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Old Master, Modern & Contemporary Prints Sale

by Doyle New York

Platinum House

182 lots with images

April 29, 2013

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

182 Lots
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Yaacov Agam COMPOSITION Color screenprint

Lot 1: Yaacov Agam COMPOSITION Color screenprint

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Description: Yaacov Agam (b. 1928) COMPOSITION Color screenprint, signed and numbered 1/1 in pencil, some unobtrusive rubbing, a small area of faint (glue?) staining in the bottom margin, otherwise in apparently good condition, with (full?) margins, framed (unexamined out of the frame). 12 1/4 x 13 3/4 inches; 311 x 349 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Yaacov Agam COMPOSITIONS Screenprints (2)

Lot 2: Yaacov Agam COMPOSITIONS Screenprints (2)

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Description: Yaacov Agam COMPOSITIONS Screenprints (the second printed in color), signed and numbered XXXVIII/XC and HC 10/53, respectively, in pencil, in apparently good condition, with (full?) margins, framed (unexamined out of the frames). (2) Larger 8 1/2 x 12 3/4 inches; 216 x 324 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Yaacov Agam COMPOSITION Agamograph

Lot 3: Yaacov Agam COMPOSITION Agamograph

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Description: Yaacov Agam COMPOSITION Agamograph, signed and numbered 55/99 in ink, a few unobtrusive light scratches, otherwise in apparently good condition, with (full?) margins, framed (unexamined out of the frame). Image 12 3/4 x 13 1/4 inches C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Karel Appel COMPOSITION Color lithograph

Lot 4: Karel Appel COMPOSITION Color lithograph

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Description: Karel Appel (1921-2006) COMPOSITION Color lithograph, 1959, signed, dated and inscribed epreuve d'artiste in pencil, printed to the edge on one side, lightstain, some handling creases, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 22 1/4 x 30 inches; 565 x 762 mm. C Estate of Shirley Baerwald

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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John Taylor Arms WEST FORTY-SECOND STREET Etching

Lot 5: John Taylor Arms WEST FORTY-SECOND STREET Etching

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Description: John Taylor Arms (1887-1953) WEST FORTY-SECOND STREET (FLETCHER 41) Etching, 1920, signed in pencil, edition of 75, pale lightstain, matstain, affixed at sheet edges recto with linen tape to back mat, rippling, a few unobtrusive small foxing spots, some light abrasion and a nick at bottom right sheet corner, otherwise in good condition, with good margins, framed. 13 1/4 x 10 3/4 inches; 337 x 273 mm. Sheet 16 3/4 x 13 3/4 inches; 425 x 349 mm. C Estate of Sylvia Seidman

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean (Hans) Arp SOLEIL RECERCLE Color woodcut

Lot 6: Jean (Hans) Arp SOLEIL RECERCLE Color woodcut

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Description: Jean (Hans) Arp (1886-1966) SOLEIL RECERCLE (ARNTZ 264) Color woodcut, 1966, on wove, signed and numbered 18/50 in pencil, lightstain and matstain, affixed with tape along top and top of left and right sheet edges verso to top mat, some light abrasion at bottom sheet edge verso, minor soiling in the margins and verso, some unobtrusive rippling, a tiny uninked area or ink loss in the black area top right, otherwise in good condition, with (full?) margins, framed. 13 5/8 x 13 1/2 inches; 346 x 343 mm. Sheet 17 5/8 x 18 1/2 inches; 448 x 470 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean (Hans) Arp OISEAU-CHUTE Gold plated nickel and brass multiple

Lot 7: Jean (Hans) Arp OISEAU-CHUTE Gold plated nickel and brass multiple

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Description: Jean (Hans) Arp OISEAU-CHUTE Gold plated nickel and brass multiple, 1969, stamped ARP and numbered 109/300, stamp numbered 109 on the justification, published by Editions des Nouvelles Images, Paris, some light scratches, otherwise in good condition, the justification with some creasing, in original black case with cushioned white faux-satin interior (some wear). 6 x 3 1/2 inches; 152 x 89 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Milton Avery NUDE COMBING HAIR (L. 30) Drypoint

