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Old Master, Modern & Contemporary Prints

by Doyle New York

Platinum House

218 lots with images

November 11, 2013

Live Auction

175 East 87th Street

New York, NY, 10128 USA

Phone: 212.427.2730

Fax: 212.427.7526

Email: BidLive@DoyleNewYork.com

218 Lots
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Josef Albers I-S VA 2 Color screenprint

Lot 1: Josef Albers I-S VA 2 Color screenprint

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Description: Josef Albers (1888-1976) I-S VA 2 (DANILOWITZ 192.2) Color screenprint, 1969, on Arches, signed, dated, titled and numbered 95/150 in pencil, published by Ives-Sillman, Inc, New Haven, pale lightstain, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 21 1/2 x 30 inches; 546 x 762 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Josef Albers I-S LXXIIIA; IS LXXIIIB Color screenprints (2)

Lot 2: Josef Albers I-S LXXIIIA; IS LXXIIIB Color screenprints (2)

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Description: Josef Albers I-S LXXIIIA; IS LXXIIIB (D. 218; 219) Color screenprints, 1973, on German Etching, signed with initials, dated, titled and numbered 89/100 in pencil, published by Ives-Sillman, Inc., New Haven and with their blindstamp, a few unobtrusive handling creases in the margins, the first with some pale dampstaining at bottom left sheet corner, otherwise in apparently good condition, with (full?) margins, framed (unexamined out of the frames). (2) Each 17 1/2 x 17 1/2 inches; 445 x 445 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ivan Le Lorraine Albright FLEETING TIME THOU HAST LEFT ME OLD Lithograph

Lot 3: Ivan Le Lorraine Albright FLEETING TIME THOU HAST LEFT ME OLD Lithograph

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Description: Ivan Le Lorraine Albright (1897-1983) FLEETING TIME THOU HAST LEFT ME OLD (GRAYSON 11) Lithograph, 1945, signed and titled in pencil, edition of 250, published by Associated American Artists, New York, pale matstain verso, a piece of old paper tape near top left sheet edge recto, a few unobtrusive handling creases, minor printer's ink in the margins and verso, otherwise in good condition, with full margins, in original mat. 13 7/8 x 9 3/4 inches; 352 x 248 mm. Sheet 17 x 6 1/2 x 12 1/2 inches; 432 x 318 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Carl Andre (b. 1935) DEPAR TEK Screenprint in black and red

Lot 4: Carl Andre (b. 1935) DEPAR TEK Screenprint in black and red

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Description: Carl Andre (b. 1935) DEPAR TEK Screenprint in black and red, 1975, on typing paper, signed with initials, dated and inscribed in pencil, some unobtrusive printer's ink in the margins and verso, old Japan hinge remains at top sheet edge at and near corners verso (some associated rippling), otherwise in good condition, with full margins. Sheet 11 x 8 1/2 inches; 279 x 216 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Richard Anuszkiewitz REFLECTIONS III--WHITE LINE Color screenprint and acrylic on gessoed Masonite

Lot 5: Richard Anuszkiewitz REFLECTIONS III--WHITE LINE Color screenprint and acrylic on gessoed Masonite

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Description: Richard Anuszkiewicz (b. 1930) REFLECTIONS III--WHITE LINE Color screenprint and acrylic on gessoed Masonite, 1979, signed, dated and inscribed A.P., printed by Editions Lassiter-Meisel, New York and with their inkstamp and catalogue number 43 in ink verso, published by Prestige Art, Ltd., timestain, some rubbing and soiling and a few scratches, otherwise in good condition, with full margins. 59 x 45 inches; 1499 x 1143 mm. 61 1/8 x 47 1/4 inches; 1553 x 1200 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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John Taylor Arms VENETIAN FILAGREE Etching

