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Auction Description for Doyle New York: Old Master, Modern & Contemporary Prints
Viewing Notes:
Thursday, April 24, 10am-5pm Friday, April 25, 10am-5pm Saturday, April 26, 10am-5pm Sunday, April 27, Noon-5pm

Old Master, Modern & Contemporary Prints

by Doyle New York

Platinum House

212 lots with images

April 29, 2014

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

212 Lots
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Vito Acconci WAIVERING FLAGS Color lithograph, on six panels of Arches hot press paper

Lot 1: Vito Acconci WAIVERING FLAGS Color lithograph, on six panels of Arches hot press paper

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Description: Vito Acconci (b. 1940) WAVERING FLAGS Color lithograph, on six panels of Arches hot press paper, 1990, signed, dated and inscribed AP on panel F, published by Landfall Press, Chicago, in apparently good condition, the full sheets, in six frames (unexamined out of the frames). Sheets 18 x 24 inches; 457 x 610 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Benny Andrews STRUNG OUT Etching and aquatint

Lot 2: Benny Andrews STRUNG OUT Etching and aquatint

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Description: Benny Andrews (1930-2006) STRUNG OUT Etching and aquatint, 1972, signed, dated, titled and inscribed Artists Proof in pencil, some discoloration at top right sheet edge, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 17 5/8 x 12 inches; 448 x 305 mm. Provenance: Purchased from the artist C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hans Arp (1887-1966) COMPOSITION Color woodcut

Lot 3: Hans Arp (1887-1966) COMPOSITION Color woodcut

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Description: Hans Arp (1887-1966) COMPOSITION (ARNTZ 228) Color woodcut, 1959, on Rives BFK, signed and numbered 21/50 in pencil, lightstain and matstain, otherwise in apparently good condition, with margins, framed (unexamined out of the frame). 8 1/8 x 6 3/4 inches; 206 x 171 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Milton Avery MARCH AT A TABLE Drypoint

Lot 4: Milton Avery MARCH AT A TABLE Drypoint

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Description: Milton Avery (1885-1965) MARCH AT A TABLE (LUNN 28) Drypoint, 1948, on cream wove paper, signed in pencil, lightstain and matstain, affixed with brown paper tape at sheet edges recto to card, some offsetting and minor soiling in the margins, otherwise in good condition, with good margins, framed. 8 3/4 x 6 1/8 inches; 222 x 156 mm. Sheet 12 1/2 x 9 1/4 inches; 318 x 235 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Will Barnet PLAY; CAT AND CANARY Color lithograph and a color lithograph and screenprint (2)

Lot 5: Will Barnet PLAY; CAT AND CANARY Color lithograph and a color lithograph and screenprint (2)

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Description: Will Barnet (1911-2012) PLAY; CAT AND CANARY (SZOKE 147; 158) Color lithograph and a color lithograph and screenprint, on Arches, 1971 and 1975, respectively, signed, titled, the first annotated Ed. and numbered 50/225, the second numbered 117/150 in pencil, the first published by Associated American Artists, New York, the second by International Play Group, Inc., New York, lightstain, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frames). (2) Larger 29 3/4 x 23 1/2 inches; 756 x 597 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Will Barnet WOMAN BY THE SEA Color lithograph

Lot 6: Will Barnet WOMAN BY THE SEA Color lithograph

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Description: Will Barnet WOMAN BY THE SEA (S. 152) Color lithograph, 1973, on Arches, signed, titled and numbered 62/75 in pencil, published by the artist, New York, lightstain, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 29 1/4 x 23 1/8 inches; 743 x 587 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Will Barnet THE READER Color lithograph

Lot 7: Will Barnet THE READER Color lithograph

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Description: Will Barnet THE READER (S. 170) Color lithograph, 1979, on Arches, signed, dated, titled and inscribed artist's trial proof in pencil, aside from the edition of 250, published by Associated American Artists, New York, in apparently good condition, with good or full margins, framed (unexamined out of the frame). 15 x 35 3/4 inches; 381 x 908 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jennifer Bartlett GRACELAND WOODCUT, STATE I Woodcut