Lot 8: Milton Avery NUDE COMBING HAIR (L. 30) Drypoint

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Description: Milton Avery (1885-1965) NUDE COMBING HAIR (LUNN 30) Drypoint, 1961, signed, dated and numbered 47/90 in pencil, pale lightstain and matstain, otherwise in good condition, with (full?) margins, framed. 8 5/8 x 6 1/8 inches; 219 x 156 mm. Sheet 12 x 9 1/8 inches; 305 x 232 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jennifer Bartlett IN THE GARDEN #116 Color screenprint

Lot 9: Jennifer Bartlett IN THE GARDEN #116 Color screenprint

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Description: Jennifer Bartlett (b. 1941) IN THE GARDEN #116 (ORLANDO MUSEUM 10) Color screenprint, 1982-83, on Arches Cover, signed, dated and numbered 59/100 in pencil, published by Harry N. Abrams, Inc., New York, printed to the edges on all sides, in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 29 3/8 x 38 inches; 746 x 965 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Romare Bearden COMPOSITIONS Five hand-colored offset lithographs

Lot 10: Romare Bearden COMPOSITIONS Five hand-colored offset lithographs

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Description: Romare Bearden (1911-1988) COMPOSITIONS Five hand-colored offset lithographs, circa 1960, some unobtrusive handling creases and printer's ink, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frames). (5) Sight of largest three sheets 8 3/8 x 11 inches; 213 x 279 mm. Provenance: Gift of the artist to the father of the present owner C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Romare Bearden MARTIN LUTHER KING, JR.--MOUNTAIN TOP Color screenprint

Lot 11: Romare Bearden MARTIN LUTHER KING, JR.--MOUNTAIN TOP Color screenprint

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Description: Romare Bearden MARTIN LUTHER KING, JR.--MOUNTAIN TOP Color screenprint, 1968, published by HKL, Ltd., New York, printed to the edges, some unobtrusive rubbing, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 29 7/8 x 19 5/8 inches; 759 x 498 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Max Beckmann DER SEILTANZER Drypoint

Lot 12: Max Beckmann DER SEILTANZER Drypoint

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Description: Max Beckmann (1884-1950) DER SEILTANZER (HOFMAIER 198) Drypoint, 1921, signed in pencil, edition of 125, from Jahrmarkt, published by Marees Gesellschaft, R. Piper & Co., Munich and with their blindstamp, lightstain and matstain, laid on card, a few unobtrusive small spots of foxing and other discoloration, otherwise in good condition, with good margins, framed. 10 3/8 x 10 1/4 inches; 264 x 260 mm. Sheet 14 5/8 x 14 7/8 inches; 371 x 378 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hans Sebald Beham ES IST KALT WETTER; DAS SCHADET NIT Engravings (2)

Lot 13: Hans Sebald Beham ES IST KALT WETTER; DAS SCHADET NIT Engravings (2)

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Description: Hans Sebald Beham (1500-1550) ES IST KALT WETTER; DAS SCHADET NIT (PAULI 189; 190) Engravings, the first 1542, trimmed to or within the platemark, a pinhole at top left corner, otherwise in good condition, framed together. (2) Sheets 1 7/8 x 1 1/4 inches; 48 x 32 mm.. Provenance: R. M. Light & Co., Inc., Boston Acquired from the above January 25, 1973 by Carolyn and George Rowland C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows BUSINESS MEN'S BATH (M. 145) Lithograph

Lot 14: George Bellows BUSINESS MEN'S BATH (M. 145) Lithograph

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Description: George Bellows (1882-1925) BUSINESS MEN'S BATH (MASON 145) Lithograph, 1923, on cream wove Japan, signed and titled in pencil, annotated 'Bolton Brown-imp', edition of 43, lightstain and matstain, affixed with tape along top and top of left and right sheet edges and center of bottom sheet edge verso to top mat, old glue residue with associated staining along top sheet edge and at bottom sheet corners, a few unobtrusive printer's and handling creases in the margins, some light abrasion at top left sheet edge verso, a small foxing spot verso, otherwise in good condition, with (full?) margins, framed. 11 7/8 x 17 1/8 inches; 302 x 435 mm. Sheet 14 1/4 x 19 1/8 inches; 362 x 486 mm. Provenance: H.V. Allison & Co., Inc. Acquired from the above in 1969 by the family of the present owner C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows THE DRUNK, SECOND STONE (M. 169 B) Lithograph

