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484 lots | 481 with images

December 7, 2012

Live Auction

Schönhauser Straße 10-16

Köln, 50968 Germany

Phone: +49 221 925862-0

Fax: +49 221 925862-4

Email: info@van-ham.com

484 Lots
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Chaldej, JewgeniMoskau 1917 - 1997Auf dem Brandenburger Tor. Berlin, April 1945. Gelatinesilberabzug von 1991. 43 x 57,7cm Rückseitig mit schwarzem Filzstift signiert und Datum des Abzugs. Gebrauchsspuren. Restaurierter Einriss im unteren

Lot 1051: Chaldej, JewgeniMoskau 1917 - 1997Auf dem Brandenburger Tor. Berlin, April 1945. Gelatinesilberabzug von 1991. 43 x 57,7cm Rückseitig mit schwarzem Filzstift signiert und Datum des Abzugs. Gebrauchsspuren. Restaurierter Einriss im unteren

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Description: Chaldej, JewgeniMoscow 1917 - 1997Auf dem Brandenburger Tor. Berlin, April 1945. Gelatin silver print of 1991. 43 x 57,7cm. Signed and inscribed with the printing date on verso in black felt-tip pen.Handling traces. A restored tear in the lower part of the image.Published in: Von Moskau nach Berlin. Bilder des russischen Fotografen Jewgeni Chaldej. Ed.: Ernst Volland / Heinz Krimmer. Berlin: Parthas Verlag, 1999. fig. pg. 72.

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Charbonnier, Jean-PhilippeParis 1921 - 2004

Lot 1052: Charbonnier, Jean-PhilippeParis 1921 - 2004"Burma

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Description: Charbonnier, Jean-PhilippeParis 1921 - 2004"Burma - Pagodas, Parasols ... and Pride". 1960er Jahre. 2 Vintages. Gelatinesilberabzüge. Passepartout. a) 28,8 x 25,3cm; b) 30,3 x 20cm Rückseitig 3 bzw. 2 Agenturstempel. a) Sammlungsstempel. Jeweils maschinenbschriebener Papierstreifen mit Angaben zu den Bildern. Leichte Gebrauchsspuren. Provenienz: Sammlung David und Tessa Winter; Privatsammlung.

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Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln 1924 - 1971Kinder im Kölner Karneval. Um 1960. Vintage. Gelatinesilberabzug. Agfa-Papier. Passepartout. 29,8 x 39,8cm Rückseitig mit Bleistift signiert. Bildecken bestoßen. 1 Knickspur am linken und 2

Lot 1053: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln 1924 - 1971Kinder im Kölner Karneval. Um 1960. Vintage. Gelatinesilberabzug. Agfa-Papier. Passepartout. 29,8 x 39,8cm Rückseitig mit Bleistift signiert. Bildecken bestoßen. 1 Knickspur am linken und 2

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Description: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Cologne 1924 - 1971Children in the Cologne Carnival. Circa 1960. Vintage. Gelatin silver print. Agfa paper. Mat. 29,8 x 39,8cm. Verso signed in pencil. Image corners bumped. 1 crease in the left image margin, and two on the right image margin. Provenance: From the photographer to the current owner.

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Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln

Lot 1054: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln

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Description: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln 1924 - 1971Karneval in Köln. 1960er Jahre. Vintage. Gelatinesilberabzug. Passepartout. 24 x 31,1cm Rückseitig Name des Photographen und weitere Vermerke mit Bleistift und blauem Kugelschreiber. Vier Spuren von Nadeleinstichen im äußeren Bildrand. Bildecken bestoßen. 2 Knickspuren. Provenienz: Vom Photographen an den jetzigen Eigentümer.

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Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln

Lot 1055: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln

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Description: Chargesheimer [d.i. Karl-Heinz Hargesheimer]Köln 1924 - 1971"DGPh Kongress". 1956. Vintage. Gelatinesilberabzug. Agfa-Portriga-Rapid. Passepartout. 25,2 x 37,5cm (29,8 x 39,7cm). Rückseitig mit Bleistift betitelt, datiert, Name der Dargestellten (Baake, Firma Lange Bartels Berlin; Dame?; Roland Vring, Faber Kant; Professor Chilissow Moskau) und Sammlungsstempel. Blattecken bestoßen. 2 Knickspuren am rechten Bildrand sowie eine linerare Eindruckspur im linken unteren Bildbereich. Ansonsten sehr guter Zustand. Provenienz: Vom Photographen an den jetzigen Eigentümer.

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Claßen, Martin1959 Köln - lebt und arbeitet in KölnPalermo Portaits. 2004/2007. C-Print. Passepartout. Rahmen. Passepartoutausschnitt: 48 x 122cm Unterhalb des Bildes auf dem Passepartout mit Bleistift signiert, betitelt und datiert.Beigabe: 2

Lot 1056: Claßen, Martin1959 Köln - lebt und arbeitet in KölnPalermo Portaits. 2004/2007. C-Print. Passepartout. Rahmen. Passepartoutausschnitt: 48 x 122cm Unterhalb des Bildes auf dem Passepartout mit Bleistift signiert, betitelt und datiert.Beigabe: 2

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Description: Claßen, Martin1959 Cologne - lives and works in ColognePalermo Portaits. 2004/2007. C-Print. Matted and framed. Mat window: 48 x 122cm. Signed, titled and dated in pencil in the mat. Encl.: 2 original linen boxes, Palermo Portrait part I (13 C-Prints) + II (12 C-Prints). Each matted and signed, titled and dated in pencil in the mat. Each signed, titled and dated on verso in black ink. Box with an embossed gold title. In mint condition. Inscribed in the frame.

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Clergue, Lucien1934 Arles - lebt und arbeitet in Arles und New York

Lot 1057: Clergue, Lucien1934 Arles - lebt und arbeitet in Arles und New York"Nu de la Mer". 1960er Jahre. Gelatinesilberabzug. Exemplar 31/60. 49,8 x 39,7cm Drucksignatur in der rechten unteren Bildecke. Rückseitig mit Bleistift signiert und nummeriert.

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Description: Clergue, Lucien1934 Arles - lives and works in Arles and New York"Nu de la Mer". 1960s. Gelatin silver print. Editioned 31/60. 49,8 x 39,7cm. Printed signature in the lower right corner of the image. Signed and numbered in pencil on verso. With photographer's edition stamp. Several slight creases along the margins. Provenance: From the Galerie Arta, The Hague, to the collection of Hans van den Bogaard in the 1970s.