Lot 8: Jennifer Bartlett GRACELAND WOODCUT, STATE I Woodcut

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Description: Jennifer Bartlett (b. 1941) GRACELAND WOODCUT, STATE I Woodcut, 1979-80, signed, dated and inscribed V PP 1/2 in pencil, co-published by Brooke Alexander and Paula Cooper Gallery, New York, some unobtrusive rippling, otherwise in good condition, with full margins, framed. Sheet 27 3/4 x 27 1/2 inches; 705 x 699 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jennifer Bartlett SHADOW Color etching, aquatint, drypoint, spitbite and roulette, on 4 sheets of Fabriano Tiepolo paper, each framed

Lot 9: Jennifer Bartlett SHADOW Color etching, aquatint, drypoint, spitbite and roulette, on 4 sheets of Fabriano Tiepolo paper, each framed

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Description: Jennifer Bartlett SHADOW (ORLANDO MUSEUM 12) Color etching, aquatint, drypoint, spitbite and roulette, 1984, on four sheets of Fabriano Tiepolo paper, one sheet signed and dated in pencil verso, each numbered 40/60 and annotated sequentially 'A-D' respectively, co-published by Multiples, Inc., and Paula Cooper Gallery, New York, printed to the edges, pale matstain at sheet edges and verso, minor printer's ink and soiling verso, some unobtrusive rippling at sheet edges, one affixed with a piece of linen tape at three sheet edges verso to top mat, one with occasional light abrasion at sheet edges verso, otherwise in good condition, the full sheets, in four frames. 30 x 90 inches; 762 x 2286 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows OLD BILLIARD PLAYER Lithograph

Lot 10: George Bellows OLD BILLIARD PLAYER Lithograph

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Description: George Bellows (1882-1925) OLD BILLIARD PLAYER (MASON 84) Lithograph, 1921, on Japan, signed in pencil, inscribed Bolton Brown-imp by the printer, edition of 43, two small almost imperceptible occlusions in the background top right (longest 1/4 inch), otherwise in good condition, with good margins, framed. 9 1/8 x 7 1/2 inches; 232 x 191 mm. Sheet 10 1/2 x 8 7/8 inches; 267 x 225 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows NUDE STUDY, GIRL ON A FLOWERED CUSHION Lithograph

Lot 11: George Bellows NUDE STUDY, GIRL ON A FLOWERED CUSHION Lithograph

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Description: George Bellows NUDE STUDY, GIRL ON A FLOWERED CUSHION (M. 172) Lithograph, 1923-24, signed and titled Study in pencil, inscribed Bolton Brown-imp by the printer, edition of 24, pale lightstain, some handling creases, a few unobtrusive small foxing spots in the margins and verso, otherwise in good condition, with full margins, framed. 8 1/4 x 9 3/8 inches; 210 x 238 mm. Sheet 10 1/4 x 12 5/8 inches; 260 x 321 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows NUDE STUDY, GIRL STANDING ON ONE FOOT Lithograph

Lot 12: George Bellows NUDE STUDY, GIRL STANDING ON ONE FOOT Lithograph

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Description: George Bellows NUDE STUDY, GIRL STANDING ON ONE FOOT (M. 175) Lithograph, 1923-24, signed and titled Study in pencil, inscribed Bolton Brown-imp by the printer, edition of 30, pale lightstain, minor printer's ink or soiling in the margins, otherwise in good condition, with full margins, framed. 12 1/8 x 5 inches; 308 x 127 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton (1889-1975) THE RACE Lithograph

Lot 13: Thomas Hart Benton (1889-1975) THE RACE Lithograph

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Description: Thomas Hart Benton (1889-1975) THE RACE (FATH 56) Lithograph, 1942, signed in pencil, edition of 250, published by Associated American Artists, New York, pale lightstain and matstain, some old glue residue at three sheet edges verso, an area of unobtrusive discoloration verso showing almost imperceptibly through to recto in the sky, a 1/4 inch tear at bottom left sheet edge, otherwise in good condition, with good margins, framed. 9 x 13 1/4 inches; 229 x 337 mm. Sheet 10 7/8 x 15 inches; 276 x 337 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton WEST TEXAS Lithograph

