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Auction Description for Stair: Online Works on Paper Sale
Terms and Conditions:
It is important to Stair Galleries that all bidders understand the terms and conditions under which its auctions are conducted. Please carefully read the Conditions of Sale set forth below and then acknowledge your understanding and acceptance.

The property offered for sale by Stair Galleries & Restoration, Inc. (the "Gallery") as agent for the consignor(s) to purchasers is subject to the following terms and conditions:

1. The property is sold in "as is" condition and without recourse, and neither the Gallery nor the consignor makes any representations or warranties, express or implied, as to catalogue description, attribution, authenticity, provenance, origin, size, age or condition of any of the property offered for sale. It is the responsibility of the purchaser, prior to the auction, to examine the property and make a determination as to the value, condition, description, authenticity, provenance, origin, size and age of the property.

2. The highest bidder acknowledged by the auctioneer shall be the purchaser. The Gallery reserves the right to reject any bid. The auctioneer shall advance the bid at his/her sole discretion. The auctioneer in his/her sole discretion may determine to re-offer any lot in dispute. In the event of any dispute, the Gallery record of the bids shall be accepted as conclusive.

3. The Gallery reserves the right in its sole discretion at any time before bidding commences to withdraw combine or divide any lot.

4. At the fall of the auctioneer's hammer, title will pass to the highest bidder, and the bidder thereupon assumes full risk and responsibility for the property, including the obligation to immediately pay the full price or such price as the Gallery may require. All bidders may be requested to give their name, residence, business address, telephone number, driver's license and credit card. The Gallery shall have the right to reject any bid from anyone who has not established credit with the Gallery prior to the auction.

5. The purchase price paid by the buyer shall be the amount of the final bid plus a twenty-seven percent (27%) buyer's premium, discounted to twenty-five percent (25%) for cash (US currency only) or check (US Bank check only). For example, if the final bid is $500, the purchase price is $635. All purchases are subject to state and local taxes where applicable, which are computed on the purchase price. If any part of the purchase price is paid by credit card, the buyer's premium shall be calculated at twenty-seven percent (27%) on the entire purchase.

6. Property purchased from the Gallery by a successful bidder may not be removed from the auction sale premises until the full purchase price plus the buyer's premium and all applicable taxes have been paid. The purchaser must pay for and remove all property from the auction premises on the same day as the auction sale.

7. If the purchaser fails to fulfill these conditions, in addition to all legal remedies available to the Gallery, the Gallery may: a) cancel the sale and retain any payments made as liquidated damages; b) resell the property for the account of the buyer, in which case the buyer shall be liable to the Gallery for all its costs and damages, including the commissions for both auctions; c) remove the property to a public warehouse for the account and at the risk and expense of the buyer.

8. All property must be removed the day following the Auction by 1:00 pm. For example, if the auction takes place on Saturday, all property must be removed by 1:00 pm on Sunday. After that time all property will be moved to our Maple Avenue facility, and if the property is not picked up in a timely manner, the Gallery will add a $75.00 handling charge to the purchase price. After sixty days, the Gallery reserves the right to send the property to a public warehouse for the account and at the risk and expense of the purchaser.

9. Items with a low estimate of $5,000 or above have, insofar as they are uniquely identifiable from the description given, been checked against the computerized database of stolen or lost artwork, antiquities and other cultural objects maintained by the Art Loss Registry.

10. FIRST TIME BIDDERS AT STAIR GALLERIES WILL BE RESTRICTED TO A BIDDING LIMIT OF $5,000.

11. All bidders are strongly urged to request a condition report for the object that you are bidding on, if you have not viewed the item in person at our Gallery. Requests for condition reports must be received within 72 hours prior to the auction to allow ample time to fulfill your request.

12. Shipping is the sole responsibility of the buyer, under no circumstances will Stair Galleries pack and or ship items. Upon request, our Client Services Department will provide a list of shippers for you to choose from.

13. It is the bidders sole responsibility to make sure that they are bidding on the correct item, as well as placing the correct bid amount. Stair Galleries will not be held responsible for any bidder errors, including, but not limited to: a bid placed on the wrong lot, or for the wrong amount. There will be no exceptions to this policy.

14. STAIR GALLERIES WILL NOT REVIEW OR APPROVE ANY REQUESTS TO BID AFTER 12 PM ON FRIDAY, NOVEMBER 18, 2016 FOR THE FRIDAY, NOVEMBER 18TH AND SATURDAY NOVEMBER 19TH SALE. THERE WILL BE NO EXCEPTIONS.
Payment Information:
Internet purchasers must make immediate payment by Visa or Mastercard, wire transfer or check (US Bank check). All purchases paid for by check will be held until all payments have cleared.
Shipping Information:
Unfortunately we are unable to pack, ship or dismantle any items. The following is a list of shippers in our area:

Arnoff Pack & Ship
Fine Arts Services
DHL/FedEx/UPS & LTL
Terri Proper
351 Millerton Road
Lakeville, CT 06039
T (860) 435-2909
F (860) 435-8119
tproper@arnoff.com



