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Auction Description for Waddington's: International Art Auction
Viewing Notes:
Saturday 14 June from 11:00 am to 5:00 pm Sunday 15 June from 11:00 am to 5:00 pm Monday 16 June from 10:00 am to 12 Noon

International Art Auction

by Waddington's

Platinum House

125 lots with images

June 18, 2014

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

125 Lots
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19th Century American Primitive, THE UNION - SEE-SAW (CUBA AND THE US), Oil on canvas. Unstretched and matted., 8.75

Lot 1: 19th Century American Primitive, THE UNION - SEE-SAW (CUBA AND THE US), Oil on canvas. Unstretched and matted., 8.75" x 11" - 22.2 x 27.9 cm.

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Description: 19TH CENTURY AMERICAN PRIMITIVETHE UNION - SEE-SAW (CUBA AND THE US)Oil on canvas. Unstretched and matted.8.75" x 11" - 22.2 x 27.9 cm.Provenance:The old matboard came from a supplier in New York as stamped by the manufacturer on the reverse;Private Collection, CanadaNote:Typical of political cartoons of the day, this scene may be interpreted as the personification of the US (little boy) and their newly acquired colonies (little girl) during a period of American expansionism following the Spanish-American War at the end of the 19th century. The Spanish-American War is considered a transition period leading to an era of internal development and overseas expansion for the United States, particularly in Latin America. During this era, Cuba became a protectorate of the US, and Puerto Rico, Hawaii and Guam would also be annexed.The face of American expansionism was depicted as a "friendly imperialism" that would improve the lives of the countries they are invading. For example, political cartoons and propaganda of this period often feature an Uncle Sam character granting or withholding freedom to a child-like colony.  Though the see-saw would seem to indicate a cooperative relationship, the young boy at the bottom holds the balance of power, similar to the relationship between the United States and their colonial protectorates.

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Shepard Alonzo Mount (1804-1868), LADY ON HORSEBACK, Oil on canvas; signed and dated 1842 lower right, 20

Lot 2: Shepard Alonzo Mount (1804-1868), LADY ON HORSEBACK, Oil on canvas; signed and dated 1842 lower right, 20" x 18" - 50.8 x 45.7 cm.

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Description: SHEPARD ALONZO MOUNT (1804-1868), AMERICANLADY ON HORSEBACKOil on canvas; signed and dated 1842 lower right20" x 18" - 50.8 x 45.7 cm.Note:The artist was one of three Mount brothers including William Sidney Mount and Henry Smith Mount. He was primarily a portrait painter. By 1830 he had gained a reputation as a portrait artist who kept a studio in NYC until 1841.

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Irving Ramsey Wiles (1861-1948), IN THE GARDEN, Oil on braced panel; signed and dated 1887 lower left, indistinctly titled and inscribed on an old paper label verso, 12

Lot 3: Irving Ramsey Wiles (1861-1948), IN THE GARDEN, Oil on braced panel; signed and dated 1887 lower left, indistinctly titled and inscribed on an old paper label verso, 12" x 14" - 30.5 x 35.6 cm.

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Description: IRVING RAMSEY WILES (1861-1948), AMERICANIN THE GARDENOil on braced panel; signed and dated 1887 lower left, indistinctly titled and inscribed on an old paper label verso12" x 14" - 30.5 x 35.6 cm.Note:The braces to the back of the panel are impressed with the manufacturer's patentee stamp: EF French, NY

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William Edward Norton (1843-1916), SEA COAST, DIEPPE, Oil on canvas; signed and dated /86 lower left, signed and titled to artist's label in London, England verso, 18

Lot 4: William Edward Norton (1843-1916), SEA COAST, DIEPPE, Oil on canvas; signed and dated /86 lower left, signed and titled to artist's label in London, England verso, 18" x 20" - 45.7 x 50.8 cm.

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Description: WILLIAM EDWARD NORTON (1843-1916), AMERICANSEA COAST, DIEPPEOil on canvas; signed and dated /86 lower left, signed and titled to artist's label in London, England verso18" x 20" - 45.7 x 50.8 cm.Provenance:With H.J. Matthews, Toronto;Ex. Coll. Sir Byron Edmund Walker, Toronto;By descent through the family, TorontoNote:Sir Byron Edmond Walker (1848-1924) was instrumental in a campaign to establish a world class museum in Toronto. After many years of planning and pursuing this interest, The Royal Ontario Museum, Toronto opened to the public on March 19, 1914.Sir Walker also took part in the foundation and direction of many of Canada's organizations, including the National Gallery of Canada, the Art Gallery of Ontario, and the University of Toronto.

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Edith Lucille Howard  (1885-1960), CYPRESSES OF CASIERA, TUSCANY, Oil on canvas; signed lower left, signed at

Lot 5: Edith Lucille Howard (1885-1960), CYPRESSES OF CASIERA, TUSCANY, Oil on canvas; signed lower left, signed at "19 W. 8th Street, New York" and titled by the artist to label verso, 30.25" x 25.5" - 76.8 x 64.8 cm.

