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Auction Description for Bloomsbury: Drawings, Watercolours & Prints
Viewing Notes:
23rd April 9.30am - 5.30pm, 24th April 9.30am - 7.30pm, and Day of Sale from 9.30am.
Sale Notes:
www.bloomsburyauctions.com

Drawings, Watercolours & Prints

by Bloomsbury Auctions


268 lots | 255 with images

April 25, 2013

Live Auction

24 Maddox Street

London, W1S 1PP United Kingdom

Phone: +44 (0)207 495 9494

Fax: +44 (0)207 495 9499

Email: info@bloomsburyauctions.com

268 Lots
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Manner of Arent van Bolten Six studies of

Lot 1: Manner of Arent van Bolten Six studies of

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Description: Manner of Arent van Bolten Six studies of fantastic and grotesque animals, pen and brown ink, with framing lines, on laid paper, v.s., largest 19 x 31.5cm (7 1/2 x 12 1/4 in), all unframed.

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Italian School (18th century) A Venetian galley,

Lot 2: Italian School (18th century) A Venetian galley,

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Description: Italian School (18th century) A Venetian galley, pen and black and brown ink, with sanguine chalk, on laid paper, 16.5 x 26.5cm (6 1/2 x 10 1/2 in).

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Willem Van Mieris (1662-1747) A young man having

Lot 3: Willem Van Mieris (1662-1747) A young man having

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Description: Willem Van Mieris (1662-1747) A young man having his fortune told, black chalk on thin laid paper, 40.5 x 34cm (16 x 13 1/2 in). Provenance: Sotheby's Old Master Drawings sale, 6th July 1978, sold for £130.

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Francesco Panini (1745-1812) View of the interior

Lot 4: Francesco Panini (1745-1812) View of the interior

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Description: Francesco Panini (1745-1812) View of the interior of St. Peter's Basilica, Rome, with the tomb of Queen Christina of Sweden pen and grey and black ink, grey wash with touches of yellow wash, within black ink framing lines, on buff paper, signed and inscribed in brown ink on the mount, 36.5 x 29cm (14 1/4 x 11 1/4 in) Provenance: collector's stamps of Prince W. Argoutinsky-Dolgoroukoff [Lugt 2602d]; Sir Robert Witt [Lugt 2228b].

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Attributed to Claude Joseph Vernet Mouth of Cave

Lot 5: Attributed to Claude Joseph Vernet Mouth of Cave

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Description: Attributed to Claude Joseph Vernet Mouth of Cave with Figures, pen and monochrome wash, signed and dated 1776 lower right, 30.5 x 20cm (12 x 7 3/4 in). ***The drawing bears some resemblance to The Sailor's Kitchen under a Rock, from the group of mezzotints by Dixon after Vernet [cf. BM 2010,7081.3207]..

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Attributed to Samuel Woodforde R.A. Male nude,

Lot 6: Attributed to Samuel Woodforde R.A. Male nude,

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Description: Attributed to Samuel Woodforde R.A. Male nude, half length, black and white chalks, on blue wove paper, 21 x 24.5cm (8 1/4 x 9 3/4 in), unframed.

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No Image Available

Lot 7: Albrecht Adam (1786-1862) A soldier in

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Description: Albrecht Adam (1786-1862) A soldier in conversation with another seated figure points away to the right, charcoal, signed with monogram lower left, indistinctly dated, 25 x 20.5cm (9 3/4 x 8 in), unframed.

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James Gillray (1757-1815) A man's right leg,

Lot 8: James Gillray (1757-1815) A man's right leg,

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Description: James Gillray (1757-1815) A man's right leg, pencil and watercolour on laid paper, signed in pencil lower left, hinged onto conservation mount, c.1795-96, 15 x 19.5cm. (6 x 7 3/4 in), unframed. Arts Council exhibition cat. no. 111. Ex-collection Frank A. Gibson. ***Provenance: possibly from a sheet of a sketchbook belonging to the Rev. John Sneyd, thence by descent to Col. Ralph Sneyd, sold at Sotheby's in 1927..

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British School (19th century) Portrait of a young

Lot 9: British School (19th century) Portrait of a young

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Description: British School (19th century) Portrait of a young girl sewing, black chalk, indistinctly signed lower right, 25 x 19.5cm (9 3/4 x 7 3/4 in); with a monochrome watercolour of a young girl, by a different hand, 27 x 18cm (10 1/2 x 7 in) (2).

