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Old Master and 19th Century Art

by Dreweatts & Bloomsbury


114 lots with images

July 2, 2013

Live Auction

Bloomsbury House

24 Maddox Street

London, W1S 1PP United Kingdom

Phone: +44 (0)207 495 9494

Fax: +44 (0)207 495 9499

Email: info@bloomsburyauctions.com

114 Lots
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Manner of Piero Pollaiuolo, Profile of a woman,

Lot 1: Manner of Piero Pollaiuolo, Profile of a woman,

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Description: Manner of Piero Pollaiuolo, Profile of a woman, with a river landscape beyond, Tempera on panel, 45 x 26.5cm (17 3/4 x 10 1/2in). Provenance: The collection of Laurence W. Hodson, at Compton Hall and Bradbourne Hall; thence by descent to the present owner.

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After Cesare da Sesto, Salome with the Head of

Lot 2: After Cesare da Sesto, Salome with the Head of

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Description: After Cesare da Sesto, Salome with the Head of Saint John the Baptist, oil on canvas, 132 x 77.5cm (52 x 30 1/2in). Provenance: Private collection, Rome. This present painting is based on the original by Sesto, which is now in The National Gallery, London, another version is in Kunsthistorisches Museum, Vienna.

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Circle of Tiziano Vecellio, called Titian, Sketch

Lot 3: Circle of Tiziano Vecellio, called Titian, Sketch

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Description: Circle of Tiziano Vecellio, called Titian, Sketch for Martyrdom of Saint Peter Martyr, oil on panel, Unframed, Panel maker's mark stamped on reverse, Four unidentified wax seals on reverse, 58 x 33cm (22 3/4 x 13in). Provenance: Private collection, West Sussex. The present composition is based on Titian's altarpiece for the Dominican Church of Santi Giovanni e Paolo in Venice, lost during a fire in 1867 and known through engravings.

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After Marcantonio Franceschini, Omnia Vincit Amor,

Lot 4: After Marcantonio Franceschini, Omnia Vincit Amor,

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Description: After Marcantonio Franceschini, Omnia Vincit Amor, oil on canvas, 78 x 63cm (30 3/4 x 24 3/4in)

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After Carlo Maratta, The baptism of Christ, oil on

Lot 5: After Carlo Maratta, The baptism of Christ, oil on

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Description: After Carlo Maratta, The baptism of Christ, oil on canvas, 160 x 102cm (63 x 40in). The present work is after the original painted in 1698, now in Santa Maria degli Angeli.

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Felice Rizzi, called Felice Brusasorci (Verona

Lot 6: Felice Rizzi, called Felice Brusasorci (Verona

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Description: Felice Rizzi, called Felice Brusasorci (Verona 1539/40-1605) Saint Margaret of Antioch, Oil on slate, 52.5 x 41cm (20 5/8 x 16 1/8in). Provenance: Private collection, Germany.

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Bolognese School (17th century). Birth of the

Lot 7: Bolognese School (17th century). Birth of the

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Description: Bolognese School (17th century). Birth of the Virgin, oil on canvas laid on panel, 110 x 83cm (43 1/4 x 32 3/4in)

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Leandro da Ponte, called Leandro Bassano (Bassano

Lot 8: Leandro da Ponte, called Leandro Bassano (Bassano

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Description: Leandro da Ponte, called Leandro Bassano (Bassano del Grappa 1557-1622 Venice) Adoration of the Shepherds, Oil on canvas, 73 x 76cm (20 x 30in). Provenance: Galerie Genovese, Palazzo Contarini degli Serigni, Venice; Monsieur George de Pins, purchased from the above in Venice on June 12th 1869 for 4000 French Francs as Jacopo Bassano (total of four paintings); Private collection, France. This composition is very similar to a work of the same subject in the Borghese Gallery in Rome and the Palazzo Ducale in Venice.