Lot 6: John Taylor Arms VENETIAN FILAGREE Etching

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Description: John Taylor Arms (1887-1953) VENETIAN FILAGREE (FLETCHER 235) Etching, 1931, signed, dated, titled and inscribed Ed. 100 in pencil, almost imperceptible matstain, some old glue residue at center of top sheet edge verso, a few nicks at bottom sheet edge, a skillfully repaired 3/4 inch split in the top margin (7/8 inch from image), a skillfully repaired diagonal crease at bottom left sheet corner (2 inches from image corner, with some possible repaired splitting at sheet edges), otherwise in good condition, with (full?) margins. 10 5/8 x 10 3/4 inches; 270 x 273 mm. Sheet 15 1/2 x 17 3/4 inches; 394 x 451 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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John Taylor Arms SUNLIGHT ON STONE; ST. CATHERINE'S BELFRY, HONFLEUR Etchings (2)

Lot 7: John Taylor Arms SUNLIGHT ON STONE; ST. CATHERINE'S BELFRY, HONFLEUR Etchings (2)

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Description: John Taylor Arms SUNLIGHT ON STONE; ST. CATHERINE'S BELFRY, HONFLEUR (F. 241; 248) Etchings, 1931 and 1932, respectively, the first on cream, the second on pale blue, laid paper, signed and inscribed Ed. 100 II in pencil, from the French Church series, almost imperceptible lightstain and matstain line, a few nicks with some associated creasing at sheet edges, the first with a small loss at top left sheet corner, some unobtrusive pale foxing, otherwise in good condition, with (full?) margins. (2) Larger 14 1/2 x 7 5/8 inches; 368 x 194 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Milton Avery RECLINING NUDE Drypoint

Lot 8: Milton Avery RECLINING NUDE Drypoint

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Description: Milton Avery (1885-1965) RECLINING NUDE (LUNN 22) Drypoint, 1941, signed, dated and numbered 58/100 in pencil, lightstain, pale matstain, some printer's ink at two sheet corners, some old paper tape near top sheet corners verso, otherwise in good condition, with full margins, framed. 3 3/4 x 7 3/8 inches; 95 x 187 mm. Sheet 13 1/8 x 15 inches; 333 x 381 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Donald Baechler FISH AND WILDLIFE Complete set of five color lithographs

Lot 9: Donald Baechler FISH AND WILDLIFE Complete set of five color lithographs

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Description: Donald Baechler (b. 1956) FISH AND WILDLIFE Complete set of five color lithographs, 1995, signed, dated and numbered 9/20 in pencil, published by Tamarind Institute, Albuquerque and with their blindstamp, in apparently good condition, the full sheets, framed (unexamined out of the frames). (5) Sheets 11 5/8 x 8 inches; 295 x 203 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Gustave Baumann MOUNTAIN POOL Color woodcut

Lot 10: Gustave Baumann MOUNTAIN POOL Color woodcut

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Description: Gustave Baumann (1881-1971) MOUNTAIN POOL (ACTON 40) Color woodcut, 1920, on oatmeal Zanders Bergisch Gladbach laid paper, signed and titled in pencil, stamp numbered 52, with the artist's hand-in-heart ink stamp, pale lightstain and matstain, some unobtrusive rippling in the margins, two small old pieces of paper tape at top sheet edge verso, offsetting verso, gluestaining along sheet edges, some printer's ink verso (showing slightly through in the right margin), otherwise in good condition, with good margins, framed. 9 1/2 x 11 1/4 inches; 241 x 286 mm. Sheet 12 3/4 x 15 3/8 inches; 324 x 391 mm. C Estate of John Klebanoff

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Gustave Baumann SPRING, NEW MEXICO Color woodcut

Lot 11: Gustave Baumann SPRING, NEW MEXICO Color woodcut

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Description: Gustave Baumann SPRING, NEW MEXICO Color woodcut, 1924, on cream laid paper, signed, titled and numbered 66/125 and inscribed III in pencil, with the artist's orange hand-in-heart ink stamp, pale matstain, some pale printer's ink and other discoloration in the margins and verso, some unobtrusive light abrasion in the margins, otherwise in good condition, with good margins, framed. 9 1/4 x 11 1/8 inches; 235 x 283 mm. Sheet 13 1/2 x 16 inches; 343 x 406 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Romare Bearden SALOME WITH THE HEAD OF JOHN THE BAPTIST Color screenprint

Lot 12: Romare Bearden SALOME WITH THE HEAD OF JOHN THE BAPTIST Color screenprint

