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Auction Description for Sotheby's Australia: Important Australian & International Art

Important Australian & International Art

(69 Lots)

by Sotheby's Australia

Platinum House

69 lots with images

November 20, 2012

Live Auction
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Carol Jerrems 1949-1980 MAGDA AND JOHN AT HOME 1975 silver gelatin print

Lot 1: Carol Jerrems 1949-1980 MAGDA AND JOHN AT HOME 1975 silver gelatin print

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Description: Carol Jerrems 1949-1980 MAGDA AND JOHN AT HOME 1975 silver gelatin print inscribed 'MAGDA AND JOHN AT HOME.' lower left; signed and dated 'JERREMS, '75' lower right 14.5 X 22CM PROVENANCE Gift of the artist Private Collection, Melbourne

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§ Michael Zavros born 1974 HUNTER 2007 oil on canvas

Lot 2: § Michael Zavros born 1974 HUNTER 2007 oil on canvas

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Description: § Michael Zavros born 1974 HUNTER 2007 oil on canvas signed and dated 'M/Z 2007' lower right 195 X 250.5CM PROVENANCE Art Galleries Schubert, Queensland Private Collection, Sydney

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§ Dale Frank born 1959 NEW HARBOUR COX BIGHT 2005 synthetic polymer paint and varnish on canvas

Lot 3: § Dale Frank born 1959 NEW HARBOUR COX BIGHT 2005 synthetic polymer paint and varnish on canvas

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Description: § Dale Frank born 1959 NEW HARBOUR COX BIGHT 2005 synthetic polymer paint and varnish on canvas signed and dated 'Dale Frank / 2005' verso 200 X 260CM PROVENANCE Art Galleries Schubert, Queensland (stock 798A) Private Collection, Sydney

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Albert Tucker 1914-1999 WOMAN 1950 oil, watercolour, gouache and pencil

Lot 4: Albert Tucker 1914-1999 WOMAN 1950 oil, watercolour, gouache and pencil

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Description: Albert Tucker 1914-1999 WOMAN 1950 oil, watercolour, gouache and pencil signed, dated and inscribed 'Tucker / Paris 1950' lower right 29.5 X 20.5CM PROVENANCE Albert Tucker, Melbourne Private Collection, Melbourne

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§ Sidney Nolan 1917-1992 GIRL AND HORSE (1941) enamel paint on canvas

Lot 5: § Sidney Nolan 1917-1992 GIRL AND HORSE (1941) enamel paint on canvas

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Description: § Sidney Nolan 1917-1992 GIRL AND HORSE (1941) enamel paint on canvas 54 X 48.5CM PROVENANCE Sir Sidney Nolan, United Kingdom The Estate of Sir Sidney Nolan, United Kingdom Eva Breuer Art Dealer, Sydney Private Collection, Sydney EXHIBITED Annual Exhibition, The Contemporary Art Society, Hotel Australia, Melbourne, 14-31 October 1941, no. 292, N.F.S. Sidney Nolan, Hatton Gallery, Newcastle-upon-Tyne, March 1961 and tour to Sheffield, Leeds, Hull, Bristol, Liverpool, Edinburgh and Wakefield, no. 11 Nolan '37-'47, Institute of Contemporary Arts, London, 15 May - 9 June 1962, no. 5 [withdrawn from exhibition] Sidney Nolan: Landscapes and Legends, National Gallery of Victoria, Melbourne, 3 June - 26 July 1987, Art Gallery of New South Wales, Sydney, 11 August - 27 September 1987, Art Gallery of Western Australia, Perth, 21 October - 29 November 1987, Art Gallery of South Australia, Adelaide, 15 December 1987 - 31 January 1988, illustrated LITERATURE Jane Clark, Sidney Nolan: Landscapes and Legends, International Cultural Corporation of Australia Limited, Sydney, p. 37 (illustrated)

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Charles Meere 1890-1961 DESIGN FOR MURAL - 'PROCESSION' (1941) oil on board

Lot 6: Charles Meere 1890-1961 DESIGN FOR MURAL - 'PROCESSION' (1941) oil on board

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Description: Charles Meere 1890-1961 DESIGN FOR MURAL - 'PROCESSION' (1941) oil on board 51 X 165CM PROVENANCE Mrs Charles Meere, Sydney Thirty Victoria Street, Sydney Fine Australian and European Paintings, Sotheby's, Melbourne, 19 August 1996, lot 168, 'Mural Design (Nymphs, Hermes, Pan)', illustrated Private Collection, Melbourne EXHIBITED The Sulman Prize 1941, Art Gallery of New South Wales, Sydney, 17 January - 18 February 1942, no. 11 (a) 30 Australian Paintings, Deutscher Fine Art, Melbourne, 15 September - 3 October 1980, no. 30, 'Dancing Nudes in a Mythological Landscape' Charles Meere 1890-1961, S.H. Ervin Gallery, Sydney, 9 October - 15 November 1987, no. 4, 'Mural Design (Nymphs, Hermes, Pan)' Modern Muses: Classical Mythology in Australian Art 1940-1989, S.H. Ervin Gallery, Sydney, 19 October - 19 November 1989, no. 15, 'Mural Design (Nymphs, Hermes, Pan)' LITERATURE Linda Slutzkin, Charles Meere 1890-1961, S.H. Ervin Gallery, Sydney, 1987, p. 12

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Hilda Rix Nicholas 1884-1961 PICARDY GIRL (1913) oil on canvas

Lot 7: Hilda Rix Nicholas 1884-1961 PICARDY GIRL (1913) oil on canvas

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Description: Hilda Rix Nicholas 1884-1961 PICARDY GIRL (1913) oil on canvas signed 'E H Rix' lower right 97 X 79CM PROVENANCE Private Collection, France Important Australian Art, Sotheby's, Melbourne, 28 August 2006, lot 48, illustrated Private Collection, Melbourne

