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Auction Description for Doyle New York: English & Continental Furniture & Decorative Arts/Old Master Paintings

English & Continental Furniture & Decorative Arts/Old Master Paintings (663 Lots)

by Doyle New York


663 lots with images

January 25, 2017

Live Auction

New York, NY, USA

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Follower of Girolamo Francesco Maria Mazzola, called Il Parmigianino Christ Carrying the Cross

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Description: Follower of Girolamo Francesco Maria Mazzola, called Il Parmigianino Christ Carrying the Cross Oil on canvas 47 1/2 x 36 1/4 inches (120.6 x 92 cm) C 

Condition Report: Glue relined. Scattered areas of restoration; some contours and shadows reinforced. Small losses Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Italian School 16th Century The Adoration of the Magi

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Description: Italian School 16th Century The Adoration of the Magi Oil on canvas 39 x 44 1/2 inches (99 x 113 cm) C Estate of Elizabeth Stoerk

Condition Report: Glue relined. Dense varnish layer, difficult to interpret under UV light. Some apparent touches of restoratin; some paint flaking. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Venetian School 16th/17th Century Pastorale   Oil on canvas laid to panel 24 3/4 x 40 1/2 inches  (63 x 103 cm)

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Description: Venetian School 16th/17th Century Pastorale Oil on canvas laid to panel 24 3/4 x 40 1/2 inches (63 x 103 cm) C Property of a Boston, Massachusetts Collector

Condition Report: Scattered areas of restoration. Paint lifting in the lower left corner. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Leonardo da Vinci The Last Supper

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Description: After Leonardo da Vinci The Last Supper Oil on panel 28 1/2 x 54 1/2 inches (72.5 x 138.5 cm) C 

Condition Report: Probably a 19th century work. Scattered touches of restoration throughout. Some contours and shadows reinforced. Compound panel. Very slight bowing of upper panel. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Italian School 16th/17th Century Neptune and Venus Conversing, with Aeneas''s Helmsman Palinurus Falling into the Sea in the Distance..

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Description: Italian School 16th/17th Century Neptune and Venus Conversing, with Aeneas's Helmsman Palinurus Falling into the Sea in the Distance and Ships Surrounded by Sea Goddesses: Two Each brown ink and wash on paper 4 1/2 x 6 1/8 inches (11.5 x 15.5 cm) and 4 1/2 x 6 inches (11.5 x 15.2 cm), respectively C 

Condition Report: Both drawings glued around the edges of the verso to the mat opening, so that both recto are viewable when the piece is unframed. Some wrinkling of the paper. No watermarks. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Vincent Sellaer Flemish, circa 1490-1564 The Virgin and Child with Saint Elizabeth and Other Members of the Holy Family

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Description: Vincent Sellaer Flemish, circa 1490-1564 The Virgin and Child with Saint Elizabeth and Other Members of the Holy Family Oil on canvas 39 1/2 x 46 1/2 inches (100.5 x 118 cm) Vincent Sellaer was born in the Flemish town of Mechelen around 1490 and worked there most of his life. The style of his paintings, which is clearly influenced by early Italian Mannerism, suggests that he worked in Italy during the 1520s. This painting represents a favorite subject in the Netherlands, a "Holy Kinship," which shows the Virgin and Child with other members of their extended family. C From the Collection of Mrs. Eileen Aaron of Aaron Brothers Art Mart

Condition Report: Wax relined. Two large repaired tears at upper left and upper right, with coresponding areas of restoration. Scattered touches of restoration throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Maerten de Vos An Allegory of the Sense of Touch

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Description: After Maerten de Vos An Allegory of the Sense of Touch Oil on canvas 59 1/2 x 89 inches (151 x 226 cm) Unframed This painting is closely related to an engraving in the reverse sense by Adriaen Collaert after a painting of the same subject by de Vos. C 

Condition Report: Glue relined. Scattered areas of restoration throughout. Small losses. Some rippling of the canvas. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Jan Metsys A Merry Company

