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DISCOVERY SALE

by Swann Auction Galleries

Platinum House

540 lots with images

June 27, 2013

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

540 Lots
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Two illuminated manuscripts.

Lot 1: Two illuminated manuscripts.

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Description: Two illuminated manuscripts. Two leaves from a Judeo-Persian manuscript with full page gouache miniatures depicting Moses and the Ten Commandments and Jacob's Dream.

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Two engravings.

Lot 2: Two engravings.

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Description: Two engravings. RAPHAEL MORGHEN (after Reni). Aurora e il Carro di Apollo, on cream wove paper laid down to board. 520x920 mm; 20 1/2x36 1/4 inches, wide margins * CHARLES W. BESTLAND (after Singleton). The Royal Academicians. 610x815 mm; 24x32 inches, wide margins. Both good impressions.

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Group of 4 etchings.

Lot 3: Group of 4 etchings.

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Description: Group of 4 etchings. DOMENICO DEL BARBIERE (after Primaticcio). The Banquet of Alexander the Great * LEON DAVENT (after Primaticcio). The Muse Thalia * GIOVANNI FRANCESCO GRIMALDI. Landscape with a Family Discovering a Snake * ANTONIO TEMPESTA. Landscape with a River and a Man on Horseback. Various sizes and conditions. Bartsch 6, 26, 49 and 1183.

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Group of 4 etchings and engravings.

Lot 4: Group of 4 etchings and engravings.

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Description: Group of 4 etchings and engravings. ESAIAS VAN DE VELDE. Winter Landscape with a Square Tower. Burchard 34 * LUDOLF BACKHUIZEN. Luncheon by the Sea, 1701. Bartsch 2 * NICOLAS CHAPRON. L'Alliance de Bacchus et Venus, 1639. Robert-Dumesnil 58 * CLAUDE GELLÉE, LE LORRAIN. Le Pâtre et la Bergère, 1630. Mannocci 3. With--A hand colored map of Belgium by Gerard Mercator, circa 1610.

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Group of 4 mezzotints.

Lot 5: Group of 4 mezzotints.

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Description: Group of 4 mezzotints. VALENTINE GREEN (after Wright of Derby). Master Bradshaw and his Sisters (the Wright Family) * JOHN JONES (after Redmore Bigg). Black Monday or the Departure for School, with hand coloring in watercolor, 1790 * Dolce Domum or the Return from School, with hand coloring in watercolor, 1790 * SAMUEL COUSINS (after Reynolds). Miss Penelope Boothby. Various sizes and conditions.

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Group of 5 prints.

Lot 6: Group of 5 prints.

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Description: Group of 5 prints. HANS SCHAÜFELEIN. The Crowning with Thorns, woodcut, 1507. From Speculum Passionis Domino Nostri Ihesu Christi * Unfalo Attempting to Kill Theuerdank with a Gun, woodcut, 1517. From Theuerdank * HANS SEBALD BEHAM. Coat of Arms of Hector Pommer, woodcut, 1525 * St. Bartholomew and St. Matthew, engraving. From Christ and the Twelve Apostles * HANS BROSAMER. Hercules and Antaeus, engraving, 1540. Bartsch 3, 14, 15, 42 and 163.

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Group of 6 mezzotint portraits.

Lot 7: Group of 6 mezzotint portraits.

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Description: Group of 6 mezzotint portraits. VALENTINE GREEN (after Reynolds). Jane, Countess of Harrington, 1780 * CHARLES TURNER (after Hoppner). The Rt. Hon. Lady Louisa Manners in a Peasant Dress, with hand coloring * JACOBUS HOUBRACKEN (after Kneller). Sir Samuel Garth * SAMUEL W. REYNOLDS (after Opie). The Right Hon. Charles James Fox * ALFRED PRUNAIRE (after Forain). Portrait of Léon Dierx, 1909. Signed and dated by Prunaire in pencil, lower right, and inscribed "à O'Connor, ton admirateur, Léon Dierx" in pencil, lower left * ARMAND-EMILE MATHEY-DORET (after Van Dyck). Marchesa Elena Grimaldi Cattaneo, 1909. With--Portrait of a Seated Man, watercolor on paper laid down to card stock * MORRIS J. KALLEM. Two pencil portraits of Franklin Delano Roosevelt, charcoal with white heightening, 1943. Both signed and dated in charcoal, lower right recto. Various sizes and conditions.

