 x 22 1/8 Provenance: Greenwich Historical Socety and Bush-Holley House, Greenwich, Connecticut; Joseph H. Hirshhorn, New York (acquired from c. 1971); Sotheby's Arcade, New York, March 31, 1993, lot 264; Private collection, Greenwich, Connecticut; Shannon's, Greenwich, Connecticut, April 28, 2005, lot 111; Private collection, Connecticut.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction Comments: very minor restoration to hair and below chin In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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MARTHA WALTER, American (1875-1976),

Lot 24: MARTHA WALTER, American (1875-1976), "Italian Child", oil on canvas, signed lower right, 26 x 21

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Description: MARTHA WALTER American (1875-1976) "Italian Child" oil on canvas, signed lower right 26 x 21 Provenance: The Woodmere Art Gallery, Chestnut Hill, Pennsylvania; David David Gallery, Philadelphia, Pennsylvania; Private collection, New York; Private collection, Massachusetts. Exhibitions: 1951 Exhibition of Paintings by the Regional Council of Community Art Centers, Philadelphia, Pennsylvania, n. 109.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: None Frame: Superior Quality Reproduction Comments: 2 small imperfections upper left In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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RUTH A. ANDERSON, American (1891-1957), Playing Dress Up, oil on canvas, signed upper left., 30 x 24

Lot 25: RUTH A. ANDERSON, American (1891-1957), Playing Dress Up, oil on canvas, signed upper left., 30 x 24

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Description: RUTH A. ANDERSON American (1891-1957) Playing Dress Up oil on canvas, signed upper left. 30 x 24 Provenance: Private collection, California.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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FERNANDO CUETO AMORSOLO, Filipino (1892-1972),

Lot 26: FERNANDO CUETO AMORSOLO, Filipino (1892-1972), "Lavanderas", oil on canvas, signed lower right and dated 1951., 30 x 24

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Description: FERNANDO CUETO AMORSOLO Filipino (1892-1972) "Lavanderas" oil on canvas, signed lower right and dated 1951. 30 x 24 Provenance: Private collection, Florida.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LOUIS EMILE ADAN, French (1839-1937), Girl with Loaves of Bread, oil on canvas, signed lower right., 36 x 25 1/2

Lot 27: LOUIS EMILE ADAN, French (1839-1937), Girl with Loaves of Bread, oil on canvas, signed lower right., 36 x 25 1/2

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Description: LOUIS EMILE ADAN French (1839-1937) Girl with Loaves of Bread oil on canvas, signed lower right. 36 x 25 1/2 Provenance: Private collection, Darien, Connecticut.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period Comments: frame needs restoration In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GEORGES FRANCOIS LAUGEE, French (1853-1937), Shepardess with Lamb, oil on canvas, signed lower left., 31 1/2 x 25

Lot 28: GEORGES FRANCOIS LAUGEE, French (1853-1937), Shepardess with Lamb, oil on canvas, signed lower left., 31 1/2 x 25

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Description: GEORGES FRANCOIS LAUGEE French (1853-1937) Shepardess with Lamb oil on canvas, signed lower left. 31 1/2 x 25 Provenance: Private collection, Darien, Connecticut.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period Comments: frame needs restoration In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CARL JOSEPH KUWASSEG, French (1802-1877), Shepards Near an Alpine River, oil on canvas, signed., 51 1/2 x 38 1/2

Lot 29: CARL JOSEPH KUWASSEG, French (1802-1877), Shepards Near an Alpine River, oil on canvas, signed., 51 1/2 x 38 1/2

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Description: CARL JOSEPH KUWASSEG French (1802-1877) Shepards Near an Alpine River oil on canvas, signed. 51 1/2 x 38 1/2 Provenance: Shannon's, Greenwich, Connecticut, April 22, 1999, lot 58; Private collection, Connecticut. Other Notes: The work is in its original frame.

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JACK LORIMER GRAY, American (1927-1981),

Lot 30: JACK LORIMER GRAY, American (1927-1981), "Out by the Bull", oil on canvas, signed lower left and dated 60, signed, titled and dated...

