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CONTEMPORARY ART

by Swann Auction Galleries

Platinum House

302 lots with images

November 14, 2013

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

302 Lots
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WILLEM DE KOONING Love to Wakako.

Lot 1: WILLEM DE KOONING Love to Wakako.

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Description: WILLEM DE KOONING Love to Wakako. Lithograph on Akawara paper, 1970-71. 1140x720 mm; 46x28 1/2 inches, full margins. Signed, dated and numbered 58/58 in pencil, lower margin. Printed by Fred Genis, Hollanders Workshop, New York, with the blind stamp lower left. Published by Knoedler, New York. A very good impression of this large, scarce lithograph. Graham 18.

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WILLEM DE KOONING The Devil at the Keyboard.

Lot 2: WILLEM DE KOONING The Devil at the Keyboard.

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Description: WILLEM DE KOONING The Devil at the Keyboard. Color lithograph on cream wove Beckett paper, 1976. 906x620 mm; 35 5/8x24 1/2 inches (sheet), full margins. Signed in blue crayon and numbered 80/125 in pencil, lower margin. Published by the Rainbow Art Foundation, New York. A good impression with strong colors.

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ADOLPH GOTTLIEB Rosy Mood.

Lot 3: ADOLPH GOTTLIEB Rosy Mood.

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Description: ADOLPH GOTTLIEB Rosy Mood. Color screenprint, 1967. 625x470 mm; 24 5/8x18 1/2 inches, full margins. Signed, dated and numbered 15/75 in pencil, lower left. A very good impression with strong colors. Associated American Artists 46.

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RICHARD DIEBENKORN Clubs, Blue Ground.

Lot 4: RICHARD DIEBENKORN Clubs, Blue Ground.

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Description: RICHARD DIEBENKORN Clubs, Blue Ground. Color aquatint with etching and drypoint, 1982. 510x485 mm; 20 1/819 1/8 inches, full margins. Initialed, dated and numbered 28/35 in pencil, lower margin. Published by Crown Point Press, San Francisco. A very good impression with vibrant colors.

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HELEN FRANKENTHALER Brown Moons.

Lot 5: HELEN FRANKENTHALER Brown Moons.

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Description: HELEN FRANKENTHALER Brown Moons. Color lithograph on gray wove unbleached Carisbrook British handmade paper, 1961. 340x450 mm; 13 3/8x17 3/4 inches, full margins. Signed, dated and numbered 19/23 in pencil, lower margin. Printed by Robert Blackburn. Published by ULAE, West Islip, with the blind stamp lower left. A very good impression of this extremely scarce, early lithograph.We have not found another impression at auction in the past 25 years. Harrison 3.

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ROBERT MOTHERWELL Gauloises Bleues.

Lot 6: ROBERT MOTHERWELL Gauloises Bleues.

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Description: ROBERT MOTHERWELL Gauloises Bleues. Aquatint and hand-torn collage of Gauloises cigarette label on white wove Dutch Copperplate Etching, 1968. 253x138 mm; 9 7/8x5 1/2 inches, full margins. Signed and numbered 61/75 in pencil, lower margin. Published by ULAE, West Islip, with the blind stamp lower left. A very good impression. Belknap 33.

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ROBERT MOTHERWELL The Black Douglas Stone.

Lot 7: ROBERT MOTHERWELL The Black Douglas Stone.

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Description: ROBERT MOTHERWELL The Black Douglas Stone. Color lithograph on Arches, 1970-71. 1120x490 mm; 44x19 1/4 inches, full margins. Signed and numbered 14/18 in pencil, lower right. Printed and published by ULAE, West Islip, with the blind stamp lower left. A very good impression of this large lithograph. Belknap 73.

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ROBERT MOTHERWELL Summer Light Series: Harvest in Scotland.

Lot 8: ROBERT MOTHERWELL Summer Light Series: Harvest in Scotland.