Lot 14: Thomas Hart Benton WEST TEXAS Lithograph

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Description: Thomas Hart Benton WEST TEXAS (F. 77) Lithograph, 1952, signed in pencil, edition of 300, published by Southern Methodist University Press, Dallas and with their blindstamp, almost imperceptible lightstain, some abrasion along top sheet edge verso, some handling creases, a few specks of printer's ink and other minor discoloration in the margins and verso, otherwise in good condition, with full margins. 11 x 14 inches; 279 x 356 mm. Sheet 15 1/4 x 19 1/8 inches; 387 x 486 mm. C The Creekmore and Adele Fath Charitable Foundation Collection

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre Bonnard LA REVUE BLANCHE Color lithograph

Lot 15: Pierre Bonnard LA REVUE BLANCHE Color lithograph

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Description: Pierre Bonnard (1867-1947) LA REVUE BLANCHE (BOUVET 30) Color lithograph, 1894, laid on linen, lightstain, creasing and small tears, some scattered tiny losses (mainly in top third of sheet), otherwise in good condition, the full sheet, framed. Sheet 30 3/4 x 24 1/4 inches; 781 x 616 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Lee Bontecou TWELFTH STONE Lithograph

Lot 16: Lee Bontecou TWELFTH STONE Lithograph

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Description: Lee Bontecou (b. 1931) TWELFTH STONE (SPARKS 26) Lithograph, 1966-70, on Kochi handmade paper, signed, dated and numbered 2/21 in pencil, published by ULAE, West Islip and with their blindstamp, a few small occlusions, almost imperceptible matstain, some printer's and handling creases and rippling, two small areas of abrasion in the margins, otherwise in good condition, with full margins, framed. 9 1/2 x 14 1/4 inches; 241 x 362 mm. Sheet 20 1/2 x 26 1/2 inches; 521 x 673 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Richard Bosman ADRIFT; ASHORE Color stencils (2)

Lot 17: Richard Bosman ADRIFT; ASHORE Color stencils (2)

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Description: Richard Bosman (b. 1944) ADRIFT; ASHORE Color stencils, 1984, signed and numbered 14/25 and 12/25, respectively, in pencil, published by Brooke Alexander, New York, in apparently good condition, with full margins, framed (unexamined out of the frames). (2) Sheets approximately 28 x 23 1/2 inches; 711 x 597 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Braque AU COUCHANT (OISEAU XVI) Color lithograph

Lot 18: Georges Braque AU COUCHANT (OISEAU XVI) Color lithograph

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Description: Georges Braque (1882-1963) AU COUCHANT (OISEAU XVI) (VALLIER 126) Color lithograph, 1958, on Arches, signed and numbered 49/75 in pencil, published by Maeght, Paris, printed to the edges, matstain verso, a few unobtrusive printer's creases, three unobtrusive handling creases with some hairline ink loss (two in the black border, one at left sheet edge) otherwise in good condition, the full sheet, framed. Sheet 18 3/4 x 25 1/2 inches; 476 x 648 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Braque LE VERRE ET LA POMME Color lithograph

Lot 19: Georges Braque LE VERRE ET LA POMME Color lithograph

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Description: Georges Braque LE VERRE ET LA POMME (V. 189) Color lithograph, 1963, on Arches, signed and numbered 119/120 in pencil, from Dix Oeuvres, printed and published by Phoebus Editions, Basel, lightstain and matstain, some offsetting in the margins, some handling and other creases in the margins, a small area of pale discoloration in the margin top left, otherwise in good condition, with full margins, framed. 6 x 10 inches; 152 x 254 mm. Sheet 19 3/4 x 14 5/8 inches; 502 x 371 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Georges Braque SOLEIL ET LUNE II Color lithograph

