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Auction Description for Auctionata: #87 Fine Arts
Sale Notes:
The works appearing at this auction range from idyllic landscape motifs to intricate genre paintings and fine character studies, making for an appealing selection of works for fine art aficionados. Works by José Vela Zanetti, Silvio Poma and Jules Ruinart de Brinant exemplify the wide variety of exciting paintings on offer and invite you to join in and place your bids.

#87 Fine Arts

(116 Lots)

by Auctionata


116 lots with images

August 28, 2014

Live Auction

Franklinstrasse 13

Berlin, 10587 Germany

Phone: +49 30 9832 0222

Fax: +49 30 20239 2169

Email: sales@auctionata.com

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Andor Heller (born 1904), Oil Painting, 'Czárdás', 1941

Lot 1: Andor Heller (born 1904), Oil Painting, 'Czárdás', 1941

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Description: Oil on canvas, relinedHungary, 1941 Andor Heller (1904 -?) - Hungarian genre painterSigned and dated lower right 'Andor Heller. 1941'Overall dimensions framed: 70 x 92 cm Good Condition Charming painting executed in dynamic ductus depicting a vivid traditional dance scene in broad, ornamented gold frameThis oil painting by Hungarian painter Andor Heller was created in 1941. Depicted is a vivid genre scene, executed in dynamic ductus. Two musicians play in front of a tavern where some couples in a high-spirited atmosphere are dancing the so-called 'Czárdás', which is a traditional Hungarian folk dance. The couple in the image foreground seem to enjoy their dance particularly. The traditional women's clothing appear in delicate bright colors, as well as the lovely face of the dancing woman. Andor Heller is presenting his characters as if they were on stage and is thereby illustrating the traditions of the Hungarian people in quite a charming way.The painting is signed and dated lower right 'Andor Heller. 1941' and is in good condition. The canvas is relined. Within the subject, as well as at the edges, there are occasional small retouched spots, which are only visible under UV-light. The golden frame shows slight signs of wear. The stretcher measures 57 x 79 cm. The framed dimensions are 70 x 92 cm.Andor Heller (geb. 1904)Andor Heller was born 1904 in Hungary. He used to work as a genre and figurative painter, who created mainly images with the representation of women and children in their home environment and further scenes from mythology, which he executed in delicate bright colors and in his dynamic characteristic style. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Erhard Amadeus Dier (1893-1969), Painter at the River, c. 1930

Lot 2: Erhard Amadeus Dier (1893-1969), Painter at the River, c. 1930

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Description: Oil on panel Austria, circa 1930 Erhard Amadeus Dier, called Amadeus-Dier (1893-1969) - Austrian painter and graphic artistSigned and dated lower right 'E. Amadeus-Dier'Simple frameOverall dimensions framed: 58.5 x 74.5 Good condition Provenance: Private Collection, Lower Saxony Humorous scene with painters, nude and drawing women, surprised by a farmer The painting presented here was created by Austrian artist Erhard Amadeus Dier around 1930. Shown is a caricatural genre scene, executed in loose brushwork. A painter and his female scholars painting a nude are caught unprepared by a peasant with his donkey.The painting is signed 'E. Amadeus-Dier'. The varnish shows horizontal and vertical rubbing of the surface, as well as rubbing long the edges due to the framing. There is a small color spot in the upper margin, on verso the outer edges show old traces of glue. The painting appears to be in a good overall impression. The image measures 48 x 64 cm. The framed dimensions are 58.5 x 74.5 cm. The frame is lightly stained.Erhard Amadeus Dier (1893-1969)The Austrian painter Erhard Amadeus Dier was born 1893 in Vienna. He attended the Academy of Fine Arts in Vienna where he studied under Josef Jungwirth and Camillo Sitte. He first worked as an illustrator. En passant he painted portraits and animal images and was also active as a porcelain painter. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Fritz Beinke (1842-1907), Family Portait with Dog, around 1900

Lot 3: Fritz Beinke (1842-1907), Family Portait with Dog, around 1900

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Description: Oil on canvas, mounted on hardboard Dusseldorf, Germany, around 1900Fritz Beinke (1842-1907) - German painter of the Dusseldorf School Signed lower right 'Fritz Beinke'Beautifully framed genre scene of a rural family idyll with dog Overall dimensions, framed: 83 x 100 cmProvenance: Private collection, North Rhine-Westphalia, Germany The artist of the Dusseldorf School is well-known for his narrative genre depictions; these works fetch up to 10,000 euros at international auctionsThe present painting is a typical genre scene by the German artist Fritz Beinke and was painted around 1900. The work focuses on the family life in the country and depicts a mother with a baby on her lap, watching her children at play with the dog. The romantic depiction is a beautiful example of the artist's oeuvre, which reflects the artistic approach of the Dusseldorf School.The painting is in good condition considering its age. There are light areas of retouching at the cheek and the eyes of the mother as well as at the eyes of some children. The edges show light marks, where the frame has rubbed and further light areas of retouching. The canvas is slightly dirty due to its age. The wooden frame shows small traces of age and use. The framed work measures 83 x 100 cm and the size of the stretcher measures 65 x 80.5 cm.Fritz Beinke (1842-1907)The German painter Fritz Beinke attended the Academy of Arts in Dusseldorf, where he was trained by Karl Ferdinand Sohn (1805-1867) and Eduard Bendemann (1811-1889), amongst others. This was followed by a number of study trips through Germany and Northern Italy. The genre scenes by Ludwig Knaus (1829-1910) revealed an important source of inspiration and finally lead to his specification in genre painting. Fritz Beinke was a follower of the Dusseldorf School and his works are mainly in private hands, today. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Jules de Ruinart Brinant (1838-1898), The Letter, 1861

Lot 4: Jules de Ruinart Brinant (1838-1898), The Letter, 1861

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Description: Oil on canvas France, 1861 Jules de Ruinart Brinant (1838-1898) - French landscape and genre painter Signed and dated lower left 'Jules Ruinart. 1861'Highly detailed and very finely executed genre painting Simple gold shimmering frame Overall dimensions framed: 45.5 x 35.5 cm Good Condition Provenance: Private collection, North GermanyThe international auction record for one of the paintings by Jules de Ruinart Brinant is about 13,000 eurosThe painting presented here was created by the French genre painter Jules de Ruinart Brinant in the year 1861. The image shows a young woman washing the laundry as she just found a letter in the garment lying in the wash bowl. Her cheeks blush while reading the letter and also a reserved smile can be read from her lips. The painter Ruinart shows some great attention to detail in his paintings, the particularly finely painted vine tendrils in the foreground are illuminated by the oblique incident sunlight. Also the representation is peppered with loving animals, such as a butterfly or with everyday objects such as the shaded ceramic beer jug on the left side.The painting is signed and dated 'Jules Ruinart. 1861 '. It is in good condition, with some retouching around the head. Small traces due to framing. Overall of good impression. Image size: 28 x 38 cm. Overall dimensions framed: 45.5 x 35.5 cm. The frame with slight traces of use.Jules de Ruinart Brinant (1838-1898) The French painter Jules de Ruinart Brinant saw the light of day in 1838. Unfortunately there is not much known about the artist, however, his works testify particular detailed execution. He preferably painted genre scenes, but also still lives and landscapes with city views belong to his oeuvre. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Jean -Antoine Watteau - after, 'Fêtes Vénitiennes', circa 1900

Lot 5: Jean -Antoine Watteau - after, 'Fêtes Vénitiennes', circa 1900

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Description: Oil on canvasPresumably France, circa 1900After Jean-Antoine Watteau (1684 -1721) - French Rococo painterCopy after Watteau's original composition in the National Gallery of Scotland, Edinburgh (1718 /19)Gilded stucco frameOverall dimensions, with frame: 51 x 45 cmGood conditionProvenance: German private collectionWatteau was a master of gallant scenes, which were widely spread through his printsThe present work derives from the painting 'Fêtes Vénitiennes' (1718/19) of the French Rococo painter Jean-Antoine Watteau (1684 -1721), now in the National Gallery of Scotland in Edinburgh. The artist has painted the present version after a print of 1732. The seated musician is traditionally identified with a self-portrait of Watteau, while the dancer in the center is considered the mistress of the Duke of Orleans. Her dancing partner is Nicolas Vleughels, a Flemish painter and friend of Watteau.The painting is in good condition showing some wear marks. There a few parts with barely visible dents caused by the pressure of the stretcher. The gilt stucco frame is overall in good condition, showing some cracks and losses at the lower right. The overall dimensions, with frame, are 51 x 45 cm, and the stretcher measures 42 x 36 cm.Jean-Antoine Watteau (1684-1721)Jean-Antoine Watteau began his artistic education at the age of 10 with Jacques-Albert Gérin in Valenciennes. In 1702, the young artist moved to Paris, where he started working as a stage painter with Claude Gillot, and later as a decoration painter with Claude Audran, the custodian of the Galerie du Luxembourg. He was accepted at the Academy in 1708, and he became a member in 1717, after applying for it with his painting 'The Embarkation for Cythera' (now in the Louvre). Watteau is often considered the most important painter of the French Rococo and is known as the inventor of the 'Fêtes Galantes'. His works are on display in major museum collections, for example in the Louvre or Eremitage. Greater collections of his works can be found in Sanssouci castle in Potsdam, and in the Wallace Collection in London. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Pair of Oil Paintings, Wells in Romantic Landscape, 19th C

Lot 6: Pair of Oil Paintings, Wells in Romantic Landscape, 19th C

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Description: Oil on wood panelPresumably Germany, mid-19th CenturyEach with a person at the wellIn identic, richly decorated framesMeasurements, framed: 35 x 31 cm (each)Good conditionThis pair oil paintings was rendered in the mid-19th century. Each painting depicts a person at the well which is situated in a forested landscape. One of the paintings shows a male figure resting by leaning at the well with his dog sitting next to him. The other painting is off a woman fetching water out of the same well. This pair is a nice example of a painting style and subject matter associated with late romanticism.The paintings are in good condition with slight traces of framing. The ornamental gold colored frames show notches and were at one point restored. The dimensions, including the frames, are 35 x 31 cm and the dimensions of the panels are 23 x 18.5 cm each. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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David Teniers II Follower, Oil Painting 'Revellers', 19th C

