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Auction Description for Doyle New York: Impressionist & Modern Art

Impressionist & Modern Art (118 Lots)

by Doyle New York


118 lots with images

November 1, 2016

Live Auction

New York, NY, USA

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Hippolyte Camille Delpy French, 1842-1910 Automne a Tournedos-sur-Seine, 2004

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Description: Hippolyte Camille Delpy French, 1842-1910 Automne a Tournedos-sur-Seine, 2004 Signed H. C. Delpy and dated 04 (lr) Oil on cradled panel 15 5/8 x 28 inches (40 x 71.1 cm) Provenance: Edward Brandus, New York, no. 3489 C 

Condition Report: Frame rubbing. Dirty, very yellowed varnish. Unable to detect inpainting though the dulling varnish. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Henri Pille French, 1844-1897 Le Bois de la Saudraie, circa 1880

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Description: Charles Henri Pille French, 1844-1897 Le Bois de la Saudraie, circa 1880 Signed H. PILLE (lr); inscribed 93 Victor Hugo on the upper stretcher Oil on canvas 51 3/8 x 38 1/8 inches (130.5 x 96.8 cm) Provenance: Private collection, Philadelphia, purchased before 1981 Exhibited: Paris, Salon, 1880, no. 3028 Literature: Frederic Henriet, Henri Pille, 1898 F. G. (Francois Guillaume) Dumas, Catalogue Illustre du Salon, Paris, 1880, p. 53, no. 3028, illus. This work depicts an incident from Victor Hugo's last novel, Quatrevingt-treize (Ninety-three) of 1874, which takes place in France during the counter-revolutionary Chouannerie revolt in 1793. Here a young mother, Michelle Flechard, and her children are discovered hiding in a wood by "Blues" (French Republican soldiers), who take the fugitives in and protect them. C 

Condition Report: Glue lined. Frame rubbing. Scattered inpainting: upper right corner; top center; lower left corner; few spots in center and around the woman's feet. Few other small scattered spots. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alphonse-Marie-Adolphe de Neuville French, 1835-1885 The Prisoner, 1884

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Description: Alphonse-Marie-Adolphe de Neuville French, 1835-1885 The Prisoner, 1884 Signed A. de Neuville and dated 1884 (lr); inscribed Neuville and A/2536 on the stretcher Oil on canvas 29 1/2 x 22 5/8 inches (75 x 57.5 cm) C 

Condition Report: Could use a light cleaning. Minor frame rubbing. Unable to detect restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Stefano Novo Italian, 1862-1927 The Flower Market

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Description: Stefano Novo Italian, 1862-1927 The Flower Market Signed Stefano Novo (ll) and inscribed and indistinctly dated Venice 190... (ll) Oil on canvas 32 3/8 x 47 3/8 inches (82.3 x 120.5 cm) C 

Condition Report: Glue relined. Scattered touches of restoration on the door jamb at left. some touches on the faces of the woman in the red bloouse and the woman to the right of her. A few scattered touches elsewhere. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Vittorio Reggianini Italian, 1858-1939 The Love Letter

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Description: Vittorio Reggianini Italian, 1858-1939 The Love Letter Signed VReggianini (ll) Oil on canvas 37 1/2 x 23 5/8 inches (95.3 x 60 cm) C 

Condition Report: Relined. Frame rubbing. Inpainting in the background. New stretchers. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean Beraud French, 1849-1936 Devant La Maison Paquin

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Description: Jean Beraud French, 1849-1936 Devant La Maison Paquin Signed Jean Beraud (ll); incised JO/608 on the reverse Oil on panel 14 1/2 x 21 5/8 inches (36.8 x 55 cm) Provenance: Sale: New York, Waldorf Astoria, Mar. 8, 1901, Lot 24 Schweitzer Gallery, New York Sale: London, Sotheby's, Jun. 20, 1989, Lot 46, illus. Richard Green, London Private collection, Louisiana Exhibited: London, Richard Green, A Christmas Trilogy, Exhibition of XIXth and XXth Centuries European Paintings, 1989, no. 13, illus. Literature: Patrick Offenstadt, Jean Beraud, The Belle Epoque: A Dream of Times Gone By: Catalogue Raisonne, Cologne, 1999, p. 152, no. 146, illus. Patrick Offenstadt at the Fondation Wildenstein, Paris, issued a letter of authenticity for this work on October 30, 1989. The dressmaker Jeanne Paquin opened her fashion house on the rue du la Paix in 1891. The Maison Paquin quickly became known for its elegant evening gowns inspired by 18th-century dresses. Later Mme. Paquin gained a reputation as a modernist, even collaborating with such avant garde designers as Leon Bakst to create stage costumes. Jean Beraud painted several works featuring the Maison Paquin. C 

