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Asian Art - Session 3

by Lempertz

Platinum House

502 lots | 464 with images

June 8, 2013

Live Auction

Neumarkt 3

Cologne, 50667 Germany

Phone: +49 221 92 572917

Fax: +49 221 92 57296

Email: info@lempertz.com

502 Lots
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Nishikawa Sukenobu (1671-1751), attributed

Lot 551: Nishikawa Sukenobu (1671-1751), attributed

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Description: A group of five single page and two double page black and white illustrations, some with hand colouration from various books. Virtuous scenes and scenes around a tea house. All unsigned. (7) Mostly good impressions, partly hand coloured, traces of usage, small restorations, mounted at upper corners partly with scotch tape, one double page loose.

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Nishikawa Sukenobu (1671-1751), attributed

Lot 552: Nishikawa Sukenobu (1671-1751), attributed

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Description: Chûban. Tan-e. Young woman with snow ball. Unsigned. Very good impression, strongly rubbed, lower left corner renewed, backed, mounted at upper corners.

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Nishikawa Sukenobu (1671-1750), attributed

Lot 553: Nishikawa Sukenobu (1671-1750), attributed

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Description: a) Double page black and white book illustration. Reclining woman. 27.2 x 32.9 cm. b) Double page black and white book illustration. Travellers. 20.5 x 28.1 cm. (2) Very good impressions, traces of usage, b) laid down at upper margin.

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Unidentified artists of the 17th/18th century

Lot 554: Unidentified artists of the 17th/18th century

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Description: Two unsigned prints. a) Sumizuri-e, hand coloured. Man (actor) with sword. 21.6 x 15.3 cm. b) Partly hand coloured. Courtesan and maid. 23 x 19,1 cm. (2) a) Good impression and colours, backed worm holes, mounted, b) faded, small restorations.

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Ôoka Michinobu (act. 1720s-1740)

Lot 555: Ôoka Michinobu (act. 1720s-1740)

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Description: Group of 12 single page black and white illustrations (one page with some hand colouration), depicting plants, landscape and people. Probably from the album Oshie tekagami that was published in 1736. In addition: Tachibana Morikuni (1679-1748). The single page black and white illustration with some hand colourations, depicting deer underneath a red maple tree. Possibly from Ehon Tsuhôshi that was published in 1729. All unsigned. (12) Mostly good impressions, fair conditions with restorations, laid down with scotch tape at upper corners.

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Various masters of the 18th century

Lot 556: Various masters of the 18th century

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Description: a) Takagi Sadatake (early 18th c.). Three double page black and white illustrations from Fûryû kasen ehon wakanoura that was published in 1734 by Kawachiya Mohei and Kichimonjiya Ichibei. b) Okamura Masanobu (1686-1764). Two double page black and white illustrations from Ehon ôgura no nishiki that was published in the mid-18th century. c) Ishikawa Toyonobu (1711-1785)? One single page black and white book illustration, hand-coloured in part. Mother suckling baby. All unsigned. (6) Fair to good impressions, slightly rubbed and soiled, mounted at upper corners with scotch tape.

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Hasegawa Mitsunobu (act. circa 1720-1763)

Lot 557: Hasegawa Mitsunobu (act. circa 1720-1763)

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Description: Album. Nihon sankai meibutsu zue, 5 vols. bound together. Numerous black and white single and double page illustrations of the different occupations and industries on land and at sea. Originally published 1754 by Chigusaya Shinemon in Osaka. This copy is a later reprint by Maekawa Zenbei (Buneidô) in Osaka. Good impressions, some stains, five books in their original bindings sewn together.

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Suzuki Harunobu (1724-1770) and Isoda Koryûsai (1735-1790)

Lot 558: Suzuki Harunobu (1724-1770) and Isoda Koryûsai (1735-1790)

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Description: Hashira-e. Dressing courtesan. Text in cloud over image. Signed: Koryusai. 1770. Fair impression, black stains bleeding from verso, several horizontal creases, framed The text in the cloud indicates that the key block had been carved around the death of Harunobu and that the (design of the) colour blocks have been added by Koryûsai.

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Isoda Koryûsai (act. circa 1764-1788)

Lot 559: Isoda Koryûsai (act. circa 1764-1788)

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Description: Shunga. Series: Fûryû ... jûnishi. Tiger. Couple on bedding with manji motif. Unsigned. Good impression, still good colours, binding holes.