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Clergue, Lucien1934 Arles - lebt und arbeitet in Arles und New York

Lot 1058: Clergue, Lucien1934 Arles - lebt und arbeitet in Arles und New York"Née de la Vague". 1968. Gelatinesilberabzug. Passepartout. Rahmen. Passepartoutausschnitt: 49 x 49cm Rückseitig mit schwarzem Tintenstift signiert sowie Editionsstempel, darin mit

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Description: Clergue, Lucien1934 Arles - lives and works in Arles and New York"Née de la Vague". 1968. Gelatin silver print. Matted and framed. Mat frame: 49 x 49cm. Signed in black ink on verso, and with an edition stamp in which the image is titled and numbered in blue felt-tip pen. Partial pressure marks in the image, otherwise in good condition. Inscribed in the frame. Published in: Lucien Clergue. Grands Nus. Heidelberg: Umschau / Braus, 1999. Fig. pg. 23; Lucien Clergue. ARENA. Signes des sables. Paris: Actes Sud, 2001. Fig. u.P.

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Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)Ohne Titel (Apachenbaby). 1903. Vintage. Platindruck. Passepartout. 38,7 x 20,3cm Prägestempel des Photographen in der linken unteren Bildecke. Rückseitig

Lot 1059: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)Ohne Titel (Apachenbaby). 1903. Vintage. Platindruck. Passepartout. 38,7 x 20,3cm Prägestempel des Photographen in der linken unteren Bildecke. Rückseitig

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Description: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)Untitled (Apache Baby). 1903. Vintage. Platinum print. Mat. 38,7 x 20,3cm. With photographer's embossed stamp in the lower left corner of the image. Collection stamp on verso. Two clearly visible retouches. Published in: Native Nations. First Americans as seen by Edward S. Curtis. Hrsg.: Christopher Cardozo. Boston; New York; Toronto; London: A Bulfinch Press Book. Little, Brown and Company, 1993. Fig. pg. 89. Provenance: Collection of Hans van den Bogaard.

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Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)

Lot 1060: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)"The Piki Maker". USA 1906. Vintage. Platindruck. 41,3 x 31cm In der rechten unteren Bildecke mit schwarzer Tinte signiert. Im Negativ am unteren Bildrand

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Description: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (California)"The Piki Maker". USA 1906. Vintage. Platinum print. 41,3 x 31cm. Signed in the lower right corner of the image in black ink. A number on the lower margin of the negative image. In very good condition. Published in: Native Nations. First Americans as seen by Edward S. Curtis. Ed.: Christopher Cardozo. Boston; New York; Toronto; London: A Bulfinch Press Book. Little, Brown and Company, 1993. Fig. pg. 117.

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Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)

Lot 1061: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (Californien)"Aphrodite". Um 1910. Vintage. Bromgelatinesilberabzug. (blaugetont). Rahmen. 26,1 x 34,4cm In der rechten unteren Ecke mit schwarzer Tinte signiert. Leichte

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Description: Curtis, Edward Sheriff1868 Whitewater (Wisconsin) - 1952 Los Angeles (California)"Aphrodite". Circa 1910. Vintage. Bromine gelatin silver print. (Blue toned). Framed. 26,1 x 34,4cm. Signed in the lower right corner in black ink. Slight silvering in the darker areas of the image. Slightly rubbed in the lower image margin and around the signature. Oxidation in the right image margin. Published in: Barbara A. Davis: Edward S. Curtis. The Life and Times of a Shadow Catcher. San Francisco: Chronicle Books, 1985. fig. pg. 241.

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Davidson, Bruce1933 Oak Park/Ilinois - lebt und arbeitet in New York

Lot 1062: Davidson, Bruce1933 Oak Park/Ilinois - lebt und arbeitet in New York"The new Face of Marilyn Monroe". Späte 1950er Jahre. Vintage. Gelatinesilberabzug. Passepartout. 17 x 24,9cm Rückseitig Copyrightstempel des Photographen, 2 Sammlungs- und ein

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Description: Davidson, Bruce1933 Oak Park/Ilinois - lives and works in New York"The new Face of Marilyn Monroe". Late 1950s. Vintage. Gelatin silver print. Mat. 17 x 24,9cm. Verso with photographer's copyright stamp, two collection stamps and one number stamp. Inscribed with information on the image in blue biro-pen. Slight handling traces. Literature: Bruce Davidson. Portraits. New York: Aperture, 1999. Fig. pg. 58-61. Provenance: Collection of David and Tessa Winter; Collection of Hans van den Boogard.

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Davidson, Bruce1933 Oak Park/Ilinois - lebt und arbeitet in New YorkMarilyn Monroe und Arthur Miller. 1960. Vintage. Gelatinesilberabzug. Passepartout. Rahmen. 19,6 x 29,6cm Rückseitig Agenturstempel des Photographen und Sammlungsstempel. Mit blauem

Lot 1063: Davidson, Bruce1933 Oak Park/Ilinois - lebt und arbeitet in New YorkMarilyn Monroe und Arthur Miller. 1960. Vintage. Gelatinesilberabzug. Passepartout. Rahmen. 19,6 x 29,6cm Rückseitig Agenturstempel des Photographen und Sammlungsstempel. Mit blauem

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Description: Davidson, Bruce1933 Oak Park/Ilinois - lives and works in New YorkMarilyn Monroe and Arthur Miller. 1960. Vintage. Gelatin silver print. Matted and framed. 19,6 x 29,6cm. Verso with photographer's agency stamp and a collection stamp. Inscribed in blue biro-pen with the names of those depicted and the publishing date. Further inscriptions in pencil and green biro-pen. Image corners bumped, some slight creases in the margins. This image was captured during the filming of "Machen wirs in Liebe" by George Cukor. Provenance: Collection of David and Tessa Winter; Private possession.

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Demand, Thomas1964 München - lebt und arbeitet in Berlin

Lot 1064: Demand, Thomas1964 München - lebt und arbeitet in Berlin"Detail XII". 2005. Digitaler Pigmentdruck. Originalpassepartout. Schirmer/Mosel Collector's Edition, München, 2005. Eines von 100 Exemplaren. 21,5 x 25,5cm (30,9 x 36,6cm). Rückseitig mit

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Description: Demand, Thomas1964 Munich - lives and works in Berlin"Detail XII". 2005. Digital pigment print. Original mat. Schirmer/Mosel Collector's Edition, Munich, 2005. One in an edition of 100. 21,5 x 25,5cm (30,9 x 36,6cm). Signed and numbered in pencil on verso. In the original, linen-bound portfolio and slip-case with the publication: Thomas Demand. Phototrophy. München: Schirmer/Mosel, 2005. In mint condition.

