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Auction Description for Swann: OLD MASTER THROUGH MODERN PRINTS
Auction Description:
OLD MASTER THROUGH MODERN PRINTS
Viewing Notes:
Exhibition & Sale Schedule: Sale 2212 - Old Master Through Modern Prints - begins at 10:30am in New York on Tues, April 27. All material in Sale 2212 on display at our premises in New York City, 104 East 25th Street, as follows - Thurs, April 22: 10am to 8pm - Fri, April 23: 10am to 6pm - Sat, April 24: 10am to 4pm - Mon, April 26: 10am to 6pm - No exhibition on day of sale.

OLD MASTER THROUGH MODERN PRINTS

(438 Lots)

by Swann Auction Galleries

Platinum House

438 lots with images

April 27, 2010

Live Auction

104 East 25th Street

New York, NY, 10010 USA

Phone: 212.254.4710

Fax: 212 979 1017

Email: swann@swanngalleries.com

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CHERUBINO ALBERTI (after Michelangelo) Seated Male Nude

Lot 1: CHERUBINO ALBERTI (after Michelangelo) Seated Male Nude

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Description: CHERUBINO ALBERTI (after Michelangelo) Seated Male Nude. Engraving, circa 1575. 320x207 mm; 12 1/2x8 1/4 inches, thread margins. A very good, dark impression with strong contrasts. With--NICOLAS BEATRIZET (after Raphael). The Ascension, engraving, 1541. 285x317 mm; 11 1/4x12 3/4 inches. Shield with the letter M watermark. Bartsch 21.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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CORNELIS BEGA The Inn.

Lot 2: CORNELIS BEGA The Inn.

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Description: CORNELIS BEGA The Inn. Etching, circa 1650. 219x171 mm; 8 5/8x6 3/4 inches, small margins. First state (of 3). Foolscap with a 7-pointed collar watermark. A brilliant, richly-inked and early impression of this scarce, important print. Bartsch 35.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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LOUIS-MARIN BONNET (after Boucher) Tête de Flore

Lot 3: LOUIS-MARIN BONNET (after Boucher) Tête de Flore

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Description: LOUIS-MARIN BONNET (after Boucher) Tête de Flore. Color crayon manner engraving, 1769. 400x312 mm; 15 3/4x12 1/4 inches. Second state (of 3), before the additional shading in the background. Indiscernible (4-quadrant shield ?) watermark. Trimmed on or just inside the plate mark. According to Ittmann, this "is one of the supreme achievements of French eighteenth-century printmaking," (Carlson/Ittmann, Regency to Empire, French Printmaking 1715-1814, Minneapolis, 1984, p. 194). The print represents Boucher's youngest daughter, Marie-Emilie, who married the artist's protégé, Pierre-Antoine Baudouin. Jean-Richard 380; Hérold 192; Ittmann, et als., 63.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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PIETER BRUEGEL THE ELDER (after) Temperance

Lot 4: PIETER BRUEGEL THE ELDER (after) Temperance

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Description: PIETER BRUEGEL THE ELDER (after) Temperance. Engraving, 1559. 225x291 mm; 8 7/8x11 1/2 inches. First state (of 2), before the correction in the text. Trimmed on the plate mark, with thread margins outside the border line. A very good, early impression, with the guide lines for the text in the lower margin still printing clearly. Hollstein 138; Bastelaer 138; Lebeer 133.

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NICOLAES DE BRUYN The Passion.

Lot 5: NICOLAES DE BRUYN The Passion.

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Description: NICOLAES DE BRUYN The Passion. Set of 12 engravings, 1618-19. Each 202x140 mm; 8x5 1/2 inches, full margins. Several sheets with an Arms of Amsterdam watermark. Very good impressions. Hollstein 78-89.

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ANTONIO DA CANAL, IL CANALETTO Le Porte del Dolo.

