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Auction Description for Doyle New York: Important English & Continental Furniture/Old Master Paintings Sale
Viewing Notes:
Friday, January 25, 10am-6pm Saturday, January 26, 10am-5pm Sunday, January 27, Noon-5pm Monday, January 28, 10am-2pm

Important English & Continental Furniture/Old Master Paintings Sale

by Doyle New York

Platinum House

583 lots | 574 with images

January 29, 2013

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

583 Lots
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Circle of Adam Elsheimer Actaeon Coming upon Diana and her Nymphs Oil on copper 12 3/4 x 17 inches (32.5 x 43.2 cm...

Lot 1: Circle of Adam Elsheimer Actaeon Coming upon Diana and her Nymphs Oil on copper 12 3/4 x 17 inches (32.5 x 43.2 cm...

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Description: Circle of Adam Elsheimer Actaeon Coming upon Diana and her Nymphs Oil on copper 12 3/4 x 17 inches (32.5 x 43.2 cm) C 

Condition Report: In very sound condition. No restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flemish School 17th Century The Penitent Saint Peter

Lot 2: Flemish School 17th Century The Penitent Saint Peter

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Description: Flemish School 17th Century The Penitent Saint Peter Oil on copper 18 1/2 x 15 3/4 inches (47 x 40 cm) C 

Condition Report: Some inpainting on the tower in the middle distance at left; a small spot of paint loss in the backgrond just above Saint Peter's head. On the reverse part of the copper support is lifting in the upper left corner. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hispano-Flemish School Undetermined period A Noblewoman and her Son   Oil on panel 20 1/4 x 17 inches (51.5 x 43...

Lot 3: Hispano-Flemish School Undetermined period A Noblewoman and her Son Oil on panel 20 1/4 x 17 inches (51.5 x 43...

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Description: Hispano-Flemish School Undetermined period A Noblewoman and her Son Oil on panel 20 1/4 x 17 inches (51.5 x 43.2 cm) Unframed C 

Condition Report: Vertical cracks in the panel, one in the left half with corresponding restoration running most of the length of the panel and running through the boy's right cheek. Scattered touches of restoration elseswhere. Some nicks around the edge of the panel; some frame rubbing. One large area of loss along the lower right margin. . Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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German School 15th Century Saint Gregory the Great: A Panel from a Polyptych

Lot 4: German School 15th Century Saint Gregory the Great: A Panel from a Polyptych

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Description: German School 15th Century Saint Gregory the Great: A Panel from a Polyptych Oil on panel 13 1/4 x 7 3/4 inches (33.6 x 19.7 cm) Unframed C 

Condition Report: Some small losses to the surface; a slight vertical crack at center; The green area of the pope's cloak is largely restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to the Master of the Virgo Inter VirginesMary Magdalene and another Female Saint

Lot 5: Attributed to the Master of the Virgo Inter VirginesMary Magdalene and another Female Saint

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Description: Attributed to the Master of the Virgo Inter Virgines Mary Magdalene and another Female Saint: A Panel from an Altarpiece Oil on panel 33 x 11 3/4 inches (83.9 x 29.9 cm) Unframed C 

Condition Report: Scattered losses; No restoration visibel under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Northern European School 16th Century Mortuary Portrait of the Emperor Maximillian

Lot 6: Northern European School 16th Century Mortuary Portrait of the Emperor Maximillian

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Description: Northern European School 16th Century Mortuary Portrait of the Emperor Maximillian Inscribed Maximilianus Imperator (ur) Oil on panel 11 5/8 x 16 1/8 inches (29.5 x 41 cm) Unframed C 

Condition Report: Surface scuffing in the varnish layer. In the center 1/3 of the painting, there are streaks of minor loss and repair. One such, runs from the edge of the emperor's cap to the corner of his right eye socket. There is another one running across his upper check and tip of his nose. The rest are on the pillow, on the cap or in the background. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Sir Peter Lely Portrait of a Lady as Venus, with a Figure of Cupid   Oil on canvas, within an ornate paint...

Lot 7: School of Sir Peter Lely Portrait of a Lady as Venus, with a Figure of Cupid Oil on canvas, within an ornate paint...