Lot 15: George Bellows THE DRUNK, SECOND STONE (M. 169 B) Lithograph

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Description: George Bellows THE DRUNK, SECOND STONE (M. 169 B) Lithograph, 1923-24, on cream Basingwerk Parchment, signed in pencil, annotated 'Bolton Brown-imp', almost imperceptible matstain, a few unobtrusive small foxing spots and handling creases in the margins, otherwise in good condition, with full margins, framed. 15 5/8 x 13 inches; 397 x 330 mm. Sheet 22 7/8 x 17 3/8 inches; 581 x 441 mm. Provenance: H.V. Allison & Co., Inc., New York Acquired from the above in 1968 by the family of the present owner C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ludwig Bemelmans L'INSTITUT Painted white ceramic plate

Lot 16: Ludwig Bemelmans L'INSTITUT Painted white ceramic plate

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Description: Ludwig Bemelmans (1898-1962) L'INSTITUT Painted and glazed white ceramic plate, signed recto, titled and inscribed L. Bemelmans/editions/"Tapis, Vert"/(RJ) Vallauris/made/in/FRANCE on the reverse, in good condition. Diameter 8 1/8 inches; 206 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ludwig Bemelmans MADELAINE AND THE OPERA Painted and glazed white ceramic plate

Lot 17: Ludwig Bemelmans MADELAINE AND THE OPERA Painted and glazed white ceramic plate

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Description: Ludwig Bemelmans MADELINE AND THE OPERA Painted and glazed white ceramic plate, signed recto, titled and inscribed L. Bemelmans/editions/"Tapis, Vert"/(M6) Vallauris/MADE/IN FRANCE on the reverse, a small chip at the rim on reverse, the letter d in the word and of the title smudged (before firing), otherwise in good condition. Diameter 8 1/8 inches; 206 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton WEST TEXAS (F. 77) Lithograph

Lot 18: Thomas Hart Benton WEST TEXAS (F. 77) Lithograph

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Description: Thomas Hart Benton (1889-1975) WEST TEXAS (FATH 77) Lithograph, 1952, signed in pencil, edition of 300, published by Southern Methodist University Press, Dallas and with their blindstamp, three areas of old glue residue at top sheet edge recto (some associated abrasion and a small loss), some unobtrusive handling creases, some other soft creasing and minor printer's ink in the bottom margin, otherwise in good condition, with full margins. 11 x 14 inches; 279 x 356 mm. Sheet 16 x 19 1/8 inches; 406 x 486 mm. C The Creekmore and Adele Fath Charitable Foundation Collection

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton SELF-PORTRAIT (F. 84) Lithograph

Lot 19: Thomas Hart Benton SELF-PORTRAIT (F. 84) Lithograph

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Description: Thomas Hart Benton SELF-PORTRAIT (F. 84) Lithograph, 1972, signed in pencil, edition of 300, published by Associated American Artists, New York, some unobtrusive printer's and handling creases, a diagonal crease at bottom left sheet corner, some pale discoloration in the bottom margin, minor (printer's?) ink verso, an area with light abrasion at bottom sheet edge verso, otherwise in good condition, with full margins. 19 5/8 x 13 7/8 inches; 498 x 352 mm. Sheet 25 x 18 5/8 inches; 635 x 473 mm. C The Creekmore and Adele Fath Charitable Foundation Collection

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ilya Bolotowsky UNTITLED Color screenprint on Plexiglas two-part column

Lot 20: Ilya Bolotowsky UNTITLED Color screenprint on Plexiglas two-part column

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Description: Ilya Bolotowsky (1907-1981) UNTITLED Color screenprint on Plexiglas two-part column, circa 1970, incised with the artist's signature, numbered XXV/XXV, some scratches and small ink losses to the Plexiglas, minor soiling, otherwise in good condition. Overall 30 x 7 x 7 inches; 762 x 178 x 178 mm. C Estate of William Begell

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre Bonnard PLACE LE SOIR Color lithograph