Lot 6: ANTONIO DA CANAL, IL CANALETTO Le Porte del Dolo.

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Description: ANTONIO DA CANAL, IL CANALETTO Le Porte del Dolo. Etching, circa 1740. 300x430 mm; 11 7/8x17 inches, wide margins. Third state (of 3). A very good impression with strong contrasts. Bromberg 6.

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ANTONIO DA CANAL, IL CANALETTO Paesaggio con un Pellegrino in Preghiera.

Lot 7: ANTONIO DA CANAL, IL CANALETTO Paesaggio con un Pellegrino in Preghiera.

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Description: ANTONIO DA CANAL, IL CANALETTO Paesaggio con un Pellegrino in Preghiera. Etching, circa 1740. 143x212 mm; 5 3/4x8 3/8 inches, small margins. Third state (of 3). A very good impression with strong contrasts. Bromberg 27.

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AGOSTINO CARRACCI (after Vanni) Saint Francis Consoled by the Musical Angel

Lot 8: AGOSTINO CARRACCI (after Vanni) Saint Francis Consoled by the Musical Angel

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Description: AGOSTINO CARRACCI (after Vanni) Saint Francis Consoled by the Musical Angel. Engraving, 1595. 315x240 mm; 12 3/8x9 1/2 inches. First state (of 2), before the address of Paluzzi. The letters IHS in a circle watermark. Trimmed on the plate mark with narrow to thread margins outside the border line. A very good, early impression of this scarce print. Bartsch 67; Bohlin 204.

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ANNIBALE CARRACCI Mary Magdalen in the Wilderness.

Lot 9: ANNIBALE CARRACCI Mary Magdalen in the Wilderness.

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Description: ANNIBALE CARRACCI Mary Magdalen in the Wilderness. Etching and engraving, 1591. 222x166 mm; 8 3/4x6 1/2 inches, thread margins. Second state (of 4). A good impression of this very scarce print. Bartsch 16; Bohlin 12.

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GIOVANNI B CAVALIERI (after Michelangelo) The Crucifixion of St

Lot 10: GIOVANNI B CAVALIERI (after Michelangelo) The Crucifixion of St

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Description: GIOVANNI B CAVALIERI (after Michelangelo) The Crucifixion of St. Peter. Engraving, after 1550. 420x543 mm; 16 1/2x21 3/8 inches. Trimmed on or inside the plate mark. A good impression of this large print. Based on Michelangelo's last fresco, circa 1546 to 1550, in the Capella Paolina, Vatican Palace, Rome.

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LUCAS CRANACH St. Catherine.

Lot 11: LUCAS CRANACH St. Catherine.

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Description: LUCAS CRANACH St. Catherine. Woodcut, 1510. 216x128 mm; 8 1/2x5 inches. Ex-collection Emil Schröter (Lugt 2270, verso). A very good impression of this extremely scarce print. We have found only one other impression at auction in the past 20 years. Bartsch 71.

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CORNELIS DUSART Violin Player Seated in the Inn.

Lot 12: CORNELIS DUSART Violin Player Seated in the Inn.

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Description: CORNELIS DUSART Violin Player Seated in the Inn. Etching and roulette, 1685. 282x252 mm; 11 1/8x10 inches, small margins. Third state (of 3). A superb, dark and richly-inked impression of this large print with strong contrasts. Bartsch 15; Hollstein 15.

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ALBRECHT DÜRER The Prodigal Son.

Lot 13: ALBRECHT DÜRER The Prodigal Son.

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Description: ALBRECHT DÜRER The Prodigal Son. Engraving, circa 1496. 246x191 mm; 9 3/4x7 1/2 inches. A brilliant, dark and richly-inked Meder d impression with strong contrasts and with all the delicate lines printing clearly. Small high crown with the letter A watermark (Meder 26, which he dates to circa 1530-35). With thread margins or trimmed on the plate mark. Bartsch 28; Meder 28.