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Description: School of Sir Peter Lely Portrait of a Lady as Venus, with a Figure of Cupid Oil on canvas, within an ornate painted oval 40 1/4 x 50 1/4 inches (102.2 x 127.6 cm) Unframed Provenance: Private collection, Greenwich, CT C 

Condition Report: Glue relined. Inpainted craquelure on the face and chest of the lady. Repaired square tear in the upper right quadrant, reinforced by a patch on the back. Touches of restoration elsewhere, especially around Cupid's left eye; some lines of the sitter's hair reinforced. These touches of restoration have all been carefully and professionally done. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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French School 17th Century The Raising of Lazarus

Lot 8: French School 17th Century The Raising of Lazarus

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Description: French School 17th Century The Raising of Lazarus Oil on copper 10 1/4 x 14 1/8 inches (26 x 36 cm) C 

Condition Report: Frame rubbing. Some surface scuffing. A few minor dents in the support. There is horizontal scuffing running from the red cloak of the man at left over to the woman carrying a child at the right. There is one small scratch through the head of the boy at the center left. Some contours are reinforced on the kneeling ladies at the center right and the man with his back turned at the lower left and the crowd of figures at the upper left. There is one small horizontal streak of inpaint in Christ's tunic. There is nothing else visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Jan Fyt Watch Dog

Lot 9: School of Jan Fyt Watch Dog

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Description: School of Jan Fyt Watch Dog Oil on canvas 22 1/2 x 25 1/4 inches (56 x 63.5 cm) C 

Condition Report: Glue relined. No restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Sir Peter Paul Rubens Self-Portrait of the Artist

Lot 10: After Sir Peter Paul Rubens Self-Portrait of the Artist

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Description: After Sir Peter Paul Rubens Self-Portrait of the Artist Oil on canvas 15 7/8 x 11 7/8 inches (45 x 30.2 cm) C 

Condition Report: Wax relined. A few touches of restoration opn the face; otherwise no restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Sir Anthony Van Dyck Crucifixion with Three Angels

Lot 11: School of Sir Anthony Van Dyck Crucifixion with Three Angels

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Description: School of Sir Anthony Van Dyck Crucifixion with Three Angels Oil on canvas 34 1/4 x 25 inches (87 x 63.5 cm) C 

Condition Report: Glue relined. Scattered abrasion and inpaint throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maria Verelst Anglo/Dutch, 1680-1744 Portrait of a Lady with a Country Estate in the Distance   Oil on canvas 50...

Lot 12: Maria Verelst Anglo/Dutch, 1680-1744 Portrait of a Lady with a Country Estate in the Distance Oil on canvas 50...

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Description: Maria Verelst Anglo/Dutch, 1680-1744 Portrait of a Lady with a Country Estate in the Distance Oil on canvas 50 x 40 inches (127 x 101.5 cm) Note: The sitter has been identified as Lady Grisell (or Grizel) Baillie of Jerviswood (1665-1746), a Scottish songwriter. C 

Condition Report: Glue relined. Selectively cleaned. Frame rubbing. Touches of inpaint on the forehead, cheeks and chest. An area of repaint on the hand, the contours of which have been reinforced. No further restoration is visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Caspar Netscher Seated Man, Smoking

Lot 13: Attributed to Caspar Netscher Seated Man, Smoking

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Description: Attributed to Caspar Netscher Seated Man, Smoking Oil on canvas laid to panel 12 1/2 x 10 1/2 inches (31.8 x 26.7 cm) C 

Condition Report: Dark varnish showing little under UV light.. Visible inpainted loses areound edges; mended crescent-shaped tear in canvas (roughly 5 inches long) around upper right corner. There is 3/4 inch extension of the orginal canvas running along the right margin, into which the smoker's left foot extends. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Gottfried Schalken (Godfried Schalcken) A Lady at a Window   Oil on panel 7 1/2 x 5 5/8 inches (19 x...

Lot 14: Attributed to Gottfried Schalken (Godfried Schalcken) A Lady at a Window Oil on panel 7 1/2 x 5 5/8 inches (19 x...

