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Auction Description for Cheffins: The Fine Art Sale (Day Two)
Viewing Notes:
Sunday 16th June 10.00 - 12.00 Monday 17th June 10.00 - 17.00 Tuesday 18th June 10.00 - 18.00 Wednesday 19th June 09.00 - 10.45 Wednesday 19th June 16.00 - 18.00 Thursday 20th June 09.00 - 10.45

The Fine Art Sale (Day Two)

by Cheffins


482 lots | 478 with images

June 20, 2013

Live Auction

Clifton House

1 & 2 Clifton Road

Cambridge, CB1 7EA United Kingdom

Phone: +44 (0)1223 213343

Fax: +44 (0)1223 271949

Email: fine.art@cheffins.co.uk

482 Lots
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§ Augustus Edwin John, OM, RA (British, 1878-1961) - A Girl's Head - etching

Lot 427: § Augustus Edwin John, OM, RA (British, 1878-1961) - A Girl's Head - etching

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Description: § Augustus Edwin John, OM, RA (British, 1878-1961) A Girl's Head (J), Plate No. 136 etching numbered 9/50 on watermarked laid paper signed in pencil below 28.5 x 20.5cm (sheet)

Condition Report: Unframed, and mounted along top of sheet, slight soil mark to upper left corner of sheet. Very slight sunning around mount opening.

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§ Charles Frederick Tunnicliffe, R.A. (1901-1979)   - Black Angus - etching

Lot 428: § Charles Frederick Tunnicliffe, R.A. (1901-1979) - Black Angus - etching

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Description: § Charles Frederick Tunnicliffe, R.A. (1901-1979) Black Angus etching signed below in pen 21.5 x 28cm (sheet)

Condition Report: Unframed, few slight marks to margins, otherwise good.

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Fritz - Portrait of Charles I signed lower right

Lot 431: Fritz - Portrait of Charles I signed lower right "Fritz"

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Description: *** Fritz Portrait of Charles I signed lower right "Fritz" charcoal h:42 w: 33 cm

Condition Report: On buff paper and conditon appears fine.

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Francois Theodore Rochard (French, 1798-1858) - Portrait of Miss Elise Anstruther, circa 1830 - watercolour

Lot 432: Francois Theodore Rochard (French, 1798-1858) - Portrait of Miss Elise Anstruther, circa 1830 - watercolour

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Description: Francois Theodore Rochard (French, 1798-1858) Portrait of Miss Elise Anstruther, circa 1830 inscribed lower right "Miss Anstruther" watercolour h:16 w: 14 cm Provenance: St Helier Galleries Ltd., Jersey, Channel Islands.

Condition Report: Condition appears fine. Exhibition No.27.

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Francis Nicholson (British, 18th Century) - A Portfolio of Architectural Views in Scotland, including two of Elgin Abbey, Morayshire, o

Lot 433: Francis Nicholson (British, 18th Century) - A Portfolio of Architectural Views in Scotland, including two of Elgin Abbey, Morayshire, o

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Description: Francis Nicholson (British, 18th Century) Views of Elgin Abbey, Morayshire, one dated 1775 watercolour, various sizes (3)

Condition Report: All unframed and with some browning. Three in the lot. Approx. 7 x 10in. each.

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Sigismondo Caula (Italian, 1637-1724)  - The Supper at Emmaus - brush and brown grey wash

Lot 434: Sigismondo Caula (Italian, 1637-1724) - The Supper at Emmaus - brush and brown grey wash

