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Auction Description for Shapiro Auctions LLC: IMPORTANT FINE ART & ANTIQUES AUCTION including Impressionist & Modern Works by European, Russian, Asian & American
Viewing Notes:
December 3-9th, from 10AM-6PM EST, at 506 East 74th Street, New York, NY 10021 and December 10th, from 9AM-12PM EST, at the same location
Sale Notes:
December 3-9th, from 10AM-6PM EST, at 506 East 74th Street, New York, NY 10021 and December 10th, from 9AM-12PM EST, at the same location

IMPORTANT FINE ART & ANTIQUES AUCTION including Impressionist & Modern Works by European, Russian, Asian & American (246 Lots)

by Shapiro Auctions LLC


246 lots with images

December 10, 2016

Live Auction

New York, NY, USA

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MAURICE UTRILLO (FRENCH 1883-1955)

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Description: MAURICE UTRILLO (FRENCH 1883-1955)Rue a Ivry, 1924oil on board laid on canvas53 x 70.3 cm (20 7/8 x 27 5/8 in.)signed and dated Maurice Utrillo, V, Decembre 1924 lower rightPROVENANCEIn the collection of Dr. A. Roudinesco, Paris by 1962Parke-Bernet Galleries, Inc., New York, 10 October 1968, lot 57Christie's London, 3 July 1979, Lot 81Christie`s New York, November 6, 2008, Lot 227Acquired at the above sale by the current ownerLITERATURE P. Petrides, L'oeuvre complet de Maurice Utrillo, Vol. II, (Paris, 1962), p. 424, no. 1073, illustrated p. 425

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HENRI MARTIN (FRENCH 1860-1943)

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Description: HENRI MARTIN (FRENCH 1860-1943)La tonelle de l'angle nord-ouest du parc de Marquayrol, oil on canvas76 x 92.3 cm (30 x 36 1/4 in.)signed lower rightThis work will be featured in the forthcoming catalogue raisonnéPROVENANCESotheby's, London, 29 June 1988, Lot 141Christie's New York, May 5, 2005, Lot 307Acquired at the above sale by the present owner

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JEAN DUFY (FRENCH 1888-1964)

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Description: JEAN DUFY (FRENCH 1888-1964)La moisson dans l`Oise (Vexin), 1927oil on canvas65 x 81 cm (25 5/8 x 31 7/8 in.)signed Jean Dufy and dated 27 lower right; titled on stretcherLITERATUREJacques Bailly, Catalogue raisonne de l`oeuvre de Jean Dufy, Volume II, (Paris, 2010), reproduced in full page color on page 67, then p.154, B.889PROVENANCEGalerie Jean Tiroche, Inc., Palm Beach, FloridaPrivate Collection (acquired from the above, and thence by descent)Sotheby's New York, February 13, 2008, Lot 113Acquired by the present owner from the above sale

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JEAN DUFY (FRENCH 1888-1964)

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Description: JEAN DUFY (FRENCH 1888-1964)L`oree du bois, 1922oil on canvas81 x 65 cm (31 7/8 x 25 5/8 in.)signed and dated lower rightPROVENANCESotheby's, New York, October 7, 2008Acquired by the present owner at the above saleLITERATUREJacques Bailly, Catalogue raisonne de l`oeuvre de Jean Dufy, Volume II, (Paris, 2010), p. 164, no. B 922

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MOISE KISLING (POLISH-FRENCH 1891-1953)

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Description: MOISE KISLING (POLISH-FRENCH 1891-1953)Port de Saint-Tropez, 1918oil on canvas92 x 73 cm (36 1/4 x 28 3/4 in.)signed and dated lower leftPROVENANCECharles Boyer, Scottsdale, ArizonaSotheby Parke Bernet, Los Angeles, June 23, 1980, Lot 193Hajime Kojima, Tokyo, circa 1989Christie's, New York, May 3, 2006, Lot 346Acquired at the above sale by the present ownerLITERATUREH. Troyat and J. Kisling, Kisling, (Turin, 1982), vol. II, no. VII, p. 237 (illustrated)

