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Auction Description for Swann: DISCOVERY SALE
Auction Description:
DISCOVERY SALE
Viewing Notes:
Exhibition & Sale Schedule: Sale 2283 - Discovery Sale: Prints, Drawings & Posters - begins at 1:30pm in New York on Thurs, June 28. All material in Sale 2283 on display at our premises in New York City, 104 East 25th Street, as follows - Mon, June 25: 10am to 6pm - Tues, June 26: 10am to 6pm - Wed, June 27: 10am to 6pm - Thurs, June 28: 10am to Noon.

DISCOVERY SALE

(330 Lots)

by Swann Auction Galleries

Platinum House

330 lots with images

June 28, 2012

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

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Group of 5 etchings.

Lot 1: Group of 5 etchings.

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Description: Group of 5 etchings. LUCAS VORSTERMAN (after Boel). Hunting Dogs Attacking a Wild Boar * ABRAHAM BEGEYN. The Horse Shoer, circa 1650 * HERMAN VAN SWANEVELT. The Temptation of St. Anthony. Bartsch 108 * ANTONIE WATERLOO. The Mill. Bartsch 119 * UNKNOWN (after Titian). Landscape with a Shepherd. Various sizes and conditions.

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Collection of approximately 30 etchings, engravings and mezzotints.

Lot 2: Collection of approximately 30 etchings, engravings and mezzotints.

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Description: Collection of approximately 30 etchings, engravings and mezzotints. Mainly 17th century. Including prints by, after or attributed to EVERDINGEN, BEGA, VAILLANT, LAIRESSE and a group of etchings after TITIAN. With--A small collection of reproductions after Dürer, Rembrandt and others. Various sizes and conditions.

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HEINRICH ALDEGREVER Group of 4 engravings.

Lot 3: HEINRICH ALDEGREVER Group of 4 engravings.

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Description: HEINRICH ALDEGREVER Group of 4 engravings. Christ Surrounded by Children * The Severe Father, 1553 * Horation Cocles Defending the Bridge, circa 1537 * Two Men with Torches, 1538. Various sizes and conditions. Bartsch 56, 73, 80 and 161.

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GIULIO BONASONE Two engravings.

Lot 4: GIULIO BONASONE Two engravings.

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Description: GIULIO BONASONE Two engravings. A Persian Supporting a Capital, Showing his Right Hand * A Persian Supporting a Capital, with his Left Hand Down. Bartsch 176 and 177. With--AGOSTINO DE MUSI. St. Luke, engraving, 1518. Bartsch 92 * A group of 4 engravings by, after or attributed to SADELER, AQUILLA, LAFRERY and RAIMONDI. Various sizes and conditions.

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THEODOR DE BRY Group of 4 engravings

Lot 5: THEODOR DE BRY Group of 4 engravings

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Description: THEODOR DE BRY Group of 4 engravings Each circa 1600. Each approximately 67x83 mm; 2 3/4x3 1/4 inches. Trimmed on the plate marks. Very good impressions.

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JACQUES CALLOT Images des Saints.

Lot 6: JACQUES CALLOT Images des Saints.

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Description: JACQUES CALLOT Images des Saints. Group of 15 (of 124), 1636. Each approximately 93x52 mm; 3 3/4x2 1/8 inches. With--A group of 4 additional etchings by Callot. Various sizes and conditions.

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JACQUES CALLOT Group of 8 etchings from the Noblesse.

Lot 7: JACQUES CALLOT Group of 8 etchings from the Noblesse.

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Description: JACQUES CALLOT Group of 8 etchings from the Noblesse. Each 1624. Each approximately 145x95 mm; 5 3/4x3 3/4 inches, narrow to thread margins. Lieure 549, 552, 554, 555, 556, 557, 558 and 560. With--MICHAEL L. L. WILLMANN. Lesender Bärtiger Mann (Halbfigur), etching, circa 1685.

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STEFANO DELLA BELLA Two etchings.

Lot 8: STEFANO DELLA BELLA Two etchings.

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Description: STEFANO DELLA BELLA Two etchings. Catafalco. 235x220 mm; 9 1/4x8 3/4 inches, narrow margins. Second state (of 2) * Two Peasants in a Landscape. 128 mm; 5 inches (diameter). Second state (of 2). DeVesme 77 and 744.