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diCorcia, Philip-Lorca1953 Hartford, Connecticut - lebt und arbeitet in New York City

Lot 1065: diCorcia, Philip-Lorca1953 Hartford, Connecticut - lebt und arbeitet in New York City"Los Angeles". 1993. C-Print. Passepartout. Rahmen. Eines von 15 Exemplaren. 65 x 97cm (76,2 x 101,3cm). Rückseitig mit Bleistift betitelt und datiert. Zudem

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Description: diCorcia, Philip-Lorca1953 Hartford, Connecticut - lives and works in New York City"Los Angeles". 1993. C-Print. Matted and framed. One in an edition of 15. 65 x 97cm (76,2 x 101,3cm). Titled and dated on verso in pencil. Also with the exhibition label "Cruel and Tender", Tate Modern, London; Museum Ludwig, Cologne, containing information about the image. Examined in the frame. Published in: Philip-Lorca diCorcia. Streetwork. 1993-1997. Ediciones Universidad de Salamanca. 1998. Fig. pg. 45. Provenance: Private collection.

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Diergarten, Götz1972 Mannheim - lebt und arbeitet in FrankfurtOhne Titel (De Haan II). 2003. C-Print. Diasec. Exemplar 5/8. 75 x 125cm Rückseitig Zertifikat mit Angaben zum Bild. Darauf mit schwarzem Filzstift signiert. Tadelloser Zustand.Publiziert

Lot 1066: Diergarten, Götz1972 Mannheim - lebt und arbeitet in FrankfurtOhne Titel (De Haan II). 2003. C-Print. Diasec. Exemplar 5/8. 75 x 125cm Rückseitig Zertifikat mit Angaben zum Bild. Darauf mit schwarzem Filzstift signiert. Tadelloser Zustand.Publiziert

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Description: Diergarten, Götz1972 Mannheim - lives and works in FrankfurtUntitled (De Haan II). 2003. C-Print. Diasec. Editioned 5/8. 75 x 125cm. Verso with a certificate containing information on the image, also signed in black felt-tip pen. In mint condition. Published in: Götz Diergarten. Photographs. Ausstellungskat. Weserburg Museum für moderne Kunst, Bremen. Ostfildern: Hatje Cantz Verlag, 2010. Fig. pg. 75.

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Doisneau, Robert1912 Gentilly - 1994 Paris

Lot 1067: Doisneau, Robert1912 Gentilly - 1994 Paris"Créatures de reves". 1952. Gelatinesilberabzug Juni 1975. Passepartout. 35,3 x 30cm (49,8 x 39,3cm). Rechts unterhalb des Bildes mit schwarzem Tintenstift signiert. Rückseitig mit blauem Filzstift

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Description: Doisneau, Robert1912 Gentilly - 1994 Paris"Créatures de reves". 1952. Gelatin silver print June 1975. Mat. 35,3 x 30cm (49,8 x 39,3cm). Signed on the right below the image in black ink. Monogrammed, titled and with printing date on verso in blue felt-tip pen, and with a collection stamp. Outer margins with handling traces, image in very good condition. Literature: Doisneau. Mein Paris. München: Schirmer/Mosel, 2010. Cf. fig. pg. 241.

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Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston

Lot 1068: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston"Densmore Shute Bends the Shaft". 1938. Gelatinesilberabzug von 1989. Vom Harold E. Edgerton Estate autorisiert. Aluminium. Rahmen. Eines von 6 Exemplaren. 90 x 90cm Rückseitig mit schwarzem

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Description: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 BostonDensmore Shute Bends the Shaft. 1938. Gelatin silver print of 1989. Aluminium. Framed. One in an edition of 6. 90 x 90cm. Verso signed and with archive number in black felt pen. In very good condition. Published in: The Anatomy of Movement. Photographs by Harold Edgerton. Madrid: La Fábrica Editorial, 2010. Fig. pg. 25. The commentary on this image: "A famous golfer, well-known for his style and grace, Shute swings his driver into an Archimedian spiral photographed at 100 flashes per second for half a second. He himself dissolves into a ghostly shape as he was exposed to the strove fifty times. Note the curving of the shaft after the ball is hit.".

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Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston

Lot 1069: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston"Water from a Faucet". 1932. Gelatinesilberabzug von 1989. Vom Harold E. Edgerton Estate autorisiert. Rahmen. Eines von 6 Exemplaren. 105,5 x 76,5cm Rückseitig mit schwarzer Tinte vom

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Description: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 BostonWater from Faucet. 1932. Gelatin silver print of 1989. Framed. One of an edition of 6. 105,5 x 76,5cm. Verso with an inscription by the estate manager: Signed, dated, details about the printing date and numbered in black ink, also with archive number in the estate stamp. Very good condition. Published in: Harold E. Edgerton and James R. Killian: Moments of Vision. The Stroboscopic Revolution in Photography. Cambridge; London: The MIT Press, 1979. Fig. pg. 29 (here under the title: "Glossy Immobility"); The Anatomy of Movement. Photographs by Harold Edgerton. Madrid: La Fábrica Editorial, 2010. Fig. pg. 67. The commentary on this image: "The very first photograph Edgerong ever made that was not of a motor. Urged by his wife and colleagues, he was inspired to try the magic of the strobe on everyday happenings. Astonishingly, plain running water is transformed into crystal. In their first book of stroboscopic photographs, Flash!, he and Killian titled this image, "Whas Is It?", and wrote, "Ice? Glass? Cellophane? Neither; it is plain tap water flowing from a faucet. Note that the water flowing from al faucet but quickly becomes turbulent. In 1/50,000 of a second even this turbulence poses with glassy immobility." (pg. 66).