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Description: EDITH LUCILLE HOWARD (1885-1960), AMERICANCYPRESSES OF CASIERA, TUSCANYOil on canvas; signed lower left, signed at "19 W. 8th Street, New York" and titled by the artist to label verso30.25" x 25.5" - 76.8 x 64.8 cm.Provenance:With a Henry M. Taws, Philadelphia stretcher

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George Peter (1859-1950), HOPI INDIAN SNAKE DANCE, WALPI, ARIZONA, 1914, Oil on canvas, signed and dated 14 lower left. Together with a Milwaukee Public Museum postcard that they published depicting this painting in colour postmarked:

Lot 6: George Peter (1859-1950), HOPI INDIAN SNAKE DANCE, WALPI, ARIZONA, 1914, Oil on canvas, signed and dated 14 lower left. Together with a Milwaukee Public Museum postcard that they published depicting this painting in colour postmarked: "Milwaukee Wis.

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Description: GEORGE PETER (1859-1950), AUSTRIAN/AMERICANHOPI INDIAN SNAKE DANCE, WALPI, ARIZONA, 1914Oil on canvas, signed and dated 14 lower left. Together with a Milwaukee Public Museum postcard that they published depicting this painting in colour postmarked: "Milwaukee Wis. Aug 1, 1946"14.75" x 38" - 37.5 x 96.5 cm.Provenance:Private Collection, Santa Fe, New MexicoNote:Reproduced by the Milwaukee Public Museum as a postcard for promotional purposes from 1920-1935. George Peter, a commercial artist, attended the German Royal Art School, Vienna, and studied in Munich and Karlsruhe. He immigrated to the U.S. and to Milwaukee in 1886, where he worked in commercial art, as scenic artist for the Pabst Theater. A leading figure of the Milwaukee panoramic school, he was among the group of artists which painted the cyclorama of the Battle of Atlanta, now in Atlanta, Ga., and also worked with George Rohrbeck and Frederick W. Heine on the panorama of the Battle of Manila. With Heine, he also painted the panorama of Jerusalem for the St. Louis Exposition (1903). Peter also painted the panorama scene for the film "Gone with the Wind". (Falk) In 1912, Peter became a scenic artist for the Milwaukee Public Museum, and was made chief artist in 1923, and supervisor of preparation in 1927. He retired from the museum in 1940, after having accompanied 23 museum expeditions to all parts of the world. P. Butts, Art in Wis. (Madison, 1936); Milwaukee Journal, June 27, 1950; Information supplied by Albert G. Peter, Milwaukee, and the Milwaukee Public Museum.View newspaper clippings at Wisconsin Local History and Biography Articles.[Source: Dictionary of Wisconsin biography]

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Emile Albert Gruppe (1896-1978), THE BANYAN TREE, FLORIDA, Oil on canvas; signed lower right, 20

Lot 7: Emile Albert Gruppe (1896-1978), THE BANYAN TREE, FLORIDA, Oil on canvas; signed lower right, 20" x 24" - 50.8 x 61 cm.

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Description: EMILE ALBERT GRUPPE (1896-1978), AMERICANTHE BANYAN TREE, FLORIDAOil on canvas; signed lower right20" x 24" - 50.8 x 61 cm.

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Walter Emerson Baum (1884-1956), BRANCH CREEK, Oil on canvas; signed and dated 1918 lower right, titled to the frame and stretcher verso, 32

Lot 8: Walter Emerson Baum (1884-1956), BRANCH CREEK, Oil on canvas; signed and dated 1918 lower right, titled to the frame and stretcher verso, 32" x 40" - 81.3 x 101.6 cm.

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Description: WALTER EMERSON BAUM (1884-1956), AMERICANBRANCH CREEKOil on canvas; signed and dated 1918 lower right, titled to the frame and stretcher verso32" x 40" - 81.3 x 101.6 cm.Exhibited:Pennsylvania Museum of Fine Art, 1919, partial label to the stretcher

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Abraham Manievich (1883-1942), IN A SUMMER GARDEN, Oil on canvas; signed in Latin lower right, 31.75

Lot 9: Abraham Manievich (1883-1942), IN A SUMMER GARDEN, Oil on canvas; signed in Latin lower right, 31.75" x 34" - 80.6 x 86.4 cm.

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Description: ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICANIN A SUMMER GARDENOil on canvas; signed in Latin lower right31.75" x 34" - 80.6 x 86.4 cm.Provenance:Ex. Coll. Dr. Joseph Stern, Montreal;His estate in the early 1950's;By descent to his wife Ada;Gifted to her brother, Jack Druckman in the 1970's;Gifted by Jack Druckman to Dr. Joseph Stern's niece, the present Private Collection, Montreal Literature:Peter Falk, "Who Was Who in American Art," Vol. II, p. 2171-2172Note:Peter Falk cites Abraham Manievich's birth date as 1881. Born in Mstislavl, Mogilev, Russia, he emigrated to the US in 1922. Manievich, painted in a bold Fauvist style. His Russian period works date from 1902 to 1921. After settling in the Bronx in New York where he died, he travelled extensively walking many miles painting regional scenes in industrial Pittsburgh, Pennsylvania, villages along the Hudson River and in Connecticut, and winter scenes in Canada. Dr. Stern befriended Manievich during his visits to Montreal, Quebec and acquired this important landscape and the following oil, lot 10 in this sale: a double-sided canvas depicting a lyrical still life of flowers with brilliant colouring on the front and a landscape verso. In the US, Manievich exhibited both his Russian and American landscapes.This large canvas and the following lot 10, have remained in Dr. Stern's family ever since their acquisition direct from the artist prior to the 1950's.

