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Japan, India, South East Asia - Koller West

by Koller Auctions

Platinum House

63 lots with images

May 7, 2014

Live Auction

Hardturmstrasse 102

Zurich, 8031 Switzerland

Phone: 00 41 44 445 63 63

Fax: 00 41 44 273 19 66

Email: office@kollerauktionen.ch

63 Lots
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SEATED RAKAN.Japan, 19th c. H 58 cm.Wood, red and

Lot 1179: SEATED RAKAN.Japan, 19th c. H 58 cm.Wood, red and

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Description: SEATED RAKAN.Japan, 19th c. H 58 cm.Wood, red and brown lacquer. The bearded disciple of the Buddha is depicted as a monk with long eyebrows. He is clad in a simple robe that leaves bare his right shoulder. Crack.SITZENDER RAKAN. Japan, 19. Jh. H 58 cm.Holz, rot und braun gelackt. Der bärtige Buddhajünger ist als Mönch mit langen Augenbrauen dargestellt. Er ist in ein einfaches Gewand gehüllt, das seine rechte Schulter freilässt. Sprung.

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PAIR OF CANDLESTICKS.Japan, 19th c. H 30 und 32

Lot 1180: PAIR OF CANDLESTICKS.Japan, 19th c. H 30 und 32

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Description: PAIR OF CANDLESTICKS.Japan, 19th c. H 30 und 32 cm.Bronze. Two egrets stand on a plinth with four small animal mask feet. The larger holds a lotus flower in its beak, which functions as a candle holder. (2)PAAR KERZENSTÄNDER. Japan, 19. Jh. H 30 und 32 cm.Bronze. Je zwei Reiher stehen auf einer Sockelplatte mit vier Tiermasken-Füsschen. Der grössere hält eine Lotosblume im Schnabel, die als Kerzenhalter fungiert. (2)

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PAIR OF CANDLESTICKS IN THE FORM OF CRANES.Japan,

Lot 1181: PAIR OF CANDLESTICKS IN THE FORM OF CRANES.Japan,

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Description: PAIR OF CANDLESTICKS IN THE FORM OF CRANES.Japan, Meiji Period, H 89.5 und 96.5 cm.Bronze. The slender birds stand on rocks, each holding a lotus flower in its beak, which serves as a candle holder. Incised plumage. (2)PAAR LEUCHTER IN FORM VON KRANICHEN. Japan, Meji-Periode, H 89,5 und 96,5 cm.Bronze. Die schlanken Vögel stehen auf einem Fels und halten eine Lotosblume im Schnabel, die als Kerzenhalter dient. Eingeritztes Gefieder. (2)

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TWO CANDLESTICKS.Japan, 19th c. H 54 cm.Bronze. In

Lot 1182: TWO CANDLESTICKS.Japan, 19th c. H 54 cm.Bronze. In

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Description: TWO CANDLESTICKS.Japan, 19th c. H 54 cm.Bronze. In the form of lotus flowers on stems, each with a bud and two leaves. (2)ZWEI KERZENSTÖCKE. Japan, 19. Jh. H 54 cm.Bronze. In Form von Lotosblumen, der Stengel mit je einer Knospe und zwei Blättern. (2)

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SPHERICAL CLOISONNÉ VASE WITH LID.Japan, Meiji

Lot 1183: SPHERICAL CLOISONNÉ VASE WITH LID.Japan, Meiji

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Description: SPHERICAL CLOISONNÉ VASE WITH LID.Japan, Meiji period, H 39 cm.A bright yellow dragon emerges dynamically through grey clouds. The lid with bud-shaped knop is decorated with musical instruments on a turquoise ground, which extend beyond the lid. On three ball feet. Min. damage.CLOISONNÉ-KUGELVASE MIT DECKEL. Japan, Meiji-Periode, H 39 cm.Ein gelbäugiger Drache taucht dynamisch durch graue Wolken. Der Deckel mit knospenförmigem Knauf ist mit Musikinstrumenten auf türkisem Fond dekoriert, welche über den Deckelrand hinausgehen. Auf drei Kugelfüssen. Min. besch.

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PICNIC BOX (SAGE JÛBAKO) WITH GOLD LACQUER

Lot 1184: PICNIC BOX (SAGE JÛBAKO) WITH GOLD LACQUER

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Description: PICNIC BOX (SAGE JÛBAKO) WITH GOLD LACQUER DECORATION.Japan, 19th c. H 31 cm.Rectangular frame with small bronze handles, within are two stacking boxes for food and sake. Scattered lacquer decoration of fan-shaped cartouches and plants. Light damage.PICKNICK-KASTEN (SAGE JÛBAKO) MIT GOLDLACK-DEKOR. Japan, 19. Jh. H 31 cm.Rechteckiges Tragegestell mit kleinem Bronzehenkel, darin zwei Stapelkästen für Speisen und Sake. Streulackdekor von Fächerkartuschen und Pflanzen. Leicht besch.