Lot 21: Pierre Bonnard PLACE LE SOIR Color lithograph

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Description: Pierre Bonnard (1867-1947) PLACE LE SOIR (BOUVET 64) Color lithograph, 1899, edition of 100, from Quelques Aspects de la Vie de Paris, published by Ambroise Vollard, Paris, pale matstain, rippling in the top and bottom margins, some unobtrusive handling creases and small foxing spots in the margins and verso, some old tape at top sheet edge at and near corners verso (showing slightly through to recto), otherwise in good condition, with full margins, framed. 11 1/8 x 15 1/4 inches; 283 x 387 mm. Sheet 16 x 21 inches; 406 x 533 mm. Provenance: R. M. Light & Co., Inc., Boston Acquired from the above January 25, 1973 by Carolyn and George Rowland C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre Bonnard RUE, LE SOIR, SOUS LA PLUIE Color lithograph

Lot 22: Pierre Bonnard RUE, LE SOIR, SOUS LA PLUIE Color lithograph

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Description: Pierre Bonnard RUE, LE SOIR, SOUS LA PLUIE (B. 68) Color lithograph, 1899, signed and numbered no. 9 in pencil, edition of 100, from Quelques Aspects de la Vie de Paris, published by Ambroise Vollard, Paris, pale lightstain, matstain, rippling in the top margin, a few small foxing spots in the margins and verso, some old tape at top sheet edge at and near corners verso (showing slightly through to recto), a small crease at top left sheet corner, otherwise in good condition, with full margins, framed. 10 1/8 x 14 inches; 257 x 356 mm. Sheet 16 x 20 7/8 inches; 406 x 530 mm. C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Braque LA NUIT LA FAIM Color lithograph

Lot 23: Georges Braque LA NUIT LA FAIM Color lithograph

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Description: Georges Braque (1882-1963) LA NUIT LA FAIM (VALLIER 154) Color lithograph, 1960, signed and numbered 26/30 in pencil, published by Maeght, Paris, lightstain and matstain, two pieces of old paper tape and two areas of light abrasion at top sheet edge verso, otherwise in good condition, with full margins, framed. 9 3/8 x 6 1/4 inches; 238 x 159 mm. Sheet 12 1/4 x 9 1/4 inches; 311 x 235 mm. C Estate of Agnes Strauss Wolf

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Georges Braque SOLEIL ET LUNE I Color lithograph

Lot 24: After Georges Braque SOLEIL ET LUNE I Color lithograph

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Description: After Georges Braque SOLEIL ET LUNE I (MAEGHT 1034) Color lithograph, circa 1950, on Rives BFK, signed in pencil, numbered 174/275, published by Maeght, Paris, lightstain and matstain, a few unobtrusive foxing spots and handling creases in the margins, three small areas of light abrasion at sheet edges verso, otherwise in good condition, with full margins, framed. 8 5/8 x 3 3/4 inches; 219 x 95 mm. Sheet 19 x 12 7/8 inches; 483 x 327 mm. C Estate of Agnes Strauss Wolf

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Felix Buhot UNE JETEE EN ANGLETERRE Etching, drypoint, aquatint and roulette

Lot 25: Felix Buhot UNE JETEE EN ANGLETERRE Etching, drypoint, aquatint and roulette

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Description: Felix Buhot (1847-1898) UNE JETEE EN ANGLETERRE (BOUCARD/GOODFRIEND 132) Etching, drypoint, aquatint and roulette, 1879, on chine volant, with the artist's red ink stamp (Lugt 977), second state of eight, pale matstain, old paper and linen tape at top and left sheet edges (some associated gluestaining showing through to recto), unobtrusive rippling, some printer's creases, some splitting in the image just inside the platemark at right, a small loss at top sheet edge, otherwise in good condition, with (full?) margins, framed. 11 3/4 x 8 inches; 298 x 203 mm. Sheet 14 1/8 x 10 1/4 inches; 359 x 260 mm. C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alexander Calder COMPOSITION Color lithograph

Lot 26: Alexander Calder COMPOSITION Color lithograph

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Description: Alexander Calder (1898-1976) COMPOSITION Color lithograph, signed and numbered 13/20 in pencil, lightstain, a few handling creases, some dampstaining at bottom right sheet corner, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 29 1/4 x 42 1/4 inches; 743 x 1073 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt MARJORIE WEARING A DRESS WITH PUFFED SLEEVES Drypoint printed in brown

