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Auction Description for Stanford Auctioneers: Fine Art - Day 1 Starting Bid @ $600 or More
Viewing Notes:
Viewing by appointment. No previews are available day of sale.
Sale Notes:
Our two day sale includes paintings, drawings, watercolors, fine prints, posters, sculpture, and many other types of artwork. Material included: 21st/20th/19th Centuries American, 21st/20th/19th Centuries European, Latin American, Latin American Folk Art featuring Mexican Masks, Asian, and Old Masters. The Fine Art auctions begin on Saturday, December 8th and continue on Sunday, December 9th, 2012. Ashe Auctioneers is the largest Fine Art & Photographs auction house in 10 of the 11 Western States (Arizona, New Mexico, Colorado, Utah, Nevada, Wyoming, Idaho, Montana, Oregon, and Washington), California being the exception. Headquartered in Phoenix, Arizona, we hold approximately 16 regularly scheduled auctions each year. We focus on traditional fine art and photography. Fine Art auctions generally consist of Old Master to Contemporary work, from the 15th to the 21st centuries, with an emphasis on 19th and 20th century material. We sell paintings, drawings, sculpture, fine prints, vintage and fine art posters, and many other types of fine art. Photographic items range from the earliest created images through the very recent. An important category in the Fine Art sales is Latin American material, with a sub-category in Mexican Folk Art.

Fine Art - Day 1 Starting Bid @ $600 or More

(614 Lots)

by Stanford Auctioneers


614 lots with images

December 8, 2012

Live Auction

530 E. McDowell Rd.

Phoenix, AZ, 85004 USA

Phone: 602-266-8482

Fax: 602-266-8459

Email: info@stanfordauctioneers.com

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AFRO [AFRO BASALDELLA] - Mixed media on paper

Lot 1: AFRO [AFRO BASALDELLA] - Mixed media on paper

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Description: Afro [Afro Basaldella] (Italian/American, 1912-1976). "Bicicletta". Mixed media on paper. c1958. Signed lower right. Very good to fine condition. Provenance: Please contact Don Ashe: donald@asheauctioneers.com. Afro was a member of the expressionist school of artists, Scuola Romana. He was generally known by the single name Afro. Image size: 7 x 10 3/4 in. (178 x 273 mm). [26757] |7000| {R100}

Condition Report: Very good to fine condition.

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PIERRE ALECHINSKY - Original watercolor and pencil drawing

Lot 2: PIERRE ALECHINSKY - Original watercolor and pencil drawing

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Description: Pierre Alechinsky (Belgian, b.1927). "Femme precieux". Original watercolor and pencil drawing. 1966. Signed lower right. Pale cream wove paper. Overall very good to fine condition. Provenance: Estate of a private collector, Brussels, Belgium. Overall size: 9 13/16 x 7 in. (249 x 178 mm). Image size: 8 1/4 x 6 1/8 in. (210 x 156 mm). [26422] |1500| {R100}

Condition Report: Overall very good to fine condition

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EMMA AMOS - Mixed media on paper

Lot 3: EMMA AMOS - Mixed media on paper

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Description: Emma Amos (American, b.1938). "How Time Flies". Mixed media on paper. 2004. Signed, dated, titled, and editioned in pencil, lower margin. Print #2 of the edition of 50. White Rives BFK paper. Printed to the edges of the sheet. Fine impression. Fine condition. Amos, born in Atlanta, Georgia, has exhibited at the Minneapolis Institute of Art, the Boston Museum of Fine Art, the Studio Museum in Harlem, and her work is included in the permanent collection of the Museum of Modern Art. In 1996, Amos designed the International Olympics poster for the Atlanta games. Overall size: 22 1/2 x 30 in. (571 x 762 mm). Image size: 22 1/2 x 30 in. (571 x 762 mm). [25281] |1300| {C80} <+>

Condition Report: Fine condition

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BENNY ANDREWS - Etching

Lot 4: BENNY ANDREWS - Etching

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Description: Benny Andrews (American, 1930-2006). "Blues Player". Etching. 2006. Signed, titled, dated, and edtioned in pencil, lower margin. Print #42 from the edition of 75. White Rives BFK paper. The full sheet. Fine impression. Fine condition. Andrews was born in Madison, Georgia, receiving his BFA from the School of the Art Institute of Chicago in 1958. He is well renowned for his works in collage, sculpture, illustrations, drawings, paintings, and prints. His artwork is part of the permanent collections of the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Museum of African Art, Washington D.C.; the Chrysler Museum, Virginia; and the O’Hara Museum, Tokyo, among others. Overall size: 30 x 22 in. (762 x 559 mm). Image size: 24 x 18 in. (610 x 457 mm). [25285] |1600| {C80} <+>

Condition Report: Fine condition

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BENNY ANDREWS - Etching

Lot 5: BENNY ANDREWS - Etching

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Description: Benny Andrews (American, 1930-2006). "Checker Players". Etching. 2006. Signed, dated, titled, and editioned in pencil, lower margin. Print #3 from the edition of 75. White Rives BFK paper. The full sheet. Fine impression. Fine condition. Andrews was born in Madison, Georgia, receiving his BFA from the School of the Art Institute of Chicago in 1958. He is well renowned for his works in collage, sculpture, illustrations, drawings, paintings, and prints. His artwork is part of the permanent collections of the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Museum of African Art, Washington D.C.; the Chrysler Museum, Virginia; and the O’Hara Museum, Tokyo, among others. Overall size: 30 x 22 in. (762 x 559 mm). Image size: 24 x 18 in. (610 x 457 mm). [25284] |1600| {C80} <+>