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Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston

Lot 1070: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston"Fan and Alcohol Lamp-Schlieren/ Flammenstrudel". 1973. Vintage. Dye-Transfer. Vom Harold E. Edgerton Estate autorisiert. Passepartout. Exemplar 11/18. 56,2 x 36,3cm (62 x 42cm). Rückseitig mit

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Description: Edgerton, Harold E.1903 Fremont/Nebraska - 1990 Boston"Fan and Alcohol Lamp-Schlieren". 1973. Vintage. Dye-Transfer. Mat. Number 11/18. 56,2 x 36,3cm (62 x 42cm). Verso signed and numbered in pencil. Further numbers noted in pencil. Corners of sheet slightly bumped. Otherwise in perfect condition. Published in: Stopping Time. Die Fotografie von Harold Edgerton. Hrsg.: Gus Kayafas. Schaffhausen; Zürich; Frankfurt; Düsseldorf: Edition Stemmle, 1987. Fig. pg. 136. Provenance: ???.

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Elsken, Ed van der1925 Amsterdam - 1990 EdamOhne Titel (

Lot 1071: Elsken, Ed van der1925 Amsterdam - 1990 EdamOhne Titel ("Schwarzweißes Paar aus l'Amour"). 1965. Vintage. Gelatinesilberabzug. Agfa-Papier. Passepartout. 25,4 x 17cm (30,9 x 23,9cm). Rückseitig Atelierstempel des Photographen. Mit schwarzem

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Description: Elsken, Ed van der1925 Amsterdam - 1990 EdamUntitled ("Schwarzweißes Paar aus l'Amour"). 1965. Vintage. Gelatin silver print. Agfa paper. Mat. 25,4 x 17cm (30,9 x 23,9cm). Verso with photographer's studio stamp. Inscribed with information on the printing process in black biro-pen.Slight handling traces. Published in: Ed van der Elsken. Fotografie + Film 1949-1990. Exhib. cat. Kunstmuseum Wolfsburg. Ostfildern-Ruit: Hatje Cantz Verlag, 2000. Cf. fig. pg. 128 (a variant of this couple). "Around 1966/67, I took a lot of nude shots. It was the main topic at this time: The sexual revolution. I was really keen to take beautiful nude photos. Whenever I saw any interesting people or friends, I told them about my work - that I wanted to do a series about nudeness, eroticism and birth - and asked them if they would do 'it' for me." (from: Ed van der Elsken in ONCE UPON A TIME, Amsterdam 1992). Provenance: Collection of Hans van den Bogaard.

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Elsken, Ed van der1925 Amsterdam - 1990 EdamJapan. Vermutlich 1960er Jahre. Vintage. Gelatinesilberabzug aus den frühen 1960er/1970er Jahren. Agfa-Papier. Passepartout. 31,2 x 40,6cm Gebrauchsspuren.Literatur: Ed van der Elsken. Ge ontdekking van

Lot 1072: Elsken, Ed van der1925 Amsterdam - 1990 EdamJapan. Vermutlich 1960er Jahre. Vintage. Gelatinesilberabzug aus den frühen 1960er/1970er Jahren. Agfa-Papier. Passepartout. 31,2 x 40,6cm Gebrauchsspuren.Literatur: Ed van der Elsken. Ge ontdekking van

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Description: Elsken, Ed van der1925 Amsterdam - 1990 EdamJapan. Presumably 1960s. Vintage. Gelatin silver print from the early 1960s/1970s. Agfa paper. Mat. 31,2 x 40,6cm. Handling traces. Literature: Ed van der Elsken. Ge ontdekking van Japan. Amsterdam: Fragment, 1988. Provenance: Collection of Hans van den Bogaard.

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Emerson, Peter Henry1856 Cuba (La Palma) - 1936 Cornwall, Falmouth (England)Cutting Scoff Stuff. Um 1885. Platinabzug. Karton. Aus

Lot 1073: Emerson, Peter Henry1856 Cuba (La Palma) - 1936 Cornwall, Falmouth (England)Cutting Scoff Stuff. Um 1885. Platinabzug. Karton. Aus "Life and Landscape on the Norfolk Broads". 20,3. Karton mit Schmutzspuren und bestoßenen Ecken. Photographie in

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Description: Emerson, Peter Henry1856 Cuba (La Palma) - 1936 Cornwall, Falmouth (England)Cutting Scoff Stuff. Circa 1885. Platinum print. Card. From "Life and Landscape on the Norfolk Broads". 20,3. Card with some staining and bumped corners. Photograph in mint condition. Published in: John Taylor: The Old Order and the New. P.H. Emerson and Photography, 1885-1895. München; Berlin; London; New York: Prestel, 2006/2007. Fig. pg. 135. Provenance: 28,8. Card: 28,641,5.

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Erwitt, Elliott1928 Paris - lebt in New York

Lot 1074: Erwitt, Elliott1928 Paris - lebt in New York"New York City". USA, 1953. Gelatinesilberabzug. 36,1 x 55,7cm (50,6 x 60,6cm). Rechts unterhalb des Bildes mit schwarzer Tusche signiert. Rückseitig mit Bleistift signiert, betitelt und datiert. In der

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Description: Erwitt, Elliott1928 Paris - lives in New York"New York City". USA, 1953. Gelatin silver print. 36,1 x 55,7cm (50,6 x 60,6cm). Signed in black ink beneath the depiction on the right. Signed, dated and titled in pencil on verso. A trace of black pigment in the lower right sheet corner (beneath the image). A slight crease in the upper right sheet corner and in the center of the lower sheet margin. Otherwise in good condition.Published in: Elliott Erwitt. Personal Exposures. London; New York: W. W. Norton & Company, 1988. Fig. pg. 89. Provenance: From the photographer to the current owner.

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Erwitt, Elliott1928 Paris - lebt in New York

Lot 1075: Erwitt, Elliott1928 Paris - lebt in New York"Arlington". Virginia 1963. Gelatinesilberabzug von ca. 1980. Passepartout. 35,4 x 26,4cm (50,5 x 40,5cm). Rückseitig mit Bleistift signiert. Blattecken minimal bestoßen. Ansonsten tadelloser

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Description: Erwitt, Elliott1928 Paris - lives in New York"Arlington". Virginia 1963. Later gelatin silver print. Mat. 35,4 x 26,4cm (50,5 x 40,5cm). Signed in pencil on verso. Corners of sheet slightly bumped. Otherwise in mint condition. Published in: Elliot Erwitt. Fotografien 1946-1988. Lausanne: R G Verlag, 1988. Fig. pg. 75 (other section of image).