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Description: Sigismondo Caula (Italian, 1637-1724) The Supper at Emmaus brush and brown grey wash, heightened with white, on paper washed reddish brown h:14 w:18 cm The Caula of the Supper at Emmaus is an admirable drawing. It is an unusually crisp, early drawing by Caula from the mid-1670s - it is fresher and livelier than his later drawings. The drawing is traditionally and correctly attributed to the Modenese painter and draughtsman Sigismondo Caula. He was the leading decorative painter in Modena in the last quarter of the seventeenth century and the first quarter of the eighteenth, and was employed extensively by secular and ecclesiastical patrons in the city, especially by the ruling d'Este family-principally Francesco II d'Este. Caula's work as both a painter and draughtsman has become better known thanks to the pioneering research of Adalgisa Lugli ("Erudizione e pittura alla corte estense: il caso di Sigismondo Caula (1637-1724)," Prospettiva, 2, April, 1980, pp. 57-74). His early training was in the studio of Jean Boulanger, under whom he worked on the decorations of the Palazzo Ducale at Sassuolo. Critical to his development, however, was the period he spent in Venice at some point between the years 1667 and 1670. Thereafter, the influence of the Venetians-not only those of the sixteenth-century, such as Tintoretto and Veronese, but also painters of Caula's own day, such as Francesco Ruschi and Antonio Zanchi-was strongly reflected in his own output, especially in drawings. Indeed, it is the Baroque figure types and dramatic mise en scenes of the later Venetian Baroque painters that are so strongly reflected in the composition here. The drawing was probably made in the first half of the 1670s. Although it has not been possible to connect it with any of the artist's extant paintings, the heads of the two Apostles on the left of the composition compare well with those of Joseph and the high priest in Caula's altarpiece of the Marriage of the Virgin, in the Collegiata of SS. Filippo e Giacomo, Finale Emilia, painted in the same period (Lugli, 1980, pp. 66-67 and fig. 22). Especially close are the wispy curls of hair on the head of the balding Apostle, second from the left in the drawing, and the similar bushy beard, moustaches and marooned locks on the pate of St Joseph in the painting. The altarpiece also displays similarly dramatic contrasts of light and dark, especially in the draperies, the folds of which have a similar tendency to zigzag crisply across the figural forms, their sharp edges catching the light. Caula's style as a draughtsman is attractively pictorial, with much if not all of the execution done with the point of the brush. Following the practice of Bolognese draughtsman, such as Ludovico Carracci, Giacomo Cavedone, and others, he was fond of applying generous amounts of white heightening to give vigour to his designs, choosing tinted paper and sometimes, as here, a ground brushed with thin paint, which increases the richness of texture. In the passages of highlight, his attractive and confident brushwork is readily apparent.

Condition Report: Condition appears largely OK - paper perhaps crinkling slightly under the glass. Pentimenti can be seen along the top edge by the hand. There is a ruled pen and ink line around the whole composition. Few tiny chips around the edges. There are no margins. There is a small area of damage/loss to the upper right-hand corner

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Flemish School (18th Century) - A Putto holding a Torch - red chalk

Lot 435: Flemish School (18th Century) - A Putto holding a Torch - red chalk

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Description: Flemish School (18th Century) A Putto holding a Torch red chalk h:31 w: 19 cm Provenance: Dr Alfred Ritter von Wurzbach-Tannenberg (according to an old label to the reverse).

Condition Report: One or two foxing spots. Indistinct collector's mark lower right-hand corner.

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William Crouch (British, fl. 1830-1850) Romantic landscape with aqueduct

Lot 436: William Crouch (British, fl. 1830-1850) Romantic landscape with aqueduct

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Description: William Crouch (British, fl. 1830-1850) Romantic landscape with aqueduct watercolour h:12 w: 17 cm Provenance: The Fine Art Society, 148 New Bond Street, London.

Condition Report: Colours are quite good.

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William Henry Harriott (British, fl. 1811-1839) - Route de Cordon a Maillac, French Comte - signed lower right

Lot 437: William Henry Harriott (British, fl. 1811-1839) - Route de Cordon a Maillac, French Comte - signed lower right "W H Harriott 1828"

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Description: William Henry Harriott (British, fl. 1811-1839) Route de Cordon a Maillac, Franche-Comte signed lower right "W H Harriott 1828" watercolour h:31 w: 20 cm Provenance: Sabin Galleries, 4 Cork Street, Bond Street, London, W1

Condition Report: Some foxing to the sky.

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Attributed to Rochus van Veen (Flemish, 1630-1693) - Study of Four Ducks signed lower left

Lot 438: Attributed to Rochus van Veen (Flemish, 1630-1693) - Study of Four Ducks signed lower left "Rochus van Veen 1692"

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Description: Attributed to Rochus van Veen (Flemish, 1630-1693) Study of Four Ducks signed lower left "Rochus van Veen 1692" watercolour h:15 w: 19 cm Works by Rochus van Veen rarely appear on the market; van Veen specialised in natural history subjects such as insects, birds and funghi. Rochus van Veen was a member of the family of Otto van Veen who was Rubens's first master, and he was also the brother of Gerardus van Veen (circa 1620-1683) who also specialised in painting fish and birds. He was celebrated enough for Houbraken to include him in his Lives of the Netherlandish Painters (1721 edition, Volume 3, p.309).

