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Paintings, Clocks, Furniture & Works of Art Day 1

by Dreweatts & Bloomsbury


263 lots | 261 with images

December 4, 2012

Live Auction

Donnington Priory

Donnington

Newbury, RG14 2JE United Kingdom

Phone: +44 (0)1635 553553

Fax: +44 (0)1635 553599

Email: donnington@dnfa.com

263 Lots
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Nick Schlee (b. 1931) Bright sky and green fields

Lot 1: Nick Schlee (b. 1931) Bright sky and green fields

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Description: Nick Schlee (b. 1931) Bright sky and green fields Oil on board Unframed Signed lower right 51 x 56cm (20 x 22in)

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Nick Schlee (b. 1931) Bales and steep hill Oil on

Lot 2: Nick Schlee (b. 1931) Bales and steep hill Oil on

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Description: Nick Schlee (b. 1931) Bales and steep hill Oil on board Unframed Signed lower right 61 x 71cm (24 x 28in)

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Nick Schlee (b. 1931) Ridgeway house Oil on board

Lot 3: Nick Schlee (b. 1931) Ridgeway house Oil on board

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Description: Nick Schlee (b. 1931) Ridgeway house Oil on board Unframed Signed lower right 81 x 102cm (32 x 40in)

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Nick Schlee (b. 1931) Green trees with shadows Oil

Lot 4: Nick Schlee (b. 1931) Green trees with shadows Oil

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Description: Nick Schlee (b. 1931) Green trees with shadows Oil on board Unframed Signed lower right 61 x 71cm (24 x 28in)

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Ken Moroney (b. 1949) A bar interior Oil on board

Lot 5: Ken Moroney (b. 1949) A bar interior Oil on board

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Description: Ken Moroney (b. 1949) A bar interior Oil on board Signed lower left 44 x 55cm (17 1/4 x 21 3/4in)

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Ken Moroney (b. 1949) A seated model Oil on board

Lot 6: Ken Moroney (b. 1949) A seated model Oil on board

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Description: Ken Moroney (b. 1949) A seated model Oil on board Signed lower left 61 x 51cm (24 x 20in)

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Ken Moroney (b. 1949) Venice at night Oil on board

Lot 7: Ken Moroney (b. 1949) Venice at night Oil on board

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Description: Ken Moroney (b. 1949) Venice at night Oil on board Signed and inscribed lower left 50.5 x 61cm (19 3/4 x 24in)

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Ken Moroney (b. 1949) Tea table still life Oil on

Lot 8: Ken Moroney (b. 1949) Tea table still life Oil on

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Description: Ken Moroney (b. 1949) Tea table still life Oil on board Signed lower right 46 x 51cm (18 x 20in)

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Paul d' Aguilar (b.1927) Ios, Greece Oil on board

Lot 9: Paul d' Aguilar (b.1927) Ios, Greece Oil on board

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Description: Paul d' Aguilar (b.1927) Ios, Greece Oil on board Signed lower right 41 x 51cm (16 x 20in)

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Paul d' Aguilar (b.1927) School girls in the park

Lot 10: Paul d' Aguilar (b.1927) School girls in the park

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Description: Paul d' Aguilar (b.1927) School girls in the park Oil on board Signed lower right 41 x 31cm (16 x 12 1/4in)

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Paul d' Aguilar (b.1927) Walking by the river Oil

Lot 11: Paul d' Aguilar (b.1927) Walking by the river Oil

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Description: Paul d' Aguilar (b.1927) Walking by the river Oil on board Signed and dated lower right 46 x 61cm (18 x 24in)

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Jim McCluskey (contemporary) Still life with

Lot 12: Jim McCluskey (contemporary) Still life with

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Description: Jim McCluskey (contemporary) Still life with pumpkin and tulips Oil on canvas Signed lower left 92 x 102cm (36 1/4 x 40in)

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A. R. Penck (b.1939) Untitled Monochrome acrylic

Lot 13: A. R. Penck (b.1939) Untitled Monochrome acrylic

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Description: A. R. Penck (b.1939) Untitled Monochrome acrylic on canvas Signed lower centre 50 x 60cm (19 3/4 x 23 3/4in)

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Joan de Bethel (20th century) What a lovely view

Lot 14: Joan de Bethel (20th century) What a lovely view

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Description: Joan de Bethel (20th century) What a lovely view The Fish and Chip Shop The brush salesman A group of three watercolours All signed and dated '73 Each 14 x 19cm (5 1/2 x 7 1/2in) (3)

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Paul Coldwell (b 1958) Finger print Etching, with

Lot 15: Paul Coldwell (b 1958) Finger print Etching, with

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Description: Paul Coldwell (b 1958) Finger print Etching, with aquatint Signed in pencil lower right, numbered 12 of 20 38 x 29. 5cm (15 x 11 1/2in) with a signed etching, printed in colours, by Norman Morris, a signed lithograph by Stephen Mckenna, and a signed lithograph of a time lapse panorama of Chesil beach by Bob Chaplin (4)

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Angela Hughes (b. 1964) Grey street, Newcastle, c.