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Abraham Manievich (1883-1942), STILL LIFE OF FLOWERS IN A COPPER VASE; AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED OIL), Oil on canvas; signed in Latin lower left of the recto (Still Life)

Lot 10: Abraham Manievich (1883-1942), STILL LIFE OF FLOWERS IN A COPPER VASE; AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED OIL), Oil on canvas; signed in Latin lower left of the recto (Still Life)

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Description: ABRAHAM MANIEVICH (1883-1942), RUSSIAN/AMERICANSTILL LIFE OF FLOWERS IN A COPPER VASE; AUTUMN LANDSCAPE WITH POOL (A DOUBLE-SIDED OIL)Oil on canvas; signed in Latin lower left of the recto (Still Life)Provenance:Same as previous lot 9:Ex. Coll. Dr. Joseph Stern, Montreal;His estate in the early 1950's;By descent to his wife Ada;Gifted to her brother, Jack Druckman in the 1970's;Gifted by Jack Druckman to Dr. Joseph Stern's niece, the present Private Collection, Montreal Literature:See lot 9Note:See lot 9

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Worthington Whittredge (1820-1910), FARMER TENDING TRAP IN A RIVER WITH COWS GRAZING (ON THE HUDSON RIVER?), Oil on canvas; signed lower left, 9

Lot 11: Worthington Whittredge (1820-1910), FARMER TENDING TRAP IN A RIVER WITH COWS GRAZING (ON THE HUDSON RIVER?), Oil on canvas; signed lower left, 9" x 14" - 22.9 x 35.6 cm.

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Description: WORTHINGTON WHITTREDGE (1820-1910), AMERICANFARMER TENDING TRAP IN A RIVER WITH COWS GRAZING (ON THE HUDSON RIVER?)Oil on canvas; signed lower left9" x 14" - 22.9 x 35.6 cm.

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Alexis Matthew Podchernikoff (1886-1933), THE AFTERGLOW, Oil on canvas; signed lower left, ttiled to the stretcher, 22

Lot 12: Alexis Matthew Podchernikoff (1886-1933), THE AFTERGLOW, Oil on canvas; signed lower left, ttiled to the stretcher, 22" x 28" - 55.9 x 71.1 cm.

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Description: ALEXIS MATTHEW PODCHERNIKOFF (1886-1933), RUSSIAN/AMERICANTHE AFTERGLOWOil on canvas; signed lower left, ttiled to the stretcher22" x 28" - 55.9 x 71.1 cm.

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Oskar Kokoschka (1886-1980), TWO NUDES, Conte drawing; signed with initials  lower right, 17.25

Lot 13: Oskar Kokoschka (1886-1980), TWO NUDES, Conte drawing; signed with initials lower right, 17.25" x 11" - 43.8 x 27.9 cm.

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Description: OSKAR KOKOSCHKA (1886-1980), AUSTRIANTWO NUDESConte drawing; signed with initials lower right17.25" x 11" - 43.8 x 27.9 cm.

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Alois Arnegger (1879-1967), SNOW COVERED ALPINE CABINS, Oil on canvas; signed lower left, 24.25

Lot 14: Alois Arnegger (1879-1967), SNOW COVERED ALPINE CABINS, Oil on canvas; signed lower left, 24.25" x 36.5" - 61.6 x 92.7 cm.

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Description: ALOIS ARNEGGER (1879-1967), AUSTRIANSNOW COVERED ALPINE CABINSOil on canvas; signed lower left24.25" x 36.5" - 61.6 x 92.7 cm.Provenance:With The Isaacs Gallery, Toronto

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Max Schodl (1834-1921), STILL LIFE WITH CLOISONNE VASE, CLOCK AND POKAL; STILL LIFE WITH SATSUMA AND CLOISONNE VASES, Two oils on board; each signed and dated, the former, signed and dated 1899 upper right, the latter, signed and dated 1913 upper

Lot 15: Max Schodl (1834-1921), STILL LIFE WITH CLOISONNE VASE, CLOCK AND POKAL; STILL LIFE WITH SATSUMA AND CLOISONNE VASES, Two oils on board; each signed and dated, the former, signed and dated 1899 upper right, the latter, signed and dated 1913 upper

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Description: MAX SCHODL (1834-1921), AUSTRIANSTILL LIFE WITH CLOISONNE VASE, CLOCK AND POKAL; STILL LIFE WITH SATSUMA AND CLOISONNE VASESTwo oils on board; each signed and dated, the former, signed and dated 1899 upper right, the latter, signed and dated 1913 upper leftEach 12.5" x 9.5" - 31.8 x 24.1 cm.

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Friedrich Schlegel (1865-1935), DANCING TO THE SHEPHERDS' TUNE, Oil on canvas; signed lower right, 25

Lot 16: Friedrich Schlegel (1865-1935), DANCING TO THE SHEPHERDS' TUNE, Oil on canvas; signed lower right, 25" x 37.5" - 63.5 x 95.3 cm.

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Description: FRIEDRICH SCHLEGEL (1865-1935), AUSTRIANDANCING TO THE SHEPHERDS' TUNEOil on canvas; signed lower right25" x 37.5" - 63.5 x 95.3 cm.

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Louis Charles Verboeckhoven (1802-1889), FISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT, Oil on canvas; signed lower left, 14.75

Lot 17: Louis Charles Verboeckhoven (1802-1889), FISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT, Oil on canvas; signed lower left, 14.75" x 22" - 37.5 x 55.9 cm.

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Description: LOUIS CHARLES VERBOECKHOVEN (1802-1889), BELGIANFISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORTOil on canvas; signed lower left14.75" x 22" - 37.5 x 55.9 cm.

