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International Art

by Waddington's

Platinum House

174 lots with images

December 10, 2013

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 5100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

174 Lots
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Wilmer Siegfried Richter (1891-1993), COBBS CREEK ROAD, Oil on canvas; signed and dated 43 lower right, titled to the stretcher, 24.75

Lot 1: Wilmer Siegfried Richter (1891-1993), COBBS CREEK ROAD, Oil on canvas; signed and dated 43 lower right, titled to the stretcher, 24.75" x 29" - 62.9 x 73.7 cm.

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Description: Wilmer Siegfried Richter (1891-1993), AmericanCOBBS CREEK ROAD; Oil on canvas; signed and dated 43 lower right, titled to the stretcher24.75" x 29" - 62.9 x 73.7 cm.Provenance: Private Collection, Philadelphia until circa 1980 when it was gifted to the present Private Collection, Toronto, a relative of the former owner

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Pal Fried (1893-1976), RITA (BLUE DRESS WITH PINK UMBRELLA), Oil on canvas; signed lower left, titled verso, 30

Lot 2: Pal Fried (1893-1976), RITA (BLUE DRESS WITH PINK UMBRELLA), Oil on canvas; signed lower left, titled verso, 30" x 24" - 76.2 x 61 cm.

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Description: Pal Fried (1893-1976), Hungarian/AmericanRITA (BLUE DRESS WITH PINK UMBRELLA); Oil on canvas; signed lower left, titled verso30" x 24" - 76.2 x 61 cm.Provenance: Arnot Gallery/Herbert Arnot Inc., New York, purchased on October 8, 1953;Sold to Eaton's, Canada on March 15, 1954

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Lemuel Everett Wilmarth (1835-1918), STILL LIFE OF ORANGES, APPLES AND A BASKET, Oil on canvas; signed

Lot 3: Lemuel Everett Wilmarth (1835-1918), STILL LIFE OF ORANGES, APPLES AND A BASKET, Oil on canvas; signed "L.E. Wilmarth N.A.D." verso and "Prof. L.E. Wilmarth N.A.D." in pencil to the stretcher, 10" x 14" - 25.4 x 35.6 cm.

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Description: Lemuel Everett Wilmarth (1835-1918), AmericanSTILL LIFE OF ORANGES, APPLES AND A BASKET; Oil on canvas; signed "L.E. Wilmarth N.A.D." verso and "Prof. L.E. Wilmarth N.A.D." in pencil to the stretcher10" x 14" - 25.4 x 35.6 cm.

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Indiana Gyberson (c. 1879-1928), LA CIGALE; THE CHINESE LANTERN, Pair of oils, the first title, an oil on board; signed lower right, the latter, an oil on panel; signed lower left, each signed and titled to gallery labels verso, 16

Lot 4: Indiana Gyberson (c. 1879-1928), LA CIGALE; THE CHINESE LANTERN, Pair of oils, the first title, an oil on board; signed lower right, the latter, an oil on panel; signed lower left, each signed and titled to gallery labels verso, 16" x 12" - 40.6 x

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Description: Indiana Gyberson (c. 1879-1928), AmericanLA CIGALE; THE CHINESE LANTERN; Pair of oils, the first title, an oil on board; signed lower right, the latter, an oil on panel; signed lower left, each signed and titled to gallery labels verso16" x 12" - 40.6 x 30.5 cm.Provenance: Anderson Galleries, Chicago;Private Estate, Kingston, Canada

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John Fabian Carlson (1875-1947), SUNLIT WATERS, Oil on canvas; signed lower right, titled to gallery label verso, 30

Lot 5: John Fabian Carlson (1875-1947), SUNLIT WATERS, Oil on canvas; signed lower right, titled to gallery label verso, 30" x 40" - 76.2 x 101.6 cm.

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Description: John Fabian Carlson (1875-1947), AmericanSUNLIT WATERS; Oil on canvas; signed lower right, titled to gallery label verso30" x 40" - 76.2 x 101.6 cm.Provenance: Grand Central Art Galleries, New York, No. 4159;The Estate of Margaret Hay, Ontario

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David Davidovich Burliuk (1882-1967), ARBOUR IN A GARDEN, Oil on canvasboard, signed lower right, 12

Lot 6: David Davidovich Burliuk (1882-1967), ARBOUR IN A GARDEN, Oil on canvasboard, signed lower right, 12" x 16" - 30.5 x 40.6 cm.

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Description: David Davidovich Burliuk (1882-1967), Ukrainian/AmericanARBOUR IN A GARDEN; Oil on canvasboard, signed lower right12" x 16" - 30.5 x 40.6 cm.Provenance: Private Collection, Stockholm, Sweden

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Andre Gisson (1921-2003), MARGARET, Oil on canvas; signed lower right, titled to gallery label verso, 30.5

Lot 7: Andre Gisson (1921-2003), MARGARET, Oil on canvas; signed lower right, titled to gallery label verso, 30.5" x 40" - 77.5 x 101.6 cm.

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Description: Andre Gisson (1921-2003), AmericanMARGARET; Oil on canvas; signed lower right, titled to gallery label verso30.5" x 40" - 77.5 x 101.6 cm.Provenance: Miner's Gallery Americana, California label inscribed "purchased 9-14-74";Estate Collection, Canada

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Pal Fried (1893-1976), FRANCINE (WEARING A GREEN DRESS IN THE SNOW,  NOTRE DAME), Oil on canvas; signed lower left, titled verso. Unframed., 24

Lot 8: Pal Fried (1893-1976), FRANCINE (WEARING A GREEN DRESS IN THE SNOW, NOTRE DAME), Oil on canvas; signed lower left, titled verso. Unframed., 24" x 30" - 61 x 76.2 cm.

