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MAPS, ATLASES, NATURAL HISTORY, EPHEMERA

by Swann Auction Galleries

Platinum House

553 lots | 268 with images

December 6, 2012

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

553 Lots
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(BIRDS.) Audubon, John James. Group of 15 hand-colored lithographed plates,

Lot 403: (BIRDS.) Audubon, John James. Group of 15 hand-colored lithographed plates,

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Description: (BIRDS.) Audubon, John James. Group of 15 hand-colored lithographed plates, principally of larger birds; generally clean, some very scattered light foxing; matted. New York and Philadelphia, 1840-44

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Lot 404: (BIRDS.) Audubon, John James. Group of 23 hand-colored or hand-finished lithographed plates,

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Description: (BIRDS.) Audubon, John James. Group of 23 hand-colored or hand-finished lithographed plates, with many large birds represented, from the First or Second 8vo editions of Birds of America; some toning and foxing on about half of the plates. Most plates accompanied by corresponding text leaves. list available on request./span New York and Philadelphia, 1840-56

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Lot 405: (BIRDS.) Catesby, Mark. The Red Winged Starling. Plate 13.

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Description: (BIRDS.) Catesby, Mark. The Red Winged Starling. Plate 13. Hand-colored engraved plate from The Natural History of Carolina [etc.], on folio sheet; matted and framed. Watermarked, "J Whatman 1818." London, circa 1818

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Lot 406: (BIRDS.) Catesby, Mark. The Nuthatch. Plate 22 * The Tyrant. Plate 55.

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Description: (BIRDS.) Catesby, Mark. The Nuthatch. Plate 22 * The Tyrant. Plate 55. Together, 2 hand-colored engraved plates from The Natural History of Carolina [etc.], on folio sheets; matted and framed. Early restrikes - the Nuthatch is on paper watermarked "J Whatman 1816." London?, circa 1816

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Lot 407: (BIRDS.) Gould, John. Northern Diver * Colymbus Glacialis.

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Description: (BIRDS.) Gould, John. Northern Diver * Colymbus Glacialis. Together, 2 hand-colored lithographed plates of waterfowl, from Gould's monographs on either European or British birds, on folio sheets; matted and framed. London, 1830s-60s

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(BIRDS.) Greene, William Thomas. Group of 16 hand-finished chromolithographed plates of parrots,

Lot 408: (BIRDS.) Greene, William Thomas. Group of 16 hand-finished chromolithographed plates of parrots,

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Description: (BIRDS.) Greene, William Thomas. Group of 16 hand-finished chromolithographed plates of parrots, from Greene's Parrots in Captivity, on 8vo sheets; clean. London, circa 1885

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(BIRDS.) Manetti, Saverio. Group of 3 beautiful hand-colored engraved plates

Lot 409: (BIRDS.) Manetti, Saverio. Group of 3 beautiful hand-colored engraved plates

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Description: (BIRDS.) Manetti, Saverio. Group of 3 beautiful hand-colored engraved plates of long-legged birds, from Ornithologia methodice, on full folio sheets. Florence, 1767-76

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Lot 410: (BIRDS.) Nozeman, Cornelis. Upupa.

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Description: (BIRDS.) Nozeman, Cornelis. Upupa. Hand-colored etched plate from Nederlandsche Vogelen, on folio sheet; matted and framed. Amsterdam, 1770-1829

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Lot 411: (BIRDS.) Wilson and Bonaparte. Group of 13 hand-colored multi-image plates,

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Description: (BIRDS.) Wilson and Bonaparte. Group of 13 hand-colored multi-image plates, from American Ornithology, on folio sheets; a few with small chips at edges, most slightly but evenly toned. Several editions may be represented. Philadelphia, 1800s-30s

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Lot 412: (BIRDS.) Group of approximately 65 loose color plates of Brazilian birds. 1940s?

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Description: (BIRDS.) Group of approximately 65 loose color plates, from an unidentified work reproducing paintings of Brazilian birds by T. G. Meissner, on small folio sheets. São Paulo: Graphicars-F. Lanzara, 1940s?

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Lot 413: (BOTANICAL.) Redouté, Pierre Joseph. Group of 3 hand-finished color printed stipple engravings,

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Description: (BOTANICAL.) Redouté, Pierre Joseph. Group of 3 hand-finished color printed stipple engravings, 2 from Les Liliacées and one from the folio edition of Les Roses, lilies on original folio sheets, rose on slightly trimmed sheet; matted and framed. sold as is./span Paris, first quarter 19th century

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(BOTANICAL.) Thornton, Robert. The American Cowslip.