Condition Report: Frame rubbing. Two thin strips of wood have been added to extend the top and left edges. Some inpainting along the edges and in the lower right corner. Tiny spots of inpainting in the upper left corner area and into the center in the sky; some spots in the dress of the woman at lower right center (in white). Few other tiny scattered spots. Otherwise, in relatively good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Louis Marie de Schryver French, 1862-1942 Parisien Flower Vendor

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Description: Louis Marie de Schryver French, 1862-1942 Parisien Flower Vendor Signed Louis de Schryver (ll) Oil on canvas 27 5/8 x 35 3/4 inches (70.1 x 90.8 cm) Provenance: A New York Collection Sale: Doyle, New York, May 22, 2001, lot 162 Private collection, CA, thence by descent in the family C 

Condition Report: Wax lined. Frame rubbing. Scattered inpainting, mainly along the edges and perimeter of the painting. Some areas within the painting. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Charles Angrand French, 1854-1926 Maternite

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Description: Charles Angrand French, 1854-1926 Maternite Conte crayon on laid paper 24 1/2 x 18 3/4 inches (62.2 x 47.6 cm) Provenance: Jane Roberts Fine Arts, Paris Accompanied by a photo-certificate of authenticity from Francois Lespinasse, dated February 24, 1999. C 

Condition Report: Laid to another sheet. Few light spots of foxing in corners. Taped to mat along top and upper side verso edges. Minor rubbing in the upper left corner (very small area). Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Edouard Vuillard French, 1868-1940 Deux Femmes

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Description: Edouard Vuillard French, 1868-1940 Deux Femmes Stamped with initials E.V. (lr) (L.909c) Charcoal on paper 20 5/8 x 16 inches (52.4 x 40.6 cm) Provenance: Estate of the artist Sam Salz, New York C 

Condition Report: Laid down to another sheet. Discoloration along the edges. Taped to mat from top vero edge. Some creases. Several small tears along the edges (repaired). 10 inch crease in the upper right corner. Some smudges and surface dirt. Faint vertical line of discoloration down the right side of the drawing. Possible waterspots scattered (light). Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Edouard Vuillard French, 1868-1940 The Garden Wall, circa 1930

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Description: Edouard Vuillard French, 1868-1940 The Garden Wall, circa 1930 With blind stamped initials E.V. (lr) Watercolor and pencil on paper 7 7/8 x 4 3/4 inches (20 x 12 cm) Provenance: Jill Newhouse Gallery, New York C George C. Dillon Living Trust

Condition Report: Taped to mat with two small pieces of tape from top verso corners. Lightly toned. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alfredo Helsby Chilean, 1862-1936 City Nocturne

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Description: Alfredo Helsby Chilean, 1862-1936 City Nocturne Signed Alfredo Helsby (ll) Oil on canvas 17 1/8 x 20 7/8 inches (43.5 x 53 cm) C Property of Elizabeth Mankin, Kent, Connecticut

Condition Report: Wax lined. Few small lines of craquelure in the center of the painting. Tiny scattered spots of inpainting along the upper center of the painting. Unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Emilio Pettoruti Argentine, 1892-1971 Landscape in Tegernsee, 1921

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Description: Emilio Pettoruti Argentine, 1892-1971 Landscape in Tegernsee, 1921 Signed Pettoruti and dated 1921 (ll), signed Pettoruti, dated 1921 and inscribed Tegernsee on the reverse Oil on board 4 3/4 x 7 inches (12 x 17.8 cm) Exhibited: New York, CDS Gallery, Nov. 2004, no. 178 C 

