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Belle Epoque: 19th & 20th Century Decorative Arts

by Doyle New York

Platinum House

589 lots with images

February 19, 2014

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

589 Lots
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Manner of Palma Vecchio Tarquin and Lucretia

Lot 1: Manner of Palma Vecchio Tarquin and Lucretia

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Description: Manner of Palma Vecchio Tarquin and Lucretia Oil on canvas 33 3/4 x 27 1/8 inches C 

Condition Report: Probably a 19th Century painting. Glue relined. Visible stretcher marks. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Thomas Couture The Falconer

Lot 2: Attributed to Thomas Couture The Falconer

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Description: Attributed to Thomas Couture The Falconer Oil on canvas 42 x 38 inches The primary version of this work belongs to the Toledo Museum of Art. C Estate of Jane Akers Ridgway

Condition Report: Wax relined. Scattered craquelure. Paint is thin in some areas. Scattered touches of inpaint in the contours of the boy's clothing, belt, hair, in the balustrade, the falcon and the foliage along the left register. There are some touches of inpaint in the temple of the boy's face. there is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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European School 19th Century Still Life with Flowers in a Vase on a Ledge

Lot 3: European School 19th Century Still Life with Flowers in a Vase on a Ledge

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Description: European School 19th Century Still Life with Flowers in a Vase on a Ledge Signed with artist's initials M. D. (ll) Oil on canvas 17 x 11 inches C 

Condition Report: Frame rubbing. Scattered craquelure and visible stretcher marks. 9 inch horizontal line of inpaint along the edge of the ledge in the lower register. Inpainted craquelure in the background at the upper left quadrant. There are three repair patches on the reverse, unable to see restoration in the front under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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French School Early 20th Century Bouquet de Fleurs

Lot 4: French School Early 20th Century Bouquet de Fleurs

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Description: French School Early 20th Century Bouquet de Fleurs Oil on canvas 32 x 25 5/8 inches Provenance: Private collection, France C 

Condition Report: Glue relined. Frame rubbing. Scattered craquelure. Scattered touches of inpaint in the background and in the flowers. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Theodule Auguste Ribot French, 1823-1891 The Young Chefs, 1860

Lot 5: Theodule Auguste Ribot French, 1823-1891 The Young Chefs, 1860

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Description: Theodule Auguste Ribot French, 1823-1891 The Young Chefs, 1860 Signed T. Ribot and dated 1860 (lr) Oil on canvas 18 1/8 x 15 inches C Estate of John Edwards

Condition Report: Very dirty varnish. Wax lined. Frame rubbing. Scattered craquelure. Partially visible stretcher marks. Scattered old inpainting: along the edges, but mainly in the far left third of of the painting and in an area at the upper right; some spots in the face of the boy second from the left. Most of the restoration is in the background or in the apron of the boy at far left. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Circle of Charles Robert Leslie Lady Jane Grey with Dr. John Feckenham

Lot 6: Circle of Charles Robert Leslie Lady Jane Grey with Dr. John Feckenham

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Description: Circle of Charles Robert Leslie Lady Jane Grey with Dr. John Feckenham Oil on canvas 40 x 47 5/8 inches C 

Condition Report: Glue relined. Frame rubbing. Scattered craquelure. There is some restoration in in the background at the upper restoration. Some touches of inpaint in the figure of Lady Jane Grey's dress, the craquleure in her face and in the carpet on the table. Dense varnish making it difficult to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Henry Sargent Couple in a Interior

Lot 7: Attributed to Henry Sargent Couple in a Interior

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Description: Attributed to Henry Sargent Couple in a Interior Remnants of a signature (ll) Oil on canvas 50 x 42 inches C 

Condition Report: Glue relined. Frame rubbing. Dirty varnish. Scattered craquelure throughout. Scattered inpaint. Dense varnish, unable to detect further restoration under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Vaclav Brozik Czech, 1851-1901 Seated Cavalier Smoking a Pipe in an Interior   Signed VBrozik with conjoined...

Lot 8: Vaclav Brozik Czech, 1851-1901 Seated Cavalier Smoking a Pipe in an Interior Signed VBrozik with conjoined...