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Description: JACK LORIMER GRAY American (1927-1981) "Out by the Bull" oil on canvas, signed lower left and dated 60, signed, titled and dated on the reverse. 24 x 35 Provenance: Private collection, Washington D.C.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: None Frame: Period Comments: possibly in its original frame; needs to be cleaned. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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FREDERICK J. MULHAUPT, American (1871-1938),

Lot 31: FREDERICK J. MULHAUPT, American (1871-1938), "Low Tide St. Ives Harbor, Cornwall, England", oil on board, signed lower left, signed,...

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Description: FREDERICK J. MULHAUPT American (1871-1938) "Low Tide St. Ives Harbor, Cornwall, England" oil on board, signed lower left, signed, titled and inscribed "Gloucester, Mass" on the reverse. 16 x 20 Provenance: Private collection, Washington, D.C. Other Notes: This work is in a Stanford White style frame.

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: Very Minor Frame: Superior Quality Reproduction Comments: very small dot in the center sky In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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MAX KUEHNE, American (1880-1968), View of East Gloucester and Rocky Neck from Point Hill, oil on canvas, signed lower left and dated...

Lot 32: MAX KUEHNE, American (1880-1968), View of East Gloucester and Rocky Neck from Point Hill, oil on canvas, signed lower left and dated...

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Description: MAX KUEHNE American (1880-1968) View of East Gloucester and Rocky Neck from Point Hill oil on canvas, signed lower left and dated 25. 20 x 24 Provenance: Vose Galleries, Boston, Massachusetts; Private collection, Massachusetts. Other Notes: This work is in a Bill Scott hand carved frame, incised and dated 1989 on the reverse.

Condition Report: Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EMILE ALBERT GRUPPE, American (1896-1978),

Lot 33: EMILE ALBERT GRUPPE, American (1896-1978), "Frozen Gloucester Harbor", Smith Cove, oil on canvas, signed lower right, titled on the...

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Description: EMILE ALBERT GRUPPE American (1896-1978) "Frozen Gloucester Harbor", Smith Cove oil on canvas, signed lower right, titled on the reverse, c. 1950. 30 x 36 Provenance: Vose Galleries, Boston, Massachusetts; Private collection, Massachusetts. Exhibitions: Cahoon Museum of American Art, Cotuit, Massachusetts, "A Family of Artists-Gruppe Family", exhibited as "Sadie Noonan Frozen in Smith Cove", March 13-April 29, 2012.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ANDY WARHOL, American (1928-1987), Martha Graham: Letter to the World (The Kick) , screenprint on Lenox Museum Board, HC 7/10, 1986,...

Lot 34: ANDY WARHOL, American (1928-1987), Martha Graham: Letter to the World (The Kick) , screenprint on Lenox Museum Board, HC 7/10, 1986,...

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Description: ANDY WARHOL American (1928-1987) Martha Graham: Letter to the World (The Kick) screenprint on Lenox Museum Board, HC 7/10, 1986, II.389, Rupert Jasen Smith, New York, printer, Martha Graham Center of Contemporary Dance, Inc., New York, publisher, signed and numbered on the reverse. 36 x 36 Provenance: The artist; gifted to Barbara Morgan, photographer and author of Martha Graham: Sixteen Dances in Photographs; descended in the family to the present owner.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: full margins; bright, vivid colors; very minor scattered scuffing; small dent to the center left margin. This work remained unframed in a folio until recently. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ANDY WARHOL, American (1928-1987), Martha Graham: Satyric Festival Song, screenprint on Lenox Museum Board, HC 7/10, 1986, II.387, R...

Lot 35: ANDY WARHOL, American (1928-1987), Martha Graham: Satyric Festival Song, screenprint on Lenox Museum Board, HC 7/10, 1986, II.387, R...