Arnoff Pack & Ship
Fine Arts Services
DHL/FedEx/UPS & LTL
Ashwani Dogra
1282 Dutchess Turnpike
Poughkeepsie, NY 12603
T (845) 790-6281
F (845) 452-3606
adogra@arnoff.com



UPS Store #4541
Elise Anderson
Todd O'Brien
Kings Mall
1200 Ulster Avenue (#35A)
Kingston, New York 12401
tel #845-336-4877
fax#845-336-3832
email: store4541@theupsstore.com



Meticulous Movers
Owners: Josh and Mike
T: 845-256-7047
F: 845-256-7039
meticulousmovers@live.com


Frank LaBarbera's
Specializing in Fine Arts & Antique Furniture Moving
Local and Long Distance
Phone: 845-355-7770
Fax: 845-355-7771
Email: info@franklabarbera.com
P.O. Box 100
Slate Hill, NY 10972-0100


INTERNATIONAL SHIPPING:

Gander and White
21-44 44th Rd, Queens, NY 11101
(718) 784-8444

Bourlet
38-20 Review Ave, Long Island City, NY 11101
(718) 392-9770

Cadogan Tate
41-20 39th St, Queens, NY 11104
(718) 706-7999
Buyer's Premium:
The purchase price paid by the buyer shall be the amount of the final bid plus a twenty-seven percent (27%) buyer's premium, discounted to twenty-five percent (25%) for cash or check. For example, if the final bid is $500, the purchase price is $635. All purchases are subject to state and local taxes where applicable, which are computed on the purchase price. If any part of the purchase price is paid by credit card, the buyer's premium shall be calculated at twenty-seven percent (27%) on the entire purchase.
Taxes on your purchase:
All purchases are subject to sales tax unless you have a valid New York State tax exemption number and fill out the form required by the state. Purchases will not be released unless all sales tax requirements are met.
Condition Statement:
The property is sold in "as is" condition and without recourse, and neither the Gallery nor the consignor makes any representations or warranties, express or implied, as to catalogue description, attribution, authenticity, provenance, origin, size, age or condition of any of the property offered for sale. It is the responsibility of the purchaser, prior to the auction, to examine the property and make a determination as to the value, condition, description, authenticity, provenance, origin, size and age of the property.

All bidders are strongly urged to request a condition report for the object that you are bidding on, if you have not viewed the item in person at our Gallery. Requests for condition reports must be received within 72 hours prior to the auction to allow ample time to fulfill your request.

Online Works on Paper Sale (129 Lots)

by Stair Galleries

January 25, 2017, 2:00 PM EST

Live Auction

Hudson, NY, USA

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Automobiles, Boats & Airplanes (1)
  Model Ships (1)
Fine Art (128)
  Cityscape Drawings (2)
  Figural Drawings (6)
  Impressionist & Modern Drawings (2)
  Landscape Pencil Drawings (1)
  Nude Drawings (6)
  Portrait Drawings (3)
  Abstract Paintings (2)
  Figural Paintings (10)
  Genre Paintings (2)
  Landscape Paintings (8)
  Maritime & Marine Paintings (2)
  Nude Paintings (1)
  Still Life Paintings (2)
  Abstract Prints (1)
  Figural Prints (44)
  Impressionist & Modern Prints (1)
  Landscape Prints (16)
  Nude Prints (6)
  Portrait Prints (2)
  Seascape Prints (8)
  Interior Paintings (1)
  Interior Prints (2)
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BENNY ANDREWS (1930-2006): NEW YORK CAFÉ

Estimate: $300 - $500

Description: BENNY ANDREWS (1930-2006): NEW YORK CAFÉ Lithograph in black on wove paper, 1966, signed and titled in pencil, numbered 157/250, with label from Associated American Artists, NY. 11 3/4 x 15 1/4 in. (sight), 18 1/2 x 22 in. (frame). Condition: With margins. Appears to be in excellent condition. Not examined out of frame. Property of Wilkes University

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Starting bid: $150 (0 bids)

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VERA ANDRUS (1895-1979): SNUG HARBOR

Estimate: $200 - $400

Description: VERA ANDRUS (1895-1979): SNUG HARBOR Lithograph in black on wove paper, 1936, signed, titled and dated in pencil, numbered 15/25. 17 1/4 x 13 1/4 in. (sheet), 20 1/2 x 16 1/2 in. (frame). Condition: With margins. Overall in very good condition. Property of Wilkes University

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Current bid: $100 (1 bid)

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PAUL BACON (b. 1923): JACKET COVER FOR LEWIS MUMFORD BOOK

Estimate: $200 - $400

Description: PAUL BACON (b. 1923): JACKET COVER FOR LEWIS MUMFORD BOOK Ink on paperboard, c. 1979, signed ''Paul Bacon'' lower right, with various inscriptions in ink in the margin area. 10 1/2 x 14 1/2 in. (sheet), 12 1/2 x 15 1/2 in. (frame). Condition: Pale mat staining. Ink inscriptions in the margin area. Piece of masking tape at the lower edge. Two stickers and some surface soiling in the margin areas. Property of Wilkes University

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Starting bid: $100 (0 bids)

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PEGGY BACON (1895-1987): STUDY FOR