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ALBRECHT DÜRER St. Jerome in Penitence.

Lot 14: ALBRECHT DÜRER St. Jerome in Penitence.

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Description: ALBRECHT DÜRER St. Jerome in Penitence. Engraving, circa 1496-97. 316x227 mm; 12 1/2x9 inches. A good, dark Meder f-g impression. Trimmed on the plate mark, scattered repaired tears and restorations, the upper 3/8-inch strip at the top replaced with additions in pen and ink for the foliage on the uppermost tree in the center. Bartsch 61; Meder 57.

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ALBRECHT DÜRER The Promenade.

Lot 15: ALBRECHT DÜRER The Promenade.

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Description: ALBRECHT DÜRER The Promenade. Engraving, circa 1496-97. 195x121 mm; 7 5/8x4 3/4 inches. A very good, dark and richly-inked Meder c impression, with the jagged, diagonal line across the lower tree trunk but before the fine shading on the woman's neck and headdress grows faint. Trimmed on the plate mark, light scattered skinning verso not affecting the image. A superb, evenly-printed impression with strong contrasts. Bartsch 94; Meder 83.

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ALBRECHT DÜRER The Vision of the Seven Candlesticks.

Lot 16: ALBRECHT DÜRER The Vision of the Seven Candlesticks.

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Description: ALBRECHT DÜRER The Vision of the Seven Candlesticks. Woodcut, 1498. 397x285 mm; 15 5/8x11 1/4 inches, small to narrow margins. A very good impression from the 1511 Latin text edition. Ex-collection unknown collector, indiscernible ink stamp lower center recto. Expertly-restored loss extreme lower right corner and lower edge of sheet. Bartsch 62; Meder 165.

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ALBRECHT DÜRER St. John before God and the Elders.

Lot 17: ALBRECHT DÜRER St. John before God and the Elders.

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Description: ALBRECHT DÜRER St. John before God and the Elders. Woodcut, 1498. 392x278 mm; 15 1/2x11 inches, narrow to thread margins. A very good impression from the 1511 Latin text edition. High tower watermark (Meder 259). From the Apocalypse. Bartsch 63; Meder 166.

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ALBRECHT DÜRER The Four Horsemen.

Lot 18: ALBRECHT DÜRER The Four Horsemen.

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Description: ALBRECHT DÜRER The Four Horsemen. Woodcut, 1498. 397x285 mm; 15 5/8x11 1/4 inches, small to narrow margins. A superb, dark and evenly-printed impression from the 1511 Latin text edition. Ex-collection unknown collector, indiscernible ink stamp lower center recto. From the Apocalypse. Expertly-restored loss extreme lower right corner and lower edge of sheet. Bartsch 64; Meder 167.

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ALBRECHT DÜRER The Four Horsemen.

Lot 19: ALBRECHT DÜRER The Four Horsemen.

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Description: ALBRECHT DÜRER The Four Horsemen. Woodcut, 1498. 397x285 mm; 15 5/8x11 1/4 inches, narrow margins. A superb, dark and evenly-printed impression from the 1511 Latin text edition with strong contrasts and little to no signs of wear. Tower with a crown and flower watermark (Meder 259). From the Apocalypse. Bartsch 64; Meder 167.

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ALBRECHT DÜRER The Four Angels Holding the Winds.

Lot 20: ALBRECHT DÜRER The Four Angels Holding the Winds.

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Description: ALBRECHT DÜRER The Four Angels Holding the Winds. Woodcut, 1498. 397x285 mm; 15 5/8x11 1/4 inches, small to narrow margins. A superb, dark and evenly-printed impression from the 1511 Latin text edition. Ex-collection unknown collector, indiscernible ink stamp lower center recto. From the Apocalypse. Expertly-restored loss extreme lower right corner and lower edge of sheet. Bartsch 66; Meder 169.

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ALBRECHT DÜRER The Seven Angels with the Trumpets.

