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Old Masters & 19th Century Paintings, Drawings & Sculpture

by Lempertz

Platinum House

80 lots with images

November 17, 2012

Live Auction

Neumarkt 3

Cologne, 50667 Germany

Phone: +49 221 92 572917

Fax: +49 221 92 57296

Email: info@lempertz.com

80 Lots
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BALTHASAR PAUL OMMEGANCK, LANDSCAPE WITH HAY HARVEST AND ANIMALS, oil on panel (parqueted), 29.5 x 38.5 cm

Lot 1500: BALTHASAR PAUL OMMEGANCK, LANDSCAPE WITH HAY HARVEST AND ANIMALS, oil on panel (parqueted), 29.5 x 38.5 cm

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Description: BALTHASAR PAUL OMMEGANCK, LANDSCAPE WITH HAY HARVEST AND ANIMALS, oil on panel (parqueted), 29.5 x 38.5 cm

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LUDWIG EMIL GRIMM, PORTAIT OF AMALIE HASSENPFLUG, oil on canvas, 42 x 37 cm

Lot 1501: LUDWIG EMIL GRIMM, PORTAIT OF AMALIE HASSENPFLUG, oil on canvas, 42 x 37 cm

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Description: Amalie Hassenpflug (1800-1871) was the sister of Ludwig Hassenpflug. In 1822 he married Lotte Grimm, the sister of the fairy-tale collectors Jacob and Wilhelm Grimm and the painter Ludwig Emil Grimm. After his studies in München, Kassel, he set up a studio in 1817 and began work as a freelance painter, initially painting portraits of family members and friends. In his own catalogue raisonné (Bad Homburg v. d. H., Verwaltung der Staatlichen Schlösser und Gärten, Inv. Nr. 1.6.46, S. 16), he mentions for the year 1817 or 1818 ''painted in oil the likeness of Ludw. Hassenpflug, ½ figure, liefesize, as with his sisters Amalie and Marie''. This surely refers to our painting. The whereabouts of this painting was unknown up till now, and only one black and white photograph was available which showed only a detail of the painting: the edge, which showed slight differences of colour and discolouration had evidently been covered by a frame so that the signature and date from Ludwig Emil Grimm was up until now unknown. We would like to thank Dr. Vera Leuschner, Kassel for her kind help with the cataloguing.

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CARL CHRISTIAN VOGEL VON VOGELSTEIN, KING ALBERT OF SAXONIA AS CHILD, oil on canvas (relined), 130 x 97 cm

Lot 1502: CARL CHRISTIAN VOGEL VON VOGELSTEIN, KING ALBERT OF SAXONIA AS CHILD, oil on canvas (relined), 130 x 97 cm

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Description: The picture of Prince Albert of Saxe-Coburg is without doubt one of the most enchanting children's portraits of the 19th century.It depicts the prince, born in 1819, at about six years of age in a violet-blue velvet dress with pale grey fur trim over white pants. Lovingly he holds the head of his rocking horse with the left hand while in the right he holds the whip as a sign of his self-control. For centuries, horses have been an important part of princely education and iconography. In this case, it is only a wooden rocking horse, yet it conveys the standing of this child, the personal radiance of this Prince who would later become one of the most fascinating and beloved personalities of his time. As consort of Queen Victoria, he put his imprint on English politics and the infallibleness of the British constitutional monarchy, still valid today. Prince Albert is considered a progressive innovator in the social and cultural sector and a great champion of new technologies and industrial production. The great love and admiration his wife held for him is also legendary. Carl Christian Vogel von Vogelstein was called to the Dresden Academy of Arts in 1820, and in 1824 he was appointed court painter to King Frederick August I. There is a replica of this portrait, dated 1833, in the Dresden Gemäldegalerie. At that time, Prince Albert was already 14 years old. It shows the boy in the identical pose and dress, however the green brocade curtain is missing that in this portait emphasises the dignity of the small prince.