Lot 7: David Teniers II Follower, Oil Painting 'Revellers', 19th C

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Description: Oil on wood, parquetted (later)Germany, 19th centuryFollower of David Teniers II (1610-1690) - Flemish painterVerso with a tag 'David Teniers der jüngere fecit, ca. 1620'High-quality genre image with a tavern scene Framed in an elaborately decorated stucco frameTotal dimensions, framed: 36 x 31.5 cmGood conditionObject is regular taxed. Differential taxation is not possibleCentral image motif of this oil painting, which was created in the style of the Flemish painter David Teniers II (1610-1690), are two revellers in a tavern. In front, a man of middle age is sitting at a wooden table. Dressed in a feathered cap, he is looking directly at the viewer. He is holding a lit pipe in his left hand; with his right hand he is grabbing a tall beer jug. On his right is sitting a peasant, who is filling himself a pipe. The scene is rounded off with a humorous drawing with the likeness of a man, which is attached to the wall behind. Above the drawing is a shelf with different vessels standing on it, which adds a still-life-like element to the image. A typical genre scene in the style of the 17th century!The painting displays traces of wear and age. It was painted on a later parquetted wooden panel. The colour surface is varnished and depicts framing marks, as well as small touch ups, also in the area of the faces, which are invisible with the bare eye. The high-profile stucco frame shows losses of material and touch ups of paint. On the reverse is an old tag with the hand-written annotation 'David Teniers der jüngere fecit, ca. 1620'. The total dimensions, including the frame, are 36 x 31.5 cm. The wooden panel is 26 x 20.8 cm in size.David Teniers II (1610-1690)The Flemish painter David Teniers II (the Younger) came from Antwerp and was taught by his father David Teniers I. (the Elder). Married to the daughter of Jan Brueghel the Elder, his later works show the influence of Peter Paul Rubens and Adriaen Brouwer. In 1633, he became a member of the Guild of Saint Luke of Antwerp, whose dean he became in 1645. In 1651, he was appointed courtly painter in Brussels. Here, he managed the art collection of Archduke Leopold Wilhelm and created the so-called 'Theatricum Pictorum' for him in 1660, presumably the first pictured catalogue of a collection of paintings ever. In 1664, Teniers established the Antwerp Academy.David Teniers II has created an extensive oeuvre, including tavern scenes, kermesses, guard rooms, alchemist and witch kitchens, as well as biblical scenes, such as the frequently executed 'Temptation of Saint Anthony'. His genre scenes were extremely popular with art collectors of his time. Today, many of his works hang in almost every well-known art gallery, for example, in the Berlin and Dresden Painting Galleries, the Uffizi in Florence, the Hermitage in St. Petersburg, the Museo del Prado in Madrid, the Louvre and the Kunsthistorische Museum in Vienna. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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David Teniers II Follower, 'The Gold-Weighers', 19th Century

Lot 8: David Teniers II Follower, 'The Gold-Weighers', 19th Century

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Description: Oil on wood, parquetted (later)Germany, 19th centuryFollower of David Teniers II (1610-1690) - Flemish painter High-quality genre scene with gold-weighers after the original by Teniers in the National Gallery in London , Inv. No. 155Decorative stucco frame Overall dimensions, with frame: 35.5 x 31 cmGood conditionObject is regular taxed. Differential taxation is not possible'The Gold-Weighers' is a high-quality oil painting probably made by a German artist in the manner of David Teniers II (1610-1690) after the original by this artist, that is today in the possession of the National Gallery in London (Inv. No. 155). From this painting, there also exist engravings, for example by Frans van der Steen (c. 1625-1672). The genre scene shows an interior with a gold-weigher and her husband at the table. The subject of gold weighing was popular in the Dutch painting of the 16th and 17th century. The weighing and counting of gold symbolized the vice of avarice, one of the seven deadly sins. A French copper engraving of the 17th century also calls this occupation the last 'Plaisir des Viellards'. The painting offers a very fine and expressive depiction of the characters, especially of the faces that come close to the quality of the great master Teniers.The painting was painted on wood panel, which later has been parquetted. It is in good condition, featuring normal wear. It shows a varnish, a patina of age, a slight crackle and some paint flaking at the edges. At the lower part are visible small touch-ups. The golden stucco frame has some blemishes. The overall dimensions with frame are 35.5 x 31 cm, and the wood panel measures 26 x 21 cm.David Teniers II (1610-1690)The Flemish painter David Teniers II (the Younger) was born in Antwerp and studied with his father David Teniers I (the Elder). His later works show an influence of Peter Paul Rubens and Adriaen Brouwer. In 1633, Teniers was a member of the Guild of St. Luke in Antwerp. In 1651, he came to Brussels as a court painter, being in charge of the art collection of Archduke Leopold Wilhelm. For him, he created to the so-called 'Theatrum pictorum' in 1660, probably the first illustrated catalog of a collection of paintings. In 1664, Tenier founded the Antwerp Academy. David Teniers II has created an extensive oeuvre, including tavern scenes, kermesses, guard rooms, alchemist and witch kitchens as well as biblical scenes , such as the frequently executed 'Temptation of Saint Anthony'. His genre scenes were extremely popular with art collectors of his time. Today, many of his works hang in almost every well-known art gallery, for example, in the Berlin and Dresden Paintings Gallery, the Uffizi in Florence, the Hermitage in St. Petersburg, the Museo del Prado in Madrid, the Louvre and the Kunsthistorische Museum in Vienna. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Godfred B. W. Christensen, Oil Painting, Lake Königssee, 1912

Lot 9: Godfred B. W. Christensen, Oil Painting, Lake Königssee, 1912

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Description: Oil on canvasGermany, 1912Godfred B.W. Christensen (1845-1928) - Danish landscape painterMonogrammed and dated lower right 'g. C.1912'Overall dimensions, framed: 62.5 x 83 cmGood conditionThis painting illustrates a view from the shore over the lake Königssee in Bavaria with the Watzmann arising impressively in the background. The landscape is bathed in a soft and gentle evening light; the Alps reflecting on the water surface. A boat is located on the shore leading the view towards the center where another boat is floating on the lake. This work was created by Danish landscape painter Godfred B.W. Christensen, who depicted this motif several times.The painting is monogrammed and dated lower right 'g.C.1912' and is in good condition indicating common signs of age and wear. There are few touch ups here and there and a small restoration in the center above the mountains, backed with a patch; also the edges are backed with cloth. The boat on the water seems to be added a little later. The frame shows few traces of wear. The image measures 45.5 x 66 cm. The framed dimensions are 62.5 x 83 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Franz Alt, Gouache, Monastery of Engelberg, 19th/20th C

Lot 10: Franz Alt, Gouache, Monastery of Engelberg, 19th/20th C

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Description: Gouache on paperSwitzerland, 19th/20th centuryFranz Alt (1821-1914) - Austrian landscape painterFine and detailed view of the monastery of EngelbergMatted and framedOverall dimensions, framed: 75.5 x 87.5 cmGood conditionThis fine Alpine view is the work of the Austrian landscape painter Franz Alt (1821-1914). It shows a view of the Swiss monastery of Engelberg with mountain range in the background. The painting offers a coherent depiction of the perspectives and extremely nuanced shades that are particularly remarkable in the green of the valley and the warm tones of the mountains.The work is signed lower left, 'Franz Alt'. It is matted to the upper edge. It is in good condition, showing light wear. The paper is somewhat yellowed and foxed due to age. In the lower left corner, there is a minimal paper loss. The black wood frame shows some minor nicks and cracks. The overall dimensions, framed, are 75.5 x 87.5 cm. The paper is 33 x 44.5 cm in size. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Rosa Bonheur (1822-1899), Oil Study of the Montségur, c. 1850

Lot 11: Rosa Bonheur (1822-1899), Oil Study of the Montségur, c. 1850

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Description: Oil on canvas France, around 1850Rosa Bonheur (1822-1899) - French painter Signed lower right 'Rosa Bonheur'Atmospheric mountain landscape study of the well-known animal painter Rosa BonheurBeautiful wooden frame, partly leaf gilded Overall dimensions, framed: 44.5 x 58.5 cmGood conditionLarge-scale animal paintings by Rosa Bonheur fetch up to six-figure sums on the international art market; further attention is increasingly paid to her smaller landscape paintings and studiesThe present oil study was painted by the French artist Rosa Bonheur, possibly around 1850. It depicts the view of the Montségur, which is located in the eastern Pyrenees and preserves a medieval castle of the Cathars at the summit. Bonheur was a very successful animal painter in the 19th century and exhibited at the Paris Salon several times. In her later works she increasingly devoted herself to pure landscape painting; the present oil study is a beautiful example of her later interest.The painting is in good condition considering its age. It is signed lower right 'Rosa Bonheur' and with a seal 'VENTE 1900 ROSA BONHEUR' on the stretcher. The paint surface had recent intervention; traces of the old varnish have remained on the signature. There are a few scattered abrasions visible to the naked eye. Inspection under UV light reveals some areas of retouching, especially in the sky and on the edges, which have been covered with a circulating narrow strip of paper. The wooden frame is partly leaf gilded and only shows small traces of age and use. The framed work measures 44.5 x 58.5 cm and the size of the stretcher is 27.5 x 41 cm.Rosa Bonheur (1822-1899)Rosa Bonheur was born in Bordeaux and represents one of the best animal painters of the 19th century. She received her artistic training from her father Raymond Bonheur (1796-1849), who was draftsman and landscape painter himself. Bonheur achieved the first successes with her depictions of cattle exhibited at the Paris Salon, in 1848/49. Only a few years later in 1853, she was acclaimed amongst the main artists of the Salon. Rosa Bonheur was a pioneer in her profession as a female painter and made her living from her artistic output. Her style is characterized by a bold realism and a great sense of well-observed nature. Amongst her major works, is to be stated the horse market, now exhibited in the Metropolitan Museum of Art in New York. The majority of her estate is preserved in the Musée de l'Atelier de Rosa Bonheur at the Château de By, close to Bordeaux. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Joseph Anton Koch, Circle of, Mountain Walker, 19th Century