Lot 21: ALBRECHT DÜRER The Seven Angels with the Trumpets.

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Description: ALBRECHT DÜRER The Seven Angels with the Trumpets. Woodcut, 1498. 394x280 mm; 15 1/2x11 1/8 inches. A good impression from the 1511 Latin text edition. From the Apocalypse. With thread margins or trimmed on the plate mark, small scattered edge losses and small loss lower left corner. Bartsch 68; Meder 69.

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ALBRECHT DÜRER The Seven Angels with the Trumpets.

Lot 22: ALBRECHT DÜRER The Seven Angels with the Trumpets.

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Description: ALBRECHT DÜRER The Seven Angels with the Trumpets. Woodcut, 1498. 394x280 mm; 15 1/2x11 1/8 inches. A very good impression from the 1511 Latin text edition. From the Apocalypse. Trimmed on the borderline, with portions of the borderline preserved on all 4 sides. Bartsch 68; Meder 69.

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ALBRECHT DÜRER The Four Avenging Angels.

Lot 23: ALBRECHT DÜRER The Four Avenging Angels.

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Description: ALBRECHT DÜRER The Four Avenging Angels. Woodcut, 1498. 396x287 mm; 15 5/8x11 3/8 inches, narrow to thread margins. A superb, evenly-printed and dark impression from the 1511 Latin text edition. Flower with a shovel watermark (Meder 127). From the Apocalypse. Bartsch 69; Meder 171.

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ALBRECHT DÜRER St. Michael Fighting the Dragon.

Lot 24: ALBRECHT DÜRER St. Michael Fighting the Dragon.

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Description: ALBRECHT DÜRER St. Michael Fighting the Dragon. Woodcut, 1498. 391x280 mm; 15 3/8x11 inches. A very good, dark and evenly-printed impression from the 1511 Latin text edition, with strong contrasts and little to no signs of wear. Flower with a shovel watermark (Meder 127). From the Apocalypse. Trimmed on the borderline with portions of the borderline preserved on all 4 sides. Bartsch 71; Meder 173.

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ALBRECHT DÜRER The Babylonian Whore.

Lot 25: ALBRECHT DÜRER The Babylonian Whore.

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Description: ALBRECHT DÜRER The Babylonian Whore. Woodcut, 1498. 395x282 mm; 15 1/2x11 1/8 inches. A very good impression from the 1511 Latin text edition, with strong contrasts. Flower with a shovel watermark (Meder 127). From the Apocalypse. Trimmed on the borderline, with portions of the borderline preserved on all 4 sides. Bartsch 73; Meder 177.

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ALBRECHT DÜRER The Beast with the Horns like a Lamb.

Lot 26: ALBRECHT DÜRER The Beast with the Horns like a Lamb.

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Description: ALBRECHT DÜRER The Beast with the Horns like a Lamb. Woodcut, circa 1496-98. 393x280 mm; 15 1/2x11 1/8 inches. A superb, dark and evenly-printed impression from the 1498 Latin text edition with strong contrasts and no signs of wear. From the Apocalypse. Trimmed on the borderline, with portions of the borderline preserved on all 4 sides. Bartsch 74; Meder 175.

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ALBRECHT DÜRER The Martyrdom of the Ten Thousand.

Lot 27: ALBRECHT DÜRER The Martyrdom of the Ten Thousand.

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Description: ALBRECHT DÜRER The Martyrdom of the Ten Thousand. Woodcut, 1497. 385x280 mm; 15 1/4x11 1/8 inches, narrow to thread margins. A very good, evenly-printed Meder g impression with strong contrasts. Bartsch 117; Meder 218.

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ALBRECHT DÜRER The Lamentation.

Lot 28: ALBRECHT DÜRER The Lamentation.