Lot 27: Mary Cassatt MARJORIE WEARING A DRESS WITH PUFFED SLEEVES Drypoint printed in brown

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Description: Mary Cassatt (1844-1926) MARJORIE WEARING A DRESS WITH PUFFED SLEEVES (BREESKIN 167) Drypoint printed in brown, circa 1895, on Vanderley cream laid paper, signed with initials in pencil, matstain, old tape along top and left sheet edges verso, a 5/8 inch split just at the outline and to the right of her left sleeve, a thin area above and to the right of the split (visible when held up to the light), a few unobtrusive small pale foxing spots, a 1/4 inch tear at bottom sheet edge, otherwise in good condition, with good margins, framed. 10 1/8 x 7 inches; 257 x 178 mm. Sheet 13 3/4 x 8 1/4 inches; 349 x 206 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt MARGOT WEARING A BONNET (NO. 1) Color drypoint

Lot 28: Mary Cassatt MARGOT WEARING A BONNET (NO. 1) Color drypoint

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Description: Mary Cassatt MARGOT WEARING A BONNET (NO. 1) (B. 179) Color drypoint, circa 1902, lightstain and matstain, affixed with a few pieces of paper tape at sheet edges verso, some rippling and handling creases, minor foxing, otherwise in good condition, with full margins, framed. 9 1/4 x 6 1/2 inches; 235 x 165 mm. Sheet 13 x 9 7/8 inches; 330 x 251 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt MARGOT WEARING A BONNET (NO. 3) Drypoint

Lot 29: Mary Cassatt MARGOT WEARING A BONNET (NO. 3) Drypoint

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Description: Mary Cassatt MARGOT WEARING A BONNET (NO. 3) (B. 181) Drypoint, circa 1902, on cream laid paper, a few unobtrusive small foxing spots and other pale discoloration, otherwise in good condition, with good margins, framed. 9 1/8 x 6 1/8 inches; 232 x 156 mm. Sheet 12 3/8 x 8 5/8 inches; 314 x 219 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall JOSEPH AND HIS BROTHERS (CRAMER 30) Hand-colored etching

Lot 30: Marc Chagall JOSEPH AND HIS BROTHERS (CRAMER 30) Hand-colored etching

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Description: Marc Chagall (1887-1985) JOSEPH AND HIS BROTHERS (CRAMER BOOKS 30) Hand-colored etching, 1931-1939, signed with initials and numbered 63/100 in pencil, from The Bible, published by Teriade, Paris, lightstain and matstain, affixed with brown paper tape at top sheet edge verso to top mat, bottom sheet edge folded back 1 3/8 inches, some offsetting in the margins, otherwise in good condition, with full margins, framed. 11 5/8 x 9 3/4 inches; 295 x 248 mm. Sheet 21 x 15 1/4 inches; 533 x 387 mm. C Estate of a Private Collector

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall PAIR OF PEASANTS Color Lithograph

Lot 31: Marc Chagall PAIR OF PEASANTS Color Lithograph

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Description: Marc Chagall PAIR OF PEASANTS (MOURLOT 484) Color lithograph, 1967, on Arches, signed and inscribed epreuve d'artiste XXII/XXV in pencil, pale lightstain, matstain, a few unobtrusive handling creases, some creasing at left sheet corners, a foxing spot or other pale discoloration in the margin near top left image corner, otherwise in good condition, with full margins, framed. 26 x 20 1/2 inches; 660 x 521 mm. Sheet 30 1/4 x 23 5/8 inches; 768 x 600 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Marc Chagall SUNSET Color lithograph by Charles Sorlier

Lot 32: After Marc Chagall SUNSET Color lithograph by Charles Sorlier

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Description: After Marc Chagall SUNSET (CHARLES SORLIER 26) Color lithograph by Charles Sorlier, 1967, on Arches, signed and numbered LI/LXXV in pencil, from Nice and the Cote D'Azur, lightstain and matstain, a few unobtrusive handling creases, some creasing at top extreme sheet edge, otherwise in good condition, with full margins, framed. 23 5/8 x 18 3/8 inches; 600 x 467 mm. Sheet 29 1/2 x 20 3/4 inches; 749 x 527 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Marc Chagall THE MAGIC FLUTE Color lithograph by Charles Sorlier