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Group of 7 etchings and engravings.

Lot 8: Group of 7 etchings and engravings.

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Description: Group of 7 etchings and engravings. Mainly Italian and German 16th and 17th century. Including prints by, after or attributed to Dürer, Leyden, Heemskerck and others. Various sizes and conditions.

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Group of 8 etchings.

Lot 9: Group of 8 etchings.

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Description: Group of 8 etchings. JOHN MORTIMER. Beatrice * Richard II. Both 1776. Both from Twelve Shakespeare Heads * Banditti-Taking his Post * A Captain of Banditti-Sending out a Party * Tragedy * Pastoral. Each 1778. Each after Salvator Rosa * JOHN COTMAN. The Late Vicarage House, Methwould, 1812 * Abbey Church of St. Georges de Bocherville, 1819.

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Collection of 13 etchings, engravings and reproductions.

Lot 10: Collection of 13 etchings, engravings and reproductions.

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Description: Collection of 13 etchings, engravings and reproductions. Including prints by, after or attributed to Dürer, Callot, Della Bella and others. Various sizes and conditions.

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Collection of 15 etchings and engravings

Lot 11: Collection of 15 etchings and engravings

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Description: Collection of 15 etchings and engravings Including prints by, after or attributed to Weigel, Fyt, Ostade, Goltzius, Visscher, Vinner, Hollar, Hogarth, Both, Wygg and Edwards. Various sizes and conditions.

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Collection of approximately 50 prints.  Including etchings and engravings by, after or attributed to Callot, Hollar, Both,...

Lot 12: Collection of approximately 50 prints. Including etchings and engravings by, after or attributed to Callot, Hollar, Both,...

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Description: Collection of approximately 50 prints. Including etchings and engravings by, after or attributed to Callot, Hollar, Both, Chodowiecki, Goya and others. Various sizes and conditions.

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Collection of approximately 80 etchings, engravings and mezzotints.

Lot 13: Collection of approximately 80 etchings, engravings and mezzotints.

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Description: Collection of approximately 80 etchings, engravings and mezzotints. Including prints, by, after or attributed to Van Leyden, Rubens, Rembrandt, Reynolds, and others. Various sizes and conditions. With--A small collection of books on Benin bronzes.

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NICCOLÒ BOLDRINI (after Titian) Milone da Crotone

Lot 14: NICCOLÒ BOLDRINI (after Titian) Milone da Crotone

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Description: NICCOLÒ BOLDRINI (after Titian) Milone da Crotone. Woodcut, circa 1566. 300x425 mm; 11 3/4x16 3/4 inches, narrow to thread margins. Fleur-de-lys watermark with the letters MM counter mark. A good impression of this extremely scarce woodcut. We have found only 3 other impressions at auction in the past 25 years. Muraro/Rosand 81.

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GIULIO BONASONE (after Parmigianino) The Mystic Marriage of St

Lot 15: GIULIO BONASONE (after Parmigianino) The Mystic Marriage of St

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Description: GIULIO BONASONE (after Parmigianino) The Mystic Marriage of St. Catherine. Engraving, circa 1543-44. 201x156 mm; 8x6 1/4 inches. Trimmed on the plate mark, with thread margins outside the border line. A good impression of this very scarce engraving. Bartsch 47.

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JACQUES CALLOT Les Bohémiens.

Lot 16: JACQUES CALLOT Les Bohémiens.

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Description: JACQUES CALLOT Les Bohémiens. Set of 4 etchings, each circa 1620. Each approximately 125x233 mm; 5x9 1/4 inches, narrow margins. Each in the final state. Very good impressions. With--An etched copy after Callot of Lieure 377. Various sizes and conditions. Lieure 374-77.

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JACQUES CALLOT Group of 6 etchings.

Lot 17: JACQUES CALLOT Group of 6 etchings.

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Description: JACQUES CALLOT Group of 6 etchings. Each 1622. Each from Les Gueux. Very good impressions. With--SALVATORE ROSA.The Shephard * Apollo and the Cumaean Sibyl. Both etchings, 1660. Wallace 98 and 102 * ORAZIO FARINATI. Madonna and Child with John the Batptist, etching. Bartsch 170. Various sizes and conditions.

