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Auction Description for Auctionata Paddle8 AG: 699: Modern Design & 20th Century Decorative Arts
Auction Description:
With Pierre Chareau's ‘Fan’ table, Marc du Plantier’s coffee table and armchairs, some of the most beautiful pieces of this auction again originate from France. In addition to this, there are other remarkable pieces such as an exceptional late Vienna Secession chest, a double head by Franz Hagenauer, a large Renaissance cabinet as well as the futuristic music box ‘Light & Music Machine’ by Daniel W. Kühn. But also contemporary design like the Shadowplay wall clock by BreadedEscalope from 2015 can be found. The wide offer is rounded off by an exquisite selection of Art Nouveau works of art by Max Le Verrier, Gustavo Obiols Delgado or Eduard Friedmann.
Viewing Notes:
A preview at Auctionata is only possible by prior appointment. Contact: Tel: +49 30 9832 0222, E-mail: preview@auctionata.com Auction Location: Havelstudios Havelchaussee 161, 14055 Berlin, Germany
Sale Notes:
With Pierre Chareau's ‘Fan’ table, Marc du Plantier’s coffee table and armchairs, some of the most beautiful pieces of this auction again originate from France. In addition to this, there are other remarkable pieces such as an exceptional late Vienna Secession chest, a double head by Franz Hagenauer, a large Renaissance cabinet as well as the futuristic music box ‘Light & Music Machine’ by Daniel W. Kühn. But also contemporary design like the Shadowplay wall clock by BreadedEscalope from 2015 can be found. The wide offer is rounded off by an exquisite selection of Art Nouveau works of art by Max Le Verrier, Gustavo Obiols Delgado or Eduard Friedmann.

699: Modern Design & 20th Century Decorative Arts (106 Lots)

by Auctionata Paddle8 AG


106 lots with images

December 6, 2016

Live Auction

Berlin, Berlin, Germany

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Ria & Youri Augousti, Dressing Table, Paris, 1990s

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Description: Mahogany, partially ebonized and with bamboo inlays, glass, metalParis, 1990sRia & Youri Augousti – Internationally renowned brand for home furnishings, jewelry and fashionManufactory’s plaque ‘&Y Augousti Paris’Rectangular dressing table with curved square feet, loose glass top and foldable side compartmentsTwo shelves on the insideDimensions (closed): 85.5 x 98 x 48 cmProvenance: private property Berlin Condition:The dressing table is in very good condition bearing minor traces of wear like minimal bumps.Ria & Youri AugoustiIn the late 1980s, Ria and Youri married – their shared love for art and design had brought them together. Since they both dreamed of their own furniture collection, they began designing 'modern vintage' home furnishings, drawing inspiration from Art Deco and foreign cultures and combining the various components. From their first exhibition in Paris in 1990 onwards they gained great fame and high-ranking department stores such as Neiman Marcus and Barneys New York immediately placed their orders at R & Y Augousti. In 1994 their first store was opened, which was moved from the 6th arrondissement to the more elegant 7th arrondissement in 1997. In 2002, the company expanded its product range with handbags and small leather goods, followed by jewelry in 2006. A new sales room was opened in New York in 2011. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Maison Jansen, Palm Lamp, France, 1970s

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Description: Brass sheetFrance, 1970sMaison Jansen (est. 1880) – French interior designer and furniture manufacturer, established in 1880Double-light fixtureMounted on a square baseHeight: 65 cmTotal height (incl. base): c. 83 cmHollywood chic palm lamp Condition:The lamp is in a very good condition with smaller traces of wear. Some leaves are partially bent. The lamp is electrified and fully functional; no guarantee on permanent functionality.Maison Jansen (est. 1880)Maison Jansen is considered one of the most exclusive interior designers, founded in 1880 in Paris by Jean-Henri Jansen. Since the beginning, Jansen put the focus on the combination of traditional design with influences of Japanese and Turkish styles and the modern arts and crafts movement. As well, furniture in the style of Louis XIV, Louis XVI, Directoire and Empire were among his designs. In the 1920s, Stéphane Boudin joined the company; under his leadership Maison Jansen provided the royal houses in the country and abroad and also decorated the White House during the administration of John F. Kennedy. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Exceptional Cassone, Austria, c. 1915

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Description: Gilded wood, felt, 800 silverA cassone with conical, tiered exterior and hinged lid on low stud feetThe base with a round arch field and a silver plaque, signed ‘Gudrun’ and hallmarked with the finenessThe interior with a green, partially-patterned felt coverDimensions: 67 x 141 x 58.5 cm Condition:Good overall condition. The gilding with usual signs of age and wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Laurel Lamp Company, Pair of Lamps, Brass, Canada, 1970s

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Description: Brass, ebonised wood, lamp mountingCanada, 1970sLaurel Lamp CompanyOne lamp foot inscribed on the bottom 'made in Canada'Balustre-shaped lamp feet with polygonal bodiesEach with single-light fixtureHeight: each c. 57 cm Condition:The lamps are in age-related condition with usual traces of usage. The metal is showing partially traces of corrosion, one wooden base is slightly stained. Without lampshades. The function has not been tested, so we can not guarantee the functionality. The height of the lamps measures c. 57 cm each. (kre) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Hermann Miller, Modular Lounge Furniture, USA, c. 1970