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Description: Romare Bearden (1911-1988) SALOME WITH THE HEAD OF JOHN THE BAPTIST Color screenprint, 1974, on heavy wove paper, signed and dedicated in ink, published by Cordier & Ekstrom, New York, minor soiling, a pinhole and a small pressure mark in the top margin, a 3/8 x 1/16 inch loss at top sheet edge, unobtrusive abrasion at top left extreme sheet corner, some foxing at bottom right sheet corner and verso, otherwise in good condion, with full margins, framed. 6 3/8 x 8 inches; 162 x 203 mm. Sheet 8 1/2 x 11 inches; 216 x 279 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Romare Bearden JAZZ II Color screenprint

Lot 13: Romare Bearden JAZZ II Color screenprint

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Description: Romare Bearden JAZZ II (GELBURD/ROSENBERG 100) Color screenprint, circa 1980, signed in pencil, inscribed A.P., two filled-in vertical scratches or tears in the brown area top left (one 3 inches, one 7/8 inch), otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). 26 7/8 x 37 1/2 inches; 683 x 953 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Bellows BETWEEN ROUNDS NO. 1 Lithograph

Lot 14: George Bellows BETWEEN ROUNDS NO. 1 Lithograph

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Description: George Bellows (1882-1925) BETWEEN ROUNDS NO. 1 (MASON 25) Lithograph, 1916, on cream wove, inscribed with the artist's name and initialed in pencil by the artist's daughter, numbered No 42, edition of 58, very pale matstain, some unobtrusive rippling and handling creases, some (printer's) ink and minor foxing in the margins and verso, otherwise in good condition, with (full?) margins, framed. 20 1/2 x 16 1/2 inches; 521 x 419 mm. Sheet 26 5/8 x 24 inches; 676 x 610 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton THE RACE Lithograph

Lot 15: Thomas Hart Benton THE RACE Lithograph

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Description: Thomas Hart Benton (1889-1975) THE RACE (FATH 56) Lithograph, 1942, signed and titled in pencil, edition of 250, published by Associated American Artists, New York, pale matstain verso, two old pieces of paper tape near top sheet corners recto, some unobtrusive rippling at top, a few unobtrusive tiny foxing spots in the margins, otherwise in good condition, with full margins, in original mat. 9 x 13 1/4 inches; 229 x 337 mm. Sheet 11 3/8 x 16 1/8 inches; 289 x 410 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton SPRING TRYOUT Lithograph

Lot 16: Thomas Hart Benton SPRING TRYOUT Lithograph

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Description: Thomas Hart Benton SPRING TRYOUT (F. 61) Lithograph, 1943, signed in pencil, edition of 250, published by Associated American Artists, New York, matstain along top sheet edge recto, matstain verso, old paper tape near top sheet corners recto, some unobtrusive rippling, a few small pale foxing spots in the margins, some foxing verso, otherwise in good condition, with full margins, in original mat. 9 1/2 x 13 3/4 inches; 241 x 340 mm. Sheet 11 7/8 x 16 1/8 inches; 302 x 410 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Thomas Hart Benton THE BOY Lithograph

Lot 17: Thomas Hart Benton THE BOY Lithograph

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Description: Thomas Hart Benton THE BOY (F. 72) Lithograph, 1948, signed in pencil, edition of 250, published by Associated American Artists, New York, affixed with paper tape at top sheet corners recto to back mat, almost imperceptible lightstain, matstain verso, some unobtrusive rippling bottom left, otherwise in good condition, with full margins, in original mat. 9 1/2 x 13 7/8 inches; 241 x 352 mm. Sheet 12 x 16 inches; 305 x 406 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Muirhead Bone A SPANISH GOOD FRIDAY Drypoint

Lot 18: Muirhead Bone A SPANISH GOOD FRIDAY Drypoint

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Description: Muirhead Bone (1876-1953) A SPANISH GOOD FRIDAY (DODGSON 412) Drypoint, 1925, signed in pencil, edition of 160, pale lightstain and matstain, some small stains, old paper tape near left sheet corners verso, otherwise in good condition, with full margins, framed. 12 7/16 x 8 1/4 inches; 316 x 210 mm. Sheet 15 1/4 x 12 1/8 inches; 387 x 308 mm. C Estate of Philip Scott