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Description: Attributed to Jan Metsys A Merry Company Oil on cradled panel 29 3/4 x 42 1/4 inches (75.5 x 107.3 cm) C 

Condition Report: Panel cradled. Several horizontal cracks in the panel, with some small losses that have been carefully restored. Scattered small touches of restoration to faces, hands, hair and table. All restorations have been very discreetly carried out to the highest professional standard. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School  Early 17th Century Portrait of a Young Child

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Description: Dutch School Early 17th Century Portrait of a Young Child Oil on panel 9 x 8 inches (23 x 20.3 cm) C 

Condition Report: A few minor surface losses. Some abrasion in lower left corner. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flemish School 17th Century Figures in a Capriccio Landscape

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Description: Flemish School 17th Century Figures in a Capriccio Landscape Oil on canvas 12 x 9 3/4 inches (30.5 x 24.8 cm) C Property of a Boston, Massachusetts Collector

Condition Report: Glue relined. Old, dense varnish layer, difficult to read under UV light. Some abrasion; some old restoration in the sky. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Bonifazio de'' Pitati, called Bonifazio Veronese Italian, 1487-1553 The Madonna and Child with Saints John the Baptist, Joseph, Anne an

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Description: Bonifazio de' Pitati, called Bonifazio Veronese Italian, 1487-1553 The Madonna and Child with Saints John the Baptist, Joseph, Anne and Elizabeth Oil on canvas 36 1/2 x 57 inches (92.8 x 144.8 cm) C 

Condition Report: Relined with Beva. Scattered areas of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Cornelis de Baellieur Flemish, 1607-1671) The Virgin and Child Enthroned in a Gothic Interior, with Musical Angels

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Description: Cornelis de Baellieur Flemish, 1607-1671) The Virgin and Child Enthroned in a Gothic Interior, with Musical Angels Oil on copper 21 x 17 1/4 inches (54.6 x 4 3.8 cm) The attribution to Bailleur has been confirmed by Dr. Ursula Harting, who has seen the work in person. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to David Vinckboons Figures in a River Landscape

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Description: Attributed to David Vinckboons Figures in a River Landscape Bears partially effaced inscription Pieter Breughel and date 1629 (lr); also stamped with the collector's mark of Alfred von Wurzbach-Tannenberg (Lugt 2587) on the verso Ink and wash on paper laid to thin card 8 1/8 x 12 1/4 inches (20.6 x 31.4 cm) Provenance: Alfred von Wurzbach-Tannenberg, Vienna Private collection, New York C 

Condition Report: HInged to the mount with clear tape. Paper lightly toned; several small holes in the lower register, stains iand creases. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Guido Reni Italian, 17th Century Saint Sebastian

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Description: After Guido Reni Italian, 17th Century Saint Sebastian Oil on canvas 51 1/2 x 37 3/4 inches (130.8 x 96 cm) The original version of this composition is in the Capitoline Museums in Rome. C 

Condition Report: Glue relined. Frame rubbing around the edges with corresponding losses and areas of restoration. Long repaired tear along the upper right margin. Repaired tear at the upper right margin. Scattered small losses and areas of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Guido Reni Saint Catherine of Alexandria

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Description: Circle of Guido Reni Saint Catherine of Alexandria Oil on canvas 38 1/2 x 29 3/4 inches (97.8 x 75.5 cm) C 

Condition Report: Glue relined. Scattered touches of restoraton; some contours reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Lorenzo Masucci Italian, d. 1785 The Assumption of the Virgin

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Description: Lorenzo Masucci Italian, d. 1785 The Assumption of the Virgin Oil on panel, irregularly shaped 15 5/8 x 12 1/2 inches (39.7 x 31.7 cm) Provenance: Mrs. B.M. Allaway Sale: Christie's, April 16, 1926, lot 99, as Giordano Sale: Christie's , December 16, 1983, lot 70 Sale: Christie's London, December 8, 1995, lot 336 C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Domenico Zampieri, called Domenichino Saint Sebastian