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OKIMONO OF A FISHERMAN.Japan, Meiji period, H 28

Lot 1185: OKIMONO OF A FISHERMAN.Japan, Meiji period, H 28

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Description: OKIMONO OF A FISHERMAN.Japan, Meiji period, H 28 cm.Ivory. The cheerful figure, standing on a plinth, has just caught the fish that he holds in his left hand. Signed. Fishing line snapped.OKIMONO EINES FISCHERS. Japan, Meiji-Periode, H 28 cm.Elfenbein. Der auf einer Sockelplatte stehende fröhliche Mann hat soeben einen Fisch geangelt und hält diesen in seiner Linken fest. Signiert. Angelschnur gerissen.

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OKIMONO OF A MUSICAL INSTRUMENT MAKER.Japan, Meiji

Lot 1186: OKIMONO OF A MUSICAL INSTRUMENT MAKER.Japan, Meiji

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Description: OKIMONO OF A MUSICAL INSTRUMENT MAKER.Japan, Meiji Period, L 7.5 cm.Ivory and wood. The seated man holds a hammer in his right hand and is working on a shamisen. Light dam. In addition: an arm with an open book, which one can insert before the craftsmen but probably did not belong to it originally.OKIMONO EINES INSTRUMENTENMACHERS. Japan, Meiji-Periode, L 7,5 cm.Elfenbein und Holz. Der sitzende Mann hält einen Hammer in seiner Rechten und arbeitet gerade an einer Shamisen. Leicht besch. Dazu: Arm mit aufgeschlagenem Buch, den man vor dem Handwerker einstecken kann, ursprünglich aber wohl nicht dazu gehörte.

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LARGE NETSUKE OF GAMMA SENNIN. Japan, 18th/19th c.

Lot 1187: LARGE NETSUKE OF GAMMA SENNIN. Japan, 18th/19th c.

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Description: LARGE NETSUKE OF GAMMA SENNIN. Japan, 18th/19th c. H 12 cm.Dark wood. The Immortal with his characteristic cloak of leaves carries his companion, the toad, with both hands resting on his shoulder. One foot restored.GROSSES NETSUKE DES GAMMA SENNIN. Japan, 18./19. Jh. H 12 cm.Dunkles Holz. Der Unsterbliche mit dem charakteristischen Blätterumhang trägt seine Begleiterin, die Kröte, mit beiden Händen stützend auf der Schulter. Ein Fuss rest.

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NETSUKE OF A STANDING MALE FIGURE.Japan, 19th c. H

Lot 1188: NETSUKE OF A STANDING MALE FIGURE.Japan, 19th c. H

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Description: NETSUKE OF A STANDING MALE FIGURE.Japan, 19th c. H 6.3 cm.Ivory.NETSUKE EINES STEHENDEN MANNES. Japan, 19. Jh. H 6,3 cm.Elfenbein.

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NETSUKE OF A DANCING ONI.Japan, 19th/20th c. H 10

Lot 1189: NETSUKE OF A DANCING ONI.Japan, 19th/20th c. H 10

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Description: NETSUKE OF A DANCING ONI.Japan, 19th/20th c. H 10 cm.Wood. The loudly singing demon swings his leg and a fan over his head.NETSUKE EINES TANZENDEN ONI. Japan, 19./20. Jh. H 10 cm.Holz. Der lauthals singende Dämon schwingt das Bein und einen Fächer über dem Kopf.

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EIGHT KOZUKA.Japan, 18th/19th c. L 9.5-9.8

Lot 1190: EIGHT KOZUKA.Japan, 18th/19th c. L 9.5-9.8

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Description: EIGHT KOZUKA.Japan, 18th/19th c. L 9.5-9.8 cm.Various metal alloys. Different decorations with fine details, most with gold, silver or copper damascene and signature. (8)ACHT KOZUKA. Japan, 18./19. Jh. L 9,5-9,8 cm.Verschiedene Metallegierungen. Unterschiedlicher Dekor mit feinen Details, die meisten mit Gold-, Silber- oder Kupfertauschierungen und Signatur. (8)Schachtel

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LOT OF SWORD FITTINGS.Japan, Edo/Meiji

Lot 1191: LOT OF SWORD FITTINGS.Japan, Edo/Meiji

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Description: LOT OF SWORD FITTINGS.Japan, Edo/Meiji Periods.Iron, shakudo, shibuichi, gilded in part. Nine pieces, including a pair of menuki with dragon decoration, Fuji, Kashira, and Habaki from different swords. (9)LOT VON SCHWERTSCHMUCK. Japan, Edo/Meiji-Periode.Eisen, shakudo, shibuichi, z.T vergoldet. Neun Stück, u. a. ein paar Menuki mit Drachendekor, Fuji, Kashira, und Habaki von verschiedenen Schwertern. (9)

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SAMURAI SWORD.Japan, Meji period, L 98

Lot 1192: SAMURAI SWORD.Japan, Meji period, L 98

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Description: SAMURAI SWORD.Japan, Meji period, L 98 cm.Scabbard, hilt and guard are made of bone. All-over relief carving of figures. Slightly damaged.SAMURAI-SCHWERT. Japan, Meji-Zeit, L 98 cm.Scheide, Heft und Parierstange bestehen aus Bein. Ganzflächige Reliefschnitzerei von Figuren. Leicht beschädigt.

