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Auction Description for Sotheby's: Old Master Sculpture and Works of Art Including Highlights from the Reinhold Hofstätter Collection

Old Master Sculpture and Works of Art Including Highlights from the Reinhold Hofstätter Collection (107 Lots)

by Sotheby's


107 lots with images

December 6, 2016

Live Auction

London, United Kingdom

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ANGLO-NORMAN, CIRCA 1300 | Fede Ring

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Description: gold, set with a sapphire and a ruby

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ENGLISH, 15TH CENTURY | Ring 

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Description: inscribed in Gothic script on the outside of the bezel: kar bien . et . male . toutdy . ne . dure (As good and evil always endure) and on the inside of the bezel: + Coies Imale . en . nostre . coer (Quiet the evil in our heart), and traces of enamel

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FRENCH, PROBABLY PARIS, MID-14TH CENTURY | Diptych with Scenes from the Life of Christ

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Description: each leaf with a Sotheby's sale label (12 December 1996) to the reverse

Condition Report: Overall the condition of the ivory is good, with some wear and dirt to the surface consistent with age. There is particular dirt to the ivory in the crevices. The diptych is loose in two parts; the lower hinges being lost, and the upper left hinge damaged. There is a metal pin to the outer side of each wing, and a metal hook to each wing at the top. There is some stable splitting to the ivory consistent with the material, notably slightly open splits to the bottom right side of the right panel, and to both sides at the top of the left panel. There is a loss to the top right arch on the left wing; this may be an original feature of the ivory tusk. There are a few minor chips to the corners, as well as some rubbing at the corners and high points. There are also a few very minor chips to the rosettes. The ivory has yellowed in areas, consistent with the material, notably to the reverse and to some of the figures in the Crucifixion scene. There are a few minor nicks and scratches."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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SPANISH, POSSIBLY CATALAN, CIRCA 12TH CENTURY | Portable Altar

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Description: polychromed wood and stone

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SPANISH OR ITALIAN, 14TH CENTURY | Portable Altar

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Description: veined purple marble, on a wood core with wood, bone and horn intarsia and ivory

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SPANISH, PROBABLY CATALONIA, 13TH/ 14TH CENTURY | Processional Crucifix
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FRENCH, LIMOGES, 13TH CENTURY | Pricket Candlestick

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Description: partially champlevé enamelled copper

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FRENCH, LIMOGES, SECOND HALF 13TH CENTURY | Processional Cross

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Description: gilt and partially champlevé enamelled copper on a wood core, set with a variety of quartz and glass cabochons

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SPANISH, PROBABLY VALLADOLID, LATE 13TH/ EARLY 14TH CENTURY | Virgin and Child Enthroned
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GERMAN, UPPER RHINE, SECOND HALF 15TH CENTURY | Roundel with the Virgin and Child flanked by Angels

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Description: with two labels on the reverse inscribed respectively: Liste 4 / Ltd 41 and: 14

Condition Report: Overall the condition of the roundel is good, with minor dirt and wear to the surface consistent with age. There is minor rubbing to the carving at the high points, consistent with handling. There are a few minor chips along the outer edge. There is a small hole below the Virgin's halo on her proper right side. There are a few dark marks on the reverse, which may be consistent with the material."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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FRENCH, LIMOGES, THIRD QUARTER 13TH CENTURY | Four Heraldic Roundels with Rampant Lions

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Description: gilt and champlevé enamelled copper

Condition Report: Overall the condition of the roundels is good, with minor dirt and wear to the surface consistent with age. Each roundel is pierced with four small holes on the outer rim for mounting. There is a loss around the top right hole on one of the roundels. There is some warping to the metal around the edges. There is some wear to the gilding, notably rubbing at the high points. There are a few minor nicks and scratches, including to the enamel. There is some minor pitting to the red enamel. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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GERMAN, UPPER RHINE, SECOND HALF 15TH CENTURY | Relief with the Virgin and Child enthroned

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Description: together with a German gilt bronze appliqué with an Angel bearing a scroll, Upper Rhine, late 15th centurythe Virgin and Child relief inscribed: 191 on the reverse

Condition Report: Overall the condition of the bronzes is good, with minor dirt and wear to the surface consistent with age and handling. There is some rubbing to the gilding at the high points, in particular in the Virgin and Child group. There are a few nicks and scratches, notably to the throne and dress of the Virgin, and there appear to be a few minor nicks to the Angel's face. There is some tarnishing to the gilding in the crevices. The stands are in good condition with minor wear and dirt, including some glue residue at the back."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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SPANISH, PROBABLY VALLADOLID, 14TH CENTURY | Saint John the Evangelist
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SPANISH, 14TH CENTURY | Saint Michael weighing the souls

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Description: with an old label to the reverse inscribed: -107-

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NORTHERN FRENCH, 15TH CENTURY | Saint Quentin
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SPANISH, VALENCIA OR VALLADOLID, 14TH CENTURY | Anna Selbdritt