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Description: Pal Fried (1893-1976), Hungarian/AmericanFRANCINE (WEARING A GREEN DRESS IN THE SNOW, NOTRE DAME); Oil on canvas; signed lower left, titled verso. Unframed.24" x 30" - 61 x 76.2 cm.Provenance: Arnot Gallery/Herbert Arnot Inc., New York purchased on April 8, 1957;Sold to Walter Klinkhoff (Gallery), Montreal on September 16, 1957

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Anne Estelle Rice (1879-1959), BEACH BRITTANY, Oil on panel; signed lower left, signed and titled on the remains of the artist's label verso, titled to gallery label verso. Unframed., 14.25

Lot 9: Anne Estelle Rice (1879-1959), BEACH BRITTANY, Oil on panel; signed lower left, signed and titled on the remains of the artist's label verso, titled to gallery label verso. Unframed., 14.25" x 17.25" - 36.2 x 43.8 cm.

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Description: Anne Estelle Rice (1879-1959), AmericanBEACH BRITTANY; Oil on panel; signed lower left, signed and titled on the remains of the artist's label verso, titled to gallery label verso. Unframed.14.25" x 17.25" - 36.2 x 43.8 cm.Provenance: Alex Reid & Lefevre, Ltd. (The Lefevre Galleries), London;Private Collection, England, received as a gift in the 1930's;By descent to the present Private Collection, Red Deer, AlbertaNote: Born in 1877 in Conshohocken near Philadelphia, Anne Estelle Rice studied at the School of Industrial Art of the Pennsylvania Museum and continued her training at the Pennsylvania Academy of the Fine Arts under the direction of renowned American artists Charles Grafly, William Merritt Chase and Thomas Anshutz. She contributed illustrations for Collier's, Harper's and the Saturday Evening Post and was commissioned to develop seven historical murals for the Wannamaker store in Philadelphia in 1909. Rice was one of the chief illustrators for the British periodical Rhythm, from 1911-1913. Upon traveling to Europe in 1905, Rice met the Scottish painter John Fergusson who was a mentor and who influenced her subsequent Post Impressionist and Fauvist style, including a vivid and colourful palette, for which she would become known and is represented in the colouring of this work. Her 1910 painting "The Egyptian Dancers" exemplified her use of the Fauvist style; upon its exhibition the American press acclaimed Rice as the leader of a new school of art. From the 1920s, Rice painted still lifes, exhibiting at the Leicester Galleries and the Wildenstein Gallery in England.

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Paul Jenkins (1923-2012), PHENOMENA JOYOUS BEGATS, Watercolour on paper; signed lower right, Sheet 43.5

Lot 10: Paul Jenkins (1923-2012), PHENOMENA JOYOUS BEGATS, Watercolour on paper; signed lower right, Sheet 43.5" x 31" - 110.5 x 78.7 cm.

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Description: Paul Jenkins (1923-2012), AmericanPHENOMENA JOYOUS BEGATS; Watercolour on paper; signed lower rightSheet 43.5" x 31" - 110.5 x 78.7 cm.Provenance: Elaine Horwich Gallery, Scottsdale Arizona, circa 1980 from whom purchased by the present Private Collection, New Mexico

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Richard Tuttle (1941- ), LETTER AND ENVELOPE FROM A COLLECTION OF LETTERS SENT TO A FRIEND, Three page pen and ink upper and lower case calligraphic hand printed letter, dated

Lot 11: Richard Tuttle (1941- ), LETTER AND ENVELOPE FROM A COLLECTION OF LETTERS SENT TO A FRIEND, Three page pen and ink upper and lower case calligraphic hand printed letter, dated "April 6" including a reference to the death of Martin Luther King Jr.,

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Description: Richard Tuttle (1941- ), AmericanLETTER AND ENVELOPE FROM A COLLECTION OF LETTERS SENT TO A FRIEND; Three page pen and ink upper and lower case calligraphic hand printed letter, dated "April 6" including a reference to the death of Martin Luther King Jr., with a hand-made gold paper envelope with masking tape, postmarked "April 1968" (smudged) with ten one cent US stamps depicting Andrew Jackson, the envelope, addressed to "Mrs. Betty Bishop" at "43 Thorncliffe Pk Drive, Toronto", signed "Tuttle" with his return address: "734 11th Ave./NYC, USA, 1009" on the verso (*please see website to view full letter)Letter 12.5" x 8.25" - 31.8 x 21 cm.; 4.5" x 9.5" - 11.4 x 24.1 cm.Provenance: Sent to Mrs. Betty Bishop, residing at 43 Thorncliffe Pk. Dr., Apt. 1017, Toronto in April, 1968 from the artist, New YorkNote: The artist and Betty Bishop corresponded with each other for 20 years beginning in the 1960's. This and the following lots, lot 12, lot 13 and lot 14 are the embellished handmade envelopes, or in some cases, the embellished commercial envelopes, he sent to his friend, Betty Bishop, in Toronto, in the late 1960's and 1970's. It is interesting to note, Betty Bishop's address changed frequently but Tuttle's remained primarily the same at 734 11th Avenue, New York. Calligraphy, poetry, language, books and printed matter were primary influences and subjects of Tuttle's work since the beginning of his career in the 1960's. He calls his three- dimensional works "drawings" rather than sculpture and emphasized the small scale rather than the conventional large scale of Modern sculptural practice. Instead of steel, marble and bronze, Tuttle created small playful objects in materials such as paper, rope, string, cloth, wire, cardboard, nails and styrofoam. A similar work by Tuttle, utilizing letters of the alphabet, is the subject of "Letters (The Twenty-Six Series)", currently held in the collection of MOMA (273.2002.a-z). This small galvanized sculpture was executed in 26 parts, each part a letter of the alphabet, measuring 6" x 9" x 5/8", dates from the same early period, 1966, as this lot. In another example, Tuttle drew his name "Richard Tuttle" in pen and ink and with hand lettering printed:"Not having an idea for a drawing, I made a drawing of my name".