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SIMONE CANTARINI St. Anthony of Padua Adoring the Christ Child.

Lot 18: SIMONE CANTARINI St. Anthony of Padua Adoring the Christ Child.

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Description: SIMONE CANTARINI St. Anthony of Padua Adoring the Christ Child. Etching. 261x176 mm; 10 1/4x7 inches, thread margins. First state (of 3), before the artist's and publisher's names. A superb, richly-inked impression with strong contrasts. Bartsch 25.

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AGOSTINO CARRACCI Mars Driven away from Peace and Abundance by Minerva.

Lot 19: AGOSTINO CARRACCI Mars Driven away from Peace and Abundance by Minerva.

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Description: AGOSTINO CARRACCI Mars Driven away from Peace and Abundance by Minerva. Engraving, 1589. 193x253 mm; 7 5/8x10 inches, small margins. An intermediate state between the first and second states (of 4), with the line "Jacobus Tinctoretus pixit" but with the date removed and the Latin title engraved lower center. A very good, well-inked impression of this scarce engraving. Bartsch 118.

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GIOVANNI B. CASTIGLIONE Group of 4 portrait etchings.

Lot 20: GIOVANNI B. CASTIGLIONE Group of 4 portrait etchings.

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Description: GIOVANNI B. CASTIGLIONE Group of 4 portrait etchings. Bearded Oriental in Profile to the Right * Man with a Turban * Man with a Scroll * Head of a Young Man with a Feathered Turban. Various sizes and conditions, each with thread margins. Bartsch 40, 42, 46 and 47.

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ALBRECHT DÜRER The Assumption and Coronation of the Virgin.

Lot 21: ALBRECHT DÜRER The Assumption and Coronation of the Virgin.

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Description: ALBRECHT DÜRER The Assumption and Coronation of the Virgin. Woodcut, 1510. 290x205 mm; 11 1/4x8 inches (arched). A superb, evenly-printed proof impression, before the 1511 Latin text edition, with strong contrasts. High crown watermark (Meder 20). Trimmed in an arched-shape with most of the subject preserved. Bartsch 94; Meder 206.

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ALBRECHT DÜRER Willibald Pirkheimer.

Lot 22: ALBRECHT DÜRER Willibald Pirkheimer.

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Description: ALBRECHT DÜRER Willibald Pirkheimer. Engraving, 1524. 184x114 mm; 7 1/4x4 1/2 inches. A good impression. Bartsch 106; Meder 103.

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ALBRECHT DÜRER Three woodcuts from the Small Passion.

Lot 23: ALBRECHT DÜRER Three woodcuts from the Small Passion.

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Description: ALBRECHT DÜRER Three woodcuts from the Small Passion. Ecce Homo * The Lamentation * The Last Judgment. Each circa 1509-11. Each good impressions after the 1511 Latin text edition. Each ex-collection Naudet, Paris (Lugt 1937, verso). Bartsch 35, 43 and 52. With--A group of 4 woodcut copies from the Small Passion and a copy of an engraving after Dürer (cf. Bartsch 21, 24, 28, 31 and 33) and 2 etchings by Adriaen van Ostade. Various sizes and conditions.

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ALBRECHT DÜRER (after) St

Lot 24: ALBRECHT DÜRER (after) St

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Description: ALBRECHT DÜRER (after) St. John before God and the Elders. Woodcut, 1502. 370x266 mm; 14 1/2x10 1/2 inches. Ex-collection two unknown collectors, indiscernible ink stamps, verso. Trimmed on or just inside the subject. Based on Dürer's same-titled woodcut from the Apocalypse, 1498, (Bartsch 63) by Hieronymus Greff . See Meder p. 158.

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ANTHONY VAN DYCK Jodocus de Momper.

Lot 25: ANTHONY VAN DYCK Jodocus de Momper.

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Description: ANTHONY VAN DYCK Jodocus de Momper. Etching on thin laid paper, circa 1630. 250x160 mm; 9 3/4x6 1/4 inches, narrow margins. From Iconography. Hollstein 7.

