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Auction Description for Bloomsbury: Photographs & Photobooks
Viewing Notes:
Sunday 12th May 11am to 4pm. 13th May 9.30am to 5.30pm. 14th May 9.30am to 5.30pm. 15th May 9.30am to 5.30pm. 16th May 9.30am to 8pm. Day of sale from 9.30am.
Sale Notes:
www.bloomsburyauctions.com

Photographs & Photobooks

(300 Lots)

by Bloomsbury Auctions


300 lots with images

May 17, 2013

Live Auction

24 Maddox Street

London, W1S 1PP United Kingdom

Phone: +44 (0)207 495 9494

Fax: +44 (0)207 495 9499

Email: info@bloomsburyauctions.com

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Lots with images first
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Hugh Owen (1806-1866) Street in Bristol, 1854.

Lot 1: Hugh Owen (1806-1866) Street in Bristol, 1854.

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Description: Hugh Owen (1806-1866) Street in Bristol, 1854. Albumen print from paper negative, on original card mount, 22.4 x 17.4cm (8 7/8 x 7in)

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Frank Meadow Sutcliffe (1853-1941) Untitled,

Lot 2: Frank Meadow Sutcliffe (1853-1941) Untitled,

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Description: Frank Meadow Sutcliffe (1853-1941) Untitled, ca.1880. Albumen print, 20.1 x 15cm (8 x 6in) Literature: Bill Eglon Shaw, Frank Meadow Sutcliffe, 1974.

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Robert Macpherson (1816-1872) Theatre of

Lot 3: Robert Macpherson (1816-1872) Theatre of

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Description: Robert Macpherson (1816-1872) Theatre of Marcellus, View over Rome from the Palatine Hill and three other Roman subjects, ca.1855. Five albumen prints, on contemporary paper mounts, titled in ink below, 35.4 x 28.2cm (14 x 11 1/8in) to 40.5 x 27.5cm (16 x 10 7/8in)

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Robert Macpherson (1816-1872) Rome from Monte

Lot 4: Robert Macpherson (1816-1872) Rome from Monte

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Description: Robert Macpherson (1816-1872) Rome from Monte Pincio, Distant View of Rome, 1860s. Two albumen prints, on original mounts, numbered 233 and 169 in pencil below, Both oval images, each approximately 23.5 x 39.5cm (9 1/4 x 15 1/2in)

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Robert Macpherson (1816-1872) Tombs on the Appian

Lot 5: Robert Macpherson (1816-1872) Tombs on the Appian

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Description: Robert Macpherson (1816-1872) Tombs on the Appian Way, The Claudian Acqueduct, late 1850s. Two albumen prints, on original mounts with the photographer's blindstamps, Both oval images, each 22 x 39cm (8 3/4 x 15 3/8in)

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Robert Henry Cheney (1801-1896) Bowood, Castle

Lot 6: Robert Henry Cheney (1801-1896) Bowood, Castle

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Description: Robert Henry Cheney (1801-1896) Bowood, Castle Bromwich, Guy's Cliffe, 1850s. Three albumen prints from wax paper negatives, printed by Alfred Capel Cure (1826-1896), corner-mounted on contemporary sheets with ink titles below, 16.7 x 21.9cm (6 5/8 x 8 5/8in) to 17.5 x 22.8cm (7 x 9in)

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Bisson Frères (1814-1876, 1826-1900) Chartres

Lot 7: Bisson Frères (1814-1876, 1826-1900) Chartres

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Description: Bisson Frères (1814-1876, 1826-1900) Chartres Cathedral, 1857; Bourges Cathedral, ca.1853. Two albumen prints, photographers' signature stamp in the negative in lower right of image, 41.6 x 33.1cm (16 1/4 x 13in); 45.1 x 37.1cm (17 3/4 x 14 3/4in)

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Claude-Marie Ferrier (1811-1889) View of Transept

Lot 8: Claude-Marie Ferrier (1811-1889) View of Transept

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Description: Claude-Marie Ferrier (1811-1889) View of Transept (South) [Great Exhibition],1851. Salt print, on original printed mount, 21.2 x 15.9cm (3 3/8 x 6 3/8in)

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Charles Thurston Thompson (1816-1868) [Paris

Lot 9: Charles Thurston Thompson (1816-1868) [Paris

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Description: Charles Thurston Thompson (1816-1868) [Paris Exhibition] Clearing the Nave, 1855. Albumen print, on contemporary card mount, titled in pencil below, 23 x 28.4cm (9 1/8 x 11 1/4in)

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Augustus Kelham (active ca. 1865-1880) Landscape