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§ Margaret Olley 1923-2011 BRIOCHE AND PLUMBAGO (1982) oil on composition board

Lot 8: § Margaret Olley 1923-2011 BRIOCHE AND PLUMBAGO (1982) oil on composition board

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Description: § Margaret Olley 1923-2011 BRIOCHE AND PLUMBAGO (1982) oil on composition board signed 'Olley' lower right 61.5 X 91.5CM PROVENANCE The Estate of the Late Margaret Olley AC, Sydney (MOE 183) Private Collection, Sydney

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Justin O'Brien 1917-1996 THE BAPTISM OF CHRIST (1949) oil on canvas

Lot 9: Justin O'Brien 1917-1996 THE BAPTISM OF CHRIST (1949) oil on canvas

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Description: Justin O'Brien 1917-1996 THE BAPTISM OF CHRIST (1949) oil on canvas signed 'O'BRIEN' upper left 25.5 X 33.5CM PROVENANCE Gift from the artist Mrs Nancy Phelan, Sydney Private Collection, Canada EXHIBITED Justin O'Brien, Hanover Gallery, London, 19 July -1 August 1949, no. 15, 25 gns Justin O'Brien: A Birthday Tribute, National Gallery of Victoria, Melbourne, 31 July - 13 September 1987, no. 3 LITERATURE Anthony Bradley, The Art of Justin O'Brien, The Craftsman Press, Sydney, 1982, pp. 42, 43 (illustrated), 105 Christine France, Justin O''rien: Image and Icon, Craftsman House, Sydney, 1987, plate 6, pp. 44, 45 (illustrated) Christine France, Justin O'Brien: Image and Icon, Craftsman House, Sydney, 1997, plate 6, pp. 52, 53 (illustrated) Natalie Wilson, 'Justin O'Brien & The Art of Transfiguration'' in Barry Pearce and Natalie Wilson, Justin O'Brien: The Sacred Music of Colour, Art Gallery of New South Wales, Sydney, 2010, p. 55 (illustrated)

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John Brack 1920-1999 FLOWERING GUM 1958 oil on composition board

Lot 10: John Brack 1920-1999 FLOWERING GUM 1958 oil on composition board

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Description: John Brack 1920-1999 FLOWERING GUM 1958 oil on composition board signed and dated 'John Brack 58' lower right 35.5 X 30.4CM PROVENANCE Australian Galleries, Melbourne Mr and Mrs A. Bruce Wenzel, Melbourne By descent Private Collection, Melbourne LITERATURE Sasha Grishin, The Art of John Brack, Oxford University Press, Melbourne, 1990, vol. 2, O77, 'Flowering Gum (Dark Background)', illustrated

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§ Jeffrey Smart born 1921 REFLECTED ARROWS (1974) oil on canvas

Lot 11: § Jeffrey Smart born 1921 REFLECTED ARROWS (1974) oil on canvas

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Description: § Jeffrey Smart born 1921 REFLECTED ARROWS (1974) oil on canvas signed 'JEFFREY SMART' lower right 50.5 X 60CM PROVENANCE Rudy Komon Art Gallery, Sydney (stock 4282) Pioneer International, Sydney Fine Australian and International Paintings & Australia 2000, Sotheby's, Sydney, 15 August 2000, lot 10, illustrated Private Collection, Sydney Richard Martin Art, Sydney Private Collection, Sydney EXHIBITED Jeffrey Smart, Rudy Komon Art Gallery, Sydney, 13 November - 8 December 1976, no. 2 Jeffrey Smart: A Review Exhibition, Art Gallery of New South Wales, Sydney, 17 June - 8 August 1982, no. 42 Jeffrey Smart Retrospective Exhibition, Art Gallery of New South Wales, Sydney, 27 August - 31 October 1999, Art Gallery of South Australia, Adelaide, 26 November 1999 - 6 February 2000, Queensland Art Gallery, Brisbane, 10 March - 21 May 2000, Museum of Modern Art at Heide, Melbourne, 10 June - 6 August 2000, no. 49, illustrated LITERATURE Art International, January - February 1977, p. 17 (illustrated) Peter Quartermaine, Jeffrey Smart, Gryphon Books, Melbourne, 1983, p. 45 (illustrated), cat. no. 673 Barry Pearce, Jeffrey Smart, The Beagle Press, Sydney, 2005, p. 131 (illustrated)

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David Larwill 1956-2011 THE PARADE 1993 oil on canvas

Lot 12: David Larwill 1956-2011 THE PARADE 1993 oil on canvas

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Description: David Larwill 1956-2011 THE PARADE 1993 oil on canvas signed and dated 'D. L. 1993' upper right 173.3 X 305CM PROVENANCE Olsen Carr Gallery, Sydney, 1995 Private Collection, Sydney Deloittes Collection, Sydney Australian and International Art, Sotheby's, Melbourne, 28 November 2005, lot 4, illustrated Private Collection, Melbourne EXHIBITED Ken McGregor, David Larwill, Craftsman House, Sydney, 1997, pp.126,127( illustrated)

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John Olsen born 1928 THE FISH 1989 watercolour, gouache and pastel

Lot 13: John Olsen born 1928 THE FISH 1989 watercolour, gouache and pastel

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Description: John Olsen born 1928 THE FISH 1989 watercolour, gouache and pastel signed and dated 'John Olsen / 89' lower left 80 X 90CM PROVENANCE Australian Galleries, Melbourne (label verso) Private Collection, Melbourne EXHIBITED John Olsen, Australian Galleries, Sydney, 2-28 April 1990, no. 25

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Asher Bilu born 1936 THE EYES HAVE IT 1987 resin and pigments on board (in relief)

Lot 14: Asher Bilu born 1936 THE EYES HAVE IT 1987 resin and pigments on board (in relief)