Condition Report: There is a strip of discolouration along the top edge. Paper somewhat crinkled. Under glass. Some loss of colour. Pentimenti can be seen.

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Ramsay Richard Reinagle (1775-1862) - Grange Fell and Castle Crag in Borrowdale with part of Keswick Lake  - watercolour -

Lot 439: Ramsay Richard Reinagle (1775-1862) - Grange Fell and Castle Crag in Borrowdale with part of Keswick Lake - watercolour -

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Description: Ramsay Richard Reinagle, RA (British, 1775-1862) Grange Fell and Castle Crag in Borrowdale with part of Keswick Lake signed on the reverse "R R Reinagle 1809" watercolour h:18 w: 23 cm

Condition Report: Unframed. Stuck by the corners to a piece of card, and with a little browning. Inscribed on the reverse.

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Francis Nicholson, RWS - The Summit of Cader Idris, North Wales - signed, inscribed and dated 1800 on the reverse

Lot 440: Francis Nicholson, RWS - The Summit of Cader Idris, North Wales - signed, inscribed and dated 1800 on the reverse

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Description: Francis Nicholson, RWS (British, 1753-1844) The Summit of Cader Idris, North Wales signed, inscribed and dated 1800 on the reverse watercolour h:44 w: 60 cm Provenance: Sotheby's, London, 11 September 1975, Lot 207

Condition Report: Somewhat browned and with loss of colour.

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Francis Nicholson, RWS - Rocky River Landscapes   - watercolour (a pair)

Lot 441: Francis Nicholson, RWS - Rocky River Landscapes - watercolour (a pair)

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Description: Francis Nicholson, RWS (British, 1753-1844) Rocky River Landscapes watercolour (a pair) h:20 w: 30 cm Provenance: Sotheby's, London, 11 September 1975, Lot 87.

Condition Report: Quite browned and with loss of colour.

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The Reverend Thomas Kerrich (British, 1748-1828) - Portrait of Mr William Boycott, Fellow of Gonville and Caius Co

Lot 442: The Reverend Thomas Kerrich (British, 1748-1828) - Portrait of Mr William Boycott, Fellow of Gonville and Caius Co

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Description: The Reverend Thomas Kerrich (British, 1748-1828) Portrait of Mr William Boycott, MA, Fellow of Gonville and Caius College, Cambridge, 1827, together with an associated silhouette of Mrs Frances Badeley, nee Boycott pastel h:36 w: 27 cm Provenance: By descent within the family of the sitter. Other Notes: The sitter is William Boycott, a clergyman, born in Melton, Norfolk, in 1757, the son of the Rector of Burgh. Admitted to Gonville and Caius College 1772, BA 1776 7th Wrangler, MA 1779, Junior Fellow 1776-1796 Ordained 1781. The Reverend William Boycott was the Rector of Burgh, Norfolk, from 1795-1829 and of Beeston St Andrew from 1806-1830; he died at Ormsby on 23 November 1830. Information from the the Biographical History of Gonville and Caius College, ed. John Venn, vol. 2 (Cambridge, 1898), p. 91.

Condition Report: Mr Boycott portrait - Various damages/losses all along the top edge. Some fading and discolouration. Silhouette is faded and 7 x 6cm.

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Attributed to Francis Wheatley (British, 1747-1801) - Herdsmen with Cattle and Sheep - watercolour

Lot 443: Attributed to Francis Wheatley (British, 1747-1801) - Herdsmen with Cattle and Sheep - watercolour

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Description: Attributed to Francis Wheatley, RA (British, 1747-1801) Herdsmen with Cattle and Sheep by a Castle on a Lake watercolour h:31 w: 45 cm

Condition Report: Unframed and with some loss of colour.

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John Downman (British, 1750-1824) - Portrait of a Lady -  signed

Lot 444: John Downman (British, 1750-1824) - Portrait of a Lady - signed

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Description: John Downman (British, 1750-1824) Portrait of a Lady signed centre left "JD 1793" watercolour, in a gilt frame h:21 w: 17 cm

Condition Report: One small water damage lower right-hand corner. In a pretty gilt frame.