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ANTHONY VAN DYCK Group of 8 etchings from Icones Principum Virorum Doctorum.

Lot 9: ANTHONY VAN DYCK Group of 8 etchings from Icones Principum Virorum Doctorum.

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Description: ANTHONY VAN DYCK Group of 8 etchings from Icones Principum Virorum Doctorum. Jan Bruegel * Pieter Bruegel * Frans Francken * Josse de Momper * Adam van Noort * Jan Snellinx * Lucas Vorsterman * Johannes de Wael. Each circa 1645. Each approximately 243x155 mm; 9 5/8x6 1/4 inches, wide to narrow margins. Very good impressions. Mauquoy-Hendrickx 1, 2, 6, 7, 10, 14 and 17.

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PAUL DELAMAIN Woman and Children in an Interior.

Lot 10: PAUL DELAMAIN Woman and Children in an Interior.

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Description: PAUL DELAMAIN Woman and Children in an Interior. Black chalk on blue wove paper. 300x225 mm; 12x9 inches. With the artist's estate ink stamp (Lugt supplement 659c, lower right recto). With--FRENCH SCHOOL, EARLY 19TH-CENTURY. Milkmaid, black, red and white chalks. 335x245 mm; 13 1/2x9 3/4 inches.

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JEAN-HONORÉ FRAGONARD (after) Les Hazards Heureux de l'Éscarpolette

Lot 11: JEAN-HONORÉ FRAGONARD (after) Les Hazards Heureux de l'Éscarpolette

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Description: JEAN-HONORÉ FRAGONARD (after) Les Hazards Heureux de l'Éscarpolette. Etching and engraving, 1782. 620x460 mm; 24 1/2x18 inches. Fifth state (of 7). Etched by Nicolas de Launay.

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CALUDE GELLÉE, LE LORRAIN La Fuite en Egypte.

Lot 12: CALUDE GELLÉE, LE LORRAIN La Fuite en Egypte.

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Description: CALUDE GELLÉE, LE LORRAIN La Fuite en Egypte. Etching, circa 1630-33. 107x170 mm; 4 1/4x6 3/4inches, thread margins. Fourth state (of 4). A good, strong impression. Mannnocci 9.

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HENDRIK GOUDT Tobias and the Angel.

Lot 13: HENDRIK GOUDT Tobias and the Angel.

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Description: HENDRIK GOUDT Tobias and the Angel. Etching and engraving, 1613. 200x258 mm; 8x10 1/4 inches. Trimmed on the plate mark 3 sides, inside the plate mark and without the text lower margin. A good, dark impression. Duthuit 2; Hollstein 2.

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DAVID LUCAS (after Constable) Group of 4 mezzotints

Lot 14: DAVID LUCAS (after Constable) Group of 4 mezzotints

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Description: DAVID LUCAS (after Constable) Group of 4 mezzotints. Cornfield near Brighton * Opening of the Waterloo Bridge * Hadleigh Castle * Yarmouth, Norfolk. Each 1830-32. Each approximately 185x253 mm; 7 1/4x10 inches, wide margins. Very good impressions.

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MICHELE MARIESCHI (After) Prospettive di Venezia: frontispiece

Lot 15: MICHELE MARIESCHI (After) Prospettive di Venezia: frontispiece

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Description: MICHELE MARIESCHI (After) Prospettive di Venezia: frontispiece. Etching, 1741. 330x482 mm; 13x19 inches, full margins. First state (of 4). A superb, early impression with strong contrasts and with crisp, partially inky plate edges.

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CLAUDE MELLAN Group of 4 engravings.

Lot 16: CLAUDE MELLAN Group of 4 engravings.

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Description: CLAUDE MELLAN Group of 4 engravings. Statue of a Woman with a Diadem * Statue of a Woman with a Robe * Statue of a Faun, 1671. Nagler 213 * The Medici Venus. Ex-collection Agostino Caironi (Lugt 426, verso); and G. Locarno (Lugt 1691, verso). Nagler 205. Various sizes and conditions.

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ADRIAEN VAN OSTADE The Wandering Musicians.

Lot 17: ADRIAEN VAN OSTADE The Wandering Musicians.

