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American & European Fine Art

by Shannon's

Platinum House

249 lots with images

May 1, 2014

Live Auction

354 Woodmont Road

Milford, CT, 06460 USA

Phone: 203 877 1711

Fax: 203 877 1719

Email: info@shannons.com

249 Lots
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BRYANT CHAPIN, American (1859-1927), Tabletop Still Life, oil on canvas, signed lower right., 23 3/4 x 19

Lot 1: BRYANT CHAPIN, American (1859-1927), Tabletop Still Life, oil on canvas, signed lower right., 23 3/4 x 19

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Description: BRYANT CHAPIN American (1859-1927) Tabletop Still Life oil on canvas, signed lower right. 23 3/4 x 19 Provenance: Private collection, New Jersey.

Condition Report: Canvas: Lined Condition: Very Good/Good Restoration: Very Minor Frame: Superior Quality Reproduction Comments: inpaint to craquelure in the fruit. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALBERT FRANCIS KING, American (1854-1945), Still Life with Oranges and Grapes, oil on canvas, signed lower right., 12 x 18

Lot 2: ALBERT FRANCIS KING, American (1854-1945), Still Life with Oranges and Grapes, oil on canvas, signed lower right., 12 x 18

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Description: ALBERT FRANCIS KING American (1854-1945) Still Life with Oranges and Grapes oil on canvas, signed lower right. 12 x 18 Provenance: Private collection, New Jersey.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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IRVING RAMSEY WILES, American (1861-1948), Still Life with Yellow Roses, oil on panel, signed lower right., 13 x 20

Lot 3: IRVING RAMSEY WILES, American (1861-1948), Still Life with Yellow Roses, oil on panel, signed lower right., 13 x 20

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Description: IRVING RAMSEY WILES American (1861-1948) Still Life with Yellow Roses oil on panel, signed lower right. 13 x 20 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JANE PETERSON, American (1876-1965), Zinnias in a Vase, oil on canvas, signed lower left., 32 x 32

Lot 4: JANE PETERSON, American (1876-1965), Zinnias in a Vase, oil on canvas, signed lower left., 32 x 32

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Description: JANE PETERSON American (1876-1965) Zinnias in a Vase oil on canvas, signed lower left. 32 x 32 Provenance: Private collection, Massachusetts.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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MARCEL DYF, French (1899-1985),

Lot 5: MARCEL DYF, French (1899-1985), "Le cale du Passage" (Brittany, golfe of Morbihan, crossing the Vannes), oil on canvas, signed lower...

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Description: MARCEL DYF French (1899-1985) "Le cale du Passage" (Brittany, golfe of Morbihan, crossing the Vannes) oil on canvas, signed lower right. 23 1/2 x 28 1/2 Provenance: Killgallon Collection; descended in the family to the present owner, Washington D.C. Other Notes: According to Claudine Dyf, the artist's wife, this painting is included in the artist's inventory as being created in 1975 n. ID 2973. The spot of "the passage was one of Dyf's favorites during his summer in Brittany.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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SUZANNE DUCHAMP, French (1889-1962), Port de Nice c. 1920's, oil on canvas, signed lower right., 19 3/4 x 24

Lot 6: SUZANNE DUCHAMP, French (1889-1962), Port de Nice c. 1920's, oil on canvas, signed lower right., 19 3/4 x 24

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Description: SUZANNE DUCHAMP French (1889-1962) Port de Nice c. 1920's oil on canvas, signed lower right. 19 3/4 x 24 Provenance: Private collection, New York, New York. Other Notes: The artist was Marcel Duchamp's sister.

Condition Report: Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DAVID BURLIUK, Russian/American (1882-1967), Untitled, oil on panel, signed lower center., 16 x 24

Lot 8: DAVID BURLIUK, Russian/American (1882-1967), Untitled, oil on panel, signed lower center., 16 x 24

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Description: DAVID BURLIUK Russian/American (1882-1967) Untitled oil on panel, signed lower center. 16 x 24 Provenance: Private collection, Long Island, New York.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: Very Minor Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DAVID BURLIUK, Russian/American (1882-1967), Peasant, Horse and Cart, oil on panel, signed lower right., 9 5/8 x 11 3/4

Lot 9: DAVID BURLIUK, Russian/American (1882-1967), Peasant, Horse and Cart, oil on panel, signed lower right., 9 5/8 x 11 3/4