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Description: ROBERT MOTHERWELL Summer Light Series: Harvest in Scotland. Color lithograph and collage on Arjomari paper, 1973. 914x458 mm; 36x18 inches, full margins. Signed and numbered 57/69 in pencil, lower right. Printed and published by Gemini, G.E.L., Los Angeles, with the blind stamps lower right. A very good impression. Belknap 129.

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ROBERT MOTHERWELL Two color lithographs with collage from The Summer Light Series.

Lot 9: ROBERT MOTHERWELL Two color lithographs with collage from The Summer Light Series.

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Description: ROBERT MOTHERWELL Two color lithographs with collage from The Summer Light Series. Harvest, with Blue Shadow. 760x300 mm; 29 7/8x11 3/4 inches, full margins. Signed and numbered 21/50 in pencil, lower right * Harvest, with Orange Stripe. 760x310 mm; 29 7/8x12 1/4 inches, full margins. Signed and numbered 21/55 in pencil, lower right. Both 1973. Both published by Gemini G.E.L., Los Angeles, with the blind stamp lower right. Very good impressions. Belknap 125 and 127.

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ROBERT MOTHERWELL Hermitage.

Lot 10: ROBERT MOTHERWELL Hermitage.

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Description: ROBERT MOTHERWELL Hermitage. Color lithograph on Arches Cover paper, 1975. 1026x725 mm; 40 3/8x28 1/2 inches, full margins. Signed and numbered 112/200 in pencil, lower margin. Printed by Tyler Graphics Ltd, Bedford Village. Published by Knoedler & Co., New York. With the artist's blind stamp, lower right. A very good impression with strong colors. Belknap 149.

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ROBERT MOTHERWELL Black Rumble.

Lot 11: ROBERT MOTHERWELL Black Rumble.

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Description: ROBERT MOTHERWELL Black Rumble. Color lithograph on Arches, 1985. 965x740 mm; 38x29 inches (sheet), full margins. Signed and numbered 49/65 in pencil, lower margin. Printed and published by Tyler Graphics Ltd., Mt. Kisco, with the blind stamp lower left. A very good impression of this large lithograph. Belknap 308.

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ROBERT MOTHERWELL Black Sun.

Lot 12: ROBERT MOTHERWELL Black Sun.

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Description: ROBERT MOTHERWELL Black Sun. Lithograph printed in black and yellow ochre and linoleum cut printed in yellow ochre on hand made Japanese Masa Dosa Chine appliqué on Arches, 1987-88. 275x353 mm; 10 3/4x13 7/8 inches, full margins. The second edition (of 3), unbound and hors texte. Initialed and numbered 4/50 in pencil, lower right. Printed by Trestle Editions, New York. Published by The Limited Editions Club, New York. With the artist's copyright stamp, verso. From the Octavio Paz Suite. A very good, dark impression. Belknap 377.

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ROBERT MOTHERWELL Three Forms.

Lot 13: ROBERT MOTHERWELL Three Forms.

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Description: ROBERT MOTHERWELL Three Forms. Color aquatint and lift-ground etching on German Etching paper, 1988. 305x603 mm; 12x23 3/4 inches, full margins. Initialed and numbered 18/50 in pencil, lower right. Printed by Catherine Mosley at the artist's studio, with the artist's blind stamp lower right. Published by Waddhington Graphics Ltd., London, with the blind stamp lower left. A superb impression. Belknap 407.

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ROBERT MOTHERWELL Beau Geste I.

Lot 14: ROBERT MOTHERWELL Beau Geste I.

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Description: ROBERT MOTHERWELL Beau Geste I. Color lithograph on Duchene Moutarde paper, 1989. 559x380 mm; 21 7/8x15 inches, full margins. Initialed in pencil, upper right, and numbered 89/100 in pencil, lower right. Printed by Trestle Editions, Ltd., New York. Published by Daniel Papierski, Paris. From the same-title suite. Belknap 417.

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ROBERT MOTHERWELL Untitled.

Lot 15: ROBERT MOTHERWELL Untitled.

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Description: ROBERT MOTHERWELL Untitled. Color etching and aquatint on German etching paper, 1991. 285x360 mm; 11 1/4x14 1/4 inches, full margins. Initialed and numbered 2/40 in pencil, lower right. With the artist's blind stamp, lower right. A very good impression.