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Description: ADRIAEN VAN OSTADE The Wandering Musicians. Etching, circa 1642. Fifth state (of 6). A very good impression. Bartsch 38; Godefroy 38. With--JAN JORIS VAN VLIET. Thread Seller, etching * JACOB GOLE. Portrait of Adriaen van Ostade, mezzotint * ADRIAEN VAN OSTADE (after). Three Figures, etching. Various sizes and conditions.

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MICHAEL OSTENDORFER Christ on the Cross.

Lot 18: MICHAEL OSTENDORFER Christ on the Cross.

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Description: MICHAEL OSTENDORFER Christ on the Cross. Woodcut, 1554. 200x115 mm; 8x4 1/2 inches, narrow margins. Ex-collection Edler von Horrak (Lugt 866, verso). Passavant III 314-28.

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GIOVANNI B. PIRANESI Veduta del Ponte e Castello Sant'Angelo.

Lot 19: GIOVANNI B. PIRANESI Veduta del Ponte e Castello Sant'Angelo.

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Description: GIOVANNI B. PIRANESI Veduta del Ponte e Castello Sant'Angelo. Etching, 1754. 383x595 mm; 15 1/8x23 1/2 inches, wide margins. Sixth state (of 6). From the Vedute di Roma. Laid down, adhesive remains in recto margins. Hind 29.

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GIOVANNI B. PIRANESI Veduta di Campo Vaccino.

Lot 20: GIOVANNI B. PIRANESI Veduta di Campo Vaccino.

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Description: GIOVANNI B. PIRANESI Veduta di Campo Vaccino. Etching, 1772. 483x714 mm; 19x28 1/8inches, wide margins. Fourth state (of 4). From the Vedute di Roma. Hind 100.

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GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

Lot 21: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

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Description: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma. Veduta della Basilica di S. Giovanni Laterano, 1749. 390x540 mm; 15 1/4x21 1/4 inches, full margins. Third state (of 3), with the address and price lower right * Veduta sul Monte Quirinale del Palazzo dell'Eccellentissima Casa Barberini, 1749. 400x617 mm; 15 3/4x24 1/8inches, small margins. Third state (of 5). Very good impressions. Hind 8 and 25.

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GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

Lot 22: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

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Description: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma. Veduta di Sepolcro di Pisone Liciano, 1764. 410x610 mm; 16 1/8x24 inches, wide margins. Third state (of 3) * Veduta dell'interno dell'Anfiteatro Flavio detoo il Colosseo, 1766. 460x695 mm; 18x27 1/4 inches, wide margins. Fifth state (of 5). Both good, dark impressions. Hind 72 and 78.

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REMBRANDT VAN RIJN The Raising of Lazarus: The Larger Plate.

Lot 23: REMBRANDT VAN RIJN The Raising of Lazarus: The Larger Plate.

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Description: REMBRANDT VAN RIJN The Raising of Lazarus: The Larger Plate. Etching, engraving and drypoint, circa 1632. 371x256 mm; 14 5/8x10 1/8 inches, small to narrow margins. Biörklund's ninth state (of 9); Usticke's ninth state (of 10); White and Boon's tenth state (of 10). Bartsch 73; Biörklund 32-4; Hollstein (White and Boon) 73.

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REMBRANDT VAN RIJN The First Oriental Head.

Lot 24: REMBRANDT VAN RIJN The First Oriental Head.

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Description: REMBRANDT VAN RIJN The First Oriental Head. Etching, 1635. 151x126 mm; 6x5 inches, small to narrow margins. Biörklund's second state (of 3); Usticke's only state (i); White and Boon's second state (of 3). A very good, dark impression of this fairly scarce etching, with strong contrasts. Bartsch 286; Biörklund 35-E; Hollstein (White and Boon) 286.

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REMBRANDT VAN RIJN The Tribute Money.

Lot 25: REMBRANDT VAN RIJN The Tribute Money.

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Description: REMBRANDT VAN RIJN The Tribute Money. Etching, circa 1635. 69x102 mm; 2 7/8x4 1/8inches, small margins. Biörklund's second state (of 2); Usticke's second state (l) (of 3), with the fine vertical lines on the upper part of the turban of the standing man facing Christ showing clearly; White and Boon's second state (of 2). A good, dark impression with inky plate edges. Bartsch 68; Biörklund 35-2; Hollstein (White and Boon) 68.

