WELCOME TO INVALUABLE
Be the first to know about
the latest online auctions.
Please enter a valid email address (name@host.com)
Sign Up »
PS: We value your privacy
Thank you!
 
 
Want to learn more
about online auctions?
Take a Quick Tour »
 
Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations.
Show translation options
Auction Description for Heritage Auctions: 2016 December 7 Fine European Art Signature Auction - Dallas #5278
Viewing Notes:
LOT VIEWING Heritage Auctions Design District Showroom 1518 Slocum Street • Dallas, TX 75207 Friday, December 2 – Saturday, December 3 10:00 AM – 5:00 PM Sunday December 4 • 12:00 PM – 5:00 PM CT Monday, December 5 – Tuesday, December 6 10:00 AM – 5:00 PM CT

2016 December 7 Fine European Art Signature Auction - Dallas #5278 (87 Lots)

by Heritage Auctions


87 lots with images

December 7, 2016

Live Auction

Dallas, TX, USA

Sort by:  
Lots with images first
Per page:  
Edouard-Léon Cortès (French, 1882-1969) Avenue de la Rè

Estimate: Log in or create account to view price data

Description: Edouard-Léon Cortès (French, 1882-1969) Avenue de la Rèpublique, de neige, circa 1915 Oil on panel 10-1/2 x 13-3/4 inches (26.7 x 34.9 cm) Signed lower right: Edouard Cortès PROVENANCE: Maxwell Galleries, San Francisco, California; Private collection, Dallas. We would like to thank Nicole Verdier for confirming the authenticity of this painting, which will be included in her forthcoming Volume III of Edouard Cortès, Catalogue raisonné de l'oeuvre peint.

Condition Report: Framed Dimensions 16.25 X 19.25 Inches

View additional info
  Realized: Log in or create account to view price data
Edouard-Léon Cortès (French, 1882-1969) Boulevard de la

Estimate: Log in or create account to view price data

Description: Edouard-Léon Cortès (French, 1882-1969) Boulevard de la Madeleine au crepuscule, circa 1935 Oil on canvas 9-3/4 x 13 inches (24.8 x 33.0 cm) Signed lower right: Edouard Cortès PROVENANCE: Maxwell Galleries, San Francisco, California; Private collection, Dallas. We would like to thank Nicole Verdier for confirming the authenticity of this painting, which will be included in her forthcoming Volume III of Edouard Cortès, Catalogue raisonné de l'oeuvre peint.

Condition Report: Framed Dimensions 14.75 X 18.25 Inches

View additional info
  Realized: Log in or create account to view price data
Jules René Hervé (French, 1887-1981) Place de la Concor

Estimate: Log in or create account to view price data

Description: Jules René Hervé (French, 1887-1981) Place de la Concorde, la nuit Oil on canvas 24 x 29-3/4 inches (61.0 x 75.6 cm) Signed lower right: Jules R. Hervé Signed on the reverse: Jules R. Hervé PROVENANCE: The artist; Acquired by the present owner from the above. This lot is accompanied by a certificate of authenticity from Herbert Arnot, Inc., Arnot Gallery, New York.

Condition Report: Unlined canvas; there appears to be a few areas of faint craquelure; under UV light, there appears to be no inpaint.

View additional info
  Realized: Log in or create account to view price data
Marcel Dyf (French, 1899-1985) Marché aux fleurs à Arle

Estimate: Log in or create account to view price data

Description: Marcel Dyf (French, 1899-1985) Marché aux fleurs à Arles, 1950 Oil on canvas 18 x 21-1/2 inches (45.7 x 54.6 cm) Signed lower right: Dyf PROVENANCE: Mr. & Mrs. Grables, Oak Park, Illinois; Mr. & Mrs. Ed Warner, Chicago, Illinois, circa 1960s; Private collection, Stillwater, Oklahoma, gift from the above, circa 2000. Claudine Dyf has kindly confirmed the authenticity of this painting, which is registered in the Marcel Dyf archives under no. 5107.

Condition Report: Wax-lined canvas.Under UV light there are areas which fluoresce differently which may be due to pigment.There is a 1/4 x 1in (at its widest) spot of paint loss in flowers lower center and a further smaller area of paint loss in hair of woman far right. there is a small area of lifting and paint loss near center of right side edge. Separation craquelure noticeable in several of the figures. Framed Dimensions 24.5 X 28.5 X 2 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Edouard-Léon Cortès (French, 1882-1969) Quai du Louvre

Estimate: Log in or create account to view price data

Description: Edouard-Léon Cortès (French, 1882-1969) Quai du Louvre Oil on canvas 13 x 18 inches (33.0 x 45.7 cm) Signed lower right: Edouard Cortès PROVENANCE: The artist; Galerie F. Clair, Paris, acquired from the above; The Fleck Collection, Florida; Rehs Galleries, Inc., New York, 2003; Private collection, McKinney, Texas, acquired from the above. We would like to thank Nicole Verdier for confirming the authenticity of this painting, which will be included in her forthcoming Volume III of Edouard Cortès, Catalogue raisonné de l'oeuvre peint.

Condition Report: Framed Dimensions 21375 X 26.5 Inches

View additional info
  Realized: Log in or create account to view price data
Antoine Blanchard (French, 1910-1988) Les Grands Boulev

Estimate: Log in or create account to view price data

Description: Antoine Blanchard (French, 1910-1988) Les Grands Boulevards: Porte Saint-Martin et Porte Saint-Denis, Paris 1900 Oil on canvas 13 x 18 inches (33.0 x 45.7 cm) Signed lower right: Antoine Blanchard Titled and signed on the reverse: Les Grands Boulevards /à La Porte Saint Denis / Paris 1900 / Antoine Blanchard PROVENANCE: Banks Fine Art, Dallas; Private collection, Dallas, acquired from the above. The present work is currently listed on the Rehs Galleries, Inc. Antoine Blanchard Virtual Checklist, #PSMBSM1318.0009. A photo-certificate accompanies the lot.

