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Fine Art - Day 2 Starting Bid @ $550 or Less

by Stanford Auctioneers


811 lots with images

December 9, 2012

Live Auction

530 E. McDowell Rd.

Phoenix, AZ, 85004 USA

Phone: 602-266-8482

Fax: 602-266-8459

Email: info@stanfordauctioneers.com

811 Lots
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RAOUL DUFY - Etching

Lot 772: RAOUL DUFY - Etching

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Description: Raoul Dufy (French, 1877 - 1953). "Nu se reposant sur la plage". Etching. c1930. Signed in the plate, lower right. Edtion unknown, presumed small. Cream wove paper. Full margins, deckle edges four sides. Fine impression. Fine condition. Overall size: 15 x 18 1/4 in. (381 x 464 mm). Image size: 8 9/16 x 11 13/16 in. (217 x 300 mm). [25692] |325| {R100}

Condition Report: Fine condition

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JULES DUPRE - Etching

Lot 773: JULES DUPRE - Etching

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Description: Jules Dupre (French, 1811 - 1889). "Le Vieux Chene". Etching. 1873. Laid verge paper. Full margins as issued. Fine impression. Overall size: 14 x 9 1/4 in. (356 x 235 mm). Image size: 7 11/16 x 6 5/8 in. (195 x 168 mm). [18916] |50| {R100}

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ANTHONY VAN DYCK [AFTER] - Etching

Lot 774: ANTHONY VAN DYCK [AFTER] - Etching

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Description: Anthony van Dyck [after] (Flemish, 1599 - 1641). "Lucia Percye". Etching. c1630?. Thread margins. Overall size: 10 5/8 x 7 3/4 in. (270 x 197 mm). Image size: 10 1/8 x 7 1/2 in. (257 x 190 mm). [19044] |80| {R100}

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ANTHONY VAN DYCK [AFTER] - Etching

Lot 775: ANTHONY VAN DYCK [AFTER] - Etching

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Description: Anthony van Dyck [after] (Flemish, 1599 - 1641). "Serenissimus Princeps Ferdinandus". Etching. c1630?. Fine impression. Enrgaved by Adrian Lommelin and printed by Gillis Hendricx. Overall size: 13 1/2 x 9 1/8 in. (343 x 232 mm). Image size: 10 5/16 x 7 5/8 in. (262 x 194 mm). [19077] |100| {R100}

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GABRIEL EHINGER - Engraving

Lot 776: GABRIEL EHINGER - Engraving

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Description: Gabriel Ehinger (German, 1652-1736). "Maximilianus Emmanuel". Engraving. c1700. Fine impression. Overall size: 15 5/16 x 11 1/8 in. (389 x 283 mm). Image size: 10 1/8 x 7 3/4 in. (257 x 197 mm). [19053] |100| {R100}

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EKO (H.S. DE LA GARZA BATORSKI) - Silkscreen

Lot 777: EKO (H.S. DE LA GARZA BATORSKI) - Silkscreen

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Caida Alada (Winged Fall)". Silkscreen. 1992. Signed, titled, dated and numbered in pencil, lower margin. Edition of 100. Arches paper. Full margins. Very fine inpression. Fine condition. A very large and detailed print. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 29 1/2 x 43 3/16 in. (749 x 1097 mm). Image size: 27 5/16 x 39 in. (694 x 991 mm). [17905] |400| {E80} <+>