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REMBRANDT VAN RIJN The Strolling Musicians.

Lot 26: REMBRANDT VAN RIJN The Strolling Musicians.

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Description: REMBRANDT VAN RIJN The Strolling Musicians. Etching, circa 1635. 140x119 mm; 5 1/2x4 3/4 inches, small margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's third state (of 3). A very good impression with strong contrasts. Bartsch 119; Biörklund 38-8; Hollstein (White and Boon) 119.

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REMBRANDT VAN RIJN Self Portrait with Saskia.

Lot 27: REMBRANDT VAN RIJN Self Portrait with Saskia.

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Description: REMBRANDT VAN RIJN Self Portrait with Saskia. Etching, 1636. 105x94 mm; 4 1/8x3 3/4 inches, small margins. Biörklund's third state (of 3); Usticke's sixth state (of 6); White and Boon's third state (of 3). A good impression. Bartsch 19; Biörklund 36-B; Hollstein (White and Boon) 19.

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REMBRANDT VAN RIJN The Bathers.

Lot 28: REMBRANDT VAN RIJN The Bathers.

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Description: REMBRANDT VAN RIJN The Bathers. Etching, 1651. 107x138 mm; 4 1/4x5 1/2 inches, small margins. Biörklund's second state (of 2); Usticke's third state (e) (of 3); White and Boon's second state (of 2). A good, evenly-printed impression with strong contrasts and crisp, partially inky plate edges. Bartsch 195; Biörklund 51-B; Hollstein (White and Boon) 195.

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Two etchings.

Lot 29: Two etchings.

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Description: Two etchings. AUGUSTE BROUET. House in Ruins at Andemps. 290x350 mm; 11 1/2x13 3/4 inches. Signed and inscribed "Ep d'artiste" and "p. Delatre" in pencil, lower margin * EDGAR CHAHINE. Impressions d'Italie: La belle ventienne au jardin. 215x160 mm; 8 1/2x6 1/4 inches. Signed in pencil, lower left.

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Collection of approximately 20 etchings, engravings and lithographs.

Lot 30: Collection of approximately 20 etchings, engravings and lithographs.

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Description: Collection of approximately 20 etchings, engravings and lithographs. Including prints by VERNET, ISABEY, CHASSÉRIAU, DIAZ, MEISSONIER, MAURIN, LEGROS, HERVIER, BESNARD, GAVARNI and others. Various sizes and conditions.

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PIERRE BONNARD Paysage du Midi.

Lot 31: PIERRE BONNARD Paysage du Midi.

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Description: PIERRE BONNARD Paysage du Midi. Lithograph on cream wove paper, 1925. 220x330 mm; 8 5/8x13 inches, full margins. Fourth state (of 4). Signed and numbered 91/100 in pencil, lower right. Published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris, with the blind stamp (Lugt supplement 1057b, lower right recto). A very good, dark and evenly-printed impression. Bouvet 95.

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PIERRE BONNARD Group of 4 etchings.

Lot 32: PIERRE BONNARD Group of 4 etchings.

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Description: PIERRE BONNARD Group of 4 etchings. Toilette, 1927 * Three etchings from La Vie de Sainte Monique, 1930. Bouvet 107 and 111. With---JEAN LOUIS FORAIN. Woman Dressing, etching * JACQUES VILLON. Abstract Figure, etching. Various sizes and conditions.

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FÉLIX BUHOT L'Hiver à Paris.

Lot 33: FÉLIX BUHOT L'Hiver à Paris.

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Description: FÉLIX BUHOT L'Hiver à Paris. Etching and aquatint, 1879. 235x350 mm; 9 1/4x13 3/4 inches, full margins. Fifth state (of 5). A very good impression. Bourcard/Goodfriend 128.

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JEAN BAPTISTE-CAMILLE COROT Souvenir d'Italie.

Lot 34: JEAN BAPTISTE-CAMILLE COROT Souvenir d'Italie.

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Description: JEAN BAPTISTE-CAMILLE COROT Souvenir d'Italie. Etching and drypoint on cream wove paper, 1863. 294x220 mm; 11 5/8x8 3/4 inches, full margins. Third state (of 4). A richly-inked impression. Delteil 5; Melot 5.