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Henri-Joseph van Blarenberghe - Italianate landscapes - gouache (two)

Lot 445: Henri-Joseph van Blarenberghe - Italianate landscapes - gouache (two)

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Description: Henri-Joseph van Blarenberghe (French, 1750-1826) Picnickers by a river; and A Walker on the way to a Village the second signed "Blarenberghe 1797" gouache, 14 x 20cm and 17 x 22cm (two)

Condition Report: Condition appears fine - the first has a scuffed edge to the left-hand side in the sky.

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Franz Pitner (Austrian, 1826-1892) - Portrait of a Lady, seated on a balcony, with the Campanile di San Marco, and San Giorgio Maggior.

Lot 446: Franz Pitner (Austrian, 1826-1892) - Portrait of a Lady, seated on a balcony, with the Campanile di San Marco, and San Giorgio Maggior.

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Description: Franz Pitner (Austrian, 1826-1892) Portrait of a Lady, seated on a balcony, with the Campanile di San Marco, and San Giorgio Maggiore, Venice, behind her signed lower right "F Pitner" watercolour h:30 w: 24 cm

Condition Report: Perhaps a little discolouration around the edges, but fine.

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Paul Braddon (British, 1864-1938) - Views of Cairo - the Citadel and the Muhammed Ali Mosque - watercolour

Lot 447: Paul Braddon (British, 1864-1938) - Views of Cairo - the Citadel and the Muhammed Ali Mosque - watercolour

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Description: Paul Braddon (British, 1864-1938) Views of Cairo - the Citadel and the Muhammed Ali Mosque signed lower left and lower right "Paul Braddon" watercolour (a pair) h:26 w: 76 cm

Condition Report: Considerable foxing in the sky to both watercolours.

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English School (18th-19th Century) - A View of Warwick Castle - watercolour

Lot 448: English School (18th-19th Century) - A View of Warwick Castle - watercolour

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Description: English School (18th-19th Century) A View of Warwick Castle watercolour h:45 w: 65 cm

Condition Report: Some browning, loss of colour and foxing to the sky. There is a small tear in the centre of the painting. Borwnign where old stretcher marks can be seen from the front, running vertically.

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Jessie M Hilsom (British, exh. 1898-1900) - Rocks off Le Hocq, Jersey, 1898 - signed lower left

Lot 449: Jessie M Hilsom (British, exh. 1898-1900) - Rocks off Le Hocq, Jersey, 1898 - signed lower left "J M Hilsom"

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Description: Jessie M Hilsom (British, exh. 1898-1900) Rocks off Le Hocq, Jersey, 1898 signed lower left "J M Hilsom" watercolour h:54 w: 93 cm

Condition Report: Colours are fine - no tears or damages.

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Wilmot Pilsbury, RWS (British, 1840-1908)  - Porlock, Somerset - signed lower left

Lot 450: Wilmot Pilsbury, RWS (British, 1840-1908) - Porlock, Somerset - signed lower left "Wilmot Pilsbury 1891"

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Description: Wilmot Pilsbury, RWS (British, 1840-1908) Porlock, Somerset signed lower left "Wilmot Pilsbury 1891" watercolour h:18 w: 28 cm

Condition Report: Some browning and loss of colour. Dirt under the glass and one foxing spot in the sky.

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John F Branegan (British, fl.1871-1875) - Fishermen at Formby, Lancashire - signed lower right

Lot 451: John F Branegan (British, fl.1871-1875) - Fishermen at Formby, Lancashire - signed lower right "J F Branegan" - watercolour

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Description: John F Branegan (British, fl.1871-1875) Fishermen at Formby, Lancashire signed lower right "J F Branegan" watercolour, in a very pretty gilt frame h:25 w: 47 cm Other Notes: By family repute the V and A has the pair to this watercolour.

Condition Report: Very pretty frame is quite fragile. Perhaps a little discolouration to the sky.

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George Vicat Cole, RA (1833-1893) - Autumn Landscape-  signed

Lot 452: George Vicat Cole, RA (1833-1893) - Autumn Landscape- signed

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Description: George Vicat Cole, RA (British, 1833-1893) Autumn Landscape signed lower right "Vicat Cole" watercolour h:34 w: 52 cm

Condition Report: Condition appears fine.

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Robert Little (British, 1855-1944) - View of Falside Castle Musselburgh   - watercolour

Lot 453: Robert Little (British, 1855-1944) - View of Falside Castle Musselburgh - watercolour

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Description: Robert Little, RWS, RSW (British, 1855-1944) View of Falside Castle, Musselburgh signed lower left "R Little 1911" watercolour h:45 w: 62 cm Exhibited: Royal Society of Painters in Watercolours, 5A Pall Mall East, London, SW1.