Condition Report: Fine condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 778: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Cantos". Etching with aquatint. 1991. Signed, titled, dated and numbered in pencil, lower margin. Edition of 10. Arches paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 10 3/8 x 29 1/2 in. (264 x 749 mm). Image size: 6 3/8 x 27 1/8 in. (162 x 689 mm). [17904] |150| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 779: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Clitemnestra e Ifigenia". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 13 3/4 x 13 3/4 in. (349 x 349 mm). Image size: 5 5/8 x 5 9/16 in. (143 x 141 mm). [27010] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 780: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Ezra Pound". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 13 3/4 x 13 3/4 in. (349 x 349 mm). Image size: 5 5/8 x 5 5/8 in. (143 x 143 mm). [27005] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 781: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Havelock Ellis". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 13 3/4 x 13 3/4 in. (349 x 349 mm). Image size: 5 5/8 x 5 3/4 in. (143 x 146 mm). [27009] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 782: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Juegos". Etching with aquatint. 1991. Signed, titled, dated and numbered in pencil, lower margin. Edition of 10. Arches paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 7 1/16 x 23 5/16 in. (179 x 592 mm). Image size: 3 5/8 x 19 5/16 in. (92 x 491 mm). [17903] |150| {E80} <+>

Condition Report: Fine condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 783: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Juno y Jupiter [Black & White]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24536] |200| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 784: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Juno y Jupiter [Gold Leaf]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Printed on gold leaf on Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24535] |300| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 785: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "La Historia Devorada por el Mito [History Being Devoured by Myth]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Printed on gold leaf on Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24530] |300| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 786: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "La Lealtad Es Obediencia [Loyalty Is Obedience] [Black & White]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24534] |200| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 787: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Lady Chatterley". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 13 3/4 x 13 3/4 in. (349 x 349 mm). Image size: 5 3/4 x 5 3/4 in. (146 x 146 mm). [27008] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 788: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Marat y Charlotte". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 14 13/16 x 14 1/2 in. (376 x 368 mm). Image size: 5 5/8 x 5 9/16 in. (143 x 141 mm). [27007] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 789: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Mas Somete el Vicio que la Fuerza [Submission by Vice Is Stronger Than Force] [Black & White]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24532] |200| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 790: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Mas Somete el Vicio que la Fuerza [Submission by Vice Is Stronger Than Force] [Gold Leaf]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Printed on gold leaf on Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24531] |300| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 791: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Memorias de la Peste". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Hahnemuhle paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 12 x 15 1/2 in. (305 x 394 mm). Image size: 4 1/2 x 9 1/16 in. (114 x 230 mm). [24537] |200| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 792: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Pierre Klossowski". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove watermarked paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 13 13/16 x 13 13/16 in. (351 x 351 mm). Image size: 5 5/8 x 5 5/8 in. (143 x 143 mm). [27011] |250| {E80} <+>

Condition Report: Excellent condition

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EKO (H.S. DE LA GARZA BATORSKI) - Etching

Lot 793: EKO (H.S. DE LA GARZA BATORSKI) - Etching

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Prisioneros de la Bastilla [Prisoners of the Bastille]". Etching. 2009. Signed and numbered in pencil, lower margin. Edition of 30. Cream wove paper. Full margins. Very fine impression. Fine condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 11 x 10 in. (279 x 254 mm). Image size: 5 1/2 x 5 1/2 in. (140 x 140 mm). [24538] |150| {E80} <+>

Condition Report: Fine condition.

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EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

Lot 794: EKO (H.S. DE LA GARZA BATORSKI) - Etching with aquatint

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Description: EKO (H.S. de la Garza Batorski) (Mexican, b.1958). "Puccini". Etching with aquatint. 2012. Signed, titled, and numbered in pen, lower margin. Edition of 20. Cream wove paper. Full margins. Very fine impression. Excellent condition. As the Nobel laureate poet Octavio Paz has stated, "EKO's work is much more than tearing and biting; those monsters are not dreams - they are us." Noam Chomsky, the celebrated linguist and philosopher, has defined his art as "suitably ominous." Avelina Lesper, the noted art critic, has remarked, “In EKO, eroticism is form, a language.” He studied under Vlady (Vladimir Victorovich Kibalchich [Rusakov], Russian/Mexican, 1920-2005), spending endless hours studying Durer and Rembrandt. EKO is a descendant of the sadistic Countess Batori, who sought eternal life in the blood of young virgins at her castle in Csejta in the 17th Century. Overall size: 14 9/16 x 14 1/2 in. (370 x 368 mm). Image size: 9 1/2 x 5 5/8 in. (241 x 143 mm). [27006] |250| {E80} <+>