Condition Report: A small loss to sky at upper right edge. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Kathe Kollwitz German, 1867-1945 Infant Sketches (Sauglingsskizzen), studies for Mutter und Kind, 1903

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Description: Kathe Kollwitz German, 1867-1945 Infant Sketches (Sauglingsskizzen), studies for Mutter und Kind, 1903 Signed Kathe Kollwitz and dated '03 (lr); inscribed on the verso original...studie fur Mutter und Kind and M116/HXOEYY2Y Charcoal and white chalk on Ingres paper 17 1/4 x 24 inches (43.8 x 61 cm) Provenance: H. Shickman Gallery, New York Literature: Otto Nagel, Kathe Kollwitz: Die Handzeichnungen, Berlin 1972, pp. 224-5, no. 223, illus. C 

Condition Report: Toned. Slight matburn. Taped to mat from verso corners. Thin edging of support along the verso edges. Repair to a 2 1/2 inch tear at upper left corner. Pinholes in corners. Minor losses to lower left corners. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Alphonse Maria Mucha Czech, 1860-1939 Drawing for Bosnia & Herzegovina Pavilion at the 1900 Paris Exhibition, 1900...

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Description: Alphonse Maria Mucha Czech, 1860-1939 Drawing for Bosnia & Herzegovina Pavilion at the 1900 Paris Exhibition, 1900 Signed Mucha (lr); stamped z umeleche pozustalosti/ALFONSE MUCHY numbered 2603 and with remnants of another stamp (ur) Pencil and stumping on tracing paper 17 3/8 x 24 3/4 inches (44.1 x 62.9 cm) Provenance: Grosvenor Gallery, London We thank the Mucha Foundation for confirming the authenticity of this lot. C George C. Dillon Living Trust

Condition Report: margins in poor condition Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Lemmen Belgian, 1865-1916 Grand Arbre, 1904

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Description: Georges Lemmen Belgian, 1865-1916 Grand Arbre, 1904 Signed with monogram and dated 1904 (lc) Oil on board 21 3/4 x 19 5/8 inches (55.3 x 49.9 cm) Provenance: Studio of the artist Galerie Druet, Paris (possibly) C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Pierre-Eugene Montezin French, 1874-1946 Allee Sous les Arbres

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Description: Pierre-Eugene Montezin French, 1874-1946 Allee Sous les Arbres Signed Montezin (ll) Oil on canvas 23 5/8 x 28 5/8 inches (60 x 72.6 cm) Provenance: Sale: Sotheby's, New York, Impressionist and Modern Paintings, Drawings and Sculpture, Nov. 4, 1993, lot 289 This work will be included in the forthcoming catalogue raisonne by Monsieur Jean Pierre Klein-Montezin. C 

Condition Report: Could use a light cleaning. No apparent restoration. Scattered light craquelure in the sky. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Derain French, 1880-1954 Fille a la Mandoline, 1931

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Description: Andre Derain French, 1880-1954 Fille a la Mandoline, 1931 Signed derain (lr) Oil on canvas 25 5/8 x 23 3/4 inches (72.7 x 60 cm) Provenance: Paul Guillaume, Paris Marie and Averell Harriman, New York Sale: Parke-Bernet Galleries, New York, Jun. 28, 1972, lot 48 Galerie Schmit, Paris Private collection Sale: Christie's, New York, Impressionist and Modern Art, Nov. 2, 2005, lot 1572 Exhibited: Philadelphia, PA, Pennsylvania Museum, Dec. 1931 New York, Marie Harriman Gallery, French Paintings, Mar. 1932 St. Louis, MO, Newhouse Gallery, 1933 San Francisco, CA, California Palace of the Legion of Honor, 1934 Chicago, IL, Arts Club of Chicago, Paintings by Andre Derain, Jan. 1947, no. 8 Paris, Galerie Schmit, Exposition Derain, May - Jun. 1976, no. 41, illus. Tokyo, Takashimaya Art Gallery, Jul. 1981, no. 42, illus. Tokyo, Art Point Gallery, Andre Derain, 1989, no. 7, illus. Oxford, Museum of Modern Art, Andre Derain, Dec. 16, 1990 - Mar. 18, 1991 (travelled to Edinburgh, Scottish National Gallery of Modern Art, Mar. 27 - May 27, 1991 and Troyes, Musee d'Art Moderne de la Ville de Troyes, Jun. 22 - Sep. 16, 1991) Osaka, Musee d'Art de Daimaru, Andre Derain, Sep. 20 - Oct. 1, 1995, no. 37 (travelled to Tokyo, Musee d'Art de Daimaru, Oct. 26 - Nov. 7, 1995 and Kyoto, Musee d'Art de Daimaru, Dec. 31, 1995 - Jan. 23, 1996) Literature: Jane Lee, Derain, Oxford, 1990, p. 126 Gaston Diehl, Derain, Vaduz, 1991, pl. 60 Michel Kellermann, Andre Derain: Catalogue Raisonne de l'Oeuvre Peint, vol. II, Paris, 1996, p. 247, no. 1259, illus. C 