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Description: Attributed to Gottfried Schalken (Godfried Schalcken) A Lady at a Window Oil on panel 7 1/2 x 5 5/8 inches (19 x 14.3 cm) C 

Condition Report: Frame rubbing around the edges, with corresponding surface losses. Restoration to the face. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century A Fortified Town on a River

Lot 15: Dutch School 17th Century A Fortified Town on a River

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Description: Dutch School 17th Century A Fortified Town on a River Oil on panel 11 x 15 inches (28 x 38.1 cm) C 

Condition Report: Frame rubbing along the edges, with corresponding small paint losses. This is a three-part compound panel, separated at one time and then re-glued, with restoration along the joins. Some scattered touches of restoration in the trees. Dense varnish layer showing little under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century Landscape with Jacob Wrestling with the Angel

Lot 16: Dutch School 17th Century Landscape with Jacob Wrestling with the Angel

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Description: Dutch School 17th Century Landscape with Jacob Wrestling with the Angel Oil on panel 6 3/8 x 7 1/2 inches (16.2 x 19 cm) C 

Condition Report: Panel is slightly bowed horizontally. There are some nicks missing from the panel in the edges, especially in the right corner. There are a few touches of inpaint. The paint surface is generally in good condition. There is no further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Cornelis De Vos Flemish, 1585-1651 Portrait of a Gentleman in a Millstone Ruff

Lot 17: Cornelis De Vos Flemish, 1585-1651 Portrait of a Gentleman in a Millstone Ruff

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Description: Cornelis De Vos Flemish, 1585-1651 Portrait of a Gentleman in a Millstone Ruff Oil on canvas 50 1/4 x 38 5/8 inches (127.7 x 98 cm) C 

Condition Report: Glue relined, with two additional patches on the reverse. Two restored tears (corresponding to the patches) in the red curtain in the upper left quadrant. Touches of restoration on the face and hands, especially on the sittlers lower right jaw. A crescent-shaped 4-inch restored tear across the sitter's right cuff (on the viewer's left). The restorations have been done carefully to a very high professioinal standard. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Peter Paul Rubens Study for the Head of a Woman

Lot 18: Attributed to Peter Paul Rubens Study for the Head of a Woman

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Description: Attributed to Peter Paul Rubens Study for the Head of a Woman Oil on paper laid to canvas 18 1/2 x 15 inches (47 x 38.1 cm) Provenance: Goudstikker collection, Amsterdam Private collection, New York Spanierman Gallery, New York Literature: Michael Jaffe, "Rubens before 1620, with Particular Reference to Aspects of His Commissions for the Company of Jesus," in Caterina Limentani Virdis, Francesca Bottacin et al., Rubens dall'Italia all 'Europa, exhib. cat., Vicenza, 1992, 18-19, illus., 20. Rubens is thought to have created this oil sketch while working on the modello for his altarpiece of the Miracles of St. Francis Xavier, now in the Kunsthistorisches Museum, Vienna (circa 1617-18). This painting was illustrated in the 1992 exhibition catalogue Rubens dall'Italia all 'Europa, in which Michael Jaffe proposed that Rubens had made this study to refine his conception of the figure of the mother holding a dead child at the painting's lower left, in order to create a stronger image of the mother's grief than he had in the figure as originally conceived. See Jaffe in "Rubens before 1620, with particular reference to aspects of his commissions for the company of Jesus," in Caterina Limentani Virdis, Francesca Bottacin, et al., Rubens dall'Italia all 'Europa, Vicenza, 1992, 13-20. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: There is an area of repair about the size of a quarter on the lower edge close to the lower right corner. There is also a repaired 1 inch horizontal tear in the same area. There is also a smaller area of repair on the lower margin at the center, and a few touches elsewhere: one tiny spot on the right cheek; two small touches on the cloak in the lower left quadrant; and a few touches in the background in the upper right quadrant. There is no further restoration under UV light. Essentially this work is in sound condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Flemish School 16th/17th Century Susanna and the Elders

Lot 19: Flemish School 16th/17th Century Susanna and the Elders

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Description: Flemish School 16th/17th Century Susanna and the Elders Oil on panel 29 1/4 x 42 inches (74.3 x 106.7 cm) Unframed C 