Condition Report: Excellent condition

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ARTURO ESTRADA - Lithograph

Lot 795: ARTURO ESTRADA - Lithograph

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Description: Arturo Estrada (Mexican, b.1925). "Hombre". Lithograph. 1956. Signed and dated, lower left. Edition unknown, presumed very small. Cream wove paper. Wide (full?) margins. Fine impression. Very good condition. This very large print is highly reminiscent of Diego Rivera's work. Overall size: 18 1/4 x 13 1/16 in. (464 x 332 mm). Image size: 14 5/8 x 12 7/8 in. (371 x 327 mm). [26887] |250| {K90} <+>

Condition Report: Very good condition

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PHILIP EVERGOOD - Etching

Lot 796: PHILIP EVERGOOD - Etching

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Description: Philip Evergood (American, 1901 - 1973). "Girl with Sunflowers". Etching. 1965. Signed, titled, and numbered in pencil. Cream wove paper. Full margins. Fine impression. Fine condition. Image size: 8 1/4 x 5 15/16 in. (210 x 151 mm). [23505] |250| {R100}

Condition Report: Fine condition.

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OYVIND FAHLSTROM - Color lithograph

Lot 797: OYVIND FAHLSTROM - Color lithograph

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Description: Oyvind Fahlstrom (Swedish, 1928-1976). "Composition". Color lithograph. 1963. Edition of 2,000. White wove paper. The full sheet. Fine impression with fresh colors. Fine condition. For Walasse Ting's "1¢ Life." Prints from the One Cent Life portfolio are in most major and public collections worldwide including MOMA (New York), Tate Modern (London), Museum of Contemporary Art (Montreal) and the Andy Warhol Museum (Pittsburg). Text and/or image may be on verso. Overall size: 16 1/4 x 11 3/8 in. (413 x 289 mm). Image size: 12 1/2 x 10 11/16 in. (317 x 271 mm). [26825] |125| {R100}

Condition Report: Fine condition

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MANUEL FELGUEREZ - Color serigraph

Lot 798: MANUEL FELGUEREZ - Color serigraph

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Description: Manuel Felguerez (Mexican, b.1928). "Visita Guiada". Color serigraph. 1991. Signed in pencil, lower right; numbered in pencil, lower left. Edition of 100. Watermarked paper. Accompanied by original paper presentation folder. From the collection of Estela Ogazon. Overall size: 13 5/8 x 9 1/8 in. (346 x 232 mm). Image size: 11 1/4 x 8 3/8 in. (286 x 213 mm). [22048] |300| {K90} <+>

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LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

Lot 799: LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

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Description: Luis Felguerez L (Mexican, b.1960). "Carrousel". Sculpture: Iron plate covered with hand-colored paper mache. Hand-crafted in 2009. Signed "Felguerez" on the waist of each figure. Editioned but not numbered. Excellent condition. 20 in. height x 11 in. width x 11 in. depth. Completely hand-crafted in the workshop of Arte Felguerez, Mexico City, based on designs created in 1964 by Manuel Felguerez (Mexican, b.1928). Felguerez was a disciple of Ossip Zadkine at the Grande Chaumière in Paris in the late 1940’s, and also studied with Francisco Zuñiga at the painting and sculpture school "La Esmeralda" in Mexico City in the early 1950's. Felguerez's designs originally were hand-crafted by his brother, Luis Felguerez Barra (1935-2005), and now by his son, Luis Felguerez Lassard. [23526] |400| {F80} <+>

Condition Report: Excellent condition.

