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Auction Description for Dreweatts: Fine Paintings
Viewing Notes:
Friday 9th December 10am - 4pm (by appointment) Sunday 11th December 10am - 2pm Monday 12th December 9am - 5.30pm Tuesday 13th December from 8.30am

Fine Paintings (88 Lots)

by Dreweatts & Bloomsbury


88 lots | 87 with images

December 13, 2016

Live Auction

Newbury, United Kingdom

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Matthys Naiveu (Dutch c.1657-1726) - Music Party

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Description: Matthys Naiveu (Dutch c.1657-1726) Music Party Oil on canvas 71 x 83 cm (28 x 32 5/8 in.) Provenance:with Lucerne Gallery, London, 1989

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Attributed to Adriaen van der Werff Portrait of a young girl held to be...

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Description: Attributed to Adriaen van der Werff (Dutch 1659-1722) Portrait of a young girl held to be Princess May, feeding cherries to a parrot Oil on canvas, signed, c entre right on plinth 46.5 x 36.5 cm (18 1/8 x 14 3/8 in) Cherries symbolise innocence and virtue, and here are fed to a colourful African Grey parrot which wealthy families often kept as exotic pets. Birds were seen as symbols of the soul and are a recurring theme of childhood innocence. Provenance: Private collection. By descent from Lord St Just of Wilbury Park, Wiltshire. Please Note: the cataloguing for this lot should read bears signature

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Circle of Sir Peter Lely (British, 1618-1680) - Portrait of a lady, seated three quarter length in a grey dress

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Description: Oil on canvas Traces of indistinct signature, lower right 52.5 x 44cm (20 3/4 x 17 4/8in.) Provenance: Sale, Christie's, September 4, 2003, ex-lot 14

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Follower of Peeter van Bredael (Flemish 1629-1719) - In the town square

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Description: Oil on copper 28.5 x 33cm (11 1/4 x 13in.) Provenance: Sale, Christie's 31st October 2001, ex- lot 104

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Att. to Nicolaes Molenaer (Dutch, c.1630-c.1676) - The Card Players

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Description: Oil on panel Signed, centre left on the wooden platform 47 x 63.5cm (18 1/2 x 25 in.) Provenance: Bernard J. Shapero, Gallery Down Stairs, London Molenaer (c.1630 - 1676) was a landscape painter strongly influenced by Jacob van Ruisdael (1628/9-1682) . As a citizen of Haarlem, h e became a member of the Haarlem Guild of St. Luke in 1651 and worked during the prosperous Dutch Golden Age . This period , lasting from 1575-1725, saw most of the country s great art works being created between 1609 (start of the Twelve Years' Truce) and 1672. The Dutch Golden Age was a period of economic prosperity for the Northern Netherlands.

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Ludovicus Rijsbrack and Pieter Andreas Rijsbrack Diana and Actaeon Oil on...

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Description: Ludovicus Rijsbrack and Pieter Andreas Rijsbrack (Flemish 17th/18th century) Diana and Actaeon Oil on canvas Bears indistinct signature, lower right 103 x 133 cm (40 1/2 x 52 1/4 in.) Provenance: Pen Moel, near Chepstow, since circa 1930s For a comparative work, possibly originally painted as part of a group, showing the Discovery of Callisto, see Sotheby s New York, April 7th, 1988, lot 33a.

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Circle of Francois Lemoyne (French, 1688-1737) - Mythological scene with lovers depicted as Apollo and Daphne
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No Image Available

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Description: Please Note: this lot has been withdrawn

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Dutch School (mid-18th century) - Portrait of a gentleman, half-length in a red coat and white cravat
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School of Rembrandt van Rijn - A young woman as a shepherdess

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Description: (Dutch, late 17th century) Oil on canvas 66 x 82cm (26 x 32 1/2 in.)

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Adriaen Cornelisz Beeldemaker (Dutch,1618-1709) - Spaniels in an extensive landscape

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Description: Oil on canvas Initalled, lower right 45 x 55 cm (17 3/4 x 21 3/4 in)

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Hendrick Mommers (Dutch 1623-1693) - Landscape with a milkmaid

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Description: Oil on panel 48 x 65cm (19 x 25 1/2 in.) Please Note: this lot is subject to import VAT on the hammer price at 5% . VAT will also be charged at 20% on the buyer's premium.

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Follower of George Smith of Chichester - Two figures beside a lake

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Description: (British 1714-1776) Oil on canvas 32 x 44 cm (12 1/2 x 17 1/4 in.)