Estimate: $600 - $900

Description: PEGGY BACON (1895-1987): STUDY FOR "MORNING EXERCISES" Charcoal on paper, c. 1931, signed ''Peggy Bacon'' lower center, inscribed ''whose emotion is this, anyway!'' upper left, with label from Kraushaar Galleries, NY. 13 x 16 1/4 in. (sight), 20 1/2 x 24 1/2 in. (frame). Note: This study was made in preparation for the drypoint Morning Exercises (Flint 117) which was printed in 1933. The scene is the New York Philharmonic in a rehearsal conducted by Leon Barzin. Provenance: Helen Farr Sloan. Condition: Splits, tears and a loss upper left corner affecting the inscription and at places along the upper sheet edge. Pale staining. Not examined out of frame. Property of Wilkes University

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Starting bid: $300 (0 bids)

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PEGGY BACON (1895-1987): THE SIGHTS OF THE TOWN

Estimate: $200 - $300

Description: PEGGY BACON (1895-1987): THE SIGHTS OF THE TOWN Lithograph in black on wove paper, 1946, signed and titled in pencil, from the edition of 20. 13 1/4 x 16 1/2 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Literature: Flint 151. Condition: With full margins. A few scattered fox marks showing on the reverse. Remains of old paper tape at the top corners. Property of Wilkes University

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Starting bid: $100 (0 bids)

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WILL BARNET (1911-2012): ITALIAN SECTION, BEVERLY, MA

Estimate: $300 - $500

Description: WILL BARNET (1911-2012): ITALIAN SECTION, BEVERLY, MA Etching and aquatint on wove paper, 1937, signed and titled in pencil, inscribed ''A.P.'' 16 x 18 in. (sheet), 21 x 23 in. (frame). Condition: With full margins. In excellent condition. Property of Wilkes University

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Current bid: $150 (1 bid)

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REYNOLDS BEAL (1867-1951): BLOCK ISLAND, DOUBLE ENDER; PINKY GLEANER, GLOUCESTER; AND ROCKPORT SLOOPS

Estimate: $400 - $600

Description: REYNOLDS BEAL (1867-1951): BLOCK ISLAND, DOUBLE ENDER; PINKY GLEANER, GLOUCESTER; AND ROCKPORT SLOOPS Three etchings on wove paper, 1915, 1932 and 1930, all signed and dated in pencil; and Chinese Sampan, etching with black crayon on laid paper, 1939, signed in pencil and inscribed ''Use Looking Glass to reverse'', from the proposed edition of 10. 9 1/4 x 11 3/4 in. (sheet), 11 1/2 x 16 3/4 in. (sheet), 11 1/2 x 16 in. (sheet), 9 x 12 in. (sheet), all unframed. Condition: All with pale light- staining. Block Island with a small loss top left corner. Sampan with a small loss top right corner. Remains of old tape at top left corner. Property of Wilkes University

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Starting bid: $200 (0 bids)

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REYNOLDS BEAL (1867-1951): DEEP SEA FISHERMAN; MACKEREL SEINING, OFF GLOUCESTER; BLOCK ISLAND FISHING FLEET; AND MARBLE HEAD YACHTS...

Estimate: $300 - $500

Description: REYNOLDS BEAL (1867-1951): DEEP SEA FISHERMAN; MACKEREL SEINING, OFF GLOUCESTER; BLOCK ISLAND FISHING FLEET; AND MARBLE HEAD YACHTS RACING Four etchings in black on wove paper, 1929-1931, all signed and dated in pencil, Deep Sea Fisherman and Block Island Fishing Fleet titled in pencil. All approx. 11 x 15 1/2 in. (sheet), all unframed. Condition: All with margins. Some extremely pale light- or mat staining. Mackerel Seining with creasing at the right edge. Otherwise all in good condition. Property of Wilkes University

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Starting bid: $150 (0 bids)

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REYNOLDS BEAL (1867-1951): COAST SCENE, DOMINICA; FISHING BOATS, ST. VINCENT; NORTHEAST GALE, ROCKPORT; AND THE MACKEREL FLEET

Estimate: $400 - $800

Description: REYNOLDS BEAL (1867-1951): COAST SCENE, DOMINICA; FISHING BOATS, ST. VINCENT; NORTHEAST GALE, ROCKPORT; AND THE MACKEREL FLEET Four etchings in black on wove paper, 1929-1932, all signed and dated in pencil, Fishing Boats and Mackerel Fleet titled in pencil, from the editions of various sizes, Coast Scene, Dominica inscribed ''3rd proof''. 9 1/2 x 12 1/2 in. (sheet), 12 x 13 3/4 in. (sheet), 11 3/4 x 16 1/4 in. (sheet), 11 1/2 x 16 1/2 in. (sheet), all unframed. Condition: All with margins. Mackerel Fleet and Fishing Boats with extremely pale light- staining. Mackerel Fleet with a foxmark in the lower margin. Fishing Boats and Coast Scene both with brown paper tape at the top corners. Property of Wilkes University

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Starting bid: $200 (0 bids)