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Description: Follower of Domenico Zampieri, called Domenichino Saint Sebastian Oil on canvas 25 9/16 x 19 1/4 inches (65 x 49 cm) C 

Condition Report: Glue relined. Scattered touches of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Giovanni Battista Beinaschi The Penitent Magdalene

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Description: Attributed to Giovanni Battista Beinaschi The Penitent Magdalene Oil on canvas 38 x 28 inches (96.5 x 71 cm) C 

Condition Report: Glue relined. Scant touches of restoration to face, hands, and clothing. Some contours and shadows reinforced. All restorations discreetly carried out to a high professional standard. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Baldassare de Caro Still Lifes of Game: A Pair

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Description: Manner of Baldassare de Caro Still Lifes of Game: A Pair Each inscribed with initials B DC (ll) Oil on canvas 39 3/4 x 50 1/4 inches (101 x 127.6 cm) Unframed C Estate of Edwin C. Whitehead

Condition Report: Glue relined. Areas of restoration; scattered losses, especially around the edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Govaert Flinck Dutch, 1615-1660 A Lady and Gentleman: A Pair, circa 1640-1649

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Description: Govaert Flinck Dutch, 1615-1660 A Lady and Gentleman: A Pair, circa 1640-1649 Oil on panel 31 1/4 x 24 inches (79.4 x 61 cm) Provenance: Roder Collection, 1750, as Mierevelt Castle Ludwigsburg, 1843, as Teniers Stuttgart, Staatsgalerie, as Dutch School New York, private collection Exhibited: Raleigh, North Carolina Museum, Rembrandt and His Pupils, 1956, no. 39 Literature: Catalogue, Stuttgartt Staatsgalerie, 1931, no. 40, illus. Raleigh, North Carolina Museum, Rembrandt and His Pupils, 1956, no. 39, illus. J.W. von Moltke, Govaert Flinck, 1615-1660, Amsterdam, 1965, nos. 440-441, illus. C 

Condition Report: Both: Scattered areas of restoration throughout. These have been executed with great care to the highest professional standard. The lady: The vertical junctures between the three boards of the compound panel are discreetly visible in the background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Phillips Koninck Dutch, 1619-1688 A Tavern Interior with Three Men Smoking and Drinking

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Description: Phillips Koninck Dutch, 1619-1688 A Tavern Interior with Three Men Smoking and Drinking Oil on panel 14 3/4 x 10 3/4 inches (37.5 x 27.2 cm) This work was probably painrted during the 1640s, a period when Koninck was strongly influenced by the work of Adriaen Brouwer. C 

Condition Report: In very good conditon. A few touches of restoration to the face of the man at left. Nothing else visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Bernhard Keil A Man Eating Peas

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Description: School of Bernhard Keil A Man Eating Peas Oil on canvas 28 1/2 x 23 inches (72.5 x 58.5 cm) C Estate of Edwin C. Whitehead

Condition Report: Glue relined. Scattered small losses. especially around the edges. Scattered repairs: two repaired holes in the background in the upper right quadrant; another on the right shoulder of the man, and an area of restoration on the jacket near his neck. Some strengthening of the hair and of some contours. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Michael Sweerts A Gentleman Wearing A Fancy Hat

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Description: Circle of Michael Sweerts A Gentleman Wearing A Fancy Hat Oil on copper 6 x 4 3/4 inches (15.3 x 12 cm) Provenance: Professor Julius Held, New York and Bennington, VT C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Jacob van Ruisdael A Horseman and a Hunter with his Dog in a Northern Landscape

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Description: Follower of Jacob van Ruisdael A Horseman and a Hunter with his Dog in a Northern Landscape Oil on canvas 23 x 28 1/2 inches (58.5 x 72.5 cm) C The Thurston Collection

Condition Report: Glue relined. Dense varnish layer; hard to read under UV light. Dark areas in the clouds restored and the jacket of the running man restored. Background area around the horseman in the distance, and the area around the large rock in the stream in the in the lower rigth quadrant, especially the shadowed area facing the viewer, restored. Contours of the tree in the left foregrond reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Gasparo Lopez Floral Still Lifes: A Pair