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Description: Asher Bilu born 1936 THE EYES HAVE IT 1987 resin and pigments on board (in relief) signed, dated and inscribed '"THE EYES HAVE IT" / 1987 / A. Bilu' verso 189.5 X 252CM PROVENANCE Private Collection, Melbourne EXHIBITED Asher Bilu: Recent Paintings, The Art Gallery, Melbourne, 1988 LITERATURE Brett Whiteley, Asher Bilu: Recent Paintings, The Art Gallery, Melbourne, 1988, plate 2

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Brett Whiteley 1939-1992 THE VALLEY AT DUSK (1983) tempera and oil with applied stone and plaster on composition board

Lot 15: Brett Whiteley 1939-1992 THE VALLEY AT DUSK (1983) tempera and oil with applied stone and plaster on composition board

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Description: Brett Whiteley 1939-1992 THE VALLEY AT DUSK (1983) tempera and oil with applied stone and plaster on composition board signed 'Whiteley' lower centre 102 X 83CM PROVENANCE Robin Gibson Gallery, Sydney Private Collection, Sydney EXHIBITED Brett Whiteley - Life and Death: A Visual Experience in Opposites, Australian Galleries, Melbourne, 28 May - 18 June 1983, no. 18, illustrated Brett Whiteley: Some Recent Works: Birds (11), The Drought of 83 (7), Robin Gibson Gallery, Sydney, 30 July - 17 August 1983, no. 7

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Joel Elenberg 1948-1980 MASK A (1979-1980) bronze and black Belgian marble

Lot 16: Joel Elenberg 1948-1980 MASK A (1979-1980) bronze and black Belgian marble

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Description: Joel Elenberg 1948-1980 MASK A (1979-1980) bronze and black Belgian marble signed and inscribed 'Joel Elenberg A. P.' verso edition of 6, plus 2 APs 95.5CM HIGH (INCLUDING BASE) PROVENANCE Private Collection, Melbourne

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Albert Tucker 1914-1999 BATTLEFIELD 1942 charcoal and oil on paper

Lot 17: Albert Tucker 1914-1999 BATTLEFIELD 1942 charcoal and oil on paper

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Description: Albert Tucker 1914-1999 BATTLEFIELD 1942 charcoal and oil on paper signed and dated 'Tucker 1942' lower left 13 X 18CM PROVENANCE Albert Tucker, Melbourne Private Collection, Melbourne

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Sidney Nolan 1917-1992 LATRINE SITTERS 1942 enamel paint on composition board

Lot 18: Sidney Nolan 1917-1992 LATRINE SITTERS 1942 enamel paint on composition board

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Description: Sidney Nolan 1917-1992 LATRINE SITTERS 1942 enamel paint on composition board signed, dated and inscribed 'LATRINE SITTERS / 5.12.42. N.' lower right 63.3 X 75.9CM PROVENANCE Sir Sidney Nolan, United Kingdom The Estate of Sidney Nolan The Estate of Sidney Nolan, Sotheby's, Melbourne, 16 September 2001, lot 28, illustrated Corporate Collection, United States of America Private Collection, Melbourne EXHIBITED Sidney Nolan: Landscapes and Legends, National Gallery of Victoria, Melbourne, 3 June - 26 July 1987, Art Gallery of New South Wales, Sydney, 11 August - 27 September 1987, Art Gallery of Western Australia, Perth, 21 October - 29 November 1987, Art Gallery of South Australia, Adelaide, 15 December 1987 - 31 January 1988, illustrated

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Fred Williams 1927-1982 ROCKS (1957-1958) oil on composition board

Lot 19: Fred Williams 1927-1982 ROCKS (1957-1958) oil on composition board

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Description: Fred Williams 1927-1982 ROCKS (1957-1958) oil on composition board signed 'Fred Williams' lower right 68.3 X 88.6CM PROVENANCE Australian Galleries, Melbourne Private Collection, Melbourne By descent Private Collection, Melbourne

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Arthur Boyd 1920-1999 NEAR BENDIGO (1951) oil, tempera and resin on composition board

Lot 20: Arthur Boyd 1920-1999 NEAR BENDIGO (1951) oil, tempera and resin on composition board

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Description: Arthur Boyd 1920-1999 NEAR BENDIGO (1951) oil, tempera and resin on composition board signed 'Arthur Boyd' lower right frame: original, probably Martin Smith, Melbourne 61 X 75CM PROVENANCE Peter Bray Gallery, Melbourne (label verso) Private Collection, Melbourne By descent Private Collection, Melbourne

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Sidney Nolan 1917-1992 NED KELLY: CROSSING THE RIVER 1955 enamel paint on composition board

Lot 21: Sidney Nolan 1917-1992 NED KELLY: CROSSING THE RIVER 1955 enamel paint on composition board

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Description: Sidney Nolan 1917-1992 NED KELLY: CROSSING THE RIVER 1955 enamel paint on composition board signed 'N' lower left; signed, dated and inscribed 'CROSSING THE RIVER / (NED KELLY SERIES) / KELLY CROSSING / FLOODED RIVER / MARCH 1955 / NOLAN' verso 71 X 91.5CM PROVENANCE Mrs Cynthia Nolan, United Kingdom By descent Private Collection EXHIBITED Sidney Nolan, The Redfern Gallery, London, 3-28 May 1955, no. 9, (95 gns) Sidney Nolan, Durlacher Bros, New York, 27 March - 21 April 1956, no. 16 Sidney Nolan, Whitechapel Art Gallery, London, June - July 1957, no. 57 Sidney Nolan: An Exhibition of Paintings, The Arts Council of Great Britain, tour, 1957, no. 13 Sidney Nolan, Hatton Gallery, Newcastle-upon-Tyne, March 1961, and tour to Sheffield, Leeds, Hull, Bristol, Liverpool, Edinburgh and Wakefield, no. 47, illustrated Sidney Nolan: Retrospective Exhibition: Paintings from 1937 to 1967, Art Gallery of New South Wales, Sydney, 13 September - 29 October 1967, National Gallery of Victoria, Melbourne, 22 November - 17 December 1967, Western Australian Art Gallery, Perth, 9 January - 4 February 1968, no. 79 On loan to the Power Gallery of Contemporary Art, The Power Institute of Fine Arts, The University of Sydney, 1974 The Cynthia Nolan Collection of Paintings by Sidney Nolan, David Jones' Art Gallery, Sydney, 7-26 July 1975, no. 14 LITERATURE 'Gamer than Ned Kelly', Australian Women's Weekly, Sydney, 6 July 1955, p. 25 (illustrated) Kenneth Clark, Colin MacInnes and Bryan Robertson, Sidney Nolan, Thames and Hudson, London, 1961, pp. 110, 120 (illustrated)