Condition Report: Fine condition

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BENNY ANDREWS - Etching

Lot 6: BENNY ANDREWS - Etching

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Description: Benny Andrews (American, 1930-2006). "Preacher". Etching. 2006. Signed, titled, dated, and editioned in pencil, lower margin. Print #6 from the edition of 75. White Rives BFK paper. The full sheet. Fine impression. Fine condition. Andrews was born in Madison, Georgia, receiving his BFA from the School of the Art Institute of Chicago in 1958. He is well renowned for his works in collage, sculpture, illustrations, drawings, paintings, and prints. His artwork is part of the permanent collections of the Museum of Modern Art, New York; the Brooklyn Museum, New York; the Museum of African Art, Washington D.C.; the Chrysler Museum, Virginia; and the O’Hara Museum, Tokyo, among others. Overall size: 30 x 22 in. (762 x 559 mm). Image size: 24 x 18 in. (610 x 457 mm). [25286] |1600| {C80} <+>

Condition Report: Fine condition

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ANHEUSER-BUSCH - Original color chromolithograph

Lot 7: ANHEUSER-BUSCH - Original color chromolithograph

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Description: Anheuser-Busch (American, 19th-20th Century). "Custer's Last Fight". Original color chromolithograph. 1896. Printed 1952. Signed by the painter, O. Becker, in the stone, lower right. Very good impression with very good color. In the original frame with the original plaque. Overall size with frame: 28 1/2 x 42 5/8 inches. This iconic, legendary print has sold as high as $3,585 at auction (Freeman's [Fine Books, Prints & Posters, #1256] 09/14/2006 - lot #711). Image size: 24 x 38 in. (610 x 965 mm). [23587] |1200| {R100}

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YURI PAVLOVICH ANNENKOV - Mixed Media on paper, mounted on board

Lot 8: YURI PAVLOVICH ANNENKOV - Mixed Media on paper, mounted on board

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Description: Yuri Pavlovich Annenkov (Russian, 1889-1974). "Constructivist Composition (Reklame-Verkauf)". Mixed Media on paper, mounted on board. 1921. Signed and dated in pen in the image, lower right. Composed with oil, watercolor, gouache, and crayon, painted on a single sheet of newspaper ("Le Nouveau Journal de Strasbourg" October 1920 issue). The sheet is mounted to a firm but flexible contemporary board. Provenance: Private collection, Kentfield, California; formerly collection George Wittenborn, Wittenborn Art Books, New York City, sold in the 1950s; acquired by Wittenborn during or shortly after the second of the Adolfo Muller-Ury estate sales at the Plaza Art Galleries in New York City in December, 1947. The second sale included material from consignors in addition to the Muller-Ury estate. It is doubtful that the picture was owned by Muller-Ury; rather, a different consignor in the second Plaza sale. As the noted art historian Stephen Conrad has indicated about this painting, "The fact that it [our example] appeared in the second of his [Muller-Ury's] estate sales at the Plaza Art Galleries in New York in December 1947 is not proof of his ownership, the reason being that many lots in these sales were from other vendors...It remains highly unlikely that he [Muller-Ury] would have owned anything as modern as this constructivist work, as he is on record in the 1940s as saying, 'The saddest thing on God's earth is modern art…'". While Annenkov is best known for his portraits, like other Russian artists of his time he was influenced by the Constructivist movement, the artistic and architectural force that originated in Russia in 1919. Our rare and superb example of Annenkov’s Constructivist oeuvre was painted at the froth of that movement. Overall size: (board) 17 5/8 x 13 3/4 in. (448 x 349 mm). Image size: 17 5/8 x 12 5/8 in. (448 x 321 mm). [24951] |35000| {R100}

Condition Report: Composed with oil, watercolor, gouache, and crayon, painted on a single sheet of newspaper ("Le Nouveau Journal de Strasbourg" October 1920 issue). The sheet is mounted to a firm but flexible contemporary board.

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ALEXANDER ARCHIPENKO - Original color lithograph

Lot 9: ALEXANDER ARCHIPENKO - Original color lithograph

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Description: Alexander Archipenko (Ukranian-Russian-American, 1887 - 1964). "Bathers". Original color lithograph. 1950. Signed in red crayon, lower right. Edition c100. Cream wove paper. Wide margins. A very good impression of this scarce print. Condition: overall very good to fine; no holes, tears, foxing, staining, etc. A few very minor handling marks upper right margin. Published by Associated American Artists (AAA). The original AAA label accompanies the lot. Printed by George Miller. Literature/catalogue raisonne: Karshan 32. Overall size: 16 1/4 x 12 1/4 in. (413 x 311 mm). Image size: 12 3/4 x 8 3/4 in. (324 x 222 mm). [24976] |1700| {R100}

Condition Report: Condition: overall very good to fine; no holes, tears, foxing, staining, etc. A few very minor handling marks upper right margin.

