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Auction Description for Grogan: THE JUNE AUCTION
Viewing Notes:
Exhibition will begin on Thursday, June 5th at Grogan and Company's Gallery located at 22 Harris Street, Dedham, MA. Hours: Thursday, Friday, and Saturday, 10:00 a.m. - 6:00 p.m.; Sunday, 9:00 a.m. - 10:00 a.m.
Sale Notes:
Including over 700 lots of Fine Art, Jewelry, Silver, Furniture, Decorative Works of Art, and Oriental Rugs and Carpets from various estates and collections.

THE JUNE AUCTION

by Grogan & Company


760 lots with images

June 8, 2014

Live Auction

22 Harris Street

Dedham, MA, 02026 USA

Phone: 781-461-9500

Fax: 781-461-9625

Email: grogans@groganco.com

760 Lots
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ALBRECHT DURER, (German, 1471-1528), THE FLAGELLATION OF CHRIST, ca. 1497; woodcut;, block: 15 1/8 x 10 3/4 in.; sheet: 15 1/2 x 11...

Lot 1: ALBRECHT DURER, (German, 1471-1528), THE FLAGELLATION OF CHRIST, ca. 1497; woodcut;, block: 15 1/8 x 10 3/4 in.; sheet: 15 1/2 x 11...

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Description: ALBRECHT DURER (German, 1471-1528) THE FLAGELLATION OF CHRIST ca. 1497; woodcut; Bartsch #8; Meder #117, 1511 edition with Latin text, verso; block: 15 1/8 x 10 3/4 in.; sheet: 15 1/2 x 11 1/8 in.

Condition Report: noteable toning with some minor foxing throughout; crease running horizontally across middle of sheet with one very small tear (approx. 1/8 in.) at left side of crease (in margin); three detached hinges along verso of top edge, non-archical appear to have been return address labels; no watermark visible.

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ATTRIBUTED TO LIONELLO SPADA, (Italian, 1576-1622), OLD MASTER DRAWING, pencil on paper;, 8 1/2 x 6 1/2 in. (23 x 21 in.)

Lot 2: ATTRIBUTED TO LIONELLO SPADA, (Italian, 1576-1622), OLD MASTER DRAWING, pencil on paper;, 8 1/2 x 6 1/2 in. (23 x 21 in.)

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Description: ATTRIBUTED TO LIONELLO SPADA (Italian, 1576-1622) OLD MASTER DRAWING pencil on paper; inscribed in ink beneath drawing Colection de Solimene - Leonello Spada - ni. Bologna 1576 + Parma 1622; 8 1/2 x 6 1/2 in. (23 x 21 in.)

Condition Report:

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OLD MASTER , (17th century), THE FLOOD, sepia ink and red chalk drawing;, 6 x 7 in. (13 x 14 in.)

Lot 3: OLD MASTER , (17th century), THE FLOOD, sepia ink and red chalk drawing;, 6 x 7 in. (13 x 14 in.)

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Description: OLD MASTER (17th century) THE FLOOD sepia ink and red chalk drawing; 6 x 7 in. (13 x 14 in.) Provenance: Acquired from Gallery d'Hautbarr, New York in 1968; Property of a New York City family.

Condition Report: Examined out of frame: trimmed to ink border and laid down on open mat with verso visible through opening; possible 1" restored tear, l.c., however, no present tears or foxing visible; no evidence of restoration visible from verso, however, there is glue residue on verso along top; no collector's stamp or watermarks visible;

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ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI, (Italian, 1727-1785), PENCIL STUDY FOR

Lot 4: ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI, (Italian, 1727-1785), PENCIL STUDY FOR "CORIOLANUS", pencil on paper;, image: 5 1/2 x 3 1/...

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Description: ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI (Italian, 1727-1785) PENCIL STUDY FOR "CORIOLANUS" pencil on paper; additional sketch on verso; inscribed Coll. Mrs. E.E. James / 16.5.62 N. 243, verso; image: 5 1/2 x 3 1/2 in., sheet: 7 1/2 x 4 1/2 in. Other Notes: This pencil sketch appears to be the study for Cipriani's illustration of the Shakespearean tragedy Coriolanus, after the life of Roman leader Caius Marcius Coriolanus (5th century BC). Cipriani's final illustration was turned into an engraving by Richard Earlom (English, 1743-1822) and published by John & Josiah Boydell in 1789.

Condition Report:

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ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI, (Italian, 1727-1785), TWO PENCIL SKETCHES, pencil on paper, one with gouache and red chalk...

Lot 5: ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI, (Italian, 1727-1785), TWO PENCIL SKETCHES, pencil on paper, one with gouache and red chalk...

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Description: ATTRIBUTED TO GIOVANNI BATTISTA CIPRIANI (Italian, 1727-1785) TWO PENCIL SKETCHES pencil on paper, one with gouache and red chalk highlights; one of child's hands and legs, sheet: 7 1/8 x 10 3/4 in.; the other of ornate architectural elements, sheet: 5 5/8 x 4 3/8 in.