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Description: Vaclav Brozik Czech, 1851-1901 Seated Cavalier Smoking a Pipe in an Interior Signed VBrozik with conjoined first initials (lr) Oil on panel 12 5/8 x 9 1/2 inches C 

Condition Report: Frame rubbing. There is no visible restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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English School 19th Century The Dinner

Lot 9: English School 19th Century The Dinner

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Description: English School 19th Century The Dinner Oil on panel 25 1/2 x 22 1/2 inches C 

Condition Report: Frame rubbing. Panel is cradled. There is a vertical seam to the panel, 3 inches from the left edge, running through the entire panel. There is a 19 inch horizontal seam in lower register. 2 inch vertical panel crack in the lower right edge. 3 inch vertical crack to the panel 5 inches to the left of 2 inch crack. 1 1/2 inch vertical crack a 1 1/2 to the left of the 3 inch panel crack. 1 inch vertical crack 6 1/4 inches over from the 1 1/2 inch crack. Faint vertical cracks in the surface, possibly originating from the panel along the upper register. Scattered scuffs. Inpaint in the craquelure of the man's coat and in the table cloth. Scattered touches of inpainting in the background. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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European School 19th Century The Lesson

Lot 10: European School 19th Century The Lesson

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Description: European School 19th Century The Lesson Oil on canvas 17 3/4 x 14 3/8 inches • 

Condition Report: Frame rubbing, with corresponding losses. Dirty varnish. Visible stretcher marks. 3/4 x 3/4 inch L-shaped tear in the handle of the kettle in the lower right quadrant. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Victor Joseph Chavet French, 1822-1908 The Flute Player

Lot 11: Victor Joseph Chavet French, 1822-1908 The Flute Player

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Description: Victor Joseph Chavet French, 1822-1908 The Flute Player Signed V. Chavet (lr) Oil on panel 8 3/8 x 6 1/8 inches C 

Condition Report: Panel is vertically bowed. Frame rubbing, with corresponding losses along the edges. Dirty and dense varnish. There is no visible restortation under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Neapolitan School 19th/20th Century View of the Bay of Naples

Lot 12: Neapolitan School 19th/20th Century View of the Bay of Naples

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Description: Neapolitan School 19th/20th Century View of the Bay of Naples Oil on canvas 20 x 30 1/2 inches C 

Condition Report: Glue relined. Frame rubbing. Scattered craquelure. Scattered inpaint in the sky, the road and the distant landscape in the background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Neapolitan School 19th/20th Century View of Naples from the Bay

Lot 13: Neapolitan School 19th/20th Century View of Naples from the Bay

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Description: Neapolitan School 19th/20th Century View of Naples from the Bay Oil on canvas 19 1/2 x 30 1/2 inches C 

Condition Report: Frame rubbing. Glue relined. Scattered craquelure throughout. Scattered inpaint in the sky and water. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Clement Calderon French, 1870-1906 Sailboats in Venice

Lot 14: Charles Clement Calderon French, 1870-1906 Sailboats in Venice

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Description: Charles Clement Calderon French, 1870-1906 Sailboats in Venice Signed C. C. Calderon (lr) Oil on canvas 15 x 21 3/4 inches Provenance: The Madison Gallery, Atlanta, GA C 

Condition Report: Frame rubbing. Scattered craquelure. Scattered touches of inpaint in the sky and in the water. There are a couple touches of inpaint in the boat with the cross at the center right. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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American School 20th Century View of a Harbor; Together with English School, 19th/20th Century, Sailors Awaiting Their Ship

Lot 15: American School 20th Century View of a Harbor; Together with English School, 19th/20th Century, Sailors Awaiting Their Ship

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Description: American School 20th Century View of a Harbor Oil on canvas 24 x 36 inches Unframed; Together with English School, 19th/20th Century, Sailors Awaiting Their Ship, oil on canvas, 30 1/8 x 25 inches, unframed C 

Condition Report: American: Frame rubbing. Dirty varnish. Scuffs in the lower right quadrant. Visible stretcher marks. Dense varnish, unable to detect further restoration under UV light. English: Frame rubbing. Glue relined. Scattered craquelure throughout. Dirty varnish. Scattered losses to the surface, particularly in the upper left and upper right quadrants. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Federico Nerly Italian, 1824-1919 Pompeii, circa 1880

Lot 16: Federico Nerly Italian, 1824-1919 Pompeii, circa 1880

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Description: Federico Nerly Italian, 1824-1919 Pompeii, circa 1880 Signed Nerly junior (ll); inscribed Pompeii on the stretcher Oil on canvas 29 1/4 x 47 3/8 inches Provenance: Vose Galleries, Boston C 