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Francesco de Mura (Naples 1696-1782) and Studio, A

Lot 9: Francesco de Mura (Naples 1696-1782) and Studio, A

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Description: Francesco de Mura (Naples 1696-1782) and Studio, A biblical scene, possibly Joachim and Anne Meeting at the Golden Gate, oil on canvas, 68.5 x 101cm (27 x 39 3/4in). Provenance: Private collection, Rome.

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Godfried Maes (Antwerp 1649-1700). The Immaculate

Lot 10: Godfried Maes (Antwerp 1649-1700). The Immaculate

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Description: Godfried Maes (Antwerp 1649-1700). The Immaculate Conception, oil on copper, Signed lower centre, 19 x 17cm (7 1/2 x 6 3/4in)

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Giorgio Giacoboni (1716-1762). A shepherd and his

Lot 11: Giorgio Giacoboni (1716-1762). A shepherd and his

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Description: Giorgio Giacoboni (1716-1762). A shepherd and his family, oil on canvas, 34.5 x 26cm (13 1/2 x 10 1/4in). Provenance: with Old Hall Gallery, Rye, Sussex (as Francesco Londonio).

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Lombard School (17th century). Portraits of young

Lot 12: Lombard School (17th century). Portraits of young

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Description: Lombard School (17th century). Portraits of young girls, A pair, oil on canvas, Each 51 x 42cm (20 x 16 1/2in) (2). Provenance: Private collection, Rome.

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Lombard School (17th century). Portrait of a

Lot 13: Lombard School (17th century). Portrait of a

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Description: Lombard School (17th century). Portrait of a gentleman, oil on canvas, 72 x 52cm (28 1/4 x 20 1/2in). Provenance: Private collection, Rome.

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Bernhard Keil, called Monsu Bernardo (Elsinore

Lot 14: Bernhard Keil, called Monsu Bernardo (Elsinore

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Description: Bernhard Keil, called Monsu Bernardo (Elsinore 1624-1687 Rome) The sense of sight: A man reading, Oil on canvas, 49 x 38.2cm (19 1/4 x 15in). Provenance: Dr Alfred Bader, Milwaukee, before 1979 (as Keil); Miss Clara L. McLean (1910-2010), Shadowlawn, Pinehurst, North Carolina. Literature: B. Nicholson, The International Caravaggesque Movement, Oxford, 1979, p.101, pl. 134 (as Follower of Terbrugghen); B. Nicholson, Caravaggism in Europe, 2nd ed. revised and enlarged by L. Vertova, Turin, 1990, I, p. 195, III, pl. 1198 (as Follower of Terbrugghen). Please note: We are grateful to Minna Heimburger for confirming the attribution to Bernhard Keil, it will be included in the upcoming monograph on the artist as catalogue No. 268.

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After Bartolome Esteban Murillo, Portrait of a

Lot 15: After Bartolome Esteban Murillo, Portrait of a

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Description: After Bartolome Esteban Murillo, Portrait of a woman, oil on panel, Oval, Bears signature lower left, 71 x 58.5cm (28 x 23in)

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Follower of Rembrandt Harmensz. van Rijn, Portrait

Lot 16: Follower of Rembrandt Harmensz. van Rijn, Portrait

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Description: Follower of Rembrandt Harmensz. van Rijn, Portrait of a man wearing a fur hat and holding a key, oil on canvas, 74 x 60cm (29 x 23 1/2in). Provenance: The Property of a Lady, London.

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English School (18th century). Henry VIII;

Lot 17: English School (18th century). Henry VIII;

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Description: English School (18th century). Henry VIII; Elizabeth I, A pair, oil on copper, Both bearing inscriptions upper left, Each 24 x 15cm (9 1/2 x 6in) (2). Provenance: Christie's London, 1944, from the collection of Sir Arthur Du Cros.