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Erwitt, Elliott1928 Paris - lebt in New YorkFidel Castro. Kuba 1964. Vintage. Gelatinesilberabzug. Passepartout. 16,9 x 27,7cm Rückseitig Copyrightstempel des Photographen. Zudem Agentur- und zwei Sammlungsstempel. Nummernvermerke mit blauem

Lot 1076: Erwitt, Elliott1928 Paris - lebt in New YorkFidel Castro. Kuba 1964. Vintage. Gelatinesilberabzug. Passepartout. 16,9 x 27,7cm Rückseitig Copyrightstempel des Photographen. Zudem Agentur- und zwei Sammlungsstempel. Nummernvermerke mit blauem

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Description: Erwitt, Elliott1928 Paris - lives in New YorkFidel Castro. Cuba 1964. Vintage. Gelatin silver print. Mat. 16,9 x 27,7cm. Verso with photographer's copyright stamp. Also with an agency stamp and two collection stamps. Inscribed with various numbers in blue biro-pen. With a horizontal crease along the upper image margin.Provenance: Collection of David and Tessa Winter; Collection of Hans van den Boogard.

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Erwitt, Elliott1928 Paris - lebt in New YorkMies

Lot 1077: Erwitt, Elliott1928 Paris - lebt in New YorkMies

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Description: Erwitt, Elliott1928 Paris - lebt in New YorkMies van der Rohe Building (aus dem Portfolio "The Alchan Edition" von 1980). Chicago, 1969. Vintage. Gelatinesilberabzug. aus einem Portfolio von 1972. 31,3 x 45,6cm (40,7 x 50,5cm). Rückseitig mit Bleistift signiert. Untere rechte Blattecke leicht bestoßen. Ansonsten guter Zustand.Publiziert in: Elliot Erwitt. Snaps. London: Phaidon Press Limited, 2001. Abb. S. 236.

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Erwitt, Elliott1928 Paris - lebt in New York

Lot 1078: Erwitt, Elliott1928 Paris - lebt in New York"Acapulco". Mexico 1991. Gelatinesilberabzug von 1996/1997. 46,4 x 31,2cm (50,5 x 40,5cm). Unterhalb des Bildes mit schwarzer Tinte signiert. Rückseitig mit Bleistift signiert, betitelt, datiert und

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Description: Erwitt, Elliott1928 Paris - lives in New York"Acapulco". Mexico 1991. Gelatin silver print 1996/1997. 46,4 x 31,2cm (50,5 x 40,5cm). Signed in black ink beneath the image. Signed, dated, titled and numbered in pencil on verso. Sheet edges slightly bumped, otherwise in mint condition. Published in: Elliot Erwitt. On the Beach. Le Mont-sur-Lausanne: R.G Verlag, 1991. Fig. pg. 56. Provenance: Direct from the photographer to the current owner.

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Feininger, Andreas1906 Paris - 1999 New York

Lot 1079: Feininger, Andreas1906 Paris - 1999 New York"The Hudson River and Lower Manhattan from above. 1940. 2 Vintages als Panorama montiert. Gelatinesilberabzüge. Passepartout. Rahmen. Jeweils 36 x 27,3cm Rückseitig Atelierstempel des Photographen. Zudem

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Description: Feininger, Andreas1906 Paris - 1999 New York"The Hudson River and Lower Manhattan from above. 1940. 2 Vintages mounted as a panorama. Gelatin silver prints. Matted and framed. Each 36 x 27,3cm. Verso with photographer's studio stamp, also inscribed by Feininger with specific information on the perspective and camera used. Verso with a typewritten label with information on the image.Handling traces. The right image has a horizontal crease in the upper margin.Published in: Andreas Feininger. New York in the Forties. New York: Dover Publications, 1978. Fig. pg. 46f. Provenance: Collection Hans van den Bogaard.

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Feininger, Andreas1906 Paris - 1999 New

Lot 1080: Feininger, Andreas1906 Paris - 1999 New

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Description: Feininger, Andreas1906 Paris - 1999 New York"Vendor on Mott Street". 1940. Vintage. Gelatinesilberabzug. Passepartout. 35,2 x 28,2cm Rückseitig Atelierstempel des Photographen. Von Feininger mit Bleistift betitelt und datiert. Knickspuren in den äußeren Bildecken und Rändern. Rückseitig Reste ehemaliger Montierung. Publiziert in: Andreas Feiningr. New York in the Forties. New York: Dover Publications, 1978. Abb. S. 135. Provenienz: Sammlung Hans van den Bogaard.

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Fieret, Gerrit Petrus1924 - 2009 Den

Lot 1081: Fieret, Gerrit Petrus1924 - 2009 Den

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Description: Fieret, Gerrit Petrus1924 - 2009 Den HaagSelbstportrait. Anfang 1960er Jahre. Vintage. Gelatinesilberabzug. Passepartout. Unikat. 30 x 39,8cm Im Bild zweimal mit schwarzem Filzstift signiert. Zwei verschiedene Copyrightstempel des Photographen im oberen Bildbereich. Rückseitig weiterer Copyrightstempel. Darunter mit schwarzem Filzstift Angaben zum Bild. Sammlungsstempel. Typische Gebrauchsspuren.Literatur: Gerard Fieret (1924-2009). Monographs on Dutch Photographers No. 15. Hrsg.: Bool / van Burkom / Diepraam / Gierstberg / Martis / van Veen. Amsterdam: Focus Publishing, 2010. Provenienz: Vom Künstler an Sammlung Hans van den Bogaard.

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Fieret, Gerrit Petrus1924 - 2009 Den HaagOhne

Lot 1082: Fieret, Gerrit Petrus1924 - 2009 Den HaagOhne

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Description: Fieret, Gerrit Petrus1924 - 2009 Den HaagOhne Titel. 1965-1972. Vintage. Gelatinesilberabzug. Unikat. 39,9 x 49,8cm Im oberen Bildrand mit schwarzem Filzstift signiert. 3 Copyrightstempel des Photographen auf dem Bild. Weiterer Copyrightstempel auf der Rückseite. Zudem Sammlungsstempel. Partiell mit randlichen Ausrissen und punktuellen Verbräunungen. Provenienz: Vom Künstler an Sammlung Hans van den Bogaard.

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Florschuetz, Thomas1957 Zwickau - lebt und arbeitet in BerlinOhne Titel (1-4). 4. Mai 1985. 4 Gelatinesilberabzüge. Passepartout. Exemplar E.A.. Jeweils 47 x 47,5cm (49,7 x 49,7cm). Jeweils rückseitig mit Bleistift signiert, datiert, Vermerk

Lot 1083: Florschuetz, Thomas1957 Zwickau - lebt und arbeitet in BerlinOhne Titel (1-4). 4. Mai 1985. 4 Gelatinesilberabzüge. Passepartout. Exemplar E.A.. Jeweils 47 x 47,5cm (49,7 x 49,7cm). Jeweils rückseitig mit Bleistift signiert, datiert, Vermerk "E.A."