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Description: Red synthetic, upholstered, denim-colored cotton coversHermann Miller Inc., USA, c. 1970Partial manufacturer labels ‘Hermann Miller’Couch of 8 compound cuboids with removable seat and backrest cushions, as well as 3 matching coffee tables Total length of the sofa: c. 520 cm, height x depth: 56 x 65 cm; Coffee tables: 60 x 65 x 65/65 x 60 x 60 cm Condition:Good condition. The synthetic surfaces with slight traces of age and wear. (bde)Herman Miller Inc.The company has started in 1905 under the name Star Furniture Company until it was taken over by Herman Miller and named thus. In 1946 he succeeded wining George Nelson for as well as Charles Eames and Isamu Noguchi. Since 1957, Vitra has the rights to produce the furniture of Eames for Herman Miller in Europe. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Harry Balmer, Brutalist Torch Cut Iron Floor Lamp, USA, 1960s

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Description: Iron, torch-cut, white metal with black patina, synthetic materialDesign: 1960, Harry Balmer – US-American artist, particularly famous for modern sculptures, furniture and designExecution: Laurel Lamp CompanyDouble-light fixtureTwo light bulbs are includedHeight: 126 cm Condition:The floor lamp is in good condition. It is electrified and fully functional; no guarantee on permanent functionality. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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BreadedEscalope, Shadowplay Wall Clock, Austria, 2015

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Description: Wood, LEDBreadedEscalope, Vienna (est. 2008) – Platform for experimental designOn the rear of the wooden frame with manufacturer’s logo, and numberedCircular wooden frame, the inner ring with a revolving LED bound à 60 lightsMountable on the wall, with USB connectionA storage box, a white protection glove and two mounting screws are enclosedDiameter: 73 cm, dimensions of the box: 77.3 x 80.1 cmObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU. Experimental and simple wall light, which can be transformed into a clock. If you point the finger in the center of the wooden frame the shadow of the finger becomes the hands of a shy clock.Condition:The wall light is in very good condition with minimal traces of wear. The lamp is electrified and fully functional; no guarantee on permanent functionality. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Piero Lissoni, Pair of Lounge Chairs, Fritz Hansen, 2006

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Description: Aluminum, polished, maple, white lacquered, light brown cotton covers Design: Piero Lissoni (born 1956) - Italian designer and architect Manufacturer: Republic of Fritz Hansen, Denmark, 2006Manufacturer Label underneath the seatsA pair of lounge chairs, model PL200Dimensions: 84 x 73 x 69 cm; Seat height: 36.5 cmThe lines of this model are influenced by the purist designs of Poul Kjærholm  Condition:The lounge chairs are in good condition. The edges of the back rests show some slight traces of wear.Fritz Hansen (est. 1872)The Danish company date back to the workshop of the master carpenter Fritz Hansen, founded in 1872. Under his grandson Poul Fritz Hansen, the collaboration with creative mindes such as Kare Klint and Arne Jacobsen began. In the 1940s, designs of Hans J. Wegener and Børge Mogensen were produced. Fritz Hansen succeeded, especially in seating furniture, with the production of numerous design classics that enjoy cult status today.  Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Eileen Gray, Monte Carlo Sofa, 1929 

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Description: Blue leather, chromed steel pipe, upholstered beech frameDesign: Eileen Gray (1878-1976) - Irish designer, 1929Execution: presumably ClassiConModel: Monte CarloDimensions: 60 x 280 x 95 cm Condition:The sofa is in very good condition with only minimal signs of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Armchair, Italy, 1950s

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Description: Parchment-colored pleather, brassItaly, 1950sSprawling frame on slender conical brass legsDiamond-patterned seat and backrest Dimensions: 93 x 77 x 78 cm; Seat height: 42 cm Condition:Good condition. The cover shows in places small losses and tears, especially on the backrest and armrests. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Gianni Versace, A Pair of Gilt Medusa Wall Sconces, 1990s

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Description: Bronze, gold-plated, wood, blackened, metal, textileItaly,  1990sGianni Versace (1946-1997), Italian fashion designerEach verso with a label ‘Gianni Versace’A pair of Empire-style wall sconcesDouble-light fixtureEach with two clip-on lamp shades featuring tendril patternDimensions (incl. lamp shades): c. 41 x 33 x 15.5 cm eachObject is taxed regularly. 19% VAT is added to the purchase price for deliveries within the EU Condition:Both wall sconces are in very good condition and are fully electrified. The functionality has not been tested and thus cannot be guaranteed.Gianni Versace (1946-1997)Gianni Versace was an Italian fashion designer. He had studied architecture, but was already working in his mother’s atelier back then. From 1972 on, Versace worked as a designer in Milano for brands likeCallaghan und Complice. He had his first Prêt-à-Porter show in 1979 and opened his first boutique in the same year. During the 80s, Versace became known worldwide and in 1985, he was honored with an exhibition in the Victoria and Albert Museum (the museum also held a retrospective in 2002). Gianni Versace was shot on the stairs in front of his Miami Beach villa in 1997. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Antique-like Style Sideboard, USA, 1950s