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Circle of Jan Mytens, Portrait of a lady,

Lot 18: Circle of Jan Mytens, Portrait of a lady,

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Description: Circle of Jan Mytens, Portrait of a lady, traditionally identified as as a member of the Rogers family of Bryanston, Dorset, oil on panel, 46 x 39cm (18 x 15 1/4in). Provenance: Purchased by the father of the present owner around 70 years ago.

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After Sir Anthony van Dyck, Portrait of Olivia

Lot 19: After Sir Anthony van Dyck, Portrait of Olivia

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Description: After Sir Anthony van Dyck, Portrait of Olivia Boteler Porter (d. 1633). Oil on canvas, Bears inscription on label attached to reverse, 76 x 63.5cm (30 x 25in)

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Attributed to David Scougall (fl. 1654-1672).

Lot 20: Attributed to David Scougall (fl. 1654-1672).

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Description: Attributed to David Scougall (fl. 1654-1672). Portrait of a lady, oil on canvas, 75 x 63.5cm (29 1/2 x 25in)

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French School (17th century). A nude lady dressing

Lot 21: French School (17th century). A nude lady dressing

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Description: Circle of Jean Baptiste Marie Pierre (Paris 1713-1789). A nude lady dressing in front of a mirror, assisted by an elderly woman, oil on canvas, 114 x 91.5cm (45 x 36in)

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Attributed to Jean-Baptiste Huet (Paris

Lot 22: Attributed to Jean-Baptiste Huet (Paris

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Description: Attributed to Jean-Baptiste Huet (Paris 1745-1811). An interrupted tryst, oil on canvas, 59.5 x 72.3cm (23 3/8 x 28 3/8in). Provenance: with Jacques Seligmann & Co., New York; From whom purchased in 1939 by the family of Elsie Krug of Krug Coal Co. of Detroit, resident after the Second World War at Detroit Towers, Jefferson Avenue, Detroit, and later at the Parkstone, Parker Street, Detroit; Purchased from the family in 1975 by a private collector, Detroit.

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Circle of David Teniers, An interior of an

Lot 23: Circle of David Teniers, An interior of an

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Description: Circle of David Teniers, An interior of an armoury, oil on panel, 38 x 51.5cm (15 x 20 1/4in). Provenance: Sir Edmund Lechmere, 4th Bt. (1865-1937), Seven End, Hanley Castle, Worcestershire, by 1927; with Las Meninas, Barcelona, 1968; Private collection, London.

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Clara Peeters (Antwerp c.1598-c.1657). A cat

Lot 24: Clara Peeters (Antwerp c.1598-c.1657). A cat

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Description: Clara Peeters (Antwerp c.1598-c.1657). A cat sitting by a bowl of fish and a silver plate with two oysters, a lobster and shrimps, oil on panel, 28 x 48cm (11 x 19in). Provenance: Private European collection; Christie's Amsterdam, Old Masters and 19th Century Art, 1st November 2011, Lot 115, where purchased after the sale by the present owner. The attribution was confirmed by Fred G. Meijer of the RKD at the time of sale in 2011. It is possible that the version described in N.R.A. Vroom, A Modest Message as intimated by the painters of the Monochrone Banketje, Scheidam, 1980, II, p. 99, No. 497 is a copy after the present painting. Hibbs Decoteau gives the Vroom version to the circle of Peeters (Hibbs Decoteau, 1992, p. 59).

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Pieter Casteels the Younger (Antwerp 1673-1674).

Lot 25: Pieter Casteels the Younger (Antwerp 1673-1674).

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Description: Pieter Casteels the Younger (Antwerp 1673-1674). Chrysanthemums, tulips, forget-me-nots and other flowers in a vase, oil on panel, Bears traces of a signature lower left, 31 x 23cm (12 1/4 x 9in)

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Flemish School (c. 1700). Figures Skating on a

Lot 26: Flemish School (c. 1700). Figures Skating on a

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Description: Flemish School (c. 1700). Figures Skating on a frozen river, oil on panel, Bears signature Boom lower right, 75 x 102cm (29 1/2 x 40in). Provenance: Princess Philippine de Morode: Thence by descent.