Condition Report: Wax lined. Frame rubbing. Scattered craquelure, mainly in the sky. Scattered inpainting: along the frame edges; some scattered spots in the sky; 5 inch thin vertical line at center; 12 inch vertical line at far right center; 1 x 1 inch h-shaped area at lower center right. There may be some glazing in the sky over areas of paint separation. Unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Edward Brock British, 1870-1938 The Orator at Rest, 1889

Lot 17: Charles Edward Brock British, 1870-1938 The Orator at Rest, 1889

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Description: Charles Edward Brock British, 1870-1938 The Orator at Rest, 1889 Signed C. E. Brock and dated 1889 (lr) Oil on canvas 36 x 50 1/4 inches C 

Condition Report: Frame rubbing. Scattered Craquelure, active paint flaking and missing paint flakes. Inpainted craquelure in the trees at the far center right. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Edmund C. Coates American, 1816-1871 Architectural Fantasy (Ovid Banished from Rome), 1867

Lot 18: Edmund C. Coates American, 1816-1871 Architectural Fantasy (Ovid Banished from Rome), 1867

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Description: Edmund C. Coates American, 1816-1871 Architectural Fantasy (Ovid Banished from Rome), 1867 Signed Coates, dated 1867 and inscribed Turner on the wall at lower left Oil on canvas 30 x 44 inches C 

Condition Report: Frame rubbing. Glue relined. Scattered craquelure throughout. There is scattered inpaint in the craquelure in the sky. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Armand Guillaumin French, 1841-1927 Paysage avec Ferme et Collines

Lot 19: Armand Guillaumin French, 1841-1927 Paysage avec Ferme et Collines

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Description: Armand Guillaumin French, 1841-1927 Paysage avec Ferme et Collines signed Guillaumin (ll) Charcoal on paper 12 x 18 5/8 inches C Estate of Sylvia Rubin

Condition Report: Toned. Discoloration around the edges. Hinged with 3 pieces of tape along the upper edge verso. Some light foxing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maurice Levis French, 1860-1940 Summer Pond, 1890

Lot 20: Maurice Levis French, 1860-1940 Summer Pond, 1890

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Description: Maurice Levis French, 1860-1940 Summer Pond, 1890 Signed Maurice Levis and dated 90 (ll) Oil on canvas 24 x 18 1/4 inches C 

Condition Report: Frame rubbing. Dirty varnish. There is a 1/8 inch diameter hole in the far upper register. Light scattered craquelure. Some possible inpaint in the sky. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Claude E. Picault French, 19th/20th Century Summer Landscape with Pond

Lot 21: Claude E. Picault French, 19th/20th Century Summer Landscape with Pond

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Description: Claude E. Picault French, 19th/20th Century Summer Landscape with Pond Signed C. E. Picault. (ll) Oil on panel 11 x 14 1/4 inches C 

Condition Report: Frame rubbing, with corresponding inpaint. There is a 6 inch horizontal inpainted crack in the panel at the lower right quadrant. Inpaint in the sky and in the outline of the trees. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of George Inness Landscape with Boats and Water in the Distance

Lot 22: Follower of George Inness Landscape with Boats and Water in the Distance

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Description: Follower of George Inness Landscape with Boats and Water in the Distance Oil on canvas 21 x 33 inches C 

Condition Report: Glue relined. Frame rubbing. Dirty varnish. L-shaped tear in the lower center. Scattered inpaint in the sky. Dense varnish, unable to detect further restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Emile Charles Lambinet French, 1815-1877 Two Figures and a Cottage in a Landscape, 1849

Lot 23: Emile Charles Lambinet French, 1815-1877 Two Figures and a Cottage in a Landscape, 1849

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Description: Emile Charles Lambinet French, 1815-1877 Two Figures and a Cottage in a Landscape, 1849 Signed Emile Lambinet and dated 1849 (lr) Oil on panel 8 5/6 x 12 7/8 inches C 

Condition Report: Frame rubbing. Panel is warped. 7 inch horizontal crack in the sky running through the tree. Another two 1/2 inch horizontal crack in the sky in the upper left quadrant. There is inpaint in the lines of the cracks. Dense varnish, unable to detect further restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Anton Doll German, 1826-1887 Skating on a Pond