Condition Report:

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FRENCH SCHOOL , (18th/19th century), DRAWING OF A LADY, red chalk on paper;, sheet: 11 x 8 in. (21 x 17 in.)

Lot 6: FRENCH SCHOOL , (18th/19th century), DRAWING OF A LADY, red chalk on paper;, sheet: 11 x 8 in. (21 x 17 in.)

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Description: FRENCH SCHOOL (18th/19th century) DRAWING OF A LADY red chalk on paper; sheet: 11 x 8 in. (21 x 17 in.) Other Notes: A letter affixed to verso signed by Stuart Denenberg of Tragos Gallery, Boston and dated August 15, 1967 states that this drawing "could be School of David."

Condition Report:

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VENETIAN SCHOOL , (15th century), MADONNA AND CHILD WITH ST. JOHN, ST. DOMINIC, ST. CLARA, AND DONOR, oil on panel;, 32 x 43 in. (43...

Lot 7: VENETIAN SCHOOL , (15th century), MADONNA AND CHILD WITH ST. JOHN, ST. DOMINIC, ST. CLARA, AND DONOR, oil on panel;, 32 x 43 in. (43...

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Description: VENETIAN SCHOOL (15th century) MADONNA AND CHILD WITH ST. JOHN, ST. DOMINIC, ST. CLARA, AND DONOR oil on panel; bears a red wax seal, verso; 32 x 43 in. (43 x 57 in.) Provenance: Collection of Count Guilio Sterbini, Rome until 1911, by descent to the Lupi Collection, Rome until 1920s, by descent to Private Collection, Germany. Other Notes: Fondaziona Zeri #26485

Condition Report: UV examination reveals minor inpainting and restoration throughout; panel seam visible on front running horizontally across center of image; minor paint loss around seam.

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OLD MASTER , (17th/18th century), MADONNA AND CHILD, oil on panel;, oval: 40 x 28 in.

Lot 8: OLD MASTER , (17th/18th century), MADONNA AND CHILD, oil on panel;, oval: 40 x 28 in.

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Description: OLD MASTER (17th/18th century) MADONNA AND CHILD oil on panel; oval: 40 x 28 in.

Condition Report: UV examination reveals minimal restoration and inpainting; panel seams visible on front, running vertically down length of image; some paint losses around panel seams, surface dirt and grime.

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ATTRIBUTED TO MICHIEL JANSZ VAN MIEREVELD, (Dutch, 1567-1641), PORTRAIT OF A NOBLEMAN, oil on panel;, 16 3/4 x 21 1/4 in. (27 x 22 1...

Lot 9: ATTRIBUTED TO MICHIEL JANSZ VAN MIEREVELD, (Dutch, 1567-1641), PORTRAIT OF A NOBLEMAN, oil on panel;, 16 3/4 x 21 1/4 in. (27 x 22 1...

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Description: ATTRIBUTED TO MICHIEL JANSZ VAN MIEREVELD (Dutch, 1567-1641) PORTRAIT OF A NOBLEMAN oil on panel; coat of arms, u.l.; inscribed Aetatis sua 24 / Ano Dom. 1621; bears label with attribution; verso; 16 3/4 x 21 1/4 in. (27 x 22 1/2 in.)

Condition Report: restoration including a repaired crack (on verso) to the board running vertically along left side; noteable inpainting throughout (approx. 45% of panel retouched)

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CONTINENTAL SCHOOL , (17th/18th century), LANDSCAPE WITH TOWN IN DISTANCE, oil on canvas;, 26 1/2 x 29 1/2 in. (31 x 35 in.)

Lot 9A: CONTINENTAL SCHOOL , (17th/18th century), LANDSCAPE WITH TOWN IN DISTANCE, oil on canvas;, 26 1/2 x 29 1/2 in. (31 x 35 in.)

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Description: CONTINENTAL SCHOOL (17th/18th century) LANDSCAPE WITH TOWN IN DISTANCE oil on canvas; 26 1/2 x 29 1/2 in. (31 x 35 in.)

Condition Report: lined; UV examination reveals some inpainting throughout (approx. 20% of canvas); surface dirt and grime; some paint loss along bottom edge; small tear (1 in.) in l.r. corner originating from edge.

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ATTRIBUTED TO AERT VAN DER NEER, (Dutch, 1603-1677), MOONLIT WINDMILL, oil on canvas;, 15 1/2 x 21 1/2 in. (24 x 29 1/2 in.)

Lot 10: ATTRIBUTED TO AERT VAN DER NEER, (Dutch, 1603-1677), MOONLIT WINDMILL, oil on canvas;, 15 1/2 x 21 1/2 in. (24 x 29 1/2 in.)

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Description: ATTRIBUTED TO AERT VAN DER NEER (Dutch, 1603-1677) MOONLIT WINDMILL oil on canvas; 15 1/2 x 21 1/2 in. (24 x 29 1/2 in.) Provenance: Descended within the family of an Old Master Collector from Berlin, Germany. Other Notes: This painting was purportedly brought to the United States with the family of an Old Master Collector who fled Berlin, Germany for London in 1936, and then continued on to the United States in 1939.