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Description: Iron, black painted, wood, Formica in grey and white marble look, brassUSA, 1950sOpen-worked frame with vertical bars on curved, corner crossed skidsThe front above with four drawers with a smooth cover plateContrasted with lion heads and crossed arrowsDimensions: 82 x 175 x 46 cmAccording to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in Brighton Condition:The sideboard is in good overall condition. The mounting of the frame is partial rubbed resp. peeled off. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Two-Storied X-Shaped Tea Trolley, USA, 1950s

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Description: Metal, painted black, wood, High Pressure Laminate veneer with faux marble finish, brassUSA, 1950sCasters inscribed ‘Flexello’Two-storied tea trolley with X-shaped sides and railings on 4 castersDimensions: 73 x 77 x 46 cmProvenance: private property Cuxhaven, GermanyAccording to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in Brighton Condition:Good overall condition. The surface of the rack is partially rubbed or flaked off. In places age-related traces of rust. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Coffee Table, USA, 1950s

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Description: Metal, black painted, wood, Resopal veneer in grey and white marble look, brassCross strutted frame with open x-shaped narrow sides on paw feetClosed apron with fitted lion heads and smooth marble look cover plateDimensions: 45 x 122 x 50 cm According to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in BrightonCondition:The coffee table is in good condition. The frame shows slight rust stains and small losses in the mounting. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Writing Desk and Chair, USA, 1950s

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Description: Metal, painted black, partially with gold highlights, wood, Formica with faux marble finishUSA, 1950sWriting desk with strutted rack, front with two drawers and plain, projecting table topChair in the style of an antique scissors chair, upholstered and with green imitation leather lining Fittings in the form of lion’s heads with crossing arrowsDimensions of desk: 73 x 73 x 153 cmDimensions of chair: 91 x 59 x 48 cm; seating height: 49 cmProvenance: private property Cuxhaven, GermanyAccording to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in Brighton Condition:The pieces of furniture are in good overall condition. The surfaces of the frameworks are rubbed in places. The HPL veneer is occasionally detached. The armrests of the scissors chair bears heavier signs of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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An Cocktail Cabinet, USA, 1950s

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Description: Metal, Formica in grey and white marble look, brassOpen-worked frame with vertical bars on cross strutted skidsHigh apron, the front and the narrow sides with a drawer eachSlanted front with a hinged plateInterior lightDimensions: 123 x 91.5 x 35.5 cm According to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in BrightonCondition:The cabinet is in good condition. The frame with partial rust stains, the mounting is rubbed in places. The Resopal veneer with small losses, especially in the areas of the edges and corners. The cover plate on the inside with traces of wear in the area of the locking. The lamp is electrified and fully functional; no guarantee on permanent functionality. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Corner Cabinet with Ornamental Pediment Crest, USA, 1950s

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Description: Wood, lacquered light-brown, Formica with faux marble finish, iron, painted blackUSA, 1950sCorner cabinet with double door lower part, above that two open, curved shelvesFront with superimposed architecturally shaped, antique-like frameworkDimensions: 218 x 92 x 54 cmProvenance: private property Cuxhaven, GermanyAccording to the consignor the cabinet originates from the study of British actor Michael Wilding, husband of actress Liz Taylor 1952-1957, and was used by him in his villa in Brighton Condition:Good overall condition. The presumably later added lacquer is partially flaked off. The renewed paint of the framework is slightly rubbed or flaked off in places and shows some scattered traces of rust. The right side with remainders of an old electrification. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Michael Thonet, 8 Chairs Model No. 17, c. 1862

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Description: Beech bentwood, reedDesign: Michael Thonet (1796-1871) - German Austrian carpenter, c. 1862Manufacturer: Thonet – Bentwood furniture manufacturer from Vienna, early 20th centuryThe inner aprons marked ‘Thonet’Model No. 17Dimensions: 118 x 45 x 47 cm; Seat height: 47 cm Condition:The chairs are in good, age-appropriate condition with partial wear. The mesh of a seat is ripped in two places. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Jacob & Josef Kohn, Wardrobe, Model 1091/T, 1900-1910

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Description: Beech bent wood, ironManufacturer: Jacob & Josef Kohn, Vienna, 1900-1910Model: 1091/TDimensions: 202 x 73 x 42 cm Condition:Good condition with slight, age-related signs of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Thonet, 7 Coffee House Chairs, Model A 739, 1906