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ANTONIS OBERMAN, THE STAGE COACH IN FRONT OF THE INN, oil on canvas (relined), 54 x 74 cm

Lot 1504: ANTONIS OBERMAN, THE STAGE COACH IN FRONT OF THE INN, oil on canvas (relined), 54 x 74 cm

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Description: ANTONIS OBERMAN, THE STAGE COACH IN FRONT OF THE INN, oil on canvas (relined), 54 x 74 cm

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CARL GEORG ADOLPH HASENPFLUG, ÜBERLINGEN NEAR LAKE CONSTANCE, oil on canvas (relined), 50 x 64 cm

Lot 1505: CARL GEORG ADOLPH HASENPFLUG, ÜBERLINGEN NEAR LAKE CONSTANCE, oil on canvas (relined), 50 x 64 cm

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Description: This painting is an early work by Carl Hasenpflug. In 1824, the young artist sold his first cathedral painting to the Dresden collector Johann Gottlob Quandt. He used the proceeds to fund a trip to Brandenburg, Magdeburg, Erfurt and Southern Germany, as far as Lake Constance, where our painting may have been created. After his training with the court theatre painter Gropius, Hasenpflug began to focus on the accurate depiction of topographical scenes. This painting is a fine example from that period. It depicts the town walls and the tower of Überlingen with the ruined town gates and, to the right, the edge of Lake Constance. The creation of atmosphere was of particular interest to him. The late afternoon light produces a long, mysterious shadow in the foreground which falls over the buildings, resulting in the prevalence of a peaceful ambience in this small and early composition by Carl Hasenpflug.

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CORNELIS VAN SPAENDONCK, FRUIT STILL LIFE, oil on panel, 51.5 x 44 cm

Lot 1506: CORNELIS VAN SPAENDONCK, FRUIT STILL LIFE, oil on panel, 51.5 x 44 cm

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Description: Cornelis van Spaendonck was born in Tilburg in Holland, studied in Antwerp in Flanders, but it was in Paris that he became a successful painter of flower sill lifes. He exhibited in the salon already during the Ancien Regime, became member of the Royal Academie and was director of the porcelain manufacture in Sèvres. He carried forward the Netherlandish tradition of flower still life painting and was until the 19th century a celebrated artist. This fruit still life depicting grapes and peaches stems from his late period.

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HANNE HELLESEN, FLOWERS IN A GLASS VASE ON A MARBLE TABLE, oil on canvas (relined), 34.5 x 39 cm

Lot 1507: HANNE HELLESEN, FLOWERS IN A GLASS VASE ON A MARBLE TABLE, oil on canvas (relined), 34.5 x 39 cm

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Description: HANNE HELLESEN, FLOWERS IN A GLASS VASE ON A MARBLE TABLE, oil on canvas (relined), 34.5 x 39 cm

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CHRISTIAN JOHANN GEORG PERLBERG, PALICARS FIGHTING - SCENES FROM THE GREEK LIBERATION, oil on canvas (relined), 62 x 80 cm

Lot 1508: CHRISTIAN JOHANN GEORG PERLBERG, PALICARS FIGHTING - SCENES FROM THE GREEK LIBERATION, oil on canvas (relined), 62 x 80 cm

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Description: Christian Perlberg is one of the artists who moved to Greece when the Bavarian Prince Otto was crowned king there. The Palikaren were Greek foot soldiers who fought against the Osman Empire during the wars of independence, and later became the basis of the army of the Greek kingdom. Perlberg painted a considerable number of scenes from that war, forming a most important aspect of his artistic oeuvre.

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ANTON RADL, TREE STUDY, Pencil, mounted, 53 x 48 cm

Lot 1509: ANTON RADL, TREE STUDY, Pencil, mounted, 53 x 48 cm

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Description: ANTON RADL, TREE STUDY, Pencil, mounted, 53 x 48 cm

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ANTON RADL, TWO SETTLED HORSES AND A DOG, Pen and brown and black ink, 16.5 x 22 cm

Lot 1510: ANTON RADL, TWO SETTLED HORSES AND A DOG, Pen and brown and black ink, 16.5 x 22 cm

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Description: ANTON RADL, TWO SETTLED HORSES AND A DOG, Pen and brown and black ink, 16.5 x 22 cm

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CARL WILHELM TISCHBEIN, PORTRAIT MRS. VON STRACK, Watercolour over pencil, mounted, 16.5 x 14 cm

Lot 1511: CARL WILHELM TISCHBEIN, PORTRAIT MRS. VON STRACK, Watercolour over pencil, mounted, 16.5 x 14 cm

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Description: CARL WILHELM TISCHBEIN, PORTRAIT MRS. VON STRACK, Watercolour over pencil, mounted, 16.5 x 14 cm

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JOHAN CHRISTIAN CLAUSEN DAHL, TWO VIEWS OF DRESDEN BY MOONLIGHT, oil on card, 7 x 11.3 and 6,5 x 11.7 cm