Condition Report: canvas and wax lined; UV examination reveals inpainting and restoration through out (approx. 25% of canvas); notable dirt and grime to surface; approx. 1/2 inch tear/abrasion down to the canvas along the right top edge.

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ANTHONY OBERMANN, (Dutch, 1781-1845), FLORAL STILL LIFE, oil on canvas;, 33 x 22 in.

Lot 11: ANTHONY OBERMANN, (Dutch, 1781-1845), FLORAL STILL LIFE, oil on canvas;, 33 x 22 in.

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Description: ANTHONY OBERMANN (Dutch, 1781-1845) FLORAL STILL LIFE oil on canvas; signed, l.r.; 33 x 22 in.

Condition Report: relined; craquelure throughout; UV examination reveals inpainting and minor restoration to dark background (less than 15% of canvas); signature o.k. under UV

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DUTCH SCHOOL , (18th century), PORTRAIT OF JAN SIX, BURGOMASTER OF AMSTERDAM, oil on panel;, 11 1/2 x 8 1/2 in. (18 x 15 in.)

Lot 12: DUTCH SCHOOL , (18th century), PORTRAIT OF JAN SIX, BURGOMASTER OF AMSTERDAM, oil on panel;, 11 1/2 x 8 1/2 in. (18 x 15 in.)

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Description: DUTCH SCHOOL (18th century) PORTRAIT OF JAN SIX, BURGOMASTER OF AMSTERDAM oil on panel; 11 1/2 x 8 1/2 in. (18 x 15 in.) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: notable craquelure throughout; UV examination reveals touch ups and inpainting throughout, concentrated within craquelure lines; some touch up to face; paint loss to small spot (approx. 1/8 x 1/4 in.) on the hat brim, appears to be the result of nick to front of board.

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DUTCH SCHOOL , (18th century), DECORATIVE MARITIME PAINTINGS, a pair of oils on panel;, 27 x 22 in. each

Lot 12A: DUTCH SCHOOL , (18th century), DECORATIVE MARITIME PAINTINGS, a pair of oils on panel;, 27 x 22 in. each

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Description: DUTCH SCHOOL (18th century) DECORATIVE MARITIME PAINTINGS a pair of oils on panel; probably Dutch East India Company; with lacquered, gilt, and carved border; 27 x 22 in. each Provenance: A Distinguished New York and Newport, Rhode Island Family.

Condition Report:

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MANNER OF MICHELE MARIESCHI, (Italian, 1696-1743), TWO VIEWS OF VENICE, two oils on canvas;, 12 x 16 in. (16 x 19 in.) and 8 1/2 x 1...

Lot 12B: MANNER OF MICHELE MARIESCHI, (Italian, 1696-1743), TWO VIEWS OF VENICE, two oils on canvas;, 12 x 16 in. (16 x 19 in.) and 8 1/2 x 1...

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Description: MANNER OF MICHELE MARIESCHI (Italian, 1696-1743) TWO VIEWS OF VENICE two oils on canvas; 12 x 16 in. (16 x 19 in.) and 8 1/2 x 14 in. (11 x 17 in.) Provenance: A Distinguished New York and Newport, Rhode Island Family.

Condition Report:

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ATTRIBUTED TO JOSEPH M. W. TURNER, (English, 1775-1851), IN ANCIENT ITALY, oil on panel;, 18 x 20 in. (25 1/4 x 27 1/4)

Lot 13: ATTRIBUTED TO JOSEPH M. W. TURNER, (English, 1775-1851), IN ANCIENT ITALY, oil on panel;, 18 x 20 in. (25 1/4 x 27 1/4)

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Description: ATTRIBUTED TO JOSEPH M. W. TURNER (English, 1775-1851) IN ANCIENT ITALY oil on panel; bears various attribution labels, verso; 18 x 20 in. (25 1/4 x 27 1/4) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: UV examination reveals minor inpainting to fill in craquelure throughout.

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FRENCH SCHOOL , (18th century), SEATED FRENCH REVOLUTIONARY WAR SOLDIER, oil on panel;, sight diameter: 3 1/2 in. (7 1/2 X 7 1/2 in....

Lot 14: FRENCH SCHOOL , (18th century), SEATED FRENCH REVOLUTIONARY WAR SOLDIER, oil on panel;, sight diameter: 3 1/2 in. (7 1/2 X 7 1/2 in....

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Description: FRENCH SCHOOL (18th century) SEATED FRENCH REVOLUTIONARY WAR SOLDIER oil on panel; sight diameter: 3 1/2 in. (7 1/2 X 7 1/2 in.) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: framed under glass; not examined out of frame; very small craqulure throughout; dirt and grime to surface.

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FRENCH SCHOOL , (early 19th century), PORTRAIT OF NAPOLEON, oil on beveled panel;, 5 3/8 x 5 3/8 in. (11 3/4 x 11 3/4 in.)

Lot 15: FRENCH SCHOOL , (early 19th century), PORTRAIT OF NAPOLEON, oil on beveled panel;, 5 3/8 x 5 3/8 in. (11 3/4 x 11 3/4 in.)