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Description: Beech bentwood, dark brown or mahogany stained, woven reed Design: attributed to Josef Hoffmann (1870-1956) - Austrian architect and designer; Co-founder of the Vienna Secession, the Wiener Werkstätte and the German WerkbundManufacturer: Thonet Vienna, 1906The inner aprons partially with glued manufacturer’s labels ‘Thonet’Model: A 739Dimensions: 95 x 40 x 44 cm; Seat height: 48 cm Cf.:Kat. Gebogenes Holz, Künstlerhaus Wien, 1979, p. 86.Condition:The chairs are in age-related but appealing condition with usual signs of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Josef Hoffmann, J&J. Kohn, Pair of ‘Fledermaus’ Chairs, c. 1907

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Description: Mahogany stained bent beech wood, floral patterned textile coversDesign: Josef Hoffmann (1870-1956) - Austrian architect and designer; Co-founder of the Vienna secession, the Wiener Werkstätte and the German WerkbundManufacturer: Jacob & Josef Kohn, Vienna - Austro-Hungarian bent wood manufactoryManufacturer's label on the inner apronsModel No. 728Dimensions: 73 x 54.5 x 47 cm; Seat height: 43.5 cmDesigned for the cabaret Fledermaus Condition:The chairs are in good condition. The frames with slight signs of age and wear. The covers have been supplemented. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Jacob & Josef Kohn, Wardrobe, Model 1098, 1906

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Description: Dark stained beech bentwoodManufacturer: Jacob & Josef Kohn, Vienna, 1906Glued manufacturer's label ‘Jacob & Josef Kohn’ (partially removed)Model: 1098Height: 202 cm; diameter: 46 cm Cf.:J. & J. Catalogues 1904 & 1907, number 1098, page 111.Condition:The wardrobe is in good condition with slight, age-related traces of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Joseph Frank, Armchair 'Prag', Austria, 1920s

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Description: Bentwood, stained, red pleather, brassAustria, 1920sJosef Frank (1885-1967) – Austrian architect and furniture and fabric designerModel: PragDimensions: 80 x 51,5 x 48 cm; Seat height: 45 cm Condition:The chair is in need of a restauration. (bde)Josef Frank (1885-1967)The Austrian architect and furniture and fabric designer Josef Frank was a leading voice for a gentle, humane modernism. A son of a successful Viennese textile manufacturer, Frank studied architecture at Vienna Polytechnic, graduating in 1910. In the course of the rise of Nazism in Germany and Austria, Frank moved to Stockholm with his Swedish wife, Anna, in 1933. Here, he became the design chief for the furnishings maker Svenskt Tenn. His furniture pieces are characterized by lightness and easy movability. His chairs are always made of wood, most often with lushly curved steam-bent arms and slatted backs. With this Frank openly loathed the Bauhaus style promoted by Le Corbusier, Ludwig Mies van der Rohe and other Bauhaus principals.  Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Miroslav Navratil, Pair of Easy Chairs, Cesky Nábytek, 1959

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Description: Birch, textile, metal, syntheticDesign: Miroslav Navratil, 1959Manufacturer: Cesky NábytekModel: Easy ChairDimensions: 81 x 87 x 62 cm; Seat height: 42 cm Condition:The lounge chairs are in good condition with slight signs of age and wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Jindrich Halabala, Armchair, Czechoslovakia, 1930s

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Description: Stained oak, metal, grey cotton clothDesign: Jindrich Halabala (1903-1978) - Czech designerArm chair/ lounger, adjustable backrest and seatDimensions: 90 x 70 x 80 cm; Seat height: 38 cm Condition:Good condition. The metal struts are slightly oxidized in places, the armrests are partially rubbed. (bde)Jindrich Halabala (1903-1978)Czech architect and designer Jindrich Halabala was a trained carpenter. He studied at the School of Applied Arts in Prague from 1922 to 1926. Between 1930 and 1946, he was chief designer at furniture manufacturer Spojene UP Závody in Brno, the largest furniture manufacturer in Europe at the time.  Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Ovalette Table, Oak, 1950s

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Description: Oak, metal, brassScandinavia, 1960sStrutted x-stretchers with a plain rectangular topDimensions: 40 x 119 x 61 cm Condition:The table is in good condition with slight signs of age and wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Armin Wirth, 7 Aluflex Chairs, 1951

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Description: Aluminium and moulded plywood, black lacquerDesign: Armin Wirth (1903-1993) - Zurich engineer, 1951Manufacturer: Ph. Zieringer AGSeven Aluflex chairs, stackable with foldable seatsDimensions: 83 x 43 x 47 cm; Seat height: 44 cmTimeless functional design for Stollinger and Sons, conceived originally as a school chair the model was awarded with the ‘Gute Form’ in 1953 Condition:The chairs are in good overall condition. The seat-boards show occasional cracks. The edges of the seats and the rests partially with usual signs of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Niko Kralj, 6 Rex Chairs, Slovenia, 1970s

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Description: BeechDesign: Niko Kralj (1920-2013) - Slovenian architect and designerManufacturer: Stol, 1970sModel: Rex ChairDimensions: 76 x 56.5 x 67 cm; Seat height: 43 cm Condition:The chairs are in good condition with slight signs of wear. The seats show occasional small cracks, or partial losses on their underside. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Gaston Viort, 4 Aluminum Chairs, 1950s