View additional info
  Realized: Log in or create account to view price data
Antoine Blanchard (French, 1910-1988) Place du Palais R

Estimate: Log in or create account to view price data

Description: Antoine Blanchard (French, 1910-1988) Place du Palais Royal Oil on canvas 13 x 18 inches (33.0 x 45.7 cm) Signed lower right: Antoine Blanchard Signed and titled verso: A. Blanchard / Paris / Place du Palais Royal PROVENANCE: Private collection, Omaha, Nebraska. The present work is currently listed on the Rehs Galleries, Inc. Antoine Blanchard Virtual Checklist, #CFPA1318.0001. A photo-certificate accompanies the lot.

Condition Report: Original canvas with no evidence of restoration under UV examination; there appear to be no major visible condition issues.

View additional info and full condition report
  Realized: Log in or create account to view price data
Marcel Dyf (French, 1899-1985) Pieds d'alouette, circa

Estimate: Log in or create account to view price data

Description: Marcel Dyf (French, 1899-1985) Pieds d'alouette, circa 1950 Oil on canvas 28-3/4 x 23-3/4 inches (73.0 x 60.3 cm) Signed lower right: Dyf PROVENANCE: Private collection, Larchmont, New York. We wish to thank Claudine Dyf for kindly confirming the authenticity of this painting, which is registered in the Marcel Dyf archives under no. 5090.

Condition Report: Framed Dimensions 37.25 X 32.25 Inches

View additional info
  Realized: Log in or create account to view price data
Antoine Blanchard (French, 1910-1988) Marché aux fleurs

Estimate: Log in or create account to view price data

Description: Antoine Blanchard (French, 1910-1988) Marché aux fleurs de la Madeleine, Paris 1900 Oil on canvas 13 x 18 inches (33.0 x 45.7 cm) Signed lower right: Antoine Blanchard Titled and signed on the reverse: Marché Aux Fleurs / De La Madeleine / Paris en 1900 / Antoine Blanchard Bears the artist's stamp on the reverse PROVENANCE: Banks Fine Art, Dallas; Private collection, Dallas, acquired from the above. The present work is currently listed on the Rehs Galleries, Inc. Antoine Blanchard Virtual Checklist, #MDFMS1318.0009. A copy of a photo-certificate accompanies the lot.

View additional info
  Realized: Log in or create account to view price data
Antoine Blanchard (French, 1910-1988) Porte Saint Denis

Estimate: Log in or create account to view price data

Description: Antoine Blanchard (French, 1910-1988) Porte Saint Denis Oil on canvas 18 x 22 inches (45.7 x 55.9 cm) Signed lower left: Antoine.Blanchard. PROVENANCE: The artist; Acquired by the present owner from the above. The present work is currently listed on the Rehs Galleries, Inc. Antoine Blanchard Virtual Checklist, # PSDBSD1821.0004. A photo-certificate accompanies the lot.

Condition Report: Unlined canvas; there appears to be no major visible condition issues to note. Framed Dimensions 25.25 X 29.25 X 2 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Pierre Eugène Montezin (French, 1874-1946) Geraniums Oi

Estimate: Log in or create account to view price data

Description: Pierre Eugène Montezin (French, 1874-1946) Geraniums Oil on canvas 35-3/4 x 27-3/4 inches (90.8 x 70.5 cm) Signed lower left: Montezin PROVENANCE: Richard Green, London; Acquired by the present owner from the above, 1994. Cyril Klein-Montézin has kindly confirmed the authenticity of this work.

Condition Report: Original canvas; minor faint craquelure in some of the thickly impastoed flower petals; the impasto retains its overall integrity.

View additional info and full condition report
  Realized: Log in or create account to view price data
Louis Marie de Schryver (French, 1862-1942) Paris - La

Estimate: Log in or create account to view price data

Description: Louis Marie de Schryver (French, 1862-1942) Paris - La rue du Havre, 1893 Oil on canvas 29 x 36-1/2 inches (73.7 x 92.7 cm) Signed and dated lower right: Louis De Schryver / 1893 Titled, dated, signed, and inscribed on the reverse: "Marchand de fleurs" / Paris / Paris - La rue du Havre / Avril - Juillet 1893 / Louis de Schryver / 2nd oc. 1893 PROPERTY FROM THE MERRYL ISRAEL ARON FAMILY TRUST PROVENANCE: Richard Green, London; Private collection, Louisiana.

Condition Report: Framed Dimensions 36.75 X 44.25 Inches

View additional info
  Realized: Log in or create account to view price data
Marie François Firmin-Girard (French, 1838-1921) Le rem

Estimate: Log in or create account to view price data

Description: Marie François Firmin-Girard (French, 1838-1921) Le remorqueur Oil on canvas 18-1/8 x 24 inches (46.0 x 61.0 cm) Signed lower right: Firmin-Girard PROVENANCE: Private collection, Pennsylvania. Although not as well known today as Monet, Renoir and Pissarro, the academically-trained Impressionist Firmin-Girard enjoyed considerable commercial and critical attention during his lifetime for his luminous landscapes, genre subjects and paysages animés. Although he had been a student of Gerome in Paris, Firmin-Girard soon began embracing the challenges to traditional painting posed by Manet and the Impressionists. His work began exploring images of contemporary life, and most importantly, endorsed formal innovations drawn from the influence of Japanese art. In the present work, for example, he adopts a more oblique angle of perspective on his primary subject, which is distinctive of Japanese prints. Moreover, the subject of this scene is a tugboat pulling a vessel upriver--a quite recent innovation in French commerce. One of the hallmarks of Firmin-Girard's style also found in this painting is his penchant for allowing forms to dissolve in a haze of light, particularly the shapes in the middle and background, which tends to flatten the picture plane according to the Japanese convention.

Condition Report: Under UV examination there are small flecks of inpaint in the sky, notably on the perimeter to address instances of frame abrasion.