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Circle of Anton Goubau (Antwerp 1616-1698). A

Lot 27: Circle of Anton Goubau (Antwerp 1616-1698). A

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Description: Circle of Anton Goubau (Antwerp 1616-1698). A capriccio of a market with numerous figures, with castle and landscape beyond, oil on canvas, Unframed, 96 x 147cm (37 3/4 x 57 3/4in)

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Gerrit Adriaensz. Berckheyde (Haarlem 1638-1698).

Lot 28: Gerrit Adriaensz. Berckheyde (Haarlem 1638-1698).

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Description: Gerrit Adriaensz. Berckheyde (Haarlem 1638-1698). An extensive Italianate river landscape with travellers resting on a path, oil on panel, Signed lower left, 47 x 64cm (18 1/2 x 25 1/4in). Provenance: The collection of the Late Miss M. E. Chance.

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Egbert van Heemskerk II (London c.1700-1744). A

Lot 29: Egbert van Heemskerk II (London c.1700-1744). A

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Description: Egbert van Heemskerk II (London c.1700-1744). A fair outside an Inn with Commedia dell'Arte players, oil on canvas, 75.5 x 92.5cm (29 3/4 x 36 3/8in). Provenance: Private collection, Italy.

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Philip Peter Roos, called Rosa da Tivoli (St.

Lot 30: Philip Peter Roos, called Rosa da Tivoli (St.

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Description: Philip Peter Roos, called Rosa da Tivoli (St. Goar, Lower Rhine 1657-1706 Rome) A goatherd in an Italianate landscape with cattle, Oil on canvas, 112 x 155cm (44 x 61in)

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Circle of Alessandro Magnasco, called il

Lot 31: Circle of Alessandro Magnasco, called il

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Description: Circle of Alessandro Magnasco, called il Lissandrino (Genoa 1667-1749) A landscape with ruins and figures by a stream, A landscape with figures crossing a bridge with a village beyond A pair, oil on canvas, Each 132 x 78cm (52 x 30 3/4in) (2) Provenance: with Kunsthaus Zurich (as Magnasco); The James Philip Gray Collection of Paintings; The Museum of Fine Arts, Springfield Massachusetts, as part of the James Philip Gray bequest, (as Alessandro Magnasco). Christie's, 23rd March 1984, Lot 12; Private collection, Rome.

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Crescenzio Onofri (Rome 1632-c.1712 Florence) An

Lot 32: Crescenzio Onofri (Rome 1632-c.1712 Florence) An

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Description: Crescenzio Onofri (Rome 1632-c.1712 Florence) An extensive woodland landscape, Oil on canvas, 74 x 136.8cm (29 1/8 x 53 7/8in). Provenance: Corporate collection, New York.

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Jean Victor Bertin (Paris 1767-1842). A

Lot 33: Jean Victor Bertin (Paris 1767-1842). A

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Description: Jean Victor Bertin (Paris 1767-1842). A mountainous landscape, with a view of Pheneos and the temple of Minerva Caphyes, oil on canvas, 72 x 95cm (28 1/4 x 37 1/2in). A now lost canvas of this subject by Bertin, of larger dimensions (142 by 195cm) was exhibited at the Paris Salon of 1801 and this is thus a secondary version of that original.

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Giuseppe Bernardino Bison (Palmanova 1762-1844

Lot 34: Giuseppe Bernardino Bison (Palmanova 1762-1844

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Description: Giuseppe Bernardino Bison (Palmanova 1762-1844 Milan) A Venetian capriccio, Oil on canvas, 38.2 x 53.5cm (15 x 21in). Provenance: Private collection, America. Dr. Dario Succi has kindly confirmed the attribution, from a transparency (private communucation, 9th November 2009)

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Follower of Francesco Guardi, A coastal town with

Lot 35: Follower of Francesco Guardi, A coastal town with

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Description: Follower of Francesco Guardi, A coastal town with a ruined arch and figures at work, A Mediterranean harbour scene with a ruined arch, A pair, oil on canvas, Each 26 x 40.5cm (10 1/4 x 16in) (2). Provenance: Private collection, Rome.