Lot 12: Joseph Anton Koch, Circle of, Mountain Walker, 19th Century

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Description: Oil on canvas, relined Austria, 19th century Circle of Joseph Anton Koch (1768-1839) - Austrian painterGilded wooden frame Overall dimensions, framed: 72 x 57 cmProvenance: Private collection, Austria Charming composition with close reference to the works by the Biedermeier painter Joseph Koch; the work can be ascribed to a painter active in his circleThis charming painting is the work of an Austrian artist active in the circle of Joseph Anton Koch in the 19th century. The work is directly reminiscent of his great heroic landscape panoramas and shows the small figure of a mountain hiker in the center, which is also characteristic for the late work of the Biedermeier master. The present painting is a beautiful example of the idealized and mystic intention of Joseph Anton Koch and impressively conveys his idea of ​​the unity of nature and man.The canvas is relined and verso inscribed 'Joseph A. Koch'. The edge on the right side shows a number of small abrasions in the paint surface. The depiction shows scattered tiny abrasions, minimal scratches and some areas of retouching; these points are slightly discolored. The wooden frame shows small traces of age and use. The framed work measures 72 x 57 cm and the size of the stretcher is 61.5 x 45.5 cm.Joseph Anton Koch (1768-1839)The Tyrolean painter Joseph Anton Koch is one of the most famous landscape painters of the Biedermeier period. His artistic career began with an apprenticeship with the sculptor Ignaz Ingerl (1751-1752) in Augsburg, followed by further artistic training at the Karlsschule in Stuttgart. In 1792, Koch joined a Jacobin circle in Strasbourg and then in Biel, Switzerland. During extended Alps hikes he saw the impressive landscape impressions that he later processed in his landscape depictions. Thanks to a scholarship he travelled to Italy in 1794 and settled in Rome, where he became one of the most important representatives of the Brotherhood of St. Luke (which lead to the Nazarene movement). Works by Joseph Anton Koch are located in well-known collections such as the Kunsthalle in Hamburg, the Hermitage in St. Petersburg, the Neue Pinakothek in Munich and the Belvedere in Vienna. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Robert Amrein, Oil Painting

Lot 13: Robert Amrein, Oil Painting "Goodbye Winter", around 1930

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Description: Oil on canvasSwitzerland, around 1930Robert Amrein (1896-1945) - Swiss painter Signed lower right, "R. Amrein"Paintings by Robert Amrein fetch up to 13,000 euros at international auctions50 x 65.5 cm Good conditionObject is regular taxed. Differential taxation is not possibleThis fine composition by Robert Amrein (1896-1945) is titled "Winter ade [Goodbye Winter]". The ground is only partly covered with snow in this mountainous landscape with a meadow and houses. The first rays of spring apparently melted most of the snow. Leaves have also started growing on the trees again. The sun is not seen however, so that the sky and entire landscape are immersed in a dim light.The painting is signed lower right, "R. Amrein". It is in good condition with only minimal traces of age. The surface displays fine craquelure and the edges show losses of colour and touch ups. There is also minimal loss of colour around the sky. The painting measures 50 x 65.5 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Robert Amrein, Oil Painting

Lot 14: Robert Amrein, Oil Painting "Stroll", Switzerland, around 1930

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Description: Oil on woodSwitzerland, around 1930Robert Amrein (1896-1945) - Swiss painter Signed lower right, "R. Amrein"Paintings by Robert Amrein fetch up to 13,000 euros at international auctions50 x 64.5 cm Good conditionObject is regular taxed. Differential taxation is not possibleThis composition in oil on wood is characteristic of the Swiss artist Robert Amrein (1896-1945) and predominantly painted in shades of green, emphasised by the dark tree branches, a fence on the right edge of the picture, a few houses in the background as well as the blue sky and mountains. A woman is seen from the back, strolling through the lanscape in the centre of the lower half of the picture.The painting is signed lower right, "R. Amrein". It is in good condition with only minor traces of age. The wooden panel is warped due to age and partial losses of material and colour are visible on the top edge of the painting. Metal hooks for hanging the picture on the wall were hammered into the wooden panel from the back; the tips are visible in the front. The painting measures 50 x 64.5 cm.Robert Amrein (1896-1945)Robert Amrein was born in 1896 in Zurich. He studied for some time under Augusto Giacometti at the Florence Academy of Arts and went on numerous study trips to the Tessin (1916, 17, 18), Siena, Athens (1920/21), Paris (1927), Spain and Greece. In 1919 his works were exhibited at the collective exhibition at the Züricher Kunsthaus. Robert Amrein died in 1945 in Uetikon. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Jessica Landseer, Painting with Trout Pond, England, c. 1870

Lot 15: Jessica Landseer, Painting with Trout Pond, England, c. 1870

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Description: Oil on artist's boardEngland, circa 1870Jessica Landseer (1810-1880) - English painter and engraverFine landscape painting with trout pondBill with description from the auction house Phillips on verso (1986); therein titled 'The Trout Pool'Gilt stucco frameOverall dimensions, framed: 34.5 x 42.5 cmGood conditionThe present fine landscape painting depicting a trout pond is the work of the English painter and engraver Jessica Landseer (1810-1880). The idyllic composition thrills not only by the delicate brush work, but also by the subtly nuanced color shades.There is a bill of the auction house Phillips from 1986 on the verso, including the reference to the Art Journal of 1898, in which the painting was attributed to Jessica Landseer and titled 'The Trout Pool'. The varnished painting is optically in good condition with some wear and framing marks due to age. The varnish conceals some prior areas of retouching. The artist's board is slightly convex. The gilt stucco frame shows small nicks. The overall dimensions, framed, are 34.5 x 42.5 cm, and the artist's board measures 23 x 31 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Georg Oeder (1846-1931), Brushwood Collectors, circa 1890

Lot 16: Georg Oeder (1846-1931), Brushwood Collectors, circa 1890

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Description: Oil on panelGermany, circa 1890Georg Oeder (1846-1931) - Landscape painter of the Düsseldorf SchoolSigned lower left, 'G. Oeder'Magnificent original stucco frame with gold leaf ornaments Overall dimensions, framed: 62.5 x 51 cmGood conditionProvenance: Private collection, North Rhine-WestphaliaOeder's paintings of similar formats sell for more than 5,000 euros in the international marketThe present painting is the work of the German landscape painter Georg Oeder, and dates from around 1890. The impressionistic forest landscape is characterized by atmospheric autumn colors. The composition is centered by three trunks of birch trees, the crowns of which are covered with finely spotted, yellow flowers. Here and there, in the foreground, appear small color splashes on the meadows, which surround the trees. Only on closer inspection, one can recognize the group of brushwood collectors depicted between the tree trunks.The painting is framed in the original stucco frame with gold leaf ornaments. Lower left is the artist's signature, 'G. Oeder'. The work is in good condition with minimal framing marks. Inspection under UV light reveals areas of retouching along the right tree and to the left edge. The frame has minimal wear marks. The overall dimensions, framed, are 62.5 x 51 cm. The panel measures 40 x 29.5 cm.Georg Oeder (1846-1931)Born in Aachen, the autodidact landscape painter Georg Oeder started painting in 1868. In 1869, he settled in Düsseldorf. Study trips took him to Bavaria, Holland, Switzerland, Austria, Italy, France and England. His favorite subjects were landscapes of the Lower Rhine, mainly in the autumn and winter mood. In 1900, the painter was one of the initiators of the industrial and commercial exhibition in Düsseldorf along with Paul Clemen, Lueg Heinrich and Fritz Roeber. In 1960, Oeder became an honorary member of the Düsseldorf Art Academy. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Oil Painting, Alpine Landscape at Sunset, around 1880

Lot 17: Oil Painting, Alpine Landscape at Sunset, around 1880

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Description: Oil on canvas, laid down on cardboard Presumably southern Germany, around 1880 Monogrammed 'S. N. T.'Romantic landscape with figures and architecture staffage Overall dimensions framed: 46 x 54 cmThis oil painting by an unknown monogramist depicts a romantic landscape, which is bathed in a soft evening glow. A man and a woman have settled on the riverbank to rest. Due to the figure staffage the intensity and width of the romantic almost idealized landscape becomes additionally clarified.The painting is monogrammed 'S. N. T' and is in an age-appropriate condition. The canvas is laid down on cardboard. The surface shows some craquelure and damages in the right and left landscape area. The cardboard measures 33 x 41 cm. The framed dimensions are 46 x 54 cm. The frame also shows slight signs of use. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Lot 18: "The Arising Thunderstorm", Hans Hassenteufel, around 1920

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Description: Oil on canvasMunich / Germany, around 1920Hans Hassenteufel (1887-1943) - German painterSigned lower right "Hassenteufel München"Paintings by Hans Hassenteufel fetch up to 29,000 euros at international auctionsOverall dimensions, framed: 57.3 x 71 cmGood conditionProvenance: Private collection SpainPaintings by Hans Hassenteufel fetch up to 29,000 euros at international auctionsThis meadow landscape with trees by the German painter Hans Hassenteufel (1887-1943) is depicted in lush green colors. The oil painting from the beginning of the 20th Century transports its beholder amidst an untouched nature. In the background, dark rain clouds are evidence of an emerging storm.The lower right shows the artist's signature "Hassenteufel München". The overall framed dimensions are 57.3 x 71 cm. The stretcher measures 45.5 x 60 cm. The condition of the painting and the frame is good with only minor aging and wear. The canvas shows a varnish and some color loss on the edges due to the framing. In the lower half of the painting, there is a small hole (barely visible). The frame is slightly bumped at some points.Hans Hassenteufel (1887-1943)The German painter Hans Hassenteufel was born in 1887 in Hamburg and studied with Rudolf Zeller in Hamburg, in the Painting School Walter Thor in Munich and at the Munich Academy under Peter Halm and Franz von Stuck. His favorite subjects were portraits, nudes, landscapes and still lifes. Hassenteufel died in 1943 in Munich. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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August Lüdecke-Cleve (1868-1957), Painting, Boat Houses, 1923