Lot 1512: JOHAN CHRISTIAN CLAUSEN DAHL, TWO VIEWS OF DRESDEN BY MOONLIGHT, oil on card, 7 x 11.3 and 6,5 x 11.7 cm

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Description: Label verso: "Zur Erinnerung an (...) von Wasserfluten den 31. März 1845 beschädigten Dresdner Elbbrücke. Dahl". (In commemoration of the damaged Dresden river Elbe bridge on 31 March 1845) These two previously unknown oil sketches commemorate the so called "Sächsische Sintflut (Saxonian deluge)", the largest high tide of the river Elbe in the 19th century. Large parts of the inner city were flooded and floating refuse caused one of the pillars of the Augustus Bridge, the only bridge in Dresden at the time, to collapse. In terms of style and composition, the two small-scale pictures can be associated with the cityscapes Dahl painted during his second sojourn, a time when he also painted the large picture "Dresden bei Nacht (Dresden at night)", 1843, (66.7 x 101.2cm, Bang no. 972) and other small works. In December 1845 Dahl gave such a painting to his daughter, Caroline, in order to remind her of the disaster of March 31st; the painting depicts the repair of the bridge immediately after the high tide (Bang no. 1034). In the same year and in 1846, Dahl painted two further, slightly larger views of Dresden with similar motifs.

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JOHANN WILHELM SCHIRMER, ITALIAN MOUNTAIN LANDSCAPE, oil on paper, mounted on wood, 21 x 34 cm

Lot 1513: JOHANN WILHELM SCHIRMER, ITALIAN MOUNTAIN LANDSCAPE, oil on paper, mounted on wood, 21 x 34 cm

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Description: JOHANN WILHELM SCHIRMER, ITALIAN MOUNTAIN LANDSCAPE, oil on paper, mounted on wood, 21 x 34 cm

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WOUTER VERSCHUUR, LANDSCAPE WITH HORSEMAN AND SHEPHERD, oil on panel, 36.5 x 45.5 cm

Lot 1514: WOUTER VERSCHUUR, LANDSCAPE WITH HORSEMAN AND SHEPHERD, oil on panel, 36.5 x 45.5 cm

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Description: WOUTER VERSCHUUR, LANDSCAPE WITH HORSEMAN AND SHEPHERD, oil on panel, 36.5 x 45.5 cm

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CARL SPITZWEG, A WOODED COVE WITH FRESH WATER POOL, oil on canvas (relined), 71 x 92 cm

Lot 1515: CARL SPITZWEG, A WOODED COVE WITH FRESH WATER POOL, oil on canvas (relined), 71 x 92 cm

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Description: The stamp of the family estate 'Spitzweg' with a rhombus found twice on the reverse of the canvas. High wooded rock faces create a valley basin, flooded by a mountain stream running through it. In the background of the picture the stream falls into a small waterfall and runs through the valley basin down to the lower edge of the picture. This picture belongs to the large format works from the oeuvre of Spitzweg. With the free brushstrokes and a highly defined colour palette dominated by ochre, grey and green tones, the artist has produced a raw landscape without the need for figures. Wichmann dates the landscape to 1840, noting however that Spitzweg reworked the picture once more after his Paris trip in 1851 to include influences from the Barbizon School, particularly Jules Dupré. Roennefahrt marked the picture as ''one of the few great paintings (...), where the signature of the artist is made more recognisable by the study of nature''. (Roennefahrt 1958, a.a.O.) At the beginning of the 1930s, the painting belonged to the Berlin collector and art dealer couple Frieda and Moritz Scönemann. As a result of the Jewish ancestry in the family, the Reich's Chamber of Culture ordered the liquidation of the company in September 1935 whereupon the collection was auctioned at Leo Spink in Berlin. On the basis of the principles of the Washington Conference of 3.12.1998 and with the mediation of Lempertz, an amicable agreement between the heirs of the Schönemann couple, deceased 1956 and 1969 respectively, and the present owners of the painting was reached. The search for the painting through the Lost Art Internet Databank was as a result cancelled.

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BERNHARD ENDRES, THE VIRGIN WITH CHILD, oil on canvas, 70 x 56 cm

Lot 1516: BERNHARD ENDRES, THE VIRGIN WITH CHILD, oil on canvas, 70 x 56 cm

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Description: Bernhard Endres, who lived in Rome from 1838 to 1840, followed the example of Italian Renaissance painting and often copied these masterpieces. He was particularly influenced by Raffael to whom the present painting, in its harmonious composition, the fine colouring and delicate background, is deeply indebted.