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Eugène Fromentin (1820-1876) A young groom in Arab

Lot 10: Eugène Fromentin (1820-1876) A young groom in Arab

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Description: Eugène Fromentin (1820-1876) A young groom in Arab costume holding a bridle, pencil on light blue coloured paper, initialled lower right, indistinct collector's stamp verso, 25.5 x 16.5cm (10 x 6 1/2 in), unframed.

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Sir Edwin Landseer (1802-1873) View of Windsor

Lot 11: Sir Edwin Landseer (1802-1873) View of Windsor

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Description: Sir Edwin Landseer (1802-1873) View of Windsor Castle, pencil, on wove paper, 2 sheets joined, 90 x 280mm. (3 1/2 x 11 in); with toad studies on verso ***Provenance: inscribed on mount removed from a sketchbook, sold [at] Sotheby's 1967; with gallery label of Bruce Wightman..

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George Du Maurier (1834-1896) International

Lot 12: George Du Maurier (1834-1896) International

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Description: George Du Maurier (1834-1896) International Amenities, original book illustration, pen and brown ink over pencil, signed lower right, with extensive annotations below, 25.5 x 35.5cm (10 x 14 in), unframed.

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Circle of William Mulready Study of an antique

Lot 13: Circle of William Mulready Study of an antique

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Description: Circle of William Mulready Study of an antique bust, black and white chalks on light brown wove paper, inscribed no.15 and dated 1801 lower right, sheet 52 x 41cm (20 1/2 x 16 in), unframed.

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Johann Georg Rau (1814-1867) Cain ploughing; Cain

Lot 14: Johann Georg Rau (1814-1867) Cain ploughing; Cain

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Description: Johann Georg Rau (1814-1867) Cain ploughing; Cain with a hoe, pencil on wove paper, with framing lines and inscriptions in margins, the latter with monogram and dated 1866 lower right, 25.5 x 29.5cm (10 x 11 3/4 in), and 27 x 25cm (10 1/2 x 9 3/4 in), respectively, unframed (2).

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Mariano Alonso Perez y Villagrossa (1867-1930)

Lot 15: Mariano Alonso Perez y Villagrossa (1867-1930)

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Description: Mariano Alonso Perez y Villagrossa (1867-1930) Portrait of William Bouguereau in his studio, painting The Birth of Venus, with visitors and a model pencil on wove paper, signed lower right, 19 x 31cm (7 1/2 x 12 1/4 in), unframed.

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Hugh Williams Williams (1773-1829) Lyons, France,

Lot 16: Hugh Williams Williams (1773-1829) Lyons, France,

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Description: Hugh Williams Williams (1773-1829) Lyons, France, brown pen and ink over pencil, on 2 sheets joined, 28 x 89cm (11 x 35in). Provenance: with Redleaf Gallery, label on reverse stating work was found in an album with the bookplate of Baron Delhanty, and dated 1818.

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Andrey Avinoff (1884-1948) The Fall of Atlantis,

Lot 17: Andrey Avinoff (1884-1948) The Fall of Atlantis,

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Description: Andrey Avinoff (1884-1948) The Fall of Atlantis, 23 original illustrations for George V. Golokhvastoff's poem, black and white chalks with watercolour, pencil, some heightened with body white, 3 measure c.67 x 50.5cm. (26 1/4 x 19 3/4 in), the others each c.50.5 x 38cm. (19 3/4 x 15 in), all unframed, but uniformly mounted and neatly presented in two matching grey cloth drop-back boxes, [c.1938]; with a self-portrait of the artist, pencil on wove paper, initialled AA lower right, 49 x 37cm (19 1/4 x 14 1/2 in), and a group of 4 sheets of preliminary pencil designs for The Fall of Atlantis, v.s., largest sheet c.51 x 38cm (20 x 15 in), all unframed (28) Avinoff also established himself as one of the world's greatest butterfly collectors, and spent his spare time travelling through the mountainous areas of Europe and Asia in search of them. His initial collection of some eighty thousand specimens was appropriated by the Soviet government, but while in America Avinoff managed to build up a near duplicate collection. Following Avinoff's health conditions in his later life, he moved to New York and resumed his interest in painting. The Fall of Atlantis is arguably his most well known series. It is said that when Avinoff first read George V. Golokhvastoff's poem he was so impressed that he offered to provide artwork at no charge. He was also recorded as saying "the poem is a rather tremendous creation of some two hundred and fifty pages and is far more involved that Paradise Lost ... ". The first publication of Avinoff's illustrations in 1938 had 19 plates listed, thus one can presume that within the current lot there are 4 extra illustrations that were not included in the original publication. ***Andrey Avinoff (American, 1884-1948) was born in the Ukraine, and had an early interest in entomological fauna. He worked as a Russian diplomat and emigrated to the United States in 1917 following the Communist Revolution. He worked initially as an assistant curator of entomology at the Carnegie Museum in 1924, and was promoted to director of the Museum in 1926, where he worked until 1946. Among his associates at the Carnegie Museum was the Russian-American novelist Vladimir Nabokov..