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REYNOLDS BEAL (1867-1951): BEACH AT ST. VINCENT; BOAT LANDING, DOMINICA; LANDING STAGE, MONTSERRAT; AND ROSEAU, DOMINICA

Estimate: $400 - $600

Description: REYNOLDS BEAL (1867-1951): BEACH AT ST. VINCENT; BOAT LANDING, DOMINICA; LANDING STAGE, MONTSERRAT; AND ROSEAU, DOMINICA Four etchings on wove paper, 1932, all signed, titled and dated in pencil, Beach at St. Vincent and Roseau, inscribed ''3rd proof'', Landing Stage inscribed ''1st proof''. 9 1/2 x 12 3/4 in. (sheet), 9 1/2 x 13 3/4 in. (sheet), 10 x 12 12/ in. (sheet), 11 1/2 x 16 in. (sheet), all unframed. Condition: All with margins. Roseau with very pale light- staining. Otherwise all in very good condition. Property of Wilkes University

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Starting bid: $200 (0 bids)

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CECIL BELL (1906-1970): GIRL ON A FERRY

Estimate: $800 - $1,000

Description: CECIL BELL (1906-1970): GIRL ON A FERRY Watercolor and gouache on paper, 1964, signed ''C. Bell'' and dated lower right. 10 1/2 x 14 1/2 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Condition: Paper with the Alitalia Airlines logo lower right. Remains of old glue at several places at the reverse of the extreme sheet edges. Some soft handling creases. Small area of rubbing at the reverse. Property of Wilkes University

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Starting bid: $400 (0 bids)

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CECIL BELL (1906-1970): TOWNSCAPE

Estimate: $600 - $900

Description: CECIL BELL (1906-1970): TOWNSCAPE Watercolor on paper, signed ''C. Bell'' lower right. 10 x 14 in. (sheet), 17 1/2 x 21 1/2 in. (frame). Condition: Old binding holes at right sheet edge. Small loss bottom left corner. Two tiny tears and a crease bottom right corner. Small remains of old clear tape at the top corners. Property of Wilkes University

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Starting bid: $300 (0 bids)

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CECIL BELL (1906-1970): STORM CLOUDS

Estimate: $600 - $800

Description: CECIL BELL (1906-1970): STORM CLOUDS Watercolor on paper, signed ''C. Bell'' lower left, with label from Kraushaar Galleries, NY. 5 1/2 x 7 3/4 in. (sheet), 12 3/4 x 15 1/4 in. (frame). Provenance: Helen Farr Sloan. Condition: Some very pale staining. Small remains of old glue at the reverse of the sheet corners. Otherwise in very good condition. Property of Wilkes University

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Starting bid: $300 (0 bids)

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MILTON ROCKWELL BELLIN (1913-1997): LANDSCAPE

Estimate: $100 - $300

Description: MILTON ROCKWELL BELLIN (1913-1997): LANDSCAPE Watercolor on paper, signed ''M.R. Bellin'' lower right, inscribed with the artist''s name and address on the back of the frame. 21 x 29 in. (sight), 29 1/2 x 37 3/4 in. (frame). Condition: Apparently in very good condition. Not examined out of frame. Frances Lehman Loeb Art Center, Vassar College

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Starting bid: $50 (0 bids)

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MILTON ROCKWELL BELLIN (1913-1997): CIRCUS ELEPHANT

Estimate: $300 - $500

Description: MILTON ROCKWELL BELLIN (1913-1997): CIRCUS ELEPHANT Oil on paper mounted on foamcore, signed ''Milton R. Bellin'' lower right. 30 x 40 in. (sheet), unframed. Condition: The foamcore slightly warped. Some surface abraisions with attendant paint loss. Frances Lehman Loeb Art Center, Vassar College

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Current bid: $150 (1 bid)

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THOMAS HART BENTON (1889-1975): SUNSET

Estimate: $1,200 - $1,800

Description: THOMAS HART BENTON (1889-1975): SUNSET Lithograph in black on wove paper, 1941, signed in pencil, from the edition of 204. 12 1/2 x 19 1/4 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Literature: Fath 43. With full margins. Deckle on all sides. Extremely pale mat staining. Otherwise very good condition. Property of Wilkes University

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Starting bid: $600 (0 bids)

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ISABEL BISHOP (1902-1988): UNION SQUARE LOOKING EAST

Estimate: $700 - $900

Description: ISABEL BISHOP (1902-1988): UNION SQUARE LOOKING EAST Pencil on paper, signed ''Isabel Bishop'' lower right, with label from Midtown Galleries, NY. 7 1/4 x 10 1/2 in. (sheet), 13 1/4 x 16 1/2 in. (frame). Provenance: Honorable Herbert W. Salus Jr. Condition: Pale- light staining. Scattered foxing and some surface soiling. Remains of old glue at the left sheet edges. Soft handling creases. Property of Wilkes University

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Starting bid: $350 (0 bids)

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ATTRIBUTED TO ISABEL BISHOP (1902-1988): SEATED NUDE

Estimate: $100 - $200

Description: ATTRIBUTED TO ISABEL BISHOP (1902-1988): SEATED NUDE Pencil on tissue-thin paper, unsigned. 19 1/4 x 15 in. (sight), 27 x 22 1/2 in. (frame-unglazed). Condition: Staining and soiling. A split with attendant tears and creasing lower right corner. Other soft creasing. Overall in poor condition.