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Follower of Giovanni Antonio, Il Canaletto,

Lot 36: Follower of Giovanni Antonio, Il Canaletto,

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Description: Follower of Giovanni Antonio, Il Canaletto, Capriccio: The Horses of San Marco, Piazzetta, Venice, oil on canvas, 60 x 51cm (23 3/4 x 20in). Provenance: The Property of a Lady, London.

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Follower of Giovanni Antonio, Il Canaletto

Lot 37: Follower of Giovanni Antonio, Il Canaletto

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Description: Follower of Giovanni Antonio, Il Canaletto Stonemasons' Yard, oil on canvas, 73 x 89cm (28 3/4 x 35in)

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Circle of Gaspar Butler (active Naples c.1718).

Lot 38: Circle of Gaspar Butler (active Naples c.1718).

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Description: Circle of Gaspar Butler (active Naples c.1718). Mediterranean Harbour views, A pair, oil on copper, Each 28 x 53cm (11 x 21in) (2)

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Attributed to Lorenzo A. Castro (Antwerp, active

Lot 39: Attributed to Lorenzo A. Castro (Antwerp, active

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Description: Attributed to Lorenzo A. Castro (Antwerp, active 1672-1686) A Mediterranean harbour scene, with merchants trading on the quay, and ships beyond Oil on canvas, Bears signature lower centre, 54 x 73.5cm (21 1/4 x 29in)

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Peter Monamy (1681-1749). A British warship lying

Lot 40: Peter Monamy (1681-1749). A British warship lying

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Description: Peter Monamy (1681-1749). A British warship lying off a fortified Mediterranean port, oil on canvas, Signed lower left, 63.5 x 76cm (25 x 30in). Provenance: with Thomas Dowbiggin; Christie's London, 29th July 1876, Lot 109 (sold for 16gns. with Lot 110 to Salomon).

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Circle of Jonathan Richardson Sr. (London

Lot 41: Circle of Jonathan Richardson Sr. (London

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Description: Circle of Jonathan Richardson Sr. (London 1665-1745 Bloomsbury) A family portrait; traditionally identified as The Thornhill family, Oil on canvas, 128 x 166cm (50 1/4 x 65 1/4in). Provenance: W. Willcocks; Dr Geoffrey Hattersley-Smith; Thence by descent. Exhibited: The Whitechapel Art Gallery, 1906, No. 287 as Thornhill Family Portrait, by Hogarth (lent by W. Willcocks). This portrait is thought to be of Sir James Thornhill, his wife and son, though in the past 20 years mixed opinions to the sitters' identity have been made. In 1906 the portrait was exhibited at The Whitechapel Art Gallery as being a portrait of Sir James Thornhill and his family, by Thorhill's son-in law William Hogarth (1697-1764). A photograph of the present painting is also in the archives at The National Portrait Gallery, London and annotated as being by Michael Dahl (1659-1743). When compared to works depicting Sir James Thornhill by various artists including Hudson, Highmore and Richardson, certain facial likenesses can be seen, although the present painting would depict Thornhill as slightly younger than these works. Sir James Thornhill (1675-1734) was apprentice to Thomas Highmore (1660-1720), also learning much from the work of Antonio Verrio (d.1707) and Louis Laguerre (d.1721) who were all decorative painters working in London. Thornhill decorated palace interiors with large-scale compositions, including The ceiling of the Great Hall at Greenwich Hospital, thought to be his masterpiece. In 1718 George I made Thornhill court painter, and in 1720 Serjeant painter shortly before knighting him.