Lot 16: Angela Hughes (b. 1964) Grey street, Newcastle, c.

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Description: Angela Hughes (b. 1964) Grey street, Newcastle, c. 1994 Gouache on paper 58 x 82cm (22 3/4 x 32 1/2in) with an unsigned pencil landscape, and an indistinctly inscribed coloured chalk landscape with mother and child, by different hands (3)

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Robert Soden (b. 1955) Shipyard, Thames, c. 1985

Lot 17: Robert Soden (b. 1955) Shipyard, Thames, c. 1985

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Description: Robert Soden (b. 1955) Shipyard, Thames, c. 1985 Watercolour with gouache, over pencil 70 x 99.5cm (27 1/2 x 39 1/4in) with 2 others, a lumber yard, and a view of an oil refinery, the latter signed in pencil (3)

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Robert Soden (b. 1955) August Bali Watercolour

Lot 18: Robert Soden (b. 1955) August Bali Watercolour

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Description: Robert Soden (b. 1955) August Bali Watercolour with gouache, over pencil 70 x 99cm (27 1/2 x 39in) with 2 others, a view of Heron Lake, and The East End, Sunderland, the latter signed in pencil (3)

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Emma Stibbon (b.1962) Stair Hole Lulworth Colour

Lot 19: Emma Stibbon (b.1962) Stair Hole Lulworth Colour

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Description: Emma Stibbon (b.1962) Stair Hole Lulworth Colour woodcut Initialled and dated 99 in pencil, lower right, numbered 4 from an edition of 5, 109 x 120cm (43 x 47 1/4in). Exhibited: Royal Academy, Summer Exhibition, 1999. With an abstract etching and aquatint by Hugh O'Donnell, with an indistinctly signed screenprint, by John Ichel, and the frontispiece to the Paragon Press's The London Portfolio (4)

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Edward Chell (b. 1958) View of the River Tyne;

Lot 20: Edward Chell (b. 1958) View of the River Tyne;

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Description: Edward Chell (b. 1958) View of the River Tyne; Leaden Sky Charcoal, coloured chalks, gouache and pencil 120.5 x 168cm (47.5 x 66in)

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Paul Hempton (b. 1946) The Architecture of St

Lot 21: Paul Hempton (b. 1946) The Architecture of St

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Description: Paul Hempton (b. 1946) The Architecture of St Govan's Head Oil on canvas 137.5 x 107cm (54 x 42in) with a watercolour and body colour on paper abstract study by Hempton, a pastel on paper abstract composition by Michael Heindorff from The Caves of San Antonio series, and an abstract mixed media work on paper by Rebecca Salter (4)

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Brian Bradshaw (b.1923) Raikes Lane Oil on canvas

Lot 22: Brian Bradshaw (b.1923) Raikes Lane Oil on canvas

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Description: Brian Bradshaw (b.1923) Raikes Lane Oil on canvas 40.5 x 24cm (16 x 9 1/2in)

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Maurice Boitel (b.1919) Figure on a path by a

Lot 23: Maurice Boitel (b.1919) Figure on a path by a

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Description: Maurice Boitel (b.1919) Figure on a path by a railway Oil on canvas Signed and dated 1950 lower left 50 x 61cm (19 3/4 x 24in)

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Elvic Steele (1920-1997) Still life of flowers in

Lot 24: Elvic Steele (1920-1997) Still life of flowers in

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Description: Elvic Steele (1920-1997) Still life of flowers in vases Oil on board 66 x 50cm (26 x 19 3/4in) Together with a landscape with flowers by the same hand (2)

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Elvic Steele (1920-1997) Flower studies Three, oil

Lot 25: Elvic Steele (1920-1997) Flower studies Three, oil

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Description: Elvic Steele (1920-1997) Flower studies Three, oil on board The largest 59 x 42cm (23 1/4 x 16 1/4in) (3)

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Bernard Venables (1907-2001) Wild horse in a field

Lot 26: Bernard Venables (1907-2001) Wild horse in a field

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Description: Bernard Venables (1907-2001) Wild horse in a field Watercolour Signed lower right 48 x 65cm (19 x 25 1/2in)