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HERMANN WERNER, THE GIRL AND THE GOOSE MOTHER, oil on canvas (relined), 30 x 38.4 cm

Lot 1517: HERMANN WERNER, THE GIRL AND THE GOOSE MOTHER, oil on canvas (relined), 30 x 38.4 cm

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Description: HERMANN WERNER, THE GIRL AND THE GOOSE MOTHER, oil on canvas (relined), 30 x 38.4 cm

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LUDWIG RICHTER, attributed to, THE CHARBURNER FAMILY, Watercolour over pencil, heightened with white, 8.4 x 8.7 cm

Lot 1518: LUDWIG RICHTER, attributed to, THE CHARBURNER FAMILY, Watercolour over pencil, heightened with white, 8.4 x 8.7 cm

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Description: A design for an illustration from the later period of the artist.

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JOHANN GEORG MEYER VON BREMEN, THE FIRST SMILE, oil on canvas (relined), 38 x 30 cm

Lot 1519: JOHANN GEORG MEYER VON BREMEN, THE FIRST SMILE, oil on canvas (relined), 38 x 30 cm

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Description: JOHANN GEORG MEYER VON BREMEN, THE FIRST SMILE, oil on canvas (relined), 38 x 30 cm

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AUGUST FRIEDRICH WILHELM NOTHNAGEL, VIEW OF EBELEBEN CASTLE, Watercolour, 28 x 40 cm

Lot 1520: AUGUST FRIEDRICH WILHELM NOTHNAGEL, VIEW OF EBELEBEN CASTLE, Watercolour, 28 x 40 cm

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Description: AUGUST FRIEDRICH WILHELM NOTHNAGEL, VIEW OF EBELEBEN CASTLE, Watercolour, 28 x 40 cm

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AUGUST FRIEDRICH WILHELM NOTHNAGEL, THE HUNTING LODGE

Lot 1521: AUGUST FRIEDRICH WILHELM NOTHNAGEL, THE HUNTING LODGE "ZUM POSSEN" NEAR SONDERSHAUSEN, Watercolour, 28 x 40 cm

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Description: Nothnagel was a court painter in Berlin. The picture shows the hunting lodge "Zum Possen" of the Princes of Schwarzburg-Sonderhausen.

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ALBERT EMIL KIRCHNER, THE OLD CASTLE, STARNBERG, Watercolour over pencil, 25 x 51.3 cm

Lot 1522: ALBERT EMIL KIRCHNER, THE OLD CASTLE, STARNBERG, Watercolour over pencil, 25 x 51.3 cm

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Description: ALBERT EMIL KIRCHNER, THE OLD CASTLE, STARNBERG, Watercolour over pencil, 25 x 51.3 cm

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LOUIS-FELIX-ACHILLE DIEN, LANDSCAPE NEAR THE RIVER NILE, oil on panel, 32 x 49 cm

Lot 1523: LOUIS-FELIX-ACHILLE DIEN, LANDSCAPE NEAR THE RIVER NILE, oil on panel, 32 x 49 cm

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Description: LOUIS-FELIX-ACHILLE DIEN, LANDSCAPE NEAR THE RIVER NILE, oil on panel, 32 x 49 cm

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EDWARD LADELL, A STILL LIFE OF GRAPES, PLUMS, HAZELNUTS, A PEACH, AND A WINE GLASS ON A LEDGE, oil on canvas, 25.5 x 30.5 cm

Lot 1524: EDWARD LADELL, A STILL LIFE OF GRAPES, PLUMS, HAZELNUTS, A PEACH, AND A WINE GLASS ON A LEDGE, oil on canvas, 25.5 x 30.5 cm

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Description: EDWARD LADELL, A STILL LIFE OF GRAPES, PLUMS, HAZELNUTS, A PEACH, AND A WINE GLASS ON A LEDGE, oil on canvas, 25.5 x 30.5 cm

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SALOMON CORRODI, AT A NORTH ITALIAN LAKE, Watercolour, 42.5 x 58 cm

Lot 1525: SALOMON CORRODI, AT A NORTH ITALIAN LAKE, Watercolour, 42.5 x 58 cm

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Description: Unspoiled and fresh sheet.