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VACLAV VYTLACIL Abstract Figures.

Lot 16: VACLAV VYTLACIL Abstract Figures.

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Description: VACLAV VYTLACIL Abstract Figures. Color pastels, charcoal and watercolor, 1958. 380x300 mm; 15x11 3/4 inches. Signed and dated in pencil, lower right recto.

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GRACE HARTIGAN Three color screenprints.

Lot 17: GRACE HARTIGAN Three color screenprints.

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Description: GRACE HARTIGAN Three color screenprints. Still Life in Primary Colors * The Persian Jacket * River Bathers. Each circa 1953. Each 192x270 mm; 7 1/2x10 5/8 inches (sheets), full margins. Printed by Floriano Vecchi at Tiber Press, New York. Published in Folder, the New York School, under the direction of Daisy Aldan and Richard Miller. Very good impressions of these extremely scarce, early color screenprints.

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JUDITH ROTHSCHILD Collection of collages, sketchbooks and ephemera.

Lot 18: JUDITH ROTHSCHILD Collection of collages, sketchbooks and ephemera.

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Description: JUDITH ROTHSCHILD Collection of collages, sketchbooks and ephemera. A significant collection of works and related ephemera, including 17 gouache, watercolor or ink drawings, 7 collages and 3 sketchbooks. One signed and some dated from the 1940s. Various sizes and conditions. Rothschild (1921-1993) was a New York artist and part of the Abstract Expressionist movement at mid-century. She trained in New York at Atelier 17 with Stanley W. Hayter and also with Hans Hofmann and Karl Knaths. She later became president of the American Abstract Artists group, which was a precursor to the Abstract Expressionist movement.

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FRITZ GLARNER Color Drawing for Relational Painting.

Lot 19: FRITZ GLARNER Color Drawing for Relational Painting.

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Description: FRITZ GLARNER Color Drawing for Relational Painting. Color lithograph on white wove paper, 1963. 520x290 mm; 20 1/2x11 3/8 inches, full margins. Signed, dated and numbered 16/35 in pencil, lower margin. Published by ULAE, West Islip, with the blind stamp lower left. A very good impression of this scarce, early lithograph. Sparks 9.

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IRENE RICE PEREIRA The Infinite Power.

Lot 20: IRENE RICE PEREIRA The Infinite Power.

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Description: IRENE RICE PEREIRA The Infinite Power. Mixed-media, oil and paper collage on canvas. 1070x815 mm; 42x32 inches. Signed in black ink, lower right recto. Titled in black ink, verso.

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GABOR PETERDI The Seed in the Rock II.

Lot 21: GABOR PETERDI The Seed in the Rock II.

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Description: GABOR PETERDI The Seed in the Rock II. Color etching and aquatint, 1953. 454x376 mm; 17 7/8x14 3/4 inches, wide margins. Artist's proof, aside from the edition of 35. Signed, dated, titled and inscribed "Artist's proof" in pencil, lower margin. A very good impression With--CONRAD MARCA-RELLI, Untitled, etching and aquatint, 1955. 400x300 mm; 15 3/4x11 3/4 inches, full margins. Signed and dated in pencil, lower left.

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LOUISE NEVELSON The Search.

Lot 22: LOUISE NEVELSON The Search.

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Description: LOUISE NEVELSON The Search. Etching with aquatint and roulette, 1953-55. 445x505 mm; 171/2x193/4 inches, full margins. Signed, titled and numbered 9/20 in pencil, lower margin. A very good impression of this scarce, early etching. Baro 22.

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LOUISE NEVELSON Brandeis Multiple.

Lot 23: LOUISE NEVELSON Brandeis Multiple.

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Description: LOUISE NEVELSON Brandeis Multiple. Bronze with dark brown patina, 1968. 100mm; 4 inches (height, excluding base). Edition of 150. Incised signature and date, verso. Published for the Brandeis University National Women's Committee, Waltham. Baro 122.