Lot 24: Anton Doll German, 1826-1887 Skating on a Pond

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Description: Anton Doll German, 1826-1887 Skating on a Pond Signed A. Doll and inscribed Munchen (ll) Oil on canvas 23 7/8 x 42 inches C 

Condition Report: Frame rubbing, with corresponding losses and inpaint. Scattered craquelure. There is scattered inpaint in the sky and in the snowy areas. Another area of inpaint in the trees at the far center left, approximately 2 x 3 inches. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Johann Jakob Vollweider German, 1834-1891 Alpine Landscape

Lot 25: Johann Jakob Vollweider German, 1834-1891 Alpine Landscape

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Description: Johann Jakob Vollweider German, 1834-1891 Alpine Landscape Signed J. Vollweider and inscribed Eichstatt (lr) Oil on canvas 30 3/4 x 42 3/4 inches Unframed C 

Condition Report: Glue relined. Frame rubbing (area of loss from frame rubbing in the center right edge). Craquelure throughout. Visible stretcher marks. Dirty/Yellowed varnish. 1/4 inch paint loss in the far lower left corner. 1/2 inch tear in the upper center at the top of the mountain peak. Cleaned around the signature. No other restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Franz Johann Wilhelm Hunten German, 1822-1887 Barkentine Sailing Ship on Stormy Seas, 1881

Lot 26: Franz Johann Wilhelm Hunten German, 1822-1887 Barkentine Sailing Ship on Stormy Seas, 1881

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Description: Franz Johann Wilhelm Hunten German, 1822-1887 Barkentine Sailing Ship on Stormy Seas, 1881 Signed Franz Hunten and dated 1881 (lr) Oil on canvas 17 1/2 x 28 1/8 inches C 

Condition Report: Frame rubbing, with corresponding inpaint. Dirty varnish. Craquelure. Visible stretcher mark along the upper register. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jose Weiss British, 1859-1919 In the South Downs

Lot 27: Jose Weiss British, 1859-1919 In the South Downs

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Description: Jose Weiss British, 1859-1919 In the South Downs Signed Jose Weiss (ll); inscribed as titled and inscribed Jose Weiss on the reverse; inscribed Jose Weiss/In the South Downs £120/no. 1/Sheffield on an old label affixed to the reverse Oil on canvas 20 x 30 1/4 inches C 

Condition Report: Frame rubbing. Scattered craquelure. Glue relined. There is inpaint in the craquelure in the sky. Dense varnish, unable to detect further restoration under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mackenzie Thomson British, fl. 1870-1892 H.M.S. Encounter

Lot 28: Mackenzie Thomson British, fl. 1870-1892 H.M.S. Encounter

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Description: Mackenzie Thomson British, fl. 1870-1892 H.M.S. Encounter Signed Mackenzie Thomson (ll); inscribed H.M.S. Encounter (2nd) c. 1860/Launched-Pembroke, 1846. Engaged in the suppression of Chinese piracy under Captain G.D.O'Callaghan, 1854./Took part in the Second Chinese War, 1856, and in the attack on the Taku Forts, 1860, under Captain R. Dew-/Assisted in the capture of Ningpo, 1862 Broken up 1866 on the verso Watercolor on paper 15 x 21 1/8 inches • 

Condition Report: Mounted to the front matting with tape on all sides vero. There is a vertical stain running down the entire work at center. Scattered foxing and stains. Toned. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Jean Marie Haquette French, 1854-1906 Pushing out to Sea

Lot 29: Georges Jean Marie Haquette French, 1854-1906 Pushing out to Sea

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Description: Georges Jean Marie Haquette French, 1854-1906 Pushing Out to Sea Signed G. Haquette (ll) Oil on canvas 15 3/8 x 21 7/8 inches C 

Condition Report: Frame rubbing. Dirty varnish. Visible stretcher mark down the center. 1/2 x 1/8 inch repaired hole in the sky in the upper left quadrant, with corresponding patch on the reverse. 1/2 inch horizontal repaired tear in the upper left corner. 1 1/4 inch vertical repaired tear in the man pushing the boat at the lower right quadrant, with a corresponding patch. 1 inch repaired vertical tear in the woman pushing the boat in the lower right quadrant, with a corresponding patch. Three tiny repaired holes in the sky at the upper right quadrant. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Narcisse Virgile Diaz de la Pena French, 1808-1876 Jete de Fleurs, 1856