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EMIL HÜNTEN, A SKIRMISH BETWEEN PRUSSIAN INFANTRY AND COSACKS IN THE BATTLE OF ZORNDORF 1758, oil on canvas, 78.5 x 110.5 cm

Lot 1526: EMIL HÜNTEN, A SKIRMISH BETWEEN PRUSSIAN INFANTRY AND COSACKS IN THE BATTLE OF ZORNDORF 1758, oil on canvas, 78.5 x 110.5 cm

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Description: Theodor Fontane elaborated on the work of Emil Hünten, one of the most important German painters of battle scenes, at the Berlin Academy Exhibition of 1862, stating that: "The scenery is painterly: a creek dividing a grain field, right and left quietly rising and dotted with red poppies everywhere, here and there becoming the stage for an unequal fight. To the left, Russian grenadiers, partly hidden by trees, to the right, tribes of Asian prairie riders in colourful costumes, bearing bows and arrows and well-filled quivers on their backs. The picture as a genre object displays much study and accuracy through which it elevates itself into a higher category of skill."

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LUDWIG HERMANN, COASTAL LANDSCAPE IN POMMERN, oil on canvas, 68,5 x 97 cm

Lot 1527: LUDWIG HERMANN, COASTAL LANDSCAPE IN POMMERN, oil on canvas, 68,5 x 97 cm

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Description: Hermann was a pupil at the Berlin Academy with G. Schadow but also studied in Paris and Italy. As a result his town and country Vedute are varied; depicting motifs from Holland, Belgium, Normandy and Venice. Our painting is an example of the coastlines at Pommern and Rügen that the Greifswald-born artist painted.

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EDUARD VON GRÜTZNER, EVCHEN CROWNING WALTER VON STOLTZING, Pencil and brown brush on paper, 27.5 x 37 cm

Lot 1528: EDUARD VON GRÜTZNER, EVCHEN CROWNING WALTER VON STOLTZING, Pencil and brown brush on paper, 27.5 x 37 cm

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Description: Vertical and horizontal folds. A faint mark to upper left corner. Browned. It is considered to be an illustration of the "Meistersinger". Most likely a sketch inspired by the first performance of Richard Wagner's opera in Munich, 1868.

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PAUL JOSEPH CONSTANTIN GABRIEL, VIEW OF A PARK WITH A STREAM, oil on canvas, mounted on wood, 31.5 x 42 cm

Lot 1529: PAUL JOSEPH CONSTANTIN GABRIEL, VIEW OF A PARK WITH A STREAM, oil on canvas, mounted on wood, 31.5 x 42 cm

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Description: PAUL JOSEPH CONSTANTIN GABRIEL, VIEW OF A PARK WITH A STREAM, oil on canvas, mounted on wood, 31.5 x 42 cm

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MARGARETHA ROOSENBOOM, HOLLYHOCK STEMS ON A STONE TABLE, Watercolour on paper, 31.5 x 53.5 cm

Lot 1530: MARGARETHA ROOSENBOOM, HOLLYHOCK STEMS ON A STONE TABLE, Watercolour on paper, 31.5 x 53.5 cm

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Description: MARGARETHA ROOSENBOOM, HOLLYHOCK STEMS ON A STONE TABLE, Watercolour on paper, 31.5 x 53.5 cm

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CARL JUNGHEIM, THE TEMPLE OF VESTA AT TIVOLI, oil on canvas, 52.5 x 49 cm

Lot 1531: CARL JUNGHEIM, THE TEMPLE OF VESTA AT TIVOLI, oil on canvas, 52.5 x 49 cm

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Description: CARL JUNGHEIM, THE TEMPLE OF VESTA AT TIVOLI, oil on canvas, 52.5 x 49 cm

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FERDINAND KNAB, THE RUINS OF TAORMINA, oil on canvas, 49 x 61.5 cm

Lot 1532: FERDINAND KNAB, THE RUINS OF TAORMINA, oil on canvas, 49 x 61.5 cm

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Description: Ferdinand Knab travelled to Italy in 1868 where he mainly studied the ruins of Roman antiquity. The present landscape, painted two years after this sojourn, reflects the influence of the trip. It captures the light and the atmosphere of Italy in its depiction of the antique ruins. Ferdinand Knab later became court painter to Ludwig II in Munich, where he had also studied at the academy and participated amongst others in the decoration of the winter garden in the Munich residence.