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TANTO. Japan, Edo Period, L 31.5 cm.Unsigned. NBTH

Lot 1193: TANTO. Japan, Edo Period, L 31.5 cm.Unsigned. NBTH

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Description: TANTO. Japan, Edo Period, L 31.5 cm.Unsigned. NBTH paper. Red lacquer saya. Oval iron tsuba with relief decoration. Kashira, fuchi and menuki with design of small dogs.TANTO. Japan, Edo-Periode, L 31,5 cm.Unsigniert. NBTH-Papier. Rotlacksaya. Ovale Eisentsuba mit Reliefdekor. Kashira, Fuchi und Menuki mit Hündchendekor.

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SILVER CREAMER.Japan, Meiji, L 15.5 cm, 176

Lot 1194: SILVER CREAMER.Japan, Meiji, L 15.5 cm, 176

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Description: SILVER CREAMER.Japan, Meiji, L 15.5 cm, 176 g.Elegant, decoration in low relief of wisteria partly painted with enamel. Jungin mark.CREMIER AUS SILBER. Japan, Meiji, L 15,5 cm, 176 g.Eleganter, leicht reliefierter Dekor von Glyzinien mit partieller Emailbemalung. Jungin-Punze.

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SIX-PART FOLDING SCREEN.Japan, ca. 1920,

Lot 1195: SIX-PART FOLDING SCREEN.Japan, ca. 1920,

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Description: SIX-PART FOLDING SCREEN.Japan, ca. 1920, 172.5x64.5 cm (1 Panel).Ink, colours and gold on paper. Scenes from the Genji Monogatari interspersed with gold clouds. Heavily damaged.SECHSTEILIGER STELLSCHIRM. Japan, um 1920, 172,5x64,5 cm (1 Paneel).Tusche, Farben und Gold auf Papier. Szenen aus dem Genji monogatari mit Goldwolken durchzogen. Stark beschädigt.

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HANGING SCROLL OF THE KANO SCHOOL.Edo Period, ca.

Lot 1196: HANGING SCROLL OF THE KANO SCHOOL.Edo Period, ca.

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Description: HANGING SCROLL OF THE KANO SCHOOL.Edo Period, ca. 18th c. 35x46 cm.Ink and colours on paper. Mount Fuji behind bands of clouds, the rising sun red beside it. In the foreground a misty shore. Seal in the form of a double gourd: Morinobu (epithet of Kano Tan'yu). Beautiful, modern brocade mounting.HÄNGEROLLE DER KANO-SCHULE. Edo-Periode, ca. 18. Jh. 35x46 cm.Tusche und Farben auf Papier. Der Fujiyama hinter Wolkenbändern, die aufgehende Sonne rot neben ihm. Im Vordergrund dunstige Ufer. Siegel in Doppelkürbisform: Morinobu (Beiname des Kano Tan'yu). Schöne, moderne Brokatmontierung.

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HANGING SCROLL.Japan, 20th c. 106x48.5 cm.Ink and

Lot 1197: HANGING SCROLL.Japan, 20th c. 106x48.5 cm.Ink and

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Description: HANGING SCROLL.Japan, 20th c. 106x48.5 cm.Ink and colours on silk. The Buddha Shakyamuni, seated on a large green lotus pedestal in the meditation posture, is flanked by his two favorite disciples. Around them are 16 Rakan with their attributes in a mountainous river landscape. Magnificent mount. With wooden box.HÄNGEROLLE. Japan, 20. Jh. 106x48,5 cm.Tusche und Farbe auf Seide. Der im Meditationssitz auf einem grossen, grünen Lotossockel sitzende Buddha Shakyamuni ist von seinen zwei Lieblingsschülern flankiert. Darunter 16 Rakan mit ihren Attributen in einer gebirgigen Flusslandschaft. Prächtige Montierung. Mit Holzbox.

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HANGING SCROLL.Japan, 20th c. 108.5x41 cm.Gold

Lot 1198: HANGING SCROLL.Japan, 20th c. 108.5x41 cm.Gold

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Description: HANGING SCROLL.Japan, 20th c. 108.5x41 cm.Gold paint on black silk. Richly adorned and encircled by waving scarves, Kannon stands on a lotus pedestal and holds in her upraised left hand a lotus flower. Two seals. Splendid mounting. Wooden box.HÄNGEROLLE. Japan, 20. Jh. 108,5x41 cm.Goldmalerei auf schwarzer Seide. Reich geschmückt und von wehenden Schals umgehen steht Kannon auf einem Lotossockel und hält in der erhobenen Linken eine Lotosblume. Zwei Siegel. Prächtige Montierung. Holzbox.

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HASEGAWA SETTAN (1778-1843).ca. 1835, 40.6x68.5

Lot 1199: HASEGAWA SETTAN (1778-1843).ca. 1835, 40.6x68.5

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Description: HASEGAWA SETTAN (1778-1843).ca. 1835, 40.6x68.5 cm.Ink on paper. Landscape with grazing water buffalo and three youths in idleness. Signature: Hasegawa Hôkyô Settan hitsu and seal. Vertical glue lines.HASEGAWA SETTAN (1778-1843). Um 1835, 40,6x68,5 cm.Tusche auf Papier. Landschaft mit weidenden Wasserbüffeln und drei Jünglingen beim Müssiggang. Signatur: Hasegawa Hôkyô Settan hitsu und Siegel. Vertikale Leimspuren.