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HENRY FLETCHER (after Canaletto) Another View of Ponte Rialto at Venice

Lot 26: HENRY FLETCHER (after Canaletto) Another View of Ponte Rialto at Venice

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Description: HENRY FLETCHER (after Canaletto) Another View of Ponte Rialto at Venice. Etching, 1739. 378x510 mm; 15x20 1/8 inches, wide margins. Double-headed eagle watermark. A very good impression.

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GERMAN SCHOOL, 18TH-CENTURY Woodland Grove with classical figures.

Lot 27: GERMAN SCHOOL, 18TH-CENTURY Woodland Grove with classical figures.

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Description: GERMAN SCHOOL, 18TH-CENTURY Woodland Grove with classical figures. Pen and black and gray ink and wash on cream laid paper, 1773. 190x260 mm; 7 1/2x10 1/4 inches. Initialed "VH" and dated in ink, lower left recto.Woodland Grove with Classical Figures.

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GERMAN SCHOOL, 18TH-CENTURY Group of 7 engravings.

Lot 28: GERMAN SCHOOL, 18TH-CENTURY Group of 7 engravings.

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Description: GERMAN SCHOOL, 18TH-CENTURY Group of 7 engravings. Each likely proofs, vignettes for an illustrated work. Various sizes and conditions.

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CLAUDE GELLÉE, LE LORRAIN Le Port de Mer au Fanel.

Lot 29: CLAUDE GELLÉE, LE LORRAIN Le Port de Mer au Fanel.

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Description: CLAUDE GELLÉE, LE LORRAIN Le Port de Mer au Fanel. Etching on white wove paper, 1638. 140x195 mm; 5 1/2x7 3/4 inches, narrow margins. Fifth state (of 5). A fine impression. Mannocci 37.

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FRANCISCO JOSÉ DE GOYA Qual la descañonan.

Lot 30: FRANCISCO JOSÉ DE GOYA Qual la descañonan.

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Description: FRANCISCO JOSÉ DE GOYA Qual la descañonan. Aquatint and etching, circa 1799. 217x149 mm; 8 5/8x5 7/8 inches, wide margins. Third edition. From Los Caprichos. A very good impression. Delteil 58; Harris 56.

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ROMEYN DE HOOGHE Het Hoog en Lager Huys van Engeland.

Lot 31: ROMEYN DE HOOGHE Het Hoog en Lager Huys van Engeland.

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Description: ROMEYN DE HOOGHE Het Hoog en Lager Huys van Engeland. Two etchings, 1702-1728. One 475x575 mm; 18 3/4x22 1/2 inches; the other 437x575 mm; 17 1/4x22 1/2 inches. Both very good impressions. Hooghe's representations of the House of Commons in London (with images of the House of Lords inset upper center). Two etchings from a series of three, one showing Queen Anne and the other King George II in attendance; an earlier version from 1689 shows William III in attendance. One is the second state (of 3); the other in the third state (of 3). Both Hollstein 153.

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PIERRE LELU View of a Portuguese Hill Town.

Lot 32: PIERRE LELU View of a Portuguese Hill Town.

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Description: PIERRE LELU View of a Portuguese Hill Town. Grayish brown wash over pencil on cream laid paper. 372x520 mm; 14 1/2x20 1/2 inches.View of a Portuguese Hill Town.

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MICHELE MARIESCHI (after) Prospettive di Venezia: frontispiece

Lot 33: MICHELE MARIESCHI (after) Prospettive di Venezia: frontispiece

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Description: MICHELE MARIESCHI (after) Prospettive di Venezia: frontispiece. Etching, 1741. 330x482 mm; 13x19 inches, full margins. First state (of 4). A superb, early impression with strong contrasts and with crisp, partially inky plate edges.

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THEODOR MATHAM (after Reni) Allegorical Figure of Painting Wreathed by Cupid

Lot 34: THEODOR MATHAM (after Reni) Allegorical Figure of Painting Wreathed by Cupid

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Description: THEODOR MATHAM (after Reni) Allegorical Figure of Painting Wreathed by Cupid. Engraving, circa 1650. 397x285 mm; 15 5/8x11 1/4 inches, narrow margins. Proof, before letters. A very good impression. Hollstein 43.