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LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

Lot 800: LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

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Description: Luis Felguerez L (Mexican, b.1960). "Ferris Wheel". Sculpture: Iron plate covered with hand-colored paper mache. Handcrafted in 2009. Signed "Felguerez" on the waist of each figure. Editioned but not numbered. Excellent condition. 20 in. height x 7 in. width x 16 in. depth. Completely hand-crafted in the workshop of Arte Felguerez, Mexico City, based on designs created in 1964 by Manuel Felguerez (Mexican, b.1928). Felguerez was a disciple of Ossip Zadkine at the Grande Chaumière in Paris in the late 1940’s, and also studied with Francisco Zuñiga at the painting and sculpture school "La Esmeralda" in Mexico City in the early 1950's. Felguerez's designs originally were hand-crafted by his brother, Luis Felguerez Barra (1935-2005), and now by his son, Luis Felguerez Lassard. [23528] |400| {F80} <+>

Condition Report: Excellent condition.

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LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

Lot 801: LUIS FELGUEREZ L - Sculpture: Iron plate covered with hand-colored paper mache

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Description: Luis Felguerez L (Mexican, b.1960). "Nativity". Sculpture: Iron plate covered with hand-colored paper mache. Handcrafted in 2009. Signed "Felguerez" on the waist of each figure. Editioned but not numbered. Excellent condition. 7 in. height x 45 in. width x 40 in. depth. Completely hand-crafted in the workshop of Arte Felguerez, Mexico City, based on designs created in 1964 by Manuel Felguerez (Mexican, b.1928). Felguerez was a disciple of Ossip Zadkine at the Grande Chaumière in Paris in the late 1940’s, and also studied with Francisco Zuñiga at the painting and sculpture school "La Esmeralda" in Mexico City in the early 1950's. Felguerez's designs originally were hand-crafted by his brother, Luis Felguerez Barra (1935-2005), and now by his son, Luis Felguerez Lassard. [23527] |500| {F80} <+>

Condition Report: Excellent condition.

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WILLIAM RUSSELL FLINT - Color collotype

Lot 802: WILLIAM RUSSELL FLINT - Color collotype

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Description: William Russell Flint (Scottish, 1880 - 1969). "White Interior, Chateauneuf-sur-Loire". Color collotype. 1967. Signed in pencil, lower right. Blindstamped, lower left. Signed in the matrix, lower left. Edition of 850. This print has sold as high as £460 (US$1,003) at Bonhams (Chelsea) - 12/08/1990 - lot #94. The most recent sale we could find is £400 (US$699) at Bonhams, Leeds (Limited Edition Print Sale, #13771) - 04/11/2006 - lot #66. Literature/catalogue raisonne: GC93. Overall size: 22 3/16 x 28 13/16 in. (564 x 732 mm). Image size: 19 7/16 x 26 7/16 in. (494 x 672 mm). [21636] |400| {R100}

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SAM FRANCIS - Color lithograph

Lot 803: SAM FRANCIS - Color lithograph

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Description: Sam Francis (American, 1923-1994). "Uncle Sam Love Marilyn". Color lithograph. 1963. Edition of 2,000. White wove paper. The full sheet. Fine impression with fresh colors. Fine condition; centerfold as issued. For Walasse Ting's "1¢ Life." Prints from the One Cent Life portfolio are in most major and public collections worldwide including MOMA (New York), Tate Modern (London), Museum of Contemporary Art (Montreal) and the Andy Warhol Museum (Pittsburg). Text and/or image may be on verso. Overall size: 16 1/4 x 22 15/16 in. (413 x 583 mm). Image size: 16 x 22 7/16 in. (406 x 570 mm). [26796] |250| {R100}

Condition Report: Fine condition; centerfold as issued

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HELEN FRANKENTHALER [AFTER] - Color offset lithograph poster

Lot 804: HELEN FRANKENTHALER [AFTER] - Color offset lithograph poster

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Description: Helen Frankenthaler [after] (American, 1928-2011). "Celebration". Color offset lithograph poster. 1976. Signed with the initials in blue crayon, lower right. Edition unknown, presumed small. White coated paper. Full margins. Fine impression. Fine condition. Provenance: Private collection, Dallas, Texas. Signed posters by Frankenthaler are uncommon. Printed by Tyler Graphics, Ltd., their imprint in the image, lower right. The title is "Celebration 76 July 3 & 4 Fort Worth.". Overall size: 24 3/4 x 31 1/8 in. (629 x 791 mm). Image size: 22 1/4 x 30 1/8 in. (565 x 765 mm). [25326] |300| {R100}