Lot 414: (BOTANICAL.) Thornton, Robert. The American Cowslip.

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Description: (BOTANICAL.) Thornton, Robert. The American Cowslip. Hand-finished color printed aquatint and stipple engraved plate, from The Temple of Flora, on full folio sheet. Second state. London, 1801

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(BOTANICAL.) Thornton, Robert. The Persian Cyclamen.

Lot 415: (BOTANICAL.) Thornton, Robert. The Persian Cyclamen.

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Description: (BOTANICAL.) Thornton, Robert. The Persian Cyclamen. Hand-finished color printed aquatint and stipple engraved plate from The Temple of Flora, on full folio sheet. Appears to be the First state. London, 1804

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Lot 417: (CRIMEAN WAR.) Simpson, William. Group of 6 tinted lithographed plates,

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Description: (CRIMEAN WAR.) Simpson, William. Group of 6 tinted lithographed plates, from Simpson's The Seat of War in the East, on folio sheets; few nicks at edges, minor foxing on several. London, 1855-56

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CURRIER & IVES. The Great West.

Lot 418: CURRIER & IVES. The Great West.

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Description: CURRIER & IVES. The Great West. Hand-colored small format lithographed print, 275x375 mm (10 3/4x14 3/4 inches) sheet size; some minor browning from framing, but still quite bright and clean. New York, 1870

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CURRIER & IVES. New York Bay. From Bay Ridge, L.I.

Lot 419: CURRIER & IVES. New York Bay. From Bay Ridge, L.I.

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Description: CURRIER & IVES. New York Bay. From Bay Ridge, L.I. Hand-colored medium format lithographed print, 17 3/4x22 1/2 inches sheet size; few expert repairs in margins on verso, some discoloration and slight abrading in lower imprint line, image bright and clean. New York, 1860

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CURRIER & IVES. West Point, from above Washington Valley. Looking down the River.

Lot 420: CURRIER & IVES. West Point, from above Washington Valley. Looking down the River.

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Description: CURRIER & IVES. West Point, from above Washington Valley. Looking down the River. Hand-colored lithographed print after the Bennett/Cooke version of 1830, 510x630 mm sheet size; very slightly but evenly toned overall; matted and framed. New York, circa 1862

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Lot 421: CURRIER & IVES. Group of 8 small and medium format prints on various subjects.

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Description: CURRIER & IVES. Group of 8 small and medium format prints on various subjects. Condition varies; all in period frames. not exaimined out of frames. sold as is./span New York, vd

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Lot 422: (HOLY LAND.) Schedel, Hartmann. Noah's Ark.

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Description: (HOLY LAND.) Schedel, Hartmann. Noah's Ark. Wood-engraved illustration on the making of the ark, from the Latin language edition of the Nuremberg Chronicle, 195x225 mm image size, with two lines of text beneath the image and "Secunda etas mudi " above, side margins ample; some slight discoloration in left margin just entering image but not unsightly; matted. Nuremberg, 1493

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Lot 423: HOMER, WINSLOW. Group of 19 leaves or double-pages from issues of Harper's Weekly,

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Description: HOMER, WINSLOW. Group of 19 leaves or double-pages from issues of Harper's Weekly, with illustrations by Homer, ranging from quarter-sheet to double-page; few nicks or light staining at sheet edges, but generally in very good condition. New York, 1858-74

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(JAPAN.) Child Raised by Bears. Child born in Tamamura

Lot 424: (JAPAN.) Child Raised by Bears. Child born in Tamamura

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Description: (JAPAN.) Child Raised by Bears. Child born in Tamamura (Kuma dôji - Aso-gun, in Higo no kuni). Woodblock broadside in wrappers, showing the child with bears upper left and in the lower right the child in Japanese costume but with his hairy paws shown, 315x404 mm. Circa 1880s

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(JAPAN.) Interesting painting on silk,

Lot 425: (JAPAN.) Interesting painting on silk,

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Description: (JAPAN.) Interesting painting on silk, being a Japanese representation of non-Japanese peoples, picturing 9 people with various skin tones, lid configurations, and styles of dress, 310x380 mm sight size; a few columns of text which perhaps identified the figures has been almost entirely worn off; framed. Japan, 19th century

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Lot 426: (JAPAN.) Group of 4 ukiyo-e style color woodblock prints,

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Description: (JAPAN.) Group of 4 ukiyo-e style color woodblock prints, including a triptych; condition generally fine. Japan, vd