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Isoda Koryûsai (tätig ca. 1764-1788)

Lot 560: Isoda Koryûsai (tätig ca. 1764-1788)

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Description: Ôban. Series: Hinagata wakana no hatsu moyô. Courtesan with entourage. Signed: Koryûsai ga. Publisher: Eijudô. Good impression, browned, small backed holes, mounted at upper corners

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Torii Kiyonaga (1752-1815), attributed

Lot 561: Torii Kiyonaga (1752-1815), attributed

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Description: Chûban yoko-e. Shunga. Lovers interrupting their game of go. Unsigned. Very good impression, still good colours, traces of usage, very thin spots and tiny wormholes, partly backed.

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Katsukawa Shunshô (1726-1792)

Lot 562: Katsukawa Shunshô (1726-1792)

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Description: Three single page book illustrations. a) One page from Ehon butai ôgi that was published in 1770. Signed with seal: Rin. b) Two single page sumizuri-e illustrations of women by an unidentified artist. (3) Fair to good impressions, a) strong traces of usage, margins backed, mounted at upper corners.

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Katsukawa Shunshô (1726-1792)

Lot 563: Katsukawa Shunshô (1726-1792)

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Description: Chûban. Series: Kaiko yashinai gusa. Title: Dai-ichi. Silk worms brushed onto a tablet with a feather. Signed: Katsukawa Shunshô ga. Circa 1772. Very good impression, blind printing, colours faded, traces of usage, binding holes, backed.

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Katsukawa Shunshô (1726-1792)

Lot 564: Katsukawa Shunshô (1726-1792)

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Description: Ten chûban, single page colour illustrations from the album Nishiki hyakunin isshu Azuma ori, which was published in 1775 by Kariganeya in Edo. Ten poets with their poems. Unsigned. Good impressions, colours partly faded, slight traces of usage, traces of adhesive tape verso.

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No Image Available

Lot 565: Katsukawa Shunshô (1726-1792)

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Description: Two chûban, single page colour illustrations from the album Nishiki hyakunin isshu Azuma ori that was issued in 1775 by Kariganeya in Edo. Poets with their poems. Unsigned. (2) Good impressions, somewhat faded, few backed worm holes, slight traces of usage, mounted at upper corners with scotch tape.

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Katsukawa Shunchô (act. circa 1780-1795)

Lot 566: Katsukawa Shunchô (act. circa 1780-1795)

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Description: Ôban. Shunga. From the album Hana no ichi-oku warai. Lovers next to sewing box. Unsigned. Circa 1780. Good impression, colours slightly faded, metal pigments, traces of usage, backed, in mat

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Katsukawa Shunchô (act. circa 1780-1801)

Lot 567: Katsukawa Shunchô (act. circa 1780-1801)

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Description: Katsukawa Shunchô (act. circa 1780-1801)

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Katsukawa Shunchô (act. circa 1780-1801)

Lot 568: Katsukawa Shunchô (act. circa 1780-1801)

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Description: Aiban, yoko-e. Shunga. Lovers on the floor next to a makura. Unsigned. Good impression, colours slightly faded, centre fold, restored worming in lower margin.

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Katsukawa Shunchô (act. circa 1780-1801)

Lot 569: Katsukawa Shunchô (act. circa 1780-1801)

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Description: Ôban, possibly part of a triptych. A courtesan, two shinzo and a kamuro sitting underneath the sudare. Signed: Shunchô ga. Publisher: Tsuruya Kiemon. Good impression, colours still attractive, some traces of age and usage, margins backed.

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Suzuki Harunobu (1724-1770), Katsukawa Shun'ei (1762-1815)

Lot 570: Suzuki Harunobu (1724-1770), Katsukawa Shun'ei (1762-1815)

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Description: a) Ôban, vertical diptych. Courtesan in tiger-decorated kimono. Signed: Shun'ei ga. Seal: Shun. b) Harunobu. Hashira-e. Series: Fûzoku Mu-Tamagawa. Title: Chôfu no Tamagawa, Musashino meisho. A young woman and boy at the river. Signed: Suzuki Harunobu ga. Circa 1769-70. c) Series: Fûryû shichi Komachi. Title: Shimizu. A noble woman and her servant likened to Ono no Komachi. Signed: Suzuki Harunobu ga. Publisher: unidentified. (3) Good to very good impressions, colours somewhat faded, fair to good conditions, in mat.