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Description: DAVID BURLIUK Russian/American (1882-1967) Peasant, Horse and Cart oil on panel, signed lower right. 9 5/8 x 11 3/4 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Old Comments: needs to be cleaned In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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DAVID BURLIUK, Russian/American (1882-1967),

Lot 10: DAVID BURLIUK, Russian/American (1882-1967), "Quick Freezer Fish", oil on panel, signed lower left, 9 1/2 x 13 1/2

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Description: DAVID BURLIUK Russian/American (1882-1967) "Quick Freezer Fish" oil on panel, signed lower left 9 1/2 x 13 1/2 Provenance: Private collection, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good/Good Restoration: None Frame: Old Comments: needs to be cleaned; structural cracking overall; some lifting in the sky In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PAUL CORNOYER, American (1864-1923), Rainy Day, New York, oil on canvas, signed lower left., 18 x 24

Lot 11: PAUL CORNOYER, American (1864-1923), Rainy Day, New York, oil on canvas, signed lower left., 18 x 24

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Description: PAUL CORNOYER American (1864-1923) Rainy Day, New York oil on canvas, signed lower left. 18 x 24 Provenance: McCaugh & Burr Fine Art, St. Louis, Missouri; Descended to a Private collection, Massachusetts.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: None Frame: Period Comments: tiny area of paint loss upper right In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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PAUL CORNOYER, American (1864-1923), French Laundresses, oil on canvas, signed lower left., 18 x 24

Lot 12: PAUL CORNOYER, American (1864-1923), French Laundresses, oil on canvas, signed lower left., 18 x 24

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Description: PAUL CORNOYER American (1864-1923) French Laundresses oil on canvas, signed lower left. 18 x 24 Provenance: Rifkin-Young Fine Art, Riverdale, New York; Private collection, Texas. Literature: American Art Review, August/September, 1994, p. 39.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ABEL WARSHAWSKY, American (1883-1962), Bookstalls Along the Seine, oil on canvas, signed lower right., 20 x 24

Lot 13: ABEL WARSHAWSKY, American (1883-1962), Bookstalls Along the Seine, oil on canvas, signed lower right., 20 x 24

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Description: ABEL WARSHAWSKY American (1883-1962) Bookstalls Along the Seine oil on canvas, signed lower right. 20 x 24 Provenance: William Karges Fine Art, Carmel, California; Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WARREN EATON, American (1857-1937), Lake Como, oil on canvas, signed lower right., 24 x 20

Lot 14: CHARLES WARREN EATON, American (1857-1937), Lake Como, oil on canvas, signed lower right., 24 x 20

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Description: CHARLES WARREN EATON American (1857-1937) Lake Como oil on canvas, signed lower right. 24 x 20 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: None Frame: Period Comments: slight stretcher mark left and right. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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CHARLES WARREN EATON, American (1857-1937),

Lot 15: CHARLES WARREN EATON, American (1857-1937), "Flemish Highway", oil on canvas, signed lower left., 20 x 24

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Description: CHARLES WARREN EATON American (1857-1937) "Flemish Highway" oil on canvas, signed lower left. 20 x 24 Provenance: Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BRUCE CRANE, American (1857-1937), A Winter's Day, oil on canvas, signed lower left., 16 x 22

Lot 16: BRUCE CRANE, American (1857-1937), A Winter's Day, oil on canvas, signed lower left., 16 x 22

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Description: BRUCE CRANE American (1857-1937) A Winter's Day oil on canvas, signed lower left. 16 x 22 Provenance: Private collection, Maryland.

Condition Report: Condition: Excellent/Very Good Restoration: Very Minor Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GUY CARLETON WIGGINS, American (1883-1962),

Lot 17: GUY CARLETON WIGGINS, American (1883-1962), "Winter in Connecticut", oil on canvas, signed lower right., 25 x 30

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Description: GUY CARLETON WIGGINS American (1883-1962) "Winter in Connecticut" oil on canvas, signed lower right. 25 x 30 Provenance: Noonan Kocian Galleries, St. Louis, Missouri; Private collection, Massachusetts.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALLEN TUCKER, American (1866-1939),

Lot 18: ALLEN TUCKER, American (1866-1939), "The Deserted Garden", oil on canvas, signed lower right., 24 x 34 1/2

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Description: ALLEN TUCKER American (1866-1939) "The Deserted Garden" oil on canvas, signed lower right. 24 x 34 1/2 Provenance: Juliana R. Force, New York; St. Johns Museum of Art, Inc., Wilmington, North Carolina; Property of a New York estate.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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EDWARD WILLIS REDFIELD, American (1869-1965),

Lot 19: EDWARD WILLIS REDFIELD, American (1869-1965), "Manan from Smutty Nose, Monhegan", oil on canvas, signed lower left and dated 1926, i...