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Justin O'Brien 1917-1996 MENDING OF NETS (1949) oil on canvas

Lot 22: Justin O'Brien 1917-1996 MENDING OF NETS (1949) oil on canvas

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Description: Justin O'Brien 1917-1996 MENDING OF NETS (1949) oil on canvas signed 'O'BRIEN' upper left 36 X 41CM PROVENANCE Gift from the artist Mrs Nancy Phelan, Sydney Private Collection, New South Wales EXHIBITED Exhibition of Paintings: Justin O'Brien, The Macquarie Galleries, Sydney, 17-29 May 1950, no. 12, N.F.S.

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Noel McKenna born 1956 BIG MURRAY COD, WAGGA WAGGA NSW 2004 enamel on board

Lot 23: Noel McKenna born 1956 BIG MURRAY COD, WAGGA WAGGA NSW 2004 enamel on board

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Description: Noel McKenna born 1956 BIG MURRAY COD, WAGGA WAGGA NSW 2004 enamel on board signed and dated 'N. McKENNA '04' lower right; signed, dated and inscribed 'Big Murray Cod, Wagga Wagga, NSW / N McKenna '04' verso 60 X 69.5CM PROVENANCE Niagara Galleries, Melbourne The Austcorp Group Limited Art Collection Important Australian Art, Sotheby's, Melbourne, 25 August 2009, lot 218, illustrated Private Collection, Victoria EXHIBITED Fish in Australian Art, Australian National Maritime Museum, Sydney, 5 April - 1 October 2012

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Tony Clark born 1954 JASPERWARE PAINTING (1993) synthetic polymer paint on canvas

Lot 24: Tony Clark born 1954 JASPERWARE PAINTING (1993) synthetic polymer paint on canvas

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Description: Tony Clark born 1954 JASPERWARE PAINTING (1993) synthetic polymer paint on canvas 152 X 152CM PROVENANCE City Gallery, Melbourne Private Collection, Melbourne EXHIBITED Tony Clark, City Gallery, Melbourne, 1993

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Gordon Bennett born 1955 AUSTRALIAN ICON (1989) synthetic polymer paint on canvas

Lot 25: Gordon Bennett born 1955 AUSTRALIAN ICON (1989) synthetic polymer paint on canvas

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Description: Gordon Bennett born 1955 AUSTRALIAN ICON (1989) synthetic polymer paint on canvas 150.5 X 150.5CM PROVENANCE Lauraine Diggins Fine Art, Melbourne Private Collection, Melbourne Aboriginal Art, Sotheby's Australia, Sydney, 28 July 2003, lot 191, illustrated Private Collection, Melbourne Depending on how far you stand from Australian Icon (notes on perception no. 6) you will be compelled to read two diametrically opposed signs of identity. Look at the painting across the gallery and be struck by an image of a sailing ship, tossed in a tempestuous sea. Alternately, open your eyes near the work and you are submerged in a field of dots instantly placing you in the continents 'Red Centre', so familiar are the dotted representations of central desert landscapes Like Edgar Rubin's famous figure-ground-vase-face, the power of Australian Icon comes from its binary purity. Look at either the ship or the field of dots and you feel you have a grip on reality, but move backwards or forwards and the painting's paired illusions invert. It is this slippage that persists as the subject of this deceptively simple work. Bennett created the Australian Icon series at a tipping point in the nation's public history. In 1988 Australia was in the grip of the Bicentennial celebrations that saw various reenactments of one sort or another, including the 'tall ship' event that saw a group of sailing vessels set out to retrace the journey of the 'first (European) fleet to Australia'. Aboriginal groups declared it to be a year of mourning. I began to use illustrations out of old social studies and history text books by way of critical intervention in the seamless flow of images that I plainly saw was designed to reinforce the popular myth and 'common sense' perspective of an Australian colonial identity and 'pop' history. I had in mind to create fields of disturbance which would necessitate re-reading the image, and the mythology.' (1) Bennett has stated that it is unimportant which particular ship is depicted, but concedes that 'in the context of the Bicentennial, a ship is very likely to be interpreted in relation to the 'first (European) fleet', or even Captain Cook's 'Endeavor''. (2) Bennett was not alone in his urge to re-paint history in 1988. The Arnhem Land artist Paddy Fordham Wainburranga also used the image of a ship as the vector of invasion. Wainburranga's Too many Captain Cooks was created in the same year he delivered 23 of the 200 painted, hollow, log coffins to be installed permanently in the National Gallery of Australia, each standing for the loss of Aboriginal lives since European colonization. In 2012, almost a quarter of a century after the Bicentennial, Bennett's satirical take is likely to '… evoke the romantic narratives of adventure, danger, exploration and discovery that form a major part of the mythology that informs 'mainstream' identity'. Australian Icon has not lost any of its potency with the passage of time. As the curator and academic Ian McLean has pointed out, Bennett parodies the metaphors of enlightenment. (3) There is a double entendre in Bennett's deployment of the dotted field, '… images I select exist between the pages of art books and history. Their unifying factor is the dot screen of their photo-mechanical reproduction and their iconographical relationships as points of reference, or 'sites', on a Western cultural perceptual grid.' (4) Australian Icon was painted at the moment when the art of the 'dot and circle' had only recently received widespread national recognition; we had not yet grown weary of the use of Central Australian motifs applied to everything from jumbo jets to boomerangs made in Bali. Bennett's painstaking application of the dotted field was a reenactment of the process, developed a decade earlier by a handful of Papunya Tula Artists whereby several dots are made in regular succession by loaded brush, each producing a mark of slightly decreased opacity. The nuanced surface is created by focused effort on the act of painting, 'Each dot, gently and carefully'. (5) Step away however and those patterns become the serried traces of gale, ripping across the surface of the sea, even as breakers threaten to engulf the ship, and its colonial cargo. Bennett's Australian Icon erased the divide between 'Western' and 'Aboriginal' art, elegantly identifying cultural influences that flow both ways. From that moment it was apparent creative minds on either side of the untidy frontier were considering the complexities and contradictions of living in a post-modern world. John Kean (1) Gordon Bennett, The Manifest Toe, in Ian McLean, Gordon Bennett, The Art of Gordon Bennett, Craftsman House, New South Wales, 1996, p.34-35 (2) Ibid, p. 41 (3) Ian McLean in Ian McLean, Gordon Bennett, The Art of Gordon Bennett, Craftsman House, New South Wales, 1996, p.74 (4) op. cit. p.43 (5) Michael Nelson Tjakamarra in Vivien Johnson, Lives of the Papunya Tula Artists, IAD Press, Alice Springs, 2008, p.205