Lot 10: Augustus Kelham (active ca. 1865-1880) Landscape

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Description: Augustus Kelham (active ca. 1865-1880) Landscape and Architectural Subjects, ca. 1870s. Seven albumen prints on contemporary card mounts, titled below in pencil, Each approximately 16 x 21.3cm (6 1/4 x 8 3/8in)

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Sergeant James McDonald (1822-1885) Mount Sinai

Lot 11: Sergeant James McDonald (1822-1885) Mount Sinai

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Description: Sergeant James McDonald (1822-1885) Mount Sinai from the South End of Base on Ujret El Mehd, ca. 1868. Three-part panorama, albumen prints, on original mount with printed title and credit, overall 16.5 x 56cm (6 3/8 x 22in)

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Sergeant James McDonald (1822-1885) Rea Sufsafeh

Lot 12: Sergeant James McDonald (1822-1885) Rea Sufsafeh

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Description: Sergeant James McDonald (1822-1885) Rea Sufsafeh From North Eastern Extremity of the Plain of Er Rahah, ca. 1868. Three-part panorama, albumen prints, on original mount with printed title and credit, overall, 16.5 x 61.7cm (6 1/2 x 24 1/4in)

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Maxime du Camp (1822-1894) Six Views of Baalbek,

Lot 13: Maxime du Camp (1822-1894) Six Views of Baalbek,

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Description: Maxime du Camp (1822-1894) Six Views of Baalbek, Lebanon, 1852. Six salt prints (Blanquart-Evrard process prints) on original mounts with engraved titles and credits, Each approximately 16 x 20.5cm (6 1/4 x 8 1/8in), Plate nos. 120-125 from the section on Syria

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Jean (or Juan) Laurent (1816-1886) Vista

Lot 14: Jean (or Juan) Laurent (1816-1886) Vista

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Description: Jean (or Juan) Laurent (1816-1886) Vista panoramica de la Alhambra y de Granada, ca. 1870. Four-part panorama, albumen prints, mounted on contemporary blue card, title and credit in the negative, overall 25 x 137cm (9 7/8 x 54in)

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Attributed to Vernon and Co. of Bombay. Devgadh

Lot 15: Attributed to Vernon and Co. of Bombay. Devgadh

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Description: Attributed to Vernon and Co. of Bombay. Devgadh Baria, Gujarat, ca. 1910. A collection of 22 toned gelatin silver prints, including the Royal Palace, festivities, marriage ceremonies, individual and group portraits, various sizes up to 28 x 36cm (11 x 14in)

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Adolfo Farsari Studio. Japan, an album of

Lot 16: Adolfo Farsari Studio. Japan, an album of

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Description: Adolfo Farsari Studio. Japan, an album of photographs, ca. 1890. 50 hand-coloured albumen prints, 28 landscape and architectural subjects, 22 figure studies, groups and occupations, mounted on both sides of card leaves, contemporary morocco-backed gilt lacquer covers with design of two flying storks and Mount Fuji, preserved in original cloth-covered padded box, oblong 4to. A fine album in unusually good condition. The subjects include dancing geisha (in three parts), wrestlers, a dinner party, two buddhist priests, three musicians, an elderly couple and a group of portrait studies of young women. each approximately 19 x 24 cm (7 1/2 x 9 1/2in)

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Paul Beer (1904-1979) Indians of Colombia,

Lot 17: Paul Beer (1904-1979) Indians of Colombia,

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Description: Paul Beer (1904-1979) Indians of Colombia, 1938-1940. 25 gelatin silver prints, signed and (all but one) dated in pencil at bottom right corner, captioned in Spanish below, mounted on card leaves, tissue guards, original cloth-covered boards, each 16.3 x 23.2cm (6 3/8 x 9 1/8in) Provenance: Gordon Grayson, Bogota, 1942, signature inside front cover.

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Henry Dixon (1820-1892), T.J. Dixon (1857-1943)

Lot 18: Henry Dixon (1820-1892), T.J. Dixon (1857-1943)

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Description: Henry Dixon (1820-1892), T.J. Dixon (1857-1943) and W.P Dando. London Zoo; Studies of lions, tigers and zebras, ca.1880-1885. Three carbon prints and seven albumen prints, 14 x 25.5cm (5 1/2 x 10in) to 24 x 34.5cm (9 1/2 x 13 5/8in)

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Attributed to Henry Sandland (dates unknown)

Lot 21: Attributed to Henry Sandland (dates unknown)