Condition Report: Wax relined. Dense old varnish layer, not cleaned in many years. Some restoration along the upper left margin. None visible elsewhere under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Henri Lebasque French, 1865-1937 Femme Nu Assise sur la Plage

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Description: Henri Lebasque French, 1865-1937 Femme Nu Assise sur la Plage Signed Lebasque (lr) Oil on canvas 31 3/4 x 25 1/2 inches (80.7 x 64.8 cm) Provenance: Carel Gallery, Miami Beach, FL This work will be included in the forthcoming supplement to the catalogue raisonne being prepared by Denise Bazetoux. C Property from a Private Collection

Condition Report: Frame rubbing. Could use a light cleaning. 1/2 cm scratch at lower right corner. No apparent restoration. Small nail holes along edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marie Laurencin French, 1883-1956 Jeune Femme et Jeunes Filles en Plein Air

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Description: Marie Laurencin French, 1883-1956 Jeune Femme et Jeunes Filles en Plein Air Signed Marie Laurencin and inscribed A mon ami/Willy Michel (lr); inscribed indistinctly on the reverse Watercolor and pencil on paper 13 1/4 x 17 5/8 inches (33.7 x 44.7 cm) Provenance: Willy Michel, Paris Galerie Daniel Malingue, Paris Kunsthaus Buhler, Stuttgart, Germany The present work is listed in Daniel Marchesseau Marie Laurencin, 1883-1956: Catalogue Raisonne de l'Oeuvre, Peintures, Ceramiques, Oeuvres sur papier, vol. II, Chino, Japan: Musee Marie Laurencin, 1999, no. 1244, p. 596, illus. C 

Condition Report: Verso edges with tape residue. Taped to mat with two small pieces of tape at the top verso corners. Some scattered foxing. Otherwise, the work appears to be in relatively good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Maurice de Vlaminck French, 1876 - 1958 Bouquet de Fleurs

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Description: Maurice de Vlaminck French, 1876 - 1958 Bouquet de Fleurs Signed Vlaminck (lr) Oil on canvas 24 1/4 x 19 3/4 inches (61.5 x 50.2 cm) This work is in the Archives of the Vlaminck Catalogue under the number 173 with a certificate of inclusion with the reference number 93.09.17/1706. It will be included in the catalogue raisonne of the work of Maurice de Vlaminck currently being prepared by the Wildenstein Institute, Paris. C 

Condition Report: Relined. Frame rubbing. Scattered craquelure. Scattered spots of inpainting, mainly along the out edges and perimeter of the painting. Few spots in the flowers. Unable to detect further restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Dunoyer de Segonzac French, 1884-1974 Le Melon

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Description: Andre Dunoyer de Segonzac French, 1884-1974 Le Melon Signed A. D. de Segonzac (ul); with A.D.S./18 rue Bonaparte, Paris stamps on the reverse and frame Oil over traces of pencil on beveled panel 12 7/8 x 16 1/8 inches (32.7 x 41 cm) Provenance: Galerie Charpentier, Paris Julia Appleton Bird, Beverly, MA, thence by descent to the present owner C 

Condition Report: Minor frame rubbing. Small spots of inpainting in the upper left corner area. No further apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Dunoyer de Segonzac French, 1884-1974 Les Delphiniums