Lot 30: Narcisse Virgile Diaz de la Pena French, 1808-1876 Jete de Fleurs, 1856

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Description: Narcisse Virgile Diaz de la Pena French, 1808-1876 Jete de Fleurs, 1856 Signed N. Diaz and dated 56 (lr) Oil on board 16 1/4 x 13 inch:es Provenance: Galerie Helbing, Munich, Germany Literature: Pierre Miquel and Rolande Miquel, Narcisse Diaz de la Pena (1807-1876), Paris, 2006, vol. II, p. 514, no. 3156, illus. C 

Condition Report: Dirty varnish. Frame rubbing. Chips, losses and damage along the edges. The largest being a 1 x 1 inch loss to the board in the upper right corner. Another 1/2 x 1/8 inch loss in the lower left corner. Scattered craquelure throughout. There is some possible inpaint scattered on the shelf in the lower register and in the background. Dense varnish, unable to detect further restoration under Uv light. *Please note that Doyle does have the missing corner to the board. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mauritz Frederick Hendrick de Haas Dutch/American, 1832-1895 Sailboats by Moonlight, 1883

Lot 31: Mauritz Frederick Hendrick de Haas Dutch/American, 1832-1895 Sailboats by Moonlight, 1883

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Description: Mauritz Frederick Hendrick de Haas Dutch/American, 1832-1895 Sailboats by Moonlight, 1883 Signed M. F. H. de Haas, NA and dated 83 (lr) Oil on canvas 34 1/8 x 24 inches C 

Condition Report: Frame rubbing. Scattered craquelure throughout. Visible stretcher marks. Dirty varnish. There are two 1 inch lines of surface loss in the sky at the upper center edge, with a 1/8 diameter loss 1 inch to the left of the vertical losses. There is a 2 inch diagonal line of inpaint in the upper left corner. There are some scattered tiny paint fakes missing. There is no further restoration visible under UV light. There is a slight wave to the canvas. *Please note that there is a pentimento of the moon at the center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Bush Hardy British, 1842-1897 (i) Ships and Gulls in Rough Sea, 1890 (ii) French Fishing Boats, 1986

Lot 32: Thomas Bush Hardy British, 1842-1897 (i) Ships and Gulls in Rough Sea, 1890 (ii) French Fishing Boats, 1986

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Description: Thomas Bush Hardy British, 1842-1897 (i) Ships and Gulls in Rough Sea, 1890 Signed T. B. Hardy and dated 1890 (ll) Watercolor on paper 14 x 22 1/8 inches (ii) French Fishing Boats, 1896 Inscribed as titled, signed T. B. Hardy and dated 1896 (lr) Watercolor on paper 11 3/4 x 24 5/8 inches C 

Condition Report: (i) Discoloration around the edges. Scattered foxing throughout. Toned. Hinged with three pieces of tape along the upper register verso. (ii) Discoloration around the edges. Toned. Hinged with two pieces of tape in the upper register verso. Light scattered foxing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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(i) Samuel Prout British, A View of La Place de la Pucelle, Rouen, (ii) After Samuel Prout, A View of La Place de la Pucelle, Rouen

Lot 33: (i) Samuel Prout British, A View of La Place de la Pucelle, Rouen, (ii) After Samuel Prout, A View of La Place de la Pucelle, Rouen

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Description: (i) Samuel Prout British, 1783-1852 A View of La Place de la Pucelle, Rouen Watercolor and pencil on paper 9 7/8 x 13 inches Provenance: Arthur Ackermann & Son, Inc., Chicago (ii) After Samuel Prout A View of La Place de la Pucelle, Rouen Hand-colored etching and aquatint Image 10 3/8 x 13 3/8 inches Provenance: Arthur Ackermann & Son, Inc., Chicago C Property of a New York Collector

Condition Report: Watercolor: Toned. Discoloration around the edges. Laid down to cardboard. Print: Laid down to card. Trimmed. Toned. Discoloration around the edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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William Pitt British, 1853-1890 Cottage and Boats Along a River's Edge

Lot 34: William Pitt British, 1853-1890 Cottage and Boats Along a River's Edge

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Description: William Pitt British, 1853-1890 Cottage and Boats Along a River's Edge Signed W. Pitt on the fence (ll) Oil on canvas 18 3/8 x 34 inches Provenance: Alan Y. Roberts Antiques, Pound Ridge, NY C 