Lot 33: After Marc Chagall THE MAGIC FLUTE Color lithograph by Charles Sorlier

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Description: After Marc Chagall THE MAGIC FLUTE (C.S. 38) Color lithograph by Charles Sorlier, 1967, edition of 3000, printed by Mourlot, Paris, published by Editions of the Metropolitan Opera, New York, laid on Japan, some creasing and repaired tears at sheet edges and top right, the support sheet with offsetting and some abrasion at sheet edges verso, otherwise in good condition, framed. Sheet 39 1/2 x 25 1/2 inches; 1003 x 648 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Salvador Dali ATHENA Color heliogravure and drypoint

Lot 34: Salvador Dali ATHENA Color heliogravure and drypoint

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Description: Salvador Dali (1904-1989) ATHENA (FIELD 63-3P; MICHLER/LOPSINGER 130A) Color heliogravure and drypoint, 1963-65, on Arches, signed and dated in pencil, inscribed Epreuve d'Artiste, from The Mythology suite, published by Pierre Argillet, Paris, pale timestain, handling creases, a diagonal crease at top left sheet corner, otherwise in good condition, with full margins. 20 7/8 x 16 1/2 inches; 530 x 419 mm. Sheet 30 x 22 1/4 inches; 762 x 565 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Honore Daumier Nine lithographs (DELTEIL 971; 1495; 2740; 2965; 2967; 3275; 3292; 3438; 3439)

Lot 35: Honore Daumier Nine lithographs (DELTEIL 971; 1495; 2740; 2965; 2967; 3275; 3292; 3438; 3439)

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Description: Honore Daumier (1808-1879) PYGMALION; VOTRE TABLEAU ME PLAIRAIT ASSEZ...; PUISQUE MAINTENANT IL EST DE LA FAMILLE, IL FAUT AUSSI QU'IL AIT SON PORTRAIT; C'EST TOUT D'MEME FLATTEUR D'AVOIR SON PORTRAIT A L'EXPOSITION; ABUSANT DE LA PERMISSION QUE LES ARTISTES ONT OBTENUE CETTE ANNEE D'EXPOSER PLUS DE TROIS TABLEAUX...; UNE VISITE A L'ATELIER; MOI CE QUE J'AIME DANS LA SALLE DE SCULPTURE...; UN PEINTRE FANTAISISTE; LES PAYSAGISTES (DELTEIL 971; 1495; 2740; 2965; 2967; 3275; 3292; 3438; 3439) Nine lithographs, second states, the first of four, the last eight of two, some with rippling and folds, pale lightstain and a few foxing spots and other discoloration, otherwise apparently generally in good condition, with good or full margins, framed (unexamined out of the frames), various sizes. (9) C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Honore Daumier L'ENTREE DU GRAND TUNNEL D'UN CHEMIN DE FER Lithograph

Lot 36: Honore Daumier L'ENTREE DU GRAND TUNNEL D'UN CHEMIN DE FER Lithograph

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Description: Honore Daumier L'ENTREE DU GRAND TUNNEL D'UN CHEMIN DE FER (D. 1058) Lithograph, circa 1843-44, on smooth cream wove, first state of three, with the stone number 504, from Les Chemins de Fer, pale lightstain and matstain, some unobtrusive scattered pale foxing spots. otherwise in good condition, with full margins, framed. 7 3/4 x 10 1/2 inches; 197 x 267 mm. Sheet 11 x 14 1/4 inches; 279 x 362 mm. Provenance: Edward Clark Crossett (not in Lugt) By descent to Carolyn Crossett Rowland C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Richard Diebenkorn CONSTRUCT Color etching and aquatint

Lot 37: Richard Diebenkorn CONSTRUCT Color etching and aquatint

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Description: Richard Diebenkorn (1922-1993) CONSTRUCT Color etching and aquatint, 1980, on Rives, signed with initials, dated and numbered 5/35 in pencil, from the Eight Color Etchings series, published by Crown Point Press, in apparently good condition, with (full?) margins, framed (unexamined out of the frame). 11 x 15 1/4 inches; 279 x 387 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine PRINTING OUTDOORS Hand-colored etching