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Starting bid: $50 (0 bids)

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ISABEL BISHOP (1902-1988): NOON HOUR

Estimate: $1,000 - $1,500

Description: ISABEL BISHOP (1902-1988): NOON HOUR Etching in black on wove paper, 1935, signed in pencil, from the edition of 250. 10 3/4 x 7 1/4 in. (sheet), 20 1/2 x 16 1/2 in. (frame). Condition: With margins. Small repaired tear at the bottom sheet edge. Staining on the reverse. Property of Wilkes University

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Starting bid: $500 (0 bids)

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BERNARDA BRYSON (1903-2004): 30,000,000 IMMIGRANTS

Estimate: $100 - $300

Description: BERNARDA BRYSON (1903-2004): 30,000,000 IMMIGRANTS Lithograph in black on wove paper, c. 1953, signed in pencil, numbered 23/25. 10 1/4 x 13 in. (sight), 16 1/2 x 20 1/2 in. (frame). Condition: Sandwiched in the mat. Pale foxing. Otherwise apparently in good condition. Property of Wilkes University

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Starting bid: $50 (0 bids)

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ARTHUR CADY (1920-1983): VENICE CURTAIN NO. 2; AND VENICE CURTAIN

Estimate: $400 - $600

Description: ARTHUR CADY (1920-1983): VENICE CURTAIN NO. 2; AND VENICE CURTAIN Two watercolor on paper, 1976, both signed ''Arthur Cady'' and dated at bottom, No. 2, with label from Witherspoon Art Gallery, The University of North Caroline at Greensboro. Both 16 3/4 x 19 1/2 in. (sheet), 14 1/2 x 17 1/2 in. (frame). Condition: Both with edges of paper wrapped around frame backs (framed in plexibox frames). Frances Lehman Loeb Art Center, Vassar College

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Starting bid: $200 (0 bids)

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JON CARSMAN (1944-1987): THE RED ROSE BAR, NYC

Estimate: $100 - $300

Description: JON CARSMAN (1944-1987): THE RED ROSE BAR, NYC Pencil on paper, 1968, signed ''Carsman'' and dated lower right. 13 1/2 x 10 1/4 in. (sheet), 21 x 17 in. (frame). Condition: Laid down and sandwiched in the mat. Very pale mat staining. Property of Wilkes University

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Starting bid: $50 (0 bids)

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WILLIAM MERRITT CHASE (1849-1916): THE COURT JESTER

Estimate: $150 - $300

Description: WILLIAM MERRITT CHASE (1849-1916): THE COURT JESTER Etching in black on wove paper, 1886, from the edition of 350. 16 x 11 1/4 in. (sheet), 18 1/2 x 13 1/4 in. (frame). Provenance: Honorable Herbert W. Salus, Jr. Condition: With wide margins. Light-staining and pale, scattered foxing. Staining at the extreme sheet edges. Property of Wilkes University

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Starting bid: $75 (0 bids)

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ASA CHEFFETZ (1897-1965): DOWN MONTGOMERY WAY (VERMONT)

Estimate: $50 - $75

Description: ASA CHEFFETZ (1897-1965): DOWN MONTGOMERY WAY (VERMONT) Wood engraving in black on wove paper, signed in pencil, from the edition of 200. 7 1/2 x 9 3/4 in. (sheet), unframed. Condition. With margins. Tipped to a paper mount. Old glue staining showing through from the reverse in the top margin. Property of Wilkes University

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Current bid: $75 (2 bids)

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AFTER GLENN O. COLEMAN (1887-1932): FOOT LIGHTS; AND UNTITLED

Estimate: $100 - $300

Description: AFTER GLENN O. COLEMAN (1887-1932): FOOT LIGHTS; AND UNTITLED Two black and white photographs mounted on paper, bearing signature. 5 1/4 x 4 1/2 in. (image), 12 x 9 1/4 in. (mount), unframed and 4 1/2 x 6 1/4 in. (image), 7 3/4 x 9 3/4 in. (mount), unframed. Note: These are photographs of Coleman''s original charcoal drawings. Provenance: Helen Farr Sloan. Condition: Both photographs with silvering around the edges. Untitled - The mount with two small tears at the sheet edge. Property of Wilkes University

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Starting bid: $50 (0 bids)

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KEITH CROWN (1918-2010): MANHATTAN BEACH PIER

Estimate: $200 - $500

Description: KEITH CROWN (1918-2010): MANHATTAN BEACH PIER Watercolor and gouache on paper, 1952, signed ''Crown'' lower left, with label from Anthony Ralph Gallery, NY. 22 1/4 x 30 in. (sheet), 26 x 32 3/4 in. (frame). Condition: Brown paper tape along the bottom right corner with some pencil notations. Remains of old brown paper tape at the left edge. A loss top left corner. Minor surface soiling. Hinged to the backboard at top and bottom, reverse of sheet not visible.