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Flemish School (17th century) - Travellers in a landscape

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Description: Oil on panel 24 x 34.3cm (9 1/2in. x 13 1/2in.) Provenance: Sale, Palais de Beaux Arts, 24.6.53, as Jan Breughel II, Paysage avec cavaliers , ex-lot 7, label affixed verso

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Paul Sandby RA. (British, 1731-1809) - Eton College from the river Thames

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Description: Pencil, pen and black and grey ink and watercolour on laid paper (on two sheets of paper, joined far left) 27 x 61cm (10 5/8 x 24in.) Provenance: A Private UK Collection With the exception of 1764, Sandby exhibited topographical views such as the present work at the Society of Artists from 1763 until 1768, and later at the Royal Academy in 1774, 1775, 1776 and 1801. He subsequently went on to produce aquatints and sets of outline etchings, which were issued in 1777, 1780 and 1782, with the intention of making the views available to collectors, as well as serving as teaching aids for his pupils. An album of drawings in the Staatliche Museen, Greiz, contains some similar preparatory studies. A comparable pen and wash drawing to the present lot is housed in the Royal Collection (RCIN 914617). Here, the artist has chosen to depict the North side of Windsor Castle, as seen from Eton playing fields with the riverbank in the foreground. Set amongst several figures, horses, cattle and boats with men unloading their cargo, this drawing, together with a further views also housed in the Royal Collection, were used by Sandby for his series of aquatints, published in 1777, of Windsor from Eton (see also for example, British Museum 1904, 0819.757). Although no known aquatint of the present lot is known, it seems likely that the drawing may have been executed around the same time as the other Windsor views. Sandby did not often sign and date his works, as with the present example. His brother the architect and draughtsman Thomas Sandby (1721-1798) was employed as Deputy Ranger of Windsor Great Park under William Augustus, Duke of Cumberland. As a result Paul Sandby came into contact with members of the royal household, a number of whom became his pupils and he took up the role of artist in residence to the Duke of Cumberland's aide, the 1st Earl of Harcourt.

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English School (19th century) - St George's Chapel, Windsor from the South East; St George's Chapel, Windsor from the West side

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Description: A pair Watercolour with white heightening Each c.39 x 51cm (15 3/8 x 20in.) (2) Provenance: with the Rev. Julian Richards

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Edward Pritchett (British, 1808-1894) - View of St. Mark's Square

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Description: Oil on canvas Signed, lower right 63.5 x 99cm (24 3/4 x 39in.)

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John Warwick Smith (British 1749-1831) - View of Dinas Dinlle with an eagle and sheep

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Description: Watercolour over graphite, heightened with white With manuscript note attached to reverse of frame that reads: 'August 2nd 1797/ The strong + early Post called 'Dinas Dinlles on the/ Bay of Carnarvon. Between Carnarvon + Clynnog Vawr./ Probably a Roman + not a British Work.' 13 x 22cm (5 1/8 x 8 5/8 in.) This lot was purchased in the 1930s together with 6 other works which were originally part of a portfolio of drawings from one of Warwick Smith's tours of Wales.

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Harry Sutton Palmer (British 1852 - 1933) - Veiled Sunshine, The Path of the Trossachs; The Silver Strand, Loch Katrine; a pair

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Description: A pair Watercolour with scratching out The first signed, lower right, the second signed, lower left 35.5 x 50.8cm (14 x 20in.) and 36 x 52.7cm (14 1/8 x 20 7/8in.) Literature: Moncrieff, A.R.Hope, Scotland , (London, 1922), ills. opp. p. 68 & 73

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Hercules Brabazon Brabazon (British 1821-1906) -  Italian landscape

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Description: Watercolour, bodycolour and pencil Signed with initials, lower left 16.8 x 24.8cm (6 5/8 x 9 3/4in.) The present lot is thought possibly to depict the Gulf of Taranto, Puglia, Italy.

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Thomas Allom (British 1804 - 1872) - A view of Tewkesbury Abbey

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Description: Oil on canvas Signed, lower right 50.5 x 77 cm (19 3/4 x 30 1/4 in.)

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Alfred Fontville de Breanski (British, 1877-1955) - Kilchurn Castle

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Description: Oil on canvas Signed, lower left, titled to canvas, verso 30.5 x 48cm (12 x 19in.) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Charles James Lewis (British 1830 - 1892) - The Cottage Door

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Description: Oil on canvas Signed and inscribed with title, to artist's label affixed verso 26 x 31.1cm (10 1/4 x 12 1/4 in.) Provenance: with The Cider House Galleries Ltd., Surrey

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Wilfrid Gabriel de Glehn (British, 1870-1951) - The Palladian Bridge, Wilton Park

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Description: Oil on canvas Inscribed, verso 67 x 76cm (26 3/8 x 30 in.) Wilton House is an English Country House situated at Wilton in Wiltshire. It has been the country seat of the Earls of Pembroke for over 400 years. The Palladian Bridge over the little River Nadder was designed between 1736-7 by the 9th Earl of Pembroke known as one of the "Architect Earls," along with the Roger Morris. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Sidney Richard Percy (British 1821-1886) - Landscape and Cornfield