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HONORÉ DAUMIER Group of 10 lithographs.

Lot 35: HONORÉ DAUMIER Group of 10 lithographs.

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Description: HONORÉ DAUMIER Group of 10 lithographs. D'Arg, with hand coloring in watercolor, 1832 * 1830 et 1833, 1833 * Soyez donc poli i . . . impertinent!!, 1839 * Les Crèpres, 1843 * Une Loterie Philantropique, 1843 * Probité Chinoise, 1845 * Nouveau Divertissement des Soirées Parisiennes, 1857 * Ce Monsieur Courbet, 1855 * Voyageurs appréciant de moins et moins les Wagons de Troisième Classe, pendant l'Hiver, 1856 * Le Cid se mettant aussi en Campagne pour aller combattre les Maures, 1859. Each except for one sur blanc. Various sizes and conditions. Delteil 48, 66, 729, 1165, 1168, 1198, 2656, 2675, 2824 and 3233

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EDGAR DEGAS Tête de Jeune Femme.

Lot 36: EDGAR DEGAS Tête de Jeune Femme.

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Description: EDGAR DEGAS Tête de Jeune Femme. Etching, 1856. 76x71 mm; 3 1/4x2 3/4 inches, wide margins. After cancellation. Delteil 44; Adhémar 5.

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EDGAR DEGAS Two etchings.

Lot 37: EDGAR DEGAS Two etchings.

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Description: EDGAR DEGAS Two etchings. Les Blanchisseuses, circa 1879. 118x160mm; 4 5/8x6 3/8, wide margins. Fifth state (of 5), after cancellation * La Sortie du Bain, circa 1879-80. 129x130 mm; 5 1/8x5 1/8 inches, wide margins. Sixteenth state (of 16), after cancellation. Both from the edition of approximately 150 published by Vollard, Paris. Both very good impressions. Delteil 37 and 39; Adhémar 32 and 49B.

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EUGÈNE DELACROIX Juive d'Alger.

Lot 38: EUGÈNE DELACROIX Juive d'Alger.

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Description: EUGÈNE DELACROIX Juive d'Alger. Etching, 1833. 213x173 mm; 8 1/2x6 7/8 inches, full margins. Third state (of 4), with the number "171" upper right. Printed by Delâtre, Paris. Published by Cadart and Luquet, Paris, for the Société des Aquafortistes. A very good, well-inked impression. Delteil 18.

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JAMES ENSOR Two color lithographs.

Lot 39: JAMES ENSOR Two color lithographs.

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Description: JAMES ENSOR Two color lithographs. The Road to Calvary * Christ Taken Captive. Both 1921. Both approximately 155x210 mm; 6 1/8x8 1/4 inches, wide margins. Both artist's proofs, aside from the total edition of 310. Both signed in pencil, lower right. Printed by Goosens, Brussels. Published by Galerie Giroux, Brussels. From Scènes de la vie du Christ. Ex-collection private collection Antwerp and Knokke-Zoute, Belgium, thence by descent to the current owner. Very good impressions with strong colors. Delteil 141; Taevernier 139; Elesh 141.

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CLARENCE GAGNON Moonlight, Venice.

Lot 40: CLARENCE GAGNON Moonlight, Venice.

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Description: CLARENCE GAGNON Moonlight, Venice. Etching printed in brown on thin, cream Japan paper, 1905-06. 170x100 mm; 6 3/4x4 inches, wide (full ?) margins. Signed in pencil, lower right. A very good impression.

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PAUL GAUGUIN La Femme aux Figues.

Lot 41: PAUL GAUGUIN La Femme aux Figues.

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Description: PAUL GAUGUIN La Femme aux Figues. Etching printed in black on cream laid paper, 1894. 265x420 mm; 10 1/2x16 1/2 inches, full margins. Third state (of 3). A very good, well-inked impression. Kornfeld 25.

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PAUL GAUGUIN Soyez amoureuses.

Lot 42: PAUL GAUGUIN Soyez amoureuses.

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Description: PAUL GAUGUIN Soyez amoureuses. Woodcut on cream laid paper, 1898. 159x276 mm; 6 1/4x10 5/8 inches, wide margins. A good impression. Kornfeld 55.

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THÉODORE GÉRICAULT Group of 6 lithographs.