Condition Report: Glue relined. Frame rubbing. Scattered craquelure throughout. There are some minor touches of inpaint in the sky. There is a touch of inpaint in the water at the lower right quadrant. Some additional inpaint in the posts of the fence in the lower left quadrant and the signature fluoresces. Dense varnish, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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John Clayton Adams English, 1840-1906 The Fringe of the River, Ewhurst Hill, Guildford, 1894

Lot 35: John Clayton Adams English, 1840-1906 The Fringe of the River, Ewhurst Hill, Guildford, 1894

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Description: John Clayton Adams English, 1840-1906 The Fringe of the River, Ewhurst Hill, Guildford, 1894 Signed J. Clayton Adams and dated 1894 (lr); inscribed No. 3/The Fringe of the River/J. Clayton Adams/Ewhurst Hill/Guildford on an old label affixed to the stretcher Oil on canvas 42 1/4 x 60 3/8 inches Provenance: Alan Y. Roberts, Inc., Pound Ridge, NY C 

Condition Report: Frame rubbing. Surface grime. Some scattered craquelure and areas of paint separation. There is some inpaint in the sky from a stretcher mark in the center left. There is no further restoration visible under Uv light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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American School 19th/20th Century Squall at Sea

Lot 36: American School 19th/20th Century Squall at Sea

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Description: American School 19th/20th Century Squall at Sea Oil on canvas 25 x 35 inches C 

Condition Report: Frame rubbing. Visible stretcher marks. Dirty varnish. Scattered craquelure. There is a tiny hole with corresponding loss in the upper right quadrant, approximately 1/4 inch in diameter. Paint flake loss in the sky in the upper left quadrant, the water at the center right and in the water at the lower left quadrant. Some minor losses elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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William Smellie Watson Scottish, 1796-1874 Portrait of Lady, Three-Quarter Length, with a View of Prestonfield House, M...

Lot 37: William Smellie Watson Scottish, 1796-1874 Portrait of Lady, Three-Quarter Length, with a View of Prestonfield House, M...

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Description: William Smellie Watson Scottish, 1796-1874 Portrait of Lady, Three-Quarter Length, with a View of Prestonfield House, Midlothian, 1821 Signed Smellie Watson and dated 1821 (lr) Oil on canvas 50 x 39 3/4 inches It is has been suggested that the sitter of this portrait is Harriet Hanmer, Lady Dick-Cunyngham. C 

Condition Report: Glue relined. Frame rubbing. Scattered scuffs and scratches throughout. Dense varnish, hard to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolphe Yvon French, 1817-1893 Portrait of a Lady in a Ball Gown, 1881

Lot 38: Adolphe Yvon French, 1817-1893 Portrait of a Lady in a Ball Gown, 1881

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Description: Adolphe Yvon French, 1817-1893 Portrait of a Lady in a Ball Gown, 1881 Signed Ade. Yvon. and dated 1881. (lr) Oil on canvas 58 1/8 x 42 3/8 inches C 

Condition Report: Strip relined. Frame rubbing. Scattered craquelure throughout. Visible stretcher marks. Scattered touches of inpaint in the background. An area of inpaint, approximately 2 x 21/2 inches, in the arm of the chair in the lower left quadrant. There is a repaired tear, 1 inch in diameter, in the white of the dress in the lower left quadrant. There is also a 1/4 inch horizontal tear, two inches above the previous repaired tear. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Adolphe Charles Edouard Steinheil Male Model

Lot 39: Attributed to Adolphe Charles Edouard Steinheil Male Model

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Description: Attributed to Adolphe Charles Edouard Steinheil Male Model Bears signature A. Steinheil (lr) Oil on canvas 74 3/4 x 33 1/2 inches Unframed C 

Condition Report: Frame rubbing. There are multiple repaired tears and tears throughout. The largest being a 6 inch diagonal repaired tear in the background just above the man's shoulder; 3 1/2 x 1 inch T-shaped tear in the background at the upper left of the man's shoulder; 2 x 1 x 2 inch U-shaped tear in the background at the upper left background. Dense varnish. Some scattered inpaint. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Willem Nicolaas Hendrikse Dutch, 1863-1941 Woman at a Piano, 1892

Lot 40: Willem Nicolaas Hendrikse Dutch, 1863-1941 Woman at a Piano, 1892

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Description: Willem Nicolaas Hendrikse Dutch, 1863-1941 Woman at a Piano, 1892 Signed W. N. Hendrikse and dated 1892 (ur) Oil on canvas 41 1/4 x 33 1/4 inches C 