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Studio of Allan Ramsay (1713-1784). Portrait of an

Lot 42: Studio of Allan Ramsay (1713-1784). Portrait of an

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Description: Studio of Allan Ramsay (1713-1784). Portrait of an officer in uniform, oil on canvas, 77 x 63cm (30 1/4 x 23 3/4in). Provenance: Property of a deceased estate, Brighton.

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Anton Raffael Mengs (Aussig, Bohemia 1728-1779

Lot 43: Anton Raffael Mengs (Aussig, Bohemia 1728-1779

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Description: Anton Raffael Mengs (Aussig, Bohemia 1728-1779 Rome) and Studio, Portrait of a gentleman, oil on canvas, 56 x 43cm (22 x 17in)

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After Sir Joshua Reynolds The School Boy, oil on

Lot 44: After Sir Joshua Reynolds The School Boy, oil on

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Description: After Sir Joshua Reynolds The School Boy, oil on canvas, Inscribed on label attached to reverse, 91 x 70cm (35 3/4 x 27 1/2in). Provenance: The collection of Sir Nelson Byer; Thence by descent to the present owner. The present painting is after the work in the collection of The Earl of Warwick, which was engraved (J. Dean, 31st October 1777, S. W. Reynolds).

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Circle of Sir Thomas Lawrence, Two young boys

Lot 45: Circle of Sir Thomas Lawrence, Two young boys

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Description: Circle of Sir Thomas Lawrence, Two young boys playing with a bird, oil on canvas, 76 x 63.5cm (30 x 25in)

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Attributed to Michael Wutky (Kerms an der Donau

Lot 46: Attributed to Michael Wutky (Kerms an der Donau

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Description: Attributed to Michael Wutky (Kerms an der Donau 1739-1822 Vienna) A bridge over a river in a rocky landscape, cattle in the foreground, Oil on canvas, 38.8 x 55cm (15 1/4 x 21 1/2in). Provenance: Private collection, France. A copy of this painting, on panel and smaller (14.5 x 22cm) was sold at Hampel, Munich, 18th September 2009, Lot 448, as August Christian Geist (1835-1868), along with an outline drawing of the composition, numbered 'No. 37' and presumably from a sketchbook.

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Jean Baptiste Pillement (1728-1808). A pair of

Lot 47: Jean Baptiste Pillement (1728-1808). A pair of

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Description: Jean Baptiste Pillement (1728-1808). A pair of Italian landscapes with waterfalls, oil on copper, Both signed lower right, Each 29.5 x 41cm (11 3/4 x 16in) (2)

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George Morland (1763-1804). A coastal scene with

Lot 48: George Morland (1763-1804). A coastal scene with

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Description: George Morland (1763-1804). A coastal scene with smugglers pulling a boat ashore with Caernarfon Castle in the background, oil on canvas, Signed lower right, 63.5 x 76.5cm (25 x 30in). Provenance: William Cowden, the Artist; His sale, Christie's London, 10th May 1834, Lot 22 as one of a pair (sold to French): Private collection, Paris.

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John Frederick Herring Snr. (b. 1795-1865).

Lot 49: John Frederick Herring Snr. (b. 1795-1865).

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Description: John Frederick Herring Snr. (b. 1795-1865). Returning home on the moors; Horses in a yard, Two, oil on canvas, The first signed and dated 1825 lower centre, The second signed and dated 1851 lower left, Each 40.5 x 40.5cm (16 x 16in) (2)

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Chinese School (c. 1835). Chinese junks off Hong

Lot 50: Chinese School (c. 1835). Chinese junks off Hong

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Description: Chinese School (c. 1835). Chinese junks off Hong Kong, A pair, oil on canvas, Each 46 x 59.5cm (18 x 23 1/2in) (2). Provenance: with Berry-Hill Galleries, Inc., New York (as by Yeu Qua); Purchased from the above by the present owner.

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