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Aubrey Vincent Beardsley (1872-1898) Vignette for

Lot 18: Aubrey Vincent Beardsley (1872-1898) Vignette for

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Description: Aubrey Vincent Beardsley (1872-1898) Vignette for p.55 in Bon-Mots of Sydney Smith and R. Brinsley Sheridan, pen and black ink, on wove paper, 1893, [Zatlin 180], 8.3 x 10.8cm. (3 1/4 x 4 1/4 in), unframed.

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Aubrey Vincent Beardsley (1872-1898) Vignette for

Lot 19: Aubrey Vincent Beardsley (1872-1898) Vignette for

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Description: Aubrey Vincent Beardsley (1872-1898) Vignette for p.110 in Bon-Mots of Samuel Foote and Theodore Hook, pen and black ink, 1894, [Zatlin 243], 9 x 6.3cm. (3 1/2 x 2 1/2 in) ***Provenance: exhibited Aubrey Beardsley, Yamato Transport Co., Ltd, no.27..

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Aubrey Vincent Beardsley (1872-1898) Vignette for

Lot 20: Aubrey Vincent Beardsley (1872-1898) Vignette for

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Description: Aubrey Vincent Beardsley (1872-1898) Vignette for p.13 in Bon-Mots of Sydney Smith and R. Brinsley Sheridan, with self-portrait, pen and black ink, on wove paper, signed with mongram lower left, 1893, [Zatlin 167], 5 x 10cm. (2 x 4 in), unframed. ***Provenance: exhibited Aubrey Beardsley, Yamato Transport Co., Ltd, no.25..

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No Image Available

Lot 21: Aubrey Vincent Beardsley (1872-1898) Vignette for

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Description: Aubrey Vincent Beardsley (1872-1898) Vignette for p.69 in Bon-Mots of Charles Lamb and Douglas Jerrold, pen and black ink, 1893, [Zatlin 221], 9 x 6cm. (3 1/2 x 2 1/2 in) ***Provenance: exhibited Aubrey Beardsley, Yamato Transport Co., Ltd, no.28..

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George Barbier (1882-1932) Le crayon aussi est une

Lot 22: George Barbier (1882-1932) Le crayon aussi est une

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Description: George Barbier (1882-1932) Le crayon aussi est une amie, pen and black ink, pencil, watercolour, heightened with body colour, signed and dated 1914 lower right, 28 x 24.5cm (11 x 9 3/4 in), unframed.

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Edwin John Board (1886-1975)

Lot 23: Edwin John Board (1886-1975) "Anthony was a

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Description: Edwin John Board (1886-1975) "Anthony was a delightful survival from a better age", pen and ink over pencil, 15 x 13cm (5 3/4 x 5 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Charles Conder (1868-1909) A lady in a dress with

Lot 24: Charles Conder (1868-1909) A lady in a dress with

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Description: Charles Conder (1868-1909) A lady in a dress with bonnet holding two bouquets of flowers, pen and ink with watercolour, coloured chalk, and pencil, indistinctly inscribed, 14 x 12cm (5 1/2 x 4 3/4 in).

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Hans Erni (b.1909) A pair of erotic drawings,

Lot 25: Hans Erni (b.1909) A pair of erotic drawings,

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Description: Hans Erni (b.1909) A pair of erotic drawings, coloured pencils, on wove paper, both signed lower right, sheets c.33 x 29.5cm (13 x 11 3/4 in), unframed (2).