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Description: AluminumDesign: Gaston Viort - French designerManufacturer: Salon de Provence, 1950s Manufacturer’s labels on the reverse of the backrests ‚Gaston Viort / Salon de Provence’Dimensions: 86 x 55 x 54 cm; Seat height: 46.5 cm Two different models, each with or without armrests and different colors are known. The probably older model was made entirely of riveted thin sheet the younger versions show bent and welded pipe frames. Condition:Good condition with usual signs of age and wear. The backrest of a chair without the rear cover. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Pierre Chareau, Side Table Model MB 106, circa 1924

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Description: Softwood with rosewood veneer; brassPierre Chareau (1883-1950) - French designerFour-fold extendable side tableDimensions (closed): c. 55 x 66 x 37 cmProvenance: Private collection, GermanyThis item can only be delivered to an address within the EU From 1903 to 1914, Chareau worked as a draftsman in the Parisian branch of the English furniture and decorating company Warring & Gillow. He regularly took part in the Salon des Artistes Décorateurs and the Salon d'Automne. Chareau was influenced by Art Déco, but developed his own formal language, combining classical and precious wood veneer furniture with various metals.Condition:The wood shows some minor dryness cracks.Literature:„L?Art vivant“, Paris, February 1926, p. 148; „Mobilier et Décoration“, Paris, April 1927, p. 99; „Mobilier et Décoration“, Paris, November 1928, p.201, 203, 207; „Art et Décoration“, Paris, May 1932, p.134; „Pierre Chareau“, M. Vellay/K. Frampton, Paris 1984, p.25, 81, 211, 320.Pierre Chareau (1883-1950)Pierre Chareau was born in Bordeaux in 1883. In the early 20th century he studied at the famous École des Beaux-Arts in Paris, where he focused on architecture and design. In the 1920s Chareau was well known in the design world for his complex structures and the innovative use of architectural space. His interest in Cubism was also reflected in his models, which became increasingly sculptural in the mid-1920s. The most famous example is the Maison de Verre, which was built between 1928 and 1932 in Paris. Chareau is also known for combining different materials such as slightly hammered steel, unpolished metals and mahogany. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Roger Feraud, Coat Stand, c. 1958

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Description: Black lacquered metal with eight multi-colored balls on topDesign: Roger FeraudCoat stand with clef-shaped with polychrome lacquerd balls Height: 177.5 cm; diameter: 51 cmModernist wardrobe, designed by Roger Feraud for Géo Condition:Good condition with slight signs of wear. The lacquering of the ball mounts with slight abrasion or some losses. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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An Illuminated Mirror, Deutschland, c.1970

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Description: Mirror glass, glass, white metalPresumably Germany, c. 1970sThe frame with diamond-shaped glass prismsThe rear with a hidden plate and four light fixtures Diameter: 51.5 cm; Depth: 8 cm Condition:The mirror is in good condition with slight traces of wear. The functionality has not been tested and thus cannot be guaranteed (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Marc du Plantier, Coffee Table, 1930s

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Description: Gilt metal, grey-veined marbleMarc du Plantier (1901-1975) - French painter, sculptor, furniture designer and decorative artist, 1930sCoffee table Plain, pure frame with a removable marble topDimensions: 40 x 87 x 56 cmProvenance: Estate Barcelona, Spain The furniture designs of du Plantier are always characterized by elegant and straight lines. Often influenced by baroque elements they are richly decorated. But also, purist, graphically furnishings are characteristic for the designs of du Plantier too. In addition to wrought iron, oak and glass, du Plantier selected luxury materials such as parchment, fish leather, gilt bronze, marble or lacquer.Condition:The table is in good overall condition. The gilding with usual signs of age and wear. The table top has been renewed.Marc du Plantier (1901-1975)Following an architecture study at the École nationale supérieure of des beaux arts de Paris, Marc du Plantier initially worked as a fashion illustrator for Jacques Doucet. He also designs costumes and theatrical scenery. In 1936, his designs were executed for the Salon de Couture of Jacques Heim in Paris. Four years later he moved to Spain. There he created decorative works and interiors of apartments and hotels. In 1955 he is active for the Elysée palace. His works were represented in Paris by Yves Gastou Gallery and the Gallery of Neo Senso. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Marc du Plantier, Pair of Fauteuils, c. 1940