Lot 38: Jim Dine PRINTING OUTDOORS Hand-colored etching

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Description: Jim Dine (b. 1935) PRINTING OUTDOORS (D'OENCH/FEINBERG 65) Hand-colored etching, 1980, signed, dated and numbered 39/40 in pencil, published by Pace Editions, Inc., New York, a few unobtrusive handling creases in the margins, a small foxing spot at top left extreme sheet edge, otherwise in apparently good condition, with full margins, framed (unexamined out of the frame). Sheet 42 3/8 x 30 inches; 1076 x 762 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine COOPER STREET ROBE Hand-colored woodcut

Lot 39: Jim Dine COOPER STREET ROBE Hand-colored woodcut

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Description: Jim Dine COOPER STREET ROBE (D'O./F. 156) Hand-colored woodcut, 1983, on Rives BFK, signed, dated and inscribed P/P in pencil, published by Pace Editions, Inc., New York, printed to the edges, some unobtrusive rippling, a few pinholes at top sheet corners, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 35 1/4 x 24 1/4 inches; 895 x 616 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine DOUBLE VENUS WOODCUT I Color woodcut

Lot 40: Jim Dine DOUBLE VENUS WOODCUT I Color woodcut

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Description: Jim Dine DOUBLE VENUS WOODCUT I (D'O./F. 161) Color woodcut, 1984, on Rives BFK, signed, dated and numbered 14/36 in pencil, published by Pace Editions, Inc., New York, a few unobtrusive handling creases in the bottom margin, some rippling at left and right sheet edges, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 48 x 31 1/2 inches; 1219 x 800 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine DOUBLE VENUS WOODCUT II Woodcut in white and black

Lot 41: Jim Dine DOUBLE VENUS WOODCUT II Woodcut in white and black

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Description: Jim Dine DOUBLE VENUS WOODCUT II (D'O/F. 162) Woodcut in white and black, 1984, on Canson black paper, signed, dated and numbered 33/36 in pencil, published by Pace Editions, Inc., New York, in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 46 7/8 x 33 7/8 inches; 1191 x 860 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jim Dine JAM AND JELLY (M.I.A. 138) Color woodcut, photoengraving and collograph

Lot 42: Jim Dine JAM AND JELLY (M.I.A. 138) Color woodcut, photoengraving and collograph

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Description: Jim Dine JAM AND JELLY (MINNEAPOLIS INSTITUTE OF ARTS 138) Color woodcut, photoengraving and collograph, 2000, on Stonehenge Warm White paper, signed, dated and numbered 11/20 in pencil, published by Pace Editions, Inc., New York and A. Cristea Gallery, London, printed on two joined sheets, in apparently good condition, with full margins, framed (unexamined out of the frame). Sheet 30 x 43 inches; 762 x 1092 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Albrecht Durer NATIVITY Engraving

Lot 43: Albrecht Durer NATIVITY Engraving

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Description: Albrecht Durer (1471-1528) NATIVITY (BARTSCH 2) Engraving, 1504, a very fine Meder b impression, with a horizontal scratch at top left corner, with the Bull's head watermark, trimmed on the platemark, a couple of light ink smudges in the sky, a very small loss at top left corner, a few unobtrusive tiny spots of discoloration, otherwise in good condition, framed. Sheet 7 3/8 x 4 7/8 inches; 187 x 124 mm. Ex. collection: Frederic Robert Halsey (Lugt 1308); Charles-Francois-Joseph Libert de Beaumont (L. 1703) C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Albrecht Durer ST. CHRISTOPHER FACING TO THE RIGHT Engraving