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Richard Tuttle (1941- ), TWO ENVELOPES, Two standard white envelopes, one postmarked

Lot 12: Richard Tuttle (1941- ), TWO ENVELOPES, Two standard white envelopes, one postmarked "29 April 1971 New York, N.Y." with ink drawing of 5 bricks, an ink drawing of an American flag on stand over the postage stamp, and a stylized ampersand lower

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Description: Richard Tuttle (1941- ), AmericanTWO ENVELOPES; Two standard white envelopes, one postmarked "29 April 1971 New York, N.Y." with ink drawing of 5 bricks, an ink drawing of an American flag on stand over the postage stamp, and a stylized ampersand lower right; signed in black marker with the artist's return address: "Richard Tuttle / 734 11th Avenue / NYC, N.Y. 10019 USA" on the reverse; the other postmarked "Feb. 10, 1965 Toronto, Ontario" with address of Richard Tuttle crossed out and stamped "Unknown", inscribed in Tuttle's hand: "This is a present"; the verso with pink and yellow painted design.Each 3.5" x 6.5" - 8.9 x 16.5 cm.Provenance: The first sent to Mrs. Betty Bishop residing at 938 Bathurst Street, Toronto on 29 April 1971;The second, sent from B. Bishop residing at 1701A Bayview Ave., Toronto in February, 1963

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Richard Tuttle (1941- ), TWO ENVELOPES, The first, a standard white envelope postmarked indistinctly

Lot 13: Richard Tuttle (1941- ), TWO ENVELOPES, The first, a standard white envelope postmarked indistinctly "Jan. 1985," addressed to "Ms. Betty Bishop/110 The Esplanade #904/Toronto, Ontario/Canada", signed with the return address "Tuttle 1022 Mt.

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Description: Richard Tuttle (1941- ), AmericanTWO ENVELOPES; The first, a standard white envelope postmarked indistinctly "Jan. 1985," addressed to "Ms. Betty Bishop/110 The Esplanade #904/Toronto, Ontario/Canada", signed with the return address "Tuttle 1022 Mt. Rd./Santa Fe/NM" with green and red watercolour candy cane stripes to the left edge (water damaged) and enclosing a hand made japon paper star, the second, a handmade white paper envelope with masking tape at the back, postmarked "9 Dec 1967" with calligraphic lettered address: "Mrs. Betty Bishop/43 Thorncliffe Pk. Dr./ Toronto 17, Ontario/Canada" and with "Tuttle 734 11th Ave/NYC/USA" in large pen and ink calligraphic lettering verso4.75" x 8" - 12.1 x 20.3 cm.; 4.75" x 6.5" - 12.1 x 16.5 cm.Provenance: The first sent to Ms. Betty Bishop, at 110 Esplanade, Toronto from Tuttle in New Mexico; the second, to Mrs. Betty Bishop at 43 Thorncliffe Pk. Dr./Toronto from the artist in New York

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Richard Tuttle (1941- ), THREE ENVELOPES, The first, a standard blue envelope collaged with a colour print taken from a magazine:

Lot 14: Richard Tuttle (1941- ), THREE ENVELOPES, The first, a standard blue envelope collaged with a colour print taken from a magazine: "VOTE NOV. 7" adhered with masking tape to the front, postmarked "Nov 1967, New York, N.Y." and stamped "Please Do Not

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Description: Richard Tuttle (1941- ), AmericanTHREE ENVELOPES; The first, a standard blue envelope collaged with a colour print taken from a magazine: "VOTE NOV. 7" adhered with masking tape to the front, postmarked "Nov 1967, New York, N.Y." and stamped "Please Do Not Fold", addressed to "Mrs. Betty Bishop" at "43 Thorncliffe Pk. Drive, Toronto 17, Ontario, Canada"; the verso with Tuttle's name and address in blue ink, with pen and ink doodle phone numbers for Betty B. and Chief Hector verso, the second standard legal size white envelope, with pen and ink address to Mrs. Betty Bishop at "432 Markham Street, Toronto 4, Ontario, Canada" postmarked "6 Jun, 1972, New York, N.Y." with blue ink doodle of a knotted line issuing at the stamp, the third, a handmade japon paper envelope postmarked "Nov 1968" to "Mrs. Betty Bishop" residing at "66 Belmont St., Toronto", with masking tape at the verso signed in blue ink "Tuttle / 734 11th Ave / NYC" verso3.5" x 7.5" - 8.9 x 19.1 cm.; 4" x 9.25" - 10.2 x 23.5 cm.; 3.5" x 6.25" - 8.9 x 15.9 cm.Provenance: Sent to Mrs. Betty Bishop, Toronto in 1967, 1968 and 1972 at various addresses: 43 Thorncliffe Pk. Drive; 432 Markham Street, and 66 Belmont St., Toronto from the artist

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Gustav Majer (1847-1900), NOTARY AT WORK, Oil on canvas; signed and dated 1879 at

Lot 15: Gustav Majer (1847-1900), NOTARY AT WORK, Oil on canvas; signed and dated 1879 at "Munchen" upper left, 14" x 20.75" - 35.6 x 52.7 cm.