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(JAPAN.) Hashimoto, Sadahide. A Foreign Mercantile House in Yokohama

Lot 427: (JAPAN.) Hashimoto, Sadahide. A Foreign Mercantile House in Yokohama

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Description: (JAPAN.) Hashimoto, Sadahide. A Foreign Mercantile House in Yokohama (Yokohama ijin shôkan no zu). Color woodblock oban triptych, 370x725 mm overall. Bunkyû 1 [1861]

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(JAPAN.) Hashimoto, Sadahide. Salesroom in a Foreign Mercantile House in Yokohama

Lot 428: (JAPAN.) Hashimoto, Sadahide. Salesroom in a Foreign Mercantile House in Yokohama

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Description: (JAPAN.) Hashimoto, Sadahide. Salesroom in a Foreign Mercantile House in Yokohama (Yokohama ijin shôkan uriba no zu). Color woodblock oban triptych, 370x730 mm overall. Bukyû 1 [1861]

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(JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of France Court at the Market Street in Yoko-Hama

Lot 429: (JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of France Court at the Market Street in Yoko-Hama

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Description: (JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of France Court at the Market Street in Yoko-Hama (Yokohama Honchô Kaigan Furansu-kan no zenzu). Color woodblock oban triptych, 365x725 mm overall; minor light staining, small worm hole at lower edge. Yokohama: Morookaya Ihei, Meiji 2 [1869]

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(JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of the foreign residents at No. 18 on the Water Street

Lot 430: (JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of the foreign residents at No. 18 on the Water Street

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Description: (JAPAN.) Kisai, Risshô (aka Hiroshige II). Plan of the foreign residents at No. 18 on the Water Street (Yokohama Kaigan Dôri Jûhachiban Ijin ryoshuku no zu). Color woodblock oban triptych, 365x725 mm overall; one large and one smaller chip along right edge affecting the image. Yokohama: Morookaya Ihei, circa Meiji 2 [1869]

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(JAPAN.) Shôsai, Ikkei. Rough Sketch of the Takanawa Railroad in Tokyo

Lot 431: (JAPAN.) Shôsai, Ikkei. Rough Sketch of the Takanawa Railroad in Tokyo

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Description: (JAPAN.) Shôsai, Ikkei. Rough Sketch of the Takanawa Railroad in Tokyo (Tôkyô Takanawa testsudô no zu). Color woodblock oban triptych, 360x730 mm overall; several small holes filled and overcolored. sold as is./span Tokyo: Daikokuya Kinzaburô, circa 1870

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(JAPAN.) Shôsai, Ikkei. A View of Takanawa and Shiodome Railroads

Lot 432: (JAPAN.) Shôsai, Ikkei. A View of Takanawa and Shiodome Railroads

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Description: (JAPAN.) Shôsai, Ikkei. A View of Takanawa and Shiodome Railroads (Takanawa tetsudô yori Shiodome tetsudô ichiran no zu). Color woodblock oban triptych, 360x735 mm overall. Tokyo: Masudaya Ginjirô, circa 1870

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(JAPAN.) Utagawa, Hiroshige (III). Offices of Foreign Mercantile Houses in Yokohama

Lot 433: (JAPAN.) Utagawa, Hiroshige (III). Offices of Foreign Mercantile Houses in Yokohama

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Description: (JAPAN.) Utagawa, Hiroshige (III). Offices of Foreign Mercantile Houses in Yokohama (Yokohama shôkan no zu). Color woodblock oban triptych, 370x725 mm overall. Tokyo: Iseya Kisaburo, circa Keio 3 [1867]

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(JAPAN.) Utagawa, Hiroshige (III). Train passing the beach below Yatsuyama Hill

Lot 434: (JAPAN.) Utagawa, Hiroshige (III). Train passing the beach below Yatsuyama Hill

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Description: (JAPAN.) Utagawa, Hiroshige (III). Train passing the beach below Yatsuyama Hill (Tôkyô Yatsuyama shita kaigan jôkisha tetsudô no zu). Color woodblock oban triptych, 375x730 mm overall; 25-mm diameter hole on image on left sheet, neatly closed tear on right sheet. sold as is./span Tokyo: Yorozuya Magobei, Meiji 4 [1871]

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(JAPAN.) Utagawa, Hiroshige (III). New drawing of horse buggies crossing the Nihonbashi railroad line

Lot 435: (JAPAN.) Utagawa, Hiroshige (III). New drawing of horse buggies crossing the Nihonbashi railroad line