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Description: Wood, painted, wooden frame, upholstered, lime-green velour coversMarc du Plantier (1901-1975) - French painter, sculptor, furniture designer and decorative artist, c. 1940A pair of cubic armchairs on low stud feetDimensions: 86 x 81.5 x 89 cm; Seat height: 43 cmProvenance: Estate Barcelona, Spain The furniture designs of du Plantier are always characterized by elegant and straight lines. Often influenced by baroque elements they are richly decorated. But also, purist, graphically furnishings are characteristic for the designs of du Plantier too. In addition to wrought iron, oak and glass, du Plantier selected luxury materials such as parchment, fish leather, gilt bronze, marble or lacquer.Condition:The chairs are in age-related but appealing state. The covers show partial signs of wear, like stains, and are partially unstitched on the seams. The painting of the feet with usual losses. Marc du Plantier (1901-1975)Following an architecture study at the École nationale supérieure of des beaux arts de Paris, Marc du Plantier initially worked as a fashion illustrator for Jacques Doucet. He also designs costumes and theatrical scenery. In 1936, his designs were executed for the Salon de Couture of Jacques Heim in Paris. Four years later he moved to Spain. There he created decorative works and interiors of apartments and hotels. In 1955 he is active for the Elysée palace. His works were represented in Paris by Yves Gastou Gallery and the Gallery of Neo Senso. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Perzel, Plafonnier Carré Model 165, France, c. 1940

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Description: Brass, frosted glassFrance, c. 1940Design: Jean Perzel (1892-1986) – French designer and founder of the lamp manufacturer of the same name (est. 1923)Quadruple-light fixtureModel 165Dimensions: 17 x 54 x 54 cmVery good conditionA highly simplified design for this very functional ceiling light Condition: The ceiling light is in restored, very good condition with minimal traces of use. The dimensions are17 x 54 x 54 cm (height x width x depth). Jean Perzel (1892-1986) At the age of 16, the young apprenticed glazier painter, left his home Bavaria to travel Europe. He made his way around by working for different glass studios. Arriving in Paris in 1919, he found a job at a master glazier. After the end of the First World War, Jean Perzel became a citizen of the French state. In 1923, he established his own company for modern interior lightning. In 1925, he started making lamps of glass, driven by the need to intensify light. Jean was succeeded by his nephew Francois and his son Olivier Raidt. The company gained the prize for cultural heritage by the French ministry of culture in 2008. Today, the company belongs to one of the most famous manufacturers of lightning fixtures of the Art Deco period. (tm) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Christian Bartek, A Cabinet with Renaissance Style Front, 2015

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Description: Poplar Burl on spruce, lathed columns, window friezes and cornices of solid poplar burl, porcelain, sash bars of apple wood, walnut and mapleChristian Bartek - Munich furniture restorer and instrument maker, 2015Rectangular body with three-door front and high cornice on a solid socket, 4 shelves on the insideFront and narrow sides structured by a renaissance style façade The capitals of the sills and the main entrance, as well as the decorative friezes made after ancient originalsThe main entrance of walnut and maple was originally part of a desk from the time around 1680; behind the portal a separate shelfThe cabinet with inner lighting, each winLipl2186dow can be closed by appropriate wooden platesTwo keys are enclosedDimensions: 222 x 111.5 x 42 cm Condition:The cabinet is in excellent condition. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Large Collection of 30 Art Déco Walking Canes & Stand, 1920s

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Description: Various woods, parcel-ebonized and lacquered, synthetic material, bone, silver (800), stone metalEurope, 1920sTwice hallmarked with finenessSmooth, conical tapered shafts, parcel-ebonized, 1x painted white (presumably partially added later or repainted)Partially with cuffs and tips8 dandy sticks with handles, the others with knobsStepped wooden rack with lateral struts and circular openings for the sticksTotal lengths: 85.5 cm to 95.5 cmDimensions of stand: 79 x 59 x 25 cmProvenance: private property Koszalin, Poland Condition:The walking sticks are altogether in very good condition, consistent with age and bearing usual signs of wear. In places surface abrasion, blemishes and tension cracks as well further usual signs of tear. The handles in places with minor pressure marks. Walking canesCanes were used, predominantly by men, as a means of support but considerably more as a walking accessory. The promenader grabbed the handle loosely and swung it in the rhythm of his walk.Walking sticks have existed since ancient times, when presumably they were merely suitable branches that were found on the ground or broken off trees. Starting in the Middle Ages, canes became more distributed, when their possible use as tools and weapons led to an increase in their popularity. Sophisticated society members and certain professionals had more elaborate canes. Especially during the 17th and 18 Century, walking canes functioned as a symbol of social status and were often quite luxuriously crafted. From the 19th Century, the accessory also became common and fashionable in the middle classes: a cane was chosen according to how it would match with the user’s clothing. After the Industrial Revolution in Europe, so-called system canes could conceal a variety of functions. These were often patented and examples include both swords and firearm weapons, cigarette lighters, small mirrors, snuff boxes, whiskey bottles and glasses, musical instruments, medical equipment and countless more. Since the mid-20th Century, walking sticks are less widely-used but, due to their extensive history and great variety, they have become a popular collector's item. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Émile Gallé, A Side Table with Narcissus Décor, France, c. 1900