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Description: Florschuetz, Thomas1957 Zwickau - lives and works in BerlinUntitled (1-4). 4. May 1985. 4 gelatin silver prints. Mat. Editioned E.A. Each: 47 x 47,5cm (49,7 x 49,7cm). Each signed, dated, inscribed "E.A." and with hanging information in pencil on verso, also with the photographer's name stamp. Some with pin-holes in the outer sheet corners. Slight handling traces.

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Florschuetz, Thomas1957 Zwickau - lebt und arbeitet in BerlinOhne Titel. 1993-1995. C-Print. Künstlerrahmen. Exemplar 1/2. 147,5 x 97,6cm Rückseitig auf dem Rahmen signiert, betitelt, datiert und nummeriert. Tadelloser Zustand.Im Rahmen

Lot 1084: Florschuetz, Thomas1957 Zwickau - lebt und arbeitet in BerlinOhne Titel. 1993-1995. C-Print. Künstlerrahmen. Exemplar 1/2. 147,5 x 97,6cm Rückseitig auf dem Rahmen signiert, betitelt, datiert und nummeriert. Tadelloser Zustand.Im Rahmen

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Description: Florschuetz, Thomas1957 Zwickau - lives and works in BerlinUntitled. 1993-1995. C-Print. Artist's frame. Editioned 1/2. 147,5 x 97,6cm. Titled, dated, signed and numbered in verso on the frame. In mint condition. Examined in the frame. Literature: Thomas Florschuetz. Vor dem ersten Blick. Ausstellungskat. Kunstverein Göttingen. Göttingen 1996.

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Förg, Günther1952 Füssen - lebt und arbeitet in Areuse/Neuchatel

Lot 1085: Förg, Günther1952 Füssen - lebt und arbeitet in Areuse/Neuchatel"Atlantis Treppe". 1999. 6 unikate Vintages. Gelatinesilberabzüge. Originale Künstlerrahmen. Jeweils 150 x 100cm (Rahmen jeweils 173 x 122,5cm). Die Photographien sind jeweils auf einer

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Description: Förg, Günther1952 Füssen - lives and works in Areuse/Neuchatel"Atlantis Treppe". 1999. 6 unique Vintages. Gelatin silver prints. Original artist's frames. Each 150 x 100cm (Frames each 173 x 122.5cm). Each photograph is attached to a two-part backboard with silver pins. Signed on the first image of the 6-part work. With the artist's certificate. The certificate is signed and numbered with a black ink pen. On the verso of each frame is a gallery label with information on the image and the sequence. Photographs are in impeccable condition. The wooden parts of the frame show minimal traces of dirt. Published in: Zukunfstwerkstatt MARIPOSA. Regensburg: Lindinger + Schmid Verlag, 2001. Fig. pp. 116f. (here dated 1997 ). Accompanying materials: Publication named above. Examined in frame. The unique work was created in conjunction with the cultural project Atlantis/MARIPOSA on Teneriffa Island. Helga and Hans-Jürgen Müller laid the foundation for the project in December 1984. On a 23,000 square meter site, they created an international artist meeting point and offered artists and architects an opportunity away from the art market to analyze socially-oriented topics, as well as to develop concepts and realize projects. The staircase that Günther Förg photographed and transformed into a six-part work has a golden surface and was designed and conceptualized by Hans-Jürgen Müller. It is 84 steps high, 70 m long, 96 cm wide, and displays messages, drawings, and quotations of important personalities in contemporary history. Provenance: Helga and Hans-Jürgen Müller, Cologne/Stuttgart.

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Freed, Leonard1929 New York - 2006

Lot 1086: Freed, Leonard1929 New York - 2006

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Description: Freed, Leonard1929 New York - 2006 Garrison/N.Y.Civil Rights March. USA 1963. Vintage. Gelatinesilberabzug. 24,2 x 15,8cm (25,3 x 20,3cm). Rückseitig Copyrightstempel des Photographen, Agentur- und Sammlungsstempel. Diverse Vermerke mit Bleistift und schwarzem Filzstift. Blattecken minimal bestoßen. Ansonsten sehr guter Zustand.Publiziert in: Leonard Freed. Black in White America. New York: Grossman Publishers, 1967. Abb. S. 134. Provenienz: Sammlung David und Tessa Winter; Privatsammlung.

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Freed, Leonard1929 New York - 2006 Garrison/N.Y.And Babies?. USA 1967. Vintage. Gelatinesilberabzug. 30 x 19,5cm Rückseitig Copyrightstempel des Photographen. Zudem Agentur- und Sammlungsstempel. Bildecken bestoßen. Ansonsten sehr guter Zustand.

Lot 1087: Freed, Leonard1929 New York - 2006 Garrison/N.Y.And Babies?. USA 1967. Vintage. Gelatinesilberabzug. 30 x 19,5cm Rückseitig Copyrightstempel des Photographen. Zudem Agentur- und Sammlungsstempel. Bildecken bestoßen. Ansonsten sehr guter Zustand.

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Description: Freed, Leonard1929 New York - 2006 Garrison/N.Y.And Babies?. USA 1967. Vintage. Gelatin silver print. 30 x 19,5cm. Verso with photographer's copyright stamp. Also with agency and collection stamps. Image corners slightly bumped, otherwise in very good condition. Provenance: Collection of David and Tessa Winter; Private collection.

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Freund, Gisèle1908 Berlin - 2000 ParisJames Joyce mit Lupe. Paris 1939. Späterer C-Print. Kodak-Papier. Passepartout. 31,6 x 21,2cm (32,9 x 24,2cm). Rückseitig Copyrightstempel der Photographin. Mit schwarzem Tintenstift Name des Dargestellten. Mit

Lot 1088: Freund, Gisèle1908 Berlin - 2000 ParisJames Joyce mit Lupe. Paris 1939. Späterer C-Print. Kodak-Papier. Passepartout. 31,6 x 21,2cm (32,9 x 24,2cm). Rückseitig Copyrightstempel der Photographin. Mit schwarzem Tintenstift Name des Dargestellten. Mit

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Description: Freund, Gisèle1908 Berlin - 2000 ParisJames Joyce with a Magnifying Glass. Paris 1939. Later C-Print. Kodak paper. Mat. 31,6 x 21,2cm (32,9 x 24,2cm). Verso with photographer's copyright stamp. Inscribed with the name of the sitter in black ink and with information about the print in red felt-tip pen. Some slight creases in the upper part of the image. Sheet corners bumped. Otherwise in very good condition. Published in: Gisèle Freund. Photographien und Erinnerungen. München; Paris; London: Schirmer/Mosel, 1998. Fig. plate 84 pg. 88.