Condition Report: Frame rubbing. Glue relined. Scattered inpaint and repaired tears throughout. Paint separation in the face and upper background, with corresponding inpaint. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Abel Bertram French, 1871-1954 (i) Woman from Behind (ii) La Petite Bretonne

Lot 41: Abel Bertram French, 1871-1954 (i) Woman from Behind (ii) La Petite Bretonne

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Description: Abel Bertram French, 1871-1954 (i) Woman from Behind Signed Abel Bertram (lr) Charcoal and brown chalk on paper 20 x 12 7/8 inches (ii) La Petite Bretonne Signed Abel Bertram (lr); inscribed as titled on the backing Ink on paper laid down to a second sheet 10 5/8 x 8 1/4 inches Provenance: Galerie J. Le Chapelin, Paris C 

Condition Report: Woman from Behind: Toned. Hinged with tape on all sides to the front matting verso. There is some water stains to the paper at the center left. Head of a Woman: Toned. Faded. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Aristide Maillol French, 1861-1944 Standing Female Nude

Lot 42: Aristide Maillol French, 1861-1944 Standing Female Nude

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Description: Aristide Maillol French, 1861-1944 Standing Female Nude Signed with artist's monogram (lr) Pencil on paper laid down to a second sheet 12 1/8 x 8 inches Provenance: Sale: Swann, New York, Sept. 13, 2001, lot 461 This work is accompanied by a copy of the photocertificate issued by Dina Vierny on Oct. 24, 2000 C 

Condition Report: Some scattered staining and foxing. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maximilien Colin American, 1862-1894 Woman Seated in an Interior, circa 1880

Lot 43: Maximilien Colin American, 1862-1894 Woman Seated in an Interior, circa 1880

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Description: Maximilien Colin American, 1862-1894 Woman Seated in an Interior, circa 1880 Signed M. Colin and inscribed Paris (lr) Oil on canvas 29 x 36 1/4 inches Provenance: Estate of Alma Drake, Brooklyn, NY Exhibited: New York, ACA Galleries, Visions of America 1787-1987: 200 Years of American Genre in Commemoration of the Bicentennial of the United States Constitution, Sept. 30-Oct. 24, 1987, p. 20 illus., lent by Spanierman Gallery, New York New York, Spanierman Gallery, LLC, The Spirit of America: American Art from 1829 to 1970, Nov. 1, 2002-Feb. 15, 2003, color illus., cat. 33 Literature: Visions of America 1787-1987: 200 Years of American Genre in Commemoration of the Bicentennial of the United States Constitution, exh. cat., New York: ACA Galleries, 1987, p. 30, illus. The Spirit of America: American Art from 1829 to 1970, New York: Spanierman Gallery, LLC, 2002, color illus., cat. 33 Born "Maximilien Cohen," in Bromberg, Prussia, the artist changed his last name to Colin at some point after 1880. He became a naturalized United States citizen in 1889. In the following year, he traveled to France, where he studied with the American painter Henry Mosler and the French painter Fernand Cormon. Evoking the ennui of an American woman abroad in Paris in a novel by Henry James, this painting is likely to be the work Colin exhibited as Souvenirs at the Paris Salon of 1891. A review described this work as showing a young woman "sitting lanquidly in a chair . . .[she] has evidently exhausted all attempts at killing time with music and reading, and has taken to her own thoughts as the least wearisome." Colin returned to New York in late 1892 and an exhibition of his work was held at the Holbein Company in February of 1893. C The Spanierman Gallery, LLC

Condition Report: Glue relined. Frame rubbing with corresponding inpaint. 1 1/2 inch line of inpaint in the curtain in the upper center edge. A couple touches of inpaint in the: carpet at the lower left quadrant; the lady's hands and face; and the wall at the center right. There is no further restortation under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Rene Lelong French, 1871-1938 Madame Recamier, 1892

Lot 44: Rene Lelong French, 1871-1938 Madame Recamier, 1892

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Description: Rene Lelong French, 1871-1938 Madame Recamier, 1892 Signed RLelong with conjoined first initials (ll); inscribed Rene Lelong/Paris 1892/Mme Recamier on an old label affixed to the backboard Oil on board, polygonal 13 x 18 1/4 inches • 