View additional info and full condition report
  Realized: Log in or create account to view price data
Hughes Claude Pissarro (French, b. 1935) Le bois Mailla

Estimate: Log in or create account to view price data

Description: Hughes Claude Pissarro (French, b. 1935) Le bois Maillard Oil on canvas 24 x 28-1/2 inches (61.0 x 72.4 cm) Signed lower right: H. Claude Pissarro Signed and titled on reverse: H Claude Pissarro / "Le bois Maillard" PROPERTY OF A JAPANESE COLLECTOR We would like to thank Mrs. Lélia Pissarro for confirming the authenticity of this work based on examination from images.

Condition Report: Unlined canvas. Framed under glass. Framed Dimensions 32.5 X 37.5 X 4 Inches

View additional info
  Realized: Log in or create account to view price data
Henri Biva (French, 1848-1928) Midsummer water lilies O

Estimate: Log in or create account to view price data

Description: Henri Biva (French, 1848-1928) Midsummer water lilies Oil on canvas 21-1/2 x 25-3/4 inches (54.6 x 65.4 cm) Signed lower left: Henri Biva PROPERTY OF A JAPANESE COLLECTOR

Condition Report: Unlined canvas; faint craquelure; under UV light, there appears to be no inpaint; framed under glass. Framed Dimensions 29.75 X 34 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Belgian School (20th Century) Still life with yellow an

Estimate: Log in or create account to view price data

Description: Belgian School (20th Century) Still life with yellow and red tulips in bowl Oil on canvas 24 x 20 inches (61.0 x 50.8 cm) Signed indistinctly lower left PROVENANCE: François Simon (1905-1981), Louvain, Belgium; By descent to the present owner, Dallas, Texas.

Condition Report: Unlined canvas on new stretchers; minor surface grime; under UV light, there appears to be no inpaint. Not framed.

View additional info and full condition report
  Realized: Log in or create account to view price data
Jean Béraud (French, 1849-1935) Sur les Champs Élysées,

Estimate: Log in or create account to view price data

Description: Jean Béraud (French, 1849-1935) Sur les Champs Élysées, 1892 Oil on canvas 25-1/2 x 32 inches (64.8 x 81.3 cm) Signed and dated lower right: Jean Béraud / 1892 PROPERTY FROM THE MERRYL ISRAEL ARON FAMILY TRUST PROVENANCE: Madame P.; Hotel Drouot, Paris, March 28, 1927, lot 8 (as L'Avenue des Champs-Élysées en 1892); M. Allard; Hammer Galleries, New York, 1969 (as Avenue du bois de Boulogne); H. Terry-Engell Gallery, London, 1973; Sotheby's, New York, October 30, 1980, lot 89 (as On the Champs-Élysées); Private collection, Louisiana. EXHIBITED: Hammer Galleries, New York, "The Elegant Epoch," 1969 (as Avenue du bois de Boulogne). LITERATURE: The Elegant Epoch, exhibition catalogue, Hammer Galleries, New York, 1969, no. 11, illustrated; P. Offenstadt, Jean Béraud, 1849-1935: The Belle Époque: A Dream of Times Gone By, Catalogue Raisonné, Paris, 1999, no. 125, p. 140, illustrated.

Condition Report:   Framed Dimensions 35 X 41 Inches

View additional info
  Realized: Log in or create account to view price data
Giovanni Boldini (Italian, 1842-1931) Nudo femminile co

Estimate: Log in or create account to view price data

Description: Giovanni Boldini (Italian, 1842-1931) Nudo femminile con pelle di tigre (Study) Oil on canvas 6-1/2 x 4 inches (16.5 x 10.2 cm) PROVENANCE: Boldini atelier sale, 1931, Lot 148; Armour collection, New York; Blume collection, Maine; Sotheby's, New York 1990, Lot 333; Max Schweitzer Gallery, New York; Private collection, Wilton, Connecticut; Barridoff Auctions, December 7, 2008, lot 21; Acquired by the present owner from the above. LITERATURE: B. Doria, Giovanni Boldini: cataloga generale dagli archivi Boldini, Milan, 2000, n.p., no. 238, illustrated. A copy of Giovanni Boldini: cataloga generale dagli archivi Boldini by Bianca Doria accompanies this lot.

Condition Report: Original canvas.There is no apparent inpaint noted under UV light.Fine craquelure. Framed Dimensions 18.5 X 17 X 4 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Charles Amable Lenoir (French, 1861-1903) Beauty in a g

Estimate: Log in or create account to view price data

Description: Charles Amable Lenoir (French, 1861-1903) Beauty in a garden Oil on canvas 57-1/2 x 35 inches (146.1 x 88.9 cm) Signed and dated lower right: c.a. Lenoir / 1903 PROPERTY FROM A MIDWESTERN INSTITUTION

Condition Report: Recent BEVA lining with Mylar/Pecap/linen support which creates a taut and stable paint surface. Under UV light there are small touches of inpaint to the right side of the woman’s face with a few further scattered touches to the exposed parts of the body. There are a few spots of inpaint to her robe, and small areas of inpaint scattered in background, some of which addresses craquelure. Framed Dimensions 72 X 49.5 X 5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
William Adolphe Bouguereau (French, 1825-1905) Bohémien

Estimate: Log in or create account to view price data

Description: William Adolphe Bouguereau (French, 1825-1905) Bohémienne au tambour de Basque (réplique), 1867 Oil on canvas 39-1/2 x 25-1/4 inches (100.3 x 64.1 cm) Signed lower left: Bouguereau PROVENANCE: The artist; Goupil & Cie, Paris, acquired from the above, July 2, 1867; Robert Hué, New York, acquired from the above, July 8, 1867; Private collection, New York; Sotheby's, New York, May 21, 1987, lot 100; Christie's, New York, February 15, 1995, lot 48; Christie's, New York, May 6, 1998, lot 217; Private collection, New York. LITERATURE: Bouguereau's accounts, as Petite saltimbanque (réduction); Goupil's stockbooks, as L'enfant perdu (reproduction du no. 2858); D. Bartoli and F. Ross, William Bouguereau, Catalogue Raisonné of his Painted Work, Vol. II, New York, 2010, pp. 96-97, no. 1867/05A, illustrated. In a recent email to Heritage Auctions, Fred Ross observed: "There are only two or three occasions in Bouguereau's life when he painted an exact-size replica of a painting (as opposed to a reduction which he did dozens of times)." This painting is one of them. Although Ross' predecessor, Damien Bartoli, described this work in his catalogue raisonné note as a studio replica of Bohémienne au tambour de Basque, Ross sees little evidence of any hand but Bouguereau's in it, emphasizing that unlike Bartoli he had the advantage of basing his assessment upon firsthand inspection of the original, while Bartoli had to rely upon less than optimal quality photographs. Ross comments that "the catalog [raisonné] note points out a difference in the background. It was not unusual for Bouguereau to change some details of backgrounds when painting a reduction. . . . For example, [in] L'Orage, 1881, he completely altered the background which I'm certain he felt improved the composition when painting the reduction... You can safely list this work as William Bouguereau with full attribution." We are grateful to Fred Ross for confirming the cataloguing of this painting with a full attribution to William Bouguereau.