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Annie French (1872-1965) Procession of Flowers,

Lot 26: Annie French (1872-1965) Procession of Flowers,

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Description: Annie French (1872-1965) Procession of Flowers, pen and ink, pencil, and watercolour, signed lower right, 19 x 39.5cm (7 1/2 x 15 1/2 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Speech day, pen and ink,

Lot 27: Annie French (1872-1965) Speech day, pen and ink,

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Description: Annie French (1872-1965) Speech day, pen and ink, watercolour, and heightened with body colour, signed lower right, 27 x 33cm (10 1/2 x 13 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Lady in the woods, pen

Lot 28: Annie French (1872-1965) Lady in the woods, pen

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Description: Annie French (1872-1965) Lady in the woods, pen and ink, pencil, watercolour, and heightened with gold paint, signed lower right, 22.5 x 18.5cm (8 3/4 x 7 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Picking Flowers, pen and

Lot 29: Annie French (1872-1965) Picking Flowers, pen and

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Description: Annie French (1872-1965) Picking Flowers, pen and ink over pencil, watercolour, signed lower right, 18.5 x 9.5cm (7 1/4 x 3 3/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Head of lady with

Lot 30: Annie French (1872-1965) Head of lady with

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Description: Annie French (1872-1965) Head of lady with flowers, etching, on laid paper, signed and dated 1901 in pencil lower right, roundel, 30 x 30mm. (1 1/4 x 1 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Carol singers, pen and

Lot 31: Annie French (1872-1965) Carol singers, pen and

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Description: Annie French (1872-1965) Carol singers, pen and ink, pencil, and watercolour, signed lower right, with lettered margin below, 19 x 26cm (7 1/2 x 10 1/4 in), unframed. ***Provenance: Sotheby's London, Thursday 12th November 1998, Lot 142.. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) The Season's Greetings,

Lot 32: Annie French (1872-1965) The Season's Greetings,

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Description: Annie French (1872-1965) The Season's Greetings, pen and ink, pencil, and watercolour, signed lower right, trade mark symbol of Raphael Tuck & Sons lower left, 25 x 16cm (9 3/4 x 6 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Bobbie, You Rascal!,

Lot 33: Annie French (1872-1965) Bobbie, You Rascal!,

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Description: Annie French (1872-1965) Bobbie, You Rascal!, black watercolour, over pencil, c.1921, 23 x 18cm (9 x 7 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Amongst the daisies and

Lot 34: Annie French (1872-1965) Amongst the daisies and

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Description: Annie French (1872-1965) Amongst the daisies and roses, pen and ink, pencil, and watercolour, 25 x 14cm (9 3/4 x 5 1/2 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) Lady in a garden, pen and

Lot 35: Annie French (1872-1965) Lady in a garden, pen and

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Description: Annie French (1872-1965) Lady in a garden, pen and ink, pencil, watercolour, and touches of body colour, 24 x 11cm (9 1/2 x 4 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Annie French (1872-1965) The Pied Piper of Hamlin,

Lot 36: Annie French (1872-1965) The Pied Piper of Hamlin,

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Description: Annie French (1872-1965) The Pied Piper of Hamlin, pen and ink, watercolour, heightened with body colour, signed lower left, 23 x 29.5cm (9 x 11 3/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Robert Charles (Col.) Goff (1837-1922) A group of

Lot 37: Robert Charles (Col.) Goff (1837-1922) A group of

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Description: Robert Charles (Col.) Goff (1837-1922) A group of six views in Switzerland, pencil on card, each signed, inscribed and dated in pencil, further inscriptions verso, c.1917-1919, v.s., largest 15.5 x 21cm (6 x 8 1/4 in), unframed.

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William McGregor Paxton (1869-1941) Study of hands

Lot 38: William McGregor Paxton (1869-1941) Study of hands

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Description: William McGregor Paxton (1869-1941) Study of hands and feet, coloured chalks on buff paper, signed Paxton lower right, 30.5 x 22cm (12 x 8 3/4 in), unframed.

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Armand Point (1860-1932) A male nude, turned to

Lot 39: Armand Point (1860-1932) A male nude, turned to

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Description: Armand Point (1860-1932) A male nude, turned to the right, his arm shielding his eyes, black chalk on light brown paper, the artist's studio sale stamp lower right [Lugt 2034b], 65 x 50cm (25 1/2 x 19 3/4 in), unframed.

