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Auction Description for Leslie Hindman: American and European Art

American and European Art (292 Lots)

by Leslie Hindman Auctioneers


292 lots | 291 with images

December 12, 2012

Live Auction

Chicago, IL, USA

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William Henry Hamilton Trood, (British, 1848-1899), Feeding, 1806

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Description: William Henry Hamilton Trood (British, 1848-1899) Feeding, 1806 oil on canvas signed W.H. Trood and dated (lower left) 13 x 9 3/4 inches.

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Charles Burton Barber, (British, 1845-1894), Curiosity

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Description: Charles Burton Barber (British, 1845-1894) Curiosity oil on canvas signed C. Burton Barber (lower left) 18 1/2 x 24 inches.

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Edgar Hunt, (British, 1876-1953), Cockerels and Pigeons and Roosters and Rabbits (a pair of works)

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Description: Edgar Hunt (British, 1876-1953) Cockerels and Pigeons and Roosters and Rabbits (a pair of works) oil on canvasboard each signed E. Hunt (lower right) Each: 10 x 8 inches.

Condition Report: (Rabbits) - Frame abrasions along edges, Horizontal scratch along upper edge (Chicks) - Frame abrasions along upper edge, Horizontal scratch along upper edge Under UV, no evidence of restoration Framed: 14 x 12 inches.

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Harry Fidler, (British, 1856-1935), Milking the Cows

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Description: Harry Fidler (British, 1856-1935) Milking the Cows oil on canvas signed H. Fidler (lower right) 14 1/2 x 16 1/2 inches.

Condition Report: Not Framed. Under UV, visible restoration along upper edge; otherwise appears in basic good condition

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Jan Rosen, (Polish, 1854-1936), Riders and Horses, 1877

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Description: Jan Rosen (Polish, 1854-1936) Riders and Horses, 1877 oil on canvas signed Jan Rosen, Paris and dated (lower right) 19 x 23 inches.

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Frans Lebret, (Dutch, 1820-1909), Cattle and Sheep in Meadow

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Description: Frans Lebret (Dutch, 1820-1909) Cattle and Sheep in Meadow oil on board signed F. Lebret (lower right) 16 x 20 inches.

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William Greaves, (British, 1885-1920), Country Scene, 1919

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Description: William Greaves (British, 1885-1920) Country Scene, 1919 oil on canvas signed W. Greaves and dated (lower right) 18 x 24 inches.

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Attributed to Franz Barbarini, (Austrian, 1804-1873), Mountain Lake

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Description: Attributed to Franz Barbarini (Austrian, 1804-1873) Mountain Lake oil on board 6 3/4 x 9 inches.

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Alfred Fontville de Breanski Jr., (British, 1877-1955), The Quinag and Loch Assynt Sutherland

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Description: Alfred Fontville de Breanski Jr. (British, 1877-1955) The Quinag and Loch Assynt Sutherland oil on canvas signed A de Breanski (lower left); titled (verso) 28 3/4 x 42 inches.

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Sidney Richard Percy, (British, 1821-1886), Near Snowden, North Wales, 1870

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Description: Sidney Richard Percy (British, 1821-1886) Near Snowden, North Wales, 1870 oil on canvas signed Sidney R. Percy and dated (lower right) 20 x 29 3/4 inches.

Condition Report: Lined. Surface dirt; slight yellowing to varnish; Under UV, concentration of restoration in upper left corner approximately 7x8 inches; 3 minor areas of retouch in sky in middle right Framed: 28 1/2 x 37 1/2 inches.

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John Frederick Tennant, (British, 1796-1872), Landscape with Boys Fishing, 1828

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Description: John Frederick Tennant (British, 1796-1872) Landscape with Boys Fishing, 1828 oil on canvas signed J Tennant and dated (lower right) 16 x 22 1/4 inches.