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Description: Andre Dunoyer de Segonzac French, 1884-1974 Les Delphiniums Signed a. Dunoyer de Segonzac (lc) Watercolor, ink and gouache on paper 23 x 31 1/4 inches (58.4 x 79.4 cm) C 

Condition Report: Adhered to Masonite along the verso edges. Few small spots with paper residue stuck to the surface, at center. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Dunoyer de Segonzac French, 1884-1974 Peaches and Zinnias on a Green Table

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Description: Andre Dunoyer de Segonzac French, 1884-1974 Peaches and Zinnias on a Green Table Signed a.D. de Segonzac (lr) Watercolor, ink and gouache on paper 22 7/8 x 31 1/8 inches (58 x 79 cm) C 

Condition Report: Taped to mat along top verso edge. Several spots of foxing at the top left and right. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Sigmund Menkes Polish/American, 1896-1986 Floral Still Life with Stringed Instrument

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Description: Sigmund Menkes Polish/American, 1896-1986 Floral Still Life with Stringed Instrument Signed Menkes (lr) Oil on canvas 26 1/8 x 18 1/8 inches (66.3 x 46 cm) C 

Condition Report: Could use a light cleaning. Frame rubbing. Dent in center from behind. Few small areas of craquelure lower left; top center. Edges without varnish. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Petr Alexandrovich Nilouss (Nilus) Ukrainian, 1869-1943 Two Bouquets

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Description: Petr Alexandrovich Nilouss (Nilus) Ukrainian, 1869-1943 Two Bouquets Signed and inscribed Petr Nilouss/Paris (ll) Oil on canvas 31 1/2 x 23 5/8 inches (80 x 60 cm) C 

Condition Report: Dirty varnish. Frame rubbing. Visible stretcher marks. No apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean Dufy French, 1888-1964 Bouquet de Roses et de Lilas

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Description: Jean Dufy French, 1888-1964 Bouquet de Roses et de Lilas Signed Jean Dufy (lr) Watercolor and gouache on paper 22 3/4 x 17 1/4 inches (57.8 x 43.8 cm) Provenance: Sotheby's, New York, Feb. 23, 2001, lot 75 This work is accompanied by a certificate of authenticity from Jacques Bailly, no. 3468. It will be included in the forthcoming catalogue raisonne. C 

Condition Report: Taped to mat along the verso edges. Scattered foxing at the top and bottom. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Georges Terzian French, b. 1939 La Bouteille Verte, 1999

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Description: Georges Terzian French, b. 1939 La Bouteille Verte, 1999 Signed Georges Terzian (lr); signed, dated and inscribed with title on the reverse Oil on canvas 25 3/4 x 21 1/4 inches (65.5 x 54 cm) C 

Condition Report: Not examined out of the frame. Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Le Pho Vietnamese/French, 1907-2001 Fleurs

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Description: Le Pho Vietnamese/French, 1907-2001 Fleurs Signed Le Pho and again in Chinese characters (ll); inscribed with title and numbered 19 on the reverse Oil on canvas 32 x 23 7/8 inches (81.3 x 60.6 cm) Provenance: Florence Art Gallery, Florence, Italy The work will be included in the Catalogue Raisonne of the works of Le Pho by the Findlay Institute and is accompanied a certificate of authenticity. C A Prominent New York Family

Condition Report: Few small areas of craquelure, mainly in the whites upper left and lower center. Otherwise in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marcel Dyf French, 1899-1985 Arbres de Provence   Signed Dyf (lr) Oil on canvas 18 x 21 1/2 inches (45.8...

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Description: Marcel Dyf French, 1899-1985 Arbres de Provence Signed Dyf (lr) Oil on canvas 18 x 21 1/2 inches (45.8 x 54.6 cm) This work is registered in the archives of the artist as No. 5101 C Estate of Victor Shanok

Condition Report: Dirty varnish. Frame rubbing. No apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marcel Dyf French, 1899-1985 La terrasse de l''atelier de Cannes   Signed Dyf (lr) Oil on canvas 21 5/8 x...