Condition Report: Fine condition

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HELEN FRANKENTHALER [AFTER] - Color offset lithograph poster

Lot 805: HELEN FRANKENTHALER [AFTER] - Color offset lithograph poster

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Description: Helen Frankenthaler [after] (American, 1928-2011). "Open Wall". Color offset lithograph poster. 1981. Signed with the initials in red crayon, lower right. Edition unknown, presumed small. White coated paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, Dallas, Texas. Signed posters by Frankenthaler are uncommon. For the exhibition "Frankenthaler: The 1950s" at the Rose Art Museum. Overall size: 20 x 37 1/2 in. (508 x 952 mm). Image size: 15 x 36 3/8 in. (381 x 924 mm). [27492] |400| {R100}

Condition Report: Fine condition

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DON FREEMAN - Color lithograph

Lot 806: DON FREEMAN - Color lithograph

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Description: Don Freeman (American, 1908 - 1978). "Kiosk, Cable Car, Rain". Color lithograph. 1956. Signed in the stone. Estate stamped, verso. Edition of 25. Full margins. Fine impression. Fine condition. McCulloch catalogues the print as an offset lithograph. Our impression is a lithograph, but does not appear to be an offset. Literature/catalogue raisonne: M142. Image size: 14 1/2 x 11 1/4 in. (368 x 286 mm). [6828] |50| {R100}

Condition Report: Fine condition.

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JOHNNY FRIEDLAENDER - Color lithograph

Lot 807: JOHNNY FRIEDLAENDER - Color lithograph

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Description: Johnny Friedlaender (German, 1912 - 1992). "Oiseaux". Color lithograph. 1973. Full margins. Fine impression. Fine condition. Printed by Mourlot. Image size: 12 1/4 x 9 3/8 in. (311 x 238 mm). [20784] |50| {R100}

Condition Report: Fine condition

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JOHAN CHRISTIAN GOTTFRIED FRITZSH - Etching

Lot 808: JOHAN CHRISTIAN GOTTFRIED FRITZSH - Etching

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Description: Johan Christian Gottfried Fritzsh (German, 1720 - 1802). "Portrait of German Royalty". Etching. 1726. Notations in the plate. Fine impression. Condition: soiling at margin edge, slightly affecting image. Tape remains, verso. Overall size: 13 1/16 x 9 1/8 in. (332 x 232 mm). Image size: 12 3/4 x 9 1/8 in. (324 x 232 mm). [19051] |50| {R100}

Condition Report: Condition: soiling at margin edge, slightly affecting image. Tape remains, verso.

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CORNELIS GALLE - Engraving

Lot 809: CORNELIS GALLE - Engraving

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Description: Cornelis Galle (Flemish, 1615 - 1678). "Ferdinandus III". Engraving. 1649. Fine impression. After Van Dyck. Overall size: 15 1/8 x 9 9/16 in. (384 x 243 mm). Image size: 10 13/16 x 7 1/2 in. (275 x 190 mm). [19076] |200| {R100}

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EMIL GANSO - Wood engraving

Lot 810: EMIL GANSO - Wood engraving

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Description: Emil Ganso (American, 1895 - 1941). "Still Life with Fish". Wood engraving. 1933. Signed in pencil with the initial, lower right. Cream wove paper. Ample margins. Fine impression. Fine condition. Overall size: 6 x 9 1/4 in. (152 x 235 mm). Image size: 4 9/16 x 7 in. (116 x 178 mm). [21797] |100| {R100}

Condition Report: Fine condition.