Condition Report: Compound four part panel, with some paint losses and restoration along the seams of the joints. Frame rubbing with corresponding losses along the edges. There is a 3/4 inch vertical scrape up from the margin in the lower right quadrant. There is a small loss, 1/4 inch in diameter, from the wall just in front of the elder at the right. Some surface scrapes. The panel is slightly bowed. There is a 1 1/2 3/4 inch loss on the hand of the elder at the right. 2 x 3/4 inch loss from the lower face of the elder at the left. There is a 1 1/4 x 1/2 inch loss from the elder's hand resting on his shoulder. There are a few small losses elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century Portrait of a Lady

Lot 20: Dutch School 17th Century Portrait of a Lady

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Description: Dutch School 17th Century Portrait of a Lady Oil on canvas 24 x 19 1/2 inches (61 x 49.5 cm) C 

Condition Report: Glue relined. Mended T-shaped tear in the upper left quadrant, approximately 3 x 4 inches. There is another mended vertical tear in the upper center, approximately 3 inches. Repaired hole in the upper left quadrant. Abrasion and scattered inpaint. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Daniel Vertangen Dutch, 1598-circa 1681 Diana and Her Nymphs in a Landscape

Lot 21: Daniel Vertangen Dutch, 1598-circa 1681 Diana and Her Nymphs in a Landscape

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Description: Daniel Vertangen Dutch, 1598-circa 1681 Diana and Her Nymphs in a Landscape Signed D. Vertangen on a rock (lc) Oil on panel 10 x 13 inches (25.6 x 33.3 cm) Provenance: F.C. Butot Collection, Sankt Gilgen, Austria Sale, Sotheby's London, December 12, 1979, lot 111 Exhibited: Salzburg, Museumspavillon im Mirabellgarten, Niederlandische Kunst aus dem Goldenen Jahrzeit, 1972, p. 168, illus. C 

Condition Report: In very sound conndition. No restoration visible under UV llght . Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Daniel Vertangen Dutch, 1598-circa 1681 A Sleeping Nymph with Two Fauns in a Landscape

Lot 22: Daniel Vertangen Dutch, 1598-circa 1681 A Sleeping Nymph with Two Fauns in a Landscape

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Description: Daniel Vertangen Dutch, 1598-circa 1681 A Sleeping Nymph with Two Fauns in a Landscape Traces of a signature Ver... on the ground (lr) Oil on panel 15 1/8 x 21 1/4 inches (38.4 x 54 cm) C 

Condition Report: 1/2-inch-long scratch in the background in the upper left quadrant. No restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Phillips Wouwerman Stopping to Water the Horses   Oil on canvas 24 x 19 inches (61 x 48.3 cm)

Lot 23: Manner of Phillips Wouwerman Stopping to Water the Horses Oil on canvas 24 x 19 inches (61 x 48.3 cm)

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Description: Manner of Phillips Wouwerman Stopping to Water the Horses Oil on canvas 24 x 19 inches (61 x 48.3 cm) C 

Condition Report: Wax relined. Frame rubbing. Dense varnish, difficult to detect restoration under UV light. Contours of the mounted lady and her horse and the dogs in the lower left have been strengthened. Mended horizontal tear 2 inch long in the darkness of the cave at the center right. There are a few losses and touches of inpaint in the dark area in the upper quadrant. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Manner of Philips Wouwerman Travelers Set Upon by Bandits

Lot 24: Manner of Philips Wouwerman Travelers Set Upon by Bandits

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Description: Manner of Philips Wouwerman Travelers Set Upon by Bandits Oil on canvas 24 x 19 inches (61 x 48.3 cm) C 

Condition Report: Glue relined.Ten-inch diagonal streak of discoloration in the upper right quadrant. Some touches of restoration in the clouds at the center right; Lines of the wooden structure at center reinforced; as are the contours of the rump of the horse in the structure at the center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century Guardroom Scene

Lot 25: Dutch School 17th Century Guardroom Scene

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Description: Dutch School 17th Century Guardroom Scene Oil on panel 29 1/2 x 45 3/4 inches (75 x 116.2 cm) Unframed C 

Condition Report: Panel is slightly bowed. Four part compound panel with restored losses along the joins. Frame rubbing, with corresponding restoration around the edges. Scattered touches of inpainting with one large area around the head of the swaying figure at the center background. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Bartolome Esteban Murillo Madonna and Child