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Hermann Herzog, (American/German, 1831-1932), Path through the Field

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Description: Hermann Herzog (American/German, 1831-1932) Path through the Field oil on board signed H. Herzog (lower left) 19 x 31 1/2 inches.

Condition Report: slight surface dirt; under UV, stroke of retouch in sky; concentration above foreground in center right and in upper left; other various stroke throughout; strong stroke of retouch in lower right corner measuring 2 1/2 inches. Framed: 25 x 37 inches

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Albert Auguste Fourie, (French, 1854-1896), Monet a Giverny maison

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Description: Albert Auguste Fourie (French, 1854-1896) Monet a Giverny maison oil on board signed Albert A. Fourie (lower left); titled (verso) 10 x 14 inches.

Condition Report: Under UV, evidence of inpainting in sky in upper center and right; otherwise appears in basic good condition Framed: 15 1/4 x 19 1/4 inches.

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Louis Alexandre Cabie, (French, 1853-1939), La Vezere Aux Eyzies, 1918

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Description: Louis Alexandre Cabie (French, 1853-1939) La Vezere Aux Eyzies, 1918 oil on canvas signed Louis Cabie and dated (lower left) 29 1/4 x 39 3/4 inches.

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Narcisse Virgile Diaz de la Pena, (French, 1808-1876), Sitting Near the Brook

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Description: Narcisse Virgile Diaz de la Pena (French, 1808-1876) Sitting Near the Brook oil on canvas signed N. Pena (lower left) 16 x 20 inches.

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William Greaves, (British, 1885-1920), Meadow with Sheep, 1906

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Description: William Greaves (British, 1885-1920) Meadow with Sheep, 1906 oil on canvas signed W. Greaves and dated (lower left) 18 x 24 inches.

Condition Report: Not lined. Stretcher marks along edges, slight surface dirt; Under UV, 2 dime sized areas of restoration in sky, one dime sized are or retouch in center of painting; otherwise appears in basic good condition Framed: 23 1/2 x 29 1/2 inches.

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Maxime Maufra, (French, 1861-1918), Les nuages blancs, Rosporden, 1900

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Description: Maxime Maufra (French, 1861-1918) Les nuages blancs, Rosporden, 1900 oil on canvas signed Maufra and dated (lower right); titled (stretcher) 25 3/4 x 32 inches.

Condition Report: Not lined. Slight surface dirt along upper edge: Under UV, no evidence of restoration: appears in basic good condition. Framed: 34 x 40 1/2 inches.

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Emile Coigniart, (French, 1851-1911), Landscape of a Stream

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Description: Emile Coigniart (French, 1851-1911) Landscape of a Stream pastel signed E Coigniart 23 1/2 x 17 1/2 inches.

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Karl Wilhelm Christian Malchin, (German, 1838-1923), Horses Carting the Lumber; Mecklenburg, Germany

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Description: Karl Wilhelm Christian Malchin (German, 1838-1923) Horses Carting the Lumber; Mecklenburg, Germany oil on canvas signed C. Malchin (lower left) 40 x 33 1/2 inches.

Condition Report: Slight frame abrasions; Under UV, no evidence of restoration Framed: 47 x 41 inches.

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* Chen Chao Pao, (Taiwanese, b. 1948), Wonderers in Solitude

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Description: Chen Chao Pao (Taiwanese, b. 1948) Wonderers in Solitude watercolor and ink signed with the artist's mark (upper left) 30 1/2 x 42 1/2 inches.

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Manner of Herman Verelst, (Dutch, 1641-1690), A Gentleman and A Lady (a pair of portraits)

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Description: Manner of Herman Verelst (Dutch, 1641-1690) A Gentleman and A Lady (a pair of portraits) oil on canvas Each: 48 x 37 inches.

Condition Report: Portrait of a Man: Surface dirt, scratching to surface, wear and paint loss at edges, traces of inpainting mainly in background, sleeve, face, coat, dog, upper and lower edges, lined. Portrait of a Woman: Surface dirt, inpainting in background and woman's hand and dress, lined, cracquelure in face and hands, wear along edges. Framed: 57 x 45 inches each.