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Francesco Bartolozzi; William Byrne; after John Webber 1725-1815; 1743-1805; 1751-1793 THE DEATH OF CAPTAIN COOK 1784 engraving

Lot 26: Francesco Bartolozzi; William Byrne; after John Webber 1725-1815; 1743-1805; 1751-1793 THE DEATH OF CAPTAIN COOK 1784 engraving

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Description: Francesco Bartolozzi; William Byrne; after John Webber 1725-1815; 1743-1805; 1751-1793 THE DEATH OF CAPTAIN COOK 1784 engraving igned in printed text below image lower left 'Drawn by J. Webber', lower centre 'The Figures Engraved by F.Bartolozzi, R.A. Engraver to His Majesty' and lower right 'The Landscape by W.Byrne'; dated in printed text below image bottom centre (now lost) 'Published as the Act Directs 1st January 1784' 42.2 X 58.1CM (image); 46.1 X 60.1CM (sheet) PROVENANCE Private Collection, South Australia

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Moses Griffith 1747-1819 RAINBOW LORIKEET (TRICHOGLOSSUS HAEMATODUS MOLUCCANUS) 1772 goucahe on vellum

Lot 27: Moses Griffith 1747-1819 RAINBOW LORIKEET (TRICHOGLOSSUS HAEMATODUS MOLUCCANUS) 1772 goucahe on vellum

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Description: Moses Griffith 1747-1819 RAINBOW LORIKEET (TRICHOGLOSSUS HAEMATODUS MOLUCCANUS) 1772 goucahe on vellum signed 'Moses Griffiths pinxt 1772' lower left; inscribed 'from New Holland' verso 26.5 X 20CM PROVENANCE Thomas Pennant, Downing Hall, Whitford, Wales By descent Rudolph Edmund Aloysius Feilding, Viscount Feilding, Newnham Paddox, Rugby, England The Valuable Library of Books, Manuscripts, Drawings, and Engravings Sold by Order of the Executor of The Right Hon. Viscount Feilding Deceased: and have been removed from Newnham Paddox, Rugby, including The famous Collections of Thomas Pennant, At one time forming portion of the Library at Downing, Flintshire, comprising Grangerized copies of his own works, with original Topographical and Natural History Drawings by his special artist, Moses Griffith, Christie, Manson & Woods, London, 4 July 1938, lot 251 or 254 Francis Howard or Edward Llewellyn Roger Lloyd-Mostyn, 4th Baron Mostyn Norman Adams Antiques, London Rick J. Willis, Melbourne Dr Norman Wettenhall, Melbourne Willcox Collection, Melbourne Private Collection, Melbourne LITERATURE R.J. Willis, 'The Earliest Known Australian Bird Painting: A Rainbow Lorikeet, Thrichoglossus Haematodus Moluccanus (Gmelin) by Moses Griffith, Painted in 1772', Archives of Natural History, vol. 15 part 3, 1988, pp. 323-329, 327 (illustrated) R.J. Willis, 'Portrait of a Pet: An Australian First', Australian Natural History, Vol. 23, No. 9, Winter 1991, pp. 680-681, p. 680 (illustrated) The Wettenhall Library: Natural History, Especially Ornithology, Voyages, Travels and Australiana from the Library of Dr Norman Wettenhall, Hordern House, Sydney, and Andrew Isles, Melbourne, 1995, p. 20 Penny Olsen, Feather and Brush: Three Centuries of Australian Bird Art, CSIRO Publishing, Melbourne, 2001, pp. 16, 17 (illustrated), 19 David G. Medway, 'The Contribution of Thomas Pennant (1726-1798), Welsh Naturalist, to the Australian Ornithology of Cook's First Voyage (1768-1771)', Archives of Natural History, Vol. 38, Part 2, 2011, pp. 282-283, 285

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Walter Withers 1854-1914 MRS GUNN'S COTTAGE oil on canvas

Lot 28: Walter Withers 1854-1914 MRS GUNN'S COTTAGE oil on canvas

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Description: Walter Withers 1854-1914 MRS GUNN'S COTTAGE oil on canvas 30 X 40.7CM PROVENANCE Mr W. Rank, Melbourne By descent Sir Benjamin Rank, Melbourne Fine Australian and European Paintings, Sotheby's, Melbourne, 19 August 1996, lot 185, illustrated Private Collection, Perth