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Katsukawa Shunkô (1743-1812)

Lot 571: Katsukawa Shunkô (1743-1812)

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Description: Ôban. Part of an unidentified triptych. Actors standing underneath a bamboo bush during New Year. Signed: Shunkô ga. Publisher: Toyojimaya Bunjiemon. Circa 1770s-1800. Good impression, colours faded, yellowed, restored, backed.

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Katsukawa Shunsen (1762-ca. 1830)

Lot 572: Katsukawa Shunsen (1762-ca. 1830)

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Description: Ôban. Series: Fûryû mu Tamagawa. Title: Settsu. Women doing laundry. Signed: Shunsen ga. Censor: kiwame. Good impression, slightly faded, soiled, mergins rubbed, light brown stains, restoration at upper margin, mounted at upper corners.

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Kitao Shigemasa (1739-1820), attributed

Lot 573: Kitao Shigemasa (1739-1820), attributed

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Description: Four single page colour book illustrations from Ehon musha waraji that was published in 1787. Heroes from different historical episodes. In addition: One double page colour illustration from [Shashin] kachô zue. Bird on a flower. (5) Good impressions, somewhat faded, strong traces of usage, laid down at upper corners.

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Kitagawa Utamaro (1754-1806)

Lot 574: Kitagawa Utamaro (1754-1806)

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Description: Ôban, part of a triptych. New Year's celebration. Signed: Utamaro hitsu. Publisher: Izumiya Ichibei. Good impression, faded, traces of usage, backed.

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Kitagawa Utamaro (1754-1806)

Lot 575: Kitagawa Utamaro (1754-1806)

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Description: Ôban, yoko-e. Double page colour illustration from the album Ehon mushi erami that was issued in 1788 by Tsutaya Jûsaburô. Cricket and earthworm. Unsigned. Good impression, slightly faded, rubbed, soiled, restored worming, mounted at upper corners.

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Kitagawa Utamaro (1754-1806), attributed

Lot 576: Kitagawa Utamaro (1754-1806), attributed

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Description: Ôban, yoko-e. Shunga. Lovers in front of a screen with Jurôjin. Unsigned. Good impression, colours faded, crease on right side, restored wormholes, partly backed. The design of this print could be attributed to Katsukawa Shunchô.

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Kitagawa Utamaro (1754-1806), attributed

Lot 577: Kitagawa Utamaro (1754-1806), attributed

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Description: Ôban yoko-e. Shunga. Lovers with books, next to wooden a sliding door. Unsigned. Good impression, colours partly faded, traces of usage, small backed wormholes, paper partly backed.

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Kitagawa Utamaro (1754-1806)

Lot 578: Kitagawa Utamaro (1754-1806)

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Description: Album with woodblock-printed colour illustrations. Title: Seirô ehon nenjû gyôji. 2 vols., complete. Scenes of seasonal events at Yoshiwara with text by Jippensha Ikku. Vol. 1: Inside cover with title page, 2 single pages introduction, 1 page illustration and poem, 1 double page table of contents, 10 double pages colour illustrations, 23 single pages text. Vol. 2: 3 single pages introduction, 1 page illustration and poem, 9 doubles pages colour illustrations, 22 single pages text, 1 single page colophon. The album was originally published in 1804 by Kazusaya Chûsuke. Re-strike from the 20th century. Good impression and colours, rubbed and soiled, artificially browned and creased.

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Kitagawa Utamaro II (?-1831?)

Lot 579: Kitagawa Utamaro II (?-1831?)

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Description: Ôban. Two women and a girl at a dance to koto music. Signed: Utamaro hitsu. Censor: kiwame. Good impression, faded, fair condition, mounted at upper corners.

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Rekisentei Eiri (act. circa 1781-1818)

Lot 580: Rekisentei Eiri (act. circa 1781-1818)

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Description: Ôban. Series: Fûryû onna imagawa. Maid servant mirrors the hidden face of a guest in a serving tray. Unsigned. Publisher: Maruya Bunemon. 1790s. Good impression, blind printing, colours faded, traces of age and usage.

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Unidentified artist from the 18th century

Lot 581: Unidentified artist from the 18th century

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Description: Two koban, yoko-e. Kappazuri. Shunga. Man and woman; woman by herself. Unsigned. (2) Good impressions and colours, rubbed, backed. Note: The colours are applied by stencil technique. The style suggests the hand of Rekisentei Eiri (act. circa 1781-1818).