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Description: ALBRECHT DÜRER The Lamentation. Woodcut, circa 1497-1500. 395x286 mm; 15 5/8x11 1/4 inches, small margins. A very good, dark and evenly-printed impression from the 1511 text edition. Small, expertly-restored loss upper center in the top of the tree branches. Bartsch 13; Meder 122.

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ALBRECHT DÜRER Coat of Arms with a Lion and a Cock.

Lot 29: ALBRECHT DÜRER Coat of Arms with a Lion and a Cock.

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Description: ALBRECHT DÜRER Coat of Arms with a Lion and a Cock. Engraving, circa 1503. 185x118 mm; 7 1/4x4 5/8 inches. A good, evenly-printed Meder f-g impression. With thread margins outside the border line. Bartsch 100; Meder 97.

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ALBRECHT DÜRER The Satyr's Family.

Lot 30: ALBRECHT DÜRER The Satyr's Family.

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Description: ALBRECHT DÜRER The Satyr's Family. Engraving, 1505. 115x71 mm; 4 1/2x2 3/4 inches, thread margins. A very good, dark and evenly-printed Meder b-c impression, with strong contrasts and inky plate edges. Ex-collection Josef V. Novàk (Lugt 1949, verso). Bartsch 69; Meder 65.

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ALBRECHT DÜRER Joachim and Anne at the Golden Gate.

Lot 31: ALBRECHT DÜRER Joachim and Anne at the Golden Gate.

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Description: ALBRECHT DÜRER Joachim and Anne at the Golden Gate. Woodcut, 1504. 300x208 mm; 11 7/8x8 1/4 inches. A very good, dark and evenly-printed impression from the 1511 Latin text edition. Indiscernible watermark. Ex-collection unknown collection, ink stamp verso (not in Lugt). With thread margins or trimmed on the border line. Bartsch 79; Meder 191.

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ALBRECHT DÜRER The Circumcision.

Lot 32: ALBRECHT DÜRER The Circumcision.

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Description: ALBRECHT DÜRER The Circumcision. Woodcut, circa 1505. 296x211 mm; 11 3/4x8 3/8 inches, narrow margins. A very good, evenly-printed and dark Meder f impression after the 1511 Latin text edition. Fleur-de-lys in a crowned coat-of-arms watermark (Meder 122, which he dates to around 1600). Bartsch 86; Meder 198.

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ALBRECHT DÜRER The Presentation in the Temple.

Lot 33: ALBRECHT DÜRER The Presentation in the Temple.

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Description: ALBRECHT DÜRER The Presentation in the Temple. Woodcut, circa 1505. 298x210 mm; 11 3/4x8 1/4 inches, thread margins. A very good impression from the 1511 Latin text edition. Bartsch 88; Meder 200.

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ALBRECHT DÜRER St. George on Foot.

Lot 34: ALBRECHT DÜRER St. George on Foot.

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Description: ALBRECHT DÜRER St. George on Foot. Engraving, circa 1507-8. 110x69 mm; 4 3/8x2 3/4 inches, thread margins. A very good, well-inked Meder c impression with strong contrasts overall. Bartsch 53; Meder 55.

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ALBRECHT DÜRER The Last Judgment.

Lot 35: ALBRECHT DÜRER The Last Judgment.

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Description: ALBRECHT DÜRER The Last Judgment. Woodcut, 1509-11. 127x99 mm; 5x3 7/8 inches, thread margins. A very good, well-inked impression from the 1511 Latin text edition, with strong contrasts overall. Bartsch 52; Meder 161.

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ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist.

Lot 36: ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist.

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Description: ALBRECHT DÜRER Salome Receiving the Head of Saint John the Baptist. Woodcut, 1511. 195x131 mm; 7 3/4x5 1/8 inches, small margins. A very good, dark and well-inked Meder c-d impression with strong contrasts. Ex-collection Hans von Aufsess (Lugt 2749, verso). Bartsch 126; Meder 232.

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ALBRECHT DÜRER The Flagellation.