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LOUISE NEVELSON Collegiate School Relief.

Lot 24: LOUISE NEVELSON Collegiate School Relief.

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Description: LOUISE NEVELSON Collegiate School Relief. Wood multiple painted in black, mounted on a Plexiglas stand, 1972. 150 mm; 6 inches (approximate diameter). Incised with the artist's signature, dated and numbered 145/150, verso. Fabricated by Aurora Products Inc., New York. Published by Pace Editions, New York. Baro 123.

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LOUISE NEVELSON Moon Garden.

Lot 25: LOUISE NEVELSON Moon Garden.

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Description: LOUISE NEVELSON Moon Garden. Cast paper relief in black, 1976. 685x430 mm; 27x17 inches, full margins. Signed, dated and numbered 21/75 in pencil, lower margin. Published by Pace Editions, New York.

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LOUISE NEVELSON Untitled 54-5.

Lot 26: LOUISE NEVELSON Untitled 54-5.

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Description: LOUISE NEVELSON Untitled 54-5. Color aquatint with collage, 1973. 750x490 mm; 29 1/2x19 1/4 inches, full margins. Signed, dated and numbered 59/90 in pencil, lower margin. Printed by 2RC Workshop, Rome, with the blindstamp, lower left. A very good impression. Baro 119.

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ROBERT GOODNOUGH Two collages.

Lot 27: ROBERT GOODNOUGH Two collages.

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Description: ROBERT GOODNOUGH Two collages. Two paper collages with additions in blue ink, 1961. Both 75x127 mm; 3x5 inches. Both signed and dated in pen and ink, upper right or lower right recto. Ex-collection Adler Gallery, Los Angeles, with the labels and ink stamps on the frame backs.

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ROBERT GOODNOUGH Blue, Red.

Lot 28: ROBERT GOODNOUGH Blue, Red.

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Description: ROBERT GOODNOUGH Blue, Red. Oil and liquid cement on canvas, 1978. 970x510 mm; 38x20 inches. Signed and dated in pen and blue ink, lower right recto. Signed, titled and dated in pen and blue ink, verso. Gift from the artist, thence by descent to the current owner.

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ROBERT GOODNOUGH Woman with Black Hair.

Lot 29: ROBERT GOODNOUGH Woman with Black Hair.

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Description: ROBERT GOODNOUGH Woman with Black Hair. Acrylic on canvas, 2001. 610x510 mm; 24x20 inches. Signed and dated in acrylic, lower right recto. Signed, titled, dated and annotated in felt-tip pen and black ink, verso. Gift from the artist, thence by descent to the current owner.

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ROBERT GOODNOUGH Scram.

Lot 30: ROBERT GOODNOUGH Scram.

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Description: ROBERT GOODNOUGH Scram. Acrylic on canvas, 2002. 610x610 mm; 24x24 inches. Signed and dated in ballpoint pen and black ink, lower right recto. Signed, titled, dated and annotated in felt-tip pen and black ink, verso. Gift from the artist, thence by descent to the current owner.

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SAM FRANCIS Very First Stone.

Lot 31: SAM FRANCIS Very First Stone.

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Description: SAM FRANCIS Very First Stone. Color lithograph on Crisbrook, 1959-68. 530x410 mm; 20 7/8x16 1/8 inches, full margins. Signed, titled, dated and numbered 22/25 in pencil, lower margin. Printed and published by ULAE, West Islip, with the blind stamp lower left. A very good impression with strong colors. Lembark 96.

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SAM FRANCIS An 8 Set---6.

Lot 32: SAM FRANCIS An 8 Set---6.

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Description: SAM FRANCIS An 8 Set---6. Color lithograph on Rives BFK, 1962. 492x381 mm; 19 3/8x15 inches, full margins. Signed and numbered 69/100 in pencil, lower margin. Printed by Koyama at the Japanese Art Association, Tokyo, with the blind stamp lower left. Published by the Pasadena Art Museum. From Pasadena Box. A very good impression. Lembark 62.

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SAM FRANCIS Yunan.