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KAKEMONO OF THE 16 RAKAN.Japan, Edo Period, 136x57

Lot 1200: KAKEMONO OF THE 16 RAKAN.Japan, Edo Period, 136x57

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Description: KAKEMONO OF THE 16 RAKAN.Japan, Edo Period, 136x57 cm.Ink and colours on silk. Amid wafting clouds a scene of the 16 Rakan with Seiobo, the Queen Mother of the West, holding a tray of peaches. Above, Daruma in a red monk's robe sits in a cave and meditates. Mount of beautiful brocade with large flowers.KAKEMONO DER 16 RAKAN. Japan, Edo-Periode, 136x57 cm.Tusche und Farben auf Seide. Von Wolken umwaberte Szene der Sechzehn Rakan mit Seiobo, der Königinmutter des Westens, ein Tablett mit Pfirsichen haltend. Zuoberst sitzt Daruma im roten Mönchsgewand in einer Höhle und meditiert. Schöne, grossblumige Brokatmontierung.

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KAKEMONO IN THE STYLE OF HAKUIN EKAKU (168?

Lot 1201: KAKEMONO IN THE STYLE OF HAKUIN EKAKU (168?

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Description: KAKEMONO IN THE STYLE OF HAKUIN EKAKU (168? -1768).Japan, 18th/19th c. 83.5x33.7 cm.Ink and light colours on paper. Daikokuten in meditation posture, underneath is a small group of rats in human form and a banner with the words 'Daikokuten Kaichô '. Hakuin and Ekaku seals.KAKEMONO IN DER ART VON HAKUIN EKAKU (168?-1768). Japan, 18. /19. Jh. 83,5x33,7 cm.Tusche und leichte Farben auf Papier. Daikokuten in Meditationshaltung, darunter ein Grüppchen von Ratten in Menschengestalt. Darüber eine Fahne mit den Worten 'Daikokuten Kaichô'. Hakuin und Ekaku Siegel. Brokatmontierung. Beschriftete Holzbox mit Zuschreibung an Hakuin, gesiegelt.

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KAKEMONO WITH BAMBOO PAINTING.Japan, Meiji Period,

Lot 1202: KAKEMONO WITH BAMBOO PAINTING.Japan, Meiji Period,

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Description: KAKEMONO WITH BAMBOO PAINTING.Japan, Meiji Period, 160x30.5 cm.Ink on paper. Signed Arinobu, with seal. Probably Mitani Arinobu. Brocade border. Creases.KAKEMONO MIT BAMBUSMALEREI. Japan, Meiji-Zeit, 160x30,5 cm.Tusche auf Papier. Signiert Arinobu und mit Siegel. Wohl Mitani Arinobu. Brokatbordüre. Knickfalten.

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LANDSCAPE PAINTING.Japan, 19th c. 116x44 cm.Ink on

Lot 1203: LANDSCAPE PAINTING.Japan, 19th c. 116x44 cm.Ink on

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Description: LANDSCAPE PAINTING.Japan, 19th c. 116x44 cm.Ink on paper. In the foreground gnarled trees, in the midground a river flows into a lake with a solitary fisherman. In the background mountain ranges. Signed and with seals.LANDSCHAFTSMALEREI. Japan, 19. Jh. 116x44 cm.Tusche auf Papier. Im Vordergrund knorrige Bäume, im Mittelgrund mündet ein Fluss in einen See mit einsamem Fischer. Im Hintergrund Bergmassive. Signiert und gesiegelt.

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TAIZÔKAI MANDALA AS A HANGING SCROLL

Lot 1205: TAIZÔKAI MANDALA AS A HANGING SCROLL

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Description: TAIZÔKAI MANDALA AS A HANGING SCROLL MOUNTED.Japan, Edo period, 81x69 cm.Printing and colours on paper. The Cosmic Womb Mandala of Esoteric Buddhism with the central Dainichi Nyorai in an eightfold lotus-shaped cartouche. Brocade mounting, brittle. Creases.TAIZÔKAI-MANDALA ALS HÄNGEROLLE MONTIERT. Japan, Edo-Zeit, 81x69 cm.Druck und Farbe auf Papier. Das Mutterleib-Mandala des esoterischen Buddhismus mit dem zentralen Dainichi-Nyôrai in einer achtfachen lotosförmigen Kartusche. Brokatmontur, brüchig. Knickfalten.

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UKIYO-E HANGING SCROLL.Japan, Edo Period, 116x28

Lot 1206: UKIYO-E HANGING SCROLL.Japan, Edo Period, 116x28

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Description: UKIYO-E HANGING SCROLL.Japan, Edo Period, 116x28 cm.Ink and colours on paper. A geisha in a red robe stands barefoot and coquettishly holds a scroll with her mouth and hand. Creases.UKIYO-E HÄNGEROLLE. Japan, Edo-Periode, 116x28 cm.Tusche und Farbe auf Papier. Eine Geisha mit rotem Gewand steht barfuss und hält kokett mit Mund und Hand eine Schriftrolle. Knickfalten.