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Vojtech Adalbert Hynais (1854-1925), LES NYMPHES ET LE SATYRE, 1873 AFTER WILLIAM ADOLPHE BOUGUEREAU (1825-1905), Oil on canvas; signed lower right, titled and dated 1883 at Wien to the stretcher, 27

Lot 18: Vojtech Adalbert Hynais (1854-1925), LES NYMPHES ET LE SATYRE, 1873 AFTER WILLIAM ADOLPHE BOUGUEREAU (1825-1905), Oil on canvas; signed lower right, titled and dated 1883 at Wien to the stretcher, 27" x 22" - 68.6 x 55.9 cm.

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Description: VOJTECH ADALBERT HYNAIS (1854-1925) , AUSTRIANLES NYMPHES ET LE SATYRE, 1873 AFTER WILLIAM ADOLPHE BOUGUEREAU (1825-1905)Oil on canvas; signed lower right, titled and dated 1883 at Wien to the stretcher27" x 22" - 68.6 x 55.9 cm.

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Jehan Frison (1882-1961), BALLERINA IN HER STUDIO, Oil on canvas; signed and dated 1918 lower left, 58

Lot 19: Jehan Frison (1882-1961), BALLERINA IN HER STUDIO, Oil on canvas; signed and dated 1918 lower left, 58" x 37" - 147.3 x 94 cm.

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Description: JEHAN FRISON (1882-1961), BELGIANBALLERINA IN HER STUDIOOil on canvas; signed and dated 1918 lower left58" x 37" - 147.3 x 94 cm.

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After Thomas Gainsborough (1727-1788), LANDSCAPE WITH CATTLE, Oil on canvas; given the title

Lot 20: After Thomas Gainsborough (1727-1788), LANDSCAPE WITH CATTLE, Oil on canvas; given the title "Landscape with Cattle" on the nameplate., 40" x 50" - 101.6 x 127 cm.

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Description: AFTER THOMAS GAINSBOROUGH (1727-1788), BRITISHLANDSCAPE WITH CATTLEOil on canvas; given the title "Landscape with Cattle" on the nameplate.40" x 50" - 101.6 x 127 cm.Provenance:Sir William Cornelius Van Horne, Toronto, (1843-1915), inventory number VH.29, believed to be a copy, that was formerly on the London market (no date) and presumably the one Van Horne bought (no date);Thence by descent through the family, TorontoExhibited:Art Museum of Montreal, Montreal in "A Selection from the Collection of Paintings of the Late Sir William Van Horne, K.C.M.G. 1843-1915", 1933, Cat. No. 109, entitled "Landscape and Cattle", as "Ascribed to Thomas Gainsborough", without illustration. Without being photographed for the exhibition catalogue of 1933, Lumsden comments "without dimensions, provenance or other documentation, it is nearly impossible to trace"Literature:Gainsborough's original canvas "Rocky Wooded Landscape with Rustic Lovers, Drover and Cattle" of circa 1771-1772, referenced in John T. Hayes "The Landscape Paintings of Thomas Gainsborough: a critical text and catalogue raisonne"; Ithaca NY/London: Cornell University Press, 1982, 447, No. 103 strongly suggests that Van Horne bought a copy of Gainsborough's original "Rocky Wooded Landscape with Rustic Lovers, Drover and Cattle" Hayes entry mentions, "A copy, of the same size as the original, was formerly on the London market" and presumably, it refers to the painting Van Horne purchased. See Ian G. Lumsden's, "Gainsborough in Canada", The Beaverbrook Art Gallery, Fredericton, New Brunswick, published to coincide with the exhibition, 18 October, 1991 to 31 December, 1991 introduction: "To Gather Objects: The Collecting of British paintings in Canada in the nineteenth and twentieth centuries", pgs . 1-4Note:According to a 1914 insurance appraisal of Van Horne's art collection,it comprised some two hundred and thirty Old Master and 19th Century works.

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John Ward of Hull (1798-1849), THE WILLIAM LEE ARRIVING AT HULL, Oil on canvas; titled to label verso, inscribed in pen and ink on an old partial label:

Lot 21: John Ward of Hull (1798-1849), THE WILLIAM LEE ARRIVING AT HULL, Oil on canvas; titled to label verso, inscribed in pen and ink on an old partial label: "The William Lee" from "MW Clarke" attached to the verso, 9.25" x 14" - 23.5 x 35.6 cm.

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Description: JOHN WARD OF HULL (1798-1849), BRITISHTHE WILLIAM LEE ARRIVING AT HULLOil on canvas; titled to label verso, inscribed in pen and ink on an old partial label: "The William Lee" from "MW Clarke" attached to the verso9.25" x 14" - 23.5 x 35.6 cm.Provenance:M.W. Clarke, label verso

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George Clarkson Stanfield (1828- 1878), LACO COMO, Oil on canvas; signed beneath the wayside chapel at the mid right, titled in pencil to the stretcher, 19.75

Lot 22: George Clarkson Stanfield (1828- 1878), LACO COMO, Oil on canvas; signed beneath the wayside chapel at the mid right, titled in pencil to the stretcher, 19.75" x 30" - 50.2 x 76.2 cm.