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Current bid: $100 (1 bid)

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TED DAVIS: FULL MOON OVER LOBSTER COVE

Estimate: $200 - $300

Description: TED DAVIS: FULL MOON OVER LOBSTER COVE Watercolor on paper, 1963, signed ''Ted Davis'' lower right and dated lower left, with label from the studio of the artist. 25 1/2 x 19 1/2 in. (sheet), 34 1/2 x 29 1/2 in. (frame). Condition: Mat staining. Remains of old brown paper tape at the reverse of the top sheet edge.

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Current bid: $100 (1 bid)

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WILLIAM D. DAVIS (1936-2003): MERRY GO ROUND WITH RHINO

Estimate: $100 - $200

Description: WILLIAM D. DAVIS (1936-2003): MERRY GO ROUND WITH RHINO Lithograph in black on wove paper, 1975, signed, titled and dated in pencil, numbered 57/250. 23 1/2 x 19 in. (sheet), unframed. Provenance: Helen Farr Sloan. Condition: With full margins. A tiny split at the top sheet edge. Some minor and unobtrusive surface soiling. Property of Wilkes University

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Starting bid: $50 (0 bids)

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ADOLF DEHN (1895-1968): FOUR CARIBS

Estimate: $200 - $300

Description: ADOLF DEHN (1895-1968): FOUR CARIBS Lithograph in colors on Rives, 1960, signed and titled in pencil, numbered 25/30. 26 x 20 in. (sheet), 27 x 22 in. (frame). Condition: With full margins. Pale mat staining. Foxing. A crease along the deckle edge at bottom. Foxing and staining on the reverse. Remains of old glue at two places at the reverse of the top sheet corners.

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Current bid: $100 (1 bid)

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WERNER DREWES (1899-1985): NEW TOWERS

Estimate: $200 - $300

Description: WERNER DREWES (1899-1985): NEW TOWERS Woodcut in black on tissue-thin Japan, 1931, signed and dated in pencil, inscribed ''N.4''. 15 x 11 in. (sheet), 25 x 17 1/2 in. (frame). Condition: With margins. A pale stain at left. Very pale staining. Otherwise in very good condition. Property of Wilkes University

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Starting bid: $100 (0 bids)

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MABLE DWIGHT (1876-1955: SUNDAY AFTERNOON

Estimate: $700 - $900

Description: MABLE DWIGHT (1876-1955: SUNDAY AFTERNOON Lithograph in black on wove paper, 1934, signed and dated in pencil. 13 1/2 x 16 3/4 in. (sheet), 21 1/2 x 26 in. (frame). Provenance: Helen Farr Sloan. Condition: With margins, irregularly trimmed at top. Extremely pale staining. Two small remains of old glue at the bottom sheet edge. Minor surface soiling. Two skinned patches at the reverse of the top sheet corners. Property of Wilkes University

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Starting bid: $350 (0 bids)

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KERR EBY (1889-1946): SNOWFIELDS, CT

Estimate: $50 - $100

Description: KERR EBY (1889-1946): SNOWFIELDS, CT Etching in black on wove paper, 1925, signed in pencil. 8 x 13 1/4 in. (sight), 14 x 18 1/2 in. (frame). Provenance: Gilbert S. McClintoch Print Collection. Condition: With margins. Laid down and partially sandwiched in mat. Pale light- staining. A tear in the bottom margin just along the plate mark and a tear in the left margin. Property of Wilkes University

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Current bid: $25 (1 bid)

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PHILIP EVERGOOD (1901-1973): UNTITLED (NUDE)

Estimate: $200 - $400

Description: PHILIP EVERGOOD (1901-1973): UNTITLED (NUDE) Brown crayon on paper, 1933, signed ''Philip Evergood'' lower right, dated and inscribed ''To John Sloan New York'' lower left. 18 x 14 1/2 in. (sheet), 20 1/2 x 16 1/2 in. (frame). Provenance: Helen Farr Sloan. Condition: Mat staining and some surface soiling. A few stray pencil marks at the sheet edges. A small tear at the left sheet edge. Property of Wilkes University

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Current bid: $100 (2 bids)

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HELEN FARR (1911-2005): FELINE #2 - ANGNA ENTERS

Estimate: $200 - $400

Description: HELEN FARR (1911-2005): FELINE #2 - ANGNA ENTERS Lithograph in black on wove paper, 1930, signed and titled in pencil, inscribed ''25 proofs''. 15 x 10 3/4 in. (sheet), 20 1/2 x 16 1/2 in. (frame). Note: Helen Farr grew up in New York City, enrolling at age sixteen at the Art Students League where she met and studied under John Sloan who became her mentor and a dear friend. In the 1930''s, Helen spent several summers with the Sloans in New Mexico where they were active members of the Santa Fe art colony. In 1944, Sloan''s wife Dolly died and later that year he and Helen married. Their marriage lasted only seven years, as John was forty years her senior and died in 1951. Helen took on the task of handling Sloan''s estate, turning it into a philanthropic organization that supported local and regional art museums and institutions. She was particularly interested in supporting women in the arts and did so through scholarships and endowments to various organizations. Many of the works in this catalogue were gifts from Helen Farr Sloan to Wilkes University. Provenance: Helen Farr Sloan. Condition: With full margins. Very pale mat staining. Small losses and creases at the corners. Some surface soiling and an occasional scattered foxmark. Property of Wilkes University