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Sir William Rothenstein (1872-1945) Head study of

Lot 40: Sir William Rothenstein (1872-1945) Head study of

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Description: Sir William Rothenstein (1872-1945) Head study of Siegfried Sassoon, black chalk on wove paper, heightened with body white, initialled and dated 1921 lower right, with an unfinished portrait of a gentleman verso, sheet 33 x 29cm (13 x 11 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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No Image Available

Lot 41: Frank O. Salisbury (1874-1962) Portrait of Lord

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Description: Frank O. Salisbury (1874-1962) Portrait of Lord Curzon, Viceroy of India (1859-1925), bust-length in charcoal and white chalk, c.1910, captioned: "Lord Curzon" lower right in ink, 58 x 44cm. (22 3/4 x 17 1/4 in), unframed; with 2 portraits of H.E. Raul Regis de Oliviera, the Brazilian Ambassador to London, both apparently datable from the artist's sitters book to July 1937, one half-length in charcoal and coloured chalks on grey paper, signed and inscribed lower left, 48.5 x 38cm.(19 x 15 in), the other head and shoulders, charcoal and white chalk on grey paper, signed and inscribed lower right, 40.5 x 35.5cm. (16 x 14 in), both unframed (3) ***Sold at Christies, 25th September 1985, lots 108 (Lord Curzon) and 269 (H.E. Raul Regis de Oliviera).. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Carlos Schwabe (1866-1926) A standing male in

Lot 42: Carlos Schwabe (1866-1926) A standing male in

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Description: Carlos Schwabe (1866-1926) A standing male in classical robes, pencil on wove paper, signed lower right, sheet 32 x 25cm (12 1/2 x 9 3/4 in), unframed.

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Ronald Searle (1920-2011) That's Good, pen and

Lot 43: Ronald Searle (1920-2011) That's Good, pen and

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Description: Ronald Searle (1920-2011) That's Good, pen and brown ink with wash over pencil, signed lower left, 34.5 x 23.5cm (13 1/2 x 9 1/4 in). ***Provenance: with Ernest Brown & Phillips Ltd., The Leicester Galleries, exhibited December 1957, cat. no. 33.. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Edward Wolfe (1897-1981) Reclining female nude,

Lot 44: Edward Wolfe (1897-1981) Reclining female nude,

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Description: Edward Wolfe (1897-1981) Reclining female nude, pen and ink, on gold coloured paper, signed lower right, 25.5 x 38cm (10 x 14 3/4in). Provenance: with The Brook Street Art Gallery, label on verso. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Circle of Joshua Cristall Harlech Castle,

Lot 45: Circle of Joshua Cristall Harlech Castle,

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Description: Circle of Joshua Cristall Harlech Castle, watercolour on laid paper, inscribed in pencil J. Crystall lower left, and titled lower right, 15.5 x 22.5cm (6 1/4 x 8 3/4 in).

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Johann Rudolf Feyerabend (1794-1814) Still life

Lot 46: Johann Rudolf Feyerabend (1794-1814) Still life

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Description: Johann Rudolf Feyerabend (1794-1814) Still life with flowers, a birdcage and a porcelain tea set; Still life with flowers and doves, a pair, body colour on wove paper, each c.16 x 20.5cm (6 1/4 x 8 in), unframed (2).

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French School (19th century) A group of four bird

Lot 47: French School (19th century) A group of four bird

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Description: French School (19th century) A group of four bird studies, after Francois Martinet, watercolour over pencil, on laid paper, each with pen and ink inscriptions, pencil borders, each sheet c.32 x 21cm (12 3/4 x 8 1/4 in), unframed (4).

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Francis Nicholson RWS (1753-1844) 2 views of

Lot 48: Francis Nicholson RWS (1753-1844) 2 views of

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Description: Francis Nicholson RWS (1753-1844) 2 views of Canterbury Cathedral, watercolours over pencil, each c.14 x 21cm (5 1/2 x 8 1/4 in) (2) ***Provenance: with The Ruskin Gallery..

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Michele de Vito (early 19th century) A pair of

Lot 49: Michele de Vito (early 19th century) A pair of

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Description: Michele de Vito (early 19th century) A pair of Neapolitan costume studies, watercolours, both signed lower right, each c.23 x 17cm (9 x 6 3/4 in) (2)

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Lot 50: John Absolon (1815-1895) A pikeman, watercolour,

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Description: John Absolon (1815-1895) A pikeman, watercolour, signed lower left, 22 x 19cm (8 5/8 x 7 1/2 in).

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