Condition Report: Condition is fine.

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English School (19th Century) - View of Mer de Glace, Chamonix, showing Aiguille Verte, Aiguille de Drus, Aiguille du Midi, Mer de Gla

Lot 454: English School (19th Century) - View of Mer de Glace, Chamonix, showing Aiguille Verte, Aiguille de Drus, Aiguille du Midi, Mer de Gla

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Description: English School (19th Century) View of La Mer de Glace, Chamonix, showing Aiguille Verte, Aiguille de Drus, Aiguille du Midi, Mont Blanc, Glacier de Boissons and Aiguille de Goutier watercolour h:36 w:54 cm Literature: Country Life, 11 January 1979 (illus) Other Notes: The Mer de Glace is a glacier in the Alps. The tremendous activity in the sport of mountaineering during the late 19th Century, when peak after Alpine peak was being conquered, inspired a visual interest in mountain scenery which was reflected in watercolours of this kind.

Condition Report: A damage (or a date) lower left-hand corner. Some dirt under the glass. A tiny bit of foxing in the sky.

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Edward Killingworth Johnson, RWS (1825-1896) - The Love Letter - watercolour

Lot 455: Edward Killingworth Johnson, RWS (1825-1896) - The Love Letter - watercolour

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Description: Edward Killingworth Johnson, RWS (British, 1825-1896) The Love Letter signed lower right "E K Johnson" watercolour h:28 w: 33 cm

Condition Report: Colours are good.

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Gabriel Carelli (Italian, 1821-1900)  - Port scene of Dogana, Venice, signed lower right 'Gab Carelli' - watercolour

Lot 456: Gabriel Carelli (Italian, 1821-1900) - Port scene of Dogana, Venice, signed lower right 'Gab Carelli' - watercolour

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Description: Gabriel Carelli (Italian, 1821-1900) Port scene of Punta della Dogana, Venice signed lower right "Gab. Carelli" watercolour h:16 w: 25 cm

Condition Report: One spot of foxing in the sky, upper left hand corner. Apart from that, good conditions, colours are good, no tears in the paper. Frame has slight damage to the corners.

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William Henry Bartlett (British, 1809-1854) - The City of Buda from the Observatory over the Danube - watercolour

Lot 457: William Henry Bartlett (British, 1809-1854) - The City of Buda from the Observatory over the Danube - watercolour

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Description: William Henry Bartlett (British, 1809-1854) The City of Buda from the Observatory over the Danube watercolour h:21 w: 30 cm Provenance: The Fine Art Society Ltd., 148 New Bond Street, London, W1.

Condition Report: A little browning and fading in colour.

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Henry Barlow Carter (British, 1803-1867), Approach to Robin Hood's Bay, watercolour

Lot 458: Henry Barlow Carter (British, 1803-1867), Approach to Robin Hood's Bay, watercolour

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Description: Henry Barlow Carter (British, 1803-1867) The Approach to Robin Hood's Bay from the Whitby Road, afternoon,1856 signed lower left "H B Barlow" watercolour h:32 w: 47 cm Provenance: The Fine Art Society Ltd., 148 New Bond Street, London, W1

Condition Report: Some browning and loss of colour.

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Albert Goodwin, RWS (British, 1845-1932) - Bristol Quayside - signed lower right with monogram

Lot 459: Albert Goodwin, RWS (British, 1845-1932) - Bristol Quayside - signed lower right with monogram "AG '85" and inscribed "Bristol" lower l

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Description: Albert Goodwin, RWS (British, 1845-1932) Bristol Quayside signed lower right with monogram "AG '85" and inscribed "Bristol" lower left watercolour and ink h:24 w: 35 cm

Condition Report: Condition is fine.

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John Macwhirter, R.A., H.R.S.A., R.I., R.E (Scottish, 1839-1911) - Lake Como, stormy weather

Lot 460: John Macwhirter, R.A., H.R.S.A., R.I., R.E (Scottish, 1839-1911) - Lake Como, stormy weather

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Description: John Macwhirter, RA, HRSA, RWS, RI, RE (Scottish, 1839-1911) Lake Como, stormy weather signed lower left "MacW" watercolour h:33 w: 50 cm Provenance: The Fine Art Society, 148 New Bond Street, London.

Condition Report: Condition is fine.