Lot 26: After Bartolome Esteban Murillo Madonna and Child

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Description: After Bartolome Esteban Murillo Madonna and Child Oil on canvas 33 x 22 3/4 inches (84 x 57.8 cm) C 

Condition Report: Glue relined. Infilled repaired hole, 1 x 1/2 inch, in the upper right quadrant. Mended tear 2 inches across the christ's hair. Frame rubbing with corresponding restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Simon Van der Does Dutch, Born circa 1653-Died circa 1718 A River Landscape with Cattle, Sheep and a Young Girl Playing with a Dog

Lot 27: Simon Van der Does Dutch, Born circa 1653-Died circa 1718 A River Landscape with Cattle, Sheep and a Young Girl Playing with a Dog

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Description: Simon Van der Does Dutch, Born circa 1653-Died circa 1718 A River Landscape with Cattle, Sheep and a Young Girl Playing with a Dog Signed S. V. Does (lr) Oil on canvas 19 x 22 1/2 inches (48.2 x 57.2 cm) Provenance: Henry P. McIlhenny, Philadelphia Estate Sale of Henry P. McIlhenny, Christie's, New York, May 20-21, 1987, lot 138 Purchased from the above Private Collection, Chicago C 

Condition Report: Glue relined. Scattered touches of inpaint in the sky and around the figures at the lower right. There are a few touches elsewhere. There is no further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Nicolaes Berchem Shepherds with their Flocks in a Hilly Landscape

Lot 28: School of Nicolaes Berchem Shepherds with their Flocks in a Hilly Landscape

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Description: School of Nicolaes Berchem Shepherds with their Flocks in a Hilly Landscape Oil on panel 27 1/4 x 35 inches (69.2 x 88.8 cm) Provenance: Private collection, PA C 

Condition Report: Frame rubbing, with corresponding inpaint around the edges. The compound panel top plank has been reglued, with some losses along the edge. This was creating a line of discreate inpaint, approximately 6 1/2 inches from the top. There is scattered inpaint in the sky. There are a few tiny touches elsewhere. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century Still Life of Flower on a Ledge

Lot 29: Dutch School 17th Century Still Life of Flower on a Ledge

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Description: Dutch School 17th Century Still Life of Flower on a Ledge Oil on canvas 25 x 19 1/2 inches (63.5 x 49.5 cm) C 

Condition Report: Glue relined. Frame rubbing with some surface irregularities around the edges and visible restoration. Dense varnish layer showing nothing under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th/18th Century Venus in a Landscape

Lot 30: Dutch School 17th/18th Century Venus in a Landscape

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Description: Dutch School 17th/18th Century Venus in a Landscape Oil on copper Image 13 1/2 x 18 3/4 inches (34.3 x 47.6 cm) C Property of a New York Collector

Condition Report: Frame rubbing, with areas of repair. A large area in the landscape background at the center left, shows what appears to be some damage and reglazing. Some contours appears to have been reinforced, particularly around the young man next to Venus and the putto at the center right. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Theodorus (Dirk) Verrijk Dutch, 1734-1786 Boats in an Estuary with a City in the Distance

Lot 31: Theodorus (Dirk) Verrijk Dutch, 1734-1786 Boats in an Estuary with a City in the Distance

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Description: Theodorus (Dirk) Verrijk Dutch, 1734-1786 Boats in an Estuary with a City in the Distance Signed D. Verryk inv. et fec (ll) Black ink and gray wash on buff paper 8 1/8 x 10 5/8 inches (20.6 x 27 cm) Provenance: V. Vander Vinne (from an inscription on an old backing) Estate of Patricia Pattison Shuttles, Asheville, NC C 

Condition Report: Hinged to the back mat at upper left and right. Paper mildly toned. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Spanish School 17th Century Holy Family with John the Baptist

Lot 32: Spanish School 17th Century Holy Family with John the Baptist

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Description: Spanish School 17th Century Holy Family with John the Baptist Oil on canvas mounted on a cabinet door 16 x 12 inches (40.7 x 30.5 cm) C 