Lot 37: ALBRECHT DÜRER The Flagellation.

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Description: ALBRECHT DÜRER The Flagellation. Engraving, 1512. 116x73 mm; 4 1/2x2 7/8 inches, narrow. A good, dark Meder c-d impression with strong contrasts. Bartsch 8; Meder 8.

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ALBRECHT DÜRER Virgin and Child Seated by the Wall.

Lot 38: ALBRECHT DÜRER Virgin and Child Seated by the Wall.

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Description: ALBRECHT DÜRER Virgin and Child Seated by the Wall. Engraving, 1514. 149x100 mm; 5 7/8x4 inches. A superb, evenly-printed Meder I a impression, before the diagonal scratch between the tower and the wall and the scratch on the Virgin's knee. Ex-collection uknown collector, indiscernible ink stamp verso. With thread margins or trimmed on the plate mark, backed with tissue-thin Japan paper. Bartsch 40; Meder 36.

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ALBRECHT DÜRER St. Bartholomew.

Lot 39: ALBRECHT DÜRER St. Bartholomew.

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Description: ALBRECHT DÜRER St. Bartholomew. Engraving, 1523. 120x75 mm; 4 3/4x3 inches, small margins. A superb, richly-inked Meder b impression, with strong contrasts and with all the fine lines printing clearly and with crisp, inky plate edges. Ex-collection Vincent Mayer (Lugt 2525, verso). Bartsch 47; Meder 45.

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ALBRECHT DÜRER St. Simon.

Lot 40: ALBRECHT DÜRER St. Simon.

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Description: ALBRECHT DÜRER St. Simon. Engraving, 1523. 118x75 mm; 4 5/8x2 7/8 inches, small margins. A very good, well-inked Meder b impression, with all the fine lines printing clearly and with crisp, inky plate edges. Ex-collection Vincent Mayer (Lugt 2525, verso). Bartsch 49; Meder 47.

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ALBRECHT DÜRER Erasmus of Rotterdam.

Lot 41: ALBRECHT DÜRER Erasmus of Rotterdam.

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Description: ALBRECHT DÜRER Erasmus of Rotterdam. Engraving, 1526. 250x194 mm; 10x7 1/2 inches. A good, evenly-printed Meder f impression. Schrobenhauser coat-of-arms (Meder 195, which he dates to around 1570). Mounted on cream wove paper, trimmed on the plate mark. Bartsch 107; Meder 105.

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JEAN-HONORÉ FRAGONARD L'Armoire.

Lot 42: JEAN-HONORÉ FRAGONARD L'Armoire.

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Description: JEAN-HONORÉ FRAGONARD L'Armoire. Etching, 1778. 395x495 mm; 15 1/2x19 1/2 inches. Second state (of 4), before the address of Naudet. Trimmed inside the plate mark, but with ample margins outside the border line. A brilliant, well-inked impression with strong contrasts and with all the delicate lines, including the very fine lines on the white door frame directly above the woman's head and on the cape over the left arm of the man in the closet, printing clearly. According to Carlson, Fragonard's "largest and most complex etching" (Carlson/Ittmann, Regency to Empire, French Printmaking 1715-1814, Minneapolis, 1984, p. 227). Wildenstein 23.

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GIACOPO FRANCIA The Patron Saints of Bologna.

Lot 43: GIACOPO FRANCIA The Patron Saints of Bologna.

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Description: GIACOPO FRANCIA The Patron Saints of Bologna. Engraving, circa 1520. 260x231 mm; 10 1/4x9 1/8 inches. Snake (?) in a double circle watermark. Ex-collection the British Museum (Lugt 300 and 305, verso). Trimmed on the plate mark. A very good impression of this scarce print. Bartsch 1.

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FRENCH SCHOOL, 17TH-CENTURY Group of 6 engravings of sea gods, nymphs and tritons.