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Description: ANDY WARHOL American (1928-1987) Martha Graham: Satyric Festival Song screenprint on Lenox Museum Board, HC 7/10, 1986, II.387, Rupert Jasen Smith, New York, printer, Martha Graham Center of Contemporary Dance, Inc., New York, publisher, signed and numbered on the reverse. 36 x 36 Provenance: The artist; gifted to Barbara Morgan, photographer and author of Martha Graham: Sixteen Dances in Photographs; descended in the family to the present owner.

Condition Report: Canvas: Not Applicable Condition: Very Good/Good Restoration: None Frame: Reproduction Comments: full margins; bright, vivid colors; two creases extending from the upper left margin , one going to the hand, the other to the elbow and left figure; very minor scapes and abrasions in lower left background; 2 1/2" line scrape from the bottom of the skirt to the outer margin; other minor scuffs and abrasions; varying discloration and abrasions on the reverse. This work remained unframed in a folio until recently. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ANDY WARHOL, American (1928-1987), Martha Graham: Lamentation, screenprint on Lenox Museum Board, HC 7/10, 1986, II.388, Rupert Jase...

Lot 36: ANDY WARHOL, American (1928-1987), Martha Graham: Lamentation, screenprint on Lenox Museum Board, HC 7/10, 1986, II.388, Rupert Jase...

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Description: ANDY WARHOL American (1928-1987) Martha Graham: Lamentation screenprint on Lenox Museum Board, HC 7/10, 1986, II.388, Rupert Jasen Smith, New York, printer, Martha Graham Center of Contemporary Dance, Inc., New York, publisher, signed and numbered on the reverse. 36 x 36 Provenance: The artist; gifted to Barbara Morgan, photographer and author of Martha Graham: Sixteen Dances in Photographs; descended in the family to the present owner.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: full margins, bright, vivid colors; very minor scuffs and slight abrasions; scattered pin-head losses; 3" x 1/4" scraping of the surface on the lower left on the reverse. This work remained unframed in a folio until recently. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROY LICHTENSTEIN, American (1923-1977),

Lot 37: ROY LICHTENSTEIN, American (1923-1977), "Crak!", color offset lithograph, 1963-1964, Corlett, II.2A, Leo Castelli Gallery, pub.; Col...

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Description: ROY LICHTENSTEIN American (1923-1977) "Crak!" color offset lithograph, 1963-1964, Corlett, II.2A, Leo Castelli Gallery, pub.; Colorcraft, signed. 18 1/2 x 27 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: full margins; the colors are vivid, fresh and bright; very slight toning the paper; scattered pin point spots; slight crease upper right (2 inches); very minor wrinkling to the top and bottom edge In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROY LICHTENSTEIN, American (1923-1977),

Lot 38: ROY LICHTENSTEIN, American (1923-1977), "Shipboard Girl", color offset lithograph, 1965, Corlett II.6, Leo Castelli Gallery pub., si...

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Description: ROY LICHTENSTEIN American (1923-1977) "Shipboard Girl" color offset lithograph, 1965, Corlett II.6, Leo Castelli Gallery pub., signed lower right. 26 1/16 x 19 3/16 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good/Good Restoration: Very Minor Frame: Reproduction Comments: full margins; vivid color; paper is slightly toned; the verso has some surface soil; very minor scattered foxing; a few repaired edge tears; scattered damp stains, some of which are visible in the margins; scattered pinholes in the corner; minor restoration the wide black stip upper right In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROY LICHTENSTEIN, American (1923-1977),

Lot 39: ROY LICHTENSTEIN, American (1923-1977), "Foot and Hand", color offset lithograph,1964, Corlett, II.4, Leo Castelli Gallery, pub.; Co...

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Description: ROY LICHTENSTEIN American (1923-1977) "Foot and Hand" color offset lithograph,1964, Corlett, II.4, Leo Castelli Gallery, pub.; Colorcraft, signed. 16 5/8 x 21 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: Full margins, bright and vivid colors, slight toning to the paper overall. There is a 7 inch crease lower right, small areas of staining on the verso midway on the right side. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ANDY WARHOL, American (1928-1987),

Lot 40: ANDY WARHOL, American (1928-1987), "Self-Portait", 1966, offset lithograph, Leo Castelli Gallery, pub., II.16, Feldman Schellman, 14...