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Description: FRENCH SCHOOL (early 19th century) PORTRAIT OF NAPOLEON oil on beveled panel; 5 3/8 x 5 3/8 in. (11 3/4 x 11 3/4 in.) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: framed under glass; not examined out of frame; notable craquelure throughout; clear under UV examination.

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ATTRIBUTED TO J. ANDREWS, (English, 1795-1856), NAPOLEAN I, oil on board;, sight: 7 1/4 x 6 in. (13 1/2 x 12 in.)

Lot 16: ATTRIBUTED TO J. ANDREWS, (English, 1795-1856), NAPOLEAN I, oil on board;, sight: 7 1/4 x 6 in. (13 1/2 x 12 in.)

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Description: ATTRIBUTED TO J. ANDREWS (English, 1795-1856) NAPOLEAN I oil on board; bears label and artist information, verso; sight: 7 1/4 x 6 in. (13 1/2 x 12 in.) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: framed under glass; not examined out of frame; craqulure throughout; no paint loss visible; UV examination clear.

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FRENCH SCHOOL , (late 19th century), FEMALE NUDE, 1880; pastel on paper;, 18 x 12 1/2 in. (22 x 17 in.)

Lot 17: FRENCH SCHOOL , (late 19th century), FEMALE NUDE, 1880; pastel on paper;, 18 x 12 1/2 in. (22 x 17 in.)

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Description: FRENCH SCHOOL (late 19th century) FEMALE NUDE 1880; pastel on paper; initialed E.P.F. and dated 80, l.r.; 18 x 12 1/2 in. (22 x 17 in.)

Condition Report: toning to the paper; some foxing and staining throughout

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CONTINENTAL SCHOOL , (18th/19th century), PASTORAL GENRE SCENE, oil on canvas;, 30 x 39 in. (34 x 43 in.)

Lot 18: CONTINENTAL SCHOOL , (18th/19th century), PASTORAL GENRE SCENE, oil on canvas;, 30 x 39 in. (34 x 43 in.)

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Description: CONTINENTAL SCHOOL (18th/19th century) PASTORAL GENRE SCENE oil on canvas; 30 x 39 in. (34 x 43 in.)

Condition Report:

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FRENCH SCHOOL , (19th century), COUNTRY ROAD, 1868; oil on cradleboard;, 14 1/2 x 20 1/4 in. (18 1/2 x 24 in.)

Lot 19: FRENCH SCHOOL , (19th century), COUNTRY ROAD, 1868; oil on cradleboard;, 14 1/2 x 20 1/4 in. (18 1/2 x 24 in.)

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Description: FRENCH SCHOOL (19th century) COUNTRY ROAD 1868; oil on cradleboard; signed N. Diaz and dated, l.l.; 14 1/2 x 20 1/4 in. (18 1/2 x 24 in.) Other Notes: The signature on this painting attributes it to Narcisse Virgilio Diaz de la Pena (French, 1807-1876); however, it is also similar in style to his student Camille Magnus (French, 1850-1877).

Condition Report: craquelure throughout; surface dirt and grime; UV examination reveals old restoration along the painting's edges.

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GERMAIN-FABIUS BREST, (French, 1823-1900), VIEW OF THE BOSPHORUS, oil on canvas;, 46 x 35 in. (59 x 48 in.)

Lot 20: GERMAIN-FABIUS BREST, (French, 1823-1900), VIEW OF THE BOSPHORUS, oil on canvas;, 46 x 35 in. (59 x 48 in.)

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Description: GERMAIN-FABIUS BREST (French, 1823-1900) VIEW OF THE BOSPHORUS oil on canvas; signed F. Brest, l.l.; 46 x 35 in. (59 x 48 in.) Provenance: Private Collection, Beirut, Lebanon and Boston, Massachusetts since 1980.

Condition Report: original canvas laid down on canvas; restretched; original canvas lifting around edges of canvas backing; craquelure throughout; U.V. examination reveals notable areas of inpainting throughout (approx. 20% of canvas restored). The signature does not flouresce under UV, however, there is a "line" of restoration just below.

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CHARLES EUPHRASIE KUWASSEG, (French, 1838-1904), ANTWERP HARBOR, oil on canvas;, 23 1/2 x 41 in. (32 x 50 in.)

Lot 21: CHARLES EUPHRASIE KUWASSEG, (French, 1838-1904), ANTWERP HARBOR, oil on canvas;, 23 1/2 x 41 in. (32 x 50 in.)

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Description: CHARLES EUPHRASIE KUWASSEG (French, 1838-1904) ANTWERP HARBOR oil on canvas; signed, l.r.; 23 1/2 x 41 in. (32 x 50 in.)

Condition Report: unlined; recently cleaned; notable craquelure throughout, but no significant paint loss; minor inpainting throughout, concentrated along frame line.

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FELICE AUGUSTE REZIA, (English/Italian, late 19th/early 20th century), BANKS OF THE SEINE and SEINE IN SAVOY, 1903; two oils on canv...

Lot 22: FELICE AUGUSTE REZIA, (English/Italian, late 19th/early 20th century), BANKS OF THE SEINE and SEINE IN SAVOY, 1903; two oils on canv...