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Description: GEORGE CLARKSON STANFIELD (1828- 1878), BRITISHLACO COMOOil on canvas; signed beneath the wayside chapel at the mid right, titled in pencil to the stretcher19.75" x 30" - 50.2 x 76.2 cm.Provenance:With James Bourlet, UK;The Eaton's Fine Art Galleries, Canada, remains of label

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William Shayer Sr. (1787-1879), IN THE NEW FOREST, Oil on canvas; signed and dated 1840 lower left, 30

Lot 23: William Shayer Sr. (1787-1879), IN THE NEW FOREST, Oil on canvas; signed and dated 1840 lower left, 30" x 25" - 76.2 x 63.5 cm.

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Description: WILLIAM SHAYER SR. (1787-1879), BRITISHIN THE NEW FORESTOil on canvas; signed and dated 1840 lower left30" x 25" - 76.2 x 63.5 cm.Provenance:Arthur Ackermann & Sons, London;The Cooling Galleries, London;John Noott Fine Paintings and Works of Art, Worcestershire, England from whom purchased by the present Private Collection, North Carolina in December 2000;With Durrett Studio & Gallery, Marietta, GAPrivate Collection, North Carolina

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William Shayer Sr. (1787-1879), SOUTHHAMPTON COAST, Oil on canvas; signed lower left, 16

Lot 24: William Shayer Sr. (1787-1879), SOUTHHAMPTON COAST, Oil on canvas; signed lower left, 16" x 24" - 40.6 x 61 cm.

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Description: WILLIAM SHAYER SR. (1787-1879), BRITISHSOUTHHAMPTON COASTOil on canvas; signed lower left16" x 24" - 40.6 x 61 cm.Provenance:"Cooling" (Gallery, London and Toronto) inscribed in red crayon to the stretcher;From whom purchased by the present Private Collection, North Carolina

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Sir Edwin Henry Landseer (1802-1873), PORTRAIT OF A YOUNG WOMAN, Oil on canvas; signed and dated 1845 lower left, 18

Lot 25: Sir Edwin Henry Landseer (1802-1873), PORTRAIT OF A YOUNG WOMAN, Oil on canvas; signed and dated 1845 lower left, 18" x 12" - 45.7 x 30.5 cm.

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Description: Sir Edwin Henry Landseer (1802-1873), BritishPORTRAIT OF A YOUNG WOMAN; Oil on canvas; signed and dated 1845 lower left18" x 12" - 45.7 x 30.5 cm.

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Attributed to Sir Godfrey (Gottfried) Kneller (1646-1723), PORTRAIT OF A MAN IN ARMOUR (FRANCIS, 2ND EARL OF GODOLPHIN)?, Oil on canvas; feigned oval, 30

Lot 25A: Attributed to Sir Godfrey (Gottfried) Kneller (1646-1723), PORTRAIT OF A MAN IN ARMOUR (FRANCIS, 2ND EARL OF GODOLPHIN)?, Oil on canvas; feigned oval, 30" x 25" - 76.2 x 63.5 cm.

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Description: Attributed to Sir Godfrey (Gottfried) Kneller (1646-1723), BritishPORTRAIT OF A MAN IN ARMOUR (FRANCIS, 2ND EARL OF GODOLPHIN)?; Oil on canvas; feigned oval30" x 25" - 76.2 x 63.5 cm.

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Charles Hunt (1803-1877), THE COURT MARTIAL, Oil on canvas; signed and dated 1872 lower left, 24

Lot 26: Charles Hunt (1803-1877), THE COURT MARTIAL, Oil on canvas; signed and dated 1872 lower left, 24" x 37" - 61 x 94 cm.

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Description: CHARLES HUNT (1803-1877), BRITISHTHE COURT MARTIALOil on canvas; signed and dated 1872 lower left24" x 37" - 61 x 94 cm.Note:This oil painting was also published as a print entitled: "A Plea for Mercy"

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Frederic Walker (1840-1875), PLAYING THE GUITAR (STUDY OF HIS SISTER FANNY WALKER WITH GUITAR), CIRCA 1869, Watercolour; titled to labels verso, numbered

Lot 27: Frederic Walker (1840-1875), PLAYING THE GUITAR (STUDY OF HIS SISTER FANNY WALKER WITH GUITAR), CIRCA 1869, Watercolour; titled to labels verso, numbered "No. 2" to old title label verso. Together with the Victorian needlework stool and the book:

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Description: FREDERIC WALKER (1840-1875), BRITISHPLAYING THE GUITAR (STUDY OF HIS SISTER FANNY WALKER WITH GUITAR), CIRCA 1869Watercolour; titled to labels verso, numbered "No. 2" to old title label verso. Together with the Victorian needlework stool and the book: "Twenty Seven Illustrations by Frederick Walker" both depicted in the watercolour; as well as another hardcover book: "Life and Letters of Frederick Walker, A.R.A." by John George MarksArched sheet 12.25" x 9.25" - 31.1 x 23.5 cm.Provenance:Ex. Coll. Mr. Edward Phipps-Walker (1914-1985), residing in the UK and Canada;Purchased by the present owners father-in-law, Canada from the above; Gifted to the present family memberNote:Walker's elder sister Fanny was the model for other paintings by the artist. The stool carries an inscription by the artist: "To Dear Jane, worked at Cannes by F.W. Walker - Feb. 9, 1869".The artist's sister Sarah married John George Marks, the author of the green hardcover book: "Life and Letters of Frederick Walker, A.R.A.", This book is inscribed: "To Fred Walker's sister Mrs. Hill with kindest regards from E.? E? Leggatt, October 1907" front free end paper

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Thomas Edwin Mostyn (1864-1930), AN ESTATE GARDEN, CIRCA 1920, Oil on canvas, 36

Lot 28: Thomas Edwin Mostyn (1864-1930), AN ESTATE GARDEN, CIRCA 1920, Oil on canvas, 36" x 42" - 91.4 x 106.7 cm.