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Description: EDWARD WILLIS REDFIELD American (1869-1965) "Manan from Smutty Nose, Monhegan" oil on canvas, signed lower left and dated 1926, insccribed "Edw. Redfield to Wm. H. Myers, Feb. 9th, 1926" on the reverse. 18 1/2 x 21 1/4 Provenance: Spanierman Galleries, New York; Gleason Fine Art, Boothbay Harbor, Maine; Carlson Gallery, San Francisco, California; Private collection, Modesto, California; Private collection, Minnesota. Exhibitions: Monhegan Historical & Cultural Museum, Monhegan, Maine, "Side by Side on Monhegan: The Henri Circle and American Impressionists", July 1-September 30, 2004; Spanierman Galleries, New York, "Maine, A Legacy in Painting, 1830 to the Present", October-November 2005.

Condition Report: Canvas: Unlined Condition: Very Good/Good Restoration: Very Minor Frame: Quality Reproduction Comments: overall crazing In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BYRON BROWNE, American (1907-1961),

Lot 20: BYRON BROWNE, American (1907-1961), "Stargazer II", casein, tempera and ink, signed lower right and dated 1950., 26 x 20

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Description: BYRON BROWNE American (1907-1961) "Stargazer II" casein, tempera and ink, signed lower right and dated 1950. 26 x 20 Provenance: Estate of the artist; Meredith Long & Co., Inc., Houston, Texas; Richard L. Triska, Jr., Houston, Texas;

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Reproduction Comments: not examined out of the frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOAN MIRO, Spanish (1893-1983),

Lot 21: JOAN MIRO, Spanish (1893-1983), "La Captive", color etching, aquatint and carborundum, 1969, HC, 489, Dupin, Maeght, signed lower ri...

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Description: JOAN MIRO Spanish (1893-1983) "La Captive" color etching, aquatint and carborundum, 1969, HC, 489, Dupin, Maeght, signed lower right. 37 1/4 x 28 1/4 Provenance: Private collection, Syracuse, New York.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Quality Reproduction Comments: light staining upper right corner; slight waviness to the paper; not examined out of the frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BLANCHE LAZZELL, American (1878-1956),

Lot 22: BLANCHE LAZZELL, American (1878-1956), "Provincetown Studios", woodcut, signed lower right and dated 1933, titled lower left, signed...

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Description: BLANCHE LAZZELL American (1878-1956) "Provincetown Studios" woodcut, signed lower right and dated 1933, titled lower left, signed, titled and dated Aug 17, 1933 on the reverse, bears n. 358/4. 7 7/8 x 4 7/8 Provenance: The artist's estate; descended in the family to the present owner.

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: None Frame: Reproduction Comments: taped down with paper tape and masking tape at the top; slight toning to paper; remnant of old paper tape lower right. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BLANCHE LAZZELL, American (1878-1956),

Lot 23: BLANCHE LAZZELL, American (1878-1956), "Petunias", oil on canvas, signed lower right and dated 1928., 20 x 16

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Description: BLANCHE LAZZELL American (1878-1956) "Petunias" oil on canvas, signed lower right and dated 1928. 20 x 16 Provenance: The artist's estate; descended in the family to the present owner. Exhibitions: Martin Luther Gallery, Palm Beach, Florida, n.d.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: None Frame: Period Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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BLANCHE LAZZELL, American (1878-1956),

Lot 24: BLANCHE LAZZELL, American (1878-1956), "Still Life", oil on canvas on board, signed lower left and dated '26., 16 1/2 x 14 1/4

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Description: BLANCHE LAZZELL American (1878-1956) "Still Life" oil on canvas on board, signed lower left and dated '26. 16 1/2 x 14 1/4 Provenance: The artist's estate; descended in the family to the present owner. Exhibitions: Far Gallery, New York, n.d.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Period Comments: Not cleaned in modern times In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM GLACKENS, American (1870-1938),