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PIER FRANCESCO MOLA (attributed to) St

Lot 35: PIER FRANCESCO MOLA (attributed to) St

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Description: PIER FRANCESCO MOLA (attributed to) St. John the Baptist in the Wilderness. Reed pen and brown ink on cream laid paper. 145x120 mm; 5 3/4x4 3/4 inches. With a study of a turbaned man in pen and brown ink, verso.

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ADRIAEN VAN OSTADE The Anglers.

Lot 36: ADRIAEN VAN OSTADE The Anglers.

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Description: ADRIAEN VAN OSTADE The Anglers. Etching, circa 1653. 113x163 mm; 4 1/2x6 1/2 inches, narrow margins. Seventh state (of 7). A very good impression with strong contrasts and warm plate tone. Bartsch 26; Godefroy 26.

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JACOPO PALMA, IL GIOVANE St. John the Baptist in the Wilderness.

Lot 37: JACOPO PALMA, IL GIOVANE St. John the Baptist in the Wilderness.

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Description: JACOPO PALMA, IL GIOVANE St. John the Baptist in the Wilderness. Etching, circa 1611. 153x114 mm; 6x4 1/2 inches, thread margins. A superb, early impression of this extremely scarce etching, with little to no sign of wear. We have found only 4 other impressions at auction in the past 25 years. Bartsch 19.

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GIOVANNI B. PIRANESI Veduta dell'Arco di Costantino, e dell'Anfiteatreo Flavio detto il Coloseo.

Lot 38: GIOVANNI B. PIRANESI Veduta dell'Arco di Costantino, e dell'Anfiteatreo Flavio detto il Coloseo.

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Description: GIOVANNI B. PIRANESI Veduta dell'Arco di Costantino, e dell'Anfiteatreo Flavio detto il Coloseo. Etching, 1760. 405x540 mm; 16x21 1/4 inches, thread margins. An undescribed state between the third and fourth state (of 6), with the price erased but before the numbers lower right. From the Vedute di Roma. A very good impression. Hind 56.

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GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

Lot 39: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma.

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Description: GIOVANNI B. PIRANESI Two etchings from the Vedute di Roma. Veduta della Cascata di Tivoli, 1765-66. Fifth state (of 5) * Veduta delle Cascatelle a Tivoli, 1769. Third state (of 3). Both approximately 475x710 mm; 18 5/8x27 3/4 inches, wide margins. Both good impressions. Hind 75 and 92.

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GIOVANNI B. PIRANESI Group of 5 etchings from the Vedute di Roma.

Lot 40: GIOVANNI B. PIRANESI Group of 5 etchings from the Vedute di Roma.

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Description: GIOVANNI B. PIRANESI Group of 5 etchings from the Vedute di Roma. Veduta della Piazza del Popolo, 1750. Third state (of 7) * Veduta dell'Arco di Tito, 1771. Fourth state (of 4) * Veduta di Campo Vaccino, 1772. Third state (of 4) * Veduta della Gran Piazza e Basilica di S. Pietrom 1772. Third state (of 3) * Veduta dell'insigne Basilica Vaticana, 1775. First state (of 3). With--Two reproductions after Piranesi from the Vedute di Roma. Various sizes and conditions. Hind 14, 98, 100, 101 and 120.

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GIOVANNI B. PIRANESI Collection of 18 etchings.

Lot 41: GIOVANNI B. PIRANESI Collection of 18 etchings.

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Description: GIOVANNI B. PIRANESI Collection of 18 etchings. Most from Le Antichità Romane I, 1757. Various sizes and conditions. Very good impressions.

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CAMILLO PROCACCINI The Rest on the Flight into Egypt.

Lot 42: CAMILLO PROCACCINI The Rest on the Flight into Egypt.

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Description: CAMILLO PROCACCINI The Rest on the Flight into Egypt. Etching, 1593. 266x205 mm; 10 1/2x8 inches, thread margins. A somewhat lightly printed pull, possibly a maculature impression, of this extremely scarce etching. Bartsch 2.

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REMBRANDT VAN RIJN Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father ?).

Lot 43: REMBRANDT VAN RIJN Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father ?).