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Description: ANDY WARHOL American (1928-1987) "Self-Portait", 1966 offset lithograph, Leo Castelli Gallery, pub., II.16, Feldman Schellman, 148/300, signed. 23 x 23 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Restoration: Minor Frame: Reproduction Comments: this print is in very poor condition; it has folds, extensives creases, tears and abrasions and must be considered salvage. This work must be seen in person by either the buyer or their representative. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ANDY WARHOL, American (1928-1987),

Lot 41: ANDY WARHOL, American (1928-1987), "Flowers", 1964, color offset lithograph, Feldman Schellman, II.6, Leo Castelli, pub., signed., 2...

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Description: ANDY WARHOL American (1928-1987) "Flowers", 1964 color offset lithograph, Feldman Schellman, II.6, Leo Castelli, pub., signed. 23 x 23 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction Comments: bright, vivid colors; full margins; considerable overal staining to the verso; toning to margins; minor scattered foxing; repair small edge tears; old tape mark upper margin verso; scattered anamolies verso. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROBERT BLISS, American (1925-1981),

Lot 42: ROBERT BLISS, American (1925-1981), "Figure on a Swing #1", oil on masonite, signed lower right., 36 x 14

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Description: ROBERT BLISS American (1925-1981) "Figure on a Swing #1" oil on masonite, signed lower right. 36 x 14 Provenance: Vose Galleries, Boston, Massachusetts; Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Reproduction Comments: needs to be cleaned In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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VARIOUS ARTISTS, American (20th Century), ACT UP Art Box (7 works), mixed media sculpture, ed. 95, ACTUP Foundry, signed by each art...

Lot 43: VARIOUS ARTISTS, American (20th Century), ACT UP Art Box (7 works), mixed media sculpture, ed. 95, ACTUP Foundry, signed by each art...

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Description: VARIOUS ARTISTS American (20th Century) ACT UP Art Box (7 works) mixed media sculpture, ed. 95, ACTUP Foundry, signed by each artist, stamped "This Aids Crisis Is Not Over - ACTUP" on the reverse, c. 1993. This ACT UP art box was a benefit edition of six multiples in a birch/maple box with hinges and clasp. On the cover of the box is a unique stenciled work by Nancy Spero. The project was published to encourage awareness of the AIDS epidemic and raise funds for the ACTUP/New York, a non-partisan organization. The artist represented are (top row, left to right): Ross Bleckner, Mike Kelly and Simon Leung; (bottom row, left to right): Louis Bourgeois, Kiki Smith and Lorna Simpson. The accompanying trifold colophon is signed by each artist and Spero and Smith pieces have signatures as well. 14"H, 24"W, 5"D Provenance: Private collection, Connecticut. Other Notes: A portion of this sale will be donated to ACTUP, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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J. ANTONIO HEKKING, American (1830-1903), After the Storm, oil on canvas, signed lower right., 10 x 16

Lot 45: J. ANTONIO HEKKING, American (1830-1903), After the Storm, oil on canvas, signed lower right., 10 x 16

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Description: J. ANTONIO HEKKING American (1830-1903) After the Storm oil on canvas, signed lower right. 10 x 16 Provenance: Private collection, New York.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Reproduction Comments: one inch area of inpaint in the upper right sky In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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J. ANTONIO HEKKING, American (1830-1903), (Four Works) The Bridge Running Brook Cattle on a Path Autumn Landscape, all oil on board,...

Lot 46: J. ANTONIO HEKKING, American (1830-1903), (Four Works) The Bridge Running Brook Cattle on a Path Autumn Landscape, all oil on board,...

