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Auction Description for Matthew's: March Fine Arts Auction

March Fine Arts Auction (100 Lots)

by Matthew's Galleries


100 lots with images

March 12, 2013

Live Auction

Lake Oswego, OR, USA

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ELIZABETH PARROTT POND (American, 1849-1936)

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Description: oil/paper, Mt. Rainier in alpine glow, 3 3/8" x 5 3/8"; original gold-finished frame; included in the William S. Parrott (& family) Catalogue Raisonné by Matthew W. Gerber; #9176

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SUE HENDERSHOTT PARROTT (American, 19th century)

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Description: oil/board, snow-covered Mt. Hood, Oregon, signed l/r "S. PARROTT", 10" x 12"; good gold-finished Victorian frame; included in the William S. Parrott (& Family) Catalogue Raisonné by Matthew W. Gerber; #8396

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WILLIAM S. PARROTT (American, 1843-1915)

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Description: oil/canvas, "Eastern Oregon", likely viewed from Katy Mt. toward High Hat Butte, China Cap, Burger Butte & Granite Butte, signed l/r in red/sienna "W. S. PARROTT", titled inscribed on reverse, 14 1/4" x 20 1/4"; late 20th century frame; included in the William S. Parrott Catalogue Raisonné by Matthew W. Gerber; #9293

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ARTHUR WILLIAM BEST (American, 1859-1935)

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Description: oil/paper, "Study I", California Hills, mountain landscape, unsigned, inscribed on reverse "Study #1" & bears artist's red paper label numbered 332, 8" x 9 3/4" view; Provenance: Estate of Arthur W. Best, Anne F. Best (daughter-in-law), Oakland, California; authentication label; quality framing; #7234

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CHARLES REYNOLDS (American, 1909-2001)

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Description: oil/Masonite, "St. John's Bridge", Portland, Oregon, signed l/r with monogram, titled on reverse, 12" x 16"; 1 1/2" wide gold-finished frame; #6689

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style of CLARA JANE STEPHENS (American, 1877-1952)

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Description: oil/canvas mounted on board, seated girl reading a book, 12 3/8" x 9; quality gold-finished 3 3/4" wide frame; #6655

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JAY HILL (American, born 1958)

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Description: gouache on paper with reverse painting on glass, green bird with blue wing, monogrammed l/r "JH", 27" x 15"; #8376

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MILTON WILSON (American, 1923-2004)

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Description: acrylic on paper, abstract, shades of purple, rust, blue, and black signed l/l "Milton Wilson /76", 46" x 35"; loose, not framed; #6761

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MILTON WILSON (American, 1923-2004)

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Description: (two paintings) tempera on board, abstract golf scene, signed, dated & inscribed upper right "For Vi Jim Milton Wilson '69", 11 3/4" x 23 3/4"; wood frame; lot also includes another Wilson, tempera & collage on plywood, abstract, signed, inscribed & dated upper left "For Vi & Jim Milton Wilson '69", 8 3/4" x 6 5/8"; #8397 & #8398 (2)

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MANUEL IZQUIERDO (American, 1925-2009)

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Description: bronze sculpture, bust of a woman, signed & dated on lower reverse "M Izquierdo 1964", & bears founder's mark, 6 7/8" high, white marble base; #9302

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HARRY WIDMAN (American, born 1929)

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Description: oil/canvas, "The First Movement", signed l/r "WIDMAN", inscribed on reverse of original frame with title & artist's 2847 NW Lovejoy, Portland, Oregon address, Portland Art Museum Rental-Sales Gallery label affixed to reverse with code "HW-8", circa1963, 37" x 24"; #9218

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MANUEL IZQUIERDO (American, 1925-2009)

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Description: woodblock print, "Flowers of Music", pencil signed, inscribed "A/P" & dated 1985 in the lower margin, 29 1/2" x 17 3/4"; quality framing; #9303

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MANUEL IZQUIERDO (American, 1925-2009)

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Description: bronze sculpture, freeform abstract, 10 3/8" high, 5" wide, 4" deep, 2" high hand-carved wood base; #9180

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JOAN METCALF (American, born 1934)

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Description: oil/canvas, "Incoming Wave #2", signed & dated l/r "JOAN METCALF '85", also signed & titled on reverse, 41 3/4" x 59 3/4"; #9306

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CAROL GRIGG (American, born 1942)

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Description: triptych, watercolor on Arches paper, "Water Herons" two birds, left watercolor signed l/l "Carol Grigg" & inscribed lower center "Water Herons 1985", each section about 30" x 22 1/4"; metal frames; #9307

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ALBERT PATECKY (American, 1906-1994)

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Description: diptych, monotype in colors, "Buildings", cubist style, both signed lower left/center "PATECKY", numbered "1047 & 1047A" in lower margins, dated 1956; each about 15 3/4" x 11"; quality framing; #5552 & #5553 (2)