Lot 19: August Lüdecke-Cleve (1868-1957), Painting, Boat Houses, 1923

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Description: Oil on canvasGermany, 1923August Lüdecke-Cleve (1868-1957) - German landscape and animal painter, pupil of Hugo Crola in Dusseldorf as well as Franz Roubaud and Heinrich von Zügel in MunichSigned and dated 'August Lüdecke-Cleve 23' in blue lower leftOrnate golden ornamental frameOverall dimensions, framed: 58 x 74 cmProvenance: Private collection, BrandenburgScenic view with boat houses overlooking the foothills of the Alps; paintings by August Lüdecke-Cleve fetch up to 9,000 euros on the international auction marketAugust Lüdecke-Cleve created the present work, depicting a picturesque view of the foothills of the Alps, in 1923. Two boathouses are rendered in the foreground. The background depicts the view of the lake. On the opposite shore the silhouette of a small village can be discerned, embedded in the green mountains. With broad impasto brush strokes Lüdecke-Cleve has captured a warm summer day in harmonious colors. Time and time again the German painter captured the changing impressions of the Upper Bavarian countryside in his works.The painting is in overall good condition. In the center there is a vertical tear (approx. 5 cm), which is backed with a patch of canvas and only faintly visible. The work is signed and dated 'August Lüdecke-Cleve 23' in blue lower left. The frame shows light wear. The framed work measures 58 x 74 cm, the stretcher frame measures 36 x 53 cm.August Lüdecke-Cleve (1868-1957)August Lüdecke-Cleve initially studied at the Art Academy in Dusseldorf under Hugo Crola and then at the Academy of Fine Arts in Munich under Franz Roubaud and Heinrich von Zügel. He graduated his master class with a silver medal. From 1901 onwards, he had his studio in Munich and repeatedly traveled to the Lower Rhine, the Chiemsee and the Salzkammergut. Lüdecke-Cleve was a member of the artist group Laetitia in Dusseldorf, Munich Artists' Association and the Munich Artists' Society Allotria. He first showed his works in Dusseldorf and from 1908 onwards he regularly exhibited in the Glaspalast in Munich. In 1943 his studio in Munich was destroyed. He then settled in the Allgäu. The painter created mostly landscapes and animal paintings. His late work is defined by representations of cows. The influence of his teacher von Zügel can be seen in his subject matter, use of color, lighting effects as well as the broad brushwork. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Karl O'Lynch van Town, Oil Painting, Karwendel Landscape, 1930s

Lot 20: Karl O'Lynch van Town, Oil Painting, Karwendel Landscape, 1930s

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Description: Oil on canvasAustria, 1930sKarl O'Lynch van Town (1869-1942) - Irish-Austrian painterSigned lower left 'O'Lynch'On the reverse is a (partly torn) paper label inscribed with the artist name and the titling "Wildsee..."Dimensions framed: 85 x 115.5 cmGood conditionProvenance: Berlin private propertyA large atmospheric mountain landscape with a typical motif for the artistIn this large oil painting, the Austro-German painter Karl O'Lynch van Town has captured one of his favourite subjects - the Karwendel range. The work presents a barren, hilly landscape in which the mild spring sun slowly thaws the snow. A quiet see, with a small wooden hut built on its bank, is running in the foreground whilst an imposing mountain range rises in the background. The mountains depicted are the Wörner and the Tiefkarspitzeder. The Karwendel Valley inspired the artist continuously for his impressive paintings. The painter of Irish decent has rendered the landscape with great skill, giving form to the snow-covered mountains with broad brushstrokes.The painting by Karl O'Lynch van Town is in good condition. The surface in the upper left area is dotted with tiny spots and there are two strokes of brown colour along the upper right border. The work is signed lower left 'O'Lynch'. There is an old (partially torn) label on the back of the stretcher frame. The frame shows signs of age and wear. Framed the work measures 85 x 115.5 cm, the stretcher frame measures 70 x 101 cm.Karl O'Lynch van Town (1869-42)The Irish-born Karl O'Lynch van Town (1869-42) attended the Graz Academy of Drawing from 1888 to 1890, and then studied at the Academy of Fine Arts in Vienna and Munich Art Academy. From 1904, he was a member of the Hagenbund. He is mainly known for his marine paintings and often spent time on the shores of the Mediterranean Sea. He was friends with the painters Alfred Zoff and Eduard Ameseder and is today considered one of the most important Styrian artists of the turn of the Century. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Alfred Haushofer (1872-1943), Gouache, Isartal, c. 1930

Lot 21: Alfred Haushofer (1872-1943), Gouache, Isartal, c. 1930

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Description: Gouache on strong brown paper Germany, circa 1930 Alfred Haushofer (1872-1943) - German painter, contributor to the magazines 'Jugend' and 'Fliegende Blätter'Signed 'AHaushofer' lower right Narrow wooden frame Overall dimensions framed: 58 x 42.5 cm Very good condition Provenance: Private Collection Bavaria Early winter Alpine landscape in numerous broken shades and heightened contrasts in white; landscapes by the artist fetch over 9.400 Euros on the international auction marketThe present gouache by Alfred Haushofer (1872-1943) shows a view of the Isar valley. The balanced composition shows the river meandering through a wooded landscape. The snow-covered Alps throne in the background. In his work, Haushofer tried to capture the changing moods of nature. The sky, often crossed by complex cloud formations, and the water determine the content of his work. Haushofer is primarily known for his numerous evocative panoramas of Lake Chiemsee and its surroundings.Thematically similar compositions were also created by Rudolf Sieck, another Chiemsee painter and contemporary of Haushofer. An oil painting by Sieck is offered in this auction.The gouache is in very good condition. The margins are barely noticeably rubbed due to framing (without loss of color). The frame shows some wear. Framed 58 x 42.5 cm measures the plant, the leaf dimensions are 50 x 34.5 cm.Alfred Haushofer (1872-1943)Alfred Haushofer, son of the historian Max Haushofer (1840-1907), the co-editor of 'Künstlerchronik Frauenchiemsee', lived on Lake Chiemsee from 1907 onwards, where he was one of the founders of the artist group 'Die Frauenwörther'. Their first exhibition took place on the Fraueninsel in 1921. Haushofer continued to exhibit here on a regular basis. The artist was a contributor of the magazines 'Jugend' and 'Fliegende Blätter'. His oeuvre is defined by depictions of Lake Chiemsee, in particular the Fraueninsel seen from various point of view, echoing the tradition of the Impressionists. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Jef Leempoels, Oil Painting, 'Canal en Flandre', around 1915

Lot 22: Jef Leempoels, Oil Painting, 'Canal en Flandre', around 1915

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Description: Oil on canvas Belgium, around 1915 Jef Leempoels (1867-1935) - actually Joseph Leempoels, Belgian painter Signed lower right 'Jef Leempoels'Verso inscribed 'Canal de Flandre. Jef Leempoels'Paintings by Jef Leempoels fetch up to 21,000 euros at international auctions Compositionally appealing landscape in vibrant colors and decorative golden frameOverall dimensions framed: 83 x 98 cm Optically very good conditionThis painting was created by the Belgian painter Jef Leempoels around 1915. Shown is a landscape in Flanders, executed in powerful, vivid colors and in its composition well thought out. Particularly noteworthy is the exact reflection of the trees and bridge in the water.The painting is signed 'Jef. Leempoels' and is verso inscribed. It is optically in very good condition. One will find extensive retouching in the area of the water and in the background of trees, as well as partly in the area of the sky, however they are visible only under UV light. Otherwise it makes an overall fresh impression. The stretcher measures 66 x 80 cm. The framed dimensions are 83 x 98 cm. The frame also shows slight signs of use. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Carl Jörres, Painting, Grain Stacks Below Clouded Sky, 1930s

Lot 23: Carl Jörres, Painting, Grain Stacks Below Clouded Sky, 1930s

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Description: Oil on canvasNorthern Germany, 1930sCarl Jörres (1870-1947) - German painter associated with the Worpswede schoolSigned lower right 'C. Jörres'Verso later inscription (not by the artist)Provenance: from the estate of the family Carl JörresPaintings by the painter Carl Jörres fetch up to 4,000 Euros on the international auction marketDimensions of the painting: 70 x 86 cmGood conditionIn this painting by Carl Jörres, who was associated with the Worpswede school (founded in 1889), a composition is depicted that is very characteristic for the artist. The center is dominated by a grain stack that consists of freshly harvested crops. Behind it and in further rows to the sides, other grain stacks are piled up. In the far left a hay wagon drawn by horses is approaching. In the upper half of the painting is a light blue sky with cumulus clouds.The painting is signed lower right 'C. Jörres' and bears verso a later inscription (not by the artist). The painting is in good condition showing only slight signs of age and wear. The dimensions of the stretcher frame are 70 x 86 cm.Carl Jörres (1870-1947)Carl Jörres was born in Bremen in 1870. His painting career began in 1904, at the age of 34 years, when he attended a private art school in Munich, which was run by Moritz Heymann. At the same time he took lessons from Fritz Overbeck, a painter of the Worpswede artists' colony. In 1913, he joined the 'Deutscher Künstlerbund' and in 1919, he became a member of the 'Bremer Künstlerbund' and 'Worpsweder Künstlervereinigung'. In comparison to other painters from Worpswede Jörres used more bright than earthy colors. His motifs are primarily taken from his local area around Lilienthal, where he settled in 1918. In 1937, three of his paintings were confiscated under the term 'Degenerate Art'. Nowadays his works can be found in many private and public collections including the Lilienthal Art Foundation as well as museums in Bremen, Worpswede, Bremerhaven and Emden. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Hermann Mühlen, Oil Painting, Alley of Trees with Woman, 1946

Lot 24: Hermann Mühlen, Oil Painting, Alley of Trees with Woman, 1946

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Description: Oil on canvas Germany, 1946 Hermann Mills (1886-1964) - German painter, studied at the Düsseldorf and Munich AcademySigned and dated 'H. Mills, 1946'Verso inscribed Hermann 'Mühlen, München Kaulbachstr. 89' and adhesive label 'Referat 6/212'Paintings by the artist Hermann Mühlen fetch up to 9,000 euros at international auctionsDimensions: 80.5 x 59.5 cm Good ConditionThis oil painting by Hermann Mühlen is dated 1946. Shown is a sunny park with a woman walking along a tree-lined road beside a river. Mühlen's work is influenced by the various movements of modern art. Our painting is characterized by a two-dimensional design, the use of vigorous colors creating a striking light and shadow effect.The painting is signed and dated and verso inscribed. It is slightly soiled due to its age, otherwise in good condition. The dimensions of the stretcher are 80.5 x 59.5 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Paul Bach (1886-1919), Oil Painting, Flower Still Life, 1913

Lot 25: Paul Bach (1886-1919), Oil Painting, Flower Still Life, 1913

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Description: Oil on canvasGermany, 1913Paul Bach (1886-1919) - German PainterSigned 'P. Bach' and dated '... 13' lower leftOverall dimensions, framed: 92 x 69 cmGood conditionProvenance: Private Collection BrandenburgBeautiful flower painting with asters, lupines and delphiniums in a vase presented in a broad ornamented gilt frameThe present painting by Paul Bach (1886-1919) was created in 1913 and depicts a still life with autumn flowers presented in a bulbous vase on a draped tablecloth. A lush arrangement of asters, lupines and delphiniums is rendered in bright colors against an indistinct background. The leaves and blossoms are with an impasto paint application and vigorous brushwork. Paul Bach has created several floral still lifes of this kind, which feature - although his brisk brushwork - a fine aesthetic impression.The painting is in good condition. There is age-related craquelure, which does not disturb the overall aesthetic. There are four backed tears to the canvas, which are not visible on the front. The work is signed 'P. Bach' and dated '... 13' lower left. The frame shows some wear. The framed work measures 92 x 69 cm, the stretcher frame measures 72.5 x 50 cm.Paul Bach (1886-1919)Paul Bach was a student at the Dusseldorf Academy. After a stay in Paris, he lived and worked in Munich for ten years, where he met Lovis Corinth. Bach followed the latter to Berlin, where he became a member of the Berliner Secession. Paul Bach is primarily known for his decorative still lifes, atmospheric landscapes and idyllic views of the city. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Max Th. Streckenbach, Still Life Poppies & Guelder Rose, 1910