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Description: Walnut with inlays from various noble woodsÉmile Gallé (1846-1904) – Best-known French exponent of the Art Nouveau in the field of arts and crafts; designer of ceramic, glass and furniture in the style of Historicism and Art NouveauSigned in the lower left plate 'Gallé'Profiled, cross strutted skid frame with botanical carved narrow sidesSlightly projecting plate with indented cornersThe top contrasted off with daffodils, grasses and butterfly motifsDimensions: 74.4 x 61.5 x 40 cm Condition:The side table is in very good condition. The edges of the plate are slightly rubbed in places. The skids with slight bumping marks. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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L. Benouville for Mercier Frères, Sideboard, France, c. 1900

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Description: Walnut, mahogany, bronze, patinated, marbleDesign: Léon BenouvilleExecution: c. 1900, Mercier Frères, ParisThe right drawer with a mounted maker’s labelTwo drawers front with four open compartmentsSlightly projecting plate with inlaid marble plateCurved rear panel with central bronze fittingsOne original key is enclosedDimensions: 153 x 120 x 49.5 cmTypical sideboard from the time of the art noveau with a green marble plate Condition:The sideboard is in good condition. The edges are slight bumped in places. Small cracks (partial restored) can be scattered found. The marble plate shows partial filled cracks. (ala) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Léon Benouville, an Art Nouveau Cabinet, Paris, c. 1900

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Description: Walnut, mahogany, patinated bronze, mirror glassDesign: Léon Benouville (1860-1903) - French architectExecution: Mercier Frères, ParisThe right drawer with a mounted manufacturer plaque Two-door base with coressponding drawers on massive stud feetThree-door hutch with four open shelvesStructured inside by two shelvesThe front with botanical-shaped bronze fittingsAn original key is enclosedSize: 249 x 147 x 53.5 cm Condition: The cabinet is in good condition. The surfaces show partial small cracks or some usual scratches. The left profile of the cornice shows a larger blemish, as well as small bumping marks. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Léon Benouville, Dining Room Suite, France, 1900

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Description: Walnut and burr walnut, carved, wicker workDesign: Léon BENOUVILLE (1860-1903) - French architect7-piece Art Nouveau dining room suite, consisting of an extendable table on four castors, 6 chairs6 removable seat cushionsTable dimensions: 73.5 x 120 x 139 cm, maximal length: 304 cm; Dimensins of the chairs: 91.5 x 44 x 44 cm, seat height: 46 cm Condition: The table and the chairs are in good overall condition. The table top and the splats are rubbed in places and show some usual scratches. The edges of the seats are occasionally slightly bumped. The wickerwork of one chair is torn. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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After Toulouse-Lautrec, Divan Japonais, Rug, 20th Century

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Description: Woolen rug with a motif after a lithograph in colors by Toulouse-Lautrec from 1893Henri de Toulouse-Lautrec (1864-1901) – French painter, illustrator and printmaker of post-Impressionism; one of the pioneers in the development of lithographyDimensions: 160 x 122 cmProvenance: Private collection, Germany Condition:The rug is slightly soiled. The warp threads on the reverse are frayed in places. Overall good condition.Henri de Toulouse-Lautrec (1864-1901)French painter, illustrator and graphic artist Henri de Toulouse-Lautrec is well recorded for his posters made from lithographs in colors, a technique which he developed decisively. Due to an illness Toulouse-Lautrec spent long periods of his youth in sanatoriums and devoted himself to his artistic talents, especially to drawing. In Paris, he received first knowledge of painting; he created mainly oil paintings with horses, carriages, horsemen and dogs. In 1882 he entered the studio of the fashion painter Léon Bonnat and trained with the Parisian Salon painter Fernand Cormon. Beginning in 1888 Toulouse-Lautrec focused on motifs from the Paris Montmartre, which made him world-famous: dance halls, cafes and restaurants as well as people from the circus. Toulouse-Lautrec's graphic oeuvre and some paintings can be found in the Berlin collection of Otto Gerstenberg. Many of his paintings are in the collection of the Musée Toulouse-Lautrec in his hometown Albi. (cko) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Floral Art Nouveau Style Rug, 1980s

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Description: Wool on cottonPlain main fieldBlack ground; revolving floral décor in white, light blue and greenDimensions: 298 x 197 cm Condition: The rug is in good condition with the usual traces of wear. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Large Cinzano Vermouth Enameled Advertising Sign, c. 1925

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Description: Iron, enameled polychromeArgentina, c. 1925After a design by Leonetto Cappiello (1875-1942) – Italian poster artist, cartoonist and commercial artistSigned ‘Emilio Gabay Bs. As.’ at the lower rightRectangular advertising sign for Cinzano Vermouth PidaAlong the sides serval holes for mountingDimensions: c. 96 x 195 cm The design of this large format advertising sign was made by poster designer and illustrator Leonetto Cappiello, who is one of the most important artists of the golden era of advertising posters. The designs were often produced in collaboration with typographer and publisher P. Vercasson and were commissioned by well-known brands and companies, including Campari or Cinzano. Cappiello was particularly inspired by the color lithographs by Henri de Toulouse-Lautrec or Jules Chéret. His distinct style, which features original characters in very bold colors and minimized forms inspired by Art Deco, is unmistakable on this enamel sign by Emilio Gabay.Condition:The enamel sign shows signs of age and wear is however in a good state of preservation. In places there are traces of flash rust, dents and cracks. The enameling is rubbed in places and shows occasionally larger spalling. The sign is bent. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Pair of Silver Art Nouveau Photograph Frames, Birmingham, c. 1903