Condition Report: Framed Dimensions 48.75 X 35 X 4 Inches

View additional info
  Realized: Log in or create account to view price data
Guillaume Seignac (French, 1870-1924) Cupid and Venus O

Estimate: Log in or create account to view price data

Description: Guillaume Seignac (French, 1870-1924) Cupid and Venus Oil on canvas 39-1/2 x 32 inches (100.3 x 81.3 cm) Signed lower right: G-Seignac PROVENANCE: The Phoenix Art Museum, Arizona; Christie's, New York, February 15, 1995, lot 35; Private collection, Connecticut, acquired at the above; Sotheby's, New York, April 24, 2009, lot 48; Private collection, New York. Damien Bartoli confirmed the authenticity of this work in the Sotheby's sale of 2009.

Condition Report: Glue-lined canvas; frame wear with abrasions, most notably along top edge with a couple tiny flakes of loss; areas where pigment is thin; under UV light, there appears to be significant inpaint in several areas, most notably in female's face and arms, child's upper half, and in upper half of background. Framed Dimensions 35.5 X 44.5 X 4 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
William Adolphe Bouguereau (French, 1825-1905) La frile

Estimate: Log in or create account to view price data

Description: William Adolphe Bouguereau (French, 1825-1905) La frileuse, 1879 Oil on canvas 22 x 18 inches (55.9 x 45.7 cm) Signed and dated upper left: W. Bouguereau 1879 PROVENANCE: Newhouse Galleries, New York; Private collection, Fort Worth, Texas, acquired from the above. In a discussion of the present painting Fred Ross considers that "it was painted at the pinnacle of the artist's career. It is only because the hands are somewhat undersized that I feel his wife and one of his most accomplished disciples, Elizabeth Gardener Bouguereau, may have 'helped' somewhat as she did on occasion when he had a particularly heavy work load which he surely did in 1879: a year he incredibly turned out, including this work, 23 fully catalogued paintings including two of his most famous masterpieces, Les Bohemiennes and his huge multi-figured La Naissance de Venus (Birth of Venus) now on permanent exhibit at Musée d'Orsay in Paris. The model for this painting is clearly the same model he used for La Tricoteuse painted the same year; catalogued in the William Bouguereau: Catalog Raisonné of his Painted Works as 1879.09. The proper name for this painting may be La Frileuse (The chilly girl) which he used on a similar work a few years earlier, catalogue number 1872.07." We are grateful to Fred Ross for confirming the authenticity of this work from firsthand inspection; it will be included in the third edition of the catalogue raisonné on the artist currently in preparation.

View additional info
  Realized: Log in or create account to view price data
Thomas Nelson Maclean (British, 1845-1894) Spring Festi

Estimate: Log in or create account to view price data

Description: Thomas Nelson Maclean (British, 1845-1894) Spring Festival, 1881 Bronze with brown patina Height: 27 1/2 inches (69.9 cm) Inscribed on base: Nelson Maclean / sculpt 1881 / Spring Festival / suggested by / Alma Tadema's / picture This sculpture is an interpretation of Sir Lawrence Alma-Tadema's On the Road to the Temple of Ceres: A Spring Festival (private collection).

Condition Report: There appears to be rubbing and a few scratches to patina in areas of high relief; a few spots of verdegris; surface grime.

View additional info and full condition report
  Realized: Log in or create account to view price data
Antoine-Louis Barye (French, 1796-1875) Indien monté su

Estimate: Log in or create account to view price data

Description: Antoine-Louis Barye (French, 1796-1875) Indien monté sur un éléphant écrasant un tigre Bronze with greenish-brown patina Height: 11-1/2 inches (29.2 cm) Inscribed along base with 'F. Barbedienne Fondeur.' mark: Barye PROVENANCE: Private collection, New York; By descent to the present owner. LITERATURE: S. Pivar, The Barye Bronzes, a catalogue raisonné, Suffolk, 1974, p. 80, no. F14; M. Poletti and A. Richarme, BARYE, Catalogue raisonné des sculptures, Paris, 2000, p. 90, no. 38, another example illustrated. The inspiration for Indien monté sur un éléphant écrasant un tigre is Chasse au tigre which is one of the artist's largest hunting groups for the surtout de table commissioned by the Duc d'Orléans in 1834. The date for the original model of this bronze is unknown, however, the Barye scholars, Poletti and Richarme, believe only thirty lifetime casts were made of this sculpture between 1845 and 1875.

Condition Report: The sculpture measures 11.5 x 8 x 11.5 inches; sculpture is numbered on the underside '28'

View additional info
  Realized: Log in or create account to view price data
Roger Godchaux (French, 1878-1958) Lion bookends (a pai

Estimate: Log in or create account to view price data

Description: Roger Godchaux (French, 1878-1958) Lion bookends (a pair) Bronze with brown patina Height: 7-1/2 x 1-1/4 inches (19.1 x 3.2 cm) Inscribed on base: Godchaux Sclp / Susse Fres Edts Paris PROVENANCE: Eunice Harrison, Waverly, Ohio; Private collection, gift from the above; Private collection, South Carolina, by descent from the above.