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E. Phillips Fox 1865-1915 SAPLING FOREST oil on canvas on board

Lot 29: E. Phillips Fox 1865-1915 SAPLING FOREST oil on canvas on board

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Description: E. Phillips Fox 1865-1915 SAPLING FOREST oil on canvas on board signed 'E. P. Fox' lower right 32 X 43.5CM PROVENANCE Mrs R. Payne, Melbourne Joshua McClelland Print Room, Melbourne Private Collection, Melbourne

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Arthur Streeton 1867-1943 PALM BEACH AND BARRENJOEY (1926) oil on wood panel

Lot 30: Arthur Streeton 1867-1943 PALM BEACH AND BARRENJOEY (1926) oil on wood panel

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Description: Arthur Streeton 1867-1943 PALM BEACH AND BARRENJOEY (1926) oil on wood panel 22 X 70.5CM PROVENANCE The Macquarie Galleries, Sydney Mr B. Arnott, Sydney Artarmon Galleries, Sydney Fine Paintings, Drawings, Prints and Sculpture, James R. Lawson, Sydney, 19 June 1984, lot 57, illustrated Sir Leon and Lady Trout, Brisbane The Collection of Sir Leon and Lady Trout, Christie's, Brisbane, 6 June 1989, lot 152, illustrated Private Collection, Sydney Fine Australian and European Paintings, Sotheby's, Melbourne, 28 April 1998, lot 148, illustrated Private Collection, Sydney EXHIBITED Exhibition of Oil Paintings by Arthur Streeton, The Macquarie Galleries, Sydney, 10-26 March 1927, no. 24, 80 gns LITERATURE Arthur Streeton, The Arthur Streeton Catalogue, Arthur Streeton, Melbourne, 1935, no. 891

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Rupert Bunny 1864-1947 LA CASSETTETHE CASKET (1916) oil on canvas

Lot 31: Rupert Bunny 1864-1947 LA CASSETTETHE CASKET (1916) oil on canvas

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Description: Rupert Bunny 1864-1947 LA CASSETTE THE CASKET (1916) oil on canvas signed 'Rupert CW Bunny' lower left 73.5 X 60.7CM PROVENANCE Dr Robin Sharwood, Melbourne Joseph Brown Gallery, Melbourne Private Collection, Sydney Australian and International Art, Deutscher-Menzies, Melbourne, 25 April 1999, lot 123, illustrated Private Collection, Perth EXHIBITED Rupert C.W. Bunny, Galeries Georges Petit, Paris, 16-31 March 1917, no. 42, 'La Cassette' Exhibition of Paintings by Rupert C.W. Bunny, The Fine Art Society's Gallery, Melbourne, 15-27 November 1922, no. 23 An Exhibition of Oil Paintings by Rupert C.W. Bunny, Anthony Hordern & Sons, Sydney, 2-31 May 1923, 50 gns LITERATURE David Thomas, Rupert Bunny 1864-1947, Lansdowne Press, Melbourne, 1970, cat. O173

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William Robinson born 1936 DAY AND NIGHT LANDSCAPE 1991 oil on canvas

Lot 32: William Robinson born 1936 DAY AND NIGHT LANDSCAPE 1991 oil on canvas

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Description: William Robinson born 1936 DAY AND NIGHT LANDSCAPE 1991 oil on canvas signed and dated 'William Robinson 91' lower left; inscribed 'DAY AND NIGHT LANDSCAPE' verso 76.5 X 102CM PROVENANCE Ray Hughes Gallery, Sydney Private Collection, Sydney EXHIBITED William Robinson: Paintings, Ray Hughes Gallery, Sydney, 28 September – 20 October 1991, no. 10

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§ Charles Blackman born 1928 SCHOOLGIRL READING 1954 oil on composition board

Lot 33: § Charles Blackman born 1928 SCHOOLGIRL READING 1954 oil on composition board

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Description: § Charles Blackman born 1928 SCHOOLGIRL READING 1954 oil on composition board signed and dated 'BLACKMAN 1954' upper left 76.5 X 86.5CM PROVENANCE Lister Gallery, Perth Dr Ian Bernadt, Perth Winter Auction, Gregson Flanagan, Perth, 27 July 1999, lot 14, illustrated Art Galleries Schubert, Queensland Private Collection, Sydney LITERATURE Nadine Amadio, Charles Blackman: The Lost Domains, A.H. & A.W.Reed, Sydney, 1980, p. 18 (illustrated)

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Elioth Gruner 1882-1939 A SUMMER IDYLL 1930 oil on board

Lot 34: Elioth Gruner 1882-1939 A SUMMER IDYLL 1930 oil on board

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Description: Elioth Gruner 1882-1939 A SUMMER IDYLL 1930 oil on board signed and dated 'GRUNER / 1930' lower left; inscribed ' A Summer Idyll / 40 guineas' verso 44.7 x 29.6CM PROVENANCE Grosvenor Galleries, Sydney Mr William Stafford, Melbourne Australian Paintings, Leonard Joel, Melbourne, 25 May 1978, lot 447, illustrated Mr Frederick Bladin, Melbourne The Estate of the Late Frederick D. Bladin, Christies, Melbourne, 2 April 2003, lot 6, illustrated Gould Galleries, Melbourne and Sydney (stock 13,183) Private Collection, Australian Capital Territory EXHIBITED 100 Years of Great Australian Art, Gould Galleries, Melbourne, 2-28 March 2004, Gould Galleries, Sydney, 6 April – 9 May 2004, no. 9, illustrated

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Louis Buvelot 1814-1888 THE DEVIL'S POOL (WANNON FALLS) 1868 pencil