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Jean Glenn Mitchell (late 20th century) The

Lot 27: Jean Glenn Mitchell (late 20th century) The

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Description: Jean Glenn Mitchell (late 20th century) The racehorse 'Snurge' in a stable interior Oil on canvas Signed and dated '91 lower right 51 x 76cm (20 x 30in)

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Tim B. Whitby (19th/20th century) A horse in a

Lot 28: Tim B. Whitby (19th/20th century) A horse in a

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Description: Tim B. Whitby (19th/20th century) A horse in a stable Oil reverse painted on glass Signed lower left 44 x 54cm (17 1/4 x 21 1/4in)

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Dominique Mayet (b.1925) Farm buildings Oil on

Lot 29: Dominique Mayet (b.1925) Farm buildings Oil on

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Description: Dominique Mayet (b.1925) Farm buildings Oil on canvas Signed lower right 65 x 81.5cm (25 1/2 x 32in)

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Martyn Chalk (b 1945) Untitled relief Wood, oil

Lot 30: Martyn Chalk (b 1945) Untitled relief Wood, oil

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Description: Martyn Chalk (b 1945) Untitled relief Wood, oil pigment, fastening components Signed and dated 1985 on reverse 53 x 48 x 32cm (20 3/4 x 19 x 12 1/2in). Provenance: with Juda Rowan Gallery (label on reverse)

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Paul Hawdon (b. 1953) Roman Solitude No. I and No.

Lot 31: Paul Hawdon (b. 1953) Roman Solitude No. I and No.

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Description: Paul Hawdon (b. 1953) Roman Solitude No. I and No. II 2 plates, etchings, on wove paper Signed and titled in pencil, each a numbered impression from an edition of 40 each 49 x 70cm (19 1/4 x 27 1/2in) with a signed etching by Anne Dowker of a man feeding pigeons, from an edition of 15, and an etching of Shields Harbour, by Joy Girvin (4)

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Julia Farrer (b.1950) The heart of standing 4

Lot 32: Julia Farrer (b.1950) The heart of standing 4

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Description: Julia Farrer (b.1950) The heart of standing 4 plates, etchings, All signed in pencil Each c.160 x 150mm (6 3/4 x 5 3/4in) with a still life etching by David Tindle (b.1932), and the lithograph 'Night Angel' by Andrew Stahl (6)

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Dennis Creffield (b. 1931) Ripon, West Front, c.

Lot 33: Dennis Creffield (b. 1931) Ripon, West Front, c.

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Description: Dennis Creffield (b. 1931) Ripon, West Front, c. 1987 Charcoal on paper 101 x 92cm (39 3/4 x 36 1/4in)

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Dennis Creffield (b. 1931) St. Albans, c. 1987

Lot 34: Dennis Creffield (b. 1931) St. Albans, c. 1987

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Description: Dennis Creffield (b. 1931) St. Albans, c. 1987 Charcoal on paper 101 x 92cm (39 3/4 x 36 1/4in)

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Dennis Creffield (b. 1931) Durham: The West

Lot 35: Dennis Creffield (b. 1931) Durham: The West

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Description: Dennis Creffield (b. 1931) Durham: The West Towers, from the Monk's Garden, c. 1987-1990 Charcoal on paper 101 x 92cm (39 3/4 x 36 1/4in). Exhibited: Hayward Gallery, Southbank, English Cathedrals: Creffield; and with The British Council Visual Arts Department.

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John Wonnacott (b. 1940) Estuary Mud Flats, Girl

Lot 36: John Wonnacott (b. 1940) Estuary Mud Flats, Girl

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Description: John Wonnacott (b. 1940) Estuary Mud Flats, Girl Leaping Pencil on paper, c.1986-1988, 29 x 30cm (11 1/2 x 11 3/4in). Provenance: with Marlborough Fine Art; with Christchurch Mansion Museums & Galleries. Exhibited: Marlborough Fine Art, John Wonnacott Recent Work, 1988.

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John Wonnacott (b. 1940) Estuary Mud Flats, The

Lot 37: John Wonnacott (b. 1940) Estuary Mud Flats, The

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Description: John Wonnacott (b. 1940) Estuary Mud Flats, The Battle Pencil on paper, c.1986-1988, 29.5 x 29.5cm (11 3/4 x 11 3/4in). Provenance: with Marlborough Fine Art; with Christchurch Mansion Museums & Galleries.. Exhibited: Marlborough Fine Art, John Wonnacott Recent Work, 1988.