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Description: FELICE AUGUSTE REZIA (English/Italian, late 19th/early 20th century) BANKS OF THE SEINE and SEINE IN SAVOY 1903; two oils on canvas; signed and dated, l.l.; 16 x 25 in. (29 x 25 in.) each

Condition Report:

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AUGUST SIEGEN, (German, 19th century), SHIPS IN PORT, oil on panel;, 12 1/2 x 16 1/2 in. (19 1/2 x 23 1/2 in.)

Lot 23: AUGUST SIEGEN, (German, 19th century), SHIPS IN PORT, oil on panel;, 12 1/2 x 16 1/2 in. (19 1/2 x 23 1/2 in.)

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Description: AUGUST SIEGEN (German, 19th century) SHIPS IN PORT oil on panel; signed, l.r.; 12 1/2 x 16 1/2 in. (19 1/2 x 23 1/2 in.)

Condition Report:

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THEODORE ALT, (Austrian, 1846-1937), DRINKS WITH THE INNKEEPER, oil on canvas;, 24 x 30 in. (29 x 35 in.)

Lot 24: THEODORE ALT, (Austrian, 1846-1937), DRINKS WITH THE INNKEEPER, oil on canvas;, 24 x 30 in. (29 x 35 in.)

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Description: THEODORE ALT (Austrian, 1846-1937) DRINKS WITH THE INNKEEPER oil on canvas; signed, l.l.; 24 x 30 in. (29 x 35 in.)

Condition Report: lined; backed with panel; minor craquelure throughout with some areas of inpainting, concentrated along the edges; no touch ups visible in figures.

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JULES VICTOR GENISSON, (Belgian, 1805-1860), GOTHIC CATHEDRAL INTERIOR, oil on panel;, 24 x 20 in. (29 x 25 in.)

Lot 25: JULES VICTOR GENISSON, (Belgian, 1805-1860), GOTHIC CATHEDRAL INTERIOR, oil on panel;, 24 x 20 in. (29 x 25 in.)

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Description: JULES VICTOR GENISSON (Belgian, 1805-1860) GOTHIC CATHEDRAL INTERIOR oil on panel; signed, l.r.; 24 x 20 in. (29 x 25 in.)

Condition Report: overall good condition; clear under UV examination; panel seam visible on front running vertically down right side.

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AMEDEE ROSIER, (French, 1831-1898), VENICE VIEW, oil on panel;, 13 1/2 x 10 in. (24 x 20 1/2 in.)

Lot 26: AMEDEE ROSIER, (French, 1831-1898), VENICE VIEW, oil on panel;, 13 1/2 x 10 in. (24 x 20 1/2 in.)

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Description: AMEDEE ROSIER (French, 1831-1898) VENICE VIEW oil on panel; signed, l.l.; 13 1/2 x 10 in. (24 x 20 1/2 in.)

Condition Report: significant yellowing to varnish; clear under UV examination; a few minor surface scratches and abrasions to varnish; minor paint losses along frame edge; surface dirt and grime.

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RUBENS SANTORO, (Italian, 1859-1942), ENVIRONS DE VENICE, oil on panel;, 10 1/2 x 13 1/2 in. (15 x 17 1/2 in.)

Lot 27: RUBENS SANTORO, (Italian, 1859-1942), ENVIRONS DE VENICE, oil on panel;, 10 1/2 x 13 1/2 in. (15 x 17 1/2 in.)

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Description: RUBENS SANTORO (Italian, 1859-1942) ENVIRONS DE VENICE oil on panel; signed, l.r.; 10 1/2 x 13 1/2 in. (15 x 17 1/2 in.) Provenance: Collection of Mrs. Reginald B. Rives (Gabrielle Warren Rives), Sea Cliff, Bellevue Avenue, Newport, by decent to her son Lloyd Michael Rives, Boston. Other Notes: This painting bears a small envelope affixed to verso addressed to "Mrs. R. B. Rives / 'Sea Cliff' / Bellevue Ave. / Newport / R.I.". The card contained within appears to be the calling card for Lloyd Michael Rives and is inscribed "Dearest Mummy - / A get-well present with all my love. I look forward to seeing it in August. LM". The card is dated July 29, 1965.

Condition Report: very minor craquelure in the darker paint areas; UV examination reveals no evidence of restoration.

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GIOACCHINO LA PIRA, (Italian, 1839-1870), VIEW OF NAPLES, gouache;, 11 1/2 x 20 in. (18 x 26 1/2 in.)

Lot 28: GIOACCHINO LA PIRA, (Italian, 1839-1870), VIEW OF NAPLES, gouache;, 11 1/2 x 20 in. (18 x 26 1/2 in.)

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Description: GIOACCHINO LA PIRA (Italian, 1839-1870) VIEW OF NAPLES gouache; signed, l.r.; 11 1/2 x 20 in. (18 x 26 1/2 in.)

Condition Report:

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GIOACHHINO LA PIRA, (Italian, 1839-1870), VESUVIUS AT NIGHT, 1865; gouache on paper;, sight: 14 1/2 x 19 1/2 in. (18 1/2 x 23 1/2 in...