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre Bonnard CONVERSATION Lithograph\

Lot 19: Pierre Bonnard CONVERSATION Lithograph\

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Description: Pierre Bonnard (1867-1947) CONVERSATION (BOUVET 28) Lithograph, 1893, signed and numbered no. 39, from the edition of 100, lightstain, some handling and other soft creases, otherwise in apparently good condition, with good margins, framed (unexamined out of the frame). 11 1/4 x 9 3/4 inches; 286 x 248 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre Bonnard FEMME AU PARAPLUIE Color lithograph

Lot 20: Pierre Bonnard FEMME AU PARAPLUIE Color lithograph

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Description: Pierre Bonnard FEMME AU PARAPLUIE (B. 33) Color lithograph, 1895, signed and numbered No. 24 in pencil, edition of 110, from La Revue Blanche, old white paper tape at left sheet edge at and near corners, some unobtrusive handling creases, otherwise in good condition, with full margins. 8 5/8 x 5 1/16 inches; 219 x 129 mm. Sheet 12 5/8 x 9 7/8 inches; 321 x 251 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Louise Bourgeois (b. 1911) BED I Etching

Lot 21: Louise Bourgeois (b. 1911) BED I Etching

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Description: Louise Bourgeois (1911-2010) BED I Etching, 1997, on wove, signed, dated and numbered 8/100 in pencil, published by the Village Center for Care in New York as a benefit for the Rivington House, some unobtrusive handling creases, some other creasing in the margins and at top left image corner, otherwise in good condition, with full margins. 16 3/8 x 19 3/4 inches; 416 x 502 mm. Sheet 20 5/8 x 23 3/4 inches; 524 x 603 mm. C Estate of John Klebanoff

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Georges Braque L'OISEAU ET SON NID Color lithograph

Lot 22: After Georges Braque L'OISEAU ET SON NID Color lithograph

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Description: After Georges Braque (1882-1963) L'OISEAU ET SON NID (MAEGHT 1024) Color lithograph, 1956, on Rives BFK, signed and numbered 140/300 in pencil, published by Maeght, Paris, pale lightstain, matstain, affixed with glue at sheet corners verso to top mat, old glue residue with some associated light abrasion at sheet edges verso, a few pieces of old brown paper tape at sheet edges recto, otherwise in good condition, with good margins, framed. 13 1/2 x 20 1/8 inches; 343 x 511 mm. Sheet 16 x 22 1/8 inches; 406 x 562 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Georges Braque NATURE MORTE A LA PIPE Color etching and aquatint

Lot 22A: After Georges Braque NATURE MORTE A LA PIPE Color etching and aquatint

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Description: After Georges Braque NATURE MORTE A LA PIPE Color etching and aquatint, 1959, signed in pencil, numbered 37/100, published by Editions C. Guillard, Paris, a two handling creases in the margins, a possible small lightly abraided area extending slightly into the platemark at bottom left corner, otherwise in apparently good condition, with good margins, framed (unexamined out of the frame). 8 x 18 1/2 inches; 203 x 470 mm. Sheet 10 5/8 x 21 1/4 inches; 270 x 540 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Georges Braque NATURE MORTE AU CITRONS Color collotype

Lot 23: After Georges Braque NATURE MORTE AU CITRONS Color collotype

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Description: After Georges Braque NATURE MORTE AU CITRONS Color collotype, signed and numbered 198/300 in pencil, published by Guy Spitzer and with his blindstamp, lightstain and matstain, unobtrusive handling creases, affixed with tape along sheet edges verso to top mat, some old tape residue at sheet edges verso, discoloration verso, otherwise in good condition, with good margins, framed. 13 1/4 x 18 inches; 337 x 457 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Brasilier LES CAVALIERS D'IRLANDE Color lithograph