Lot 20: After Georges Braque SOLEIL ET LUNE II Color lithograph

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Description: After Georges Braque SOLEIL ET LUNE II (MAEGHT 1035) Color lithograph, 1959, signed in pencil, numbered 241/275, published by Maeght, Paris, lightstain and matstain, some old tape at sheet edges verso, a few unobtrusive handling creases, otherwise in good condition, with good margins, framed. 9 3/8 x 3 5/8 inches; 238 x 92 mm. Sheet 14 3/8 x 7 5/8 inches; 365 x 194 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alexander Calder PUPPET MAN Color lithograph

Lot 21: Alexander Calder PUPPET MAN Color lithograph

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Description: Alexander Calder (1898-1976) PUPPET MAN Color lithograph, 1960, on cream wove paper, signed and numbered 59/75 in pencil, lightstain and matstain, some handling creases, some other unobtrusive creasing in the top margin, otherwise in apparently good condition, with full margins, framed (unexamined out of the frame). 40 x 14 1/8 inches; 1016 x 359 mm. Sheet 40 5/8 x 17 1/4 inches; 1032 x 438 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Leonora Carrington BIRD BATH Color lithograph

Lot 22: Leonora Carrington BIRD BATH Color lithograph

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Description: Leonora Carrington (1917-2011) BIRD BATH Color screenprint, 1974, signed and numbered 148/150 in pencil, published by Brewster Editions, New York, in apparently good condition, with good or full margins, framed (unexamined out of the frame). 28 x 22 inches; 711 x 559 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt LOOKING INTO THE HAND MIRROR (NO. 3) Etching and drypoint

Lot 23: Mary Cassatt LOOKING INTO THE HAND MIRROR (NO. 3) Etching and drypoint

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Description: Mary Cassatt (1844-1926) LOOKING INTO THE HAND MIRROR (NO. 3) (BREESKIN 202+) Etching and drypoint, circa 1905, matstain, some foxing and other discoloration in the margins and verso, otherwise in good condition, with full margins, framed. 8 1/4 x 5 7/8 inches; 210 x 149 mm. Sheet 13 3/4 x 10 inches; 349 x 254 mm. C Property of the Barnard Estate

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hendrick Cassiers RED STAR LINE, ANTWERPEN=NEW YORK Color lithograph

Lot 24: Hendrick Cassiers RED STAR LINE, ANTWERPEN=NEW YORK Color lithograph

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Description: Hendrick Cassiers (1858-1944) RED STAR LINE, ANTWERPEN=NEW YORK Color lithograph, printed by O. De Rycker, Brussels, laid on linen, lightstain, central horizontal and five vertical folds (some associated creasing and small losses and tears with some skillful filling in), some foxing and unobtrusive creasing, a few tears at sheet edges, otherwise in apparently good condition, with good margins, framed (unexamined out of the frame). 42 x 57 3/4 inches; 1067 x 1467 mm. C The Phil Ramone Collection

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall ANNOINTING OF SAUL Hand-colored etching

Lot 25: Marc Chagall ANNOINTING OF SAUL Hand-colored etching

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Description: Marc Chagall (1887-1985) ANNOINTING OF SAUL (CRAMER BOOKS 30) Hand-colored etching, 1931-39, on Arches, signed with initials in pencil, numbered 15/100, from The Bible, published by Teriade, Paris, lightstain and matstain, old tape and glue residue at top and right sheet edges verso, a few unobtrusive handling creases, otherwise in good condition, with full margins, framed. 12 1/2 x 8 7/8 inches; 318 x 225 mm. Sheet 21 x 15 1/2 inches; 533 x 394 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall DANCE OF MIRIAM, SISTER OF MOSES Hand-colored etching

Lot 26: Marc Chagall DANCE OF MIRIAM, SISTER OF MOSES Hand-colored etching

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Description: Marc Chagall DANCE OF MIRIAM, SISTER OF MOSES (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches, signed with initials in pencil, numbered 15/100, from The Bible, published by Teriade, Paris, lightstain and matstain, some old tape at top and bottom sheet edges verso, a few unobtrusive handling creases, minor foxing in the margins and verso, otherwise in good condition, with full margins, framed. 11 3/4 x 9 1/4 inches; 298 x 235 mm. Sheet 21 1/8 x 15 3/8 inches; 537 x 391 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall REBECCA AT THE WELL Hand-colored etching