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MOISE KISLING (POLISH-FRENCH 1891-1953)

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Description: MOISE KISLING (POLISH-FRENCH 1891-1953)Nature morte au pichet blanc, 1917oil on canvas73 x 55 cm (28 3/4 x 21 5/8 in.)signed and dated lower left; further signed and inscribed Paris Novembre 1917 on versoPROVENANCEGalerie Motte, GenevaGalerie Wally Findlay, ParisAcquired from the above by a private collector in January of 1974Sotheby`s , London, February 6, 2007, Lot 528Acquired at the above sale by the present ownerLITERATUREH. Troyat and J. Kisling, Kisling. Vol. II, (Turin, 1982), no. 8, p. 331 (illustrated)

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ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)

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Description: ALEXANDER SAMOKHVALOV (RUSSIAN 1894-1971)Girl in an Interior, 1940oil on canvas96.5 x 67.5 cm (38 x 26 1/2 in.)titled, dated and inscribed with a confirmation of authorship on the verso by Maria Samokhvalova, the artist`s daughter, in 1993PROVENANCEProperty of a former United States Senator, who acquired the painting in Moscow circa 1993 LOT NOTESAlexander Samokhvalov is regarded as one of the founders and brightest representatives of the Leningrad school of painting. The present lot, Girl in an Interior reflects the pre-war life of the Leningrad intelligentsia, and is a continuation of the series of Samokhvalov’s works dedicated to young Russian women – builders of new life. This composition was created in 1940 – three-year after the artist’s famous Girl in a Football Shirt was awarded the gold medal at the International Art Fair in Paris, (which also included Pablo Picasso’s Guernica). The tenderness, refinement, and intimacy of this portrait is a rare work by a master of Soviet Socialist Realism and heir apparent to Petrov-Vodkin.

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DMITRI PLAVINSKY (RUSSIAN 1937-2012)

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Description: DMITRI PLAVINSKY (RUSSIAN 1937-2012)Boat of Remembrances, 1997oil, acrylic, and collage on canvas152.5 x 152.5 cm (60 x 60 in.)monogrammed lower center; signed, dated and titled on versoPROVENANCEMimi Fertz Gallery, New YorkMichael and Lynda Gardner Collection, New YorkILLUSTRATEDJohn E. Bowlt et al, Dmitri Plavinsky, (New York: Rizzoli, 2000), reproduced in full page color on p. 157 LOT NOTESDmitri Plavinsky was one of the key representatives and leaders of the artistic nonconformist movement in Russia in the 1960s. The artist defined his artistic style as one of "Structural Symbolism," in which the unified image of the world is broken down into sequences of symbols submerged in the layers of time: past, present, and future. His works reflect his travels, ethnography studies, interest in ancient civilizations, as well as his knowledge of music and mathematics.

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DMITRI PLAVINSKY (RUSSIAN 1937-2012)

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Description: DMITRI PLAVINSKY (RUSSIAN 1937-2012)The Arno Bridges, 1997oil, acrylic, and graphite on canvas107 x 157.5 cm (42 x 62 in.)monogrammed lower right; signed, dated and titled on versoPROVENANCEMichael and Lynda Gardner Collection, New YorkILLUSTRATEDJohn E. Bowlt et al, Dmitri Plavinsky, (New York: Rizzoli, 2000), reproduced in full page color on p. 128 LOT NOTESDmitri Plavinsky was one of the key representatives and leaders of the artistic nonconformist movement in Russia in the 1960s. The artist defined his artistic style as one of "Structural Symbolism," in which the unified image of the world is broken down into sequences of symbols submerged in the layers of time: past, present, and future. Avoiding the difficult post-Perestroika years, in 1992 Plavinsky moved to New York City, where he lived and created until 2004. In 1996 the artist traveled to Italy, which inspired him to create a series of works for a solo exhibitions “In search of Italy”, represented in this lot, and reproduced on a full page in the 2000 monograph on the artist published by Rizzoli. This view over a majestic Florence and the Arno river, apart from its beauty, vibrates with a spiritualism that is mystic and transcendent, even above Brunelleschi's dome, done in a way that is quintessentially Plavinsky's.