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Description: Gustav Majer (1847-1900), AustrianNOTARY AT WORK; Oil on canvas; signed and dated 1879 at "Munchen" upper left14" x 20.75" - 35.6 x 52.7 cm.Provenance: The Cooling Galleries, London and Toronto

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Carl Fahringer (1874-1952), PARROTS ON A BRANCH, Oil on gray board; signed with initials in pencil lower right; signed and numbered

Lot 16: Carl Fahringer (1874-1952), PARROTS ON A BRANCH, Oil on gray board; signed with initials in pencil lower right; signed and numbered "Nr. 103" in pencil verso, 8.5" x 12" - 21.6 x 30.5 cm.

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Description: Carl Fahringer (1874-1952), AustrianPARROTS ON A BRANCH; Oil on gray board; signed with initials in pencil lower right; signed and numbered "Nr. 103" in pencil verso8.5" x 12" - 21.6 x 30.5 cm.

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Louis Charles Verboeckhoven (1802-1889), FISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT, Oil on canvas; signed lower left, 14.75

Lot 17: Louis Charles Verboeckhoven (1802-1889), FISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT, Oil on canvas; signed lower left, 14.75" x 22" - 37.5 x 55.9 cm.

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Description: Louis Charles Verboeckhoven (1802-1889), BelgianFISHING BOATS, BARGES AND OTHER CRAFT COMING AND GOING FROM A PORT; Oil on canvas; signed lower left14.75" x 22" - 37.5 x 55.9 cm.

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Thomas Sidney Cooper (1803-1902), SHEEP AND CATTLE BY A TIDAL FLAT, Oil on canvas; signed and dated 1837 lower left, 18

Lot 18: Thomas Sidney Cooper (1803-1902), SHEEP AND CATTLE BY A TIDAL FLAT, Oil on canvas; signed and dated 1837 lower left, 18" x 24" - 45.7 x 61 cm.

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Description: Thomas Sidney Cooper (1803-1902), BritishSHEEP AND CATTLE BY A TIDAL FLAT; Oil on canvas; signed and dated 1837 lower left18" x 24" - 45.7 x 61 cm.Provenance: Estate of Edward Albert Manning (1903-1978), Ontario

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Franz van Severdonck (1809-1889), SHEEP AND DUCKS AT REST; SHEEP AND CHICKENS AT REST, Pair of oils on panel; each signed and dated 1868; the first signed and dated bottom center, the later signed and dated lower left, each certified by the artist

Lot 19: Franz van Severdonck (1809-1889), SHEEP AND DUCKS AT REST; SHEEP AND CHICKENS AT REST, Pair of oils on panel; each signed and dated 1868; the first signed and dated bottom center, the later signed and dated lower left, each certified by the artist

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Description: Franz van Severdonck (1809-1889), BelgianSHEEP AND DUCKS AT REST; SHEEP AND CHICKENS AT REST; Pair of oils on panel; each signed and dated 1868; the first signed and dated bottom center, the later signed and dated lower left, each certified by the artist versoEach 7" x 9.5" - 17.8 x 24.1 cm.Provenance: The Cooling Galleries Limited, London and Toronto;Estate of Edward Albert Manning (1903-1978), Ontario

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Eugene Verboeckhoven (1799-1881), MIDDAY REST, Oil on panel; signed and dated 1868 lower left; signed and certified by the artist at

Lot 20: Eugene Verboeckhoven (1799-1881), MIDDAY REST, Oil on panel; signed and dated 1868 lower left; signed and certified by the artist at "Bruxelles" in 1868 verso, 7" x 10.25" - 17.8 x 26 cm.

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Description: Eugene Verboeckhoven (1799-1881), BelgianMIDDAY REST; Oil on panel; signed and dated 1868 lower left; signed and certified by the artist at "Bruxelles" in 1868 verso7" x 10.25" - 17.8 x 26 cm.Provenance: The Cooling Galleries Limited, London and Toronto;Estate of Edward Albert Manning (1903-1978), Ontario

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Eugene Verboeckhoven (1799-1881), THE TWINS, Oil on canvas; signed and dated 1856 lower right, an adjoined initial monogram

Lot 21: Eugene Verboeckhoven (1799-1881), THE TWINS, Oil on canvas; signed and dated 1856 lower right, an adjoined initial monogram "JC" ? beside the date, 26" x 22" - 66 x 55.9 cm.

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Description: Eugene Verboeckhoven (1799-1881), BelgianTHE TWINS; Oil on canvas; signed and dated 1856 lower right, an adjoined initial monogram "JC" ? beside the date26" x 22" - 66 x 55.9 cm.Provenance: Lord Armstrong Collection, purchased at Christie's inscribed to the Henry J. Muller, James Street, Harrogate, gallery label verso;The Cooling Galleries, London and Toronto;Estate of Edward Albert Manning (1903-1978), Ontario

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Margaret Dovaston (1884-1955), START FOR THE COMPETITION, Oil on canvas; signed lower left, 18.25

Lot 22: Margaret Dovaston (1884-1955), START FOR THE COMPETITION, Oil on canvas; signed lower left, 18.25" x 24" - 46.4 x 61 cm.