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Description: Oil on canvas Signed and indistinctly dated 1889 (?), lower right 61 x 97cm (24 x 38 1/4in.) Provenance: with Frost & Reed, London, Registered No. 44742, (label affixed, verso)

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Narcisse-Virgile Diaz de la Peña - Two young girls seated with a spaniel in a landscape

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Description: (Spanish 1807-1876) Oil on panel Signed, lower right 26 x 17 cm (10 1/4 x 6 3/8 in)

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George Elgar Hicks (British 1824 - 1914) - Fast asleep

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Description: Pencil and watercolour heightened with white Signed and dated 1856 , lower right, framed oval 38.7 x 28.3cm (15 1/4 x 11 1/8 in.)

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Att Sophie Anderson (French 1823 - 1903) - Maternal instincts

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Description: Oil on canvas 30.5 x 25.5cm (12 x 10in.)

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Charles Spencelayh (British 1865 - 1958) - The nightlight

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Description: Oil on canvas Signed and dated 1899 , lower left 46.3 x 31.1cm (18 1/4 x 12 1/4in.) Provenance: Sale, Sotheby's, London, 14 July 1983, ex-lot 220 IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Henry Meynell Rheam (1859-1920) - Newlyn street scene

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Description: Watercolour Signed, lower right 32 x 48cm (12 1/2 x 19in.)

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George Goodwin Kilburne (British 1839 - 1924) - Wheedling

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Description: Pencil and watercolour Signed, lower left 35 x 50.2cm (13 3/4 x 19 3/4in.) Provenance: Sale, Sotheby's, London, 9 June 1999, ex-lot 16

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Owen Dalziel (British 1861 - 1942) - A Morning Concert

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Description: Pencil and watercolour Signed and dated 1883, lower right, further signed and inscribed with title, to artist's label affixed verso 41.3 x 66.7 cm, (16 1/4 x 26 1/4 in.)

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Jose Gallegos Y Arnosa (Spanish 1859-1917) -  Feeding the pigeons

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Description: Oil on panel Signed and dated 1883 , lower left 60 x 37cm (23 5/8 x 14 1/2in) Provenance: Purchased circa 1930 ; Thence by descent to the present owner José Gallegos spent most of his life in Italy and was a leading figure of the Spanish School in Rome, along with Mariano Fortuny y Carbo (1838-1874), José Villegas y Cordero (1848-1922) and Salvador Sanchez Barbudo (1857-1917). Cathedral interiors, choir scenes and religious festivals were among his favourite subjects, as well as outdoor market scenes. Painted in 1883, Feeding the pigeons is an early work, clearly showing the artist s assimilation of the principles of Impressionism, with a skilled emphasis on colour and light. It is a beautiful day with bright light; flowers are in bloom, pigeons flutter in the yard fed by two young women in traditional costume. Gallegos has perfectly captured every detail of the figures and courtyard where they stand by his superb technique.

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George Graham (British, 1882-1949) - View of Rochester Harbour

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Description: Oil on canvas Signed, lower left 64 x 77cm (25 1/8 x 30 1/4in.) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Follower of Henry Redmore (British, 1820-1887) - Sailing ships in a harbour

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Description: Oil on canvas 50 x 74.5cm (19 6/8 x 29 1/4in.) Provenance: with Appleby Bros Ltd., London (label affixed, verso)

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Julius Olsson (British 1864-1942) - Bathers, Antibes

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Description: Oil on canvas Signed, lower right 46 x 61 cm (18 x 24 in.) Julius Olsson was a renowned British maritime artist who became an important figure in the St. Ives School. He studied first in London before moving to Cornwall in 1886 at the age of twenty-six. It was here that Olsson set up a studio overlooking the sea and his love for the water developed becoming a keen yachtsman and deep sea diver. In 1888 Julius Olsson established an artist s club for painters who like himself were transfixed by the atmosphere of the sea. This included Arnesby Brown, Adrian Stokes and Algernon Talmage. He exhibited at the Royal Academy from 1890 and became a member of the New English Art Club in 1891. The present lot is a mesmerising view of a beach in Antibes. The jewel-like colours reflect off the water and emphasise the translucency of the clear blue sea. The following three lots further illustrate Olsson s fixation over the sea and his ability to depict swirling water, crashing waves and capture the power of the sea.

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Julius Olsson (British, 1864-1942) - White horses

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Description: Oil on canvas Signed and indistinctly inscribed, lower right 45 x 61cm (17 3/4 x 24in.)

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Julius Olsson (British, 1864-1942) - A gap in the clouds

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Description: Oil on canvas 41 x 51cm (16 1/8 x 20in.)