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Friedlander, Lee1934 Aberdeen, Washington - lebt in New City, New York

Lot 1089: Friedlander, Lee1934 Aberdeen, Washington - lebt in New City, New York"Ajo, Arizona". 1994. Gelatinesilberabzug. Passepartout. Rahmen. 39,5 x 39cm Rückseitig signiert, betitelt und datiert. Auf der Rahmenrückseite Stempel der Galerie Thomas Zander,

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Description: Friedlander, Lee1934 Aberdeen, Washington - lives in New City, New York"Ajo, Arizona". 1994. Gelatin silver print. Matted and framed. 39,5 x 39cm. Signed, titled and dated on verso. A stamp from the Galerie Thomas Zander, Cologne, and a printed label containing information about the image on the back of the frame. Described in the frame. Published in: Lee Friedlander. Sticks & Stones. Architectural America. Hrsg.: Fraenkel Gallery, San Francisco. New York: D.A.P., Inc., 2004. Fig. pg. 172. Provenance: Galerie Thomas Zander, Cologne; Private collection.

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Friedlander, Lee1934 Aberdeen, Washington - lebt in New City, New York

Lot 1090: Friedlander, Lee1934 Aberdeen, Washington - lebt in New City, New York"Washington D.C.". 1998. Gelatinesilberabzug. Passepartout. Rahmen. 39 x 39cm Rückseitig signiert, betitelt und datiert. Auf der Rahmenrückseite Stempel der Galerie Thomas Zander,

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Description: Friedlander, Lee1934 Aberdeen, Washington - lives and works in New City, New York"Washington D.C.". 1998. Gelatin silver print. Matted and framed. 39 x 39cm. Signed, titled and dated on verso. A stamp from the Galerie Thomas Zander, Cologne, and a printed label with information on the work on the back of the frame. Described in the frame. Provenance: Galerie Thomas Zander, Cologne; Private collection.

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Fuchs, Bernhard1971 Haslach a.d. Mühl/Oberösterreich - lebt und arbeitet in DüsseldorfJosef, Afiesl

Lot 1091: Fuchs, Bernhard1971 Haslach a.d. Mühl/Oberösterreich - lebt und arbeitet in DüsseldorfJosef, Afiesl". 1994. C-Print. Fujicolor Crystal Archive Papier. Passepartout. Rahmen. Exemplar 4/5. 29,9 x 23,8cm (40,4 x 30,3cm). Rückseitig mit Bleistift

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Description: Fuchs, Bernhard1971 Haslach a.d. Mühl/Upper Austria - lives and works in Düsseldorf"Josef, Afiesl". 1994. C-Print. Fujicolor Crystal Archive Paper. Matted and framed. Editioned 4/5. 29,9 x 23,8cm (40,4 x 30,3cm). Signed, titled, dated and numbered on verso in pencil. Minor pressure marks in the lower sheet margin (beneath the image). Otherwise mint condition. Published in: Bernhard Fuchs. Portrait Fotografien. Salzburg: Fotohof edition (vol. 32), 2003. Fig.

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Fuchs, Bernhard1971 Haslach a.d. Mühl/Oberösterreich - lebt und arbeitet in Düsseldorf

Lot 1092: Fuchs, Bernhard1971 Haslach a.d. Mühl/Oberösterreich - lebt und arbeitet in Düsseldorf"Manuela, Helfenberg". 1994. C-Print. Fujicolor Crystal Archive Papier. Passepartout. Rahmen. Exemplar 2/5. 29,2 x 25,5cm (40,4 x 30,3cm). Rückseitig mit Bleistift

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Description: Fuchs, Bernhard1971 Haslach a.d. Mühl/Upper Austria - lives and works in Düsseldorf"Manuela, Helfenberg". 1994. C-Print. Fujicolor Crystal Archive Paper. Matted and framed. Editioned 2/5. 29,2 x 25,5cm (40,4 x 30,3cm). Signed, titled, dated and numbered on verso in pencil. In mint condition. Published in: Bernhard Fuchs. Portrait Fotografien. Salzburg: Fotohof edition (vol. 32), 2003. Fig.

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Lot 1092A: Galdi, Vincenzo1871 Neapel - 1961 RomZwei Akte. Um

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Description: Galdi, Vincenzo1871 Neapel - 1961 RomZwei Akte. Um 1900. 2 Vintages. Albuminabzüge. Jeweils 22 x 16,2cm Jeweils rückseitig Atelierstempel des Photographen. Späterer Nummernvermerk mit Bleistift. Minimale Gebrauchsspuren. Ansonsten guter Zustand.

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Giacomelli, MarioSenigallia 1925 - 2000Ohne Titel

Lot 1093: Giacomelli, MarioSenigallia 1925 - 2000Ohne Titel

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Description: Giacomelli, MarioSenigallia 1925 - 2000Ohne Titel (aus "Ninna Nanna"). 1986/87. Gelatinesilberabzug. Agfa-Papier. Passepartout. 29,4 x 39,5cm In der unteren rechten Bildecke mit Bleistift signiert. Rückseitig mit Bleistift signiert sowie Copyright- und Serienstempel. Diverse Vermerke mit Bleistift und blauem Kugelschreiber. Bildecken und -kanten leicht bestoßen. Ansonsten guter Zustand.Publiziert in: Mario Giacomelli. Fotografien 1952-1995. Hrsg.: Karl Steinorth. Ausstellungskat. Museum Ludwig, Köln. Ostfildern: Cantz Verlag, 1995. Abb. S. 93.