Lot 24: Andre Brasilier LES CAVALIERS D'IRLANDE Color lithograph

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Description: Andre Brasilier (b. 1929) LES CAVALIERS D'IRLANDE Color lithograph, signed and numbered 116/150 in pencil, in apparently good condition, with good or full margins, framed (unexamined out of the frame). 28 1/2 x 39 1/2 inches; 724 x 1003 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Brasilier LE VERT PRINTEMPS; LE RETOUR DE LA PLAGE Color lithographs  (2)

Lot 25: Andre Brasilier LE VERT PRINTEMPS; LE RETOUR DE LA PLAGE Color lithographs (2)

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Description: Andre Brasilier LE VERT PRINTEMPS; LE RETOUR DE LA PLAGE (LE PICHON 89; 225) Color lithographs, signed, the first inscribed Epreuve d'artiste 39/50, the second numbered 127/140, in pencil, the first with pale lightstain, some foxing in the margins, some offsetting from hinge top left margin, otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frames). (2) Larger 36 1/4 x 23 5/8 inches; 921 x 600 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Brown (b. 1951) LOST HEAD Color lithograph

Lot 26: James Brown (b. 1951) LOST HEAD Color lithograph

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Description: James Brown (b. 1951) LOST HEAD Color lithograph, signed, titled and numbered 6/15 in pencil, printed to the edges, in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 31 1/2 x 24 1/8 inches; 800 x 613 mm. • 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Cadmus (1904-1999) NUDO #1, 2, 3 (SECOND STATE) Etchings (3)

Lot 27: Paul Cadmus (1904-1999) NUDO #1, 2, 3 (SECOND STATE) Etchings (3)

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Description: Paul Cadmus (1904-1999) NUDO #1, 2, 3 (SECOND STATE) (DAVENPORT 58) Etchings, 1984, signed, titled and numbered 8/30 and inscribed second state in pencil, published by Midtown Galleries, New York, in apparently good condition, with good or full margins, framed (unexamined out of the frames). (3) Each 9 x 8 1/8 inches; 229 x 206 mm. C Estate of John Klebanoff

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alexander Calder COMPOSITION Color lithograph

Lot 29: Alexander Calder COMPOSITION Color lithograph

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Description: Alexander Calder COMPOSITION Color lithograph, 1972, signed and numbered 38/150 in pencil, printed to the edges on three sides, affixed with tape along top verso to back mat (some pale discoloration showing through to recto), some unobtrusive (printer's?) ink at top sheet corner, otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 26 x 19 1/8 inches; 660 x 486 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Eugene Carriere LA LECTURE; MARGUERITE CARRIERE Lithographs (2)

Lot 33: Eugene Carriere LA LECTURE; MARGUERITE CARRIERE Lithographs (2)

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Description: Eugene Carriere (1849-1906) LA LECTURE; MARGUERITE CARRIERE (DELTEIL 29; 43) Lithographs, 1896 and 1901, respectively, signed, the second inscribed, in pencil, in apparently good condition, framed (unexamined out of the frames). (2) Larger 17 x 13 1/2 inches; 432 x 343 mm. C Estate of Philip Scott

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt THE PARROT Drypoint

Lot 34: Mary Cassatt THE PARROT Drypoint

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Description: Mary Cassatt (1844-1926) THE PARROT (BREESKIN 138) Drypoint, circa 1891, on cream laid paper, signed in pencil, with the artist's blue monogram stamp, pale lightstain, matstain, matstain line (extending through last two letters of signature), old tape along top sheet edge verso, a few specks of printer's ink in the margins and verso, otherwise in good condition, with full margins, framed. 6 3/8 x 4 3/4 inches; 162 x 121 mm.Sheet 12 1/4 x 9 1/2 inches; 311 x 241 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Mary Cassatt SARAH WEARING HER BONNET AND COAT Lithograph

Lot 35: Mary Cassatt SARAH WEARING HER BONNET AND COAT Lithograph

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Description: Mary Cassatt SARAH WEARING HER BONNET AND COAT (B. 198) Lithograph, circa 1904, on laid MBM Ingres d'Arches, matstain and foxing at sheet edges, a tiny foxing spot in the image at left, minor soiling and other discoloration verso, some handing and other soft creases, otherwise in good condition, with full margins, framed. Sheet 24 7/8 x 18 7/8 inches; 632 x 479 mm. • 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Cezanne TETE DE JEUNE FILLE Sepia etching