Lot 26: Max Th. Streckenbach, Still Life Poppies & Guelder Rose, 1910

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Description: Oil on canvas Germany, around 1910 Max Theodor Streckenbach (1865-1936) - German landscape and still life painter Signed lower right 'M. Streckenbach.'Verso with old gallery label of Gallery Commeter, Hamburg Charming flower still life with poppies and Guelder RosesOverall dimensions framed: 67 x 80 cm Good Condition Provenance: Galerie Commeter, Hamburg, private collection, Northern GermanyStreckenbachs floral still lifes bear a charming expressiveness and are particularly popular with collectors of the subject, paintings of this kind fetch up to 17,000 euros at international auctionsThe painter Max Theodor Streckenbach was famous for his depiction of floral still lifes, he seems to be particularly impressed by the poppy that regularly appears in his paintings. Our painting as well, executed in oil on canvas and created around 1910, shows a bouquet of poppies in glowing red color, which is presented in an earthen vase with blue decor. In front of the bouquet Streckenbach placed a few guilder roses whose petals he easily applied impasto on the canvas. The radiance of the shimmering colors is transferred even on the background that appears in a dark velvety red here and there.The painting is signed lower right 'M. Streckenbach' and verso wears an old gallery label of the Gallery Commeter in Hamburg on the frame. It is in good condition with a tiny retouched spot in the upper left margin. The frame shows slight signs of use as well. The dimensions of the stretcher are 55 x 69 cm. Framed the painting measures 67 x 80 cm.Max Theodor Streckenbach (1865-1936)Max Theodor Streckenbach was born 1865 in Eckernförde. He studied medicine and Pharmacy since he was meant to take over his father's pharmacy, and besides he further studied Botany as well as art history. His fondness for botany led him to take lessons from his role model, the French painter Fantin-Latour. Streckenbach soon became one of the most famous painters of flower still lives in northern Germany and supplied the Gallery Commeter in Hamburg regularly with his works that eventually gained international recognition and were also often reproduced as copper prints. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Anna Peters (1843-1926), Bouquet of Summer Flowers, c. 1905

Lot 27: Anna Peters (1843-1926), Bouquet of Summer Flowers, c. 1905

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Description: Oil on canvas Germany, around 1905Anna Peters (1843-1926) - German painter of flowers, still lifes and landscapes Signed lower right 'Anna Peters'Fresh summer bouquet executed in a beautiful impressionistic style Overall dimensions, framed: 78 x 61.5 cmProvenance: Private collection, South GermanyThe flower still lifes of the artist's later period fetch up to 10,000 Euros at international auctionsThe present painting is a work of the German painter Anna Peters and dates to the period around 1905. It depicts a brilliant bouquet of irises, daisies and gold rain in a vase. While her earlier works are characterized by a strictly realistic style, Anna Peters turned to a much more impressionistic style from 1890 on. Accordingly, the composition offered here is a charming and very characteristic example of the late work of the painter. Anna Peters is one of the first women in Germany who succeeded in making their living from their painting.The painting is well presented considering its age. It is signed lower right 'Anna Peters'. There are some areas of older retouching at the lower parts of the depiction as well as at the lower edge of the painting. The frame is painted in gold and shows light traces of age. The framed work measures 78 x 61.5 cm and the stretcher measures 73 x 57.5 cm.Anna Peters (1843-1926)Anna Peters received her artistic training from her father Pieter Francis Peters (1818-1903), who was a painter and specialized in the depiction of landscapes. She was also deeply influenced by her uncle Christian Mali (1832-1906), who was an animal painter and a follower of the Munich School. Anna Peters mainly painted still lifes, working in different media, such as drawing, watercolors and oil. Her works can be found in Braith-Mali-Museum in Biberach, Germany. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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George Fischer Elpons (1866-1939), Pronk Still Life, c. 1900

Lot 28: George Fischer Elpons (1866-1939), Pronk Still Life, c. 1900

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Description: Oil on canvas, unlinedGermany, c. 1900George Fischer Elpons (1866-1935) - German painter Signed lower left 'Fischer-Elpons. Mch.' Vivid pronk still life in the tradition of Old Masters Overall dimensions, framed: 83 x 150 cmGood conditionProvenance: Private Collection, Germany; previously with Galerie Storm, MünchenThe painting captivates through its powerful and lively coloring This magnificent still life is a work of the German artist George Fischer Elpons and dates to circa 1900. A golden bowl in the center is set against a dark blue fabric, filled with ripe peaches, berries and grapevines. An overturned pewter jug and the yield of a bird hunting are depicted in the foreground. On the right side, the composition is completed with a container with two bottles. The painting is a beautiful example of the artist's oeuvre which is characterized by its strong and lively colors.The painting is in good overall condition considering its age. The canvas is unlined and shows a few minor discolored retouchings. The inspection under UV light reveals scattered retouchings especially affecting the background. The impasto is still very fresh and the fine details are in good condition. Verso, the stretcher is labeled 'Galerie Sturm München'. The wooden frame is also in good condition with only slight traces of age and wear. The framed work measures 83 x 150 cm and the stretcher measures 67 x 134 cm.George Fischer Elpons (1866-1935)The artist George Fischer Elpons (also Georg Fischer Elpons or Jorge Elpons) was born in Berlin and studied painting in the capital, which was followed by further artistic training in Munich. He was particularly interested in the depiction of still lifes, however a few rare landscapes are also recorded. His works clearly refer to traditional still life painting, but also interpreted the Zeitgeist of the fin de siècle. In 1912, the artist moved to Brazil and settled São Paulo. He is especially well-known among Brazilian artist's society and taught young Brazilian painters such as Emiliano Di Cavalcanti (1897-1976), Tarsila do Amaral (1886-1973), Anita Malfatti (1889-1964), Hugo Adami (1899-1999) and Cesar Lacanna (1901-1983). In Germany, his works were mainly exhibited at the Munich Glaspalast as well as on the occasion of Berlin's great Art Exhibitions. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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After Rubens, Allegorical Oil Sketch 'Fides Catholica', c. 1850

Lot 29: After Rubens, Allegorical Oil Sketch 'Fides Catholica', c. 1850

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Description: Oil on woodPresumably USA, around 1850Copy after Peter Paul Rubens' (1577-1649) 'Fides Catholica' (c. 1626), carpet design for the Eucharist Cycle, Musée des Beaux- Arts de ValenciennesAllegory of the Triumph of the Catholic Church over nature, philosophy and scienceVery beautiful gilded period frame from Hollerbach & Dieffenbach, New York (reverse label)Overall dimensions, with frame: 56.5 x 73.5 cmGood conditionPeter Paul Rubens' 'Triumph of the Eucharist' was a cycle of 20 carpets, which was ordered in 1626 for the Descalzas Reales Monastery in Madrid by Isabella Clara Eugenia of Spain and Portugal, the governor of the Netherlands. The carpets were woven in Brussels and are still in the Spanish monastery. The present oil sketch from the mid-19th century is a copy after Rubens' 'Fides Catholica' (c. 1626). The oil painting by Rubens, which is based on the draft for the carpet, is located in the Musée des Beaux- Arts de Valenciennes. It is an allegory of the triumph of the Catholic Church over nature, philosophy and science. The issue was closely linked to the efforts of the counter-reformers of Rubens' time.The painting is in good condition, showing some framing marks and overpainting under UV light. It is framed in a beautiful gilded period frame. On the back is a label of the framer Hollerbach & Dieffenbach from New York. The frame is overall in very good condition with some blemishes. The overall dimensions with frame are 56.5 x 73.5 cm. The wood panel measures 36 x 52 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Ervin Bossányi, Oil Painting, Nativity, Germany, around 1930

Lot 30: Ervin Bossányi, Oil Painting, Nativity, Germany, around 1930

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Description: Oil on panelGermany, around 1930Ervin Bossányi (1891-1975) - Hungarian Painter and craftsmen, active in Germany and EnglandSigned lower right 'Bossányi'Loving representation of the Nativity in earthy colors and washed color applicationOverall dimensions framed: 56 x 70 cm Good conditionThis painting, executed in oil on wood, was created by the Hungarian artist Ervin Bossányi who lived in Lübeck and Hamburg until his emigration in 1934. He first learned at the academy in Hungary and the Académie Julian in Paris. Bossányi designed among other things, church stained glass windows. Our painting, illustrating the depiction of the Nativity, might be considered as a draft or study, further the flat and translucent painting technique may be an indication for that.The oil painting is signed lower right 'Bossányi' and is in good condition with slight signs of age and wear. The wooden panel shows few minor cracks and imperfections around the edges, mainly due to the material. The panel measures 43 x 57.5 cm. The framed dimensions are 56 x 70 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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History Painting, 'Babylonian Captivity', Mid-19th century

Lot 31: History Painting, 'Babylonian Captivity', Mid-19th century

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Description: Oil on canvasPresumably France, Mid-19th centuryHistory painting in academic tradition and interesting subjectIn gold-coloured decorated frameOverall dimensions, framed: 39 x 31 cmThis history painting form the mid 19th century depicts the scene of grieving Jews in captivity. The subject, also called Babylonian Exile, is based on the conquest of ancient Judaea in 597 B.C by King Nebuchadnezzar II., who forced the Jewish people into exile. Referring to the elegy of psalm 137, the subject became quite popular during the 19th century. Characteristic is the display of grieving Jews sitting around a willow tree with a lyre and a river in the background, as we can see it in this small oil painting. A similar and probably most popular depiction of the same motif is the painting by Düsseldorf painter Eduard Bendemann, 'Grieving Jews in Exile', created 1832.The painting is in a good age-appropriate condition showing common signs of age and use such as craquelure and minimal colour flaking. There is some smaller retouching. The frame shows slight traces of age and use as well. The stretcher measures 10 x 23.5 cm, the overall dimensions framed are 39 x 31 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Károly Lotz, Oil Sketch 'Niobe with her Children', c. 1884