Lot 28A: GIOACHHINO LA PIRA, (Italian, 1839-1870), VESUVIUS AT NIGHT, 1865; gouache on paper;, sight: 14 1/2 x 19 1/2 in. (18 1/2 x 23 1/2 in...

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Description: GIOACHHINO LA PIRA (Italian, 1839-1870) VESUVIUS AT NIGHT 1865; gouache on paper; signed and dated, l.r.; sight: 14 1/2 x 19 1/2 in. (18 1/2 x 23 1/2 in.)

Condition Report: overall good condition; framed under glass; not examined out of frame.

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EUGENE BOUDIN, (French, 1824-1898), LA RIVIERES MORTE A DEAUVILLE, 1888; oil on canvas;, 18 x 25 3/4 in. (25 1/2 x 33 in.)

Lot 29: EUGENE BOUDIN, (French, 1824-1898), LA RIVIERES MORTE A DEAUVILLE, 1888; oil on canvas;, 18 x 25 3/4 in. (25 1/2 x 33 in.)

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Description: EUGENE BOUDIN (French, 1824-1898) LA RIVIERES MORTE A DEAUVILLE 1888; oil on canvas; signed and dated; l.r.; bears Arthur Tooth and Sons, Ltd., London label, verso, along with another handwritten label; 18 x 25 3/4 in. (25 1/2 x 33 in.) Provenance: Collection of Mrs. Reginald B. Rives (Gabrielle Warren Rives), Sea Cliff, Bellevue Avenue, Newport, by decent to her son Lloyd Michael Rives, Boston.

Condition Report: canvas lined on the original stretcher; UV examination reveals no evidence of restoration, touch up, or inpainting.

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EUGENE BOUDIN, (French, 1824-1898), DANS LE PORT, 1883; oil on canvas;, 18 x 25 3/4 in. (26 x 34 in.)

Lot 30: EUGENE BOUDIN, (French, 1824-1898), DANS LE PORT, 1883; oil on canvas;, 18 x 25 3/4 in. (26 x 34 in.)

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Description: EUGENE BOUDIN (French, 1824-1898) DANS LE PORT 1883; oil on canvas; signed and dated, l.r.; bears Georges Muller Certificate of Authenticity label, verso; bears E. J. van Wisselingh & Co., Amsterdam label, verso; indecipherable pencil inscription on stretcher bar; 18 x 25 3/4 in. (26 x 34 in.) Provenance: Collection of Mrs. Reginald B. Rives (Gabrielle Warren Rives), Sea Cliff, Bellevue Avenue, Newport, by decent to her son Lloyd Michael Rives, Boston.

Condition Report: canvas lined on the original stretcher; UV examination reveals minor inpainting in less than 10% of the sky concentrated around ship's mast.

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STANISLAS LEPINE, (French, 1835-1892), VIEW OF SEINE, PARIS, oil on canvas;, 15 1/4 x 23 1/4 in. (22 1/4 x 30 1/4 in.)

Lot 31: STANISLAS LEPINE, (French, 1835-1892), VIEW OF SEINE, PARIS, oil on canvas;, 15 1/4 x 23 1/4 in. (22 1/4 x 30 1/4 in.)

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Description: STANISLAS LEPINE (French, 1835-1892) VIEW OF SEINE, PARIS oil on canvas; signed, l.l.; 15 1/4 x 23 1/4 in. (22 1/4 x 30 1/4 in.) Provenance: Collection of Mrs. Reginald B. Rives (Gabrielle Warren Rives), Sea Cliff, Bellevue Avenue, Newport, by decent to her son Lloyd Michael Rives, Boston.

Condition Report: canvas lined on the original stretcher; UV examination reveals no evidence of restoration, touch up, or inpainting; surface dirt and grime, would benefit from a cleaning.

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ENRICO FANFANI, (Italian, 1824-1885), CONFESSIONS OF LOVE, oil on canvas;, 23 x 29 3/4 in. (34 x 38 in.)

Lot 32: ENRICO FANFANI, (Italian, 1824-1885), CONFESSIONS OF LOVE, oil on canvas;, 23 x 29 3/4 in. (34 x 38 in.)

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Description: ENRICO FANFANI (Italian, 1824-1885) CONFESSIONS OF LOVE oil on canvas; signed, l.r.; 23 x 29 3/4 in. (34 x 38 in.)

Condition Report:

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OSVALDO BIGNAMI, (Italian, 1856-1936), ORIENTALIST SCENE, 1897; oil on canvas;, 47 x 59 in. (60 x 72 in.)

Lot 33: OSVALDO BIGNAMI, (Italian, 1856-1936), ORIENTALIST SCENE, 1897; oil on canvas;, 47 x 59 in. (60 x 72 in.)