Lot 27: Marc Chagall REBECCA AT THE WELL Hand-colored etching

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Description: Marc Chagall REBECCA AT THE WELL (C. BOOKS 30) Hand-colored etching, 1931-39, on Arches, signed with initials in pencil, numbered 58/100, from The Bible, published by Teriade, Paris, lightstain and matstain, some old tape at top sheet edge and bottom left sheet corner verso, a few unobtrusive handling creases, some foxing in the margins and verso, three small pressure marks in the left margin, otherwise in good condition, with full margins, framed. 11 7/8 x 9 3/8 inches; 302 x 238 mm. Sheet 21 1/8 x 15 1/2 inches; 537 x 394 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall LES AMOUREUX AUX SOLEIL ROUGE Color lithograph

Lot 28: Marc Chagall LES AMOUREUX AUX SOLEIL ROUGE Color lithograph

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Description: Marc Chagall LES AMOUREUX AUX SOLEIL ROUGE (MOURLOT 285) Color lithograph, 1960, signed and numbered 4/40 in pencil, almost imperceptible matstain, some unobtrusive handling creases, a diagonal soft crease and faint blindstamp at bottom left sheet corner, otherwise in good condition, with full margins, framed. 14 3/4 x 10 1/2 inches; 375 x 267 mm. Sheet 18 3/4 x 13 inches; 476 x 330 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall LE COUPLE A L'ARBRE Lithograph

Lot 29: Marc Chagall LE COUPLE A L'ARBRE Lithograph

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Description: Marc Chagall LE COUPLE A L'ARBRE (M. 397) Lithograph, 1963, on Arches, signed and numbered 39/40 in pencil, almost imperceptible matstain, minor rippling at left sheet edge, some discoloration in the bottom margin from inner mat edge, otherwise in good condition, minor soiling verso, otherwise in good condition, with full margins, framed. 12 3/8 x 9 1/2 inches; 314 x 241 mm. Sheet 22 x 14 3/8 inches; 559 x 365 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall LA CHASSE A L'OISEAU BLEU Color lithograph

Lot 30: Marc Chagall LA CHASSE A L'OISEAU BLEU Color lithograph

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Description: Marc Chagall LA CHASSE A L'OISEAU BLEU (M. 594) Color lithograph, 1969, on Arches, signed and numbered 68/75 in pencil, published by Editions Maeght, Paris, lightstain, pale matstain verso, some darker offsetting in the margins, some minor glue residue at three sheet corners, a few unobtrusive handling creases, otherwise in good condition, with full margins, framed. 24 1/8 x 20 5/8 inches; 613 x 524 mm. Sheet 29 1/2 x 22 3/8 inches; 749 x 568 mm. C Estate of Joseph LaFera, Jr.

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall UNTITLED Etching printed in orange and black

Lot 31: Marc Chagall UNTITLED Etching printed in orange and black

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Description: Marc Chagall UNTITLED (C. BOOKS 109) Etching printed in orange and black, 1978-79, signed and numbered 5/40 in pencil, from Psaumes de David, minor soiling verso, otherwise in good condition, with full margins. 8 1/4 x 5 7/8 inches; 210 x 149 mm. Sheet 11 x 8 1/2 inches; 279 x 216 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall UNTITLED Etching printed in orange and black

Lot 32: Marc Chagall UNTITLED Etching printed in orange and black

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Description: Marc Chagall UNTITLED (C. BOOKS 109) Etching printed in orange and black, 1978-79, signed and numbered 5/40 in pencil, from Psaumes de David, minor soiling verso, otherwise in good condition, with full margins. 8 1/4 x 5 7/8 inches; 210 x 149 mm. Sheet 11 x 8 1/2 inches; 279 x 216 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall UNTITLED Etching printed in orange and black

Lot 33: Marc Chagall UNTITLED Etching printed in orange and black

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Description: Marc Chagall UNTITLED (C. BOOKS 109) Etching printed in orange and black, 1978-79, signed and numbered 5/40 in pencil, from Psaumes de David, minor soiling verso, otherwise in good condition, with full margins. 8 1/4 x 5 7/8 inches; 210 x 149 mm. Sheet 11 x 8 1/2 inches; 279 x 216 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall ROSES AND MIMOSA Color lithograph