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JONATHAN M. FARLEY (American, born 1970)

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Description: oil/canvas, "Afternoon Walk", man on a path, signed l/l "Farley", inscribed with title on reverse, 16" x 20"; gold-finished frame; #8120

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L. Mc L. (American, 19th century)

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Description: oil/canvas mounted on board, still life of potted plant & open book, signed & dated l/r partially illegible "L. Mc L. Feb. 27 '99" (?), 11" x 13 5/8", original 2 1/2" wide Victorian gilded frame; #8393

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EMILIE SIEVERT WEINBERG (American, 1882-1958)

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Description: oil/masonite, tree blossoms in a vase (apple blossoms?), unsigned, authentication label on reverse, 20" x 16"; #5924

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KADAR (Hungarian, mid-20th century)

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Description: oil/canvas, still life of red & yellow flowers, signed l/r "KADAR", 24" x 20", reverse bears artist's biography attached to stretcher; wood frame; #9175

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EMIL CARLSEN (American, 1848-1932)

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Description: oil/canvas, still life with grapes & pewter flagon, signed & dated l/l " ˑ EMIL ˑ CARLSEN ˑ 1890 ˑ ", 16" x 16", original 5" wide gilded Victorian frame; #9269

Condition Report: CONDITION REPORT: good condition, no signs of any restoration or inpainting; moderate craquelure in much of the pigment surface in varying degrees, but nothing that might be considered major; moderate stretcher marks on the top and sides; canvas is stable and very good condition; needs cleaning

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J. ERNEST GALVAN (American, 19th century)

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Description: oil/canvas, table top still life with wine glass grapes & walnuts, signed l/r "J. ERNEST GALVAN.", 12" x 10"; original 1 5/8" wide Victorian frame; #3850

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ARTHUR WILLIAM BEST (American, 1859-1935)

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Description: oil/canvas mounted/board, still life of fruit, bucket, teapot, unsigned, 12" x 23", reverse bears artist's red label numbered #173; Provenance: the Estate of Arthur W. Best, Anne F. Best (daughter-in-law), Oakland, California; authentication label on reverse; quality 2 1/4" wide gold-finished frame; #7223

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CARLETON WIGGINS (American, 1848-1932)

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Description: oil/wood panel, sheep near a rocky slope, signed l/l "Carleton Wiggins", 12 1/4" x 15 3/4"; ornate 4 1/2" wide frame appears to be the original; #9279

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WILLIAM STODDARD LOUGHRAN (American, 1902- ?)

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Description: oil/canvas, lady's garden party, unsigned, 25" x 30"; straight provenance; original frame (see: Who Was Who in American Art, Falk); #9301

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DANIEL CHARLES GROSE (American, 1838-1900)

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Description: oil/canvas, landscape with winding river, signed l// "D. C. Grose 1876", 20 1/8" x 30 1/8"; (not framed); #9725

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FRED PYE (American, 1882-1964)

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Description: watercolor on paper, "October Evening", landscape with figures, signed l/r "Fred Pye", artist's original label on reverse with title, 8 5/8" x 12 3/8" in view; archival framing; #9732 Estimate: $200-300

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FRED PYE (American, 1882-1964)

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Description: watercolor on paper, figures on a path near a house, signed l/r "Fred Pye", 8 5/8" x 12 5/8" in view; archival framing; #9733 Estimate: $200-300

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WILLIAM MOUNCEY (British, 1852-1901)

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Description: oil/canvas, "A Woodland Glade", signed l/l "Wm. Mouncey", titled on reverse stretcher, 24" x 20"; ornate period frame likely original; #9270

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LOHR (British, early 20th century)

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Description: oil/wood panel, country landscape with thatched roof cottages, signed l/r "Lohr", 6" x 12 1/4"; good original frame by Courvoisier, San Francisco, label on reverse; #9297

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attributed to JAMES MALLORD WILLIAM TURNER, (British, 1775-1851)

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Description: charcoal drawing with white highlights, on gray paper, numbered lower center "30" or "34"?, "Wreck of the Brighton, 1827", 6 7/8" x 11"; quality framing; #9275

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ROGER CHARLES DESOUTTER (American, born 1923)

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Description: oil/canvas, stormy seas from the deck of a sailing ship, signed l/l "Roger Desoutter", dated & inscribed on reverse "No 153 11/79", 24" x 30"; original wood frame with linen liner; #9079

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DAVID COX, the Elder (British, 1783-1859)

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Description: watercolor on paper, hilly landscape with cottages, signed & dated l/r "David Cox 1830", 12 1/8" x 17" in view; framed/matted; #9298

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AUGUSTINE AGLIO (British, 1817-1885)

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Description: oil/canvas, "Newquay", Cornwall, England, landscape with figures, signed & dated l/l "A. Aglio. 1879.", also signed on reverse & bears exhibition label with title, 15 1/2" x 21 1/2"; good 4 3/4" wide gold-finished period frame, likely the original; #9280