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Description: OSVALDO BIGNAMI (Italian, 1856-1936) ORIENTALIST SCENE 1897; oil on canvas; signed, dated, and inscribed Milano, l.r.; Accademia di Belle Arti Milano (1897) label, verso; 47 x 59 in. (60 x 72 in.) Exhibitions: Academy of Fine Arts Brera, Milan, Italy, 1897. Other Notes: Osvaldo Bignami moved to Milan in his twenties where he apprenticed under a decorative artist and enrolled at the Academy of Fine Arts Brera. His fresco portraits of famed Italian artists Masaccio and Bellini earned him the Mylius Prize from the Academy in 1893 and 1894, where he regularly participated in exhibitions until 1900.

Condition Report:

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ESTEBAN CHARTRAND, (Cuban, 1840-1884), LA CEIBA, oil on panel;, 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

Lot 34: ESTEBAN CHARTRAND, (Cuban, 1840-1884), LA CEIBA, oil on panel;, 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

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Description: ESTEBAN CHARTRAND (Cuban, 1840-1884) LA CEIBA oil on panel; signed, l.r.; 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

Condition Report: craquelure throughout; surface dirt and grime; UV examination reveals no evidence of inpainting.

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ESTEBAN CHARTRAND, (Cuban, 1840-1884), LA BARQUITA, oil on panel;, 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

Lot 35: ESTEBAN CHARTRAND, (Cuban, 1840-1884), LA BARQUITA, oil on panel;, 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

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Description: ESTEBAN CHARTRAND (Cuban, 1840-1884) LA BARQUITA oil on panel; signed indistinctly, l.l.; 6 3/4 x 9 in. (11 1/4 x 13 1/2 in.)

Condition Report: craquelure throughout; surface dirt and grime; UV examination reveals minor inpainting in sky and along edges.

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SPENCER VENABLES, (English, active 1876-1879), LOVE LETTER, oil on panel;, 12 1/2 x 10 1/4 in. (15 x 13 in.)

Lot 36: SPENCER VENABLES, (English, active 1876-1879), LOVE LETTER, oil on panel;, 12 1/2 x 10 1/4 in. (15 x 13 in.)

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Description: SPENCER VENABLES (English, active 1876-1879) LOVE LETTER oil on panel; signed, l.l.; 12 1/2 x 10 1/4 in. (15 x 13 in.)

Condition Report:

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GEORGE ELGAR HICKS, (English, 1824-1914), THE SAILOR'S RETURN, 1865; oil on canvas;, 21 x 16 in. (26 x 21 in.)

Lot 37: GEORGE ELGAR HICKS, (English, 1824-1914), THE SAILOR'S RETURN, 1865; oil on canvas;, 21 x 16 in. (26 x 21 in.)

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Description: GEORGE ELGAR HICKS (English, 1824-1914) THE SAILOR'S RETURN 1865; oil on canvas; initialed and dated, l.l.; 21 x 16 in. (26 x 21 in.) Provenance: James Arthur White, Michigan; by descent to his wife, Marie Root, Michigan; Baridoff Galleries, Maine, August 3, 2007, lot 50;

Condition Report: canvas lined; minor craquelure throughout; minor touch ups and restoration visible under UV examination.

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NORBERT SCHRODL, (Austrian, 1842-1912), PORTRAIT OF A LADY, 1891; oil on canvas;, 53 1/2 x 36 1/2 in. (57 1/2 x 40 1/2 in.)

Lot 38: NORBERT SCHRODL, (Austrian, 1842-1912), PORTRAIT OF A LADY, 1891; oil on canvas;, 53 1/2 x 36 1/2 in. (57 1/2 x 40 1/2 in.)

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Description: NORBERT SCHRODL (Austrian, 1842-1912) PORTRAIT OF A LADY 1891; oil on canvas; signed and dated, u.l.; 53 1/2 x 36 1/2 in. (57 1/2 x 40 1/2 in.)

Condition Report: unlined; craquelure throughout; minor buckling to canvas; UV examination reveals minor inpainting/touch ups to background (none apparent on the figure); stretcher bar lines visible on front.

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ALFRED EAST, (English, 1849-1913), STRATFORD-ON-AVON, oil on panel;, 12 1/2 x 16 1/4 in. (21 x 24 in.)

Lot 39: ALFRED EAST, (English, 1849-1913), STRATFORD-ON-AVON, oil on panel;, 12 1/2 x 16 1/4 in. (21 x 24 in.)

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Description: ALFRED EAST (English, 1849-1913) STRATFORD-ON-AVON oil on panel; signed, l.r.; within a carved giltwood frame; 12 1/2 x 16 1/4 in. (21 x 24 in.)

Condition Report:

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HENRY AMBROSE SCRIVENER, (English, 1843-1905), ENGLISH COUNTRYSIDE SCENES, four watercolors on paper;, largest: 5 1/2 x 8 1/4 in. (1...

Lot 40: HENRY AMBROSE SCRIVENER, (English, 1843-1905), ENGLISH COUNTRYSIDE SCENES, four watercolors on paper;, largest: 5 1/2 x 8 1/4 in. (1...