Lot 25: WILLIAM GLACKENS, American (1870-1938), "The Dam at Samois", oil on canvas, unsigned., 15 x 20

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Description: WILLIAM GLACKENS American (1870-1938) "The Dam at Samois" oil on canvas, unsigned. 15 x 20 Provenance: Estate of the artist; Kraushaar Galleries, New York; Gift to the present owner, New York. Other Notes: A letter from Kraushaar Galleries accompanies the lot.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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WILLIAM GLACKENS, American (1870-1938),

Lot 26: WILLIAM GLACKENS, American (1870-1938), "Skaters, Lakewood, New Jersey", c. 1910, oil on panel, estate stamp on the reverse., 6 1/4...

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Description: WILLIAM GLACKENS American (1870-1938) "Skaters, Lakewood, New Jersey", c. 1910 oil on panel, estate stamp on the reverse. 6 1/4 x 8 1/4 Provenance: Kraushaar Galleries, Inc., New York, New York; Private collection, Connecticut.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROBERTO MONTENEGRO, Mexican (1887-1968),

Lot 27: ROBERTO MONTENEGRO, Mexican (1887-1968), "Portrait of Jean Cocteau", oil on masonite, signed lower right, signed and titled on the r...

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Description: ROBERTO MONTENEGRO Mexican (1887-1968) "Portrait of Jean Cocteau" oil on masonite, signed lower right, signed and titled on the reverse. 29 1/2 x 31 1/2 Provenance: Private collection, a South Florida Gentleman.

Condition Report: Canvas: Not Applicable Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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VICTOR VASARELY, French (1906-1997),

Lot 28: VICTOR VASARELY, French (1906-1997), "Stri-Arc", oil on canvas, signed lower right, signed, titled and dated 1974 on the reverse, n....

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Description: VICTOR VASARELY French (1906-1997) "Stri-Arc" oil on canvas, signed lower right, signed, titled and dated 1974 on the reverse, n. 2825. 31 3/4 x 31 3/4 Provenance: Inter-Continental Art Agency Ltd., West Vancouver, BC, Canada; Circle Gallery, San Francisco, California; Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: None Frame: Original Comments: needs to be cleaned In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JULES OLITSKI, American (1922-2007),

Lot 29: JULES OLITSKI, American (1922-2007), "Revelation: Red, Black and Turquoise", acrylic on canvas, signed and titled on the reverse and...

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Description: JULES OLITSKI American (1922-2007) "Revelation: Red, Black and Turquoise" acrylic on canvas, signed and titled on the reverse and dated '06. 34 x 36 Provenance: The artist; Private collection, Pennsylvania. Exhibitions: "Jules Olitski The Late Paintings - A Celebration", Knoedler & Company, New York, New York, November 8, 2007-January 5, 2008, p. 41.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Unframed In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GEROME KAMROWSKI, American (1914-2004),

Lot 30: GEROME KAMROWSKI, American (1914-2004), "Cluster", acyrlic and mixed media, initialed lower right., 30 x 26

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Description: GEROME KAMROWSKI American (1914-2004) "Cluster" acyrlic and mixed media, initialed lower right. 30 x 26 Provenance: The artist's family; Weinstein Gallery, San Francisco, California; Private collection, Illinois.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Quality Reproduction Comments: very minor loss lower right In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROLPH SCARLETT, American (1889-1985), Untitled, oil on masonite, signed lower left., 46 x 50

Lot 31: ROLPH SCARLETT, American (1889-1985), Untitled, oil on masonite, signed lower left., 46 x 50

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Description: ROLPH SCARLETT American (1889-1985) Untitled oil on masonite, signed lower left. 46 x 50 Provenance: Fletcher Gallery, Woodstock, New York; Private collection Ontario, Canada.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: Very Minor Frame: Reproduction Comments: break and paint loss upper left corner In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROLPH SCARLETT, American (1889-1985), Untitled, oil & mixed media (possibly seashells) on canvas, signed lower right., 24 x 18

Lot 32: ROLPH SCARLETT, American (1889-1985), Untitled, oil & mixed media (possibly seashells) on canvas, signed lower right., 24 x 18

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Description: ROLPH SCARLETT American (1889-1985) Untitled oil & mixed media (possibly seashells) on canvas, signed lower right. 24 x 18 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ROLPH SCARLETT, American (1889-1985), Untitled, oil on canvas, signed lower right., 30 x 40

Lot 33: ROLPH SCARLETT, American (1889-1985), Untitled, oil on canvas, signed lower right., 30 x 40

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Description: ROLPH SCARLETT American (1889-1985) Untitled oil on canvas, signed lower right. 30 x 40 Provenance: Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Cap In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JASPER FRANCIS CROPSEY, American (1823-1900), View of the Palisades on the Hudson, oil on canvas, signed lower right and dated 1894....