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ALEXANDER ARCHIPENKO - Original drypoint

Lot 10: ALEXANDER ARCHIPENKO - Original drypoint

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Description: Alexander Archipenko (Ukranian-Russian-American, 1887 - 1964). "Kneeling [unrecorded signed lifetime impression]". Original drypoint. 1920. Signed in pencil, lower right. Not editioned in Archipenko's lifetime. Cream wove paper. Full margins (deckle edges all four sides). Fine impression; printed in brown ink. Very good condition. Provenance: The estate of John and Valere Butterwick, Kewanee, Illinois. Exceedingly rare, perhaps unique, proof. Unknown to Karshan. As he states,"Kneeling is the second drypoint of only three that the artist executed ["Kneeling," "Bending," "Angelica"]. The original copper plates [of these three] were discovered by the artist's widow in 1966 at his atelier in Woodstock, New York. These plates were in sufficiently good condition to permit posthumous editions to be printed, since only one life-time proof was known of "Bending," two of "Angelica," and none of "Kneeling." These three editions were printed in New York by Miss Judith Foster in 1967, under the supervision of the artist's estate." Donald Karshan, "Archipenko: The Sculpture and Graphic Art." Tubingen: Ernst Wasmuth, 1974, pg. 75. Literature/catalogue raisonne: Karshan 4. Overall size: 15 x 10 11/16 in. (381 x 271 mm). Image size: 7 x 5 in. (178 x 127 mm). [25193] |5000| {R100}

Condition Report: Very good condition.

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ALEXANDER ARCHIPENKO - Original lithograph

Lot 11: ALEXANDER ARCHIPENKO - Original lithograph

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Description: Alexander Archipenko (Ukranian-Russian-American, 1887 - 1964). "Reclining Female Nude". Original lithograph. 1920. Signed in pencil, lower left. Edition size unknown, presumed very small. Cream laid watermarked paper. Wide margins. Fine impression. Provenance: Through E. Weyhe, New York City. A rare and large Archipenko print. We could locate only two sales in the past 25 years, the most recent selling at $3,220 (Swann Galleries, NYC, 11/5/2001, lot 427). Literature/catalogue raisonne: Karshan 7. Overall size: 24 5/8 x 18 1/4 in. (625 x 464 mm). Image size: 17 3/4 x 12 3/4 in. (451 x 324 mm). [25192] |2000| {R100}

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JAVIER AREVALO - Color etching and aquatint

Lot 12: JAVIER AREVALO - Color etching and aquatint

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Description: Javier Arevalo (Mexican, b.1937). "Personaje". Color etching and aquatint. 1990. Signed, dated, and annotated in pencil, lower margin; blindstamp, lower right. An artist's proof from the edition of 60. Cream wove paper. Full margins. Fine impression with bright colors. Fine condition. Overall size: 21 7/8 x 15 1/8 in. (556 x 384 mm). Image size: 15 1/2 x 11 1/2 in. (394 x 292 mm). [26889] |600| {K90} <+>

Condition Report: Fine condition

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RICHARD AVEDON - Color offset lithograph poster

Lot 13: RICHARD AVEDON - Color offset lithograph poster

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Description: Richard Avedon (American, 1923-2004). "Nastassja Kinski and the Serpent, Los Angeles, California". Color offset lithograph poster. 1981. Signed with marker in the image. White wove paper. Good condition save for slight rippling, probably could be pressed out, no broken paper fibers; a few slight handling marks. Overall size: 23 5/8 x 35 1/2 in. (600 x 902 mm). [27744] |600| {R100}

Condition Report: Good condition save for slight rippling, probably could be pressed out, no broken paper fibers; a few slight handling marks

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FRANCIS BACON - Original color offset lithograph poster

Lot 14: FRANCIS BACON - Original color offset lithograph poster

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Description: Francis Bacon (Irish/British, 1909 - 1992). "Le Boeuf". Original color offset lithograph poster. 1986. Signed in purple crayon, lower right. 073011 (Art) of Edition size unknown but presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, London, acquired directly from the artist shortly before his death. A very scarce poster. We have not found it at auction in the past 25 years. Overall size: 30 5/8 x 18 in. (778 x 457 mm). Image size: 24 1/4 x 18 in. (616 x 457 mm). [27506] |600| {R100}

Condition Report: Fine condition.

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FRANCIS BACON - Original color lithograph poster

Lot 15: FRANCIS BACON - Original color lithograph poster

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Description: Francis Bacon (Irish/British, 1909 - 1992). "Personnage couche". Original color lithograph poster. c1975. Signed in red crayon, lower right. 073011 (Art) of Edition size unknown but presumed small. Cream wove paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, London, acquired directly from the artist shortly before his death. A scarce poster. We have found only four other examples at auction in the past 25 years. Copyright Maeght Editeur, Arte Paris, lower left. Overall size: 27 3/4 x 17 9/16 in. (705 x 446 mm). Image size: 27 3/4 x 17 9/16 in. (705 x 446 mm). [27504] |600| {R100}

Condition Report: Fine condition.

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FRANCIS BACON - Original color offset lithograph poster

Lot 16: FRANCIS BACON - Original color offset lithograph poster

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Description: Francis Bacon (Irish/British, 1909 - 1992). "Study after Velasquez's Portrait of Pope Innocent X". Original color offset lithograph poster. 1980. Signed in yellow crayon, lower right. 073011 (Art) of Edition size unknown but presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, London, acquired directly from the artist shortly before his death. A very scarce poster. We have not found it at auction in the past 25 years. Overall size: 35 x 24 3/8 in. (889 x 619 mm). Image size: 29 x 22 1/2 in. (737 x 571 mm). [27505] |800| {R100}

Condition Report: Fine condition.