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Description: Margaret Dovaston (1884-1955), BritishSTART FOR THE COMPETITION; Oil on canvas; signed lower left18.25" x 24" - 46.4 x 61 cm.Provenance: Estate collection by descent

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George Augustus Holmes (1822-1911), SPANIEL PUPPY IN A BARN, Oil on canvas; signed lower left, 14

Lot 23: George Augustus Holmes (1822-1911), SPANIEL PUPPY IN A BARN, Oil on canvas; signed lower left, 14" x 18" - 35.6 x 45.7 cm.

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Description: George Augustus Holmes (1822-1911), BritishSPANIEL PUPPY IN A BARN; Oil on canvas; signed lower left14" x 18" - 35.6 x 45.7 cm.

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Leghe Suthers (1855-1924), DINNER TIME, Oil on canvas; signed lower left, signed and titled from the artist's studio at

Lot 24: Leghe Suthers (1855-1924), DINNER TIME, Oil on canvas; signed lower left, signed and titled from the artist's studio at "The Cottage, Porlock, Somerset" to artist's label to the stretcher, 29.75" x 38" - 75.6 x 96.5 cm.

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Description: Leghe Suthers (1855-1924), BritishDINNER TIME; Oil on canvas; signed lower left, signed and titled from the artist's studio at "The Cottage, Porlock, Somerset" to artist's label to the stretcher29.75" x 38" - 75.6 x 96.5 cm.Provenance: The Estate of S.E. O'Brien, Canada;By descentExhibited: The Royal Academy, 1900, Cat. No. 983

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Alex de Andreis (1880-1929), CAVALIERS IN CONVERSATION, Oil on canvas; signed lower right, 25.75

Lot 25: Alex de Andreis (1880-1929), CAVALIERS IN CONVERSATION, Oil on canvas; signed lower right, 25.75" x 32" - 65.4 x 81.3 cm.

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Description: Alex de Andreis (1880-1929), BritishCAVALIERS IN CONVERSATION; Oil on canvas; signed lower right25.75" x 32" - 65.4 x 81.3 cm.Provenance: Frederick W. Thom Limited, Toronto

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Alfred Holst Tourrier (1836-1892), THE SOLDIERS STORY:

Lot 26: Alfred Holst Tourrier (1836-1892), THE SOLDIERS STORY: "OF MOVING ACCIDENTS BY FLOOD AND FIELD, ETC" (OTHELLO), Oil on canvas; signed with monogram lower right, 28" x 36" - 71.1 x 91.4 cm.

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Description: Alfred Holst Tourrier (1836-1892), BritishTHE SOLDIERS STORY: "OF MOVING ACCIDENTS BY FLOOD AND FIELD, ETC" (OTHELLO); Oil on canvas; signed with monogram lower right28" x 36" - 71.1 x 91.4 cm.Exhibited: The Royal Academy, 1880, Cat. No. 1078

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Charles Hunt (1803-1877), THE COURT MARTIAL, Oil on canvas; signed and dated 1872 lower left, 24

Lot 27: Charles Hunt (1803-1877), THE COURT MARTIAL, Oil on canvas; signed and dated 1872 lower left, 24" x 37" - 61 x 94 cm.

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Description: Charles Hunt (1803-1877), BritishTHE COURT MARTIAL; Oil on canvas; signed and dated 1872 lower left24" x 37" - 61 x 94 cm.Note: This work has been published as a reproduction print entitled: "A Plea for Mercy"

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William Henry Bartlett (1809-1854), YOUNG BATHERS ON THE COAST, Oil on canvas; signed lower left, 8.7

Lot 28: William Henry Bartlett (1809-1854), YOUNG BATHERS ON THE COAST, Oil on canvas; signed lower left, 8.7" x 19" - 22 x 48.3 cm.

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Description: William Henry Bartlett (1809-1854), BritishYOUNG BATHERS ON THE COAST; Oil on canvas; signed lower left8.7" x 19" - 22 x 48.3 cm.

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Charles Leslie (c.1835-1890), WELSH PASTURES, Oil on canvas; signed lower left, 24

Lot 29: Charles Leslie (c.1835-1890), WELSH PASTURES, Oil on canvas; signed lower left, 24" x 42" - 61 x 106.7 cm.

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Description: Charles Leslie (c.1835-1890), BritishWELSH PASTURES; Oil on canvas; signed lower left24" x 42" - 61 x 106.7 cm.

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Alfred Fontville de Breanski (1877-1955), IN THE ISLE OF SKYE, Oil on canvas; signed lower right, signed and titled verso, 24

Lot 30: Alfred Fontville de Breanski (1877-1955), IN THE ISLE OF SKYE, Oil on canvas; signed lower right, signed and titled verso, 24" x 36" - 61 x 91.4 cm.

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Description: Alfred Fontville de Breanski (1877-1955), BritishIN THE ISLE OF SKYE; Oil on canvas; signed lower right, signed and titled verso24" x 36" - 61 x 91.4 cm.Provenance: The Fine Art Galleries, The T. Eaton Co., Ltd., Canada remains of gallery label; From whom purchased by Thomas Beattie, Toronto;By descent to the present Private Collection, Barrie

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Benjamin Williams Leader (1831-1923), ON THE LLEDR, NORTH WALES, Oil on canvas; signed and dated 1901 lower left, 30

Lot 31: Benjamin Williams Leader (1831-1923), ON THE LLEDR, NORTH WALES, Oil on canvas; signed and dated 1901 lower left, 30" x 48" - 76.2 x 121.9 cm.

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Description: Benjamin Williams Leader (1831-1923), BritishON THE LLEDR, NORTH WALES; Oil on canvas; signed and dated 1901 lower left30" x 48" - 76.2 x 121.9 cm.Provenance: Richard Green, London; from whom purchased by a Private Collection, Canada on 9th June 1978, accompanied by a copy of the original receipt.