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JAMIL NAQSH (PAKISTANI B. 1938)

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Description: JAMIL NAQSH (PAKISTANI B. 1938)Sitting No 15, 1964oil on canvas91 x 106 cm (35 7/8 x 41 3/4 in.)signed and dated lower right; inscribed on versoPROVENANCEArts Council of Pakistan, KarachiPrivate Collection, New York, since the 1960sEXHIBITEDPakistan Pavilion of The 1964/1965 New York World`s Fair, New York City (label on verso) LOT NOTESThe present lot is a rare early and large nude by the Pakistani painter Jamil Naqsh. Naqsh has long been considered to be one of the most famous contemporary artists from Pakistan. His work is highly sensual, especially celebratory of the female form, modernist but refined. Naqsh combines Western aesthetic sensibilites with the cultural sensibilities of both Pakistan and India. He was born in Kairana, Uttar Pradesh and later moved to Pakistan, where he trained at the National College of Arts in Lahore. He currently lives in London, and his works have been exhibited worldwide and often appear at international auctions. Sitting No. 15 is an especially important painting by the artist, as it was chosen to be exhibited at the New York World's Fair in 1964 at the Pakistan Pavilion.

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VU CAO DAM (VIETNAMESE-FRENCH 1908-2000)

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Description: VU CAO DAM (VIETNAMESE-FRENCH 1908-2000)Le rendez-vous, 1972oil on canvas92.7 x 73 cm (36 1/2 x 28 3/4 in.)signed and dated Vu caoodam 72 lower left; signed, dated and titled 650 16/ Le rendez-vous/ Vu caodam/ 1972 on the versoPROVENANCEWally Findlay Galleries, New YorkEstate of Marilyn Jones

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LE PHO (VIETNAMESE-FRENCH 1907-2001)

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Description: LE PHO (VIETNAMESE-FRENCH 1907-2001)Flowers in a Blue Vase, oil on canvas65.5 x 81 cm (25 3/4 x 31 7/8 in.)signed lower rightPROVENANCEWally Findlay Galleries

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LE PHO (VIETNAMESE-FRENCH 1907-2001)

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Description: LE PHO (VIETNAMESE-FRENCH 1907-2001)Parisian Flowers, oil on canvas61 x 46.5 cm (24 x 18 1/4 in.)signed lower rightPROVENANCEWally Findlay Galleries, New York

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A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN POURING HEALING WATER

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Description: A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN POURING HEALING WATER the delicate figure of Guanyin shown gently leaning to the side as her robes flutter in the wind, the goddess is surrounded by two attendants and a bird carrying a string of beads, Guanyin is shown holding a vessel and pouring out a stream of flowing healing water, the figure is supported by a pierced wooden base with inlaid patterns, height with base: 25 cm (9 7/8 in.)

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A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN HOLDING A LOTUS

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Description: A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN HOLDING A LOTUS the slender figure of Guanyin is shown holding a blooming lotus flower, the figure is supported by an oval white base, height with base: 18.5 cm (7 1/4 in.)

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A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN

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Description: A CHINESE CARVED RED CORAL FIGURE OF A GUANYIN the goddess is shown gently touching the end of her long tresses with one hand and holding a scroll in the other, a bird perches on a flowering branch next to the deity, height: 15.3 cm (6 in.)

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A GILDED BAROQUE MIRROR, ITALY, CIRCA 17-18TH CENTURY

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Description: A GILDED BAROQUE MIRROR, ITALY, CIRCA 17-18TH CENTURY the mirror of rectangular shape, surrounded by an ornately carved gilded gesso frame featuring scrolling acanthus leaves and a ribboned wreath, 124 x 107 cm (48 3/4 x 42 in.)

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AFTER GIAMBOLOGNA, 18TH CENTURY

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Description: AFTER GIAMBOLOGNA, 18TH CENTURYMercury, circa 1700sbronze with green patinaheight with base: 58 cm (22 7/8 in.)