Condition Report: Surface of the canvas is somewhat irregular from being glued to the panel of the door. 3 1/2 inches down from the top, there is a horizontal mended tear running across the top of the gray background between the columns. There is a 2 1/2 horizontal tear running through the background to the red cloth over the virgin's knee. 1 inch long horizontal tear in the shadow on St. Peter's chest. There is a mended flap like tear, roughly 1 x 3/4 x 1 inch below the virgin's left knee. There are remnants of stretcher marks from an earlier mounting. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 17th Century Allegory of the Abundance of the Americas

Lot 33: Dutch School 17th Century Allegory of the Abundance of the Americas

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Description: Dutch School 17th Century Allegory of the Abundance of the Americas Oil on canvas 35 1/2 x 27 inches (90.2 x 68.5 cm) C 

Condition Report: Glue relined. Frame rubbing, with some corresponding restoration. Scattered touches of inpaint in the sky and on the face and chest of the figure. There is a mended hole, approximately 1/2 inch in diameter, in one of the shadows of her sleeve. The shadow underneath her cloak reinforced. Inpainted losses from a stretcher mark along the left and lower edges. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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School of Jan Frans van Bloemen Italian Landscape with a Peasant Couple in the Foreground

Lot 34: School of Jan Frans van Bloemen Italian Landscape with a Peasant Couple in the Foreground

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Description: School of Jan Frans van Bloemen Italian Landscape with a Peasant Couple in the Foreground Oil on canvas 12 1/4 x 35 inches (31.1 x 89 cm) C 

Condition Report: Wax relined. Dark varnish showing little under UV light. Some touches of inpaint and a few inpainted cracks in the sky; and one tiny spot in the branches of the tree at center. Nothing else visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Dutch School 19th Century Floral Still Life

Lot 35: Dutch School 19th Century Floral Still Life

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Description: Dutch School 19th Century Floral Still Life Oil on canvas laid to masonite 30 1/2 x 23 7/8 inches (77.5 x 60.6 cm) C 

Condition Report: Large vertical area of repair, approximately 5 x 1/2 inch in the upper right quadrant to the right of the bouquet. There is a small loss to the right of center next to the immediate upper left of the wilting tulip at the upper left. Minor abrasions and small losses elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Edmond Tschaggeny Belgian, 1818-1873 Sheep in a Landscape, 1849

Lot 36: Edmond Tschaggeny Belgian, 1818-1873 Sheep in a Landscape, 1849

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Description: Edmond Tschaggeny Belgian, 1818-1873 Sheep in a Landscape, 1849 Signed Edmond Tschaggeny and dated De.bre 1849 on the fence rail (ll) Oil on panel 32 1/4 x 41 1/4 inches (82 x 104.7 cm) C 

Condition Report: Frame rubbing, with corresponding restoration around the edges. There is a large area of restoration on the sheep at center facing left. There is an area of inpaint in the sky visible between the sheep at center and the thistle plant. There is no further restoration visible under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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North Italian School 17th/18th Century Portrait of a Man Wearing a Sword

Lot 37: North Italian School 17th/18th Century Portrait of a Man Wearing a Sword

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Description: North Italian School 17th/18th Century Portrait of a Man Wearing a Sword Oil on canvas 34 1/2 x 26 5/8 inches (87 x 67.6 cm) C 

Condition Report: Glue relined. Large area of restoration in the lower right quadrant to repair a v-shaped tear (5 inches on one side; 2 inches on the other). Shadows on the sleeves and cuffs reinforced. Other scant touches of inpaint scattered elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Francesco Vecellio The Mystic Marriage of St. Catherine

Lot 38: After Francesco Vecellio The Mystic Marriage of St. Catherine

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Description: After Francesco Vecellio The Mystic Marriage of St. Catherine Oil on canvas 16 x 19 1/4 inches (40.7 x 49 cm) Provenance: Private collection, New York The original of this work is in the collection of Hampton Court Palace, near London. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Italian School 16th/17th Century Flying Amorini; Together with two other works.

Lot 39: Italian School 16th/17th Century Flying Amorini; Together with two other works.