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Description: THOMAS EDWIN MOSTYN (1864-1930), BRITISHAN ESTATE GARDEN, CIRCA 1920Oil on canvas36" x 42" - 91.4 x 106.7 cm.

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William Bromley (1835-1888), CONSOLING A FRIEND, Oil on canvas; signed and dated 1867 lower left, 28

Lot 29: William Bromley (1835-1888), CONSOLING A FRIEND, Oil on canvas; signed and dated 1867 lower left, 28" x 36.25" - 71.1 x 92.1 cm.

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Description: WILLIAM BROMLEY (1835-1888), BRITISHCONSOLING A FRIENDOil on canvas; signed and dated 1867 lower left28" x 36.25" - 71.1 x 92.1 cm.

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Charles West Cope (1811-1890), O HUSH THEE, MY BABY, Oil on canvas on wood panel; signed with monogram and dated 1874 lower right; signed and titled to artist labels verso, 24.75

Lot 30: Charles West Cope (1811-1890), O HUSH THEE, MY BABY, Oil on canvas on wood panel; signed with monogram and dated 1874 lower right; signed and titled to artist labels verso, 24.75" x 32" - 79.8 x 61 cm.

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Description: CHARLES WEST COPE (1811-1890), BRITISHO HUSH THEE, MY BABYOil on canvas on wood panel; signed with monogram and dated 1874 lower right; signed and titled to artist labels verso24.75" x 32" - 79.8 x 61 cm.Provenance:Mr. Cope-Proctor;With Davies Clifton... partial label while with R. Titley;W. Eatwell, 49 Dorset St., Portman... small paper label;Christie's, London, November 4, 1988, lot 113;From whom purchased by the present Private Collection, CanadaNote:Typed label W. Eatwell, 49 Dorset St., Portman Square, London W (artists' colourman and supplier 1855-1876)

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George Smith (1829-1901), THE NEW BOY, Oil on canvas; signed and dated 1859 lower right, signed and titled at

Lot 31: George Smith (1829-1901), THE NEW BOY, Oil on canvas; signed and dated 1859 lower right, signed and titled at "2 Tor Villas, Kensington" to the stretcher, 26" x 35" - 66 x 88.9 cm.

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Description: GEORGE SMITH (1829-1901), BRITISHTHE NEW BOYOil on canvas; signed and dated 1859 lower right, signed and titled at "2 Tor Villas, Kensington" to the stretcher26" x 35" - 66 x 88.9 cm.Provenance:Collection Boca Raton, FloridaExhibited:The Royal Academy of Arts, 1859, Cat. No. 219Literature:Algeron Graves, "The Royal Academy of Arts", Volume 4, S.R. Publishers Ltd. and Kingsmead Reprints, 1970

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David James (1853-1904), ON THE CORNISH COAST, Oil on canvas; signed and dated 1882 lower right, 34

Lot 32: David James (1853-1904), ON THE CORNISH COAST, Oil on canvas; signed and dated 1882 lower right, 34" x 44" - 86.4 x 111.8 cm.

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Description: DAVID JAMES (1853-1904), BRITISHON THE CORNISH COASTOil on canvas; signed and dated 1882 lower right34" x 44" - 86.4 x 111.8 cm.

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Thomas Sidney Cooper (1803-1902), SHEEP AND CATTLE BY A TIDAL FLAT, Oil on canvas; signed and dated 1837 lower left, 18

Lot 33: Thomas Sidney Cooper (1803-1902), SHEEP AND CATTLE BY A TIDAL FLAT, Oil on canvas; signed and dated 1837 lower left, 18" x 24" - 45.7 x 61 cm.

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Description: THOMAS SIDNEY COOPER (1803-1902), BRITISHSHEEP AND CATTLE BY A TIDAL FLATOil on canvas; signed and dated 1837 lower left18" x 24" - 45.7 x 61 cm.Provenance:Estate of Edward Albert Manning (1903-1978), Ontario

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Margaret Dovaston (1884-1955), TALE OF THE HIGH SEAS, Oil on canvas; signed lower right, titled to gallery label verso, 20

Lot 34: Margaret Dovaston (1884-1955), TALE OF THE HIGH SEAS, Oil on canvas; signed lower right, titled to gallery label verso, 20" x 27" - 50.8 x 68.6 cm.

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Description: MARGARET DOVASTON (1884-1955), BRITISHTALE OF THE HIGH SEASOil on canvas; signed lower right, titled to gallery label verso20" x 27" - 50.8 x 68.6 cm.Provenance:Mitchell Galleries, n.p.;The Fine Art Galleries, The T. Eaton Co. Ltd., Canada remains of label;

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Margaret Dovaston (1884-1955), START FOR THE COMPETITION, Oil on canvas; signed lower left, 18.25

Lot 35: Margaret Dovaston (1884-1955), START FOR THE COMPETITION, Oil on canvas; signed lower left, 18.25" x 24" - 46.4 x 61 cm.