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CHÔBUNSAI EISHI (1756-1859).Ôban. Leaf from the

Lot 1207: CHÔBUNSAI EISHI (1756-1859).Ôban. Leaf from the

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Description: CHÔBUNSAI EISHI (1756-1859).Ôban. Leaf from the series 'Wakana hatsu ishô', 'Obishiya Mitsuhana Kikushi Kikuno'. Signed: Eishi zu. Foxing. Trimmed, mounted and framed under glass.CHÔBUNSAI EISHI (1756-1859). Ôban. Blatt aus der Serie 'Wakana hatsu ishô', 'Obishiya Mitsuhana Kikushi Kikuno'. Signiert: Eishi zu. Stockflecken. Aufgezogen und beschnitten. Unter Glas gerahmt.

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KATSUSHIKA HOKUSAI (1760-1849).21x46 cm. Three

Lot 1208: KATSUSHIKA HOKUSAI (1760-1849).21x46 cm. Three

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Description: KATSUSHIKA HOKUSAI (1760-1849).21x46 cm. Three pages from the album ' Tôto meisho ichiran' (Famous Views of the Eastern Capital), mounted as a triptych. Framed under glass.KATSUSHIKA HOKUSAI (1760-1849). 21x46 cm. Drei Seiten aus dem Album 'Tôto meisho ichiran' (Berühmte Ansichten der östlichen Hauptstadt), zu einem Triptychon montiert. Unter Glas gerahmt.

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KEISAI EISEN (1790-1848).Two ôban tate-e. Standing

Lot 1209: KEISAI EISEN (1790-1848).Two ôban tate-e. Standing

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Description: KEISAI EISEN (1790-1848).Two ôban tate-e. Standing Bijin. Signature: Keisai Eisen ga. Marusei publisher's seal. Kiwame censor's seal. Ca. 1830. Mounted under glass. Slightly damaged.KEISAI EISEN (1790-1848). Zwei ôban tate-e.Stehende Bijin. Signatur: Keisai Eisen ga. Marusei-Verlegersiegel. Kiwame-Zensursiegel. Um 1830. Unter Glas gerahmt. Min. besch.

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KEISAI EISEN (1790-1848).Two ôban tate-e. A

Lot 1210: KEISAI EISEN (1790-1848).Two ôban tate-e. A

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Description: KEISAI EISEN (1790-1848).Two ôban tate-e. A standing Bijin considers carefully the goldfish she holds in a jar. Signature: Keisai Eisen ga. Trimmed edges.KEISAI EISEN (1790-1848). Zwei ôban tate-e. Eine stehende Bijin betrachtet aufmerksam Goldfische, die sie in einem Glas hält. Signiert: Keisai Eisen ga. Beschnittene Ränder.

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KITAGAWA UTAMARO (1750-1806). Ôban. From the

Lot 1211: KITAGAWA UTAMARO (1750-1806). Ôban. From the

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Description: KITAGAWA UTAMARO (1750-1806). Ôban. From the series 'Enchû Hate', leaf 'Seioubô, Ogiya uchi Takigawa, Onami Menami'. Signed Utamaro hitsu. Mounted and trimmed. Framed under glass.KITAGAWA UTAMARO (1750-1806). Ôban. Aus der Serie 'Enchû Hassen', Blatt 'Seioubô, Ogiya Uchi Takigawa, Onami Menami'. Signiert Utamaro hitsu. Aufgezogen und beschnitten. Unter Glas gerahmt.

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KITAGAWA UTAMARO (1753-1806).Ôban triptych.

Lot 1212: KITAGAWA UTAMARO (1753-1806).Ôban triptych.

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Description: KITAGAWA UTAMARO (1753-1806).Ôban triptych. Procession of beautiful women with a coach. Signed 'Utamaro hitsu'. Wakayo publisher's seal, Wakasaya Yoichi, Jakurindô. Kiwame seal. Ca.1800. Framed under glass. Colours faded. Mildew and water spots.KITAGAWA UTAMARO (1753-1806). Ôban Triptychon. Festumzug von schönen Frauen mit Kutsche. Sign. 'Utamaro hitsu'. Wakayo-Verlegersiegel, Wakasaya Yoichi, Jakurindô. Kiwame-Siegel. Um 1800. Unter Glas gerahmt. Farben verblasst. Stock- und Wasserflecken.Erlös zugunsten des Zoo Basel.

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TAKAHASHI HIROAKI (SHÔTEI) (1871-1945).Both

Lot 1213: TAKAHASHI HIROAKI (SHÔTEI) (1871-1945).Both

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Description: TAKAHASHI HIROAKI (SHÔTEI) (1871-1945).Both Mitsugiriban and Sh?tei seals. a) 'Takaido no yûdachi ' (Rain shower on a summer evening in Takaido). b) 'Sawatari Jôshû ' (Sawatari in the province of Joshu). Mounted under glass. (2)TAKAHASHI HIROAKI (SHÔTEI) (1871-1945). Beide Mitsugiriban und Siegel Shôtei. a)'Takaido no yûdachi' (Regenschauer an einem Sommerabend in Takaido). b) 'Sawatari Jôshû' (Sawatari in der Provinz Jôshû). Unter Glas gerahmt. (2)

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TOYOHARA KUNICHIKA (1835-1900).Ôban triptych.