Lot 35: Louis Buvelot 1814-1888 THE DEVIL'S POOL (WANNON FALLS) 1868 pencil

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Description: Louis Buvelot 1814-1888 THE DEVIL'S POOL (WANNON FALLS) 1868 pencil signed and dated 'Ls Buvelot 1868' lower right frame: original, maker unknown 41 X 56CM PROVENANCE Private Collection Australian & European Paintings & Sculpture, Goodmans, Sydney, 8 November 1999, lot 94, llustrated Private Collection, Sydney

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Arthur Streeton 1867-1943 BLACKWOOD AND NOONDAY SKY (1932) oil on canvas

Lot 36: Arthur Streeton 1867-1943 BLACKWOOD AND NOONDAY SKY (1932) oil on canvas

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Description: Arthur Streeton 1867-1943 BLACKWOOD AND NOONDAY SKY (1932) oil on canvas signed 'A STREETON' lower right 33 X 38CM PROVENANCE Fine Art Society's Gallery, Melbourne Dr K. Colquhoun, Melbourne Private Collection, Melbourne Australian Paintings, Leonard Joel, Melbourne, 28 May 1980, lot 243, 'The Old Tree', illustrated Private Collection, Melbourne Kozminsky Galleries, Melbourne Private Collection, Perth EXHIBITED Exhibition of Roses by Arthur Streeton, Fine Art Society's Gallery, Melbourne, 1-14 December 1932, no. 10 Autumn Exhibition 1999, Kozminsky Galleries, Melbourne, 1999, no. 32, 'Olinda', illustrated LITERATURE Arthur Streeton, The Arthur Streeton Catalogue, Arthur Streeton, Melbourne, 1935, no. 1053

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Arthur Boyd 1920-1999 WIMMERA oil on composition board

Lot 37: Arthur Boyd 1920-1999 WIMMERA oil on composition board

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Description: Arthur Boyd 1920-1999 WIMMERA oil on composition board signed 'Arthur Boyd' lower right 41.5 X 118CM PROVENANCE Private Collection, Melbourne By descent Private Collection, Victoria

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§ Jeffrey Smart born 1921 THE NEW SCHOOL II (2004) oil on canvas

Lot 38: § Jeffrey Smart born 1921 THE NEW SCHOOL II (2004) oil on canvas

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Description: § Jeffrey Smart born 1921 THE NEW SCHOOL II (2004) oil on canvas signed 'JEFFREY SMART' lower right frame: original, Graham Reynolds, Brisbane, 2005 94 X 151CM PROVENANCE Philip Bacon Galleries, Brisbane Private Collection, Sydney EXHIBITED Jeffrey Smart, Philip Bacon Galleries, Brisbane, 30 August - 1 October 2005, no. 1, illustrated LITERATURE Christopher Allen, Jeffrey Smart, Philip Bacon Galleries, Brisbane, 2005, cover (illustrated), pp. 4-5 Christopher Allen, Jeffrey Smart: Unpublished Paintings 1940-2007, Australian Galleries, Melbourne, 2008, pp. 34 (illustrated), 245 (illustrated)

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Ray Crooke born 1922 MT TOM PRICE 1970 oil on canvas on composition board

Lot 39: Ray Crooke born 1922 MT TOM PRICE 1970 oil on canvas on composition board

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Description: Ray Crooke born 1922 MT TOM PRICE 1970 oil on canvas on composition board signed and dated 'R Crooke / 70' lower left 76 X 122CM PROVENANCE Artarmon Galleries Private Collection, New South Wales

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Clifton Pugh 1924-1990 EMUS ON THE SNOW LINE (1958) oil on composition board

Lot 40: Clifton Pugh 1924-1990 EMUS ON THE SNOW LINE (1958) oil on composition board

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Description: Clifton Pugh 1924-1990 EMUS ON THE SNOW LINE (1958) oil on composition board 92 X 139CM PROVENANCE Mr R.D. Burns, Melbourne, 1959 By descent Private Collection, Sydney EXHIBITED Antipodeans, Victorian Artists' Society, Melbourne, 4-15 August 1959, no. 60 The Antipodeans: Another Chapter, Lauraine Diggins Fine Arts, Melbourne, 17 October - 4 November 1988, Nolan Gallery, Lanyon, Australian Capital Territory, 12 November - 11 December 1988, S.H. Ervin Gallery, Sydney, 22 December 1988 - 27 January 1989, no. 33, illustrated LITERATURE Noel Macainsh, Clifton Pugh, Georgian House, Melbourne, 1962, p. 14, plate 7 (illustrated) Barbara Blackman, 'The Antipodean Affair', Art and Australia, Ure Smith, Sydney, Vol. 5, No.4, March 1968, p. 612 (illustrated)

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Russell Drysdale 1912-1981 BOY ON A LOG (1953) oil on canvas

Lot 41: Russell Drysdale 1912-1981 BOY ON A LOG (1953) oil on canvas

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Description: Russell Drysdale 1912-1981 BOY ON A LOG (1953) oil on canvas signed 'Russell Drysdale' lower right frame: original, maker unknown, Sydney 50.6 X 76.5CM PROVENANCE Macquarie Galleries, Sydney Private Collection, Sydney EXHIBITED Russell Drysdale, Macquarie Galleries, Sydney, 18 November - 4 December 1953, no. 8, 130 gns Russell Drysdale: Retrospective 1937-1960, Art Gallery of New South Wales, Sydney, 5 October - 6 November 1960, no. 81 Loreto Arts Festival, Loreto Convent, Sydney, 6-8 May 1966, no. 9 LITERATURE Lou Klepac, The Life and Work of Russell Drysdale (rev. ed.), Murdoch Books, Sydney, 2009, pp. 260 (illustrated, plate 121), 380

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John Perceval 1923-2000 RECLINING ANGEL bronze