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Description: MARGARET DOVASTON (1884-1955), BRITISHSTART FOR THE COMPETITIONOil on canvas; signed lower left18.25" x 24" - 46.4 x 61 cm.Provenance:Estate collection by descent

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Alfred de Breanski Sr. (1852-1928), KEW GARDENS, Oil on canvas, signed and dated 1887 lower left, signed and and titled verso, 12

Lot 36: Alfred de Breanski Sr. (1852-1928), KEW GARDENS, Oil on canvas, signed and dated 1887 lower left, signed and and titled verso, 12" x 16" - 30.5 x 40.6 cm.

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Description: ALFRED DE BREANSKI SR. (1852-1928), BRITISHKEW GARDENSOil on canvas, signed and dated 1887 lower left, signed and and titled verso12" x 16" - 30.5 x 40.6 cm.Provenance:Cooling Galleries, London and Toronto;With Britnell Gallery, Toronto

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Alfred Fontville de Breanski (1877-1955), EVENING RYDAL WATER, Oil on canvas; signed lower right, signed and titled verso, 28

Lot 37: Alfred Fontville de Breanski (1877-1955), EVENING RYDAL WATER, Oil on canvas; signed lower right, signed and titled verso, 28" x 42" - 71.1 x 106.7 cm.

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Description: ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISHEVENING RYDAL WATEROil on canvas; signed lower right, signed and titled verso28" x 42" - 71.1 x 106.7 cm.Provenance:With The Fine Art Galleries, The T. Eaton Co., Ltd., Canada inscribed "Eatons" to the frame verso

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Alfred Fontville de Breanski (1877-1955), ABOVE LOCH EARN, N.B., Oil on canvas; signed lower left, signed and titled verso, 24

Lot 38: Alfred Fontville de Breanski (1877-1955), ABOVE LOCH EARN, N.B., Oil on canvas; signed lower left, signed and titled verso, 24" x 36" - 61 x 91.4 cm.

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Description: ALFRED FONTVILLE DE BREANSKI (1877-1955), BRITISHABOVE LOCH EARN, N.B.Oil on canvas; signed lower left, signed and titled verso24" x 36" - 61 x 91.4 cm.

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Alfred Augustus Glendening Snr. (1840-1910), NEAR RUDHAM, NORFOLK, Oil on canvas; signed and dated 1902 lower right, titled to the top selvage verso, 12

Lot 39: Alfred Augustus Glendening Snr. (1840-1910), NEAR RUDHAM, NORFOLK, Oil on canvas; signed and dated 1902 lower right, titled to the top selvage verso, 12" x 22" - 30.5 x 55.9 cm.

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Description: ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISHNEAR RUDHAM, NORFOLKOil on canvas; signed and dated 1902 lower right, titled to the top selvage verso12" x 22" - 30.5 x 55.9 cm.

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Alfred Augustus Glendening Snr. (1840-1910), THE TIME OF THE HARVEST, Oil on canvas laid down on masonite; signed with initials and dated 1877 lower right, 15.25

Lot 40: Alfred Augustus Glendening Snr. (1840-1910), THE TIME OF THE HARVEST, Oil on canvas laid down on masonite; signed with initials and dated 1877 lower right, 15.25" x 23.25" - 38.7 x 59.1 cm.

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Description: ALFRED AUGUSTUS GLENDENING SNR. (1840-1910), BRITISHTHE TIME OF THE HARVESTOil on canvas laid down on masonite; signed with initials and dated 1877 lower right15.25" x 23.25" - 38.7 x 59.1 cm.

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Noel Harry Leaver (1889-1951), MARKET OUTSIDE A MOSQUE, Watercolour; signed lower left, Sight 14

Lot 41: Noel Harry Leaver (1889-1951), MARKET OUTSIDE A MOSQUE, Watercolour; signed lower left, Sight 14" x 20" - 35.6 x 50.8 cm.

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Description: NOEL HARRY LEAVER (1889-1951), BRITISHMARKET OUTSIDE A MOSQUEWatercolour; signed lower leftSight 14" x 20" - 35.6 x 50.8 cm.

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Evelyn de Morgan (1855-1919), MISS SANDFORD- A FULL FACED WOMAN'S HEAD, Pencil on white paper; inscribed

Lot 42: Evelyn de Morgan (1855-1919), MISS SANDFORD- A FULL FACED WOMAN'S HEAD, Pencil on white paper; inscribed "Miss Sandford, 4 Townston (? indistinct) Sq" in pencil lower left. Dated circa 1890 on the label verso, Sheet 10" x 6.75" - 25.4 x 17.1 cm.

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Description: EVELYN DE MORGAN (1855-1919), BRITISHMISS SANDFORD- A FULL FACED WOMAN'S HEADPencil on white paper; inscribed "Miss Sandford, 4 Townston (? indistinct) Sq" in pencil lower left. Dated circa 1890 on the label versoSheet 10" x 6.75" - 25.4 x 17.1 cm. Provenance: Mrs. Wilhelmina Stirling, Old Battersea House, until 1965; Hartnoll & Eyre Ltd. London; Barry Friedman Ltd., NY; From whom purchased by a Private Collection, Toronto; on August 3, 1983; Private Collection, Alberta, Canada since 2008 Exhibited: This drawing was exhibited at Hartnoll & Eyre Ltd., London in "Evelyn De Morgan 1855-1919", February 2nd- February 14th, 1970, Cat. No. 27, illustrated in the accompanying exhibition catalogue and illustrated on the printed invitation card accompanying this lot Note: The drawings in this exhibition where this drawing was purchased by the present Canadian Private Collection derive from seven sketchbooks that were held at the Old Battersea House in the collection of Mrs. Wilhelmina Stirling, Evelyn de Morgan's sister, who lived there until her death in 1965.