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FRANCIS BACON [ATTRIB] - Pen and ink drawing

Lot 17: FRANCIS BACON [ATTRIB] - Pen and ink drawing

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Description: Francis Bacon [attrib] (Irish/British, 1909-1992). "Self-portrait". Pen and ink drawing. c1970s. Signed lower center. Very good to fine condition. Provenance: Estate of a collector, London. Overall size: 9 9/16 x 6 in. (243 x 152 mm). [27375] |2000| {R100}

Condition Report: Very good to fine condition

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GIACOMO BALLA - Original color pencil drawing

Lot 18: GIACOMO BALLA - Original color pencil drawing

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Description: Giacomo Balla (Italian, 1871-1958). "Vortice Futurista Blu I". Original color pencil drawing. c1930s. Signed in pencil, lower right. Cream wove paper. Very good condition. Provenance: Estate of a private collector, Rome. Overall size: 5 11/16 x 9 in. (144 x 229 mm). Image size: 5 1/4 x 8 1/2 in. (133 x 216 mm). [26481] |4000| {R100}

Condition Report: Very good condition.

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GIACOMO BALLA - Original color pencil drawing

Lot 19: GIACOMO BALLA - Original color pencil drawing

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Description: Giacomo Balla (Italian, 1871-1958). "Vortice Futurista Blu II". Original color pencil drawing. c1930s. Signed in pencil, lower right. Cream laid watermarked paper. Very good condition. Provenance: Estate of a private collector, Rome. Overall size: 5 3/4 x 9 in. (146 x 229 mm). Image size: 5 1/4 x 8 1/4 in. (133 x 210 mm). [26504] |4000| {R100}

Condition Report: Very good condition.

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BALTHUS - Pencil drawing

Lot 20: BALTHUS - Pencil drawing

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Description: Balthus (French, 1908-2001). "Nu debout". Pencil drawing. c1960s. Signed in pencil, lower center. Thin cream wove paper. Condition: overall good, the image fine; unobtrusive horizontal centerfold crease, no broken paper fibers, could be pressed out; tack holes upper left and right; paper loss lower left corner; 3/4" tear in lower left edge, well away from image. Provenance: By repute, through Renato Guttuso; private collection, Rome. Undoubtedly a studio drawing - note the small head of a woman in profile, upper right, as well as the presence of tack holes. Balthus was born Balthasar Klossowski de Rola. Overall size: 24 1/16 x 17 in. (611 x 432 mm). Image size: 20 3/4 x 11 7/8 in. (527 x 302 mm). [27390] |15000| {R100}

Condition Report: Condition: overall good, the image fine; unobtrusive horizontal centerfold crease, no broken paper fibers, could be pressed out; tack holes upper left and right; paper loss lower left corner; 3/4" tear in lower left edge, well away from image

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ADRIEN BARRERE - Original vintage color lithograph poster

Lot 21: ADRIEN BARRERE - Original vintage color lithograph poster

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Description: Adrien Barrere (French, 1877-1931). "Dranem/Ambassadeurs [Charle Verneau, Paris - proof before letters]". Original vintage color lithograph poster. c1905. Signed in the stone, lower right. Unique proof?. Buff wove paper. Probably the full sheet. Very good impression. Republique Francaise Seine stamp, lower center. Linen backed. Provenance: Jack Williams, Phoenix, Arizona. A rare proof before letters. Overall size: 46 1/2 x 31 1/16 in. (1181 x 789 mm). [25014] |1000| {R100}

Condition Report: Republique Francaise Seine stamp, lower center. Linen backed.

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ADRIEN BARRERE - Original vintage color lithograph poster

Lot 22: ADRIEN BARRERE - Original vintage color lithograph poster

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Description: Adrien Barrere (French, 1877-1931). "Tournee Mayol/Le Mariage d'Hakouma [Robert & Cie., Paris]". Original vintage color lithograph poster. c1910?. Signed in the stone, lower left. Edition unknown, presumed very small. Cream wove paper. Very good impression. Provenance: Jack Williams, Phoenix, Arizona. With the Republique Francaise Seine stamp to the left of the letter "A" in "Mayol." We have not found this poster at auction. We find two sales of a related poster, "Chez Mayol," in the past 25 years. Overall size: 47 1/8 x 30 3/4 in. (1197 x 781 mm). [25015] |1000| {R100}

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JEAN-MICHEL BASQUIAT - Original offset lithograph

Lot 24: JEAN-MICHEL BASQUIAT - Original offset lithograph

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Description: Jean-Michel Basquiat (American, 1960-1988). "The Offs: First Record". Original offset lithograph. 1984. Signed and with the monogram in black marker, verso. Edition of 2,500. Stiff album cover stock paper. The full sheet. Fine impression. Very good to fine condition. Provenance: Estate of a private collector, Manhattan. The auction record for an unsigned example of this album cover is $2,914 (€1,850) at Kapandji Morhange, Paris, April 15, 2008, Lot 102. Ashe Auctioneers sold a signed impression for $1,100 in an aftersale transaction on April 14, 2012. The mixed media drawing of this image sold at Sotheby's, New York, 11/10/2011, for $302,500. Our example with the white vinyl (also issued with clear and black vinyl) and accompanied by the C.D. Presents order form, which was included with each impression. The cover was a part of the exhibitions "LP Show" 2003 New York, NY - MoMA / Exit Art; "Vinyl - Records and Covers by Artists" in 2005 in Bremen - Germany - Neues Museum Weserburg Bremen, in 2006 in Barcelona - Spain, and 2007 in Porto - Portugal. Pressing by Bill Smith Custom Records, El Segundo, California. Published by David Ferguson, C.D. Presents. Includes vinyl record. Image copyright © Artists Rights Society (ARS), New York. Literature/catalogue raisonne: See articles by Glenn O'Brien in "Interview Magazine" May, 1985, Angela Holm in "NY Arts Magazine" March/April, 2008, and Angela Holm & Wu Ziru in "Art Today" February, 2008. Overall size: 12 3/16 x 12 5/16 in. (310 x 313 mm). Image size: 12 3/16 x 12 5/16 in. (310 x 313 mm). [26505] |1200| {R100}