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Description: Marcel Dyf French, 1899-1985 La terrasse de l'atelier de Cannes Signed Dyf (lr) Oil on canvas 21 5/8 x 18 1/8 inches (55 x 46 cm) Provenance: Bloom Antiques This work is registered in the archives of the artist as No. 5102 C 

Condition Report: Dirty varnish. Frame rubbing. Scattered craquelure. 1cm scratch with minor paint loss at center right. Unable to detect restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marcel Dyf French, 1899-1985 Voiliers en Provence   Signed Dyf (lr) Oil on canvas 18 1/8 x 22 1/2 inches...

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Description: Marcel Dyf French, 1899-1985 Voiliers en Provence Signed Dyf (lr) Oil on canvas 18 1/8 x 22 1/2 inches (46 x 54.5 cm) This work is registered in the archives of the artist as No. 4382 C Estate of Victor Shanok

Condition Report: Dirty varnish. Frame rubbing. Craquelure throughout, heavy at times. The painting may have been spot cleaned in the upper left corner area. There is a large area which fluoresces very slightly under UV. However, this does not appear to be restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Marcel Dyf French, 1899-1985 Port d''Antibes   Signed Dyf (lr) Oil on canvas 18 1/8 x 21 5/8 inches (46 x...

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Description: Marcel Dyf French, 1899-1985 Port d'Antibes Signed Dyf (lr) Oil on canvas 18 1/8 x 21 5/8 inches (46 x 55 cm) This work is registered in the archives of the artist as No. 5103 C Estate of Victor Shanok

Condition Report: Dirty varnish. Minor frame rubbing. Otherwise, the painting appears to be in relatively good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Brasilier French, b. 1929 Chantal au Compotier, 1962

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Description: Andre Brasilier French, b. 1929 Chantal au Compotier, 1962 Signed Andre Brasilier (lr); signed, dated 1962 and inscribed Femme au compotier on the reverse Oil on canvas 28 3/4 x 36 1/4 inches (73 x 92.4 cm) Provenance: Sotheby's, New York, Feb. 21, 2002, lot 150 Exhibited: New York, David Findlay Galleries, Sep. 24 - Oct. 12, 1963, cat. no. 34 This work is accompanied by a certificate of authenticity from the artist and Xavier de Coulange, dated Dec. 20, 2001. C 

Condition Report: Could use a light cleaning. Some frame rubbing. Unable to detect restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Hambourg French, 1909-1999 Pluie, Grand Army Plazza, Printemps [sic], 1979

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Description: Andre Hambourg French, 1909-1999 Pluie, Grand Army Plazza, Printemps [sic], 1979 Signed a. hambourg and dated 1979 (lr); initialed and inscribed with title and date on the reverse Oil on canvas 10 3/4 x 13 7/8 inches (27.3 x 35.3 cm) Provenance: Wally Findlay Galleries, Paris C Estate of Dorothy J. Henry

Condition Report: Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Hambourg French, 1909-1999 Soleil sur le Marche du Mercredi, St. Remy de Provence, circa 1978

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Description: Andre Hambourg French, 1909-1999 Soleil sur le Marche du Mercredi, St. Remy de Provence, circa 1978 Signed a. hambourg (lr) initialed a. h. and inscribed with title on the reverse Oil on canvas 23 5/8 x 28 3/4 inches (60 x 73 cm) C Estate of Dorothy J. Henry

Condition Report: Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Hambourg French, 1909-1999 A Maree Montante, Petits Chevaux et Personnages sur la Plage

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Description: Andre Hambourg French, 1909-1999 A Maree Montante, Petits Chevaux et Personnages sur la Plage Signed a. hambourg (ll); initialed a.h. and inscribed with title on the reverse; indistinctly dedicated pour Jerry et Marie/avec tous mes vo... du 45eme anniversaire... union et.../a. hambourg/3.9.1969 on the stretcher Oil on canvas 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm) C 

Condition Report: Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Andre Hambourg French, 1909-1999 A Versailles, 1972

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Description: Andre Hambourg French, 1909-1999 A Versailles, 1972 Signed a. hambourg (lr); initialed a. h. and inscribed with title and date on the reverse; inscribed indistinctly on the stretcher avec...livre de L. XIV/maniere de mont... les jardins de Versailles Oil on canvas 7 1/8 x 16 1/4 inches (18.1 x 41.3cm) Provenance: Wally Findlay Galleries, Chicago C Estate of Dorothy J. Henry