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Paul Sandby Munn (British, 1773-1845) -  Vioge near Genova  - watercolour

Lot 461: Paul Sandby Munn (British, 1773-1845) - Vioge near Genova - watercolour

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Description: Paul Sandby Munn (British, 1773-1845) Vioge near Genova pencil and watercolour h:21 w: 15 cm

Condition Report: A little loss of colour, and a little foxing in the sky.

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Thomas Faed (Scottish, 1826-1900) - A Boy lighting a firework - watercolour

Lot 462: Thomas Faed (Scottish, 1826-1900) - A Boy lighting a firework - watercolour

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Description: Thomas Faed (Scottish, 1826-1900) A Boy lighting a firework signed lower right "T Faed" pencil and watercolour h:22 w: 16 cm Provenance: Sanders of Oxford, High Street, Oxford

Condition Report: Perhaps a tiny tear along the top edge, otherwise appears fine.

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Gabriel Carelli (Italian, 1821-1900) - View of an Italian Hill Town signed lower left

Lot 463: Gabriel Carelli (Italian, 1821-1900) - View of an Italian Hill Town signed lower left "Gab. Carelli 1860"

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Description: Gabriel B Carelli (Italian, 1821-1900) View of an Mediterranean Villa signed lower left "Gab. Carelli 1860" watercolour on card, oval h:13 w: 19 cm

Condition Report: Unframed and with some foxing and discolouration.

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Charles Power Cobbe (British, fl. 1830-1850) - The Fort at Hyderabad, Scinde - watercolour

Lot 464: Charles Power Cobbe (British, fl. 1830-1850) - The Fort at Hyderabad, Scinde - watercolour

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Description: Charles Power Cobbe (Irish, 1811-1886) The Fort at Hyderabad, Scinde inscribed, initialled and dated 1849, No.15, on the reverse watercolour h:16 w: 24 cm Charles Power Cobbe servied with Her Majesty's 8th King's Regiment and with the 88 Regiment of Foot - the Connaught Rangers.

Condition Report: Colours are quite good - glass missing in frame.

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William Leighton Leitch, RI (British, 1804-1883) - Mediterranean Scene, watercolour

Lot 465: William Leighton Leitch, RI (British, 1804-1883) - Mediterranean Scene, watercolour

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Description: William Leighton Leitch, RI (British, 1804-1883) Mediterranean Scene watercolour h:23 w: 34 cm

Condition Report: Colours are quite good.

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Thomas Miles Richardson, RSA, RWS (British, 1813-1890) - Lake Como - watercolour

Lot 466: Thomas Miles Richardson, RSA, RWS (British, 1813-1890) - Lake Como - watercolour

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Description: Thomas Miles Richardson the Younger, RSA, RWS (British, 1813-1890) Lake Como watercolour h:14 w: 20 cm

Condition Report: Under glass and may be stuck down. Condition is fine.

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Louis Laurent Raze (British, 1805-1872)    - The Studio of Shaspeare Wood, Rome - watercolour

Lot 467: Louis Laurent Raze (British, 1805-1872) - The Studio of Shaspeare Wood, Rome - watercolour

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Description: Louis Laurent Raze (French, 1805-1872) View of the Studio of Sig. Shakespeare Wood, Sculptor, 504 Corso, Rome inscribed with title lower right watercolour h:34 w: 26 cm Louis Laurent Raze was the best known Drawing Master at the King's School, Canterbury, in the 19th Century. Born at Cambrai in France, he came to England in 1823 and settled in Canterbury. He was at the King's School from approximately 1842 to 1864. An exhibition of his work was at the Canterbury Museum and Art Gallery some years ago. Canterbury Museum have a collection of his works as does The King's School. Raze is best known for his views of Canterbury, but the exhibition also included several Italian scenes.

Condition Report: 4 small holes in paper, plus some pin prick markings . Some foxing in the centre and loss of colour.

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Frederick James Aldridge (British, 1850-1933) - Kingston - watercolour

Lot 468: Frederick James Aldridge (British, 1850-1933) - Kingston - watercolour

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Description: Frederick James Aldridge (British, 1850-1933) Kingston signed lower right "F J Aldridge, Kingston" watercolour h:26 w: 37 cm

Condition Report: Some browning to the sky, a brown mark in the sky to the right-hand side, and a little foxing.