Lot 33: SAM FRANCIS Yunan.

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Description: SAM FRANCIS Yunan. Color lithograph on Arjomari, 1971. 724x1067 mm; 28 3/4x42 inches (sheet), full margins. Signed and numbered 4/66 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamp lower right. A very good impression. Lembark 134.

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SAM FRANCIS White Bone.

Lot 34: SAM FRANCIS White Bone.

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Description: SAM FRANCIS White Bone. Color lithograph, 1971. 702x1006 mm; 27 5/8x39 5/8 inches (sheet), full margins. Signed and numbered 37/69 in pencil, lower margin. Printed and published by Gemini G.E.L., Los Angeles, with the blind stamp lower right. A very good impression with strong colors. Lembark 140.

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MARK TOBEY Untitled.

Lot 35: MARK TOBEY Untitled.

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Description: MARK TOBEY Untitled. Gouache and watercolor on artist's board, 1968. 205x150 mm; 8x5 3/4 inches (sheet). Signed and dated in black ink, lower right recto.

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JEAN DUBUFFET Samedi tantôt.

Lot 36: JEAN DUBUFFET Samedi tantôt.

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Description: JEAN DUBUFFET Samedi tantôt. Color lithograph, 1964. 550x400 mm; 21 3/4x15 3/4 inches, full margins. Signed and numbered 9/125 in pencil, lower margin. Published by the Friends of the Philadelphia Museum of Art. A good impression. Webel 991.

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KAREL APPEL Untitled.

Lot 37: KAREL APPEL Untitled.

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Description: KAREL APPEL Untitled. Watercolor and gouache on paper, 1981. 260x520 mm; 10 1/4x20 1/2 inches. Signed and dated in black ink, lower right recto. Ex-collection Jean Pollak, Galerie Ariel, Paris, with the label on the frame back.

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HERBERT FERBER Untitled.

Lot 38: HERBERT FERBER Untitled.

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Description: HERBERT FERBER Untitled. Oil on canvas, 1962. 440x620 mm; 17 1/4x24 1/2 inches. Signed, dated "1970" and dedicated in ball-point pen and blue ink, lower right recto. Signed and dated in green ink, verso. Gift from the artist, thence by decent to the current owner.

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PIERRE SOULAGES Eau-forte n°10 b.

Lot 39: PIERRE SOULAGES Eau-forte n°10 b.

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Description: PIERRE SOULAGES Eau-forte n°10 b. Etching and aquatint on Arches, 1957. 600x440 mm; 23 5/8x17 1/4 inches, full margins. Signed and numbered 58/65 in pencil, lower margin. Printed by Lacourière, Paris. Published by Juster Gallery, New York. A very good, dark impression. Rivière 10.

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PIERRE SOULAGES Eau-Forte No. 11.

Lot 40: PIERRE SOULAGES Eau-Forte No. 11.

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Description: PIERRE SOULAGES Eau-Forte No. 11. Color aquatint on Rives, 1961. 600x440 mm; 23 5/8x17 3/8 inches, full margins. Signed and numbered 13/100 in pencil, lower margin. Printed by Lacourière, Paris. Published by Berggruen, Paris. A very good impression. Rivière 11.

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PIERRE SOULAGES Eau-Forte No. 12.

Lot 41: PIERRE SOULAGES Eau-Forte No. 12.

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Description: PIERRE SOULAGES Eau-Forte No. 12. Color aquatint on Rives, 1961. 390x360 mm; 15 1/4x14 inches, full margins. Signed and numbered 24/100 in pencil, lower margin. Printed and published by Lacourière, Paris. A very good impression. Rivière 12.

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PIERRE SOULAGES Lithographie No. 2.

Lot 42: PIERRE SOULAGES Lithographie No. 2.

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Description: PIERRE SOULAGES Lithographie No. 2. Color lithograph on Arches, 1957. 570x425 mm; 22 1/2x16 3/4 inches, full margins. Signed and numbered 32/60 in pencil, lower margin. Printed by Mourlot, Paris. Published by Berggruen, Paris. A superb, richly-inked impression of this scarce lithograph. Rivière 2.