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Description: Sterling silver, cast, wrought, partially enameled, mounted on wood, glassBirmingham, England, around 1903Silversmith workshop E. Mander & SonsEach hallmarked with makers and city mark, silver standard, date letters, and serial numbers Silver mounting with organic shaped lines and floral motifs, partially enamel paintingMounted on a corresponding wooden frameHeight: 16.3 cmVery good condition, consistent with age Condition:The frames are in very good condition with age-related traces of wear. One wooden frame shows a added spot on the upper left edge. The height of 16.3 cm. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Pair of Silver Art Nouveau Frames, Chester, c. 1905

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Description: Sterling silver, cast, wrought, partially enamelled, mounted on wood, faceted glassChester, England, around 1905Silversmith workshop W. J. Myatt & Co.Each hallmarked with makers and city mark, silver standard, and date letterOrganic-shaped silver mounting with floral décorMounted on a corresponding wooden frameHeight: 23.4 cmVery good condition Condition:The frames are in very good condition with minor traces of wear. The height of 23.4 cm. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Henry Williamson Ltd, A Pair of Silver Mounted Frames, UK, 1910

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Description: 925 sterling silver, cast, die-stamped, oak, glassEngland, Birmingham, 1910Henry Williamson Ltd – Silversmiths in Birmingham, established in 865 by Henry WilliamsonHallmarked each with maker’s mark, town mark, silver standard and date letter as well as numbered ‘Ro561406’A pair of elongated-rectangular put-up hinge frames with ogee arch top partWith die-stamped figural décor depicting a golfer in full gearDimensions: each c. 15.5 x 17.2 cmVery good condition Condition:Both photo frames are in a very good condition. The wooden backs have been restored professionally, thereby one cover has been replaced. In places small repairs can be seen in the area of the wood. The glass is presumably original. The dimensions measure each c. 15.5 x 17.2 cm.Henry Williamson LtdThe company was founded in 1865 by Henry Williamson in London and converted into a limited liability company under the style H. Williamson Ltd in 1892. In 1898, the company went into bankruptcy and was acquired by a new company, which however retained the old name. The smithy produced silverware of all kinds, from everyday objects such as cutlery and crockery to toiletries such as brushes and manicure sets to small goods such as bookmarks, inkwells and rattles. In the 1920s, the company got into financial trouble and eventually went out of business in the 1930s. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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J B & Co., Art Nouveau Silver Frame with Valkyrie, 1904

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Description: 925 sterling silver, cast, die-stamped, oak, glassEngland, Birmingham, 1904J B & Co. – Silversmiths, active in BirminghamHallmarked with maker’s mark, town mark, silver standard and date letter as well as numbered ‘RoNo441066’High-rectangular indented cut put-up hinge frameWith detailed figural die-stampingDepicted is as favored motif of Art Nouveau a beautiful Valkyrie standing on cliffsIn the background the sea with Viking shipDimensions: c. 23.7 x 18.6 cmVery good condition Condition:The photograph frame is in a very good condition. Wooden back and glass are original and preserved very well. In places small repairs as well as along the edges barely visible, tiny chips. The dimensions measure c. 23.7 x 18.6 cm. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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Pair of Silver Art Nouveau Photograph Frames, Birmingham, 1906

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Description: Sterling silver, cast, wrought, mounted on wood, faceted glassBirmingham, England, 1906Hallmarked with unidentified makers marks ‘H & W’, ‘RU & Co.’, city mark, silver standard, and date letterWith organic shaped lines, floral repoussé works and a central woman head on the lower frameThe floral motifs with partial enamel paintingMounted on a corresponding wooden frameHeight: 22.3 cmGood condition, consistent with age Condition:The frames are in very good age-related condition. The silver mounting shows small dents and minor scratches in places. The height of 22.3 cm. (bde) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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A Pair of Matching Silver Mounted Frames, UK,1908/9

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Description: 925 sterling silver, cast, die-stamped, partially enameled, oak, glassEngland, Birmingham, 1908 and 1909Henry Hobson & Sons – Silversmiths, established in 1845 by Henry HobsonJ. Aitkin & Son – English silversmiths, active in Birmingham from c. 1903 until 1918A pair of high-rectangular, curved put-up hinge framesWith floral décor and blue-green enameled flowersDimensions: each c. 23 x 16 cmVery good condition Condition:Both photograph frames are in a very good condition. The wooden back of one frame has been restored professionally, whereby easel and cover were replaced and in places small repairs can be seen. The reverse of the other frame was completely renewed and the glass, too, has also been replaced, thereby one glass panel has a tiny chip at one corner. The screw of one cover is loose. The enamel was probably added later. The dimensions each measure each c. 23 x 16 cm. (nlu) Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

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