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Julius Olsson (British, 1864-1942) - Incoming tide

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Description: Oil on canvas Signed, lower left 49 x 70cm (19 1/4 x 27 1/2in.) In 1895, Olsson founded a School of Landscape and Marine Painting with artist Louis Grier. In 1946, in the foreword to one of his students, Robert Borlase Smart s exhibition The Techniques of Seascape Painting , he wrote For one whose heart draws him to the sea must, in the first place, have an exceptionally retentive memory, and be able to grasp in a few moments the effect of the ever-changing movements of the sea and sky... he must be prepared to fight the brave fight with the elements, which will be frequently against him.

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William Russell Flint (Scottish 1880-1969) - 'The Cobbler and Gareloch' Argyll, Scotland

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Description: Watercolour Signed, lower left, titled to label, affixed verso 38 x 54cm (15 x 21 1/4in.) Provenance: with Abbott and Holder, London (label, affixed verso) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Julian Rossi Ashton (British, 1851 - 1942) - A Misty Morning, Wooloomooloo, Sydney

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Description: Watercolour and pencil on board Signed and dated 1888 , lower right, titled, verso 33 x 42.2cm (13 x 16 5/8in.)

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Vicente Silva Manansala (Filipino, 1910-1981) - Lumbang

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Description: Watercolour Signed, dated and titled P Lumbang , lower right 35 x 46cm (13 3/4 x 18 1/8in.) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marcel Dyf (French 1899-1985) - Route d'un village d'Ile de France

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Description: Oil on canvas Signed, lower right 46 x 55cm (18 x 21 3/4in.) Provenance: with Frost & Reed, London, Registration No. 46662, with the given title La Charité Sur Loire (label affixed, verso) The present lot was executed in 1971. The authenticity of this work has been confirmed by Mrs.Claudine Dyf and is registered under no.ID 3585. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Marcel Dyf (French 1899-1985) - Rivière l'Yonne à Nailly sur Yonne, en Bourgogne

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Description: Oil on canvas Signed, lower right 46 x 55cm (18 x 21 3/4in.) Provenance: with Frost & Reed, London, Registration No. 46666, with the given title Nailly Sur Yonne (label affixed, verso) The present lot was executed in 1971. The authenticity of this work has been confirmed by Mrs.Claudine Dyf and is registered under no.ID 2245. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Carlos Nadal (Spanish, 1917-1998) - Mar Verde (Green Sea)

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Description: Oil on canvas Signed, lower right, signed and titled to canvas, verso 73 x 92cm (29 x 36 1/4in.) Exhibited: Two exhibition labels affixed verso, dated 1980 , probably Sala Parés, Barcelona who held exhibitions of Nadal's work in 1982 and 1983, see Duncalfe & Diaper, Works on Paper , (Harrogate, 2014) p.300. During the 1960s Nadal joined a number of artists who regularly exhibited at the Sala Parés. Provenance: with Sala Parés, Barcelona , 2011 Nadal's exuberant use of joyful colour, bold application of paint and expressive outlines are perfectly exhibited in Mar Verde , whilst a child-like sense of nostalgia is evoked by the cheerful beach huts and figures relaxing in deck chairs and strolling along the sand. Employing a vibrant colour palatte and energetic brushwork together with a typically bold outline and tilited perspective, the present lot displays all of the classic techniques which charachterise Nadal's most notorious works. The authenticity of this work has been confirmed by the Comité Nadal. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Carlos Nadal (Spanish, 1917-1998) - French church

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Description: Watercolour and ink on paper Signed, lower right 21 x 28cm (8 1/4 x 11in.) The authenticity of this work has been confirmed by the Comité Nadal. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Carlos Nadal (Spanish, 1917-1998) - Brussels market

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Description: Watercolour and ink, with white heightening on paper Signed and inscribed Marche Bruxelles , lower right 20 x 28cm (8 x 11in.) The authenticity of this work has been confirmed by the Comité Nadal. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Carlos Nadal (Spanish, 1917-1998) - Fairground stall in France

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Description: Watercolour and ink, with white heightening on paper Signed, lower right 21 x 28cm (8 1/4 x 11in.) The authenticity of this work has been confirmed by the Comité Nadal. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Pablo Picasso (Spanish, 1881-1973) - Etudé pour un vase

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Description: Pencil on lined sheet paper Dated 23rd Mai 50 and numbered IV , upper left 27 x 20cm (11 6/8 x 7 7/8in.) Exhibited: Montreal, Gallery Elka London, Picasso and some of his Contemporaries , June-October 1985 Provenance: Lionel Prejger, Paris Harvey Lubitz, New York Anon. sale, Sotheby's New York, 11 February 1987 IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Josep Moscardo (Spanish, b.1953) - Sol I Sal Salou

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Description: Oil on canvas Signed, lower right, signed and titled to canvas, verso 81 x 100cm (31 1/4 x 39 1/2in.) Unframed IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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