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Description: Italian School 16th/17th Century Flying Amorini Brown ink and wash on paper 5 7/8 x 3 7/8 inches (15 x 9.4 cm); Together with (ii) Attributed to Jean Germain Drouais, Shepherd Boy with Bagpipe, ink and gouache on paper, 7 7/8 x 6 1/2 inches (20 x 16.5 cm), provenance: Herbert E. Feist Gallery, New York; And (iii) Manner of Antoine Watteau, A Serenade, black chalk with brown wash on paper, 7 x 9 inches (17.8 x 22.9 cm) C Property of a New York Collector

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Roman School16th CenturyAnnunciation

Lot 40: Roman School16th CenturyAnnunciation

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Description: Roman School 16th Century The Annunciation Oil on panel 13 7/8 x 12 inches (35.2 x 30.2 cm) Unframed C 

Condition Report: Several vertical cracks in the panel, with corresponding inpainting, especially along the upper right margin. The upper contour of the angel's wing has been reinforced, as are the shadows on his tunic. Some inpainted small cracks in the background; some touches of inpaint elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Veronese The Feast in the House of Simon the Pharisee

Lot 41: After Veronese The Feast in the House of Simon the Pharisee

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Description: After Veronese The Feast in the House of Simon the Pharisee Oil on panel 25 x 32 inches (63.5 x 81.3 cm) Provenance: Leonard V. Martin The primary version of this work is in the Galleria Sabauda in Turin. C 

Condition Report: There are three horizontal scratches in the surface on the cloak of the man in the center foreground. There are a few minor losses to the figures behind him. Dense varnish layer, unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Andrea del Sarto St. John The Baptist

Lot 42: After Andrea del Sarto St. John The Baptist

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Description: After Andrea del Sarto St. John The Baptist Inscribed Eugenio Cappelli/Lungarno Torrigiani #1A on the reverse Oil on canvas 37 x 26 3/4 inches (94 x 68 cm) The original of this composition is in the Palazzo Pitti, Florence C Estate of Neville N. Simmons-Smith

Condition Report: Canvas buckling on the stretcher. Two small holes in the upper right quadrant. The shadows in the drapery over the shoulder have been reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Luca Cambiaso Rebecca at the Well

Lot 43: Attributed to Luca Cambiaso Rebecca at the Well

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Description: Attributed to Luca Cambiaso Rebecca at the Well Brown ink and wash on laid paper 8 7/8 x 8 3/4 inches (23.5 x 23.4 cm) Provenance: Sotheby's New York, Jan. 20, 1982, lot 55 Literature: Bettina Suida Manning and William Suida, Cambiaso, La Vita e le Opera, Milan 1958, plate CXCVI, fig. 322, illustrating a lost fresco by Cambiaso in the Palazzo Arcivescovale in Genoa. The fresco, was destroyed during the British bombardment of Genoa in 1944. This drawing, which duplicates the composition of the fresco may have been a drawing for it or one that recorded it after its completion. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Attributed to Orazio RiminaldiCain and Abel

Lot 45: Attributed to Orazio RiminaldiCain and Abel

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Description: Attributed to Orazio Riminaldi Cain and Abel Oil on canvas 62 5/8 x 48 3/4 inches (159 x 123.8 cm) Unframed C 

Condition Report: Glue relined; scattered losses and inpaint throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After ParmigianinoLamentation of Christ

Lot 46: After ParmigianinoLamentation of Christ

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Description: After Parmigianino The Lamentation of Christ Oil on panel 16 1/8 x 10 1/8 inches (41.3 x 25.7 cm) Unframed C 

Condition Report: Panel slightly bowed. Losses around the edges. Frame rubbing. Scapes and minor losses throughout. Scattered touches of inpainting throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jacopo Negretti, called Palma Giovane Italian, 1548-1628 Studies of Feet

Lot 47: Jacopo Negretti, called Palma Giovane Italian, 1548-1628 Studies of Feet

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Description: Jacopo Negretti, called Palma Giovane Italian, 1548-1628 Studies of Feet Inscribed Palma (lc) Black chalk heightened with white on oatmeal paper 7 3/4 x 10 3/8 inches (19.7 x 26.4 cm) Provenance: Sotheby's, London, Jul. 5, 2000, lot 118 Private collection, NY C 

Condition Report: Taped to the verso at all four corners with white (possibly acid free) tape. There is a piece missing from the lower left corner, and was restored with a white piece of paper. Scattered staining and foxing. There is a diagonal crease in the lower right corner. The paper is slightly rippling. Possible oxidation of white highlighting. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Master of the Christ Church Coronation Florentine, 14th Century The Coronation of the Virgin with Saints and Angels...