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Description: HENRY AMBROSE SCRIVENER (English, 1843-1905) ENGLISH COUNTRYSIDE SCENES four watercolors on paper; one dated 17.7.1900, l.r.; one dated 19.9.1900, l.l.; largest: 5 1/2 x 8 1/4 in. (12 x 14 1/2 in.) each

Condition Report:

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AFTER GEORGE CALEB BINGHAM, (American, 1811-1879), STUMP SPEAKING, ca. 1856; etching with engraving by Louis-Adolph Gautier;, plate:...

Lot 41: AFTER GEORGE CALEB BINGHAM, (American, 1811-1879), STUMP SPEAKING, ca. 1856; etching with engraving by Louis-Adolph Gautier;, plate:...

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Description: AFTER GEORGE CALEB BINGHAM (American, 1811-1879) STUMP SPEAKING ca. 1856; etching with engraving by Louis-Adolph Gautier; plate: 22 1/4 x 30 in. (33 x 42 in.)

Condition Report: uneven toning to the paper; some spotting and foxing throughout; margins do not appear to be trimmed but the etching is framed and has not been examined outside its frame; no tears or scratches evident.

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AFTER JOHN WILLIAM HILL, (American, 1812-1879), BOSTON HARBOR, 1857; etching with engraving by Charles Mottram;, plate: 24 1/4 x 38...

Lot 42: AFTER JOHN WILLIAM HILL, (American, 1812-1879), BOSTON HARBOR, 1857; etching with engraving by Charles Mottram;, plate: 24 1/4 x 38...

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Description: AFTER JOHN WILLIAM HILL (American, 1812-1879) BOSTON HARBOR 1857; etching with engraving by Charles Mottram; plate: 24 1/4 x 38 1/4 in. (32 x 45 in.)

Condition Report: toning throught; various water satins in u.l. and along bottom edge; some spotting and foxing throughout; no tears evident; framed under glss; not examined out of frame.

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JOHN WOODHOUSE AUDUBON, (American, 1812-1862), SEA OTTER, YOUNG MALE, 1848; handcolored lithograph by J.T. Bowen, Philadelphia;, she...

Lot 42A: JOHN WOODHOUSE AUDUBON, (American, 1812-1862), SEA OTTER, YOUNG MALE, 1848; handcolored lithograph by J.T. Bowen, Philadelphia;, she...

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Description: JOHN WOODHOUSE AUDUBON (American, 1812-1862) SEA OTTER, YOUNG MALE 1848; handcolored lithograph by J.T. Bowen, Philadelphia; No. 28; Plate CXXXVII; sheet: 21 7/8 x 28 in.

Condition Report: notable matburn; tear in l.l. margin exending approx. 1 in. into sheet (not into image); tear along bottom edge extending approx. 1 in. into image; old non-archival tape affixed to back of sheet along four edges; otherwise in overall good condition with insignificant fading/spotting/foxing.

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AMERICAN/ENGLISH SCHOOL , (18th century), PORTRAIT OF A LADY AND CHILD, oil on canvas;, 50 x 40 in. (58 x 48 in.)

Lot 43: AMERICAN/ENGLISH SCHOOL , (18th century), PORTRAIT OF A LADY AND CHILD, oil on canvas;, 50 x 40 in. (58 x 48 in.)

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Description: AMERICAN/ENGLISH SCHOOL (18th century) PORTRAIT OF A LADY AND CHILD oil on canvas; 50 x 40 in. (58 x 48 in.) Provenance: Property of a Rochester, New York Gentleman.

Condition Report: unlined; original pine strecther; notable craquelure throughout; buckling to the canvas; small area of paint loss (middle left side of canvas); UV examination reveals minor touch ups and inpainting throughout; no restoration visible on lady's face, minor touchups to child's face.

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EDWIN PERCIVAL, (American, early 19th century), YOUNG BOY, 1843; oil on panel;, 34 x 29 1/4 in. (41 x 34 in.)

Lot 44: EDWIN PERCIVAL, (American, early 19th century), YOUNG BOY, 1843; oil on panel;, 34 x 29 1/4 in. (41 x 34 in.)

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Description: EDWIN PERCIVAL (American, early 19th century) YOUNG BOY 1843; oil on panel; signed and dated, l.l.; 34 x 29 1/4 in. (41 x 34 in.)

Condition Report: notable craquelure throughout; paint loss in small areas running horizontally down center of painting, possible a result of something spilling on the painting; some areas of paint loss restored; UV examination reveals minor areas of inpainting throughout; varnish texture and thickness varies throughout painting.

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GEORGE LETHBRIDGE SAUNDERS, (English/American, 1807-1863), PORTRAIT OF A LADY, watercolor;, oval sight: 3 3/4 x 3 1/8 (6 1/2 x 5 3/4...

Lot 45: GEORGE LETHBRIDGE SAUNDERS, (English/American, 1807-1863), PORTRAIT OF A LADY, watercolor;, oval sight: 3 3/4 x 3 1/8 (6 1/2 x 5 3/4...

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Description: GEORGE LETHBRIDGE SAUNDERS (English/American, 1807-1863) PORTRAIT OF A LADY watercolor; signed, G.L.Saunders, c.r.; oval sight: 3 3/4 x 3 1/8 (6 1/2 x 5 3/4 in.)

Condition Report:

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