Lot 34: JASPER FRANCIS CROPSEY, American (1823-1900), View of the Palisades on the Hudson, oil on canvas, signed lower right and dated 1894....

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Description: JASPER FRANCIS CROPSEY American (1823-1900) View of the Palisades on the Hudson oil on canvas, signed lower right and dated 1894. 16 x 30 Provenance: The artist; Private collection, Syracuse, New York; T.W. Conroy, Baldswinsville, New York, April 29, 2006, lot 3125; Vallejo Gallery, Newport Beach, California; Private collection, Midwest. Exhibitions: (Possibly) The National Academy of Design, New York, Autumn Exhibition, 1894, n. 272, as "On the Hudson". Other Notes: The painting is included in the catalogue raisonne of the artist's works, n. 2125LC. Our thanks to Dr. Kenneth W. Maddox, of the Newington-Cropsey Foundation for his assistance in cataloguing this lot.

Condition Report: Canvas: Unlined Condition: Excellent/Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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FERDINAND (JOACHIM) RICHARDT, American (1819-1895), Niagara Falls, oil on canvas, signed lower right., 16 x 23 1/3

Lot 35: FERDINAND (JOACHIM) RICHARDT, American (1819-1895), Niagara Falls, oil on canvas, signed lower right., 16 x 23 1/3

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Description: FERDINAND (JOACHIM) RICHARDT American (1819-1895) Niagara Falls oil on canvas, signed lower right. 16 x 23 1/3 Provenance: Private collection, Florida.

Condition Report: Canvas: Unlined Condition: Very Good Restoration: Very Minor Frame: Quality Reproduction Comments: scattered crazing; small chip and some buckling upper left. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ALFRED THOMPSON BRICHER, American (1837-1908), Coastal Scene, oil on canvas, signed with the artist's monogram lower left., 17 x 36

Lot 36: ALFRED THOMPSON BRICHER, American (1837-1908), Coastal Scene, oil on canvas, signed with the artist's monogram lower left., 17 x 36

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Description: ALFRED THOMPSON BRICHER American (1837-1908) Coastal Scene oil on canvas, signed with the artist's monogram lower left. 17 x 36 Provenance: Mr. William Rahuba, Chicago, Illinois; Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHN F. FRANCIS, American (1808-1886),

Lot 37: JOHN F. FRANCIS, American (1808-1886), "Apples and Chestnuts", oil on canvas, signed lower right and dated 1867., 10 3/4 x 13 3/4

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Description: JOHN F. FRANCIS American (1808-1886) "Apples and Chestnuts" oil on canvas, signed lower right and dated 1867. 10 3/4 x 13 3/4 Provenance: Kennedy Galleries, New York, New York; Private collection, Kansas City, Missouri; Private collection; Private collection, New York.

Condition Report: Canvas: Lined Condition: Very Good/Good Restoration: Minor Frame: Superior Quality Reproduction Comments: light overal crazing In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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HERMAN DUDLEY MURPHY, American (1867-1945),

Lot 38: HERMAN DUDLEY MURPHY, American (1867-1945), "Roses", oil on canvas, signed upper right with the artist's device, signed and titled o..

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Description: HERMAN DUDLEY MURPHY American (1867-1945) "Roses" oil on canvas, signed upper right with the artist's device, signed and titled on the reverse. 27 1/8 x 20 1/4 Provenance: Private collection, New York. Other Notes: This painting is in it's original frame designed by the artist.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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JOHN GEORGE BROWN, American (1831-1913), Girl with Doll, oil on canvas, signed lower left., 22 1/2 x 14 1/2

Lot 39: JOHN GEORGE BROWN, American (1831-1913), Girl with Doll, oil on canvas, signed lower left., 22 1/2 x 14 1/2

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Description: JOHN GEORGE BROWN American (1831-1913) Girl with Doll oil on canvas, signed lower left. 22 1/2 x 14 1/2 Provenance: Private collection, New York.