Lot 48: Master of the Christ Church Coronation Florentine, 14th Century The Coronation of the Virgin with Saints and Angels...

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Description: Master of the Christ Church Coronation Florentine, 14th Century The Coronation of the Virgin with Saints and Angels Tempera and tooled gold leaf on panel 25 1/2 x 13 1/2 inches (64.8 x 34.3 cm) Provenance: Private collection, Florence, before 1952 J. Barry Donahue Fine Arts, Inc., New York Private collection, New York Spanierman Gallery, New York Exhibited: New York, Blumka Gallery, Collecting Treasures of the Past V, Jan. 25-Feb. 10, 2006, no. 1, n.p. color illus. Literature: Miklos Boskovits, Pittura Fiorentina alla vigilia del Rinascimento, 1370-1400 (Florence: Edam, 1975), p. 212, note 56, fig. 152 Richard Offner, "A Critical and Historical Corpus of Florentine Painting", edited by B.J. Maginnis, 1981, New York, The Fourteenth Century Supplement, p. 29, no. 53. Collecting Treasures of the Past V. Exh. cat. Germany: Blumka Gallery and Julius Böhler Kunsthandlung Gmbh, 2006, n.p. color illus. no. 1 This painting reveals the hieratic forms and traditional religious iconography typical of art in Florence and Sienna in the period following the plague of 1348. Other examples of this artist's work can be found in the Museum of Fine Arts, Budapest; the Musée Dieppe, France; The Hermitage, Leningrad; Oxford, Christ Church; the San Diego Museum; the New York Historical Society; the Philbrook Art Center, Tulsa; and the Museo del Opera del Duomo, Florence. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Panel is cradled. There is a slight warp to the panel. Frame rubbing. There are some losses to the edges. There is a 4 inch vertical crack at the top center, and to its left, a 9 inch vertical crack. There is a fine craquelure throughout, that is heavier at times. There are several small paint flakes at the bottom center, in and around the flowers and the urn. Condition is commensurate with age. There are scattered touches of inpaint throughout. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Follower of Bernardo LuiniSaint Catherine

Lot 49: Follower of Bernardo LuiniSaint Catherine

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Description: Follower of Bernardo Luini Saint Catherine with Two Angels Oil on panel 29 7/8 x 24 1/8 inches (75.8 x 61.2 cm) Unframed C 

Condition Report: A few surface scuffs. Fundamentally in very sound condition. There are a few touches of inpainting. One touch on the eyebrow at the angel on the right and a touch on his cheek. There is another spot on the left cheek on the angel at left. There are a few touches on St. Catherine's face and one spot on her right hand. There are a few very tiny scattered touches elsewhere. There is no further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Bolognese School 17th Century The Virgin and Child    Oil on canvas 40 x 35 1/4 inches (101.6 x 89.6cm) Unfram...

Lot 50: Bolognese School 17th Century The Virgin and Child Oil on canvas 40 x 35 1/4 inches (101.6 x 89.6cm) Unfram...

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Description: Bolognese School 17th Century The Virgin and Child Oil on canvas 40 x 35 1/4 inches (101.6 x 89.6cm) Unframed Provenance: Private collection, Venice, Italy, collection moved to North Carolina Spanierman Gallery, New York This sensitive image of the Madonna and Child is rendered in the style of the Bolognese painter Francesco Albani (1578-1660), demonstrating a Baroque plasticity and emotion. The compressed composition heightens the intimacy between the figures, while their movements are rhythmically in harmony. The image of the Madonna holding a lily, a symbol of purity, is a rare occurrence in old master paintings of this subject. The tenderness of the mother toward her lively child is notable in the work. C The Spanierman Gallery, LLC Collection of American Art

Condition Report: Glue relined. Several repaired holes in the lower right quadrant. Scattered touches of inpaint throughout. There are some contours reinforced. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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North Italian School 15th/16th Century Christ at the Column

Lot 51: North Italian School 15th/16th Century Christ at the Column

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Description: North Italian School 15th/16th Century Christ at the Column Oil on panel 7 1/2 x 6 1/4 inches (19 x 15.7 cm) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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