Condition Report: Could use a light cleaning. Minor frame rubbing. No apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hughes Claude Pissarro French, b. 1935 Les Pommiers de Terre-Ferrand

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Description: Hughes Claude Pissarro French, b. 1935 Les Pommiers de Terre-Ferrand Signed H. Claude Pissarro (ll); signed H. Claude Pissarro/"le Petit-Fils" and inscribed with titled on the reverse Oil on canvas 21 1/4 x 25 5/8 inches (54 x 65 cm) C 

Condition Report: Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Hughes Claude Pissarro French, b. 1935 La Statue du Dr. Georges Osterman, Polemologue Francais, dans la Jardin d''Aise

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Description: Hughes Claude Pissarro French, b. 1935 La Statue du Dr. Georges Osterman, Polemologue Francais, dans la Jardin d'Aise Signed H. Claude Pissarro (lr); signed H. CLAUDE/PISSARRO, /le petit-fils, inscribed 12 Fig, Irlande and with title on the reverse Oil on canvas 19 7/8 x 24 inches (50.5 x 61 cm) C 

Condition Report: Appears to be in good condition. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Jean-Pierre Cassigneul French, b. 1935 Maison dans le Parc

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Description: Jean-Pierre Cassigneul French, b. 1935 Maison dans le Parc Signed Cassigneul (ll) Oil on canvas 51 x 38 inches (129.5 x 96.5 cm) Provenance: Wally Findlay Galleries, Paris, 1982 C Property of a Private Beverly Hills Collector

Condition Report: Overall, very good condition. I could not detect any restoration under UV light. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Ehrenfried Grosz German/American, 1893-1959 Men on a Street Corner; Study of a Chef: a double-sided work, circa 1932/4

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Description: George Ehrenfried Grosz German/American, 1893-1959 Men on a Street Corner; Study of a Chef: a double-sided work, circa 1932/4 Stamped Grosz (lr) and inscribed geschaftemacher and numbered 22 along the bottom [recto]; with Nachlass stamp inscribed with the number 4/42/10 and numbered L4 Nv. 1588 and inscribed ca/1934 all on the verso Ink on paper [recto]; watercolor and wash [verso] 25 5/8 x 20 1/2 inches (65 x 52.1 cm) Provenance: Jorg Maass, Berlin, acquired by the present owner on Mar. 6, 1998 C A New England Collection

Condition Report: Pinholes in corners. Taped to mat along top verso edge. Some matburn. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Ehrenfried Grosz German/American, 1893-1959 Seated Woman; The Confrontation: a double-sided work, circa 1923

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Description: George Ehrenfried Grosz German/American, 1893-1959 Seated Woman; The Confrontation: a double-sided work, circa 1923 Stamped Grosz (ll) [recto] and (lr) [verso]; with Nachlass stamp which is numbered 5/121/5 and numbered L3 Nv. 12 and 09-1923 on the verso Pencil and charcoal [recto] on heavy paper; ink and pencil [verso] 25 5/8 x 20 5/8 inches (65 x 52.4 cm) Provenance: Private collection, New York C A New England Collection

Condition Report: Taped to mat with two small pieces of tape at top verso corners. Handling creases; repaired small tear in the lower left corner. Matburn; lightly toned; small loss to the lower right corner. Pinholes in corners. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Ehrenfried Grosz German/American, 1893-1959 Seated Nude; German Soldier, a Partial sketch: a double-sided work

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Description: George Ehrenfried Grosz German/American, 1893-1959 Seated Nude; German Soldier, a Partial sketch: a double-sided work Signed Grosz, inscribed indistinctly J... 22 and numbered 600 EL2 (lr) [recto]; numbered 171 and indistinctly inscribed (ll) [recto]; with Nachlass stamp inscribed with the number 5/47/4 and numbered L3 Nv 1263 and 216/353 all on the verso Pencil with ink on heavy paper [recto]; ink [verso] 18 1/8 x 11 1/8 inches (46 x 28.2 cm) Provenance: The Galerie St. Etienne, New York C A New England Collection