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Kawamura Bunpô (1779-1821)

Lot 582: Kawamura Bunpô (1779-1821)

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Description: 24 double page illustrations in black and white with some colouring from the album Bunpô gafu that was published in 1807. Sketches of flowers, birds, landscapes, scenes from daily life and deities. Unsigned. (24) Very good impressions, colours still good, traces of usage, laid down at corners.

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Katsushika Hokusai (1760-1849)

Lot 583: Katsushika Hokusai (1760-1849)

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Description: Ôban, yoko-e. Series: Fugaku sanjûrokkei. Title: Sôshû Enoshima. Travelers on the sandbar before Enoshima. Signed: Zen Hokusai Iitsu hitsu. Publisher: Eijûdô (Nishimuraya Yohachi). Censor: kiwame. Blue outlines. 1830-31. Good impression, colours faded, yellowed, soiled, centre fold.

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Katsushika Hokusai (1760-1849)

Lot 584: Katsushika Hokusai (1760-1849)

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Description: Group of five single and ten double pages black and white illustrations from the album Hashira Yuriwaka nozue no taka that was published in 1808 with texts by Mantei Soba. (15) Good impressions, partly strong traces of usage and restorations, mounted and laid down at upper corners.

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Katsushika Taito II (act. circa 1810-1853)

Lot 585: Katsushika Taito II (act. circa 1810-1853)

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Description: Albums. Ehon tsuzoku sankokushi, 7 vols. from many. Some black and white illustrations. 22.2 x 15.4 cm. In addition: Hokusai Manga, 1 vol. from 13; Tôkaidô, 1 vol.; group of 7 small novels illustrated by Utagawa Kunisada and Utagawa Kuniyoshi. (16) Fair to good impressions, poor to good conditions

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Katsushika Hokusai (1760-1849)

Lot 586: Katsushika Hokusai (1760-1849)

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Description: Two shikishiban. Surimono, later copies. a) Series: Genroku kasen kai awase. Title: Hanagai. Vessels and tools for ikebana. Three poems. Signed: Getchi rôjin Iitsu hitsu. b) Title: Shisei no uchi. Armour and poem. Signed: Hokusai aratame Iitsu hitsu. (2) Good impressions, blind printing, browned, small restorations, mounted at upper corners.

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Katsushika Hokusai (1760-1849) and Yanagawa Shigenobu I (1787-1832)

Lot 587: Katsushika Hokusai (1760-1849) and Yanagawa Shigenobu I (1787-1832)

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Description: Six koban from an untitled series of the 53 stations of the Tôkaidô that was published by Yorozuya Kichibei in 1804. The stations in this lot are Kanagawa, Fujisawa, Odawara, Kakegawa, Shirasuka and Narumi. Five pieces unsigned, on piece signed: Yanagawa ga. Good impressions, colours faded, browned, laid down at corners.

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Katsushika Hokusai (1760-1849) and Kôno Bairei (1844-1895)

Lot 588: Katsushika Hokusai (1760-1849) and Kôno Bairei (1844-1895)

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Description: a) Four double and two single pages with illustrations in black and gray from the album Fugaku hyakkei, a later edition. b) Two double album pages with illustrations in black and brown or red of flowers, both signed with the seal Bairei. (8) Good to very good impressions, hinges at upper corners, double pages glued together in middle

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Katsuhika Hokusai (1760-1849) and Katsushika Taito II ( act. circa 1810-1853)

Lot 589: Katsuhika Hokusai (1760-1849) and Katsushika Taito II ( act. circa 1810-1853)

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Description: Eleven single and double page book illustrations in black and white, some with slight colouring. a) Four double pages from a Chûshingura album and one double page from Fugaku hyakkei. b) Four double and two single pages from Kachô gaden, published in 1848. (11) Mostly good impressions, slight to strong traces of usage, restorations, most mounted with scotch tape at upper corners.

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Katsushika Hokusai (1760-1849) and others

Lot 590: Katsushika Hokusai (1760-1849) and others

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Description: Albums. a) Hokusai Manga, 5 vols. from various editions from the Meiji era. b) Five crepe books from series ‚Japanische Märchen' (Japanese fairy tales, comprising of Momotaro, Hanasaka Jiji, The Tongue Cut Sparrow, The Matsuyama Mirror, The Battle of the Monkey and the Crab. Published by: Hasegawa Takejirô between 1883 and 1887. In addition: Three further books by various artists, among which a book with stations of the Tôkaidô. (13) Mostly good to very good impressions, fair to very good conditions.