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Description: (JAPAN.) Utagawa, Hiroshige (III). New drawing of horse buggies crossing the Nihonbashi railroad line (Tetsudô basha ôrai Nihonbashi no shinzu). Color woodblock oban triptych, 355x700 mm overall; soiled. sold as is/span Tokyo: Okura Shirobei, circa 1870

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(JAPAN.) Utagawa, Kunimasa (IV). Successful Railroad in Shinbashi, Tokyo, with a remote View of Takanawa

Lot 436: (JAPAN.) Utagawa, Kunimasa (IV). Successful Railroad in Shinbashi, Tokyo, with a remote View of Takanawa

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Description: (JAPAN.) Utagawa, Kunimasa (IV). Successful Railroad in Shinbashi, Tokyo, with a remote View of Takanawa (Tôkyô Shinbashi tetsudô narabini Takanawa enkei). Color woodblock oban triptych, 370x725 mm overall. Tokyo: Iseya Kanekichi, Meiji 6 [1873]

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(JAPAN.) Utagawa, Kuniteru (II). Flourishing Tokyo with Locomotives

Lot 437: (JAPAN.) Utagawa, Kuniteru (II). Flourishing Tokyo with Locomotives

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Description: (JAPAN.) Utagawa, Kuniteru (II). Flourishing Tokyo with Locomotives (Tôkyô jôkisha basha jinriki han'eizu). Color woodblock oban triptych, 365x740 mm overall. Tokyo: Tsujiokaya Bunsucke, circa 1870

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(JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves

Lot 438: (JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves

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Description: (JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves (Gaikokujin yûkyô no zu). Color woodblock oban triptych, 370x730 mm overall. Tokyo: Yamadaya Shôjirô, Bunkyû 1 [1861]

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(JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves in Yokohama

Lot 439: (JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves in Yokohama

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Description: (JAPAN.) Utagawa, Yoshitora. Foreigners amusing themselves in Yokohama (Yokohama Gaikokujin yûkyô no zu). Color woodblock oban triptych, 365x755 mm overall. Circa 1861

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(JAPAN.) Utagawa, Yoshitora. Horse buggies crossing a busy street in Tokyo

Lot 440: (JAPAN.) Utagawa, Yoshitora. Horse buggies crossing a busy street in Tokyo

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Description: (JAPAN.) Utagawa, Yoshitora. Horse buggies crossing a busy street in Tokyo (Tôkyô han'ei basha ôrai no zu). Color woodblock oban triptych, 385x730 mm overall; minor loss where right sheet is joined to middle sheet, small chip along top edge, minor staining. Np, circa 1870

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(JAPAN.) Utagawa, Yoshitora. Locomotive in Takanawa

Lot 441: (JAPAN.) Utagawa, Yoshitora. Locomotive in Takanawa

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Description: (JAPAN.) Utagawa, Yoshitora. Locomotive in Takanawa (Takanawa jôkisha no zu). Color woodblock oban triptych, 375x735 mm overall. Tokyo: Nodaya, Jeiji 4 [1871]

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Lot 442: (JAPAN--COSTUME.) Group of approximately 80 printed chirimen textile designs (Mihama jôdai / Hama chirimen),

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Description: (JAPAN--COSTUME.) Group of approximately 80 printed chirimen textile designs (Mihama jôdai / Hama chirimen), printed on various size paper sheets, most with inventory number or other text, many with portions excised (probably by interested customers). Mihama, Fukui Province, 20th century

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Lot 443: (JAPAN--COSTUME.) Group of 50 kimono stencils of katagami,

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Description: (JAPAN--COSTUME.) Group of 50 kimono stencils of katagami, probably from the early Showa period, some with extremely intricate cut designs, average size about 12x16 inches (300x405 mm); scattered minor defects; some with designer's stamps. Japan, probably 1920s-30s

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Lot 444: (JAPAN--COSTUME.) Group of approximately 90 kimono stencils or katagami,

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Description: (JAPAN--COSTUME.) Group of approximately 90 kimono stencils or katagami, probably from the early Showa period; average size about 12x16 inches; scattered minor defects; some with designer's stamps. Japan, mostly 1920-30s

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(JAPAN--MAGIC.) Woodblock broadside advertising a magic act,

Lot 445: (JAPAN--MAGIC.) Woodblock broadside advertising a magic act,

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Description: (JAPAN--MAGIC.) Woodblock broadside advertising a magic act, showing sway poles, unsupported ladders, juggling, and numerous Oriental acts, 360x465 mm; minor soiling, few small wormholes; mounted into a Japanese style folder. Tokyo, 1869