Lot 1214: TOYOHARA KUNICHIKA (1835-1900).Ôban triptych.

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Description: TOYOHARA KUNICHIKA (1835-1900).Ôban triptych. Night boat ride with a Bijin writing poetry. Signature: 'Ichiyôsai Kunichika ga' in Toshidama cartouche. Publisher: Kiya-Sôjirô. Combined aratame and date seals. Mounted under glass.TOYOHARA KUNICHIKA (1835-1900). Ôban Triptychon. Nächtliche Bootsfahrt mit einer dichtenden Bijin. Signatur: 'Ichiyôsai Kunichika ga' in Toshidama-Kartusche. Verleger: Kiya-Sôjirô. Kombiniertes aratame- und Datumsiegel. Unter Glas gerahmt.

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TSUCHIYA KÔITSU (1870-1949).Ôban. Colour woodcut

Lot 1215: TSUCHIYA KÔITSU (1870-1949).Ôban. Colour woodcut

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Description: TSUCHIYA KÔITSU (1870-1949).Ôban. Colour woodcut 'Spring snow in Maruyama Park, Kyôto'. Mounted under glass. Signed and with seal (Shin). Dated Shôwa 11 (1936), but probably a later reprint.TSUCHIYA KÔITSU (1870-1949). Ôban. Farbholzschnitt 'Frühlingsschnee im Maruyama Park, Kyôto'. Unter Glas gerahmt. Signiert und mit Siegel (Shin). Datiert Shôwa 11 (1936), aber wohl späterer Nachdruck.

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TSUKIOKA YOSHITOSHI (1839-92).Chûban. Two leaves

Lot 1216: TSUKIOKA YOSHITOSHI (1839-92).Chûban. Two leaves

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Description: TSUKIOKA YOSHITOSHI (1839-92).Chûban. Two leaves from the series 'Biyû Suikoden' (The heroes of the Suikoden). Signature 'Kaisai Yoshitoshi hitsu'. Publisher: Omiya Kyûsuke. a) Himematsu Chikaranosuke. b) Shôguntarô Taira Yoshikado. Mounted under glass. (2)TSUKIOKA YOSHITOSHI (1839-92). Chûban. Zwei Blätter aus der Serie 'Biyû Suikoden' (Die Helden des Suikoden). Signatur 'Kaisai Yoshitoshi hitsu'. Verleger: Ômiya Kyûsuke. a) Himematsu Chikaranosuke. b) Shôguntarô Taira Yoshikado. Unter Glas gerahmt. (2)

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UTAGAWA HIROSHIGE (1797-1858)Ôban. From the series

Lot 1217: UTAGAWA HIROSHIGE (1797-1858)Ôban. From the series

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Description: UTAGAWA HIROSHIGE (1797-1858)Ôban. From the series 'Edo meisho' (Famous Places in Edo) the leaf: Ryôgokubashi yûsuzumi (In the cool of the evening at the Ryogoku Bridge). Signed: Hiroshige ga. Publisher: Yamadaya Shojirô. Censorship stamps Murata and Kinugasa. Year seal: Ox 8 (1853). Mounted under glass. Insect holes.UTAGAWA HIROSHIGE (1797-1858) Ôban. Aus der Serie 'Edo meisho' (Berühmte Plätze in Edo) das Blatt: Ryôgokubashi yûsuzumi (Abendkühle an der Ryogoku-Brücke). Signiert: Hiroshige ga. Verleger: Yamadaya Shojirô. Zensurstempel Murata und Kinugasa. Jahressiegel: Ochse 8 (1853). Unter Glas gerahmt. Insektenlöcher.

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UTAGAWA KUNISADA (1786-1865).Ôban Diptychon. The

Lot 1218: UTAGAWA KUNISADA (1786-1865).Ôban Diptychon. The

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Description: UTAGAWA KUNISADA (1786-1865).Ôban Diptychon. The actor Onoe Kikujirô II as Akizuki's daughter Miyuki Nakamura and Fukusuke I as Miyagi Asojirô catching fireflies. Signature 'Toyokuni ga' in Toshidama cartouche. Publisher: Kagaya Kichiemon. Aratame and date seals: 1855. Mounted under glass.UTAGAWA KUNISADA (1786-1865). Ôban Diptychon. Die Schauspieler Onoe Kikujirô II als Akizuki's Tochter Miyuki und Nakamura Fukusuke I als Miyagi Asojirô beim Glühwürmchenfangen. Signatur 'Toyokuni ga' in Toshidama-Kartusche. Verleger: Kagaya Kichiemon. Aratame- und Datumssiegel: 1855. Unter Glas gerahmt.