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After Simon de Vlieger, (Dutch, 1601-1653), Harbor Scene

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Description: After Simon de Vlieger (Dutch, 1601-1653) Harbor Scene oil on canvas 30 1/4 x 56 inches.

Condition Report: Lined. Strokes of retouch along left edge and in lower left; 4 dime sized areas of retouch in sky; other minor strokes throughout; otherwise appears in basic good condition.

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Follower of Benjamin Gerritsz Cuyp, (Dutch, 1612-1652), Stopping at the Inn

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Description: Follower of Benjamin Gerritsz Cuyp (Dutch, 1612-1652) Stopping at the Inn oil on board 12 3/4 x 14 3/4 inches.

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* Attributed to Pieter Wouwerman, (Dutch, 1623-1682), Resting the Horses

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Description: Attributed to Pieter Wouwerman (Dutch, 1623-1682) Resting the Horses oil on panel 13 1/4 x 19 3/4 inches.

Condition Report: Horizontal crack throught length of board; frame abrasions; Under UV, restoration along seam of upper 3rd panel

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Circle of Joris van Son, (Flemish, 1623-1667), Still Life with Fruit

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Description: Circle of Joris van Son (Flemish, 1623-1667) Still Life with Fruit oil on canvas 25 1/2 x 21 1/4 inches.

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* Richard Wilson, (British, 1714-1782), Wooded Landscape

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Description: Richard Wilson (British, 1714-1782) Wooded Landscape oil on board 12 x 16 1/2 inches.

Condition Report: Frame abrasions along edges; Under UV, strokes of retouch in sky, most notably in areas surrounding trees to the right, other strokes of retouch in sky and left back hillside; otherwise appears in basic good condition. Framed: 21 1/2 x 25 inches.

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Thomas Hand, (British, 1771-1804), Traveling Family

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Description: Thomas Hand (British, 1771-1804) Traveling Family oil on canvas 25 x 30 inches.

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Attributed to James Ward, (British, 1769-1859), Faithful Companion

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Description: Attributed to James Ward (British, 1769-1859) Faithful Companion oil on panel signed illegibly (lower right) 9 x 11 1/4 inches.

Condition Report: 2 horizontal cracks through panel, a 3rd crack extending through half the panel; 2 small areas of loss in upper left corner; Under UV, evidence of restoration to address cracks; otherwise appears in basic good condition Framed: 18 1/2x 17 1/2 inches.

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Attributed to Roelof van Vries, (Dutch, c. 1631-1681), Wooded Path

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Description: Attributed to Roelof van Vries (Dutch, c. 1631-1681) Wooded Path oil on panel 28 x 22 1/2 inches.

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Italian School, (18th century), Madonna and Child with Saints

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Description: Italian School (18th century) Madonna and Child with Saints oil on panel 22 1/2 x 17 1/2 inches.

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* After Bartolome Esteban Murillo, (Spanish, 1618-1682), The Divine Shepherd

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Description: After Bartolome Esteban Murillo (Spanish, 1618-1682) The Divine Shepherd oil on canvas signed illegibly (verso) 43 x 32 1/2 inches.

Condition Report: Not lined. Minor evidence of restoration along left edge to address stretcher marks; otherwise appears in basic good condition.

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After Albrecht Durer, (German, 1471-1528), Portrait of Hieronymus Holzschuher

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Description: After Albrecht Durer (German, 1471-1528) Portrait of Hieronymus Holzschuher oil on panel 12 x 10 inches.

Condition Report: Frame abrasions along edges; Under UV, small stroke of restoration in center left edge; otherwise appears in basic good condition Framed: 16 1/2 x 14 inches.