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Description: Attributed to Gasparo Lopez Floral Still Lifes: A Pair Each oil on canvas 34 3/8 x 45 1/2 inches (87.3 x 115.5 cm) C 

Condition Report: Wax relined. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Neapolitan School 17th Century Still Life of Melons, Grapes and Other Fruit with a Vase of Flowers

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Description: Neapolitan School 17th Century Still Life of Melons, Grapes and Other Fruit with a Vase of Flowers Oil on canvas 30 x 47 inches (76.2 x 119.4 cm) C 

Condition Report: Glue relined. Mended tear across the lower right corner. Scattered touches of old restoration on the fruit. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Jan Baptist Weenix Fruit on a Ledge

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Description: Attributed to Jan Baptist Weenix Fruit on a Ledge Black and white chalk on gray paper Sight 19 1/2 x 14 1/4 inches (49.5 x 36.2 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Neapolitan School 18th Century Still Life with Flowers, Porcelain and Round Jar in a Landscape

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Description: Neapolitan School 18th Century Still Life with Flowers, Porcelain and Round Jar in a Landscape Oil on canvas 34 3/4 x 45 1/2 inches (88.3 x 115.5 cm) Unframed C 

Condition Report: Glue relined. 3 inch repaired vertical tear in lower left quadrant in the ground. Quarter-sized restoration to the right of the hole. 1 inch repaired tear center right above the white rose. 2 inch vertical repaired hole in background center right. Scattered touches of restoration in background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Margarete Van Os Still Life of Flowers in a Sumptuous Vase, with a Reclining Spaniel

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Description: Attributed to Margarete Van Os Still Life of Flowers in a Sumptuous Vase, with a Reclining Spaniel Oil on canvas laid to board, ovoid 37 1/4 x 27 1/2 inches (94.5 x 70 cm) C 

Condition Report: Apparently cut to an ovoid shape from an original rectangular format. Small loss at upper center; possibly a few tiny touches of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Francois de Troy French, 1645-1730 Portrait of a Gentleman with an Open Book, circa 1680-85

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Description: Francois de Troy French, 1645-1730 Portrait of a Gentleman with an Open Book, circa 1680-85 Oil on canvas 49 1/2 x 38 1/4 inches (126 x 97 cm) Provenance: Private collection, Canada The attribution has been confirmed by Professor Dominique Breme, Director of the Musee National de l'Ile de France and a noted authority on de Troy's work, who has examined the painting in person. The frame, which is thought to be original, was regilt around 1880; it is signed by the gilder Poulin Villeroy Doreur along the side. C 

Condition Report: Glue relined. In very good condition. Some touches of restoration to the hands and clothing; a few tiny touches at the lower edge of the chin. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Pierre Mignard Portrait of a Lady Holding a Garland

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Description: Circle of Pierre Mignard Portrait of a Lady Holding a Garland Oil on canvas, ovoid 37 3/4 x 31 1/4 inches (96 x 77 cm) C 

Condition Report: Glue relined. Visible stretcher marks; a loss to the background in the upper right quadrant. Restoration to the lower arms and some touches of restoration to the face and clothing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Antoine Coypel French, 1694-1752 A Gentleman Wearing a Red Vest   Pastel on paper 10 x 7 5/8 inches (25....

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Description: Charles Antoine Coypel French, 1694-1752 A Gentleman Wearing a Red Vest Pastel on paper 10 x 7 5/8 inches (25.5 x 19.5 cm) C 

Condition Report: Sheet glued to the mount along the upper margin of the verso. Paper toned; mat staining around the edge. A few scattered small stains elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Gaspard Dughet Figures in an Extensive Landscape, a City in the Middle Distance    Oil on canvas 55 x...