Lot 32: Károly Lotz, Oil Sketch 'Niobe with her Children', c. 1884

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Description: Oil on paper, mounted on canvasPresumably Hungary, 1884Károly Lotz (1833-1904) - German-Hungarian history and genre painterMythological scene depicting the killing of Niobe's sons and daughtersStudy on the ceiling fresco in the auditorium of the Opera House in Budapest (1884)Authentication certificate by Wilhelm von Bode from 1927The actually highest auction record for an oil painting by Károly Lotz is over 132,000 eurosOverall dimensions, framed: 57 x 88 cmProvenance: Austrian private collectionThis oil painting by Károly Lotz (1833-1904) shows a mythological scene from Ovid's Metamorphoses. It is a study for a fresco in the auditorium of the Opera House in Budapest (1884). The depiction illustrates the dramatic killing of Niobe's sons and daughters. The wife of the Theban king Amphion was so proud of her many children (seven sons and seven daughters ) that she dared to surpass the Titan Leto, whereupon Leto asked her son and daughter, Apollo and Arthemis , to kill the sons and daughters of Niobe with bow and arrow in one day. In the opera literature, the subject of Niobe is often quoted, which testifies to the connection of the present study. In his mythological topics, Károly Lotz oriented to the masters of the Venetian Baroque, such as Giovanni Battista Tiepolo. Thus, it is primarily the dramatizing baroque language that Lotz overtook in his works. This is a very nice painting, which, in the composition of color and physical presence, makes the drama of the story of Niobe quite vivid.The painting comes with a typewritten letter dating to 1927 and signed by Wilhelm von Bode, in which he confirms, that the painting is undeniably an original work of Karl Lotz. The oil sketch executed on paper and mounted on canvas shows some signs of age and wear. The paint surface has some cracks, which were fixed and partly retouched. On the right side, there is a small paint flaking. The gilt wood frame is overall in good condition, showing slight wear marks. The overall dimensions with frame are 57 x 88 cm, the stretcher frame measuring 47 x 78 cm.Károly Lotz (1833-1904)Károly Lotz (also Karl Anton Paul Lotz) was an important historical and genre painter. Born in 1833 in Germany, he moved to Budapest in 1837. His artistic career began as a student of court conductor Destouches and later in the Academy of Painting of the Venetian master Jacopo Marastoni. He then studied with the Hungarian history painter Henrik Weber in Budapest and the history painter Carl Rahl (1812-1865) in Vienna. He created romantic landscapes and monumental and decorative murals and frescoes in the style of the Venetian artist Giovanni Battista Tiepolo. He also decorated some grand palaces. He was also known for his portraits and nudes. In 1882, Lotz worked as a professor at various art academies in Budapest. His paintings, drawings and designs were purchased by the Hungarian state and are on display in the Museum of Fine Arts in Budapest. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Painting, Norwegian Coastal Landscape with Steamers, c. 1900

Lot 33: Painting, Norwegian Coastal Landscape with Steamers, c. 1900

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Description: Oil on canvasNorway, about 1900Signed lower right (illegible)Harmonious depiction of a summer day in the NorthIn a reddish-gold painted frameA very decorative paintingTotal dimensions, framed: 50 x 73.5 cmThis painting, executed in oil on canvas, depicts a coastal landscape in Norway. Steamships are anchoring off the coast and the composition is adorned with figure staffage of busy boatmen. A couple with painting supplies appears to the right hand side. A very harmonious depiction of a summer day in the North.The painting is signed lower right illegibly, the signature is heavily abraded. Faint to stronger nicotine residues are visible. There are partly slight touch-ups at the lower margin and more heavy abrasions in the lower right. The frame is nudged along the edges. The stretcher frame is 39 x 62 cm in size and the total dimensions, including the frame, are 50 x 73.5 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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George Knight, attr., Oil Painting, Northumberland, c. 1860

Lot 34: George Knight, attr., Oil Painting, Northumberland, c. 1860

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Description: Oil on canvas, relinedUnited Kingdom, around 1860Attributed to George Knight (active 1872-1892 ) - British painterSimilar works by George Knight fetches 5.000 euros in international auctionsFishing boats with figures in the foregroundDimensions framed : 38.5 x 58.5 cmGood conditionThis oil painting was presumably painted by the British landscapist George Knight around 1860. In harmonious colors we look at some a boat and some figures on a shore. The scene is obviously located in Northumberland. In the background a castle situated on a hill can be discerned. The clear sky is crossed by small, occasional clouds. The setting sun creates a warm atmosphere.Lower left is an old, barely legible inscription. The varnished work is in good condition considering its age with some signs of wear. There are framing marks, light craquelure and some touch-ups to the background. The canvas is relined. The frame shows signs of age and wear as well. Framed the work measures 38.5 x 58.5 cm and the stretcher frame is 30.5 x 50.5 cm.George KnightBritish painter George Knight was active in the period from 1872 to 1892. His works deal mainly with maritime subjects such as ships and fishermen at work. (lvp) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Heinrich Heinlein, Wide River Landscape, Germany, around 1830

Lot 35: Heinrich Heinlein, Wide River Landscape, Germany, around 1830

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Description: Mixed media on brown paperGermany, around 1830Heinrich Heinlein (1803-1885) - German painterSigned lower right, 'H. Heinlein'Overall dimensions, framed: 48.5 x 63.5 cmVery good conditionThis atmospheric river landscape was painted in mixed media by the German painter Heinrich Heinlein (1803-1885) probably around 1830. The depiction shows a few greenish color spots in the trees, but is mainly executed in grisaille. The fine composition reaches its climax in the dramatic expression of the cloudy sky.The sheet is signed lower right, 'H. Heinlein'. It is mounted on paper on the upper corners and is in very good condition with minimal wear. The wooden frame is also in good used condition. The overall dimensions, framed, are 48.5 x 63.5 cm. The sheet dimensions measure 40 x 55 cm.Heinrich Heinlein (1803-1885)The German painter Heinrich Heinlein lived in Munich since 1822 and studied architecture and landscape painting at the Academy . In 1825, he traveled to Switzerland, Tyrol, Northern Italy and Vienna. From 1830, he permanently lived in Munich, where he dedicated himself to the landscape painting in the romantic style. His favorite subjects were the German and Austrian Alps. Heinrich Heinlein was very popular during the German Empire. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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John Barrett, Oil Painting, Rocky Landscape with River, c. 1880

Lot 36: John Barrett, Oil Painting, Rocky Landscape with River, c. 1880

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Description: Oil on canvas, relinedGreat Britain, 1880 John Barrett (1822-1893) - British landscape painter Signed lower left 'J. Barrett' Stuccoed golden ornament frame Overall dimensions framed: 90 x 70 cm Idyllic landscape view with torrent in naturalistic painting style with great attention to detail; paintings by the British painter John Barrett fetch up to 6,000 euros at international auctionsThis image was created by the British landscape painter John Barrett and originated around the year 1880. Shown is an idyllic landscape view on a rocky hillside with creek in the foreground. The gentle light bathes the bushes near the water in varying shades of green.The painting is signed lower left 'J. Barrett' and is in age-appropriate condition. The canvas has been relined. The lower left area of the stones in the water shows a restoration, otherwise there is some retouching across the image only visible under UV-light. In the center of the sky little color flaking. The stretcher measures 76 x 55 cm. The framed dimensions are 90 x 70 cm. The frame shows slight signs of wear. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Randolf Wehn, Southern City View with River, 20th C

Lot 37: Randolf Wehn, Southern City View with River, 20th C

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Description: Oil on canvasPresumably Italy, 1st half of the 20th centuryRandolf Wehn (1911-1990) - German painterSigned lower right, 'Rudolf Weber München'Overall dimensions, framed: 91 x 101.5 cm The present painting of a southern city view with river is the work of the German painter Randolf Wehn (1911-1990). It appears to be a small Italian town. The impressionistic painting shows a pasty, relief-like application of color that delights with its subtle nuances and warm atmosphere.The painting is signed lower right, 'Randolf When München'. It is overall in good condition with light wear marks. In the upper right part of the painting, there are two small areas of paint losses. The lower left shows a small, restored point, which was patched at the back. The wooden frame has some small chips. The overall dimensions, framed, are 91 x 101.5 cm. The tenter frame measures 71 x 80 cm.Randolf Wehn (1911-1990) Randolf Wehn studied in Munich and Venice. From 1936, he was a freelance artist in Munich. He was a member of the Chamber of Visual Arts. When's oeuvre is attributed to the Late Impressionism. His works are on display in several German ministries. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Ulfert Wilke (1907-1987), Oil Painting, View of Bruges, 1932

Lot 38: Ulfert Wilke (1907-1987), Oil Painting, View of Bruges, 1932

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Description: Oil on canvasGermany, 1932Ulfert Wilke (1907-1987) - German-American painterSigned and dated 'Ulfert Wilke 32' lower rightBroad gallery frameOverall dimensions, framed: 65 x 78 cmVery good conditionProvenance: Private collection Lower SaxonyA cityscape influenced by the New Objectivity, created prior to Wilke's emigration and devotion towards a more calligraphic imagery; paintings by Ulfert Wilke fetch up to 15,000 euros at international auctionsThe present painting by Ulfert Wilke was created in 1932 and is thus a very rare early work, which the artist painted before his emigration to the United States. It depicts a view of the Belgian city of Bruges. The center is occupied by a channel traversed by a bridge, which is lined on both sides by rows of houses. The pictorial language shows the influence of the New Objectivity. Works by Wilke in this style are uncommon for he later adopted a purely abstract, calligraphic manner of painting. The painter was highly regarded among fellow artists, some works by Wilke were, for instance, in the estate of the American sculptor George Rickey.The painting is overall in very good condition, with minimal speckles on the surface. It is signed and dated 'Ulfert Wilke 32' lower right. The frame shows some wear. The framed work measures 65 x 78 cm, the stretcher measures 54 x 67 cm.Ulfert Wilke (1907-1987)Ulfert Wilke was born in Bavaria in 1907 and immigrated to the United States in 1938. He studied at Harvard on a scholarship and later at the University of Iowa. During the 1940s and 50s Wilke worked as an art teacher and was the director at several universities and museums. He received the Guggenheim Fellowship twice, which he used to travel to Munich, Rome and later Japan where he studied Japanese calligraphy. In the 1960s Wilke returned to New York where he had ties to many of the main figures of the New York school such as Ad Reinhardt, Mark Rothko, Lyonel Feininger, Max Beckmann and Robert Motherwell. During this time he created the series 'Interstices', which earned him international recognition. Already in the 1930s he had had solo exhibitions in Germany. From the 1950s onwards he continued to show his works in numerous exhibitions in the US and abroad. Wilke was fascinated by the written word, which is evident in many of his works. Especially his later work is characterized by abstract shapes, bold colors and calligraphic elements. Wilke was also an avid collector, particularly of tribal art. Today his works are held at MoMA and the Whitney Museum in New York as well as several major private collections. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Georg Macco (1863-1933), Mearchants in Oriental Alley, c. 1920