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Patrick Symons (b. 1925) Tree study in a landscape

Lot 38: Patrick Symons (b. 1925) Tree study in a landscape

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Description: Patrick Symons (b. 1925) Tree study in a landscape Pencil on paper, 2 sheets joined Signed in pencil lower right, 43 x 43cm (17 x 17in). Provenance: Arthur Andersen & Co. label on verso.

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Han Snel (1925-1998) Oriental nude Charcoal Signed

Lot 39: Han Snel (1925-1998) Oriental nude Charcoal Signed

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Description: Han Snel (1925-1998) Oriental nude Charcoal Signed and dated '61 lower right 56 x 37cm (22 x 14 1/2in)

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John Strevens (1902-1990) The blue butterfly Oil

Lot 40: John Strevens (1902-1990) The blue butterfly Oil

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Description: John Strevens (1902-1990) The blue butterfly Oil on canvas Signed lower right Inscribed on reverse 91 x 91cm (35 3/4 x 35 3/4in)

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John Strevens (1902-1990) In the garden, Oil on

Lot 41: John Strevens (1902-1990) In the garden, Oil on

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Description: John Strevens (1902-1990) In the garden, Oil on board, Signed lower upper left, 100 x 100 cm (39 1/2 x 39 1/2in)

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Evie Hone (1894-1955) Abstract Gouache Signed

Lot 42: Evie Hone (1894-1955) Abstract Gouache Signed

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Description: Evie Hone (1894-1955) Abstract Gouache Signed lower right 24 x 30cm (9 1/2 x 11 3/4in)

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Colin Middleton (1910-1983) Donegal landscape Oil

Lot 43: Colin Middleton (1910-1983) Donegal landscape Oil

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Description: Colin Middleton (1910-1983) Donegal landscape Oil on board Signed with monogram lower left 17.5 x 30.5cm (7 x 12in)

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Edouard Joseph Goerg (1893-1969) Portrait of a

Lot 44: Edouard Joseph Goerg (1893-1969) Portrait of a

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Description: Edouard Joseph Goerg (1893-1969) Portrait of a nude girl, half-length, holding a bouquet of flowers Gouache Signed and dated '48 lower right 48.5 x 31cm (19 x 12 1/4in)

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Edouard Joseph Goerg (1893-1969) Portrait of 2

Lot 45: Edouard Joseph Goerg (1893-1969) Portrait of 2

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Description: Edouard Joseph Goerg (1893-1969) Portrait of 2 girls on a floral ground Gouache Signed lower left 39 x 29cm (15 1/4 x 11 1/2in)

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Anne Bonnet (1908-1960) Flower bed study Gouache

Lot 46: Anne Bonnet (1908-1960) Flower bed study Gouache

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Description: Anne Bonnet (1908-1960) Flower bed study Gouache and watercolour Signed lower right 26.5 x 36.5cm (10 1/4 x 14 1/4in)

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Anne Bonnet (1908-1960) Port de Cibour avec la

Lot 47: Anne Bonnet (1908-1960) Port de Cibour avec la

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Description: Anne Bonnet (1908-1960) Port de Cibour avec la maison de Ravel Mixed media Inscribed and signed by the artist's husband on reverse 26 x 36.5cm (10 1/4 x 14 1/4in)

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Anne Bonnet (1908-1960) Window study Mixed media

Lot 48: Anne Bonnet (1908-1960) Window study Mixed media

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Description: Anne Bonnet (1908-1960) Window study Mixed media on paper Inscribed and signed by the artist's husband on reverse 36 x 26.5cm (14 x 10 1/4in) Together with a blue abstract composition by a different hand, indistinctly signed and dated 1959 lower right, 1959, 62.5 x 47cm (24 3/4 x 18 1/2in) (2)

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Pietro Annigoni (1910-1988) Blackfriars Bridge,

Lot 49: Pietro Annigoni (1910-1988) Blackfriars Bridge,

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Description: Pietro Annigoni (1910-1988) Blackfriars Bridge, London Monochrome watercolour Signed with monogram lower right 25.5 x 36cm (10 x 14 1/4in)

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Michael Hale (1900-1979) Ballard III Screenprint

Lot 50: Michael Hale (1900-1979) Ballard III Screenprint

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Description: Michael Hale (1900-1979) Ballard III Screenprint Signed and dated 78 lower right, numbered 7 of 20 89 x 62.5cm (35 x 24 1/2in) with the frontispiece to Terry Frost's Trewellard Suns, published by The Paragon Press, 1989, 640 x 640mm (25 1/4 x 15 1/4in) (2)

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