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Description: Follower of Gaspard Dughet Figures in an Extensive Landscape, a City in the Middle Distance Oil on canvas 55 x 98 inches (139.5 x 249 cm) C Property of a Boston, Massachusetts Collector

Condition Report: Glue relined; repaired V-shaped tear in the foreground in the lower right quadrant. Scattered areas of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean-Baptiste Le Prince French, 1734-1781 A Russian Peasant

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Description: Jean-Baptiste Le Prince French, 1734-1781 A Russian Peasant Black chalk on paper prepared with blue-gray gouache 10 3/4 x 8 5/8 inches (27.3 x 22 cm) Unmatted and unframed C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Francois de Troy French, 1645-1730 Portrait of an Elegant Lady Resting her Arm on an Urn, circa 1680-85

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Description: Francois de Troy French, 1645-1730 Portrait of an Elegant Lady Resting her Arm on an Urn, circa 1680-85 Oil on canvas 49 1/2 x 38 1/4 inches (126 x 97 cm) Provenance: Private collection, Canada The attribution has been confirmed by Professor Dominique Breme, Director of the Musee National de l'Ile de France and a noted authority on the work of de Troy, who has examined the work in person. The frame, which is thought to be original, was regilt around 1880; it is signed by the gilder Poulin Villeroy Doreur along the side. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Cornelis Troost Dutch, 1696-1750 Portrait of a Gentleman Wearing an Embroidered Jacket

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Description: Cornelis Troost Dutch, 1696-1750 Portrait of a Gentleman Wearing an Embroidered Jacket Signed C. Troost and dated 1725 (ll) Oil on canvas, within a painted oval 19 1/2 x 15 3/4 inches (49.5 x 40 cm) C 

Condition Report: Glue relined; very dense varnish layer showing little under UV light. Some restoration to the out-turned lining of the sitter's jacket. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Spanish Colonial School 19th Century The Adoration of the Trinity

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Description: Spanish Colonial School 19th Century The Adoration of the Trinity Oil on canvas 71 1/2 x 52 inches (181.5 x 132 cm) C Property of a Boston, Massachusetts Collector

Condition Report: Glue relined. Numerous surface losses. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Claude Joseph Vernet Ships in a Storm Off Coastal Cliffs

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Description: Follower of Claude Joseph Vernet Ships in a Storm Off Coastal Cliffs Oil on canvas 39 1/2 x 30 inches (100.4 x 76.3 cm) C Estate of Edwin C. Whitehead

Condition Report: Areas of restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Nicolas-Bernard Lepicie Spring and Autumn: A Pair

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Description: Follower of Nicolas-Bernard Lepicie Spring and Autumn: A Pair Each pastel on paper Each 30 1/2 x 23 1/21 inches (77.5 x 59.7 cm) C 

Condition Report: Some nicks around the edges; some rippling of the paper. Not viewed outside of the frame. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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English School 18th Century A Lady Holding a Small Viol

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Description: English School 18th Century A Lady Holding a Small Viol Oil on canvas 50 x 40 inches (127 x 101.5 cm) C 

Condition Report: Glue relined. Discrete touches of restoration the the sitter's face, hands, arm and upper chest. Some glazing in the sky. Some shadows in the drapery discretely reinforced. All of these touches of restoration have been carried out to the highest professional standard. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Peter Oliver Portrait of the Poet Ben Jonson; Together with English School, 17th Century, Portrait of John Milton

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Description: After Peter Oliver Portrait of the Poet Ben Jonson Oil on tin 8 x 7 inches (20.3 x 17.8 cm) Provenance: Halstead B. Vander Poel (1911-2003), Washington, D.C. and Rome Engraved: Jacobus Houbraken (1678-1780), as after Isaac Oliver, for a series published in Thomas Birch's Heads of Illustrious Persons of Great Britain, 1743; Together with English School, 17th Century, Portrait of John Milton, ink and ink wash on paper, ovoid, sight size 5 1/4 x 4 inches (1.4 x 10 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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John Vanderbank English, 1674-1730 A Lady in a Plumed Tricorn Hat; Together with George Dance, Study of Heads