Lot 39: Georg Macco (1863-1933), Mearchants in Oriental Alley, c. 1920

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Description: Oil on canvasGermany, circa 1920Georg Macco (1863-1933) - German Orientalist of the early 20th century, student of the Düsseldorf Academy of ArtSigned in red lower left 'G. Macco'Characteristic scene of Orientalism, that in the end of the 19th century was in its golden ageOverall dimensions, framed: 41 x 30 cmGood conditionGerman Orientalists such as Georg Macco are particularly sought after by collectors; paintings Maccos fetch up to 40,000 euros at international auctionsGerman painter Georg Macco created this painting around 1920. Macco undertook numerous journeys to the Orient, among others to Cairo and Jerusalem. Therefor it is not surprising that our painting shows a characteristic oriental genre scene. It depicts mearchants in an alley that is covered by a drop shadow, whereas the sky appears in bright blue and the upper facades are immersed in a gentle light by the shining sun. Executed in rapid, almost sketchy brushwork, the artist created an atmospheric oriental scenery due to the use of particular color and light effects.Orientalism in art began in the 18th Century with the role of exclusive import goods such as Chinese porcelain and 'chinoiserie' fashion. The increasing of the domination of Europe over the Middle East led to romanticized notions about the Orient, marked by sensuality and decadence. Towards the end of the 19th century, Orientalism was in its golden age and influenced not only the subjects in painting but also the decor and architecture.The painting is in an age-appropriate good condition. The canvas is slightly wavy with slight craquelure. The picture is framed in a wide wooden frame that also shows slight signs of use. Overall, the painting is in good condition. The stretcher measures 32 x 21 cm. The framed dimensions are 41 x 30 cm.Georg Macco (1863-1933)Georg Macco was born 1863 in Aachen. Like his great-granduncle, the portrait and history painter Alexander Macco, Georg decided to start a painting career and studied at the Art Academy in Düsseldorf between 1880 and 1887 under Eugen Gustav Dücker and Johann Peter Theodor Janssen. After he first painted alpine and Nordic landscapes, Macco undertook numerous journeys to the Orient, where he found inspiration and motifs for his paintings that eventually made him one of the most sought German Orient painters. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Giuseppe Giardiello 'Street Scene in Naples', Italy, c. 1900

Lot 40: Giuseppe Giardiello 'Street Scene in Naples', Italy, c. 1900

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Description: Oil on canvasItaly, around 1900Giuseppe Giardiello (1887-1920) - Italian painter of the late 19th and early 20th centurySigned lower right 'G. Giardiello'Comparable painting by Giuseppe Giardiello fetch up to 7,000 Euros at international auctionsGold-coloured carved frameOverall dimensions, framed: 65 x 44 cmThis oil painting was created by Italian artist Giuseppe Giardiello and depicts one of his characteristic sceneries, which would be idyllic landscapes in southern Italy, mostly Naples or Capri. A woman dressed in traditional cloths is driving her donkeys along an alleyway. The high walls are decorated with flowers. A palm tree rises into the blue sky with a dome in the background. The whole composition is characterized by the use of bright and light colours.The oil painting is signed lower right 'G. Giardiello' and is in an age-appropriate condition indicating few signs of age and use. There are some touch ups in the area of the sky and a small restoration on the donkey's neck. The frame shows slight traces of use as well with minor loss of material in the lower right. The stretcher frame measures 53 x 31.5 cm. The overall dimensions framed are 65 x 44 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Max Friedrich Koch (1893-1930), Riverside Houses, 1917

Lot 41: Max Friedrich Koch (1893-1930), Riverside Houses, 1917

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Description: Oil on artist's boardGermany, 1917Max Friedrich Koch (1893-1930) - German history and architectural painterSigned and dated lower right 'Max Koch 17'Wide silver plated frameExhibition: Kestner-Gesellschaft, Hannover (with the label on the back of the frame and numbered '1807' by hand)Overall dimensions, framed: 52 x 67 cmVery good conditionProvenance: Private collection, Lower SaxonyA skillfully executed view in muted colors with bright accents; paintings by Max Friedrich Koch fetch up to 7,000 Euros at international auctionsMax Friedrich Koch created this oil painting in 1917. The work depicts a row of houses on a river bank by night, seen from the water. The river is quiet, only a few scattered windows are lit and set luminous accentuations. The view is rendered in muted colors and fascinates with its peaceful atmosphere. Skillfully the German painter captured the idyllic nighttime. Koch was fascinated by water and has painted numerous motifs with rivers and lakes.According to an exhibition label on the reverse of the frame, the work was shown at the artist society Kestner-Gesellschaft in Hannover.The painting is in very good condition aside from some color abrasions along the edges due to rubbing of the frame. It is signed and dated lower right 'Max Koch 17'. On the reverse of the frame there is an exhibition label of the Kestner-Gesellschaft, Hannover, which is numbered by hand '1807'. The frame shows some signs of wear. The framed work measures 52 x 67 cm, the artist's board measures 35 x 50 cm.Max Friedrich Koch (1859-1930)Max Friedrich Koch attended the art academy of the Kunstgewerbemuseum in Berlin. He studied under Ernst Ewald, Eduard Schaller and M. Meurer. In 1876 he traveled to Italy and only finished his studies upon his return to Germany. From 1879 onwards he participated on the interior decoration of the opera in Frankfurt/Main under the architect and painter Friedrich von Thiersch. In 1881 he studied at the Academy Julian in Paris. Two years later, Max Friedrich Koch came back to Berlin where he thenceforth worked as a teacher at his former school and regularly showed his works in major German exhibitions. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Silvio Poma (1840-1932), Italian Courtyard, circa 1890

Lot 42: Silvio Poma (1840-1932), Italian Courtyard, circa 1890

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Description: Oil on panelItaly, circa 1890Silvio Poma (1840-1932) - Italian landscape painterSigned lower right, 'S. Poma'Gilt wood stucco frame with foliage décorOverall dimensions, framed: 45.5 x 58.5 cmProvenance: Private collection, GermanySilvio Poma's landscape paintings of a similar size sell for up to 20,000 euros in the international art marketThis atmospheric painting is the work of the Italian artist Silvio Poma. The composition is captured in earthy tones, and offers a view of a an Italian courtyard. The depiction is almost entirely filled with the surrounding architecture, which is determined by stones and stacked wood in the foreground. In the middle ground, to an archway, the cloths of some working characters provide little splashes of color.The painting is signed lower right, 'S. Porma'. It shows several small paint losses in the central area and along the edges. The varnish is uneven and slightly darkened. Inspection under UV-light reveales some scattered areas of retouching in the dark pigments of the architecture. The reverse is stamped by 'Carlo Gogiola/Milano', and shows an adhesive label. The gilt wood frame is in good overall condition with a loss of material at the lower front bar. The overall dimensions, framed, are 45.5 x 58.5 cm. The panel measures 25.5 x 40 cm.Silvio Poma (1840-1932)The painter Silvio Poma studied the works of Giovan Battista Lelli and Gerolamo Induno in Milano. In 1868, he exhibited at the Accademia delle Belle Arti di Brera for the first time, from which he also obtained the Mylius award in 1876. In 1877, Vittorio Emanuele II acquired one of his landscape paintings. Since 1883, he regularly exhibited across the country and remarkably grew in popularity. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Friedrich Klaiberg, Painting 'Mediterranean Village', c. 1980

Lot 43: Friedrich Klaiberg, Painting 'Mediterranean Village', c. 1980

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Description: Oil on canvasGermany, around 1980Friedrich Klaiberg (1921-1998) - German PainterSigned lower left 'F. Klaiberg'Oil painting in expressionist manner with gold-colored decorative frameOverall dimensions, framed: 79 x 98.5 cmVery good conditionArtist Friedrich Klaiberg created this oil painting around 1980, executed in oil on canvas and loose brushwork. He picked an idyllic Mediterranean costal village as a motif, painted in bright, pastel colors and bathed in a gentle, shimmering light which makes it quite a decorative painting in impressionist manner.The oil painting is signed lower left 'F. Klaiberg' and is in very good condition, indicating only insignificant signs of age and wear. The stretcher frame measures 60 x 80.5 cm. The frame shows few traces of wear. The overall framed dimensions are 79 x 98.5 cm. (cru) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Moulin Rouge in Paris, Expressionistic Oil Painting, circa 1915

Lot 44: Moulin Rouge in Paris, Expressionistic Oil Painting, circa 1915

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Description: Oil on canvasFrance, circa 1915Indistinctly signed lower rightInscribed lower left, 'Le Moulin Rouge Paris'Marvelous expressionist painting Overall dimensions, framed: 83 x 63 cmVery good conditionWho is not familiar with the Moulin Rouge in Paris, which was captured in this vibrant oil painting in the expressionist style. One can only surmise the hustle and bustle that prevails on the road, and what happens behind the lighted windows of the houses, as the dynamically executed composition is rendered without contours. Rather, the figures and architectural elements form a Mosaic image with sparkling points of light, which gives an immediate impression of the nocturnal atmosphere in Paris at that time.The painting is indistinctly signed lower right and inscribed lower left, 'Le Moulin Rouge in Paris'. It is in very good condition with light framing marks. The painted wooden frame shows small nicks and has a crack at the lower front bar. The overall dimensions, framed, are 83 x 63 cm. The tenter frame measures 70 x 50 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Karl Kaufmann (1843-1905), Painting, View of Venice, c. 1900