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AN 18TH CENTURY PAINTING AFTER LUCAS CRANACH THE ELDER

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Description: AN 18TH CENTURY PAINTING AFTER LUCAS CRANACH THE ELDERThe Judgement of Paris, oil on panel103 x 62 cm (40 1/2 x 24 1/2 in.)LOT NOTESThis early version of The Judgement of Paris inspired by a panel on the same subject by Lucas Cranach the Elder (in the collection the Metropolitan Museum of Art, New York) depicts the genesis of the Trojan War and the events that would lead to the city`s eventual demise. The languid figure of Paris is shown in the lower left, about to be woken up by Hermes with a request to determine which of the three goddesses presented, Hera, Aphrodite and Athena, is the most beautiful. Hermes is shown holding a golden apple, which according to legend, was inscribed by Eris (the goddess of discord) to the fairest, after she was not invited to Peleus` and Thetis` wedding, and thrown amid the gods into the celebration. Aphrodite won Paris` favour by promising him the love of Helen, the most beautiful mortal woman, should he select her to be the recipient of the coveted prize.

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ATTRIBUTED TO ANDREA VACCARO (ITALIAN 1604-1670)

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Description: ATTRIBUTED TO ANDREA VACCARO (ITALIAN 1604-1670)Saint Agatha, oil on canvas92.8 x 72.3 cm (36 1/2 x 28 1/2 in.)multiple inscriptions on versoPROVENANCEThe Demidoff collection, Florence (label on verso)Private collection, UruguayEXPERTISEDr. Achille della Ragione, author of the catalogue Andrea Vaccaro: Opera complete (Naples: Napoli Arte, 2014), attributes the present lot as a part of the oeuvre of Andrea Vaccaro. A link to his essay on this painting can be seen here: http://achillecontedilavian.blogspot.com.uy/search?q=uruguay . LOT NOTESAccording to Dr. Lucia Tonini, author of I Demidoff a Firenze e in Toscana (Florence: Leo S. Olschki, 1996), the label on verso indicates that the present lot was a part of the collection belonging to the son, Anatoly Demidoff.

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19TH CENTURY RUSSIAN ARTIST

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Description: 19TH CENTURY RUSSIAN ARTISTPortrait of Countess Aleksandra Vladimirovna Musina-Pushkina, 1853oil on canvas71 x 56 cm (28 x 21 5/8in.)dated and inscribed in Cyrillic lower right K.: LvovPROVENANCEProperty of a Russian Orthodox priest, Tolstoy Foundation, Valley Cottage, New YorkPedersten Gallery, Lambertville, New JerseyAcquired by the present owner from the above in 2008LITERATUREJacques Ferrand, Histoire et genealogie des nobles et comtes Moussine-Pouchkine, (Paris, 1994)LOT NOTES:Jacques Ferrand, author of Histoire et genealogie des nobles et comtes Moussine-Pouchkine, identifies the sitter in his letter to the past owner, dated October 4, 2000 (a copy of the letter is available on request).

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19TH CENTURY RUSSIAN ARTIST

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Description: 19TH CENTURY RUSSIAN ARTISTPortrait of Countess Maria Vladimirovna Musina-Pushkina, oil on panel80 x 64 cm (31 1/2 x 25 1/4 in.)PROVENANCEProperty of a Russian Orthodox priest, Tolstoy Foundation, Valley Cottage, New YorkPedersten Gallery, Lambertville, New JerseyAcquired by the present owner from the above in 2008LITERATUREJacques Ferrand, Histoire et genealogie des nobles et comtes Moussine-Pouchkine, (Paris, 1994)LOT NOTES:Jacques Ferrand, author of Histoire et genealogie des nobles et comtes Moussine-Pouchkine, identifies the sitter in his letter to the past owner, dated October 4, 2000 (a copy of the letter is available on request).