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Description: J. ANTONIO HEKKING American (1830-1903) (Four Works) The Bridge Running Brook Cattle on a Path Autumn Landscape all oil on board, three signed. 6 x 9 and smaller Provenance: Private collection, New York. Other Notes: (Additional photos of the paintings offered in this lot may be viewed by visiting www.shannons.com)

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Antique Comments: all four works are in the same condition with very minor scattered dotting. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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J. ANTONIO HEKKING, American (1830-1903), Tranquil River, oil on canvas, signed lower left, signed and inscribed

Lot 47: J. ANTONIO HEKKING, American (1830-1903), Tranquil River, oil on canvas, signed lower left, signed and inscribed "with care, Mamaron...

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Description: J. ANTONIO HEKKING American (1830-1903) Tranquil River oil on canvas, signed lower left, signed and inscribed "with care, Mamaroneck, New York" on the reverse. 20 x 37 Provenance: Private collection, New York

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Period Comments: possibly the original frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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AMERICAN SCHOOL, (19th Century), Indian Rock, Narragansett, oil on canvas, unsigned., 18 x 30

Lot 48: AMERICAN SCHOOL, (19th Century), Indian Rock, Narragansett, oil on canvas, unsigned., 18 x 30

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Description: AMERICAN SCHOOL (19th Century) Indian Rock, Narragansett oil on canvas, unsigned. 18 x 30 Provenance: Private collection, New Mexico.

Condition Report: Canvas: Lined Condition: Very Good/Good Restoration: Minor Frame: Period Comments: scattered minor inpaint; 1" C-shaped repaired tear lower right. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JAMES EDWARD BUTTERSWORTH, American (1817-1894), Off Sandy Hook, oil on panel, signed lower right., 7 7/8 x 11 1/8

Lot 49: JAMES EDWARD BUTTERSWORTH, American (1817-1894), Off Sandy Hook, oil on panel, signed lower right., 7 7/8 x 11 1/8

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Description: JAMES EDWARD BUTTERSWORTH American (1817-1894) Off Sandy Hook oil on panel, signed lower right. 7 7/8 x 11 1/8 Provenance: Frank W. Cole, Monmouth County, New Jersey; descended in the family to the present owner, Massachusetts. Other Notes: Known for marine paintings from subjects he observed in the waters off New York, James Buttersworth lived long enough to depict the early steamship era. His career spanning sixty years was dedicated to portraits of all types of ships at sea such as racing clipper ships, steamers, and yachts. Nearly 600 of his paintings have been found, and his contribution in preserving this colorful chapter in American history is profound. His special skill was portraying the majesty, grace, and movement of sailing vessels, and viewers have a strong sense of being pulled along because of the curves and flow he conveyed in his wind-filled sails.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Unframed In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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HIPPOLYTE MOREAU and PROSPER LECOURTIER, French (19th/20th Century), Piqueur au Relais, bronze, Societe Des Bronzes de Paris foundry...

Lot 50: HIPPOLYTE MOREAU and PROSPER LECOURTIER, French (19th/20th Century), Piqueur au Relais, bronze, Societe Des Bronzes de Paris foundry...

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Description: HIPPOLYTE MOREAU and PROSPER LECOURTIER French (19th/20th Century) Piqueur au Relais bronze, Societe Des Bronzes de Paris foundry, signed and inscribed "A P 1795". 31" H Provenance: Salon des Beaux Arts, Paris, France; Private collection, Long Island, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Comments: needs to be cleaning In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PIERRE JULES MENE, French (1810-1879), Veneur Louis XV a Cheval, gilted bronze, signed and dated 1874., 24 3/4

Lot 51: PIERRE JULES MENE, French (1810-1879), Veneur Louis XV a Cheval, gilted bronze, signed and dated 1874., 24 3/4" H, 24"W

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Description: PIERRE JULES MENE French (1810-1879) Veneur Louis XV a Cheval gilted bronze, signed and dated 1874. 24 3/4" H, 24"W Provenance: Private collection, Long Island, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Comments: a few minor scuffs and abrasions; scattered very minor spots to the patina In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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