Lot 34: Marc Chagall ROSES AND MIMOSA Color lithograph

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Description: After Marc Chagall ROSES AND MIMOSA (CHARLES SORLIER 29) Color lithograph, 1967, on Arches, signed and numbered 29/150, from Nice and the Cote d'Azur, pale matstain, minor printer's ink and soiling in the margins and verso, some unobtrusive creasing some unobtrusive creasing at bottom sheet edge, otherwise in good condition, with good margins, framed. 24 1/4 x 18 1/8 inches; 516 x 460 mm. Sheet 28 3/4 x 20 3/4 inches; 730 x 527 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Marc Chagall by Georges Visat ALEKO Color etching and aquatint

Lot 35: After Marc Chagall by Georges Visat ALEKO Color etching and aquatint

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Description: After Marc Chagall by Georges Visat ALEKO (MAEGHT 1206) Color etching and aquatint, on Rives BFK, signed and numbered 188/300 in pencil, published by Maeght, Paris, pale lightstain, matstain, old glue residue along top sheet edge verso, some very light abrasion at sheet corners verso, some pale foxing, soiling and other discoloration in the margins and verso, unobtrusive handling creases, a printer's crease in the bottom left margin, a soft diagonal crease in the bottom right margin, otherwise in good condition, with full margins, framed. 18 5/8 x 20 3/4 inches; 473 x 527 mm Sheet 22 x 26 1/4 inches; 559 x 667 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Eduardo Chillida BARCELONA I Lithograph

Lot 36: Eduardo Chillida BARCELONA I Lithograph

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Description: Eduardo Chillida (1924-2002) BARCELONA I (KOELEN 71018) Lithograph, 1971, on Guarro paper, signed in pencil, numbered 63/75, published by Sala Gaspar, Barcelona, printed to the edges, some unobtrusive handling creases, otherwise in good condition, the full sheet. Sheet 27 3/4 x 19 3/4 inches; 705 x 502 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Christo WRAPPED FLOORS, PROJECT FOR THE HAUS LANGE MUSEUM, KREFELD Color lithograph and collage of paper, cloth and staples

Lot 37: Christo WRAPPED FLOORS, PROJECT FOR THE HAUS LANGE MUSEUM, KREFELD Color lithograph and collage of paper, cloth and staples

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Description: Christo (b. 1935) WRAPPED FLOORS, PROJECT FOR THE HAUS LANGE MUSEUM, KREFELD (SCHELLMAN 110) Color lithograph and collage of paper, cloth and staples, 1983, on Arches Cover mounted to cardboard (as issued), signed, dated and numbered 34/100 in pencil, published by Edition Schellman & Kluser, Munich and New York, pale lightstain, some unobtrusive rippling, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 22 1/8 x 28 1/8 inches; 562 x 714 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Jules Victor Clairin THEODORA, THEATRE SARAH-BERNHARDT Color lithograph

Lot 38: Georges Jules Victor Clairin THEODORA, THEATRE SARAH-BERNHARDT Color lithograph

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Description: Georges Jules Victor Clairin (1843-1919) THEODORA, THEATRE SARAH-BERNHARDT Color lithograph, circa 1884, printed by F. Champenois, Paris, on two joined sheets, laid on linen, lightstain, some unobtrusive foxing and other discoloration, some creasing and replaced and filled-in areas at bottom, a small puncture above the bottom text, a crease or tear in the right margin, otherwise in apparently good condition, framed (unexamined out of the frame). Sight 77 1/2 x 27 1/2 inches; 1969 x 699 mm. C The Phil Ramone Collection

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Lucas Cranach the Elder THE ENTOMBMENT Woodcut