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Richard Parkes Bonington, (British, 1802-1828), Ca d'Oro, Venice, c. 1826

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Description: Richard Parkes Bonington (British, 1802-1828) Ca d'Oro, Venice, c. 1826 pencil signed Bonnington and titled (lower right) 8 1/4 x 9 1/2 inches.

Condition Report: taped to mat in all corners; slight declaration to paper along upper edge; rippling to paper

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* Jacob Grimmer, (Flemish, 1525-1590), Village by River with Bridge and Two Windows A study with differences for the print by Cornelis

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Description: Jacob Grimmer (Flemish, 1525-1590) Village by River with Bridge and Two Windows A study with differences for the print by Cornelis Visscher (H.G. Franz, Niederlandische Landschaftsmalerei, Graz, 1969, Vol. II, No. 354, page 182) pen and brown ink 6 3/4 x 10 1/4 inches.

Condition Report: Hinged to mat in upper two corners; remnants of tape along upper edge and in lower left corner visible only on verso; vertical crease to left of image; one horizontal crease in upper fourth; 1/8 inch tear in upper right corner; surface dirt and various staining most significant in lower right corner

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Albrecht Durer, (German, 1471-1528), Pontius Pilate Washing his Hands (from The Small Passion series)Trimmed along the boarder line

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Description: Albrecht Durer (German, 1471-1528) Pontius Pilate Washing his Hands (from The Small Passion series) Trimmed along the boarder line engraving, before the latin text edition 5 x 3 3/4 inches.

Condition Report: adhered to paper in all corners; 1/4 inch tear in upper right; pin dot of staining in center

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Albrecht Durer, (Geman, 1471-1528), The Flagellation (from The Small Passion series)Trimmed along the boarder line with one break in th

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Description: Albrecht Durer (Geman, 1471-1528) The Flagellation (from The Small Passion series) Trimmed along the boarder line with one break in the lower right woodcut before 1511 Latin text 4 7/8 x 3 5/8 inches.

Condition Report: break in lower boarder near Christ's foot Meder 142B Hinged to mat in upper corners; remnants of tape in upper edge visible on verso; slight tear in upper left corner; slight staining in upper right edge and upper left (see images)

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* Albrecht Durer, (German, 1471-1528), The Apocalyptic Woman (from the Apocalypse series), 1511

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Description: Albrecht Durer (German, 1471-1528) The Apocalyptic Woman (from the Apocalypse series), 1511 woodcut from the 1511 Latin text edition 15 3/8 x 11 inches.

Condition Report: Adhered to mat with tape along upper and lower edge (tape appears to be placed atop remnants from a previous mount); slight staining in upper left corner; thinning to paper in center; Otherwise appears in basic good condition. Sheet: 15 3/4 x 11 1/4 inches. Framed: 37 1/2 x 33 1/2 inches.

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Albrecht Durer, (German, 1471-1528), Erasmus of Rotterdam

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Description: Albrecht Durer (German, 1471-1528) Erasmus of Rotterdam engraving 10 x 7 1/2 inches.

Condition Report: Remargined. Inscription in upper left was replaced by hand colored text. Entirely backed with paper Taped to mat on upper and lower edge; stains from glue along edges; tapes from previous mounting

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Rembrandt van Rijn, (Dutch, 1606-1669), Three Heads of Women

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Description: Rembrandt van Rijn (Dutch, 1606-1669) Three Heads of Women etching 5 x 4 inches.

Condition Report: 2nd State of 2 Adhered to mat in all corners; crease to paper in lower left; slight surface dirt

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* Rembrandt van Rijn, (Dutch, 1606-1669), Self Portrait Drawing at a Window

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Description: Rembrandt van Rijn (Dutch, 1606-1669) Self Portrait Drawing at a Window etching 6 1/4 x 5 inches.

Condition Report: 7th state of 8

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* Rembrandt van Rijn, (Dutch, 1606-1669), Jan Asselyn, Painter

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Description: Rembrandt van Rijn (Dutch, 1606-1669) Jan Asselyn, Painter etching 7 3/4 x 7 inches.