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Description: John Vanderbank English, 1674-1730 A Lady in a Plumed Tricorn Hat Brown ink with gray wash on paper Sight size 6 1/4 x 4 5/8 (16 x 11.8 cm); Together with George Dance, Study of Heads, black chalk on paper, 5 5/8 x 8 1/4 inches (14.3 x 21 cm) C 

Condition Report: Lower left corner of sheet missing Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of William Hogarth Family Portraits: Four

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Description: Circle of William Hogarth Family Portraits: Four Each oil on canvas laid to panel, ovoid Sight of each 3 1/2 x 3 inches (9 x 7.6 cm) Framed together C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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English School 18th Century Portrait of a Gentleman said to be William Sandeman

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Description: English School 18th Century Portrait of a Gentleman said to be William Sandeman Oil on canvas 12 1/2 x 9 1/4 inches (31.7 x 23.5 cm) C 

Condition Report: Glue relined. In very sound condition. Examination under UV light shows only some strengthening of shadows. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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British School, 18th Century Figures Strolling Around a Lake: Together with French School, 18th Century, The Belvedere

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Description: British School 18th Century Figures Strolling Around a Lake Gray wash on paper 6 1/8 x 10 inches (15.5 x 25.5 cm); Together with French School, 18th Centuryp, The Belvedere, Black ink with gray wash on paper, 8 1/2 x 5 1/2 inches (21.5 x 14 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Joshua Shaw English/American, 1776-1861 Dancing Nymphs Beside the Bay of Naples   Signed J. Shaw and dated ...

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Description: Joshua Shaw English/American, 1776-1861 Dancing Nymphs Beside the Bay of Naples Signed J. Shaw and dated 1851 (lr) Oil on canvas 33 x 49 inches (84 x 124.5 cm) Provenance: Private collection Kenendy Galleries, New York, by 1972 Private collection, New York A self-taught artist from Lincolnshire who emigrated to the United States, Shaw painted landscapes in the English picturesque tradition derived from the poetic fantasies of Claude Lorraine. This one is especially reminiscent of Claude's idylls of the ancient Roman countryside. C 

Condition Report: Wax relined. Scattered touches of restoration in the sky; a few touches on the figures. Areas of restoration in the red clouds just above the horizon. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Stothard English, 1755-1834 Studies of Hector, Andromache and Other Figures

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Description: Thomas Stothard English, 1755-1834 Studies of Hector, Andromache and Other Figures Brown ink on paper 7 3/4 x 6 1/4 inches (19.7 x 15.9 cm) These sketches are closely related to an ink drawing by Stothard in the Victoria & Albert Museum (DYCE 828) showing Hector and Andromache with their son, Astyanax, and his nurse. C 

Condition Report: Laid to the mount. The sheet is toned slightly from exposure to light in a previous framing, leaving a pale contour band along the edges. T here is a horizontal fold funing acrsoss the sheet 2 inches below the upper margin, along which there is creasing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Thomas Lawrence Children: Two

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Description: School of Thomas Lawrence Children: Two Ink and watercolor over black chalk on paper, ovoid Each, 8 3/4 x 6 3/4 inches (22.3 x 17.2 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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English School 19th Century Portraits of Gentlemen: Two; Together with a Portrait of a Man

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Description: English School 19th Century Portraits of Gentlemen: Two Each signed indistinctly and dated 1839 and 1843 respectively Each watercolor and graphite on paper 5 x 4 inches (12.7 x 10 cm); Together with Portrait of a Man, a photomechanical image enhanced with watercolor • 

Condition Report: paper toned Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Webb English, 1825-1895 The Hunter''s Catch

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Description: James Webb English, 1825-1895 The Hunter's Catch Signed J. Webb and dated 1851 (ll) Oil on canvas 32 5/8 x 47 3/8 inches (83 x 125 cm) C The Thurston Collection

Condition Report: Glue relined. Inpainted cracks and other scattered areas of restoration in the sky. Scattered restoration in the landscape. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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