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VLADIMIR YEGOROVICH MAKOVSKY (RUSSIAN 1846-1920)

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Description: VLADIMIR YEGOROVICH MAKOVSKY (RUSSIAN 1846-1920)Ukrainian Girl, 1898oil on panel21 x 13 cm (8 1/4 x 5 1/8 in.)signed and dated lower leftPROVENANCESotheby's, London, November 30, 2010, Lot 3

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MIKHAIL EMILIANOVICH VATUTIN (RUSSIAN 1860-1930)

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Description: MIKHAIL EMILIANOVICH VATUTIN (RUSSIAN 1860-1930)The Pawnbroker, 1896oil on canvas66.5 x 53.2 cm (26 1/4 x 21 in.)signed and dated lower rightLOT NOTESIn 1896, Mikhail Vatutin, then a student at the Moscow Institute of Painting, Sculpture and Architecture, won the silver medal of the Imperial Art Academy for a genre-painting entitled The Pawnbroker. Quite likely, this prize-winning work is the same as the painting featured in the present lot. The following year, Vatutin began his studies at the Saint Petersburg Academy of Art under the tutelage of Vladimir Makovsky, one of the leading painters of the time and a founding member of The Wanderers group. Vatutin studied with Makovsky for three years before completing the program and returning to Moscow, where he continued to live and work for the remainder of his life. Vatutin exhibited regularly and is represented in private and museum collections, including the Dnepropetrovsk Museum of Art.

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ERNST FRIEDRICH VON LIPHART [EARNEST LIPGART] (RUSSIAN 1847-1932)

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Description: ERNST FRIEDRICH VON LIPHART [EARNEST LIPGART] (RUSSIAN 1847-1932)Allegory of the Performing Arts, 1871oil on canvas79.5 x 141 cm (31 1/48 x 55 1/2 in.)signed, dated and inscribed Venice lower left

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MICHEL SIMONIDY (ROMANIAN 1870-1933)

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Description: MICHEL SIMONIDY (ROMANIAN 1870-1933)Autumn Song, 1908oil on canvas65 x 81 cm (25 5/8 x 31b 7/8 in.)signed and dated lower leftLOT NOTESThis is an early Art Nouveau painting from 1908 by the Romanian painter Michel Simonidy. Simonidy exhibited at the Paris Salon from 1908 to 1912, and it is possible that the present lot was exhibited there as well. Originally a pupil of Leon Bonnat and Gabriel Ferrier, Simonidy came from a Greek family from Muntenia, and was originally named Menelas Simonides, or Mihail Simonidi in Romanian. The present lot exemplifies the romantic and stylistic art nouveau style for which he is most well known.

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FRANZ ALEKSEEVICH ROUBAUD (RUSSIAN 1856-1928)

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Description: FRANZ ALEKSEEVICH ROUBAUD (RUSSIAN 1856-1928)The Rider, 1897oil on canvas51.7 x 21 cm (20 3/8 x 8 1/4 in.)signed and dated lower left F. Roubaud 1897; old label on verso reading Closson Galleries Art CincinnatiLOT NOTESClosson's was an important early gallery in Cincinnati, Ohio, founded in 1866. Early in the 20th Century, they were known for selling oriental rugs, American paintings, as well as Far Eastern and West African artifacts and Russian icons. It is reasonable to assume that this painting would have been sold at Closson's prior to 1950.

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FRANZ ALEKSEEVICH ROUBAUD (RUSSIAN 1856-1928)

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Description: FRANZ ALEKSEEVICH ROUBAUD (RUSSIAN 1856-1928)The Ambush, oil on canvas74 x 89.5 cm (29 1/8 x 35 1/4 in.)signed lower right

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A PAIR OF RUSSIAN 19TH CENTURY PAINTINGS

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Description: A PAIR OF RUSSIAN 19TH CENTURY PAINTINGSDepicting scenes of winter sleigh rides and a carriage rushing through the forest, oil on canvaseach: 30.5 x 37 cm (12 x 14 5/8 in.)