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William Shayer Sr. (1787-1879), FISHERMAN'S CHILDREN, Oil on panel; signed lower left, signed at

Lot 32: William Shayer Sr. (1787-1879), FISHERMAN'S CHILDREN, Oil on panel; signed lower left, signed at "Nursling, Southhampton", titled and numbered No. 11 to artist's handwritten label verso, 14" x 12" - 35.6 x 30.5 cm.

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Description: William Shayer Sr. (1787-1879), BritishFISHERMAN'S CHILDREN; Oil on panel; signed lower left, signed at "Nursling, Southhampton", titled and numbered No. 11 to artist's handwritten label verso14" x 12" - 35.6 x 30.5 cm.Provenance: Frederick W. Thom Limited, Toronto

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Joseph H. Barnes (act. 1867-1887), QUIET MOMENTS, Oil  on canvas; signed lower right, 18

Lot 33: Joseph H. Barnes (act. 1867-1887), QUIET MOMENTS, Oil on canvas; signed lower right, 18" x 14" - 45.7 x 35.6 cm.

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Description: Joseph H. Barnes (act. 1867-1887), BritishQUIET MOMENTS; Oil on canvas; signed lower right18" x 14" - 45.7 x 35.6 cm.

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Robert Taylor Pritchett (1823-1907), THE BEACH OF SCHEVENINGEN, Watercolour and pencil on watercolour board; signed lower right, signed with monogram  at

Lot 34: Robert Taylor Pritchett (1823-1907), THE BEACH OF SCHEVENINGEN, Watercolour and pencil on watercolour board; signed lower right, signed with monogram at "Scheveningen" lower left, Sheet 13.75" x 28.5" - 34.9 x 72.4 cm.

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Description: Robert Taylor Pritchett (1823-1907), BritishTHE BEACH OF SCHEVENINGEN; Watercolour and pencil on watercolour board; signed lower right, signed with monogram at "Scheveningen" lower leftSheet 13.75" x 28.5" - 34.9 x 72.4 cm.

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William Shayer Sr. (1787-1879), SOUTHHAMPTON COAST, Oil on canvas; signed lower left, 16

Lot 35: William Shayer Sr. (1787-1879), SOUTHHAMPTON COAST, Oil on canvas; signed lower left, 16" x 24" - 40.6 x 61 cm.

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Description: William Shayer Sr. (1787-1879), BritishSOUTHHAMPTON COAST; Oil on canvas; signed lower left16" x 24" - 40.6 x 61 cm.Provenance: "Cooling" (Gallery, London and Toronto) inscribed in red crayon to the stretcher;From whom purchased by the present Private Collection, North Carolina

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Bernard Finegan Gribble (1873-1962), AN ENGLISH MAN-OF-WAR, Oil on canvas; signed lower left, 20.5

Lot 36: Bernard Finegan Gribble (1873-1962), AN ENGLISH MAN-OF-WAR, Oil on canvas; signed lower left, 20.5" x 30.5" - 52.1 x 77.5 cm.

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Description: Bernard Finegan Gribble (1873-1962), BritishAN ENGLISH MAN-OF-WAR; Oil on canvas; signed lower left20.5" x 30.5" - 52.1 x 77.5 cm.Provenance: Purchased directly from the artist;Leslie W. Lewis, London from The Cunningham Galleries, Hamilton, Ontario, on the accompanying invoice dated October 9th, 1940;The Estate of S.E. O'Brien, Canada;By descent

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Thomas Creswick (1811-1869), TRAVELLERS IN AN EXTENSIVE LANDSCAPE WITH BRIDGE AND CITY VIEW IN THE DISTANCE, Oil on canvas; signed and dated 1840 bottom center, 30

Lot 37: Thomas Creswick (1811-1869), TRAVELLERS IN AN EXTENSIVE LANDSCAPE WITH BRIDGE AND CITY VIEW IN THE DISTANCE, Oil on canvas; signed and dated 1840 bottom center, 30" x 41.5" - 76.2 x 105.4 cm.

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Description: Thomas Creswick (1811-1869), BritishTRAVELLERS IN AN EXTENSIVE LANDSCAPE WITH BRIDGE AND CITY VIEW IN THE DISTANCE; Oil on canvas; signed and dated 1840 bottom center30" x 41.5" - 76.2 x 105.4 cm.

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Adam Barland (active c. 1843-1863), DOLGELLY, NORTH WALES, Oil on canvas; signed lower left, titled to gallery labels verso, 34.5

Lot 38: Adam Barland (active c. 1843-1863), DOLGELLY, NORTH WALES, Oil on canvas; signed lower left, titled to gallery labels verso, 34.5" x 50" - 87.6 x 127 cm.

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Description: Adam Barland (active c. 1843-1863), BritishDOLGELLY, NORTH WALES; Oil on canvas; signed lower left, titled to gallery labels verso34.5" x 50" - 87.6 x 127 cm.Provenance: Frost & Reed, London;Roberts Gallery, Toronto

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John Clayton Adams (1840-1906), THE HEATH OF SURREY, Oil on canvas; signed and dated 1878 lower left, 40.5

Lot 39: John Clayton Adams (1840-1906), THE HEATH OF SURREY, Oil on canvas; signed and dated 1878 lower left, 40.5" x 50.5" - 102.9 x 128.3 cm.