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Starting bid: $100 (0 bids)

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HELEN FARR (1911-2005): APACHE DEVIL DANCE

Estimate: $400 - $800

Description: HELEN FARR (1911-2005): APACHE DEVIL DANCE Lithograph in black on wove paper, signed and titled in pencil, inscribed ''25 proofs''. 12 1/2 x 15 1/4 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Provenance: Helen Farr Sloan. Condition: With full margins. Extremely pale light- staining. Tack holes at the top corners. A small loss at top left and lower left corners. Unobtrusive handling creases. Property of Wilkes University

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Starting bid: $200 (0 bids)

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EUGENE CAMILLE FISCH (1892-1972): UNEMPLOYED UNION SQUARE

Estimate: $400 - $600

Description: EUGENE CAMILLE FISCH (1892-1972): UNEMPLOYED UNION SQUARE Lithograph in black on wove paper, 1936, signed and dated in pencil, inscribed ''100 E/d'', with the ''First Annual Print Series'' ink stamp on the reverse. 11 3/4 x 16 in. (sheet), 16 1/2 x 20 1/2 in. (frame). Condition: Pale mat staining and surface soiling. Some soft creasing. Remains of old masking tape, glue and skinning along the reverse of the top sheet edge. A pin hole at the top left corner. Property of Wilkes University

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Starting bid: $200 (0 bids)

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DAVE FOSTER: PUBLIC NUISANCE

Estimate: $50 - $100

Description: DAVE FOSTER: PUBLIC NUISANCE Lithograph in black, on wove paper, inscribed ''Merry Christmas to Mr. and Mr. Sloan from Dave Foster'' in green crayon. 12 3/4 x 9 1/2 in. (sheet), 20 1/2 x 16 1/2 in. (frame). Provenance: Helen Farr Sloan. Condition: Some pale light and mat staining. Several small spots of staining at top left affecting the inscription. A crease and tiny loss at the lower left corner. Property of Wilkes University

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Starting bid: $25 (0 bids)

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DON FREEMAN (1908-1978): IN HOLLYWOOD I SAW FRANK CAPRA

Estimate: $50 - $100

Description: DON FREEMAN (1908-1978): IN HOLLYWOOD I SAW FRANK CAPRA Lithograph in black on wove paper. 12 x 8 3/4 in. (sheet), unframed. Provenance: Helen Farr Sloan. Condition: Very pale mat staining. Remains of old glue along the reverse of the top sheet edge. Property of Wilkes University

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Starting bid: $25 (0 bids)

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ELISABETH FRINK (1930-1993): HORSE''S HEAD

Estimate: $400 - $600

Description: ELISABETH FRINK (1930-1993): HORSE''S HEAD Lithograph in grey on wove paper, 1970, signed in pencil and numbered 42/60, signed in pencil and titled on the reverse. 15 1/2 x 23 in. (sheet), unframed. Condition: Overall very good condition. Property of Wilkes University

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Current bid: $200 (1 bid)

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EMIL GANSO (1895-1941): RECLINING NUDE

Estimate: $600 - $900

Description: EMIL GANSO (1895-1941): RECLINING NUDE Charcoal on paper, watermark Eatons Debutante, signed ''Ganso'' lower right, with label from Washing Irvington Gallery, NY. 17 x 22 in. (sheet), 25 x 30 in. (frame). Condition: Light- and mat staining. Some surface soiling. A few small scattered stains, one lower right just below the signature. Taped to the overmat with clear tape along the reverse of the upper vertical sheet edges (approx. 8 1/2 in.). Remains of old glue at places on the reverse of the sheet edges. The Estate of Alicja Corning Clark

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Starting bid: $300 (0 bids)

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HELEN GERARDIA (1903-1988): LANDSCAPE WITH GREEN

Estimate: $400 - $600

Description: HELEN GERARDIA (1903-1988): LANDSCAPE WITH GREEN Lithograph in colors on wove paper, signed and titled in pencil, numbered 13/20, inscribed ''Collections: Anderson Fine Arts Center, IN.; Illinois State University; University of Oregon; Florence State University, AL.''; and Moon Sector; and Moon Ray, two lithographs in black on wove paper, both signed and titled in pencil, numbered 18/20 and 20/20 respectively,Moon Sector inscribed ''Image is 16 x 20 left side parallel with right'' and ''Collections: Albrecht Art Museum, St. Joseph, MI; Robert West Museum; Sandford Museum, Cherokee, IW; Kenosha Public Museum and Civic Center, WI'', Moon Collection: inscribed '' Hermitage Foundation, Norfolk, VA; University of Wyoming Art Museum; University of Portland Oregon; McNeese State University, Lake Charles, LA''. All 18 1/2 x 22 1/2 in. (sheet), unframed. Condition: Landscape with Green: Several small skinned patches on the reverse. Otherwise good condition. Moon Sector: and Moon Ray: Light-staining and a few small creases. Several skinned patches on the reverse. Property of Wilkes University

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Starting bid: $200 (0 bids)