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Dame Elisabeth Frink (1930-1993), MAN ON HORSE V, Pencil drawing on paper; signed and dated '79 lower right, titled to gallery label verso, Sheet 30

Lot 43: Dame Elisabeth Frink (1930-1993), MAN ON HORSE V, Pencil drawing on paper; signed and dated '79 lower right, titled to gallery label verso, Sheet 30" x 22.5" - 76.2 x 57.2 cm.

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Description: DAME ELISABETH FRINK (1930-1993), BRITISHMAN ON HORSE VPencil drawing on paper; signed and dated '79 lower right, titled to gallery label versoSheet 30" x 22.5" - 76.2 x 57.2 cm.Provenance:Waddington Galleries, Toronto, inventory number T1346K

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Lynn Chadwick (1914-2003), MAQUETTE VIII, WALKING WOMAN, 1986, Bronze with black patination; stamped

Lot 44: Lynn Chadwick (1914-2003), MAQUETTE VIII, WALKING WOMAN, 1986, Bronze with black patination; stamped "C378", dated "1986" and numbered "4/9" in the cast to the base. Together with a copy of the original receipt., Height approximately height 7" - 17.8

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Description: LYNN CHADWICK (1914-2003), BRITISHMAQUETTE VIII, WALKING WOMAN, 1986Bronze with black patination; stamped "C378", dated "1986" and numbered "4/9" in the cast to the base. Together with a copy of the original receipt.Height approximately height 7" - 17.8 cm.Provenance:Evelyn Amis Fine Art, Florida, accompanied by a copy of the original receipt, invoice #2170, dated 7 Feb. '98;from whom purchased by the present Private Collection, Toronto

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Edward Seago (1910-1974), FISHING BOATS ON THE HARD, CASCAIS- PORTUGAL, Oil on canvas; signed lower left, titled to the stretcher, 20

Lot 45: Edward Seago (1910-1974), FISHING BOATS ON THE HARD, CASCAIS- PORTUGAL, Oil on canvas; signed lower left, titled to the stretcher, 20" x 26" - 50.8 x 66 cm.

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Description: EDWARD SEAGO (1910-1974), BRITISHFISHING BOATS ON THE HARD, CASCAIS- PORTUGALOil on canvas; signed lower left, titled to the stretcher20" x 26" - 50.8 x 66 cm.Provenance:Probably Laing (Blair), Toronto:Private Collection, Toronto by descent

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Edward Seago (1910-1974), THE WATCHTOWER AT HOORN, HOLLAND, Oil on canvas; signed lower left, titled to the stretcher, 20

Lot 46: Edward Seago (1910-1974), THE WATCHTOWER AT HOORN, HOLLAND, Oil on canvas; signed lower left, titled to the stretcher, 20" x 30" - 50.8 x 76.2 cm.

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Description: EDWARD SEAGO (1910-1974), BRITISHTHE WATCHTOWER AT HOORN, HOLLANDOil on canvas; signed lower left, titled to the stretcher20" x 30" - 50.8 x 76.2 cm.Provenance:P & D Colnaghi Co., Ltd., London;The Estate of Kenneth Langmuir, Toronto

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Edward Seago (1910-1974), VILLAGE RIVER SCENE, Oil on masonite board; signed lower left, 12

Lot 47: Edward Seago (1910-1974), VILLAGE RIVER SCENE, Oil on masonite board; signed lower left, 12" x 16" - 30.5 x 40.6 cm.

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Description: EDWARD SEAGO (1910-1974), BRITISHVILLAGE RIVER SCENEOil on masonite board; signed lower left12" x 16" - 30.5 x 40.6 cm.Provenance:Estate of Olive Russell, Toronto; Gifted to a private collection through the Estate of Dr. George W. Stock;By decent.

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Geoffrey W. Birks (1929-1993), IT GETS DARK QUICK NOW, Oil on masonite; signed lower right, 20

Lot 48: Geoffrey W. Birks (1929-1993), IT GETS DARK QUICK NOW, Oil on masonite; signed lower right, 20" x 24" - 50.8 x 61 cm.

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Description: GEOFFREY W. BIRKS (1929-1993), BRITISHIT GETS DARK QUICK NOWOil on masonite; signed lower right20" x 24" - 50.8 x 61 cm.Provenance:Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist residedNote:Birks and his cat Oliver are depicted in the scene at the bottom center

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Geoffrey W. Birks (1929-1993), RED BRICK HOUSES, Oil on masonite; signed and dated 1988 lower left. Unframed., 19.75

Lot 49: Geoffrey W. Birks (1929-1993), RED BRICK HOUSES, Oil on masonite; signed and dated 1988 lower left. Unframed., 19.75" x 24" - 50.2 x 61 cm.

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Description: GEOFFREY W. BIRKS (1929-1993), BRITISHRED BRICK HOUSESOil on masonite; signed and dated 1988 lower left. Unframed.19.75" x 24" - 50.2 x 61 cm.Provenance:Direct from the artist, friend of the present Private Collection, Canada, acquired while residing in Bramley, Yorkshire near Pudsey where the artist residedNote:The artist is depicted in the bottom center of the scene, shown from the back, holding the hand of a boy in red to his right. His black cat, Oliver (Olly) by the lamp post lower left is always depicted in Birk's paintings

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