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(JAPAN--NEWSPAPER.) Picture Newspaper reproving Vice and protecting Virtue

Lot 446: (JAPAN--NEWSPAPER.) Picture Newspaper reproving Vice and protecting Virtue

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Description: (JAPAN--NEWSPAPER.) Picture Newspaper reproving Vice and protecting Virtue (Kanzen choaku Nishikie Shimbun). Numbers 4-19 inclusive. Together, 16 color woodblock prints showing evil deeds. Each approximately 175x245 mm (7x9 1/2 inches). Osaka, circa 1880

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(JAPAN--RUSSO-JAPANESE WAR.) Migita, Toshihide ; artist. Ohashi Keikichi . . . took off his clothes to get into the sea . . took the ri

Lot 447: (JAPAN--RUSSO-JAPANESE WAR.) Migita, Toshihide ; artist. Ohashi Keikichi . . . took off his clothes to get into the sea . . took the ri

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Migita, Toshihide ; artist. Ohashi Keikichi . . . took off his clothes to get into the sea . . took the rifle from the Russian soldier . . . and killed him with it (Nichi-Ro kôsen kibun. Konoe Hohei Jôtohei Ôhashi Keikichi-shi . . . ). Color woodblock oban triptych, 355x700 mm overall. Tokyo: Meiji 37 [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Hanpo. Russo-Japanese War Pictorial Report: Great Battle at Shah

Lot 448: (JAPAN--RUSSO-JAPANESE WAR.) Hanpo. Russo-Japanese War Pictorial Report: Great Battle at Shah

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Hanpo. Russo-Japanese War Pictorial Report: Great Battle at Shah (Nichi-Ro sensô gahô Shaa daikaisenzu). Color woodblock oban triptych, 355x700 mm overall. Tokyo: Katada Chôjirô, Meiji 37 [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Honored Military Officers of the Russo-Japanese War

Lot 449: (JAPAN--RUSSO-JAPANESE WAR.) Honored Military Officers of the Russo-Japanese War

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Honored Military Officers of the Russo-Japanese War (Nichi-Ro Sensô meiyo gunjin kagami). Color woodblock oban triptych, 355x700 mm overall. Tokyo: Kida Asajirô, Meiji 37 [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Kadô; artist. Blockade of Port Arthur, under the command of Naval Captain Hirose, Commander of the Suicide

Lot 450: (JAPAN--RUSSO-JAPANESE WAR.) Kadô; artist. Blockade of Port Arthur, under the command of Naval Captain Hirose, Commander of the Suicide

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Kadô; artist. Blockade of Port Arthur, under the command of Naval Captain Hirose, Commander of the Suicide Corps (Nichi-Ro Kaisen kunkô no uchi: Ryojunkô Heisokutai Hirose Kaigun Chûsa no Kikun Kesshitai shikichô). Color woodblock oban triptych, 355x700 mm. [Tokyo, Meiji 37] [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Kyôko; artist. Naval Battle at Port Arthur

Lot 451: (JAPAN--RUSSO-JAPANESE WAR.) Kyôko; artist. Naval Battle at Port Arthur

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Kyôko; artist. Naval Battle at Port Arthur (Ryojun kaisen Nigatsu tôka). Color woodblock oban triptych, 355x690 mm overall; small stain along lower edge. [Tokyo: Matsuki Heikichi, Meiji 37 [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Great Victory for the Japanese attacking Seoul, Cheers to the Empire

Lot 452: (JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Great Victory for the Japanese attacking Seoul, Cheers to the Empire

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Great Victory for the Japanese attacking Seoul, Cheers to the Empire (Nichi-Ro Keijô no Dai Nihon daishôri Teikoku banzai). Color woodblock oban triptych, 355x700 mm overall. Tokyo: Fukuda Hatsujirô, Meiji 37 [1904]

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(JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Our Mounted reconnaissance troops got rid of the enemy at Daerytung River

Lot 453: (JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Our Mounted reconnaissance troops got rid of the enemy at Daerytung River

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Description: (JAPAN--RUSSO-JAPANESE WAR.) Ryûa; artist (Kokunimasa Baidô). Our Mounted reconnaissance troops got rid of the enemy at Daerytung River (Waga kihei no teisatsutai Daineikô fukin ni oite teki no kihei to sesshogushi kore o gekitaisu Teishû hômen ni mukaite haishin seshi mono no gotoshi). Color woodblock oban triptych, 355x700 mm overall. Tokyo: Matsusno Yonejirô, Meiji 37 [1904]

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