Lot 44: FRENCH SCHOOL, 17TH-CENTURY Group of 6 engravings of sea gods, nymphs and tritons.

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Description: FRENCH SCHOOL, 17TH-CENTURY Group of 6 engravings of sea gods, nymphs and tritons. Set of 6 engravings. Each 130x455 mm; 5 1/8x18 inches, wide margins. Three of the engravings signed "Dodorre" in the plate lower left. Published by Huart. Very good impressions.

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CLAUDE GELLÉE, LE LORRAIN Les Quatre Chèvres.

Lot 45: CLAUDE GELLÉE, LE LORRAIN Les Quatre Chèvres.

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Description: CLAUDE GELLÉE, LE LORRAIN Les Quatre Chèvres. Etching, circa 1630-33. 198x127 mm; 7 3/4x5 inches. Fourth state (of 4). With thread margins or trimmed on the plate mark. A dark, evenly-printed impression. Mannocci 8.

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FRANCISCO JOSÉ DE GOYA Bien tirada està.

Lot 46: FRANCISCO JOSÉ DE GOYA Bien tirada està.

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Description: FRANCISCO JOSÉ DE GOYA Bien tirada està. Etching and aquatint, circa 1799. 215x145 mm; 8 1/2x5 3/4 inches, wide (full ?) margins. First edition. From Los Caprichos. A superb, early impression with the highlights well-contrasted against the fine grain aquatint, all the subtle tonal variations printing clearly and with partially inky, uncleaned margins. Delteil 54; Harris 52.

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FRANCISCO JOSÉ DE GOYA Ya tienen asiento.

Lot 47: FRANCISCO JOSÉ DE GOYA Ya tienen asiento.

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Description: FRANCISCO JOSÉ DE GOYA Ya tienen asiento. Etching and aquatint, circa 1799. 217x152 mm; 8 1/2x6 1/8 inches, full margins. Third edition. From Los Caprichos. A very good impression with all the subtle aquatint tones showing clearly overall. Delteil 63; Harris 61.

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FRANCISCO JOSÉ DE GOYA Aveugle Enlevé sur les Cornes d'Un Tauréau (Dios se lo Pague a Usted).

Lot 48: FRANCISCO JOSÉ DE GOYA Aveugle Enlevé sur les Cornes d'Un Tauréau (Dios se lo Pague a Usted).

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Description: FRANCISCO JOSÉ DE GOYA Aveugle Enlevé sur les Cornes d'Un Tauréau (Dios se lo Pague a Usted). Etching, aquatint and drypoint, circa 1810. 174x219 mm: 6 7/8x8 5/8 inches, small to wide margins. First edition. Printed by Delâtre, Paris. Published by the Gazette des Beaux-Arts, Paris. A dark, evenly-printed impression. Delteil 24; Harris 25.

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FRANCISCO JOSÉ DE GOYA Alegrias Antruejo, que Mañana Seras Ceniza.

Lot 49: FRANCISCO JOSÉ DE GOYA Alegrias Antruejo, que Mañana Seras Ceniza.

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Description: FRANCISCO JOSÉ DE GOYA Alegrias Antruejo, que Mañana Seras Ceniza. Aquatint and etching, circa 1824. 245x350 mm; 9 5/8x13 3/4 inches, wide margins. From Los Proverbios. A very good impression with strong contrasts. Delteil 215; Harris 261.

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FRANCISCO JOSÉ DE GOYA Quien se pondrá el cascabel al gato?

Lot 50: FRANCISCO JOSÉ DE GOYA Quien se pondrá el cascabel al gato?

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Description: FRANCISCO JOSÉ DE GOYA Quien se pondrá el cascabel al gato? Etching, aquatint and drypoint on cream laid paper, circa 1824. 245x350 mm; 9 5/8x13 3/4 inches, full margins. Third state (of 3). Published by L'Art, Paris. A superb, dark impression with strong contrasts. Delteil 222; Harris 268.

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