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DAGOBERTO GARCIA - Xylograph

Lot 811: DAGOBERTO GARCIA - Xylograph

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Description: Dagoberto Garcia (Mexican, 20th Century). "Por la Unidad de los Trabajadores". Xylograph. c1940s?. Artist name, title, and publisher printed under image. Diagonal creasing at upper right corner and 3/8 in. hole in image. Published by the Taller de Grafica Popular (TGP). From the collection of Estela Ogazon. Overall size: 25 1/2 x 18 1/2 in. (648 x 470 mm). Image size: 20 1/4 x 15 5/8 in. (514 x 397 mm). [22046] |200| {K90} <+>

Condition Report: Diagonal creasing at upper right corner and 3/8 in. hole in image.

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ERIC WATERS GIBBERD - Oil/Mixed Media

Lot 812: ERIC WATERS GIBBERD - Oil/Mixed Media

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Description: Eric Waters Gibberd (American, 1897 - 1972). "Original Rock". Oil/Mixed Media. c1960s. Signed, with notations, verso. Artist's note: "This work is mica, granite, sandstone, set in gesso. It should be handled carefully like a piece of fine furniture. The frame has been made especially strong. If a small piece of mica drops off, it will in no way detract from the work." A New Mexican artist, Gibberd studied with many artists, including Emil Bisttram. He has an extensive exhibition history and his work is held in the collections of many museums. Image size: 30 1/8 x 28 13/16 in. (765 x 732 mm). [18948] |400| {R100}

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NATALIA GONTCHAROVA - Original lithograph poster

Lot 813: NATALIA GONTCHAROVA - Original lithograph poster

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Description: Natalia Gontcharova (Russian, 1881 - 1962). "Bal Olympique…11 Juillet 1924". Original lithograph poster. 1924. Signed in the stone under the Gontcharova image. Full margins. Fine impression. Black ink on pink paper, with a lineblock of a drawing by Barthe, signed by Barthe in the block, on verso. Gontcharova, who spent her extravagant life with Larionov, was the very rich, eccentric granddaughter of Alexander Pushkin. A Diaghilev devotee, she dedicated most of her considerable artistic talents to stage and costume design. She worked for the most prestigious theaters, operas and ballet companies, from the revolutionary Coq d'Or of Rimsky Korsakof to her final creations for the Marquis de Cuevas Ballet in 1948. Overall size: 25 3/4 x 10 in. (654 x 254 mm). [10222] |400| {R100}

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JULES ADOLPHE GOUPIL - Etching

Lot 814: JULES ADOLPHE GOUPIL - Etching

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Description: Jules Adolphe Goupil (French, 1839-1883). "Essai de la Robe". Etching. 1866. Signed and dated in plate, lower right; blind stamp in lower margin. Full margins. Fine impression. Fine condition. Prints by Jules Adolphe Goupil are very uncommon. Overall size: 22 3/16 x 14 1/8 in. (564 x 359 mm). Image size: 12 1/4 x 9 1/8 in. (311 x 232 mm). [19672] |100| {R100}

Condition Report: Fine condition.

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ALBERT LOREY GROLL - Color pencil and crayon drawing

Lot 815: ALBERT LOREY GROLL - Color pencil and crayon drawing

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Description: Albert Lorey Groll (American, 1866 - 1952). "Arizona Cactus". Color pencil and crayon drawing. c1910. Extensive annotations in the Artist's hand in pencil, lower margin, identifying each species of cactus. Cream wove paper. From the collection of Edward Eberstadt & Sons. Kennedy Galleries accession label. Pencil drawings by Groll are uncommon. Overall size: 13 3/4 x 10 5/16 in. (349 x 262 mm). Image size: 8 1/4 x 8 3/8 in. (210 x 213 mm). [18964] |300| {R100}

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HENRI GUYDO - Color lithograph

Lot 816: HENRI GUYDO - Color lithograph

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Description: Henri Guydo (French, Active 1893 - 1930). "Au Luxembourg le Salon du Congo". Color lithograph. 1899. Signed in the stone, lower left. Fine impression. Prints by Guydo are rare. Image size: 10 1/4 x 8 in. (260 x 203 mm). [19193] |250| {R100}