Lot 39: Lucas Cranach the Elder THE ENTOMBMENT Woodcut

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Description: Lucas Cranach the Elder (1472-1553) THE ENTOMBMENT (BARTSCH 19) Woodcut, 1509, from The Passion, trimmed to or within the borderline, lightstain, affixed along left sheet edge verso to support sheet, dampstaining, soiling and other discoloration, some creasing, tears and losses (some tears and losses repaired with paper applied verso), framed. Sheet 10 x 6 3/4 inches; 254 x 171 mm. C Estate of Philip Scott

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Adolphe Crespin PAUL HANKER ARCHITECTE Color lithograph

Lot 40: Adolphe Crespin PAUL HANKER ARCHITECTE Color lithograph

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Description: Adolphe Crespin (1859-1944) PAUL HANKER ARCHITECTE Color lithograph, 1894, printed by Ad. Mertens, Brussels, a few hinges at sheet edges verso to card with some associated minor rippling, minor soiling, sheet corners replaced (outside the image), otherwise in apparently good condition, with full margins, framed. Sheet 21 1/4 x 15 3/4 inches; 540 x 400 mm. C From the Collection of Ruth Bowman

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Salvador Dali SELF PORTRAIT WITH SUNDIAL Color lithograph

Lot 41: Salvador Dali SELF PORTRAIT WITH SUNDIAL Color lithograph

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Description: Salvador Dali (1904-1989) SELF PORTRAIT SUNDIAL (FIELD 66.5; MICHLER/LOPSINGER 1161) Color lithograph, 1966, on Rives BFK, signed in pencil, inscribed E. A., some unobtrusive handling creases, otherwise in apparently good condition, with full margins, framed (unexamined out of the frame). 12 5/8 x 16 3/4 inches; 321 x 425 m. Sheet 17 7/8 x 22 inches; 454 x 559 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Sonia Delaunay CARNAVAL Painted and glazed Limoges porcelain plate

Lot 42: Sonia Delaunay CARNAVAL Painted and glazed Limoges porcelain plate

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Description: Sonia Delaunay (1885-1979) CARNAVAL Painted and glazed Limoges porcelain plate, 1980, signed with initials recto, signed, numbered 300/900 and with title and publisher information on the underside, published by Artcurial, Paris, in good condition. Diameter 11 3/8 inches; 289 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Delvaux NAIS DEVETUE Lithograph

Lot 43: Paul Delvaux NAIS DEVETUE Lithograph

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Description: Paul Delvaux (1897-1994) NAIS DEVETUE (JACOB 97) Lithograph, 1975, signed and numbered 69/90 in pencil, very pale lightstain, matstain verso, otherwise in good condition, with full margins, framed. 12 1/2 x 4 3/8 inches; 318 x 111 mm. Sheet 18 1/8 x 10 3/4 inches; 460 x 273 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine THE PORTRAIT OF DORIAN GRAY Complete deluxe set of 12 color lithographs and the extra suite of 10 loose prints, in leather box

Lot 44: Jim Dine THE PORTRAIT OF DORIAN GRAY Complete deluxe set of 12 color lithographs and the extra suite of 10 loose prints, in leather box

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Description: Jim Dine (b. 1935) THE PORTRAIT OF DORIAN GRAY (GALERIE MIKRO 47) Complete deluxe set of 12 color lithographs and the extra suite of 10 prints comprised of six color lithographs and four color etchings, 1963, one with collage and one with acetate overlay, on Arches, the ten signed in pencil, stamped Edition C and numbered 24/100 in blue ink verso, the justification signed, numbered 24/100 and inscribed Edition C in blue pencil, with complete text, published by Petersburg Press, London, bound (as issued), the extra suite loose (as issued), pale timestain, the loose prints with darker staining and some foxing at some sheet edges, occasional unobtrusive handling creases, one with pale offsetting, otherwise in good condition, with full margins, in original leather binding with a heart built up on the cover and velvet-lined box (some wear, an area of paper affixed verso). Sheets 17 5/8 x 12 1/4 inches; 448 x 311 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine THE HENRY STREET ROBE Aquatint over digital color print on cardboard

Lot 45: Jim Dine THE HENRY STREET ROBE Aquatint over digital color print on cardboard