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CONRAD MARCA-RELLI Untitled.

Lot 43: CONRAD MARCA-RELLI Untitled.

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Description: CONRAD MARCA-RELLI Untitled. Mixed-media collage multiple, 1969. 360x405 mm; 14 1/8x15 7/8 inches, full margins. Signed, dated and numbered 88/100 in pencil, lower margin.

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CONRAD MARCA-RELLI Composition 10.

Lot 44: CONRAD MARCA-RELLI Composition 10.

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Description: CONRAD MARCA-RELLI Composition 10. Etching and aquatint on Guarro paper, 1976. 430x620 mm; 17x24 1/2 inches, full margins. Artist's proof, aside from the edition of 75. Signed, dated and inscribed "A/P 8/10" in pencil, lower margin. A very good impression.

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ANTONI TÀPIES Clau--14.

Lot 45: ANTONI TÀPIES Clau--14.

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Description: ANTONI TÀPIES Clau--14. Color lithograph, 1973. 410x580 mm; 16 1/8x22 7/8 inches, full margins. Signed and numbered 45/75 in pencil, lower margin. Published by Polígrafa, Barcelona. A very good impression.

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PORTFOLIO Ediciones Polígrafa XV Años.

Lot 46: PORTFOLIO Ediciones Polígrafa XV Años.

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Description: PORTFOLIO Ediciones Polígrafa XV Años. Portfolio with complete text and 18 color lithographs, 1979. 375x270 mm; 14 3/4x10 5/8 inches (sheets), full margins, loose as issued. The deluxe edition of 100. Numbered 81/100 in black ink on the cardboard portfolio slip and on the justification page in pencil. Each print signed, numbered 81/100 and some dated in pencil, lower margins. Published by Ediciones Polígrafa, Barcelona, for an exhibition at Redfern Gallery, London, December 4, 1979-January 31, 1980. With the book and original cardboard portfolio slip. Includes prints by CHRISTO, MIRÓ (Mourlot 1192), TAPIES, ZAO WOU-KI (Ågerup 292), MATTA and LAM. Superb impressions.

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CY TWOMBLY Untitled.

Lot 47: CY TWOMBLY Untitled.

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Description: CY TWOMBLY Untitled. Offset lithograph printed in black and gray, 1970. 313x425 mm; 12 3/8x16 3/4 inches, full margins. Artist's proof, aside from the edition of 250. Initialed and inscribed "XXIV/XXIV" in black ink, on the label verso. Published by Verein Progressiver Galerien, Cologne. A very good impression. Bastian 28.

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JOSEF ALBERS Intaglio Solo X.

Lot 48: JOSEF ALBERS Intaglio Solo X.

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Description: JOSEF ALBERS Intaglio Solo X. Inkless intaglio from Vinylite plate, 1958. 160x220 mm; 6 1/4x8 1/2 inches, full margins. Artist's proof, aside from the edition of 30. Signed, titled "Intaglio Solo V," dated, dedicated and inscribed "proof 3/5" in pencil, lower margin. A very good impression. Danilowitz 144.

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JOSEF ALBERS Interaction of Color.

Lot 49: JOSEF ALBERS Interaction of Color.

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Description: JOSEF ALBERS Interaction of Color. Portfolio with complete text folder, bound text volume and 80 color screenprints, 1963. 330x255 mm; 12 7/8x9 3/8 inches (sheets), full margins, loose as issued. English edition. Published by Yale University Press, New Haven. Original brown linen slipcase.

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JOSEF ALBERS Pompeian.

Lot 50: JOSEF ALBERS Pompeian.

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Description: JOSEF ALBERS Pompeian. Color screenprint, 1965. 279x279 mm; 11x11 inches, full margins. Signed, titled, dated and numbered 3/150 in pencil, lower margin. Printed by R.H. Norton, New Haven. Published by Ives-Sillman Inc., New Haven, for the Aldegrever Gesellschaft, Münster. A very good impression. Danilowitz 161.

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