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Frank Watson -(British, 19th Century) -  Whitby -  signed twice lower left

Lot 469: Frank Watson -(British, 19th Century) - Whitby - signed twice lower left "F Watson" - watercolour

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Description: Frank Watson (British, 19th Century) Whitby signed twice lower left "F Watson 1921" watercolour h:26 w: 38 cm

Condition Report: Colours are fine. No tears or damages. Under glass.

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Henry Melling (British, fl. 1829-1853) - Bandits resting - signed lower left

Lot 470: Henry Melling (British, fl. 1829-1853) - Bandits resting - signed lower left "Henry Melling"

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Description: Henry Melling (British, fl. 1829-1853) Bandits resting signed lower left "Henry Melling" watercolour h:26 w: 35 cm

Condition Report: Some loss of colour. One damage in the sky upper right hand corner.

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Henry Melling (British, fl.1829-1853) - Greek bandits after a fight - signed lower left

Lot 471: Henry Melling (British, fl.1829-1853) - Greek bandits after a fight - signed lower left "Henry Melling 1879"

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Description: Henry Melling (British, fl.1829-1853) Greek bandits after a fight signed lower left "Henry Melling 1879" watercolour h:25 w: 35 cm

Condition Report: A little foxing to the sky.

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Henry Melling (British, fl.1829-1853) - An attack by bandits in Greece - watercolour

Lot 472: Henry Melling (British, fl.1829-1853) - An attack by bandits in Greece - watercolour

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Description: Henry Melling (British, fl.1829-1853) An attack by bandits in Greece watercolour h:36 w: 47 cm

Condition Report: Some loss of colour.

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English School (19th Century) -  Study of Fish - watercolour (a pair)

Lot 473: English School (19th Century) - Study of Fish - watercolour (a pair)

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Description: English School (19th Century) Study of Fish watercolour, one in a burr oak frame (a pair) h:22 w: 32 cm

Condition Report: A little browning and discolouration around the edges, otherwise fine.

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Ernest Stuart (British, fl. 1889-1915) - Breaking Waves - signed lower left

Lot 474: Ernest Stuart (British, fl. 1889-1915) - Breaking Waves - signed lower left "Ernest Stuart"

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Description: Ernest Stuart (British, exh. 1889-1915) Breaking Waves signed lower left "Ernest Stuart" watercolour heightened with white h:24 w: 53 cm

Condition Report: Condition fine - perhaps some loss of colour. Frame broken.

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Charles Harmony Harrison (British, 1842-1902) Sailing ships in a calm; and Norfolk windmill

Lot 475: Charles Harmony Harrison (British, 1842-1902) Sailing ships in a calm; and Norfolk windmill

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Description: Charles Harmony Harrison (British, 1842-1902) Sailing ships in a calm; and Norfolk windmill the first signed lower left "C H Harrrison 1860" and the second signed lower right with initials "CHH" watercolour (two) 12 x 22 and 16 x 25cm h:12 w: 22 cm

Condition Report: Browning around the mount but otherwise fine.

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Thomas Bush Hardy (British, 1842-1897) - Low Tide at Laugharne -  signed and dated lower left

Lot 476: Thomas Bush Hardy (British, 1842-1897) - Low Tide at Laugharne - signed and dated lower left "T B Hardy 1878"

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Description: Thomas Bush Hardy (British, 1842-1897) Low Tide at Laugharne signed and dated lower left "T B Hardy 1878" watercolour h:21 w: 29 cm

Condition Report: Some discolouration and foxing.

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Nellie Harvey (Scottish, c.1865-1949) - Study of Chicks exploring a Blue Bowl - signed lower right

Lot 477: Nellie Harvey (Scottish, c.1865-1949) - Study of Chicks exploring a Blue Bowl - signed lower right "Nellie Harvey"

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Description: Nellie Harvey (Scottish, c.1865-1949) Study of Chicks exploring a Blue Bowl signed lower right "Nellie Harvey" watercolour h:31 w: 47 cm

Condition Report: Under glass and colours are good.

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J R Miller (British, exh. 1880-1912) - Dutch river scenes  - watercolour (a pair)

Lot 478: J R Miller (British, exh. 1880-1912) - Dutch river scenes - watercolour (a pair)

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Description: J R Miller (British, exh. 1880-1912) Dutch river scenes; and A Shepherd herding sheep through a Dutch town both signed "J R Miller" lower right watercolour (a pair) h:24 w: 17 cm

Condition Report: Colours are quite good. In old gilt mounts.

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