Condition Report: Very good to fine condition

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SOFIA BASSI - Monoprint

Lot 25: SOFIA BASSI - Monoprint

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Description: Sofia Bassi (Mexican, 1913-1997). "Untitled". Monoprint. 1970. Signed, dated, and numbered in pencil, lower left. Edition of 1. Fine impression. From the collection of Estela Ogazon. Overall size: 10 13/16 x 8 3/4 in. (275 x 222 mm). Image size: 10 x 7 1/8 in. (254 x 181 mm). [22114] |600| {K90} <+>

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CHARLES BAUDELAIRE - Original pen and ink drawing

Lot 26: CHARLES BAUDELAIRE - Original pen and ink drawing

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Description: Charles Baudelaire (French, 1821-1867). "Study for 'Portrait de Jeanne Duval'". Original pen and ink drawing. c1846. Signed upper left, annotated upper right. Light cream laid watermarked paper. Overall good condition; a few fox marks; minor discoloration and edge fading. Provenance: Ex-collection a member of the Feau family, Paris, France; Private collector, Paris. Baudelaire, the celebrated poet, is generally regarded as the father of modern art criticism. His artistic output was extremely small; we have located only nine sales (seven different images) of his work at auction in the past 21 years, all drawings. The finished drawing of Baudelaire's lover Jeanne Duval, of which our example is the preliminary study, was offered at Claude Aguttes, Neuilly-sur-Seine, France on 09/19/2007 (see attached image). Overall size: 7 1/8 x 9 1/4 in. (181 x 235 mm). Image size: 7 x 8 in. (178 x 203 mm). [26411] |8000| {R100}

Condition Report: Overall good condition; a few fox marks; minor discoloration and edge fading

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RUDOLF BAUER - Pencil drawing on paper

Lot 27: RUDOLF BAUER - Pencil drawing on paper

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Description: Rudolf Bauer (German, 1881 - 1953). "Non-Objective Solitary Confinement Prison Drawing [No.8]". Pencil drawing on paper. 1938. Signed with the initial in pencil, lower right. Drawn on "brown paper bag" paper. Provenance: Estate of the Artist. A highly important example of Bauer’s rare “prison drawings.” Among them, the “solitary confinement prison drawings” are of the utmost rarity. As Wikipedia states, “during his time in prison [1938], he created dozens of non-objective drawings on scavenged scraps of paper.” Bauer was in prison for several months. Initially he was held in solitary confinement. He created the present drawing, our example, during the solitary confinement period. He then was moved to the general prison population and allowed to perform office clerking functions. During this time he created yet more drawings, generally more refined and on office stationery, many with typewriter type on the verso. These drawings, while still rare, are obtainable, whereas the “solitary confinement” drawings are virtually unobtainable. The complete text of the Wikipedia article dealing with this period: “In 1938, upon his return from an exhibition of his work in Paris, Bauer was arrested by the Nazis for his "degenerate" art and for speculating on the black market — meaning selling his work to [Solomon] Guggenheim. The previous year Bauer’s work had been included in the infamous Degenerate Art show in Munich, organized by the Nazis to show all the deviant, abstract art. In spite of this Bauer had refused to move from his home country. Upon his arrest Bauer was held in a Gestapo prison for several months, as [Hilla] Rebay and Guggenheim worked to free him. After several false starts, he was finally released unconditionally in August 1938. During his time in prison, he created dozens of non-objective drawings on scavenged scraps of paper. He spent the next months getting his paperwork in order and made the difficult decision to leave his homeland, emigrating to the United States in July 1939, just months before the beginning of World War II.”. Overall size: 6 5/8 x 5 1/2 in. (168 x 140 mm). Image size: 6 7/16 x 4 3/8 in. (164 x 111 mm). [25004] |1200| {R100}

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RUDOLF BAUER - Pencil drawing on paper

Lot 28: RUDOLF BAUER - Pencil drawing on paper

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Description: Rudolf Bauer (German, 1881 - 1953). "Non-Objective Solitary Confinement Prison Drawing [No.9] [a double-sided drawing]". Pencil drawing on paper. 1938. Signed with the initial in pencil, lower right, on each drawing. Drawn on "brown paper bag" paper. Provenance: Estate of the Artist. A highly important example of Bauer’s rare “prison drawings.” Among them, the “solitary confinement prison drawings” are of the utmost rarity. As Wikipedia states, “during his time in prison [1938], he created dozens of non-objective drawings on scavenged scraps of paper.” Bauer was in prison for several months. Initially he was held in solitary confinement. He created the present drawing, our example, during the solitary confinement period. He then was moved to the general prison population and allowed to perform office clerking functions. During this time he created yet more drawings, generally more refined and on office stationery, many with typewriter type on the verso. These drawings, while still rare, are obtainable, whereas the “solitary confinement” drawings are virtually unobtainable. The complete text of the Wikipedia article dealing with this period: “In 1938, upon his return from an exhibition of his work in Paris, Bauer was arrested by the Nazis for his "degenerate" art and for speculating on the black market — meaning selling his work to [Solomon] Guggenheim. The previous year Bauer’s work had been included in the infamous Degenerate Art show in Munich, organized by the Nazis to show all the deviant, abstract art. In spite of this Bauer had refused to move from his home country. Upon his arrest Bauer was held in a Gestapo prison for several months, as [Hilla] Rebay and Guggenheim worked to free him. After several false starts, he was finally released unconditionally in August 1938. During his time in prison, he created dozens of non-objective drawings on scavenged scraps of paper. He spent the next months getting his paperwork in order and made the difficult decision to leave his homeland, emigrating to the United States in July 1939, just months before the beginning of World War II.”. Overall size: 5 x 6 3/16 in. (127 x 157 mm). Image size: 4 1/2 x 5 3/4 in. (114 x 146 mm). [25005] |1700| {R100}