Lot 36: Paul Cezanne TETE DE JEUNE FILLE Sepia etching

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Description: Paul Cezanne (1839-1906) TETE DE JEUNE FILLE (CHERPIN 4) Sepia etching, 1873, on cream laid paper, later impression, pale lightstain and matstain, minor printer's ink and soiling in the margins, some offsetting verso, a few pieces of old paper tape at sheet edges verso, otherwise in good condition, with full margins, framed. 5 1/4 x 4 1/4 inches; 133 x 105 mm. Sheet 12 7/8 x 10 inches; 327 x 254 mm. C Estate of Gloria Wall

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall DEATH OF SAUL Hand-colored etching

Lot 37: Marc Chagall DEATH OF SAUL Hand-colored etching

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Description: Marc Chagall (1887-1985) DEATH OF SAUL (CRAMER BOOKS 30) Hand-colored etching, 1931-1939, on Arches, signed with initials and numbered 70/100 in pencil, from The Bible, published by Teriade, Paris, pale lightstain, a few specks of minor discoloration in the margins, otherwise in good condition, with full margins, framed. 11 1/8 x 9 3/8 inches; 283 x 238 mm. Sheet 21 1/8 x 15 3/8 inches; 537 x 391 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall PAIR OF PEASANTS Color Lithograph

Lot 38: Marc Chagall PAIR OF PEASANTS Color Lithograph

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Description: Marc Chagall PAIR OF PEASANTS (MOURLOT 484) Color lithograph, 1967, on Arches, signed and inscribed epreuve d'artiste XXII/XXV in pencil, pale lightstain, matstain, a few unobtrusive handling creases, some creasing at left sheet corners, a foxing spot or other pale discoloration in the margin near top left image corner, otherwise in good condition, with full margins, framed. 26 x 20 1/2 inches; 660 x 521 mm. Sheet 30 1/4 x 23 5/8 inches; 768 x 600 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall AND YOU WOVE FOR YOUR TENDER NECK SEDUCTIVE GARLANDS OF RAVISHING FLOWERS Color lithograph

Lot 39: Marc Chagall AND YOU WOVE FOR YOUR TENDER NECK SEDUCTIVE GARLANDS OF RAVISHING FLOWERS Color lithograph

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Description: Marc Chagall AND YOU WOVE FOR YOUR TENDER NECK SEDUCTIVE GARLANDS OF RAVISHING FLOWERS (M. 534) Color lithograph, 1967, on Arches, signed and numbered 70/75 in pencil, from In the Land of the Gods, pale lightstain, matstain, affixed with three small pieces of tape at sheet corners recto to back mat, a few unobtrusive foxing spots in the image, extensive foxing in the margins and verso, otherwise in good condition, with good margins, framed. 15 1/4 x 13 1/8 inches; 387 x 333 mm. Sheet 21 x 19 3/4 inches; 533 x 502 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall PANTOMIME Color lithograph

Lot 40: Marc Chagall PANTOMIME Color lithograph

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Description: Marc Chagall PANTOMIME (M. 649A) Color lithograph, 1972, signed and inscribed Epreuve d'artiste in pencil, published by Maeght, Paris, lightstain, pale matstain verso, otherwise in good condition, with good margins, framed. 15 1/4 x 12 inches; 387 x 305 mm. Sheet 19 1/2 x 15 5/8 inches; 495 x 397 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall FOUR SEASONS Color lithograph

Lot 41: Marc Chagall FOUR SEASONS Color lithograph

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Description: Marc Chagall FOUR SEASONS (M. 727) Color lithograph, 1974, printed by Mourlot, Paris, published by The First National Bank of Chicago, some handling creases and minor foxing and soiling in the margins, otherwise in apparently good condition, with (full?) margins, framed (unexamined out of the frame). 35 1/2 x 23 5/8 inches; 902 x 600 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall CONCERT IN THE SQUARE Color lithograph