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Description: Attributed to Henry Sandland (dates unknown) London Zoo; Studies of lions, tigers, elephants and other animals, ca.1880. 24 albumen prints, HS monogram in the negatives, each 11 x 14cm (4 5/8 x 5 1/2in)

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Eadweard Muybridge (1830-1904) Elk Galloping,

Lot 23: Eadweard Muybridge (1830-1904) Elk Galloping,

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Description: Eadweard Muybridge (1830-1904) Elk Galloping, Plate 695, 1887. Collotype from Animal Locomotion, with printed credit, title, number and copyright on full sheet, Image 23.5 x 32cm (12 5/8 x 9 1/4in)

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Eadweard Muybridge (1830-1904) Raccoon, Plate 745,

Lot 24: Eadweard Muybridge (1830-1904) Raccoon, Plate 745,

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Description: Eadweard Muybridge (1830-1904) Raccoon, Plate 745, 1887. Collotype from Animal Locomotion, with printed credit, title, number and copyright on full sheet, Image 20 x 38cm (7 7/8 x 15in)

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Eadweard Muybridge (1830-1904) Fallow Deer; Buck

Lot 25: Eadweard Muybridge (1830-1904) Fallow Deer; Buck

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Description: Eadweard Muybridge (1830-1904) Fallow Deer; Buck and group of Does, Galloping, Plate 688, 1887. Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 13.3 x 46cm (6 1/4 x 18in)

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Eadweard Muybridge (1830-1904) Dogs; three,

Lot 26: Eadweard Muybridge (1830-1904) Dogs; three,

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Description: Eadweard Muybridge (1830-1904) Dogs; three, Tugging at a Towel, Plate 715, 1887. Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 16.8 x 43.4cm (6 5/8 x 17 1/4in)

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Eadweard Muybridge (1830-1904) Rising from Chair,

Lot 27: Eadweard Muybridge (1830-1904) Rising from Chair,

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Description: Eadweard Muybridge (1830-1904) Rising from Chair, Plate 249, 1887. Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 17.2 x 41.6cm (6 3/4 x 16 3/8in)

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Eadweard Muybridge (1830-1904) Boys Playing

Lot 28: Eadweard Muybridge (1830-1904) Boys Playing

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Description: Eadweard Muybridge (1830-1904) Boys Playing Leapfrog, Plate 168, 1887. Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 16.2 x 43.6cm (6 3/8 x 17 1/4in)

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Eadweard Muybridge (1830-1904) Turning a Crank

Lot 29: Eadweard Muybridge (1830-1904) Turning a Crank

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Description: Eadweard Muybridge (1830-1904) Turning a Crank Handle, Plate 394, 1887. Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 22.5 x 21.8cm (18 7/8 x 12 1/2in)

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Eadweard Muybridge (1830-1904) A, Walking; B,

Lot 30: Eadweard Muybridge (1830-1904) A, Walking; B,

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Description: Eadweard Muybridge (1830-1904) A, Walking; B, Ascending Step; C, Throwing Disk; D, Using Shovel; E, Using Pick; F, Using Pick, Plate 521, 1887, Collotype from Animal Locomotion, with printed credit, title, plate number and copyright on full sheet, Image 28.5 x 25.5cm (11 1/4 x 10in)

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Eadweard Muybridge (1830-1904) Animal Locomotion,

Lot 31: Eadweard Muybridge (1830-1904) Animal Locomotion,

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Description: Eadweard Muybridge (1830-1904) Animal Locomotion, An Electro-Photographic Investigation of Consecutive Phases of Animal Movements, 1887 A group of 15 collotypes, each with printed credit, title, plate number and copyright, on trimmed sheets, Each image approximately 20.6 x 35.2cm (8 1/8 x 13 3/4in). Plate numbers: 57, 71, 74, 97, 98, 117, 133, 143, 176, 213, 225, 248, 402, 408 and 471.

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Peter Henry Emerson (1856-1936) Blackshore, River

Lot 32: Peter Henry Emerson (1856-1936) Blackshore, River

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Description: Peter Henry Emerson (1856-1936) Blackshore, River Blythe, Suffolk, Plate XVI, from 'Pictures of East Anglian Life', 1888. Photogravure on contemporary wove paper, signed in the print, Image 14 x 26.9cm (5 1/2 x 10 5/8in)

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Peter Henry Emerson (1856-1936) Fencing in

Lot 33: Peter Henry Emerson (1856-1936) Fencing in

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Description: Peter Henry Emerson (1856-1936) Fencing in Suffolk, Plate XXIV, from 'Pictures of East Anglian Life', 1888. Photogravure on contemporary wove paper, signed in the print, titled in pencil in unknown hand verso, Image 15.8 x 26.8cm (6 1/4 x 10 1/2in)