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UTAGAWA KUNISADA (1786-1865).Ôban diptych. Chapter

Lot 1219: UTAGAWA KUNISADA (1786-1865).Ôban diptych. Chapter

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Description: UTAGAWA KUNISADA (1786-1865).Ôban diptych. Chapter 11, 'Hanachirusato' from the Genji series 'Genji goshû yojô'. Signature 'Toyokuni ga' in Toshidama cartouche. Combined aratame and date seals 1859. Publisher Uoya Eikichi. Block cutter: Yokokawa Takejiro. Relief printing. Mounted under glass.UTAGAWA KUNISADA (1786-1865). Ôban Diptychon. Kapitel 11 'Hanachirusato' aus der Genji-Serie 'Genji goshû yojô'. Signatur 'Toyokuni ga' in Toshidama-Kartusche. Kombiniertes Aratame- und Datumssiegel 1859. Verleger Uoya Eikichi. Blockschneider: Yokokawa Takejirô. Prägedruck. Unter Glas gerahmt.

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UTAGAWA KUNISADA (1786-1865).Ôban. Middle leaf of

Lot 1220: UTAGAWA KUNISADA (1786-1865).Ôban. Middle leaf of

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Description: UTAGAWA KUNISADA (1786-1865).Ôban. Middle leaf of a kabuki triptych for the legend of Ishikawa Goemon, who tries to save his son from the boiling water. Signature 'Toyokuni ga' in a Toshidama cartouche. Publisher: Otaya Takichi. Aratame and date seals: 1857. Mounted under glass.UTAGAWA KUNISADA (1786-1865). Ôban. Mittleres Blatt aus einem Kabuki-Triptychon zur Legende von Ishikawa Goemon, der seinen Sohn vor dem siedenden Wasser zu retten versucht. Signatur 'Toyokuni ga' in Toshidama-Kartusche. Verleger: Ôtaya Takichi. Aratame- und Datumssiegel: 1857. Unter Glas gerahmt.

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UTAGAWA KUNISADA (1786-1865).Ôban Triptychon.

Lot 1221: UTAGAWA KUNISADA (1786-1865).Ôban Triptychon.

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Description: UTAGAWA KUNISADA (1786-1865).Ôban Triptychon. Interior with four beautiful women and a view from a veranda. Signature: 'Gototei Kunisada ga'. Publisher: Eikyudo. Kiwame seal. Edges trimmed. Mounted under glass.UTAGAWA KUNISADA (1786-1865). Ôban Triptychon. Interieur mit vier schönen Frauen und Blick auf die Veranda. Signatur: 'Gototei Kunisada ga'. Verleger: Eikyudo. Kiwame-Siegel. Ränder beschnitten. Unter Glas gerahmt.

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UTAGAWA KUNISADA I (1786-1865): TWO YAKUSHA-E.Ôban

Lot 1222: UTAGAWA KUNISADA I (1786-1865): TWO YAKUSHA-E.Ôban

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Description: UTAGAWA KUNISADA I (1786-1865): TWO YAKUSHA-E.Ôban a) The Kabuki actors Sawamura Tanosuke and Kawarasaki Gonjûrô. Wood carver: Yokogawa hori Iwa. b) Three Kabuki Actors Arashi Hinasuke, Ichikawa Kodanji and Onoe Kikujirô. Woodcarver: Horiko Chô. Both woodcuts with signature in Toshidama cartouche: Toyokuni ga. Cock 3-Aratame censor seals: 1861. Mounted under glass. (2)UTAGAWA KUNISADA I (1786-1865): ZWEI YAKUSHA-E. Ôban a) Die Kabuki-Schauspieler Sawamura Tanosuke und Kawarasaki Gonjûrô. Holzschnitzer: Yokogawa hori Iwa. b) Drei Kabuki Schauspieler Arashi Hinasuke, Ichikawa Kodanji und Onoe Kikujirô. Holzschnitzer: Horikô Chô. Beide Holzschnitte mit Signatur in Toshidama-Kartusche: Toyokuni ga. Hahn 3-Aratame Zensur-Siegel: 1861. Unter Glas gerahmt. (2)

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UTAGAWA KUNIYOSHI (1797-1861).Ôban Triptychon.

Lot 1223: UTAGAWA KUNIYOSHI (1797-1861).Ôban Triptychon.

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Description: UTAGAWA KUNIYOSHI (1797-1861).Ôban Triptychon. 'Yami no Ume' (Women by the plum tree at night). Signature: Kunisada ga Ichiy?sai. Publisher: Enshûya Matabei. Murata and Mera censorship seals. ca. 1848. Mounted under glass.UTAGAWA KUNIYOSHI (1797-1861). Ôban Triptychon. 'Yami no Ume' (Frauen beim Pflaumenbaum zur Nachtzeit). Signatur: Ichiyûsai Kunisada ga. Verleger: Enshûya Matabei. Murata- und Mera-Zensursiegel. Um 1848. Unter Glas gerahmt.