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Description: John Clayton Adams (1840-1906), BritishTHE HEATH OF SURREY; Oil on canvas; signed and dated 1878 lower left40.5" x 50.5" - 102.9 x 128.3 cm.Provenance: The Estate of Bernice Mukamal, Toronto

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William Shayer Sr. (1787-1879), IN THE NEW FOREST, Oil on canvas; signed and dated 1840 lower left, 30

Lot 40: William Shayer Sr. (1787-1879), IN THE NEW FOREST, Oil on canvas; signed and dated 1840 lower left, 30" x 25" - 76.2 x 63.5 cm.

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Description: William Shayer Sr. (1787-1879), BritishIN THE NEW FOREST; Oil on canvas; signed and dated 1840 lower left30" x 25" - 76.2 x 63.5 cm.Provenance: Arthur Ackermann & Sons, London;The Cooling Galleries, London;John Noott Fine Paintings and Works of Art, Worcestershire, England from whom purchased by the present Private Collection, North Carolina in December 2000;With Durrett Studio & Gallery, Marietta, GAPrivate Collection, North Carolina

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Joseph Severn (1793-1872), THE VINTAGE (ALSO KNOWN AS THE VINTAGE AT GENSANO IN ITALY), 1824-1825, Oil on canvas; titled

Lot 41: Joseph Severn (1793-1872), THE VINTAGE (ALSO KNOWN AS THE VINTAGE AT GENSANO IN ITALY), 1824-1825, Oil on canvas; titled "An Italian Vintage" with the Duke of Bedford inventory No. "424" to the nameplate, 49" x 40" - 124.5 x 101.6 cm.

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Description: Joseph Severn (1793-1872), BritishTHE VINTAGE (ALSO KNOWN AS THE VINTAGE AT GENSANO IN ITALY), 1824-1825; Oil on canvas; titled "An Italian Vintage" with the Duke of Bedford inventory No. "424" to the nameplate49" x 40" - 124.5 x 101.6 cm.Provenance: The Duke of Bedford, Woburn Abbey, No. 424;Sold at Christie's, London on 19 January 1951, lot 203;Purchased by Vladimir and Johanna Vanjecek, Bosch en Duin, the Netherlands in an antique shop in London, England, circa 1974-75;By descent through the family to the present Private Collection, CanadaExhibited: The Royal Academy as "The Vintage at Gensano in Italy" in 1827, No. 273Literature: Edited by Grant F. Scott, "Joseph Severn: Letters and Memoirs", 2005, Cornwall, pages 18,19, 67, 68 and 273;"The Vintage" is recorded at Woburn Abbey by George Scharf in his "Catalogue of the Collection of Pictures at Woburn Abbey", 1877Note: In Scott's "Joseph Severn Letters and Memoirs", it is stated that Severn was commissioned by the Duke of Bedford to paint this work in 1825, however in 1824, Severn mentions sketches for "The Vintage", a painting that took a year to complete. The work was purchased in 1827 by Lord William Russell, the brother of the Duke of Bedford. Severn was intent on creating a work different from his classical studies: "I determined that I would paint a Vintage composition, an upright picture with vines growing up an Elm---the men in the tree filling up baskets and lowering them down to the women who catch any falling grapes in their aprons". During the production of this painting, Severn took a creative leap and decided against the use of models. He convinced peasant women from Ariccia and Gensano (towns outside of Rome) to pose for him, so he would be able to portray the "unaffected simplicity" he was yearning for. This simplicity was derived from his desire to "find that elevated and abstract beauty of the antique sculpture in the living people". The candor and purity of the women pictured is paired with a complex and detailed background and a multitude of figures, sixteen in total.After its completion "The Vintage" was sold for 150 GBP and brought to England where it was hung in exhibition at the Royal Academy, the mastery of "The Vintage" was recognized by fellow painters Sir Thomas Lawrence, George Hayter and Augustus Calcott. "The Vintage" greatly increased Severn's popularity as a painter of Italian scenes and in general; so much so he was forced to turn down commissions. The success of "The Vintage" led Severn to exhibit eleven more paintings at the Royal Academy between 1827 and 1834. After the exhibition, "The Vintage" was brought to Woburn Abbey where it was hung among other works by distinguished contemporaries in the Duke of Bedford's collection. After its sale at Christie's in 1951, it's whereabouts were unknown, until now.

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Richard Hilder (1813-1852), CHILDREN CROSSING A STREAM, Oil on canvas; signed lower left, 20.5

Lot 42: Richard Hilder (1813-1852), CHILDREN CROSSING A STREAM, Oil on canvas; signed lower left, 20.5" x 16" - 52.1 x 40.6 cm.

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Description: Richard Hilder (1813-1852), BritishCHILDREN CROSSING A STREAM; Oil on canvas; signed lower left20.5" x 16" - 52.1 x 40.6 cm.Provenance: The T. Eaton Co., Limited, The Fine Art Galleries, Canada

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William Shayer Sr. (1787-1879), GYPSY ENCAMPMENT, Oil on canvas; signed lower left, 20

Lot 43: William Shayer Sr. (1787-1879), GYPSY ENCAMPMENT, Oil on canvas; signed lower left, 20" x 24" - 50.8 x 61 cm.

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Description: William Shayer Sr. (1787-1879), BritishGYPSY ENCAMPMENT; Oil on canvas; signed lower left20" x 24" - 50.8 x 61 cm.Provenance: P. Fyfe's, Edinburgh, December 11, 1958 inscribed to an old paper label verso;Kenneth R. Shand, Toronto, from whom purchased by the present Private Collection, North Carolina on 8 April, 2000

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Richard Hilder (1813-1852), GYPSIES WATERING COWS ALONG A COUNTRY ROAD, Oil on canvas; signed lower right, 18

Lot 44: Richard Hilder (1813-1852), GYPSIES WATERING COWS ALONG A COUNTRY ROAD, Oil on canvas; signed lower right, 18" x 24" - 45.7 x 61 cm.