Condition Report: Taped to mat on upper and lower edge; paper thin due to cleaning; tear left of sitter's right arm; staining upper left and lower left corners; most visible on verso Sheet: 7 7/8 x 7 inches Frame: 25 1/2 x 25 1/4 inches

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Attributed to Giovanni Paolo Pannini, (Italian, 1691-1765), Capriccio of Roman Ruins

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Description: Attributed to Giovanni Paolo Pannini (Italian, 1691-1765) Capriccio of Roman Ruins pen and brown ink, gray wash on paper 12 3/4 x 8 inches.

Condition Report: Affixed to mat along left edge; Foxing throughout; pin hole in lower left corner and upper right Framed: 23 x 18 inches.

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Giovanni Battista Piranesi, (Italian, 1720-1778), Veduta degli del Foro di Nerva

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Description: Giovanni Battista Piranesi (Italian, 1720-1778) Veduta degli del Foro di Nerva etching 15 1/2 x 24 inches.

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Giovanni Battista Piranesi, (Italian, 1720-1778), Lapides Capitolini

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Description: Giovanni Battista Piranesi (Italian, 1720-1778) Lapides Capitolini etching 19 1/2 x 48 inches.

Condition Report: 5 vertical creases; 1 horizontal crease; lower 5 1/2 inch of print trimmed and adhered to bottom of image; significant creases in center; staining along margins and in creases; 13/4 inch tear in lower right corner; 3/4 inch tear in lower left edge; nail-sized losses to paper along upper edge; taped to backing board in upper right and left corners.

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Francisco de Goya, (Spanish, 1746-1828), Caballero Derribado por un Toro (from Tauromaquia series)

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Description: Francisco de Goya (Spanish, 1746-1828) Caballero Derribado por un Toro (from Tauromaquia series) etching 12 7/8 x 17 3/4 inches.

Condition Report: Remnants of tape in upper left and right corners; staining from tape along left edge; staining along edge of image (see images)

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Francisco de Goya, (Spanish, 1746-1828), El Pronuncian y la Mano Alargan Al Primero que Ilega, (Plate 2, from Los Caprichos)

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Description: Francisco de Goya (Spanish, 1746-1828) El Pronuncian y la Mano Alargan Al Primero que Ilega, (Plate 2, from Los Caprichos) etching and aquatint 8 1/2 x 5 3/4 inches.

Condition Report: Hinged to mat in upper 2 corners; surface dirt visible in margins; staining in margin

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Francisco de Goya, (Spanish, 1746-1828), Que Viene el Coco, (plate 3, from Los Caprichos series)

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Description: Francisco de Goya (Spanish, 1746-1828) Que Viene el Coco, (plate 3, from Los Caprichos series) etching 8 5/8 x 6 inches.

Condition Report: Hinged to mat in upper corners; staining to edges of margins

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Francisco de Goya, (Spanish, 1746-1828), Ni Mas Ni Menos, (plate 41, from Los Caprichos series)

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Description: Francisco de Goya (Spanish, 1746-1828) Ni Mas Ni Menos, (plate 41, from Los Caprichos series) etching and aquatint 7 3/4 x 5 3/4 inches.

Condition Report: hinged to mat in upper corners; staining along left edge in margin

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Francisco de Goya, (Spanish, 1746-1828), Alla va eso, (plate 66, from Los Caprichos series)

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Description: Francisco de Goya (Spanish, 1746-1828) Alla va eso, (plate 66, from Los Caprichos series) etching 7 1/2 x 4 3/4 inches.

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Francisco de Goya, (Spanish, 1746-1828), Nadie nos ha visto (plate 79, from Los Caprichos series)

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Description: Francisco de Goya (Spanish, 1746-1828) Nadie nos ha visto (plate 79, from Los Caprichos series) etching 8 1/4 x 6 inches.

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