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Gibson, Ralph1939 Los Angeles - lebt und arbeitet in New YorkOhne Titel. 1972. Vintage. Gelatinesilberabzug. Agfa-Papier. Passepartout. Exemplar 10/25. 32 x 21,4cm (35,5 x 27,8cm). Unterhalb des Bildes mit schwarzem Tintenstift signiert, betitelt und

Lot 1094: Gibson, Ralph1939 Los Angeles - lebt und arbeitet in New YorkOhne Titel. 1972. Vintage. Gelatinesilberabzug. Agfa-Papier. Passepartout. Exemplar 10/25. 32 x 21,4cm (35,5 x 27,8cm). Unterhalb des Bildes mit schwarzem Tintenstift signiert, betitelt und

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Description: Gibson, Ralph1939 Los Angeles - lives and works in New YorkUntitled. 1972. Vintage. Gelatin silver print. Agfa paper. Mat. Editioned 10/25. 32 x 21,4cm (35,5 x 27,8cm). Signed, titled and numbered in black ink beneath the image. In very good condition. Published in: Ralph Gibson. Deja-vu. New York: Lustrum Press, 1973. Fig. Provenance: Purchased from the Galerie Violet, Amsterdam, in the 1970s for the collection of Hans van den Bogaard.

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Gilpin, Laura1891 Austin Bluffs/Colorado - 1979 Santa Fe/New MexicoOhne Titel. 1922. Vintage. Platindruck. Passepartout. 12,1 x 9,7cm (14,2 x 13,3cm). Unterhalb des Bildes mit Bleistift signiert und Angabe der Technik. Rückseitig mit Bleistift

Lot 1095: Gilpin, Laura1891 Austin Bluffs/Colorado - 1979 Santa Fe/New MexicoOhne Titel. 1922. Vintage. Platindruck. Passepartout. 12,1 x 9,7cm (14,2 x 13,3cm). Unterhalb des Bildes mit Bleistift signiert und Angabe der Technik. Rückseitig mit Bleistift

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Description: Gilpin, Laura1891 Austin Bluffs/Colorado - 1979 Santa Fe/New MexicoUntitled. 1922. Vintage. Platinum print. Mat. 12,1 x 9,7cm (14,2 x 13,3cm). Signed and with information on the technique in pencil beneath the image. Dated in pencil on verso. In very good condition. Literature: Martha A. Sandweiss: Laura Gilpin. An Enduring Grace. Ausstellungskat. Amon Carter Museum u.a. Fort Worth 1986. Cf. fig. pg. 31. Provenance: Collection of Hans van den Bogaard.

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Goedicke, Claus1966 Köln - lebt und arbeitet in Berlin

Lot 1096: Goedicke, Claus1966 Köln - lebt und arbeitet in Berlin"VIII 58". 2000. C-Print (Dia-Plex). Exemplar 4/5. 133,3 x 107,8 x 5,3cm Rückseitig auf Galerielabel signiert sowie Angaben zum Bild. Tadelloser Zustand. Provenienz: Galerie Ulrich Fiedler, Köln;

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Description: Goedicke, Claus1966 Cologne - lives and works in Berlin"VIII 58". 2000. C-Print (Dia-Plex). Editioned 4/5. 133,3 x 107,8 x 5,3cm. Signed and inscribed with information on the image in a gallery label on verso. In mint condition. Provenance: Galerie Ulrich Fiedler, Cologne; Private collection.

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Goldin, Nan1953 Washington D.C. - lebt und arbeitet in New YorkSechs Arbeiten. 1983-1995. 6 Cibachrome. Edition der Griffelkunst II. Quartal 1996. 30,5 bzw. 40,5 x 40,5 bzw. 30,5cm Jeweils rückseitig mit schwarzem Tintenstift signiert. Sehr guter

Lot 1097: Goldin, Nan1953 Washington D.C. - lebt und arbeitet in New YorkSechs Arbeiten. 1983-1995. 6 Cibachrome. Edition der Griffelkunst II. Quartal 1996. 30,5 bzw. 40,5 x 40,5 bzw. 30,5cm Jeweils rückseitig mit schwarzem Tintenstift signiert. Sehr guter

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Description: Goldin, Nan1953 Washington D.C. - lives and works in New YorkSix Works. 1983-1995. 6 Cibachromes. Edition der Griffelkunst II. Quartal 1996. 30,5 and 40,5 x 40,5 and 30,5cm. Each signed in black ink on verso. In very good condition. This mixed lot includes the following works: a) Lynelle in Japanese restaurant, N.Y.C. b) My room in halfway house, Belmont, Ma. 1988 c) April in the window, N.Y.C., 1983 d) Hotel room Zürich, 1995 e) Kee in bed, E. Hampton, N.Y., 1988 f) Honeymoon suite, Nuremberger Eck, Berlin, 1994 Published in: Griffelkunst 1988-2000 Band II. Hrsg.: Griffelkunst-Vereinigung Hamburg e.V., 2004. Fig. pg. 340.

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Goossens, Marnix1967 Leeuwarden - lebt und arbeitet in Amsterdam

Lot 1098: Goossens, Marnix1967 Leeuwarden - lebt und arbeitet in Amsterdam"Total Loss #2". 1999. C-Print. Rahmen. Exemplar A.P. 119,2 x 98,7cm Auf der Rahmenrückseite mit schwarzem Filzstift signiert, betitelt, datiert und nummeriert. Tadelloser Zustand. Im

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Description: Goossens, Marnix1967 Leeuwarden - lives and works in Amsterdam"Total Loss #2". 1999. C-Print. Framed. Editioned A.P. 119,2 x 98,7cm. Signed, titled, dated and numbered on the back of the frame in black felt-tip pen. In mint condition. Inscribed in the frame. Provenance: From the artist to the current owner.

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Griffiths, Philip Jones1936 Rhuddland, Wales - 2008 London

Lot 1099: Griffiths, Philip Jones1936 Rhuddland, Wales - 2008 London"Saigon Under Attack". Vietnam, 1968. Vintage. Gelatinesilberabzug. 17,4 x 25cm Rückseitig Copyrightstempel des Photographen. Mit Kugelschreiber betitelt und maschinenbeschriebener

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Description: Griffiths, Philip Jones1936 Rhuddland, Wales - 2008 London"Saigon Under Attack". Vietnam, 1968. Vintage. Gelatin silver print. 17,4 x 25cm. Verso with photographer's copyright stamp. Titled in biro-pen and with a typewritten paper strip with information about the image. Agency and collection stamps.Two minor pressure marks in the upper center of the image, otherwise in very good condition. Literature: Vietnam Inc. Philip Jones Griffith. London: Phaidon, 2005. Provenance: Collection of David and Tessa Winter; Private collection.

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