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Description: Richard Hilder (1813-1852), BritishGYPSIES WATERING COWS ALONG A COUNTRY ROAD; Oil on canvas; signed lower right18" x 24" - 45.7 x 61 cm.Provenance: Frederick W. Thom Limited, Toronto

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Frederick Morgan (1856-1927), YOUNG SIBLINGS AT THE GARDEN FENCE, Watercolour; signed lower right, 23.75

Lot 45: Frederick Morgan (1856-1927), YOUNG SIBLINGS AT THE GARDEN FENCE, Watercolour; signed lower right, 23.75" x 17.25" - 60.3 x 43.8 cm.

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Description: Frederick Morgan (1856-1927), BritishYOUNG SIBLINGS AT THE GARDEN FENCE; Watercolour; signed lower right23.75" x 17.25" - 60.3 x 43.8 cm.Provenance: Kassabian Gallery, Toronto purchased by the present Private Collection, Toronto in 1966

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George Charles Haite (1855-1924), A STALL ON THE ZATTERE, VENICE, Watercolour; signed lower right, titled to an old unidentified label dated 1922 at

Lot 46: George Charles Haite (1855-1924), A STALL ON THE ZATTERE, VENICE, Watercolour; signed lower right, titled to an old unidentified label dated 1922 at "Bedford" verso, 13.75" x 23" - 34.9 x 58.4 cm.

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Description: George Charles Haite (1855-1924), BritishA STALL ON THE ZATTERE, VENICE; Watercolour; signed lower right, titled to an old unidentified label dated 1922 at "Bedford" verso13.75" x 23" - 34.9 x 58.4 cm.Provenance: Estate collection:By descent to the present Private Collection, Toronto

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Marcus Stone (1840-1921), THE LOVE LETTER, Oil on panel; signed lower left, 17

Lot 47: Marcus Stone (1840-1921), THE LOVE LETTER, Oil on panel; signed lower left, 17" x 13" - 43.2 x 33 cm.

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Description: Marcus Stone (1840-1921), BritishTHE LOVE LETTER; Oil on panel; signed lower left17" x 13" - 43.2 x 33 cm.Provenance: Ex. Coll. Vicars Brothers, London;Leslie W. Lewis, London from The Cunningham Galleries, Hamilton, Ontario, on the accompanying invoice dated October 9th, 1940;The Estate of S.E. O'Brien, Canada;By descent

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Helen Allingham (1848-1926), PICKING PRIMROSES, Watercolour on thick paper; signed lower right; titled to the backing paper remaining on the frame verso, Sheet 13

Lot 48: Helen Allingham (1848-1926), PICKING PRIMROSES, Watercolour on thick paper; signed lower right; titled to the backing paper remaining on the frame verso, Sheet 13" x 21" - 33 x 53.3 cm.

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Description: Helen Allingham (1848-1926), BritishPICKING PRIMROSES; Watercolour on thick paper; signed lower right; titled to the backing paper remaining on the frame versoSheet 13" x 21" - 33 x 53.3 cm.

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Ethelbert White (1891-1972), VIADUCT AND VILLAGE BENEATH THE HILLS, Oil on canvas; inscribed

Lot 49: Ethelbert White (1891-1972), VIADUCT AND VILLAGE BENEATH THE HILLS, Oil on canvas; inscribed "1st Early" and numbered "no. 141" verso, 21" x 25" - 53.3 x 63.5 cm.

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Description: Ethelbert White (1891-1972), BritishVIADUCT AND VILLAGE BENEATH THE HILLS; Oil on canvas; inscribed "1st Early" and numbered "no. 141" verso21" x 25" - 53.3 x 63.5 cm.Provenance: This and the following lots: lot 50 to lot 58, were acquired primarily direct from the Estate of the artist;By descent to his wife, Elizabeth Crofton Dodwell, known as Betty;By descent through Betty's family to the present Private Collection, TorontoNote: A Collection of Ethelbert White oils, watercolours and woodcuts, lots 49-58:An English painter in oil and watercolour, illustrator, wood engraver and poster designer, White was an early member of the Society of Wood Engravers and a founding member of the English Wood Engraving society in 1925. He was a regular exhibitor at the Royal Academy and the Royal Watercolour Society. White studied at the St. John's Wood Art School becoming good friends with advanced painters such as Mark Gertler and C.R.W. Nevinson. He also created wood illustrations for novels and booklets, including The Story of My Heart by Richard Jeffries in 1923, considered to be the first substantial book illustrated with modern wood engravings published in Britain. A traditional English landscape artist, his subject matter was mostly the scenery of Southern England. Frequently traveling by caravan with his wife, Betty, the couple became noted bohemians, performing folk songs at parties and attending numerous social events such as the Chelsea Arts Ball.

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Ethelbert White (1891-1972), THE TERMINUS POINT, Watercolour and ink; signed lower left, Sight 11.5

Lot 50: Ethelbert White (1891-1972), THE TERMINUS POINT, Watercolour and ink; signed lower left, Sight 11.5" x 14" - 29.2 x 35.6 cm.

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Description: Ethelbert White (1891-1972), BritishTHE TERMINUS POINT; Watercolour and ink; signed lower leftSight 11.5" x 14" - 29.2 x 35.6 cm.Provenance: Same as previous lot 49

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