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Peter Henry Emerson (1856-1936) Shocking Corn

Lot 34: Peter Henry Emerson (1856-1936) Shocking Corn

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Description: Peter Henry Emerson (1856-1936) Shocking Corn (Norfolk), Plate VIII, from 'Pictures of East Anglian Life', 1886. Photogravure on contemporary wove paper, signed in the print, accompanied by printed title page, Image 16.5 x 16.5cm (6 1/2 x 6 1/2in)

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Peter Henry Emerson (1856-1936) Brickmaking

Lot 35: Peter Henry Emerson (1856-1936) Brickmaking

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Description: Peter Henry Emerson (1856-1936) Brickmaking (Norfolk), Plate XXII, from 'Pictures of East Anglican Life', 1888. Photogravure on contemporary wove paper, signed in the print, accompanied by printed title page, Image 17.7 x 19.4cm (7 x 7 3/4in)

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Peter Henry Emerson (1856-1936) The Basket-Maker

Lot 36: Peter Henry Emerson (1856-1936) The Basket-Maker

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Description: Peter Henry Emerson (1856-1936) The Basket-Maker (Norfolk), Plate XV, from 'Pictures of East Anglian Life', 1886. Photogravure on contemporary wove paper, signed in the print, Image 14 x 26.9cm (5 1/2 x 10 5/8in)

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Peter Henry Emerson (1856-1936) Quanting the Marsh

Lot 37: Peter Henry Emerson (1856-1936) Quanting the Marsh

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Description: Peter Henry Emerson (1856-1936) Quanting the Marsh Hay, Plate XVI from 'Life and Landscape on the Norfolk Broads, 1885/6. Platinum print on contemporary mount, Image 15.5 x 23cm (6 1/8 x 9 1/8in)

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Peter Henry Emerson (1856-1936) Towing the Reed,

Lot 38: Peter Henry Emerson (1856-1936) Towing the Reed,

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Description: Peter Henry Emerson (1856-1936) Towing the Reed, Plate XXVI from 'Life and Landscape on the Norfolk Broads', 1885/6. Platinum print on contemporary mount, Image 22.2 x 27cm (8 5/8 x 10 5/8in)

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Peter Henry Emerson (1856-1936) Evening, Plate

Lot 39: Peter Henry Emerson (1856-1936) Evening, Plate

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Description: Peter Henry Emerson (1856-1936) Evening, Plate XXXIIV, from 'Life and Landscape on the Norfolk Broads', 1885/6. Platinum print on contemporary mount, titled in pencil in unknown hand on mount verso, 17 x 28.6cm (6 3/4 x 11 1/4in)

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Peter Henry Emerson (1856-1936) The Fringe of the

Lot 40: Peter Henry Emerson (1856-1936) The Fringe of the

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Description: Peter Henry Emerson (1856-1936) The Fringe of the Marsh, Plate XXIX, from 'Life and Landscape on the Norfolk Broads', 1885/6. Platinum print on contemporary mount, titled in pencil in unknown hand on mount verso, 17.5 x 28.5cm (6 7/8 x 11 1/4in)

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Edward Steichen (1879-1973) Three Pears and an

Lot 41: Edward Steichen (1879-1973) Three Pears and an

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Description: Edward Steichen (1879-1973) Three Pears and an Apple, France, ca. 1921. Photogravure, inscribed H.C (hors commerce) in the margin, 32.1 x 25.2cm (12 3/4 x 10in)

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Alvin Langdon Coburn (1882-1966) The Battery, New

Lot 42: Alvin Langdon Coburn (1882-1966) The Battery, New

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Description: Alvin Langdon Coburn (1882-1966) The Battery, New York, ca.1910. Photogravure, annotated in pencil in unknown hand verso, 15.9 x 15.3cm (6 1/4 x 6in)

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Baron Adolph de Meyer (1868-1946) The Cup, 1912.

Lot 43: Baron Adolph de Meyer (1868-1946) The Cup, 1912.

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Description: Baron Adolph de Meyer (1868-1946) The Cup, 1912. Photogravure on tissue-thin Japan paper, 21.5 x 16.5cm (8 1/4 x 6 1/2in)

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George Seeley (1880-1955) Number 347, ca.1910.

Lot 44: George Seeley (1880-1955) Number 347, ca.1910.