Lot 42: Marc Chagall CONCERT IN THE SQUARE Color lithograph

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Description: Marc Chagall CONCERT IN THE SQUARE (M. 1003) Color lithograph, 1983, on Arches, signed and numbered 3/50 in pencil, pale lightstain, unobtrusive handling creases, some other creasing at sheet corners, otherwise in good condition, with full margins, framed. 18 7/8 x 13 1/8 inches; 479 x 333 mm. Sheet 25 3/4 x 19 inches; 654 x 483 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marc Chagall BOUQUETS WITH A BLUE SKY Color lithograph

Lot 43: Marc Chagall BOUQUETS WITH A BLUE SKY Color lithograph

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Description: Marc Chagall BOUQUETS WITH A BLUE SKY (M. 1024) Color lithograph, 1984, on Arches, signed and inscribed Epreuve d'artiste in pencil, some very light skinning at top sheet edge verso, otherwise in good condition, with full margins. 12 3/4 x 9 1/2 inches; 324 x 241 mm. Sheet 21 3/8 x 16 7/8 inches; 543 x 429 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Marc Chagall ROMEO AND JULIET Color lithograph by Charles Sorlier

Lot 44: After Marc Chagall ROMEO AND JULIET Color lithograph by Charles Sorlier

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Description: After Marc Chagall ROMEO AND JULIET (CHARLES SORLIER 10) Color lithograph by Charles Sorlier, 1964, edition of 5000, published by the French Tourist Bureau, Paris, printed to the edges, in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 25 x 39 inches; 635 x 991 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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After Marc Chagall by Georges Visat ALEKO Color etching and aquatint

Lot 45: After Marc Chagall by Georges Visat ALEKO Color etching and aquatint

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Description: After Marc Chagall by Georges Visat ALEKO (MAEGHT 1206) Color etching and aquatint, on Rives BFK, signed and numbered 18/300 in pencil, published by Maeght, Paris, pale lightstain and matstain, partial matstain line, some old tape at three sheet edges verso, some unobtrusive rippling and handling creases, sheet cut approximately 3 1/2 inches along right sheet edge (1/8 into sheet), otherwise in good condition, with very good margins, framed. 18 5/8 x 20 3/4 inches; 473 x 527 mm Sheet 22 x 24 3/4 inches; 559 x 629 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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A Cheffetz FARM BUILDINGS; TWO OLD-TIMERS; WATER TOWER Wood engravings; T/w Luigi Lucioni etching; Thomas Nason wood engraving (5)

Lot 46: A Cheffetz FARM BUILDINGS; TWO OLD-TIMERS; WATER TOWER Wood engravings; T/w Luigi Lucioni etching; Thomas Nason wood engraving (5)

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Description: Asa Cheffetz (1897-1965) FARM BUILDINGS; TWO OLD TIMERS; WATER TOWER (SPRINGFIELD 76; 82; 87) Wood engravings, 1945, 1947 and 1949, respectively, signed in pencil; Together with Luigi Lucioni (1900-1988) SHADOW AND SUBSTANCE (EMBURY 85), etching, 1945, signed in pencil; and Thomas W. Nason (1889-1971) HAYSTACKS (BOSTON PUBLIC LIBRARY 462), wood engraving, 1949, signed and dated in pencil, each published by Associated American Artists, pale lightstain, matstain verso, the fourth and fifth with a few foxing spots in the margins and verso, the fourth with some creasing at bottom right sheet corner, the fifth with a small loss at bottom left sheet corner, otherwise generally in good condition, with full margins, in original mats. (5) Largest 7 3/8 x 9 7/8 inches; 187 x 251 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jules Cheret  PASTILLES PONCELET Color lithograph

Lot 47: Jules Cheret PASTILLES PONCELET Color lithograph

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Description: Jules Cheret (1836-1932) PASTILLES PONCELET (BROIDO 908) Color lithograph, 1896, printed by Chaix, Paris, laid on linen, central vertical and horizontal folds, some creasing and a few tears at sheet edges (longest extending 2 1/2 inches into the image, one with some filling in), a few foxing spots, otherwise in apparently good condition, with good margins, framed (unexamined out of the frame). 46 1/8 x 32 3/8 inches; 1172 x 822 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Giorgio de Chirico CAVALLO LAMPO Color lithograph