Lot 45: Karl Kaufmann (1843-1905), Painting, View of Venice, c. 1900

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Description: Oil on canvas Italy/Austria, around 1900 Karl Kaufmann (1843-1905) - Austrian landscape and architectural painter Signed with pseudonym bottom right 'Carlo' Gold-colored stucco frame Overall dimensions framed: 73 x 63.5 cm Good Condition Provenance: Private collection, South GermanyAtmospheric illustration of a riverside road in Venice overlooking the Campanile; the auction record for one of the paintings by Karl Kaufmann is around 36,000 eurosThe Austrian landscape and architectural painter Karl Kaufmann used to sign his paintings with a variety of pseudonyms. The painting presented here bears the signature 'Carlo'. Shown is a street in Venice overlooking the Campanile, which is, as the other façades also, bathed in a soft evening glow, which in turn is reflected in the water surface and thus produces a shimmering light, which still recalls the impressionist style of painting.The painting is signed with the pseudonym 'Carlo'. It is minimally browned, with small touch ups the sky. Overall good age-appropriate condition with small framing traces. Image size: 53 x 42 cm; overall dimensions framed: 73 x 63.5 cm.Karl Kaufmann (1843-1905)Karl Kaufmann started his artistic education at the Academy of Vienna. He subsequently travelled through European countries, such as Norway, the Netherlands, Germany or Italy. Kaufmann developed a sensitive feeling for environments and atmospheres, which helped him to specialise in landscape and architectural painting. One special feature of his oeuvre is his habit to sign his works with pseudonyms. For instance, the names 'B. Lambert', 'Charles Marchand' or 'C. Charpentier' are well-known signatures by Kaufmann. The majority of his works belongs to private collections. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Johann Eusebius A. Forst (1783-1866), 'At the Tiergarten', 1821

Lot 46: Johann Eusebius A. Forst (1783-1866), 'At the Tiergarten', 1821

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Description: Oil on canvas, relinedGermany, Berlin, 1821Johann Eusebius A. Forst (1783-1866) - German Porcelain- and Miniature PainterSigned and dated lower left 'J. Forst f 1821'Overall dimensions, framed: 53 x 64 cmProvenance: East German Private CollectionOnly a few, rare paintings in oil are known by the porcelain painter Johann Eusebius Anton Forst which makes this one even more preciousThis fine painting is by the Berlin painter Johann Eusebius Anton Forst (1783-1866). Forst, who worked mainly as a porcelain painter at the Königliche Porzellanmanufaktur, created only a few paintings in oil, showing different views of Berlin. This painting at hand shows a noble villa closely situated by the Tiergarten. Rendered in a very delicate and detailed style, which reveals the hand of a porcelain painter, the villa is shown framed by tall, vertical trees and a decorative fence. People taking a stroll on a wide street are found in the foreground of the image, admiring the elegant architecture. Above the scene stretches a friendly, blue sky with feathery, white clouds.The painting is of visually appealing condition. The paint shows some very fine craquelure and is protected by a layer of varnish. At some areas, touch-ups are discernible, especially along the lower edge. The canvas has been relined. The painting is signed and dated lower left 'J. Forst f(ecit) 1821'. It is framed in a fine stucco frame, which shows some minor traces of age and wear. The overall dimensions are framed 53 x 64 cm, and unframed 44 x 54 cm. The stretcher frame is inscribed on verso "Berlin Haus am Tiergarten 1821" and is provided with a label, comprising a short biography and information on the artist.Johann Eusebius Anton Forst (1783-1866)Johann Eusebius Forst was a Berlin porcelain painter, who worked for the Königliche Porzellanmanufaktur in Berlin. He is famous for his vases, decorated with military scenes and views of Berlin, some of which were found in the royal collection. He was the son of Johann Hubert Anton Forst (born 1756), who himself was the Principal porcelain painter at the KPM. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Laszlo Neogrady, Painting 'Girl With Goose Flock', around 1940

Lot 47: Laszlo Neogrady, Painting 'Girl With Goose Flock', around 1940

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Description: Oil on wood Hungary, around 1940Laszlo Neogrady (1896-1962) - Hungarian painter of landscapes of the 20th centurySigned 'Neogrady Laszlo' lower left Paintings by Laszlo Neogrady fetch up to 9.600 Euro at international auctions Overall dimensions, framed: 49.4 x 60.5 cm (height x width) Good condition This atmospheric landscaped by the Hungarian artist Laszlo Neogrady was painted around 1940. It shows a farmer's girl on the bank of the brook, leading her goose flock to the water. In the background we can see some houses and the steeple of a small village that is framed by lush trees. Above we can see the sky, whose pale blue colour is reflected in the water of the river at the lower margin of the picture. Regarding the small figure of the girl in particular, the artist has used some shading and reflection effects, which are quite typical for his works. Our painting is signed 'Neogrady Laszlo' at the lower left.The work is in a good overall condition with only small traces of age and use. Accordingly, there are some colour abrasions at the margins of the wooden plate, which however are largely covered by the frame. Regarding the parts of the sky, we can see fine, vertical craquelure. Verso, there are some inscriptions. The wooden plate measures 41.5 cm in height and 53 cm in width. The white wooden frame is in a good condition with only small traces of use. It measures 49.4 cm in height and 60.5 cm in width. Its reverse shows a small label with some indications about the artist.Laszlo Neogrady (1896-1962)Born in Budapest, Laszlo Neogrady started his artistic training at the Hungarian Academy of Arts. He concentrated on depictions of naturalistic and quite atmospheric landscapes very early, whereas he was especially interested in winter snow-covered forest scenes. Neogrady's style is characterised by an extensive use of impasto and a skillful play with light effects. His works are traded and collected internationally. For example, some quite important works belong to the permanent collection of the famous Arnot Gallery in New York. (cbo) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Karl Haustein, 'Upper Bavarian Landscape with House', 1915

Lot 48: Karl Haustein, 'Upper Bavarian Landscape with House', 1915

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Description: Oil on canvasGermany, 1915Karl Haustein (19/20th C.) - German painterSigned and dated 'Karl Haustein 1915'Overall dimensions, framed: 63 x 82 cmGood conditionThis oil painting of a summer landscape in Upper Bavaria was created by the German painter Karl Haustein, dating to 1915. The painting shows a green-yellowish colour range in impressionistic manner, depicting a meadow in front of a house with a barn. The lush forest covers a church in the background.The painting is signed and dated lower right 'Karl Haustein 1915'. It is in good condition, featuring normal wear. The colour surface displays traces of the mounting and some small touch-ups under UV-light are visible. The ornament frame features some loss of wood and paint, as well as drying cracks. The overall framed dimensions are 63 x 82 cm, the stretcher frame measuring 57 x 75 cm. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Adolf Lins (1856-1927), Painting, Forested Riverside, c. 1910

Lot 49: Adolf Lins (1856-1927), Painting, Forested Riverside, c. 1910

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Description: Oil on cardboard Austria, 1910 Adolf Lins (1856-1927) - Austrian Painter Signed lower right 'Ad.Lins' Ornamented gold frame Overall dimensions framed: 43 x 56.5 cm Good Condition Provenance: Private Collection Lower Saxony, GermanyEvocative landscape in a wide range of shades of green that is executed in broad brush strokes; paintings by Adolf Lins fetch up to 22,000 euros at international auctionsThis oil painting was created by the painter Adolf Lins around 1920. Lins was a student of the so-called Düsseldorf School of Painting that was mainly established during the 19th century, representing a rather realistic and socially critical view of art. In addition to the history and portrait paintings their focused developed with greater importance on landscape and genre paintings. Our painting by Adolf Lins also stands in the tradition of the Düsseldorf landscape paintings, which were mainly influenced by the painter Johann Wilhelm Schirmer, who was in turn influenced by the Dutch landscapes of Jacob van Ruisdael. In this painting Lins presents an idyllic river landscape with an overcast sky, executed in loose brushwork and muted color palette. The trees standing on the river bank are reflected on the water surface that shows some bright color accents here and there.The painting is signed 'Ad. Lins'. The cardboard is slightly bent. The upper right corner and the bottom right of the screen with tiny nail holes; the edges of the painting with light traces due to nailing, otherwise overall in very good condition. The cardboard measures 35.5 x 49 cm. The framed dimensions are 43 x 56.5 cm. The frame shows slight signs of wear.Adolf Lins (1856-1927)Adolf Lins was born 1856 in Kassel. He began his education at the Kunstschule Kassel and studied from 1877 on art at the Düsseldorf Academy under Ferdinand Brütt. In 1874 Lins came in contact with Europe's oldest art colony Willinghausen for the first time, and remained there some time again and again. In 1908, he returned to his hometown, where the romantic nature became his favorite motif. Due to his frequent depiction of ducks and geese Adolf Lins is also referred to as 'Gänselins'. Works by Lins can be found in collections of the Kunstmuseum Dusseldorf and at the Neue Galerie in Kassel. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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Jaroslav Setelik (1881-1955), View of the Moldova, c. 1920

Lot 50: Jaroslav Setelik (1881-1955), View of the Moldova, c. 1920

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Description: Oil on canvasPrague, Czech Republic, circa 1920Jaroslav Setelik (1881-1955) - Czech painterSigned 'Jaroslav Setelik' lower left Elegant frameOverall dimensions, framed: 104 x 150 cmProvenance: Private collection HesseRomantic, delicately colored city view in large format; Setelik's panoramas of Prague fetch over 11,000 euros at international auctionsThis work by Jaroslav Setelik immediately fascinates due to its large format. Here the Czech artist represented one of his favorite motifs - the city of Prague. Setelik created many panoramas of this kind, seen from different viewpoints. In the present painting the river Moldova runs in the foreground, partly hidden behind some trees. In the center of the image thrones the Prague Castle on the Hradcany below a cloudy sky. The composition features a delicate color scheme. The outlines of the castle and its surroundings, immersed in soft light, are rendered in soft hues. Skillfully Setelik created a harmonious sense of perspective.The painting is in good condition. There is craquelure in the upper area of the sky and above the lower edge. On the right there is a small stain and a fine surface scratch to the sky. The edges show some minor abrasions due to rubbing of the framing. The canvas is partly torn along the upper edge due to tension, however this is hidden by the frame. The picture is signed lower left 'Jaroslav Setelik'. The frame shows some wear. The framed work measures 104 x 150 cm, the stretcher frame measures 83 x 131 cm.Jaroslav Setelik (1881-1955)Jaroslav Setelik was initially trained by the landscape painter Ferdinand Engelmüller. He spent a short period in Munich, but then returned to Prague in order to devote himself to painting. Here he became a pupil of Emanuel Krescenc Liska and later studied at the Academy of Fine Arts under Rudolf Ottenfeld. Setelik's oeuvre mainly comprises large-scale views of old Prague. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Due to the legal obligation for the resale royalty in the art market the following applies: As a result of its membership in the AV Kunst, Auctionata charges additionally to the hammer price the contribution to the AV Kunst of currently 2.1% of the revenues from the sale of fine arts and photographs pro rata towards the buyer. More information about royalty right in our T&C.

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