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attributed to JEAN BAPTISTE CAMILLE COROT (French, 1796-1875)

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Description: oil/canvas, pastoral landscape with sheep & shepherd in the distance, faintly signed l/r "COROT", 18 1/8" x 26", "The Bingham Collection" label on reverse; good late 20th century replica gold-finished frame; #9274

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WILLIAM HENRY HILLIARD (American, 1836-1905)

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Description: Oil/canvas, "Pueblo Indian Reservation", landscape with teepees, signed l/l "W. H. Hilliard.", 16 1/8" x 23"; period frame likely the original; #9729 Estimate: $800-1,200

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ALFRED ARTHUR BRUNEL DE NEUVILLE (French, 1851-1941)

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Description: oil/canvas mounted on board, three kittens, signed l/l "Bernard Neuville", 16 1/8" x 21 1/2"; good ornate gold-finished frame; #5502

Condition Report: CONDITION REPORT: very good condition, presents well, appears to be clean, some minor inpainting in non-critical areas, about 4-6% total

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HELEN MARGARET WADDINGHAM (American, 20th century)

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Description: watercolor on paper, "The Road", signed, titled & dated l/r "- The Road Helen Margaret Waddingham August - 6 - 1941", 16 1/2" x 11 1/4"; original frame/matt; #9728

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JONATHAN M. FARLEY (American, born 1970)

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Description: oil/canvas, "Risler Park", two figures near a cottage, signed l/l "Farley", 16" x 20"; gold-finished frame: #8103

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JOHN WADDINGHAM (American, 1915-2002)

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Description: watercolor on paper, "Rain, Oregon", people with umbrellas on a rainy street, signed l/l "WADD", 14 3/4" x 22"; 9319

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JOHN WADDINGHAM (American, 1915-2002)

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Description: watercolor on paper, "Beach Pines", Oregon, signed, titled & dated l/l "John Waddingham 73 Beach Pines", 9 3/4" x 12 1/2" in view; wood frame; #9320

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JOHN WADDINGHAM (American, 1915-2002)

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Description: watercolor on paper, "The River Queen", on the Willamette River, Portland, Oregon, signed/inscribed l/l ""The River Queen" John Waddingham NWWS", 21 3/4" x 27 1/2" in view, exhibited: Lake Oswego Festival of Arts, Honorable Mention; Watercolor Society of Oregon, original labels on reverse; #9321

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JONATHAN M. FARLEY (American, born 1970)

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Description: oil/canvas, "Little Corona Del Mar", California, beach with cottage, signed l/l "Farley", 16" x 20"; frame with dark "bronze" finish; #8097

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MAURICE G. LOGAN (American, 1886-1977)

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Description: oil/canvas, "Shore Scene", bathers near boathouses, faintly signed l/r "MAURICE LOGAN", reverse bears artist's original paper inscribed & signed "L-31-1 20" x 24" Maurice Logan Shore Scene", 20" x 24 1/8"; period frame; #9267

Condition Report: Excellent original condition, no sign or any condition issues or restoration, other than needing to be cleaned

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DICK HERSEY (American, 1900-?)

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Description: oil/canvas, "The Last Dip of the Day" or "Sunset Dip", likely Laguna Beach, California, signed l/r "hersey ©", also signed on reverse & inscribed with two titles, 15 7/8" x 19 7/8"; #9287

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CHARLES REYNOLDS (American, 1909-2001)

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Description: oil/Masonite, "Treasure Island, San Francisco", California, signed with monogram l/r, 18" x 24", circa 1978; quality gold-finished frame; #2016 Estimate: $200-300

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MAURICE G. LOGAN (American, 1886-1977)

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Description: watercolor on paper, street scene with old truck, signed l/l "MAURICE LOGAN", 20" x 26 3/4" in view; #9266

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DEBORAH VELDKAMP (American, born 1953)

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Description: oil/canvas, landscape with dark butte, signed l/r "DVeldkamp", 30" x 40", California artist; (not framed); #9727

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ARTHUR WILLIAM BEST (American, 1859-1935)

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Description: oil/board, panoramic Grand Canyon view, unsigned 12" x 14 5/8", reverse bears red paper label #119; Provenance: the Estate of Arthur W. Best, Anne F. Best (daughter-in-law), Oakland, California; authentication label on reverse; 2" wide gold-finished period frame; #7136

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WILLIAM KEITH (American, 1838-1911)

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Description: gouache/mix on paper, pastoral landscape with figures, signed l/r "W. Keith.", 12" x 28 5/8"; original 4 1/2" wide Victorian frame; #9268

Condition Report: Very good condition, the paper is flat and stable, a few minor flyspecks, otherwise no conditions issues evident after examination out of the frame.

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