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Description: Jim Dine THE HENRY STREET ROBE Aquatint over digital color print on cardboard, 2005, signed, dated 2006 and numbered 44/50 in pencil, published by Pace Editions, New York, in apparently good condition, with full margins, framed (unexamined out of the frame). Sheet 17 5/8 x 25 3/8 inches; 448 x 645 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Arthur Wesley Dow GAY HEAD (VERTICAL) Color woodcut

Lot 46: Arthur Wesley Dow GAY HEAD (VERTICAL) Color woodcut

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Description: Arthur Wesley Dow (1857-1922) GAY HEAD (VERTICAL) Color woodcut, circa 1895, on blue paper, some rippling at left and right sheet edges, otherwise in good condition, with full margins, framed. Sheet 9 1/2 x 7 3/8 inches; 241 x 187 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Kerr Eby ARTILLERY TRAIN; STUCK; WHERE DO WE GO?; THE LANTERN Etching, two lithographs and an etching and aquatint (4)

Lot 47: Kerr Eby ARTILLERY TRAIN; STUCK; WHERE DO WE GO?; THE LANTERN Etching, two lithographs and an etching and aquatint (4)

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Description: Kerr Eby (1889-1946) ARTILLERY TRAIN; STUCK; WHERE DO WE GO?; THE LANTERN (GIARDINA 30; 38; 39; 162) Etching, two lithographs and an etching and aquatint, 1919, 1919-20 (2) and 1931, respectively, signed, the first and fourth inscribed imp, in pencil, the second with some creasing in the margins, timestain and a few tears and small losses at sheet edges, otherwise generally in good condition, with good or full margins, framed. (4) Largest 12 3/4 x 19 inches; 324 x 483 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Kerr Eby NIGHT MARCH; INFANTRY, CHATEAU-THIERRY; CASSIONS GO ROLLING ALONG; SHADOWS Two lithographs and two etchings (4)

Lot 48: Kerr Eby NIGHT MARCH; INFANTRY, CHATEAU-THIERRY; CASSIONS GO ROLLING ALONG; SHADOWS Two lithographs and two etchings (4)

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Description: Kerr Eby THE NIGHT MARCH; INFANTRY, CHATEAU-THIERRY; THE CAISSONS GO ROLLING ALONG; SHADOWS (G. 40; 45; 145; 186) Two lithographs and two etchings with sandpaper ground, 1919-20, 1920, 1929 and 1936, respectively, signed (the third with initials), the third annotated, the fourth inscribed imp in pencil, some creasing in the margins, the first and third with some loss and a few tears at sheet edges (longest tear 1 inch extending to image edge), the fourth with some printer's ink and other discoloration in the margins and verso, otherwise generally in good condition, with good or full margins, framed. (4) Largest 15 7/8 x 20 1/4 inches; 403 x 514 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Max Ernst (1891-1976) POUR UN TEXTE DE RENE CREVEL:  FEUILLES EPARSES Color etching and aquatint

Lot 49: Max Ernst (1891-1976) POUR UN TEXTE DE RENE CREVEL: FEUILLES EPARSES Color etching and aquatint

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Description: Max Ernst (1891-1976) POUR UN TEXTE DE RENE CREVEL: FEUILLES EPARSES (SPIES/LEPPIEN 70) Color etching and aquatint, 1958, signed and numbered 21/50 in pencil, lightstain and matstain, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 8 1/8 x 6 3/4 inches; 206 x 171 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Antonio Frasconi NIGHT TRAFFIC; FROM BROOKLYN Color woodcuts (2)

Lot 50: Antonio Frasconi NIGHT TRAFFIC; FROM BROOKLYN Color woodcuts (2)

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Description: Antonio Frasconi (b. 1919) NIGHT TRAFFIC; FROM BROOKLYN Color woodcuts, 1957 and 1958, respectively, signed, dated, titled, the first inscribed ed. 20, the second numbered 3/20, in pencil, pale lightstain, some foxing and other discoloration in the margins, otherwise in apparently good condition, with good margins, framed (unexamined out of the frames). (2) Larger 6 x 9 1/2 inches; 152 x 241 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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