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GUSTAVE BAUMANN - Color woodcut

Lot 29: GUSTAVE BAUMANN - Color woodcut

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Description: Gustave Baumann (German/American, 1881 - 1971). "Eagle Ceremony at Tesuque Pueblo". Color woodcut. 1932. Bears initials in pencil, lower right; monogrammed in the block, lower left. Cream wove paper. Very wide margins; deckled bottom edge. Fine impression. Fine condition. Provenance: Private collection, Santa Fe, New Mexico. Overall size: 10 1/2 x 8 1/2 in. (267 x 216 mm). Image size: 6 1/2 x 6 1/2 in. (165 x 165 mm). [21787] |800| {R100}

Condition Report: Fine condition.

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FREDERIC BAZILLE - Original pencil drawing

Lot 30: FREDERIC BAZILLE - Original pencil drawing

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Description: Frederic Bazille (French, 1841-1870). "La Brodeuse". Original pencil drawing. c1867-1868. Signed lower right. Dark pink laid watermarked paper. Condition: staining; foxing; some losses. Provenance: Private collection, Paris, France. Works by Bazille are rare in any medium. Overall size: 7 1/8 x 4 1/2 in. (181 x 114 mm). Image size: 4 7/8 x 3 7/8 in. (124 x 98 mm). [26421] |1500| {R100}

Condition Report: Condition: staining; foxing; some losses

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ROMARE BEARDEN - Color silkscreen poster

Lot 31: ROMARE BEARDEN - Color silkscreen poster

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Description: Romare Bearden (American, 1911-1988). "Artists - 79 [Full title: Artists - 79: International Play Group Celebrates the International Year of the Child. United Nations, New York City, May 24 - June 14, 1979]". Color silkscreen poster. 1979. Signed in ink beneath the image, lower right. Numbered and editioned in ink, lower left. Signed in the screen, lower left. Print #89 from the edition of 100. Silver metallic foil paper. Full margins. Fine impression. Very good condition overall; several unobtrusive handling marks in the margins; very minor creasing at top right corner. Provenance: The Del Rio Collection, Southampton, NY. An extremely rare Bearden image. No auction records located. Until our example, unknown to Janet Wall (Jerald Melberg Gallery, Charlotte, North Carolina), author of the forthcoming catalogue raisonne on Bearden's work. According to the Bearden Foundation, this screenprint poster was undoubtedly derived from a collage created by Bearden in the late 1970s. Four years later, the same collage was used to create the screenprint "Easter Procession" also offered in the present auction. Close inspection reveals subtle differences between the poster and the print: the absence of the blue color above and below the wrists of the second figure from the left; the tan color extending to the top of the foot on the first figure to the left in the poster, not so in the print, etc. So while the images are substantially similar, they are not identical. Dimensions: image 20 1/16 x 16 1/8 in.; image with letters: 27 1/2 x 16 1/8 in.; sheet: 28 x 20 1/8 in. Overall size: 28 x 20 in. (711 x 508 mm). [24400] |1000| {R100}

Condition Report: Very good condition overall; several unobtrusive handling marks in the margins; very minor creasing at top right corner.

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ROMARE BEARDEN - Color silkscreen

Lot 32: ROMARE BEARDEN - Color silkscreen

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Description: Romare Bearden (American, 1911-1988). "Easter Procession [According to the Romare Bearden Foundation, alternate titles are: Easter Processional; Sunday Processional; Palm Sunday Processional]". Color silkscreen. 1983. Signed in pencil, lower right. Numbered and editioned, lower left. Blindstamped lower right: "Charles Cardinale Fine Creations, Inc. - Serigraph". Edition of 150 (of which all were printed?). Cream wove paper. Wide margins. Fine impression. Fine condition save for a minor 1/8" bump at the extreme right margin (middle) and minor creasing at the upper right corner, nowhere near the image. Provenance: The Del Rio Collection, Southampton, NY. This is a rare Bearden image. Although the stated edition was 150, we have found this print at auction only once since its creation, 27 years ago. Please see Bearden's image "Artists - 79" in the present auction for an extended discussion of the related poster and the differences between the two images. Literature/catalogue raisonne: #72 in the exhibition catalogue: "From Process to Print: Graphic Works by Romare Bearden.". Overall size: 24 1/8 x 20 1/4 in. (613 x 514 mm). Image size: 20 1/16 x 16 1/8 in. (510 x 410 mm). [24399] |2000| {R100}

Condition Report: Fine condition save for a minor 1/8" bump at the extreme right margin (middle) and minor creasing at the upper right corner, nowhere near the image.