Lot 44: Albrecht Durer ST. CHRISTOPHER FACING TO THE RIGHT Engraving

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Description: Albrecht Durer ST. CHRISTOPHER FACING TO THE RIGHT (B. 52) Engraving, 1521, an extraordinary Meder a impression, with unusually wide margins, a few specks of printer's ink and unobtrusive small pale foxing spots in the margins, some hinge remains at top and bottom of left sheet edge verso, the collector's stamp showing slightly through to recto in the margins at bottom right corner, otherwise in good condition, framed. 4 11/16 x 3 inches; 119 x 76 mm. Sheet 5 3/4 x 4 1/8 inches; 146 x 105 mm. Ex. collection: Dr. W. A. Ackermann (Lugt 791) C The Carolyn and George Rowland Charitable Foundation Trust

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maurits Cornelius Escher PATH OF LIFE I Woodcut printed in red and black

Lot 45: Maurits Cornelius Escher PATH OF LIFE I Woodcut printed in red and black

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Description: Maurits Cornelius Escher (1898-1972) PATH OF LIFE I (BOOL 424) Woodcut printed in red and black, 1958, on laid Japon, signed, dated, inscribed eigen druk and III in pencil, very pale matstain, old linen tape along top sheet edge recto, the red attenuated, a few printer's and other creases in the margins, a few pressure marks in the margins, a small area with a few unobtrusive pressure marks in the image at right, some (printer's?) ink verso, otherwise in good condition, with good or full margins. 16 1/8 x 16 1/8 inches; 410 x 410 mm. Sheet 19 x 19 inches; 483 x 483 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maurits Cornelius Escher BELVEDERE Lithograph

Lot 46: Maurits Cornelius Escher BELVEDERE Lithograph

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Description: Maurits Cornelius Escher BELVEDERE (B. 426) Lithograph, 1958, on wove paper watermarked Holland, signed and numbered No 30/40 in pencil, some old tape and glue residue along top sheet edge (some associated abrasion verso), unobtrusive handling creases, some other creases and a few pressure marks in the margins (one at bottom image edge, only visible verso), otherwise in good condition, with good or full margins. 18 3/8 x 11 3/4 inches; 467 x 298 mm. Sheet 24 5/8 x 17 1/8 inches; 625 x 435 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Sam Francis DAMN BRACES Color lithograph

Lot 47: Sam Francis DAMN BRACES Color lithograph

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Description: Sam Francis (1923-1994) DAMN BRACES (LEMBARK L11) Color lithograph, 1960, on Rives BFK, signed and numbered 35/75 in pencil, published by Kornfeld & Klipstein, Bern, printed to the edges on two sides, lightstain, some faint old glue residue at top sheet edge, some creasing at top sheet corners, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 35 3/4 x 25 inches; 908 x 635 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Sam Francis UNTITLED Color lithograph

Lot 48: Sam Francis UNTITLED Color lithograph

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Description: Sam Francis UNTITLED (L. L254) Color lithograph, 1982, on Arches 88, signed and numbered 240/250 in pencil, published by Brooke Alexander Gallery, New York, printed to the edges, some unobtrusive rippling, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 47 1/2 x 34 3/8 inches; 1207 x 873 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Helen Frankenthaler IN THE WINGS Color lithograph

Lot 49: Helen Frankenthaler IN THE WINGS Color lithograph

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Description: Helen Frankenthaler (1928-2011) IN THE WINGS (HARRISON 135) Color etching, aquatint and lithograph, 1987, signed, dated and numbered 39/50 in pencil, published by Tyler Graphics Ltd., Mount Kisco, New York, and with their blindstamp, printed to the edges, in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 13 3/4 x 21 inches; 349 x 533 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Gauguin MAHNA NO VARUA INO Woodcut

Lot 50: Paul Gauguin MAHNA NO VARUA INO Woodcut

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Description: Paul Gauguin (1848-1903) MAHNA NO VARUA INO (KORNFELD 19) Woodcut, 1893-4, inscribed Paul Gauguin fait and Pola Gauguin imp in pencil by the artist's son, numbered no 35, on Chine volant, printed and published in 1921 by Pola Gauguin, Copenhagen, pale lightstain and matstain, some rippling, some handling and other creases, a few foxing spots and minor soiling in the margins, two small pieces of old tape at top sheet corners recto (some associated staining and small losses), otherwise in good condition, with good margins, framed. 8 x 14 inches; 203 x 356 mm. Sheet 10 1/4 x 16 3/8 inches; 260 x 416 mm. C Estate of Agnes Strauss Wolf

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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