Lot 42: John Perceval 1923-2000 RECLINING ANGEL bronze

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Description: John Perceval 1923-2000 RECLINING ANGEL bronze signed and inscribed 'Perceval 3/6' on base edition 3 of 6 12.5 X 29 X 25CM PROVENANCE Sweeney Reed Gallery, Melbourne Private Collection, Melbourne By descent Important Australian Art, Sotheby's, Melbourne, 23 Novermber 2009, lot 99, illustrated Private Collection, Queensland

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John Perceval 1923-2000 SCOTCH ON THE ROCKS (1989) oil on canvas

Lot 43: John Perceval 1923-2000 SCOTCH ON THE ROCKS (1989) oil on canvas

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Description: John Perceval 1923-2000 SCOTCH ON THE ROCKS (1989) oil on canvas signed ' Perceval' lower centre 90 X 120CM PROVENANCE Australian Galleries, Melbourne (stock 7704) (label verso) Private Collection, Melbourne EXHIBITED John Perceval: Williamstown and Other Images, Gould Galleries, Melbourne, 24 October - 12 November 1989, no. 16, illustrated John Perceval, Australian Galleries, Melbourne, 9-26 April 1991, no. 8

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§ Del Kathryn Barton born 1972 I AM LOVING YOU LIKE THIS (VERSION 2) 2008 bronze

Lot 44: § Del Kathryn Barton born 1972 I AM LOVING YOU LIKE THIS (VERSION 2) 2008 bronze

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Description: § Del Kathryn Barton born 1972 I AM LOVING YOU LIKE THIS (VERSION 2) 2008 bronze signed and dated 'del kathryn barton / 2008' on base edition 3 of 3 100 X 34 X 36CM PROVENANCE Karen Woodbury Gallery, Melbourne Private Collection, Melbourne EXHIBITED The Elements Within Sculpture, Lauraine Diggins Fine Art, Melbourne, 4 June – 15 July 2011 LITERATURE Ken Scarlett, 'Such Diversity', in The Elements Within Sculpture, Lauraine Diggins Fine Art, Melbourne, 2011, (n.p.) Jessica Friedmann, 'Del Kathryn Barton is an Artist', Dumbo Feather Magazine, 2011, (n.p.)

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John Olsen born 1928 SWINGING MONKEY I 1982 watercolour and pastel

Lot 45: John Olsen born 1928 SWINGING MONKEY I 1982 watercolour and pastel

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Description: John Olsen born 1928 SWINGING MONKEY I 1982 watercolour and pastel signed and dated 'John Olsen '82' lower right 90 X 80CM PROVENANCE Australian Galleries, Melbourne (stock 1190) (label verso) Private Collection, Melbourne EXHIBITED John Olsen, Australian Galleries, Melbourne, 19-31 July 1982

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Tim Maguire born 1958 UNTITLED 1993 oil on paper on canvas (diptych)

Lot 46: Tim Maguire born 1958 UNTITLED 1993 oil on paper on canvas (diptych)

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Description: Tim Maguire born 1958 UNTITLED 1993 oil on paper on canvas (diptych) signed, dated and inscribed 'Maguire '93 / Untitled' verso 91 X 182CM PROVENANCE Galeri Aperto, Amsterdam Eva Breuer Art Dealer, Sydney Private Collection, Sydney

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David Larwill 1956-2011 CONTEMPLATING HIS PLACE IN HUMANITY 2011 bronze

Lot 47: David Larwill 1956-2011 CONTEMPLATING HIS PLACE IN HUMANITY 2011 bronze

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Description: David Larwill 1956-2011 CONTEMPLATING HIS PLACE IN HUMANITY 2011 bronze signed, dated and inscribed 'David Larwill / 2011 A P', on base 62 X 37 X 24CM PROVENANCE The Estate of the Late David Larwill, Melbourne EXHIBITED Roar, Reviewed Melbourne, 2011, Melbourne, 23 November - 11 December 2011 Roar, Reviewed Adelaide, 2011, Art Images Gallery, Adelaide, 8 June - 1 July 2012 LITERATURE Denise Morgan, ROAR Reviewed 30 Years On, Macmillan, Melbourne, 2012 (illustrated)

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Albert Tucker 1914-1999 CONVICT DREAMING 1972 synthetic polymer paint on composition board

Lot 48: Albert Tucker 1914-1999 CONVICT DREAMING 1972 synthetic polymer paint on composition board

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Description: Albert Tucker 1914-1999 CONVICT DREAMING 1972 synthetic polymer paint on composition board signed and dated 'Tucker 72' lower right; inscribed 'CONVICT DREAMING / 1972' verso 71 X 91CM PROVENANCE Albert and Barbara Tucker, Melbourne Private Collection, Melbourne

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Conrad Martens 1801-1878 ISLAND OF MOOREA FROM PAPEETE HARBOUR, TAHITI (1835) watercolour and bodycolour

Lot 49: Conrad Martens 1801-1878 ISLAND OF MOOREA FROM PAPEETE HARBOUR, TAHITI (1835) watercolour and bodycolour

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Description: Conrad Martens 1801-1878 ISLAND OF MOOREA FROM PAPEETE HARBOUR, TAHITI (1835) watercolour and bodycolour inscribed 'Island of Moorea / from Papiete [sic] Harbour / Tahiti' verso 14 X 24.2CM PROVENANCE Private Collection Standish Keon, Sydney By descent Private Collection, New South Wales

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Conrad Martens 1801-1878 MOUNT WINGEN, HUNTER VALLEY, NEW SOUTH WALES (1862) watercolour and bodycolour

Lot 50: Conrad Martens 1801-1878 MOUNT WINGEN, HUNTER VALLEY, NEW SOUTH WALES (1862) watercolour and bodycolour

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Description: Conrad Martens 1801-1878 MOUNT WINGEN, HUNTER VALLEY, NEW SOUTH WALES (1862) watercolour and bodycolour 11.5 X 16.5CM PROVENANCE Private Collection, Sydney

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