Condition Report: Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Period In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ERIC SLOANE, American (1905-1985), Covered Bridge in Fairfax, Vermont, oil on masonite, signed lower right, inscribed

Lot 40: ERIC SLOANE, American (1905-1985), Covered Bridge in Fairfax, Vermont, oil on masonite, signed lower right, inscribed "Fairfax Villa...

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Description: ERIC SLOANE American (1905-1985) Covered Bridge in Fairfax, Vermont oil on masonite, signed lower right, inscribed "Fairfax Village Bridge" lower left, signed and inscribed "Brookfield, Conn." on the reverse. 25 x 30 Provenance: Private collection, Arizona.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ERIC SLOANE, American (1905-1985), Shingled Barn, Lowell, Vermont, oil on board, signed lower left and inscribed

Lot 41: ERIC SLOANE, American (1905-1985), Shingled Barn, Lowell, Vermont, oil on board, signed lower left and inscribed "To Vernon Talbot,...

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Description: ERIC SLOANE American (1905-1985) Shingled Barn, Lowell, Vermont oil on board, signed lower left and inscribed "To Vernon Talbot, Lowell, VT", signed on the reverse and inscribed "Cornwall Bridge, Conn". 24 x 36 Provenance: Vernon Talbot, Vermont; John Toth, Hamden, Connecticut; descended in the family to the present owner, Connecticut. Other Notes: This barn depicted in this work was illustrated in "An Age of Barns" by Eric Sloane, p. 53, "Shingled Barn of Vermont".

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LAURENCE CAMPBELL, American (b. 1939),

Lot 42: LAURENCE CAMPBELL, American (b. 1939), "Wall Street", oil on canvas, signed lower left, signed and titled on the reverse., 30 x 24

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Description: LAURENCE CAMPBELL American (b. 1939) "Wall Street" oil on canvas, signed lower left, signed and titled on the reverse. 30 x 24 Provenance: Private collection, New Jersey.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LAURENCE CAMPBELL, American (b. 1939),

Lot 43: LAURENCE CAMPBELL, American (b. 1939), "Parade on 5th Avenue", oil on masonite, signed lower left, signed and titled on the reverse....

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Description: LAURENCE CAMPBELL American (b. 1939) "Parade on 5th Avenue" oil on masonite, signed lower left, signed and titled on the reverse. 16 x 12 Provenance: Private collection, New Jersey.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Original In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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KENNETH HAYES MILLER, American (1876-1952),

Lot 44: KENNETH HAYES MILLER, American (1876-1952), "The Fortune" (Solitaire), oil on canvas, signed lower right and dated 1927., 43 1/2 x 3...

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Description: KENNETH HAYES MILLER American (1876-1952) "The Fortune" (Solitaire) oil on canvas, signed lower right and dated 1927. 43 1/2 x 36 1/2 Provenance: Estate of the artist; Zabriskie Gallery, New York, New York; Private collection. Literature: "Kenneth Hayes Miller", Lloyd Goodrich, "The Fortune", 1930, ill. pl. 38; "To Keep Art Alive: The Effort of Kenneth Hayes Miller, American Painter", Lincoln Rothschild, "Solitaire", 1974, p. 8, fig. 52.

Condition Report: Canvas: Lined Condition: Very Good Restoration: Very Minor Frame: Period Comments: It is in an Italian made frame of the period; top 3 inches of the canvas was added by the artist . In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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GARI MELCHERS, American (1860-1932), Still Life with Flowers, oil on canvas, signed lower left., 16 1/8 x 21 1/8

Lot 45: GARI MELCHERS, American (1860-1932), Still Life with Flowers, oil on canvas, signed lower left., 16 1/8 x 21 1/8

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Description: GARI MELCHERS American (1860-1932) Still Life with Flowers oil on canvas, signed lower left. 16 1/8 x 21 1/8 Provenance: Private collection, New York.