Lot 43: THÉODORE GÉRICAULT Group of 6 lithographs.

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Description: THÉODORE GÉRICAULT Group of 6 lithographs. Passage du Mont Saint-Bernard, 1822. Third state (of 4) * Lara Blessé. Third state (of 4) * Cheval Espagnol, 1822. Fourth state (of 4) * Cheval de Charrette sorti des Limons, 1823. Second state (of 3) * Chevaux Conduits a l'Écorcheur, 1823. Second state (of 3) * Les Boueux, 1823. Fourth state (of 4). Various sizes and conditions. Delteil 44, 45, 50, 60, 65 and 75.

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FRANCIS SEYMOUR HADEN On the Test.

Lot 44: FRANCIS SEYMOUR HADEN On the Test.

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Description: FRANCIS SEYMOUR HADEN On the Test. Etching and drypoint on tissue-thin Japan paper, 1859. 150x225 mm; 6x9 inches, full margins. Sixth state (of 8). A superb, richly-inked impression of this scarce, early print, with crisp, inky plate edges. This is one of several plates drawn directly from nature on a day trip from London. Whistler had some hand in the proofing process, as evidenced by the inscription "On the Test Near Romsey, 1859, F. S. Haden" that he added to the plate in the second state. Schneiderman 24.

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PAUL CÉSAR HELLEU Trois études de tête de jeune femme.

Lot 45: PAUL CÉSAR HELLEU Trois études de tête de jeune femme.

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Description: PAUL CÉSAR HELLEU Trois études de tête de jeune femme. Drypoint, circa 1895. 238x160 mm; 9 1/2x6 3/8 inches, wide margins. Signed in pencil, lower left. A very good impression.

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PAUL CÉSAR HELLEU La Jolie Taille.

Lot 46: PAUL CÉSAR HELLEU La Jolie Taille.

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Description: PAUL CÉSAR HELLEU La Jolie Taille. Drypoint, circa 1896. 420x277 mm; 16 1/2x11 inches, full margins. Signed in pencil, lower left. A good impression. Goncourt 2.

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PAUL CÉSAR HELLEU Femme se regardant dans un Miroir.

Lot 47: PAUL CÉSAR HELLEU Femme se regardant dans un Miroir.

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Description: PAUL CÉSAR HELLEU Femme se regardant dans un Miroir. Drypoint, circa 1900. 394x272 mm; 15 1/2x10 3/4 inches, full margins. Signed in pencil, lower right. A very good impression.

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PETER ILSTED The Rainy Day.

Lot 48: PETER ILSTED The Rainy Day.

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Description: PETER ILSTED The Rainy Day. Mezzotint, 1931. 410x485 mm; 16 1/8x19 1/8 inches, wide margins. With the artist's ink stamp signature, lower right. Olufsen/Svensson 71.

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JEAN-ÉMILE LABOUREUR Group of 4 etchings and engravings.

Lot 49: JEAN-ÉMILE LABOUREUR Group of 4 etchings and engravings.

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Description: JEAN-ÉMILE LABOUREUR Group of 4 etchings and engravings. Enfant aux Jouets, 1897. Second state (of 2). Signed and dated "97" in blue pencil, lower right * Le Kiosque à Journaux, 1920-29. Third state (of 4). Edition of 500 * Le Vol de Canards, 1932. Fourth state (of 4) * Le Marchand d'Anguilles, 1932. Fifth state (of 5). Various sizes and conditions. Laboureur 28, 198, 451 and 457.

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JEAN-ÉMILE LABOUREUR Group of 5 etchings and engravings.

Lot 50: JEAN-ÉMILE LABOUREUR Group of 5 etchings and engravings.

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Description: JEAN-ÉMILE LABOUREUR Group of 5 etchings and engravings. Le Rond-Point des Champs-Élysées, 1913. Fifth state (of 5) * L'Entomologiste, 1932-33. Sixth state (of 6) * L'Exposition de 1937, 1937. Fourth state (of 4) * Courses à Longchamp, 1938. Sixth state (of 6) * La Halte des Bohêmiens, 1938. Third state (of 3). Signed and numbered 62/108 in pencil, lower margin. Various sizes and conditions. Very good impressions. Laboureur 117, 475, 530, 534 and 539.

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