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Description: partially gilt and polychromed poplar

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SOUTHERN NETHERLANDISH, PROBABLY BRUGES, LATE 15TH CENTURY | Fire surround with two courting couples

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Description: Balegem limestone, assembled on a modern metal stand

Condition Report: There is wear to the stone throughout, including some weathering. The object is an architectural element and therefore roughly hewn in many of the uncarved areas, where it would have been embedded into a larger stone structure. The fire surround is composed of sections, which may be assembled and attached to the two modern metal stands with the use of metal dowels that are mounted on the stone sections. There is a composite fill between some of the sections. There are losses to the stone in several areas, including to the edges and corners, and also to a few of the sections that form the lower parts of the legs, where there are also areas of loss to the carving. Further areas with chips and abrasions to the carvings include the faces of the courting couples. There is a loss to the bottom left corner of the tympanum. There are a few remnants of polychromy, notably to the figure groups. There is dirt to the surface throughout, including some dark staining. There are a few red pencil marks with numbers to facilitate the assemblage. The condition of the metal stands is good, with dirt and some wear, including corrosion to the iron(?) panels at the top."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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FRENCH, BURGUNDY, CIRCA 1490 | Saint James the Greater

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Description: partially gilt and polychromed stone

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GERMAN, MIDDLE RHINE, CIRCA 1470-1490 | Virgin and Child

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Description: gilt and polychromed limewood, on an original gilt and polychromed wood socle

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WORKSHOP OF TILMAN RIEMENSCHNEIDER (1460-1531)<BR />GERMAN, FRANCONIA, CIRCA 1510-1515 | Head of a Bishop

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Description: limewood, with traces of polychromy, on a modern painted limewood socle

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ENGLISH, NOTTINGHAM, 15TH CENTURY | Relief with the Trinity

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Description: with an old collection label to the reverse printed: D D U R N [?] and numbered: 36 in ink

Condition Report: Overall the condition of the alabaster is good, with dirt and wear to the surface consistent with age. There is dirt to the surface throughout. The proper right hand of God the Father is lost, and there are some further losses, notably to the crown, to the head of the Dove, to the body of the Crucified Christ, and to the arms of the cross. There was also a now-lost attribute on the proper right shoulder at the front. God the Father's head has been reattached, with some restoration visible at the back, and a section of the hair on the proper left side of the head has also been reattached. There are remnants of gilding and polychromy throughout, with some flaking in areas. There are several chips to the high points and edges, in particular to God the Father's nose, and to the bottom edge. There are two small holes with pieces of metal at the back."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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SOUTHERN GERMAN, PROBABLY SWABIA, EARLY 16TH CENTURY | Saint Anne and Saint Joachim

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Description: with a label on the reverse inscribed: 15. 20 / 36431

Condition Report: Overall the condition of the wood is good, with some wear and dirt to the surface consistent with age. The surface appears to have been stripped of polychromy and a varnish was applied. Some polychromy remains in the faces and at the side behind Anna. There is some minor stable splitting to the wood consistent with the material, in particular around the bottom of the composition. There are a few minor losses, notably to a strand of Joachim's hair on his forehead, to the base at the front, and to one of the edges of Anna's drapery at the bottom, as well as her proper left sleeve. There are a few scratches, including to Joachim's forehead, eyelid and proper right shoulder. There is also some evidence of past worming, in particular to the drapery at the bottom and Anna's back. There is a small area of loss between the two figures below Joachim's pouch. The side sections are carved separately and joints are slightly visible. There is further evidence of past worming and some losses to the back."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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SOUTHERN GERMAN, PROBABLY NUREMBERG, CIRCA 1480-1500 | Virgin and Child

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Description: gilt and polychromed limewood

Condition Report: Overall the condition of the sculpture is very good, with some wear and dirt to the surface consistent with age. There appear to be some reattachments or restorations to the spikes of the Virgin's crown. Several of the 'pearls' of the crown and the Virgin's dress are lost. A few sections are carved separately with slightly visible joints, such as the Child's proper left hand. A small section of the Virgin's drapery at the bottom has been reattached. There is wear to the gilding and polychromy, including some flaking and minor craquelure. There are particular losses to the gilding and polychromy to the edges of the drapery around the Virgin's proper left wrist. It is likely that the gilding and polychromy have been refreshed in areas. A few areas of the Virgin's gilt mantle, notably on her proper right side, are darkened. There is minor evidence of past worming, including to the crown, to a ringlet of the child's hair where there is a small loss, and particularly at the back and the top of the Virgin's head. There is some minor stable splitting to the wood consistent with the material, notably to the Virgin's proper right wrist. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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WORKSHOP OF JÖRG LEDERER (CIRCA 1470-1550)<BR />SOUTHERN GERMAN OR TYROLEAN, CIRCA 1520 | Knightly Saint, or a proposed portrait of Maximilian I, Holy Roman Emperor

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Description: inscribed: 534 on the reverse and with remnants of a label on the underside inscribed: ...EREWIGTEN / ... JAKOB VON / ...EMALIGEN / ...N NATIO- / ...ERVATORS / ...R.