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FOUR EHON: THREE BY KUNISADA I/II, ONE BY

Lot 1224: FOUR EHON: THREE BY KUNISADA I/II, ONE BY

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Description: FOUR EHON: THREE BY KUNISADA I/II, ONE BY KYÔSAI.a) Matsuwaka Umewaka Taketori Monogatari. Illustration: Utagawa Kunisada, Author: Santô Kyôzan, Publisher Moriya Jihei. Dated Tenpô 10-11 (1839-1840). Vol. 1-4. partly damaged by worms. b) Ibid. Dated Tenpô 11-13 (1840-1842). Vol. 5-8. c) Ibid. Dated Kôka 5-Kaei 2 (1848-1849). Vol. 11-12. d) Kawanabe Kyôsai (Kawanabe Tôiku) (1831-1889): Kyôsai Suiga. Publisher: Matsuzaki Hanzô, Tôkyô. Dated Meiji 15 (1882). Vol. 1 (of 3). (4)VIER EHON: DREI VON KUNISADA I/II, EINES VON KYÔSAI. a) Matsuwaka Umewaka Taketori Monogatari. Illustration: Utagawa Kunisada, Autor: Santô Kyôzan, Verleger Moriya Jihei. Datiert Tenpô 10-11 (1839-1840). Bd. 1-4. Z.T. etwas Wurmfrass. b) Ibid. Datiert Tenpô 11-13 (1840-1842). Bd. 5-8. c) Ibid. Datiert Kôka 5-Kaei 2 (1848-1849). Bd. 11-12. d) Kawanabe Kyôsai (Kawanabe Tôiku) (1831-1889): Kyôsai Suiga.Verleger: Matsuzaki Hanzô, Tôkyô. Datiert Meiji 15 (1882). Bd. 1 (von 3). (4)

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IMARI BOWL.Japan, 19th c. D 21.2 cm.Curved walls

Lot 1225: IMARI BOWL.Japan, 19th c. D 21.2 cm.Curved walls

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Description: IMARI BOWL.Japan, 19th c. D 21.2 cm.Curved walls with mesh basket. Inside a bird flies over a garden landscape, exterior shows a continuous floral decor.IMARI-SCHALE. Japan, 19. Jh. D 21,2 cm.Gewölbte Wandung mit Fassung aus Geflecht. Innen fliegt ein Vogel über eine Gartenlandschaft, aussen durchgehender Blumendekor.

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KENDI MOUNTED AS A LAMP.Japan, Edo Period, H 22

Lot 1226: KENDI MOUNTED AS A LAMP.Japan, Edo Period, H 22

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Description: KENDI MOUNTED AS A LAMP.Japan, Edo Period, H 22 cm.A spherical pitcher with a long neck and outwardly curving mouth, with spout. Red floral decoration on turquoise background. Converted for electrification. Hairline cracks on the body and spout, min. chip.KENDI ALS LAMPE MONTIERT. Japan, Edo-Periode, H 22 cm.Kugeliger Krug mit langem Hals und nach aussen gewölbter Mündung, mit Tülle. Roter Blumendekor auf Türkisfond. Fest fixierte Elektrifizierung. Haarrisse auf Körper und Tülle, min. Chip.

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PAIR OF BLUE AND WHITE BOWLS.Japan, 19th c. D 18

Lot 1227: PAIR OF BLUE AND WHITE BOWLS.Japan, 19th c. D 18

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Description: PAIR OF BLUE AND WHITE BOWLS.Japan, 19th c. D 18 cm.Arita porcelain with curved edges and cranes flying over the waves on the outer walls. Fuku mark on the bottom. Box with inscription. (2)PAAR BLAU-WEISSE SCHALEN. Japan, 19. Jh. D 18 cm.Arita Porzellan mit geschwungenem Rand und über den Wellen fliegenden Kranichen auf der Aussenwand. Fuku-Marke auf der Unterseite. Beschriftete Box. (2)

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TWO HIBACHI AS JARDINIÈRES.Japan, Meiji Period, a)

Lot 1228: TWO HIBACHI AS JARDINIÈRES.Japan, Meiji Period, a)

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Description: TWO HIBACHI AS JARDINIÈRES.Japan, Meiji Period, a) H 27, b) H 31 cm.Underglaze blue decoration in various shades. a) Decoration of peonies with dense vines and leaves, mallow border on the lip. b) Vessel body with broad-leaved peonies and a peony border on the lip (2)ZWEI HIBACHI ALS JARDINIÈREN. Japan, Meiji-Periode, a) H 27, b) H 31 cm.Unterglasurblauer Dekor in verschiedenen Nuancen. a) Päoniendekor mit dichten Ranken und Blätter, Malvenbordüre auf der Lippe. b) Gefässkörper mit grossblättrigen Päonien, an der Lippe Päonienbordüre. (2)

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VOTIVE IMAGE OF JAMBHALA.Mongolian, 19th c. 22.5

Lot 1230: VOTIVE IMAGE OF JAMBHALA.Mongolian, 19th c. 22.5

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Description: VOTIVE IMAGE OF JAMBHALA.Mongolian, 19th c. 22.5 x16 cm.The God of Wealth sits on a snow lion, holding in his left hand the Nakula, which can spit out jewels. Wear due to age. Framed.VOTIVBILD DES JAMBHALA. Mongolei, 19. Jh. 22,5 x16 cm.Der Reichtumsgott sitzt auf einem Schneelöwen und hält in der Linken die Nakula, die Juwelen speien kann. Altersschäden. Gerahmt.

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