Condition Report: Foxing; taped to mat with two pieces of tape at top verso corners. Some matburn. Minor handling creases. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Ehrenfried Grosz German, 1893-1959 Sleeping Female Nude, circa 1912

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Description: George Ehrenfried Grosz German, 1893-1959 Sleeping Female Nude, circa 1912 With stamped signature (lr); with Nachlass stamp and inscribed with the number 6/35/8; also numbered M0626; L1 Nv. 950 and 247025/0812 256133/0097 all on the verso Graphite on JCA France laid paper 12 x 18 inches (30.5 x 40.7 cm) Unframed Provenance: Estate of the artist C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd

Condition Report: Handling creases; few smudges, center left; stain top center edge. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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George Ehrenfried Grosz German, 1893-1959 In Sudende (South End Berlin), 1912

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Description: George Ehrenfried Grosz German, 1893-1959 In Sudende (South End Berlin), 1912 Signed Grosz (lr); with Nachlass stamp and inscribed with the number 1/57/8; inscribed with title, date 1912 and L6 Nv. 3/K.Nr. 45/Folder 42/170620 and 247025/0812 on the verso Graphite and watercolor on paper 8 7/8 x 11 1/4 inches (22.5 x 28.5 cm) Provenance: Estate of the artist Martin Grosz, the artist's son, by descent C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd

Condition Report: Handling creases; tiny loss at center right edge; small tear top left edge and tiny tear lower margin. Matburn. Taped to mat at top verso corners with two small pieces of tape. Tiny minor tears along edges. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Kleinschmidt German, 1883-1949 Woman at a Mirror

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Description: Paul Kleinschmidt German, 1883-1949 Woman at a Mirror Signed with monogram and dated 32 (lr) Oil on canvas 35 3/8 x 27 1/2 inches (90 x 70 cm) Provenance: Acquired from the artist by Erich Cohn Thence by descent in the family C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.

Condition Report: generally good condition; one tiny fleck of paint loss upper right; small amount of inpainting at upper left edge Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Kleinschmidt German, 1883-1949 Still Life with Geraniums, 1935

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Description: Paul Kleinschmidt German, 1883-1949 Still Life with Geraniums, 1935 Signed P. Kl. and dated 35 (ur) Oil on canvas 25 5/8 x 20 inches (65 x 50.8 cm) C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.

Condition Report: Glue relined. Edges with framer's tape. There appears to be a thin line of inpainting along the top edge. No further apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Kleinschmidt German, 1883-1949 Still Life with Salmon and Onions, 1933

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Description: Paul Kleinschmidt German, 1883-1949 Still Life with Salmon and Onions, 1933 Oil on canvas 20 1/2 x 27 3/4 inches (52 x 70.5 cm) Exhibited: New York, Goethe-Institut, Painter in White, May 7-Jun. 6, 2002 C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.

Condition Report: Canvas relined; tiny bit of craquelure; generally good condition Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Kleinschmidt German, 1883-1949 Landschaft in Sudfrankreich

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Description: Paul Kleinschmidt German, 1883-1949 Landschaft in Sudfrankreich (Landscape in Southern France), 1931 Inscribed indistinctly Frank... and signed P. Kl. (ul) Oil on canvas 21 1/2 x 18 inches (54.6 x 45.8 cm) Exhibited: Stuttgart, Galerie der Stadt Stuttgart, Ostdeutsche Galerie Regensburg, 1983, cat. no. 44 The work was painted in Cassis in the Spring of 1931 C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.

Condition Report: Dirty varnish, yellowed. Glue relined. Edges with framer's tape. Scattered craquelure, heaviest in the sky. Inpainting scattered along the edges. No further apparent restoration. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Paul Kleinschmidt German, 1883-1949 Portrait of Erich Cohn

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Description: Paul Kleinschmidt German, 1883-1949 Portrait of Erich Cohn Signed with initials and dated 3/19/31 (ur, vertically) Oil on canvas 39 1/2 x 27 3/4 inches (100.4 x 70.2 cm) Provenance: Acquired from the artist by the sitter Thence by descent Unframed C Estate of Roberta K. Cohn & Richard A. Cohn, Ltd.

Condition Report: Relined; generally good condition Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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