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WILHELM BUSCH, A WOMAN GRABBING A BOY BY THE EAR, oil on panel, 37 x 23.5 cm

Lot 1533: WILHELM BUSCH, A WOMAN GRABBING A BOY BY THE EAR, oil on panel, 37 x 23.5 cm

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Description: Ruth Brunngraber-Malottke dates the genre scene around 1880.

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LUDWIG KNAUS, TWO SKETCHES FOR PAINTINGS, Black chalk on toned paper, 30.5 x 47 cm

Lot 1534: LUDWIG KNAUS, TWO SKETCHES FOR PAINTINGS, Black chalk on toned paper, 30.5 x 47 cm

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Description: This drawing is a sketch for the paintings "Die Hexe (The Witch)" and "Das Geheimnis (The Secret)".

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OTTO BACHE, PORTRAIT OF A MAN AND A WOMAN, oil on canvas, 60.5 x 50 resp. 62 x 50 cm

Lot 1535: OTTO BACHE, PORTRAIT OF A MAN AND A WOMAN, oil on canvas, 60.5 x 50 resp. 62 x 50 cm

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Description: OTTO BACHE, PORTRAIT OF A MAN AND A WOMAN, oil on canvas, 60.5 x 50 resp. 62 x 50 cm

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ANTON SEITZ, THE SCHOOL REPORT, oil on panel, 32 x 38.5 cm

Lot 1536: ANTON SEITZ, THE SCHOOL REPORT, oil on panel, 32 x 38.5 cm

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Description: ANTON SEITZ, THE SCHOOL REPORT, oil on panel, 32 x 38.5 cm

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THOMAS COLMAN DIBDIN, ST. VULFRAN IN ABBEVILLE, Watercolour, 74 x 58 cm

Lot 1537: THOMAS COLMAN DIBDIN, ST. VULFRAN IN ABBEVILLE, Watercolour, 74 x 58 cm

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Description: THOMAS COLMAN DIBDIN, ST. VULFRAN IN ABBEVILLE, Watercolour, 74 x 58 cm

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CARL LUDWIG FAHRBACH, HILLY LANDSCAPE (oil SKETCH), oil on canvas, without stretcher, 29 x 38.5 cm

Lot 1538: CARL LUDWIG FAHRBACH, HILLY LANDSCAPE (oil SKETCH), oil on canvas, without stretcher, 29 x 38.5 cm

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Description: This work features the typical signature of Fahrbach's oil skteches. In the wet paint the artist inscribes his last name using the end of a brush or another pointed object. We are grateful to Verena Hornig, Bernau, for confirming the authenticity of the painting, which will be included in the 3rd volume of her catalogue raisoné.

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CARL LUDWIG FAHRBACH, RIVER LANDSCAPE (oil SKETCH), oil on card, 30.5 x 40 cm

Lot 1539: CARL LUDWIG FAHRBACH, RIVER LANDSCAPE (oil SKETCH), oil on card, 30.5 x 40 cm

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Description: We are grateful to Verena Hornig, Bernau, for confirming the authenticity of the painting, which will be included in the 3rd volume of her Catalogue raisoné.

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CARL HUMMEL, VILLA CARLOTTA NEAR LAKE COMO, oil on canvas, mounted on wood, 77 x 104.5 cm

Lot 1540: CARL HUMMEL, VILLA CARLOTTA NEAR LAKE COMO, oil on canvas, mounted on wood, 77 x 104.5 cm

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Description: The Villa Carlotta was built at the end of the 17th century by the noble banking family of Clerici from Milan. In 1843, Marianne of Orania-Nassau, Princess of Prussia, acquired the villa, before giving it to her daughter Charlotte of Prussia as a gift at her wedding to Georg II of Sachsen-Meiningen. Today the villa houses a museum with works by Canova and Thorvaldsen. The representative view of the Villa Carlotta was painted by Carl Hummel in 1874, commissioned by the great-grandfather of the present owner who travelled to Lake Como on his honeymoon and gave the painting as a gift to his wife. It has been in the family since then.

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GIOVANNI DUPRÉ, THE INFANT DIONYSOS, Marble, Height 115 cm

Lot 1541: GIOVANNI DUPRÉ, THE INFANT DIONYSOS, Marble, Height 115 cm

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Description: Giovanni Dupre, with Lorenzo Bartolini, is among the most interesting and successful sculptors of the Tuscan school in the 19th century. The Grand Duchess Maria Nikoljewna, Duchess of Leuchtenberg, very early acquired two of the scupltor's works, today in the Hermitage in St. Petersburg. One os his major achievements is the 1873 monument for Camillo Cavour in Torino, consisting of the main figure and an assembly of additional figural sculptures on the pedestal. As early as the 1860's, Dupre created the so-called "Putti dell'uva" (children with grapes) that may be viewed as predecessors of the young Dionysos boy. In Fiesole near Florence his artistic estate is installed in its own musuem. In addition, Dupre left memoirs that generated great interest among artists and critics, the "Pensieri sull' arte e ricordi autobiografiche", published in Florence in 1884.