Lot 48: Giorgio de Chirico CAVALLO LAMPO Color lithograph

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Description: Giorgio de Chirico (1888-1978) CAVALLO LAMPO Color lithograph, 1971, signed, titled and numbered 22/120 in pencil, with the artist's blindstamp, almost imperceptible matstain, some old tape at top and bottom sheet edges recto, some light abrasion at top sheet corners recto, a faint soft crease at top left sheet corner, some unobtrusive pale discoloration verso, otherwise in good condition, with good wide margins, framed. 6 1/8 x 8 5/8 inches; 156 x 219 mm. Sheet 12 3/4 x 17 1/4 inches; 324 x 438 mm. C Estate of John Klebanoff

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Christo PACKAGE ON HANDTRUCK, PROJECT Color lithograph with collage of brown canvas, twine and staples

Lot 49: Christo PACKAGE ON HANDTRUCK, PROJECT Color lithograph with collage of brown canvas, twine and staples

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Description: Christo (b. 1935) PACKAGE ON HANDTRUCK, PROJECT (SCHELLMANN/BENECKE 108) Color lithograph with collage of brown canvas, twine and staples, 1981, on wove apparently mounted to white museum board mounted on cardboard (as issued), signed, dated and numbered 20/100 in pencil, published by Abrams Original Editions, New York, printed to the edges, lightstain (darker at sheet edges), otherwise in apparently good condition, the full sheet, framed (unexamined out of the frame). Sheet 28 x 22 3/8 inches; 711 x 568 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Howard Chandler Christy I WANT YOU FOR THE NAVY Color offset lithograph

Lot 50: Howard Chandler Christy I WANT YOU FOR THE NAVY Color offset lithograph

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Description: Howard Chandler Christy (1873-1952) I WANT YOU FOR THE NAVY Color offset lithograph, 1917, published by Forbes, Boston, some creasing, some soiling in the margins, a tear at top sheet edge (1/2 inch from image), otherwise in apparently good condition, with good or full margins, framed (unexamined out of the frame). Sight of sheet 40 3/4 x 25 1/2 inches; 1035 x 648mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Miguel Covarrubias RUMBA Lithograph

Lot 51: Miguel Covarrubias RUMBA Lithograph

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Description: Miguel Covarrubias (1904-1957) RUMBA Lithograph, 1942, signed in pencil, edition of 250, published by Associated American Artists, New York, matstain verso, two old pieces of paper tape near top sheet corners recto, minor rippling, some foxing verso, some creasing at left sheet corners, otherwise in good condition, with full margins, in original mat. 9 1/4 x 13 1/2 inches; 235 x 343 mm. Sheet 12 x 16 inches; 305 x 406 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Miguel Covarrubias TEHUANTEPEC RIVER Lithograph,

Lot 52: Miguel Covarrubias TEHUANTEPEC RIVER Lithograph,

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Description: Miguel Covarrubias TEHUANTEPEC RIVER Lithograph, 1951, signed in pencil, edition of 250, published by Associated American Artists, New York, matstain verso, old paper tape near top sheet edges recto, some rippling, minor printer's ink or soiling in the margins, a few foxing spots verso, otherwise in good condition, with full margins, in original mat. 12 3/8 x 9 1/4 inches; 314 x 235 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Salvador Dali LA NAISSANCE DE VENUS  Color heliogravure and drypoint

Lot 53: Salvador Dali LA NAISSANCE DE VENUS Color heliogravure and drypoint

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Description: Salvador Dali (1904-1989) LA NAISSANCE DE VENUS (FIELD 63-3E; MICHLER/LOPSINGER 117) Color heliogravure and drypoint, 1963-65, on Arches, signed in pencil, inscribed Epreuve d'Artiste, from The Mythology suite, published by Pierre Argillet, Paris, pale timestain, some handling creases, some other creasing at top sheet edge, some (printer's?) ink in the margin bottom right corner, otherwise in good condition, with full margins. 19 1/2 x 15 5/8 inches; 495 x 397 mm. Sheet 30 x 22 1/4 inches; 762 x 565 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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