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JULIEN DUPRE (FRENCH 1851-1910)

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Description: JULIEN DUPRE (FRENCH 1851-1910)Le lait frais du matin, oil on canvas47 x 56 cm (18 1/2 x 22 in.)signed lower left; various old labels on verso

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CHARLES-PAUL CHAIGNEAU (FRENCH 1879-1938)

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Description: CHARLES-PAUL CHAIGNEAU (FRENCH 1879-1938)Avant l`orage, oil on canvas46.5 x 56 cm (18 1/4 x 22 in.)signed lower left

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ATTRIBUTED TO GEORGES MICHEL (FRENCH 1763-1843)

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Description: ATTRIBUTED TO GEORGES MICHEL (FRENCH 1763-1843)Retour a la tombee de la nuit, oil on canvas50 x 60 cm (19 3/4 x 23 5/8 in.)stamped G. M. on verso of canvas; old label on verso identifies the artist as Georges Michel and titles the work in German Auf dem Heimweg [On the Way Home]

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LOUIS PAUL DESSAR (AMERICAN 1867-1952)

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Description: LOUIS PAUL DESSAR (AMERICAN 1867-1952)L`Halte, oil on panel33 x 23.5 cm (13 x 9 1/4 in.)signed lower leftLOT NOTESBorn in Indiana in 1861, Louis Dessar studied art at the National Academy of Design in New York and later studied in Paris under William Bougereau and Rony Robert-Fleury. He was known for his Barbizon and Tonalist paintings, often of agrarian subjects, and was a leading artist of the Old Lyme, Connecticut artist colony.

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ALFRED BOUCHER (FRENCH 1850-1934)

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Description: ALFRED BOUCHER (FRENCH 1850-1934)Buste de Volubilis, marbleheight: 44.5 cm (17 1/2 in.)signed on baseLOT NOTESMentor to Camille Claudel and friend of Auguste Rodin, the sculptor Alfred Boucher's series of "Volubilis" was based on the idea of a beautiful female emerging from a rough and crudely carved rock. Boucher's extraordinarly facility with marble, and carving in three-quarter relief, achieves this effect powerfully, and demonstrates why Boucher was considered to be one of the favorite sculptors of the 19th Century by nobility, academics, and fellow artists.

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PAUL-JACQUES-AIME BAUDRY (FRENCH 1828-1886)

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Description: PAUL-JACQUES-AIME BAUDRY (FRENCH 1828-1826)The Resting Diana, oil on canvas56.5 x 74 cm (22 1/4 x 29 1/8 in.)signed lower left

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ARTURO RICCI (ITALIAN 1854-1919)

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Description: ARTURO RICCI (ITALIAN 1854-1919)Preparing for the Wedding, oil on canvas89 x 64 cm (35 x 25 1/4 in.)signed lower left; old label on the verso, indicating that the work was at Galleria Hautmann via della Scala 16, Firenze, ItaliaPROVENANCEGalleria Hautmann, Florence, Italy

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EGISTO LANCEROTTO (ITALIAN 18471-1916)

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Description: EGISTO LANCEROTTO (ITALIAN 18471-1916)Occasione Propizia [An Auspicious Occasion], oil on canvas94 x 69 cm (37 x 27 1/8 in.)signed lower left, titled in Italian on verso

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FRANCESCO VINEA (ITALIAN 1845-1902)

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Description: FRANCESCO VINEA (ITALIAN 1845-1902)Pair of Paintings of Courting Couples, 1887oil on canvas73.7 x 58 cm (29 x 22 3/4 in.) and 72.5 x 59 cm (28 1/2 x 23 1/4 in.)each signed and dated lower right

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ATTRIBUTED TO IVAN KONSTANTINOVICH AIVAZOVSKY (RUSSIAN 1817-1900)

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Description: ATTRIBUTED TO IVAN KONSTANTINOVICH AIVAZOVSKY (RUSSIAN 1817-1900)Frigate Svetlana, 1892oil on canvas47.5 x 71 cm (21 1/4 x 31 5/8 in.)signed and dated lower leftPROVENANCEGelos Kiev, September 12, 1998, lot 197Acquired at the above sale by the present ownerEXPERTISEAccompanied by a copy of a letter of expertise by Vladimir Petrov (available upon request)LITERATUREAccording to Vladimir Petrov, illustrated in the album from the archives of the State Tretyakov Gallery I. Aivazovskiy i V. Vereshchagin, early 20th century