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WILLIAM GLACKENS (1870-1938): HERE IS OUR MUSIC; AND MONSIEUR AND MADAME MOLLETT

Estimate: $100 - $200

Description: WILLIAM GLACKENS (1870-1938): HERE IS OUR MUSIC; AND MONSIEUR AND MADAME MOLLETT Two etchings on wove paper. 4 1/4 x 6 in. (sight), and 5 1/2 x 4 in. (sight), both 21 1/2 x 17 1/2 in. (frame). Provenance: Helen Farr Sloan. Condition: With margins. Both apparently in good condition. Not examined out of frame. Property of Wilkes University

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Starting bid: $50 (0 bids)

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WILLIAM GLACKENS (1870-1938): YES, GOOD MAMA...; YOU LIKE IT, DRINK IT; AND NOTHING WAS HEARD BUT THE CLATTER OF PLATES AND FORKS

Estimate: $100 - $150

Description: WILLIAM GLACKENS (1870-1938): YES, GOOD MAMA...; YOU LIKE IT, DRINK IT; AND NOTHING WAS HEARD BUT THE CLATTER OF PLATES AND FORKS Three etchings in black on wove paper with tissue title overlays, 1904. All 8 1/2 x 5 1/4 in. (sheet), all unframed. Provenance: Helen Farr Sloan. Condition: Old binding at the right sheet edges. Some creasing in the tissue. Otherwise in good condition. Property of Wilkes University

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Starting bid: $50 (0 bids)

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RALPH GOINGS (b. 1928): GRIDDLE INN

Estimate: $300 - $500

Description: RALPH GOINGS (b. 1928): GRIDDLE INN Screenprint on board, 1978, signed and dated in ink, numbered 18/60. 30 1/2 x 35 1/2 in., unframed. Condition: Some wear to the edges of the board. Some scuffs. Property of Wilkes University

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Starting bid: $150 (0 bids)

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HARRY GOTTLIEB (1895-1992): BOOTLEG MINING

Estimate: $400 - $600

Description: HARRY GOTTLIEB (1895-1992): BOOTLEG MINING Pastel and gouache on paper, 1938, signed ''Harry Gottlieb'' and dated lower right. 18 3/4 x 22 3/4 in. (sheet), unframed. Condition: Remains of old glue at the top sheet edge. Some surface soiling showing mostly on the reverse. Property of Wilkes University

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Starting bid: $200 (0 bids)

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HARRY GOTTLIEB (1895-1922): MINING

Estimate: $400 - $600

Description: HARRY GOTTLIEB (1895-1922): MINING Gouache on paper, 1938, signed ''Harry Gottlieb'' lower right. 13 1/2 x 16 7/8 in. (sheet), unframed. Condition: Some minor surface soiling and stray pencil marks. Old masking tape and remains of old glue around the reverse of the sheet edges. Property of Wilkes University

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Starting bid: $200 (0 bids)

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HARRY GOTTLIEB (1895-1992): BOOTLEG MINING

Estimate: $50 - $100

Description: HARRY GOTTLIEB (1895-1992): BOOTLEG MINING Lithograph in black on wove paper, 1938, signed and dated in ink. Approx. 16 x 23 in. (sheet), 21 x 25 in. (frame). Condition: Tears and losses around the sheet edges. Creasing and surface soiling. Overall in poor condition. Property of Wilkes University

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Starting bid: $25 (0 bids)

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HARRY GOTTLIEB (1895-1992): LONG ISLAND MEMORY

Estimate: $200 - $300

Description: HARRY GOTTLIEB (1895-1992): LONG ISLAND MEMORY Screenprint in colors on wove paper, 1967, signed, titled and dated in ink, numbered 64/93. 18 1/2 x 23 1/2 in. (sheet), unframed. Condition: Surface soiling and stray pencil marks, remains of old brown paper tape and glue at sheet edges. Some creasing and a tear at the bottom sheet edge. Property of Wilkes University

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Starting bid: $100 (0 bids)

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ATTRIBUTED TO BERNARD GUTMANN (1869-1936): SKETCHBOOK STUDIES

Estimate: $100 - $300

Description: ATTRIBUTED TO BERNARD GUTMANN (1869-1936): SKETCHBOOK STUDIES A book of chalk, pencil and crayon sketches on paper, some dated 1910, some variously inscribed; together with three old photographs. 12 3/4 x 10 1/4 in. overall. Note: This sketchbook contains drawings done in 1910 in various towns in France. Many of the drawings are inscribed with a location. Property from Salander-O'Reilly Galleries, Inc.

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Current bid: $50 (1 bid)

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WILLIAM GROPPER (1897-1977): CHESS PLAYERS

Estimate: $50 - $150

Description: WILLIAM GROPPER (1897-1977): CHESS PLAYERS Drypoint in green on Rives, c. 1945, signed in pencil, numbered 14/100, with label from Associated American Artists, NY. 19 x 22 1/2 in. (sheet), 22 1/2 x 26 in. (frame). Condition: With full margins. Light-staining. With the ''ES'' blind stamp lower right corner. Property of Wilkes University

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Current bid: $25 (1 bid)

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