Condition Report: Overall the condition of the wood is good, with some dirt and wear to the surface consistent with age. There are reattachments, as well as some possible restorations, to the fingers of both hands. There are some minor losses to the shoes at the front, to the back of the hat, and to the back of the terrasse, possibly due to past worming. There is some stable splitting to the wood consistent with the material, notably to the left side of the torso running through to the codpiece, another running through the centre of the terrasse, and a minor split to the proper left side of the forehead. There is some wear to the gilding and polychromy, revealing the red ground of the gilding in areas. There are some minor losses including flaking to the gilding and polychromy, and there is some minor craquelure, including in the face. It is likely that the gilding and polychromy have been refreshed in areas. There are three small holes to the reverse. It appears that the back right corner of the terrasse is carved separately. There is also evidence of past worming to the underside. The sword is carved separately and may be of a later date. One of the cross guards of the sword is slightly loose. "In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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GEORG SCHWEIGGER (1613-1680)<BR />AFTER A MODEL ATTRIBUTED TO THE CIRCLE OF HANS SCHWARZ (1492-1550)  <BR />GERMAN, NUREMBERG, MID-17TH CENTURY | Relief medallion with a portrait of a young man

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Description: indistinctly signed: Georg Schweigger and inscribed: ...153[?]4 on the reverse, and with a label on the reverse printed: G. / W. 21.

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AUSTRIAN, PROBABLY TYROL, CIRCA 1500  | Saint Barbara

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Description: gilt and polychromed limewood

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GERMAN, LOWER BAVARIA, OR UPPER AUSTRIAN, CIRCA 1520 | Relief with the Virgin and Child and two Angels

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Description: with an old label to the underside inscribed: Sammlung Dυr. Becker / 12 in ink and inscribed: 7060 in white crayon to the reverse

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AUSTRIAN, SALZBURG, CIRCA 1420-1430 | Virgin and Child

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Description: gilt and polychromed limewood, on a later wood base

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CIRCLE OF VEIT STOSS (CIRCA 1450-1533)<BR />GERMAN, FRANCONIA, CIRCA 1510-1525 | Saint Catherine of Alexandria
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SOUTHERN GERMAN, CIRCA 1490-1500 | Relief with a Beheading, possibly the Martyrdom of Saint Kilian

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Description: gilt and polychromed limewood, in a modern wood frame

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AUSTRIAN, VILLACH, CIRCA 1515 | Virgin and Child in an Aureole

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Description: gilt and polychromed limewood

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AUSTRIAN OR BOHEMIAN, CIRCA 1420-40 | Pietà

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Description: polychromed limestone

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SOUTHERN GERMAN OR AUSTRIAN, EARLY 16TH CENTURY | Relief with the Beheading of Saint John

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Description: inscribed in gold ink to the reverse: 159.A:1749

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SOUTHERN GERMAN OR AUSTRIAN, EARLY 16TH CENTURY | Saint Roch

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Description: gilt and polychromed limewood

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CIRCLE OF HANS BRÜGGEMANN (1480-CA. 1540)<BR />NORTHERN GERMAN, LOWER RHINE, CIRCA 1530 | Figure of a Henchman

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Description: with a descriptive printed label inscribed in German to the underside

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SOUTHERN GERMAN OR AUSTRIAN, CIRCA 1520 | Crucifixion Group
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SOUTHERN GERMAN OR AUSTRIAN, PROBABLY BAVARIA, CIRCA 1520-1530 | Virgin and Child
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ATTRIBUTED TO NICOLO ROCCATAGLIATA (CIRCA 1560-1636)<BR />ITALIAN, VENICE, FIRST THIRD 17TH CENTURY | Virgin and Child with two Putti

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Description: with the coat of arms of the Da Legge family of Venice on the base

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AUSTRIAN OR SOUTHERN GERMAN, MID-18TH CENTURY | Immaculata (Virgin Immaculate)
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AUSTRIAN, 18TH CENTURY | Saint John the Baptist Preaching
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AUSTRIAN, MID-18TH CENTURY | Female Busts Allegorical for Love and Hope

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Description: walnut, on associated gilt and polychromed wood brackets

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AUSTRIAN, 18TH CENTURY | Allegories for Autumn and Winter

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Description: with three old labels to the undersides inscribed: 62 in pen

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PROBABLY AUSTRIAN, 17TH/ 18TH CENTURY | Schandmaske

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Description: red painted iron

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ATTRIBUTED TO FILIPPO PARODI (1630-1702)<BR />NORTHERN ITALIAN, PROBABLY VENICE, LATE 17TH CENTURY | Four Figures of Moors
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NORTHERN ITALIAN, CIRCA 1550-1600 | Leaping Goat

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Description: bronze, rich brown and black patina, on a modern oak base

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