Condition Report: Frame rubbing. Dirty varnish. The board is slightly warped. There is no restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alexander Mann Scottish, 1853-1908 San Benito, Salamanca

Lot 45: Alexander Mann Scottish, 1853-1908 San Benito, Salamanca

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Description: Alexander Mann Scottish, 1853-1908 San Benito, Salamanca Signed Alex Mann (ll) Oil on panel 12 3/4 x 9 inches C Property of a New York Collector

Condition Report: Frame rubbing, with corresponding inpaint in the upper center edge and the left center edge. There is a small touch of inpaint on the ground in the lower center and the bricks of the building in the upper center above the roof. Otherwise in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Johann Klepinski Polish, 1872-circa 1927 A Bashi-Bazouk   Signed J. Klepinski (lr) Oil on canvas 1...

Lot 46: Johann Klepinski Polish, 1872-circa 1927 A Bashi-Bazouk Signed J. Klepinski (lr) Oil on canvas 1...

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Description: Johann Klepinski Polish, 1872-circa 1927 A Bashi-Bazouk Signed J. Klepinski (lr) Oil on canvas 18 x 13 1/8 inches Provenance: Private collection, Boston This is a work is a copy after a Charles Bargue painting currently located in the Metropolitan Museum of Art, New York. C 

Condition Report: Frame rubbing. Visible stretcher marks. Scattered craquelure. There is a 1 1/4 inch horizontal repaired tear, with corresponding patch on the reverse, in the ground just above and to the right of the man's fallen shoe. There are some touches of inpaint in the background of the upper register, some of this is from inpainted missing paint flakes. Dense varnish, making it hard to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Etienne Billet The Sultan's Choice

Lot 47: Manner of Etienne Billet The Sultan's Choice

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Description: Manner of Etienne Billet The Sultan's Choice Bears signature Billet (ll) Oil on canvas laid to board 34 7/8 x 45 7/8 inches C 

Condition Report: Frame rubbing. Inpaint in the drapery, the beard of the sultan, the arm of the woman at the right, touches in the background, particularly out the door in the upper center left. Scattered touches of inpaint elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Salvatore Valeri Italian, 1856-1946 A Reflective Moment

Lot 48: Salvatore Valeri Italian, 1856-1946 A Reflective Moment

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Description: Salvatore Valeri Italian, 1856-1946 A Reflective Moment Signed S. Valeri and inscribed Roma (lr) Watercolor and graphite pencil on paper laid down to a second sheet 20 3/8 x 14 1/8 inches Provenance: Private collection C The Spanierman Gallery, LLC

Condition Report: Toned. Mounted with two pieces of tape along the upper register verso. Some light scattered stains. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flippo Indoni Italian, 19th Century Young Girl Carrying a Jug

Lot 49: Flippo Indoni Italian, 19th Century Young Girl Carrying a Jug

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Description: Flippo Indoni Italian, 19th Century Young Girl Carrying a Jug Signed FIndoni with conjoined first initials (lr) Watercolor on paper 21 5/8 x 14 5/8 inches C 

Condition Report: Paper toned. Discoloration around the edges. Some scattered foxing and light staining. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Robert Loftin Newman American, 1827-1912 Girls Playing with a Doll

Lot 50: Robert Loftin Newman American, 1827-1912 Girls Playing with a Doll

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Description: Robert Loftin Newman American, 1827-1912 Girls Playing with a Doll Signed R. L. Newman (ll) Oil on canvas 7 x 10 inches Provenance: Mr. Daniel Chester French, New York Mr. George S. Keyes Mrs. Stedman Buttrick, Concord, MA Literature: Marchal E. Landgren. Robert Loftin Newman. Washington, D.C.: Smithsonian Institution, p. 149, no. 80, illus. A solitary figure who rarely exhibited his work, Robert Loftin Newman earned the respect of some of the leading art world figures of his time, including William Merritt Chase, Stanford White, and John Gellatly, who were among the organizers of his first and only lifetime exhibition, held at Knoedler Gallery in New York in 1894. However, Newman's main supporter was the sculptor Daniel Chester French, who provided him with a monthly stipend. Probably given by the artist to French in gratitude, this painting passed down in French's Concord, Massachusetts, family, until 2001. C The Spanierman Gallery, LLC

Condition Report: Glue relined. Frame rubbing, with corresponding inpaint. 1 x 1/2 inch area of restoration in the background just to the right of the girl with the white and pink dress. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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