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Yanegawa Shigenobu (1787-1832), attributed

Lot 591: Yanegawa Shigenobu (1787-1832), attributed

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Description: Surimono. Two women. One applies make-up, the other writes a letter. Three kyôka. Unsigned. Very good impression, colours slightly faded, toned, traces of age and usage.

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Unidentified artist of the 19th century

Lot 592: Unidentified artist of the 19th century

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Description: Two double page colour book illustrations of fishes. Unsigned. (2) Good impression, colours slightly faded, traces of usage, pages glued together in the middle.

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Teisai Hokuba (1771-1844)

Lot 593: Teisai Hokuba (1771-1844)

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Description: Two surimono. a) Dried cuttle-fish and plum blossom. Poem. Signed: Teisai Hokuba sha. Seal. 13.1 x 17.9 cm. b) Sweets wrapped in bamboo leaf. Poem. Signed: Teisai Hokuba sha. 13.1 x 18,1 cm. (2) Good to very good impressions, toned, traces of usage, backed.

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Teisai Hokuba (1771-1844)

Lot 594: Teisai Hokuba (1771-1844)

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Description: Two surimono. a) Series: Meihitsu joga soroe. Noble house activity: beholding painting. Poem. Signed: Hokuba ga. 13.9 x 18.5 cm. b) Kakuban. Sword on a roll of brocade. Poem. Signed: Unidentified. Circle of Hokusai. (2) Good impressions, blind printing, traces of usage, a) laid down at corners, b) gold and silver, backed, mounted at corners.

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Totoya Hokkei (1780-1850)

Lot 595: Totoya Hokkei (1780-1850)

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Description: Shikishiban. Surimono, egoyomi. Box with sweets wrapped in a cloth decorated with minogame. Long months written in the design on the box. Two poems. Signed on screen: Hokkei. Seal: Aoigaoka. Year of the boar (1827). Very good impression, gold and silver, gold oxidized, mounted at upper corners.

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No Image Available

Lot 596: Totoya Hokkei (1780-1850)

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Description: Shikishiban. Eight surimono. a) First dream of Mount Fuji. Poem. Signed: Hokkei. Second edition. b) Seven later copies. Various subjects. (8) Very good impressions, some with blind printing, fair to good conditions, mounted at upper corners.

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Totoya Hokkei (1780-1850)

Lot 597: Totoya Hokkei (1780-1850)

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Description: Two kakuban. Surimono, later copies. a) Woman and man servant at a torii. Signed: Hokkei. b) Series; Nijûshikô. Title: Môsô. Woman with bamboo shoots. Signed: Hokkei. (2) Good impressions, gold and silver, slightly faded, traces of usage, mounted at upper corners.

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Totoya Hokkei (1780-1850) and Kubo Shunman (1757-1820)

Lot 598: Totoya Hokkei (1780-1850) and Kubo Shunman (1757-1820)

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Description: Two kakuban. Surimono, later copies. a) Series: Sanjûrokkin tsuzuki. Pair of Mandarin ducks. For the Shippôren poetry circle. Poems. Signed: Hokkei. b) Setting moon over rocks and waves. Poem. Signed: Shunman sei. (2) Good impressions, blind printing, slightly faded, mounted at upper corners, a) gold oxidized, backed.

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Kubo Shunman (1757-1820) and Ishikawa Kazan (act. 1810-1823)

Lot 599: Kubo Shunman (1757-1820) and Ishikawa Kazan (act. 1810-1823)

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Description: Two shikishiban. Surimono. a) Series: Asakusagawa Tsurezuregusa. Cherry blossoms and pine cones. Poem. Signed: Shunman sei. b) Tabakoire, netsuke and white magnolia. Poems. Signed: Kazan ga. (2) Good to fine impressions, blind printing, rubbed, traces of usage, small restorations, b) gold (oxidized), laid down at upper corners.

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Yashima Gakutei (1786?-1868)

Lot 600: Yashima Gakutei (1786?-1868)

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Description: Two shikishiban. Surimono. a) Series: Keisei mitate ressenden, shichiban no uchi. Courtesan as Tôbôsaku. Poem. Signed: Tôto Gakutei. Seal: Sadaoka. Circa 1824. b) Tiger and dragon. The Daoist immortal Taishin'o fujin playing a zither in the company of a dragon. Poem. Signed: Yashima Gakutei. Later copy. (2) Good impressions, blind printing, gold, mounted at upper corners, a) silver.

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