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FRANK W. BENSON - Etching

Lot 33: FRANK W. BENSON - Etching

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Description: Frank W. Benson (American, 1862 - 1951). "Canadian Geese". Etching. 1919. Signed in pencil, lower left. Edition of 275. Cream laid paper. Full margins. Fine impression. Fine condition save for a few foxmarks in the upper margin, away from the image. In spite of the edition size, a very rare Benson print. No auction sales located in the past 25 years. Literature/catalogue raisonne: Paff 158. Overall size: 12 1/4 x 8 7/8 in. (311 x 225 mm). Image size: 4 x 6 in. (102 x 152 mm). [25680] |600| {R100}

Condition Report: Fine condition save for a few foxmarks in the upper margin, away from the image

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FRANK W. BENSON - Etching

Lot 34: FRANK W. BENSON - Etching

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Description: Frank W. Benson (American, 1862 - 1951). "Five Ducks in Flight". Etching. 1923. Signed in pencil, lower left. Edition of 525. Cream laid paper. Full margins. Fine impression. Fine condition. In spite of the edition size, a rare Benson print. Only three auction sales located in the past 25 years. Literature/catalogue raisonne: Paff 223. Overall size: 12 3/16 x 8 3/4 in. (310 x 222 mm). Image size: 4 1/2 x 5 7/8 in. (114 x 149 mm). [25681] |600| {R100}

Condition Report: Fine condition.

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OSCAR BERNINGHAUS - Original color chromolithograph

Lot 35: OSCAR BERNINGHAUS - Original color chromolithograph

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Description: Oscar Berninghaus (American, 1874-1952). "The Relief Train". Original color chromolithograph. 1912. Signed in the plate, lower right. Full margins. Fine impression. This chromolithograph is part of a set of five. Four of the set, including our example, sold for $14,340 at Heritage Auction Galleries, Dallas, Texas, on 01/23/2009. Image size: 7 3/16 x 15 11/16 in. (183 x 398 mm). [23574] |800| {R100}

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OSCAR BERNINGHAUS - Original color chromolithograph

Lot 36: OSCAR BERNINGHAUS - Original color chromolithograph

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Description: Oscar Berninghaus (American, 1874-1952). "Westward Ho!". Original color chromolithograph. 1912. Signed in the plate, lower right. Full margins. Fine impression. This chromolithograph is part of a set of five. Four of the set, including our example, sold for $14,340 at Heritage Auction Galleries, Dallas, Texas, on 01/23/2009. Image size: 7 1/4 x 15 7/8 in. (184 x 403 mm). [23575] |800| {R100}

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JOSEPH BEUYS - Oil pencil drawing

Lot 37: JOSEPH BEUYS - Oil pencil drawing

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Description: Joseph Beuys (German, 1921 - 1986). "Radfahrer". Oil pencil drawing. 1972. Signed lower right. Grey laid watermarked Ingres Fabriano paper. Very good condition; a few soft folds left side, well away from image; very minor paper abrasion left margin. Provenance: Please contact Don Ashe: donald@asheauctioneers.com. Overall size: 9 7/8 x 13 3/4 in. (251 x 349 mm). Image size: 4 x 8 5/8 in. (102 x 219 mm). [26996] |8000| {R100}

Condition Report: Very good condition; a few soft folds left side, well away from image; very minor paper abrasion left margin

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ALBERT BIERSTADT - Oil on artist board

Lot 38: ALBERT BIERSTADT - Oil on artist board

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Description: Albert Bierstadt (German-American, 1830 - 1902). "Mountain Valley". Oil on artist board. c1871-1875. Signed lower right. Undoubtedly a study for a larger painting. Image size: 9 1/2 x 11 13/16 in. (241 x 300 mm). [24981] |3500| {R100}

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UMBERTO BOCCIONI - Conte crayon on paper

Lot 39: UMBERTO BOCCIONI - Conte crayon on paper

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Description: Umberto Boccioni (Italian, 1882-1916). "Busto di Signora". Conte crayon on paper. c1910. Signed lower right. Cream wove paper. Very good condition. Provenance: Private collection, Mexico City. See: “Omaggio a Umberto Boccioni,” Milan, Italy: Silvana, 2009, published to coincide with the 2009 exhibition at the Museo d'Arte in Lugano, Switzerland, for similar compositions. Overall size: 14 1/8 x 9 11/16 in. (359 x 246 mm). Image size: 13 3/4 x 9 3/8 in. (349 x 238 mm). [24456] |30000| {R100}

Condition Report: Very good condition

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PIERRE BONNARD - Original color lithograph

Lot 40: PIERRE BONNARD - Original color lithograph

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Description: Pierre Bonnard (French, 1867 - 1947). "Rue vue d'en haut [plate 4 from "Quelques aspects de la vie de Paris]". Original color lithograph. 1899. Signed with the initials, lower right. Edition of 100. White wove paper. Full margins. Deckle edges all four sides. Fine impression, printing superbly. Scarce. Published by Vollard, Paris; printed by Auguste Clot, Paris. Literature/catalogue raisonne: Bovet 62; Roger-Marx 62. Overall size: 20 13/16 x 16 1/8 in. (529 x 410 mm). Image size: 14 5/16 x 8 13/16 in. (364 x 224 mm). [24972] |2000| {R100}

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PIERRE BONNARD - Original four color lithograph

Lot 41: PIERRE BONNARD - Original four color lithograph

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Description: Pierre Bonnard (French, 1867 - 1947). "Rue, la soir, sous la pluie [plate 10 from "Quelques aspects de la vie de Paris]". Original four color lithograph. 1899. Signed with the initials, lower right. Edition of 100. White wove paper. Very wide margins. Fine impression, printing superbly. Very scarce. Published by Vollard, Paris; printed by Auguste Clot, Paris. Literature/catalogue raisonne: Bovet 68; Roger-Marx 66. Overall size: 15 5/16 x 20 1/4 in. (389 x 514 mm). Image size: 10 1/16 x 13 7/8 in. (256 x 352 mm). [24952] |8000| {R100}

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EDWARD BOREIN - Etching with drypoint, printed in brown ink