Condition Report: Canvas: Lined Condition: Excellent/Very Good Restoration: Very Minor Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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ABRAHAM WALKOWITZ, American (1878-1965), Floral Still Life, oil on canvas, signed lower right and dated 1923., 24 1/8 x 20

Lot 46: ABRAHAM WALKOWITZ, American (1878-1965), Floral Still Life, oil on canvas, signed lower right and dated 1923., 24 1/8 x 20

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Description: ABRAHAM WALKOWITZ American (1878-1965) Floral Still Life oil on canvas, signed lower right and dated 1923. 24 1/8 x 20 Provenance: Private collection, New York.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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REGINALD MARSH, American (1898-1954),

Lot 47: REGINALD MARSH, American (1898-1954), "Apple Cider Tavern", (double-sided) watercolor, signed and dated 1946., 22 1/2 x 31

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Description: REGINALD MARSH American (1898-1954) "Apple Cider Tavern" (double-sided) watercolor, signed and dated 1946. 22 1/2 x 31 Provenance: Estate of the artist; Senator William Benton, 1954; Bernard Danenberg, 1968; Private collection, New York; Estate of Jeanette Levitt; Private collection, Connecticut. Other Notes: This work is identified as Ch56 and Ch56A in the unpublished catalogue raisonne of Marsh's work compiled by Norman Sasowsky. A letter from Mr. Sasowsky accompanies the lot.

Condition Report: Canvas: Not Applicable Condition: Very Good Restoration: None Frame: Quality Reproduction Comments: slight waviness to the paper; not examined out of the frame. In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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RAPHAEL SOYER, American (1899-1987),

Lot 48: RAPHAEL SOYER, American (1899-1987), "Elissa", oil on canvas, signed lower right., 40 x 30

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Description: RAPHAEL SOYER American (1899-1987) "Elissa" oil on canvas, signed lower right. 40 x 30 Provenance: Forum Gallery, New York, New York; Private collection, Connecticut.

Condition Report: Canvas: Unlined Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEROY NEIMAN, American (1921-2012),

Lot 49: LEROY NEIMAN, American (1921-2012), "The Gambling Set", enamel and acrylic on board, signed lower right and dated '58, signed, title..

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Description: LEROY NEIMAN American (1921-2012) "The Gambling Set" enamel and acrylic on board, signed lower right and dated '58, signed, titled and dated on the reverse. 29 x 35 Provenance: The artist, 1958; Jack O'Grady Gallery, Chicago, Illinois; Private Collection, Florida.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Superior Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEROY NEIMAN, American (1921-2012),

Lot 50: LEROY NEIMAN, American (1921-2012), "Olympic Hurdlers", enamel and acrylic on masonite, signed lower right and dated '76, signed, ti..

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Description: LEROY NEIMAN American (1921-2012) "Olympic Hurdlers" enamel and acrylic on masonite, signed lower right and dated '76, signed, titled and dated on the reverse. 30 x 24 Provenance: Private collection, Florida. Literature: "Winners, My Thirty Years in Sports", Leroy Neiman; 1983, ill. p. 332. Other Notes: The 1976 Summer Olympics Games were held in Montreal. This image is of the 100 Meter Hurdle Race which is one of the ten events comprising the decathlon. Neiman captures the motion speed and grace of World Class Athletes. He was an integral part of ABC's Wide World of Sports coverage of the games. A benefit of this exposure helped catapult him to fame as an artist and developed "Sports Art" as a valid genre.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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LEROY NEIMAN, American (1921-2012),

Lot 51: LEROY NEIMAN, American (1921-2012), "Olympic Ski Jump", acrylic and enamel on masonite, signed lower left and dated '80, 19 x 14

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Description: LEROY NEIMAN American (1921-2012) "Olympic Ski Jump" acrylic and enamel on masonite, signed lower left and dated '80 19 x 14 Provenance: Private Collection, Florida. Literature: "Winners, My Thirty Years in Sports", Leroy Neiman; 1983, ill. p. 346. Other Notes: "Ski jumping is not a timing sport, but one based on rational self control with no provisions made for miscalculation. It is dangerous, pure, self motivated, and presently offering no hope of pro contracts or commercials, no celebrity ~ just the exuberance of four seconds in the air." LeRoy Neiman In this work Neiman captures the motion and grace of a world-class athlete. The viewer experiences the adrenalin rush these best-of-breed athletes enjoy after investing years of training and preparation.

Condition Report: Canvas: Not Applicable Condition: Excellent Restoration: None Frame: Quality Reproduction In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon's is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE

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