Condition Report: 1-1/4 inches (3.2 cm) high wood base

View additional info
  Realized: Log in or create account to view price data
Eugen von Blaas (German, 1843-1931) Girl with a blue sc

Estimate: Log in or create account to view price data

Description: Eugen von Blaas (German, 1843-1931) Girl with a blue scarf, 1882 Oil on panel 10-5/8 x 8-1/2 inches (27.0 x 21.6 cm) Signed and dated along lower right edge: Eugen von Blaas 1882 PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, July 30, 2011, lot 1036.

Condition Report: There appears to be no apparent inpaint under UV light; minor frame abrasion along right and bottom edges; minor surface grime/discolored varnish; framed under glass. Framed Dimensions 17.25 X 15 X 1 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
John Bagnold Burgess (British, 1830-1897) A Spanish ros

Estimate: Log in or create account to view price data

Description: John Bagnold Burgess (British, 1830-1897) A Spanish rose, 1877 Oil on canvas 26-1/4 x 22 inches (66.7 x 55.9 cm) Signed and dated lower right: J. B. Burgess / 1877 PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Shinwa Art Auction, Tokyo, Japan, November 17, 2012, lot 779.

Condition Report: Wax-lined canvas; there appears to be a few small areas of light craquelure; framed under glass. Framed Dimensions 33 X 29 X 4 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Frederick Arthur Bridgman (American, 1847-1928) King Da

Estimate: Log in or create account to view price data

Description: Frederick Arthur Bridgman (American, 1847-1928) King David, 1877 Oil on canvas 30 x 25 inches (76.2 x 63.5 cm) Signed and dated lower right: FA Bridgman / 1877 PROVENANCE: Heritage Auctions, Dallas, Texas, May 22, 2004, lot 19814; Private collection, Dallas, Texas, acquired from the above.

Condition Report: Original canvas.Under UV light there are few small areas of inpaint to hair with further numerous small areas of inpaint scattered in the background. The lower right corner has a 1 x 1in area of inpaint. Areas of inpaint to frame abrasion on all four edges.There is a small spot of paint loss in background near right side edge with a small abrasion below it. Stretcher bar marks. Fine craquelure. Canvas is a bit slack. Framed Dimensions 39 X 34 X 2.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Auguste Toulmouche (French, 1829-1890) A mother and dau

Estimate: Log in or create account to view price data

Description: Auguste Toulmouche (French, 1829-1890) A mother and daughter reading, 1882 Oil on canvas 21-1/2 x 26 inches (54.6 x 66.0 cm) Signed and dated lower right: A. Toulmouche 1882 PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Cooling Galleries, London; Mainichi Art Auction, Tokyo, Japan, June 6, 2015, lot 109.

Condition Report: Glue-lined canvas.Under UV light there is a small area of inpaint to the mother's right cheek with a few further small discrete touches to her chest and arm. There are small discrete touches of inpaint to child's face, hair, arm and legs. There are a few scattered touches of inpaint to both figures' clothes. Framed Dimensions 27 X 31 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Albert Friedrich Schröder (German, 1854-1939) Music to

Estimate: Log in or create account to view price data

Description: Albert Friedrich Schröder (German, 1854-1939) Music to my ears, 1885 Oil on canvas 17 x 15-1/4 inches (43.2 x 38.7 cm) Signed, dated, and inscribed lower left: A. Schröder 85 / Mnchn PROVENANCE: Dorotheum, Vienna, October 16, 2012, lot 15; Private collection.

Condition Report: Framed Dimensions 29 X 27.25 X 3 Inches

View additional info
  Realized: Log in or create account to view price data
César Pattein (French, 1840-1920) Talking over the fenc

Estimate: Log in or create account to view price data

Description: César Pattein (French, 1840-1920) Talking over the fence, 1905 Oil on canvas 23-1/2 x 29-1/4 inches (59.7 x 74.3 cm) Signed and dated lower right: Cesar Pattein 1905 PROVENANCE: Dr. and Mrs. J.G. MacCormack, Gilroy, California; By descent to the present owner.

Condition Report: Original canvas.Some areas fluoresce under UV light, however, this appears to be due to pigment rather than restoration. Minor frame abrasion left side edge. Framed Dimensions 30 X 36 X 2.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Jozef Israëls (Dutch, 1824-1911) Sollicitude maternelle

Estimate: Log in or create account to view price data

Description: Jozef Israëls (Dutch, 1824-1911) Sollicitude maternelle (Maternal solicitude) Oil on canvas 20 x 14 inches (50.8 x 35.6 cm) Signed lower left: Jozef Israels PROVENANCE: Sale: Frederik Muller and Cie, Amsterdam, May 12, 1908, lot 162 (as Sollicitude maternelle); Collection Lebret, Dordrecht, Holland; Frans Buffa & Zonen Kunsthandel, Amsterdam, acquired from the above; Private collection, Chicago, Illinois. We are grateful to Jeroen Kapelle, of the Nederlands Instituut voor Kunstgeschiedenis (RKD), for confirming the authenticity of this painting on the basis of photographs, and for providing provenance.

Condition Report: Glue-lined canvas.Difficult to read under UV light due to varnish layer, However there is a small area of inpaint in background to the left of the mother's head Fine craquelure overall. Framed Dimensions 29.75 X 24.5 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Benjamin Williams Leader (British, 1831-1923) A reedy p

Estimate: Log in or create account to view price data

Description: Benjamin Williams Leader (British, 1831-1923) A reedy pool, 1917 Oil on canvas 24 x 36 inches (61.0 x 91.4 cm) Signed and dated lower left: B.W. Leader 1917 Signed, numbered, and titled on stretcher: No. 5 A Reedy Pool B.W. Leader PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Arthur Tooth & Sons, London.