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GRIGORIY IVANOVICH KAPUSTIN (RUSSIAN 1865-1925)

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Description: GRIGORIY IVANOVICH KAPUSTIN (RUSSIAN 1865-1925)Sailing Away, oil on canvas22 x 34.5 cm (8 5/8 x 13 1/2 in.)signed lower right

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FREDERICK ARTHUR WINKFIELD (BRITISH FL. C. 1873-1920)

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Description: FREDERICK ARTHUR WINKFIELD (BRITISH FL. C. 1873-1920)Below the London Bridge, oil on canvas46 x 76.5 cm (18 1/8 x 30 1/8 in.)signed lower left, inscribed OEE lower right; old label on the verso reads Below London Bridge / Fredk. A. Winkfield / 59 Britannia Road / Fulham SWPROVENANCEColin Denny Ltd., London

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WILLIAM JOHN WHITTEMORE (AMERICAN 1860-1955)

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Description: WILLIAM JOHN WHITTEMORE (AMERICAN 1860-1955)Gathering Wildflowers, watercolor and gouache on paper49 x 90 cm (19 1/4 x 35 1/2 in.) [sight]signed lower left

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WILLIAM RICKARBY MILLER (AMERICAN 1818-1893)

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Description: WILLIAM RICKARBY MILLER (AMERICAN 1818-1893)The Woodland Path, 1884oil on canvas107 x 81.5 cm (42 1/8 x 32 1/8 in.)signed and dated lower left; titled on stretcher

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LEVI WELLS PRENTICE (AMERICAN 1851-1935)

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Description: LEVI WELLS PRENTICE (AMERICAN 1851-1935)Cows Watering at a Stream, oil on canvas66 x 122 cm (26 x 48 in.)signed lower left

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FRANK TABOR (AMERICAN 1855-1934)

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Description: FRANK TABOR (AMERICAN 1855-1934)Studebaker Wagons on a Trail, 1886oil on canvas102.5 x 133 cm (40 3/8 x 52 1/4 in.)signed and dated lower left

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EMILE ALBERT GRUPPE (AMERICAN 1896-1978)

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Description: EMILE ALBERT GRUPPE (AMERICAN 1896-1978)Early Morning on Mount Mansfield, Vermont, oil on canvas77 x 91.5 cm (30 1/4 x 36 in.)signed lower right

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WILLIAM MERRITT CHASE (AMERICAN 1849-1916)

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Description: WILLIAM MERRITT CHASE (AMERICAN 1849-1916)The Spanish Peasant, etching on papersize of plate: 12.4 x 6.2 cm (4 7/8 x 2 1/2 in.)signed in the plate

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A CONTINENTAL OLD MASTER STILL LIFE

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Description: A CONTINENTAL OLD MASTER STILL LIFEDelicate Flowers, oil on panel29.5 x 38.5 cm (11 5/8 x 15 1/4 in.)signed JEM lower right

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A COLD-PATINATED BRONZE FIGURE OF A RUNNING MOORISH SOLDIER, FRANZ BERGMANN, VIENNA, CIRCA 1900

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Description: A COLD-PATINATED BRONZE FIGURE OF A RUNNING MOORISH SOLDIER, FRANZ BERGMANN, VIENNA, CIRCA 1900ILLUSTRATEDJoseph Zobel, Antique Vienna Bronzes, (Atglen: Schiffer Publishing, 2008), p. 147 the dynamic figure of the running solder shown holding a staff in one hand and a red cloth in the other, dressed in traditional clothing, shown standing on a rock-form base, height: 26 cm (10 1/4 in.), the body and base impressed with Geschutz 2897, impressed amphora mark with letter B on the inside

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IVAN IVANOVICH SHISHKIN (1832-1898)

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Description: IVAN IVANOVICH SHISHKIN (1832-1898)Strolling in the Woods, 1876etching on paperplate: 17.6 x 13.4 cm (7 x 5 1/4 in.); overall: 33.2 x 24.7 (13 1/8 x 9 3/4 in.)signed and dated in plate

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