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Description: George Seeley (1880-1955) Number 347, ca.1910. Photogravure on tissue-thin Japan paper, 14. 3 x 17.9cm (5 5/8 x 7in) This lot also contains photogravures by Gertrude Kasebier (The Picture Book, 1905) and James Craig Annan (White Friar Monks, 1901). Literature: Camera Work, January 1910

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Edward Sheriff Curtis (1868-1952) The Vanishing

Lot 45: Edward Sheriff Curtis (1868-1952) The Vanishing

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Description: Edward Sheriff Curtis (1868-1952) The Vanishing Race, 1904. Orotone print, signature and copyright in the plate, housed in an original Curtis frame with accompanying Edward Curtis Studio label verso, 19.3 x 24.2cm (7 5/8 x 9 1/2in)

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Edward Sheriff Curtis (1868-1952) At the Old Well

Lot 46: Edward Sheriff Curtis (1868-1952) At the Old Well

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Description: Edward Sheriff Curtis (1868-1952) At the Old Well of Acoma, 1904. Orotone print, signature and copyright in the plate, housed in an original Curtis frame with accompanying Edward Curtis Studio label verso, 19 x 24.2cm (7 1/2 x 9 1/2in)

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Photographer Unknown. Kaloma, 1914. Silver bromide

Lot 47: Photographer Unknown. Kaloma, 1914. Silver bromide

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Description: Photographer Unknown. Kaloma, 1914. Silver bromide print, embossed title recto, 23.5 x 7.5cm (9 1/4 x 3in) An intriguing iconic image despite the contested identification of the subject as Josephine Earp.

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DDS. Jack Spencer (b.1951) Bicyclers, Greenville,

Lot 49: DDS. Jack Spencer (b.1951) Bicyclers, Greenville,

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Description: DDS. Jack Spencer (b.1951) Bicyclers, Greenville, MS., 1998. Gelatin silver print, signed and editioned 42/50 in pencil in the margin, signed, titled, dated and editioned 42/50 in pencil and stamped "Acquired from Catherine Edelman Gallery" verso, 45.7 x 44.9cm (18 x 17 3/4in)

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DDS. Jack Spencer (b.1951) Three Pilgrims,

Lot 50: DDS. Jack Spencer (b.1951) Three Pilgrims,

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Description: DDS. Jack Spencer (b.1951) Three Pilgrims, Atotonilco, 2000. Gelatin silver print, signed and editioned 1/40 in pencil in the margin, signed, titled, dated and editioned 1/40 in pencil and stamped "Acquired from Catherine Edelman Gallery" verso, 45.6 x 44.9cm (18 x 17 3/4in)

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DDS. Mario Giacomelli (1925-2000) Untitled,

Lot 51: DDS. Mario Giacomelli (1925-2000) Untitled,

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Description: DDS. Mario Giacomelli (1925-2000) Untitled, ca.1980. Gelatin silver print, photographer's stamp in black ink verso, 29.3 x 39.9cm (11 1/2 x 15 3/4in) Provenance: Acquired directly from the photographer by the present owner

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DDS. Mario Giacomelli (1925-2000) Untitled, from

Lot 52: DDS. Mario Giacomelli (1925-2000) Untitled, from

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Description: DDS. Mario Giacomelli (1925-2000) Untitled, from the series 'Il Canto dei Nuovi Emigranti', 1984-5. Two gelatin silver prints, photographer's stamp in black ink and series stamp in green ink verso, Both approximately 29.7 x 39.7cm (11 3/4 x 15 3/4in) Provenance: Acquired directly from the photographer by the present owner

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DDS. Mario Giacomelli (1925-2000) Untitled, from

Lot 53: DDS. Mario Giacomelli (1925-2000) Untitled, from

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Description: DDS. Mario Giacomelli (1925-2000) Untitled, from the series 'La Buona Terra', 1964-66. Gelatin silver print on Agfa paper, printed late 1970s or before, signed in black ink with photographer's stamp and series stamp verso, 30 x 39.4cm (11 7/8 x 15 1/2in) Provenance: Acquired directly from the photographer by the present owner. Literature: Alistair Crawford, Mario Giacomelli, 2001, p.212

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DDS. Jean-Philippe Charbonnier (1921-2004) Le

Lot 54: DDS. Jean-Philippe Charbonnier (1921-2004) Le

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Description: DDS. Jean-Philippe Charbonnier (1921-2004) Le Scandale des Mal-logés II, La Courneuve, 1952. Gelatin silver print, printed 2003 by Herve Hudry, signed, titled, dated, and editioned 1/50 in pencil verso, 25.7 x 33.6cm (10 x 13 1/8in) Literature: Jean-Philippe Charbonnier, Photographs, 1983, pl.68

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