Lot 42: EDWARD BOREIN - Etching with drypoint, printed in brown ink

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Description: Edward Borein (American, 1873 - 1945). "A Maverick Calf". Etching with drypoint, printed in brown ink. c1920s. Signed in pencil, lower right; remarque (cowboy on a horse) in pencil, lower left; titled lower left; signed in the plate. Edition unknown, presumed very small. Cream wove paper with Umbria Italia watermark. Full margins; deckle edges. Excellent impression. Very good condition. Rare, and a splendid example of Borein's oeuvre, with the prized pencil remarque. Literature/catalogue raisonne: Galvin 126. Overall size: 9 x 12 1/4 in. (229 x 311 mm). Image size: 5 3/4 x 8 5/8 in. (146 x 219 mm). [24491] |2000| {R100}

Condition Report: Very good condition

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with natural patina

Lot 43: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with natural patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Bailarina (Dorado)". Bronze sculpture with natural patina. 1988. Inscribed "F. Botero" and dated "1988". Edition of six. Fine, quality casting. Very good condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 11 1/2" height x 6 3/8" width x 6 3/16" depth (293mm x 163mm x 156mm). Weight: 9.9 lbs. (4.5 kg). [26222] |1000| {R100}

Condition Report: Very good condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

Lot 44: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Caballo con Silla de Montar I". Bronze sculpture with dark brown patina. 1995. Inscribed "F. Botero" and dated "1995". Edition not stated, presumed small (six?). Fine, quality casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 9 5/8" height x 7 7/8" width x 4 5/16" depth (245mm x 200mm x 110mm). Weight: 12.1 lbs. (5.5 kg). [23705] |700| {R100}

Condition Report: Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with natural patina

Lot 45: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with natural patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "El Doctor". Bronze sculpture with natural patina. 1990. Inscribed "F. Botero" and dated "1990". Edition of six. Fine, quality casting. Very good condition; the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 8 1/4" height x 3 7/16" width x 3 5/16" depth (210mm x 88mm x 85mm). Weight: 7.7 lbs. (3.5 kg). [26252] |1000| {R100}

Condition Report: Very good condition; the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

Lot 46: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Gato". Bronze sculpture with dark brown patina. 1992. Inscribed "F. Botero" and dated "1992". Edition of six. Fine, quality casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 4 7/8" height x 13 1/4" width x 5" depth (125mm x 316mm x 127mm). Weight: 14.3 lbs. (6.5 kg). [25126] |1200| {R100}

Condition Report: Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with very dark brown patina

Lot 47: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with very dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Hombre con Baston". Bronze sculpture with very dark brown patina. 1992. Inscribed "F. Botero" and dated "1992". Edition not stated, presumed very small (six?). Fine, quality casting. Some light surface scratching to the patina; very small hole in base; generally very good condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 11 15/16" height x 6" width x 6" depth (304mm x 153mm x 153mm). Weight: 12.1 lbs. (5.5 kg). [24387] |1000| {R100}

Condition Report: Some light surface scratching to the patina; very small hole in base; generally very good condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

Lot 48: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "La Mano I". Bronze sculpture with dark brown patina. 1987. Inscribed "F. Botero" and dated "1987". Edition of six. Fine, qualty casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. A larger (19" height) casting of this sculpture was offered with pre-sale estimates of $8,000/10,000 at Ro Gallery on January 20th, 2011, going unsold. Our example possibly cast from the original mould. Dimensions of sculpture: 8 3/4" height x 5 7/8" width x 3 1/8" depth (221mm x 147mm x 96mm). Weight: 7.05 lbs. (3.2 kg). [24924] |1000| {R100}

Condition Report: Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture wth brown patina

Lot 49: FERNANDO BOTERO [ATTRIB] - Bronze sculpture wth brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Monja". Bronze sculpture wth brown patina. 1995. Inscribed "F. Botero" and dated in the sculpture. Edition unknown, presumed small, probably 10. Fine, quality casting. Very good condition, scattered scratches to the patina, the polished marble plinth in very good condition save the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 11 3/8" height x 6 3/4" width x 5 1/2" depth (290mm x 173mm x 140mm). Weight: 14.3 lbs. (6.5 kg.). [25135] |800| {R100}

Condition Report: Very good condition, scattered scratches to the patina, the polished marble plinth in very good condition save the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with very dark brown patina

Lot 50: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with very dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Mujer con la Bandeja de Fruta". Bronze sculpture with very dark brown patina. 1992. Inscribed "F. Botero" and dated "1992". Edition of six. Fine, quality casting. Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 8 1/2" height x 5" width x 2 1/2" depth (216mm x 127mm x 63mm). Weight: 5.1 lbs. (2.3 kg). [25640] |700| {R100}

Condition Report: Fine condition, the polished marble plinth with the expected wear and scattered small losses to the edges.

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FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

Lot 51: FERNANDO BOTERO [ATTRIB] - Bronze sculpture with dark brown patina

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Description: Fernando Botero [attrib] (Columbian, b.1932). "Mujer Desnuda Sentada". Bronze sculpture with dark brown patina. 1987. Inscribed "F. Botero" and dated "1987". Edition unknown, presumed small. Fine, quality casting. Very good condition; the polished marble plinth with the expected wear and scattered small losses to the edges. Provenance: Private collection, Mexico City. One of an extensive collection of Botero bronzes. Probably cast from the original mould. Dimensions of sculpture: 16" height x 7" width x 8 1/4" depth (406mm x 178mm x 140mm). Weight: 22 lbs. (10 kg). [26250] |2000| {R100}

Condition Report: Very good condition; the polished marble plinth with the expected wear and scattered small losses to the edges.

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