Condition Report: Unlined canvas; there appears to be light craquelure; there appears to be a small flake of loss in upper left quadrant; under UV exam, there appears to be a few touches of inpainting along bottom edge, most notably an approx. 2 inch x 1 inch passage at center bottom edge. Framed Dimensions 32 X 44 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Alfred de Bréanski (British, 1852-1928) The peaks of th

Estimate: Log in or create account to view price data

Description: Alfred de Bréanski (British, 1852-1928) The peaks of the Western Highlands Oil on canvas 30-1/4 x 50 inches (76.8 x 127 cm) Signed lower left: Alfred de Bréanski Bears inscription on the reverse: "The Peaks of the Western Highlands" / Alfred de Bréanski senr. PROPERTY OF A JAPANESE COLLECTOR

Condition Report: Glue-lined canvas; faint craquelure and stretcher creases; frame wear; in raking light there appears to be a vertical line of possible restoration through center of work and an area in lower left quadrant of possible restoration; however, a streaky discolored varnish makes restoration difficult to discern. Framed Dimensions 37 X 56 X 2.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Duncan Cameron (British, 1841-1930) A Highland harvest

Estimate: Log in or create account to view price data

Description: Duncan Cameron (British, 1841-1930) A Highland harvest Oil on canvas 20 x 30-1/4 inches (50.8 x 76.8 cm) Signed lower left: D Cameron PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, June 5-6, 2015, lot 1088.

Condition Report: Unlined canvas; there appears to be one wax lined patch on the reverse in lower left quadrant, approximately 3 inches X 2-1/2 inches. There does not appear to be any other major visible condition issues to note. Framed under glass. Framed Dimensions 28.75 X 38.675 X 3.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Louis Bosworth Hurt (British, 1881-1929) A misty mornin

Estimate: Log in or create account to view price data

Description: Louis Bosworth Hurt (British, 1881-1929) A misty morning, Scotch cattle Oil on canvas 48 x 34 inches (121.9 x 86.4 cm) Signed lower right: Louis B. Hurt Signed, titled, and inscribed on a label on stretcher: A Misty Morning / Scotch Cattle / Louis B. Hurt / Stonebrook / Darley Dale / Matlock / England PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, April 11, 2015, lot 911.

Condition Report: Unlined canvas. surface grime; craquelure; frame wear with abrasions along right and left edges. Framed Dimensions 56 X 42.25 X 4 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Alfred de Bréanski (British, 1852-1928) The Vale of Lla

Estimate: Log in or create account to view price data

Description: Alfred de Bréanski (British, 1852-1928) The Vale of Llangollen, 1897 Oil on canvas 30-1/4 x 50-1/4 inches (76.8 x 127.6 cm) Signed and dated lower left: Alfred de Bréanski 1897

Condition Report: Unlined canvas; craquelure and surface grime; varnish has yellowed; a few spots of rubbing in upper right quadrant of sky; under UV light, there appears to be a thick uneven varnish layer.

View additional info and full condition report
  Realized: Log in or create account to view price data
Alfred Fontville de Bréanski (British, 1877-1955) Friar

Estimate: Log in or create account to view price data

Description: Alfred Fontville de Bréanski (British, 1877-1955) Friar's Crag, Derwentwater Oil on canvas 24 x 36 inches (61.0 x 91.4 cm) Signed lower left: AdeBréanski Jnr Signed and titled on the reverse: Friar's Crag Derwentwater / AdeBréanski Jnr PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, September 10, 2011, lot 1003.

Condition Report: Lined canvas; there appears to be light overall craquelure and a few tiny flakes of loss, most notably in lower right corner; under UV exam, there appears to be small touches of inpaint throughout sky and in lower right quadrant; framed under glass. Framed Dimensions 32 X 44 X 4 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
George William Mote (British, 1832-1909) Sheep and catt

Estimate: Log in or create account to view price data

Description: George William Mote (British, 1832-1909) Sheep and cattle before Leith Hill, Edinburgh, 1870 Oil on canvas 40 x 56 inches (101.6 x 142.2 cm) Signed and dated lower right: G.W. Mote 1870 PROVENANCE: Christie's, South Kensington, February 1, 1990, lot 49; Private collection; Christie's, South Kensington, February 13, 1997, lot 115; Private collection; Neal Auction Company, New Orleans, Louisiana, December 5, 1998, lot 828; Acquired by the present owner from the above.

Condition Report: Wax-lined canvas; craquelure and light surface grime and edge wear as well as some areas where pigment is thin; under UV light, there is a 6 x 3 inch area of strengthening 6 inches above tower; repaired tear with an approx. C-shape: 23 inch vertical area of inpaint with a 8 inch horizontal strip above and a 14 inch horizontal line at the bottom, slightly visible in natural light; a few small scattered areas of inpaint. Framed Dimensions 47 X 63 X 2.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Gustave Courbet (French, 1819-1877) Le Lavoir (Vue et r

Estimate: Log in or create account to view price data

Description: Gustave Courbet (French, 1819-1877) Le Lavoir (Vue et ruines du Château de Scey-en-Varais), circa 1872 Oil on canvas 26-1/8 x 32-1/4 inches (66.5 x 82 cm) Signed lower right: G. Courbet PROVENANCE: Dr. Samuel Newton Gaines, Fort Worth, Texas; [With]Galerie Bernheim-Jeune, Paris, 1947; Joseph Sartor Galleries, Dallas, 1959; Reynold Gravina, Dallas; Private collection, Dallas. EXHIBITED: Galerie Bernheim-Jeune, Paris, 1927-28. LITERATURE: R. Fernier, La vie et l'oeuvre de Gustave Courbet: Catalogue raisonné, Tome II, Paris, 1978, p. 154, no. 828.

Condition Report: Lined canvas.

View additional info
  Realized: Log in or create account to view price data
Henri Eugène Le Sidaner (French, 1862-1939) Le Canal, N

Estimate: Log in or create account to view price data

Description: Henri Eugène Le Sidaner (French, 1862-1939) Le Canal, Neige, Gisors, 1901 Oil on panel 9 x 6-1/4 inches (22.9 x 15.9 cm) Signed lower left: Le Sidaner Dated and titled on the reverse: Etude pour La Neige, Canal / 1901 PROVENANCE: Christie's, London, March 18, 1996, lot 30; Private collection, acquired from the above; Christie's, London, February 5, 2009, lot 315; Acquired by the present owner from the above. LITERATURE: Y. Farinaux-Le Sidaner, Le Sidaner, L'oeuvre peint et gravé, Paris, 1989, p. 307, no. 875, illustrated.