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Description: REMBRANDT VAN RIJN Bust of a Man Wearing a High Cap, Three-Quarters Right (The Artist's Father ?). Etching, 1630. 105x86 mm; 4 1/4x3 1/2 inches, wide margins. Biörklund's second state (of 2); Usticke's sixth state (of 6); White and Boon's second state (of 2). A very good, dark impression. Bartsch 321; Biörklund 30-F; Hollstein (White and Boon) 321.

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REMBRANDT VAN RIJN The Artist's Mother Seated, in Widow's Dress and Black Gloves.

Lot 44: REMBRANDT VAN RIJN The Artist's Mother Seated, in Widow's Dress and Black Gloves.

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Description: REMBRANDT VAN RIJN The Artist's Mother Seated, in Widow's Dress and Black Gloves. Etching and drypoint, circa 1632. 152x120mm; 6x4 3/4 inches, small margins. Usticke's third state (of 3). A dark impression. Though accepted by Bartsch and others, this work is rejected by some, including Biörklund. Bartsch 344.

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REMBRANDT VAN RIJN Joseph and Potiphar's Wife.

Lot 45: REMBRANDT VAN RIJN Joseph and Potiphar's Wife.

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Description: REMBRANDT VAN RIJN Joseph and Potiphar's Wife. Etching and drypoint, 1634. 92x115 mm; 3 1/2x4 1/2 inches, narrow margins. Biörklund's second state (of 2); Usticke's fifth state (of 5); White and Boon's second state (of 2). A strong impression. Bartsch 39; Biörklund 34-G; Hollstein (White and Boon) 39.

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REMBRANDT VAN RIJN The Angel Appearing to Shepherds.

Lot 46: REMBRANDT VAN RIJN The Angel Appearing to Shepherds.

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Description: REMBRANDT VAN RIJN The Angel Appearing to Shepherds. Etching, engraving and drypoint, 1634. 260x216 mm; 10 1/4x8 1/2 inches, narrow margins. Biörklund's third state (of 3); Usticke's fifth state (of 5); White and Boon's third state (of 3). A small group of prints by, after or attributed to Dürer and Rembrandt. Bartsch 44; Biörklund 34-J; Hollstein (White and Boon) 44.

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REMBRANDT VAN RIJN The Stoning of St. Stephen.

Lot 47: REMBRANDT VAN RIJN The Stoning of St. Stephen.

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Description: REMBRANDT VAN RIJN The Stoning of St. Stephen. Etching and drypoint, 1635. 96x86 mm; 3 3/4x3 1/4 inches, small margins. Biörklund's second state (of 2); Usticke's fourth state (of 4); White and Boon's second state (of 2). Bartsch 97; Biörklund 35-A; Hollstein (White and Boon) 97.

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REMBRANDT VAN RIJN The Stoning of St. Stephen.

Lot 48: REMBRANDT VAN RIJN The Stoning of St. Stephen.

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Description: REMBRANDT VAN RIJN The Stoning of St. Stephen. Etching and drypoint, 1635. 96x86 mm; 3 3/4x3 1/4 inches, thread margins. Biörklund's second state (of 2); Usticke's fourth state (of 4); White and Boon's second state (of 2). A fine impression. Bartsch 97; Biörklund 35-A; Hollstein (White and Boon) 97.

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REMBRANDT VAN RIJN Saint Jerome Kneeling in Prayer, Looking Down.

Lot 49: REMBRANDT VAN RIJN Saint Jerome Kneeling in Prayer, Looking Down.

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Description: REMBRANDT VAN RIJN Saint Jerome Kneeling in Prayer, Looking Down. Etching, 1635. 115x83 mm; 4 1/2x3 1/4 inches. Usticke's third state (of 3). A fine impression. Bartsch 102; Biörklund 35-H; Hollstein (White and Boon) 102.

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REMBRANDT VAN RIJN Old Bearded Man in a High Fur Cap, with Eyes Closed.

Lot 50: REMBRANDT VAN RIJN Old Bearded Man in a High Fur Cap, with Eyes Closed.

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Description: REMBRANDT VAN RIJN Old Bearded Man in a High Fur Cap, with Eyes Closed. Etching, circa 1635. 112x101 mm; 4 1/2x4 inches. Usticke's fifth state (of 5). Bartsch 290; Biörklund 35-3; Hollstein (White and Boon) 290.

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