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OSWALD ACHENBACH, THE VIGNA BARBERINI ON THE PALATIN IN THE EVENING, oil on canvas, 78 x 101 cm

Lot 1542: OSWALD ACHENBACH, THE VIGNA BARBERINI ON THE PALATIN IN THE EVENING, oil on canvas, 78 x 101 cm

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Description: Verso handwritten label: "Vigna Barbarini / [...]lbani. Untere Galerie / 1901." The Vigna Barberini is located on the north-eastern part of the Palatine. The antique terrace affords a view of the Colosseum and the Arch of Constantine. The name comes from the Roman noble family Barberini who acquired the deserted area in the 17th century and established a vineyard there.

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OSWALD ACHENBACH, THE BAY OF NAPLES, oil on canvas, 40 x 62 cm

Lot 1543: OSWALD ACHENBACH, THE BAY OF NAPLES, oil on canvas, 40 x 62 cm

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Description: OSWALD ACHENBACH, THE BAY OF NAPLES, oil on canvas, 40 x 62 cm

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ANDREAS ACHENBACH, MOUNTAIN LANDSCAPE WITH TORRENT, oil on canvas, 48 x 66 cm

Lot 1544: ANDREAS ACHENBACH, MOUNTAIN LANDSCAPE WITH TORRENT, oil on canvas, 48 x 66 cm

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Description: ANDREAS ACHENBACH, MOUNTAIN LANDSCAPE WITH TORRENT, oil on canvas, 48 x 66 cm

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ANTON BRAITH, SHEPHERD BOY AND CATTLE, oil on canvas (relined), 46 x 63 cm

Lot 1545: ANTON BRAITH, SHEPHERD BOY AND CATTLE, oil on canvas (relined), 46 x 63 cm

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Description: Painted circa 1869 (U. Degreif op. cit.).

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ITALIAN SCHOOL, 19th Century, THREE SHEPHERDS WITH SHEEP AND A MULE, oil on canvas (relined), 98 x 159 cm

Lot 1546: ITALIAN SCHOOL, 19th Century, THREE SHEPHERDS WITH SHEEP AND A MULE, oil on canvas (relined), 98 x 159 cm

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Description: ITALIAN SCHOOL, 19th Century, THREE SHEPHERDS WITH SHEEP AND A MULE, oil on canvas (relined), 98 x 159 cm

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RUDOLF EPP, THE LITTLE SCISSORS GRINDER, oil on canvas (relined), 65 x 79 cm

Lot 1547: RUDOLF EPP, THE LITTLE SCISSORS GRINDER, oil on canvas (relined), 65 x 79 cm

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Description: RUDOLF EPP, THE LITTLE SCISSORS GRINDER, oil on canvas (relined), 65 x 79 cm

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MAURICE LELOIR, AT THE BARBER, oil on panel, 51.5 x 65 cm

Lot 1548: MAURICE LELOIR, AT THE BARBER, oil on panel, 51.5 x 65 cm

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Description: MAURICE LELOIR, AT THE BARBER, oil on panel, 51.5 x 65 cm

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FRANZ VON DEFREGGER, SHEPHERD BOY, oil on cardboard, 23 x 15 cm

Lot 1549: FRANZ VON DEFREGGER, SHEPHERD BOY, oil on cardboard, 23 x 15 cm

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Description: Verso a handwritten inscription by Leopold Blumauer according to which this oil sketch was a present by Franz von Defregger to the father of the sitter, the painter Carl Blumauer (1826 - 1903) so that sketch must have been painted before 1903.

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FRANZ VON DEFREGGER, TYROLEAN DIRNDL, oil on canvas, mounted on cardboard, 18 x 13 cm (oval)

Lot 1550: FRANZ VON DEFREGGER, TYROLEAN DIRNDL, oil on canvas, mounted on cardboard, 18 x 13 cm (oval)

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Description: The painting is registered in the Defregger Archive as no. 11519.

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