Condition Report: Under UV light, the signature appears to fluoresce; light surface grime. Framed Dimensions 15 X 12.5 X 2 Inches

View additional info
  Realized: Log in or create account to view price data
Robert Antoine Pinchon (1886-1943) La Seine a L'île Lac

Estimate: Log in or create account to view price data

Description: Robert Antoine Pinchon (1886-1943) La Seine a L'île Lacroix Oil on canvas 19-3/4 x 28-3/4 inches (50.0 x 73.2 cm) Signed lower right: Robert A. Pinchon PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, March 7, 2015, lot 862. This work will be included in the forthcoming catalogue raisonné as number 1119, being prepared by Alain Latailleur.

Condition Report: Unlined canvas; under UV light, there appears to be no inpaint; minor frame wear and surface grime; framed under glass to 27.5 x 37.5 x 4 inches.

View additional info and full condition report
  Realized: Log in or create account to view price data
Pierre Eugène Montezin (French, 1874-1946) Paysage sous

Estimate: Log in or create account to view price data

Description: Pierre Eugène Montezin (French, 1874-1946) Paysage sous neige Oil on paper laid on canvas 29 x 36 inches (73.7 x 91.4 cm) Stamped signature lower right: Montezin PROVENANCE: Doyle, New York, November 12, 1987, lot 117; Private collection, New York. Cyril Klein-Montézin has kindly confirmed the authenticity of this work.

Condition Report: surface girme; frame wear, most notably along top edge; crease at upper left edge; a couple pinholes at top center edge; an approx. 1 inch almost puncture with related tears and abrasions above tree line near center; possible water stain at upper left edge. Framed Dimensions 35.5 X 43.5 X 2 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Eugène Louis Boudin (French, 1824-1898) Laveuses au bor

Estimate: Log in or create account to view price data

Description: Eugène Louis Boudin (French, 1824-1898) Laveuses au bord de la Touques, 1894 Oil on panel 10-1/2 x 13-3/4 inches (26.7 x 34.9 cm) Signed, dated, and inscribed lower right: 94 E. Boudin / 12 Aout Titled on the reverse: Laveuses au bord de la Touques PROVENANCE: Hôtel Drouot, Paris, December 19, 1903, lot 12; M. Petit de Reimpré, Paris, acquired at the above; Hôtel Drouot, Paris, June 19, 1931, lot 1; Private collection, acquired circa 1982; Christie's, New York, May 10, 2007, lot 255; Acquired by the present owners from the above. LITERATURE: R. Schmit, Eugène Boudin, Vol. III, Paris, 1973, p. 271, no. 3313, illustrated.

Condition Report: Under UV exam, there appears to be nine scattered dots of inpainting in sky and along edges; frame abrasions to four edges. Framed Dimensions 15 X 18 X 2 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Attributed to Nicolas Baudesson (French, 1611-1680)

Estimate: Log in or create account to view price data

Description: Attributed to Nicolas Baudesson (French, 1611-1680) A still life of roses, hyacinths, carnations and other flowers in an ornamental vase depicting the Flaying of Marsyas Oil on canvas 18 x 14-1/4 inches (45.7 x 36.2 cm) PROVENANCE: Collection of Prince Vladimir Nikolaevich Argutinsky-Dolgorukov (1874-1941), St. Petersburg and Paris, circa 1921-1930; [With]Galerie Au Vieux Paris, Paris, 1930; Louis Aloysius Ferguson (1867-1940), St. Louis, Missouri, acquired from the above, 1930; By descent to the present owner, San Mateo, California. This elegant flower painting has had two notable 20th-century owners. The first was Prince V.N. Argutinsky-Dolgorukov, a well-known St. Petersburg art collector and connoisseur during the period 1910-20, and a curator at the Hermitage Museum following the 1917 revolution. Before moving to Paris in 1921, where he acquired the present still life, he donated his vast collection of more than 300 works to the Museum of Old Petersburg (now the State Museum of the History of Saint Petersburg). His collection included sketches and plans from leading 18th- and early 19th-century St. Petersburg architects, as well as paintings, water colors, drawings, engravings and lithographs, which depict views of the capital and plans for its construction. The second owner was the distinguished American electrical engineer, Louis A. Ferguson, who worked closely with Thomas Edison in the Chicago Edison Company and the Commonwealth Edison Company, having made important contributions to the development of low voltage distribution. His frequent trips to Europe to keep in touch with electrical engineering developments there enabled him to put together an attractive collection of European painting. Dr. Fred G. Meijer of the Rijksbureau voor Kunsthistorische Documentatie in The Hague has proposed on the basis of photographs that this flower piece can be “Attributed to Nicolas Baudesson (French, 1611-1680),” an artist highly influenced by Monnoyer.

Condition Report: In a mid-19th century French water-gilt pine frame, which housed the painting at the time Louis Ferguson purchased it in 1930. Framed Dimensions 23.75 X 18.125 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Johan Laurentz Jensen (Danish, 1800-1856) Still life wi

Estimate: Log in or create account to view price data

Description: Johan Laurentz Jensen (Danish, 1800-1856) Still life with primroses on a marble ledge, 1838 Oil on panel 7 x 9 inches (17.8 x 22.9 cm) Signed and dated lower left (on ledge): J. L. Jensen. 1838. PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Sotheby's, New York, October 24, 1989, lot 85; iArt Co., Ltd., Tokyo, Japan, September 26, 2010, lot 84.

Condition Report: Under UV light there does not appear to be  inpaint; it appears that the flowers have been selectively cleaned sometime in the past.There appears to be minor craquelure. Framed under glass. Framed Dimensions 16.375 X 14.25 X 3 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Pierre Jollain (French, 1720-1762) Diana with her nymph

Estimate: Log in or create account to view price data

Description: Pierre Jollain (French, 1720-1762) Diana with her nymphs resting after the hunt, 1761 Oil on panel 23-1/4 x 38-1/2 inches (59.1 x 97.8 cm) Signed, monogrammed, and dated lower right: P. Jollain 1761 PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Est-Ouest Auctions Co., Ltd., Tokyo, Japan, November 24, 2008, lot 151.

Condition Report: Under UV light, there appears to by inpainting along edges to address frame wear; a few touches of inpaint in dogs, red and gold pillow, pink drapery, and figures' feet; possible restoration to figures' faces and far right figure's shoulder; in natural light, surface grime and frame abrasions are apparent. Framed Dimensions 29 X 43.5 X 5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Jacob Thompson (British, 1806-1879) Portrait of Lord La

Estimate: Log in or create account to view price data

Description: Jacob Thompson (British, 1806-1879) Portrait of Lord Langdale, wearing Judge's robes, three-quarter length, seated, holding his spectacles Oil on canvas 56-1/4 x 44-1/4 inches (142.9 x 112.4 cm) PROVENANCE: Collection of the Earl of Lonsdale; Maple & Co., Ltd. and Thomas Wyatt, F.V.A., London, 1947, lot 1821; Private collection, London. EXHIBITED: Lowther Castle, Penrith, Cumbria, United Kingdom, "Gallery of the Westmoreland Worthies," until 1947. LITERATURE: S. C. Hall and L. Jewitt, "The Stately Homes of England. Lowther Castle," The Art Journal, vol. 38, 1876, pp. 399. This handsome portrait records the likeness of Henry Bickersteth (1783-1851), 1st Baron Langdale, who distinguished himself in the legal profession as the "father of record reform." As a member of the privy council beginning in 1836, and his appointment as Master of the Rolls, he was determined for the government to provide an adequate Public Record Office, and in effect served as Keeper of the Public Records. Following the institution of the Public Records Act in 1838, he was instrumental in organizing the transfer of state papers from the Tower of London, the chapter house of Westminster Abbey, and elsewhere to a single location. Had he not been compromised by poor health, he likely would have become Lord Chancellor. This portrait showing Bickersteth in his robes and magnificent wig hung for approximately a century in Lowther Castle, the massive country house in Penrith, Cumbria (formerly Westmoreland), in northwest England which belonged to the Lowther family, latterly the Earls of Lonsdale, since the Middle Ages. The smaller original building underwent two enlargements, first in the 17th century, but it did not assume its castellated form until 1806-14 when William Lowther (1757-1844), 1st Earl of Lonsdale, essentially rebuilt it on a grander scale. Specifically, this portrait of Bickersteth was displayed in the 1st Earl's "Gallery of the Westmoreland Worthies," which hadn't existed in the previous building. An article in The Art Journal (1876) described the Gallery in lavish detail (mentioning the present portrait), albeit some 32 years after the 1st Earl had died. The artist responsible for this portrait and many others in Lowther Castle' "Gallery of the Worthies" was Jacob Thompson, a young, gifted local coach, sign, house and ornamental painter from Penrith. The boy's skills attracted William Lowther's attention, and the Earl soon set him to work making copies of paintings in Lowther Castle. One of the copies was sent to Sir Thomas Lawrence, who advised him to come to London to train. Thompson thus became a skillful painter of portraits and genre subjects. In 1844, the year before William Lowther died, he gave the painter a cottage (The Hermitage) in nearby Hackthorpe, where the artist lived and worked for the remainder of his life. It seems that William Lowther had a knack for spotting talented artists for he also befriended the poet William Wordsworth, and assisted him financially. Wordsworth wrote several poems for Lord Lonsdale, and even included some verses about Lowther Castle in one poem. Judging from Thompson's dated portraits from the "Gallery of the Worthies" which survive, it appears that most were produced following the 1st Earl's death, and were quite likely overseen if not commissioned by the 2nd Earl of Lonsdale, also named William (1987-1872). He may well have been a friend of Henry Bickersteth, since he served as an M.P. for 33 years. Unfortunately, Lowther Castle's fate, and with it the "Gallery of the Worthies," took a sad turn during the 20th century owing to the wild extravagance of Hugh Lowther, 5th Earl of Lonsdale. Since Lonsdale was unable to afford the upkeep or the taxes, Lowther Castle had to be dismantled in 1957 (roof taken off). There was a forced auction of the contents in 1947: nearly 8,000 lots (this portrait was lot 1821). The auction was considered the largest country house sale in the 20th century.

Condition Report: Wax-lined Framed Dimensions 51.75 X 64 X 2 Inches

View additional info
  Realized: Log in or create account to view price data
Alfred de Bréanski (British, 1852-1928) Windsor Castle

Estimate: Log in or create account to view price data

Description: Alfred de Bréanski (British, 1852-1928) Windsor Castle at sunset, 1897 Oil on canvas 24 x 40 inches (61.0 x 101.6 cm) Signed and dated lower left: Alfred de Bréanski 1897 PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, March 24, 2012, lot 309.

Condition Report: Glue lined canvas; there does not appear to be any major visible condition issues to note. Framed Dimensions 31.5 X 47.375 X 4.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Kasparus Karsen (Dutch, 1810-1896) A view of a town by

Estimate: Log in or create account to view price data

Description: Kasparus Karsen (Dutch, 1810-1896) A view of a town by a river Oil on canvas 24-3/4 x 26-1/2 inches (62.9 x 67.3 cm) Signed lower right (on the quay): K. Karsen PROPERTY OF A JAPANESE COLLECTOR PROVENANCE: Mainichi Art Auction, Tokyo, Japan, October 12, 2013, lot 811.

Condition Report: Wax-lined canvas; there appears to be light craquelure; under UV exam, there appears to be touches of inpainting throughout, most notably in lower half including an approx. 6 inch vertical line of inpainting in buildings to the right of archway and another in the tallest buildings to the left of mast. Framed Dimensions 32 X 44 X 3.5 Inches

View additional info and full condition report
  Realized: Log in or create account to view price data
Sign in to continue
Email
Please enter your email.
Password
Please enter your password.
Forgot Your Password?
Enter Your Email
Please enter a valid email.
No user is registered with that email address.
Request Sent
Check to find your temporary password and password reset instructions.
Use your new password to Sign In.
 
Per page:
1
2