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CONSTANTIN GUYS [AFTER] - Color lithograph

Lot 817: CONSTANTIN GUYS [AFTER] - Color lithograph

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Description: Constantin Guys [after] (French, 1802 - 1892). "Portrait #1". Color lithograph. c1865. Printed later. Fine impression. Overall size: 13 15/16 x 10 3/8 in. (354 x 264 mm). Image size: 12 3/16 x 8 5/8 in. (310 x 219 mm). [20030] |100| {R100}

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CONSTANTIN GUYS [AFTER] - Color lithograph

Lot 818: CONSTANTIN GUYS [AFTER] - Color lithograph

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Description: Constantin Guys [after] (French, 1802 - 1892). "Portrait #2". Color lithograph. c1865. Printed later. Fine impression. Overall size: 13 15/16 x 10 3/8 in. (354 x 264 mm). Image size: 12 3/16 x 8 1/4 in. (310 x 210 mm). [20031] |100| {R100}

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MARIE BRUNER BURT HAINES - Watercolor on paper

Lot 819: MARIE BRUNER BURT HAINES - Watercolor on paper

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Description: Marie Bruner Burt Haines (American, 1884-1979). "Charley's Cabin". Watercolor on paper. c1930s. Signed "Marie Haines" in pencil, lower left. Dark cream wove paper. Provenance: Deaccessioned from the Bennington Museum, Bennington, Vermont. Three Haines oil paintings sold at Skinner's (Boston) on September 11, 2009, for $3,081, $2,133, and $1,896, respectively. A thoroughly accomplished painter, her artistic training was impeccable: Cincinnati Art Academy; Pennsylvania Academy of the Fine Arts; Art Students League; National Academy of Design; Art Institute of Chicago. In the 1920s she was an early member of the Taos, New Mexico art colony. She is especially well known for her pastel portraits of children. Image size: 9 13/16 x 13 3/16 in. (249 x 335 mm). [23496] |200| {R100}

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MARIE BRUNER BURT HAINES - Gouache on paper

Lot 820: MARIE BRUNER BURT HAINES - Gouache on paper

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Description: Marie Bruner Burt Haines (American, 1884-1979). "Toro". Gouache on paper. c1930s. Signed "Haines" in gouache, lower right, signature partially effaced. Cream wove paper. Provenance: Deaccessioned from the Bennington Museum, Bennington, Vermont. Three Haines oil paintings sold at Skinner's (Boston) on September 11, 2009, for $3,081, $2,133, and $1,896, respectively. A thoroughly accomplished painter, her artistic training was impeccable: Cincinnati Art Academy; Pennsylvania Academy of the Fine Arts; Art Students League; National Academy of Design; Art Institute of Chicago. In the 1920s she was an early member of the Taos, New Mexico art colony. She is especially well known for her pastel portraits of children. Image size: 17 3/8 x 7 in. (441 x 178 mm). [23482] |150| {R100}

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MARIE BRUNER BURT HAINES - Pastel on paper

Lot 821: MARIE BRUNER BURT HAINES - Pastel on paper

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Description: Marie Bruner Burt Haines (American, 1884-1979). "Tree with Personality". Pastel on paper. c1950s. Signed "M.H. Burt" in pencil, lower right. Titled in pencil and annotated "dry pastel $50.00" on an old mount. Burt was Haines's married name. Cream wove paper. Notice the undulating, feminine, anthropomorphic form. Provenance: Deaccessioned from the Bennington Museum, Bennington, Vermont. Three Haines oil paintings sold at Skinner's (Boston) on September 11, 2009, for $3,081, $2,133, and $1,896, respectively. A thoroughly accomplished painter, her artistic training was impeccable: Cincinnati Art Academy; Pennsylvania Academy of the Fine Arts; Art Students League; National Academy of Design; Art Institute of Chicago. In the 1920s she was an early member of the Taos, New Mexico art colony. She is especially well known for her pastel portraits of children. Image size: 11 x 8 1/4 in. (279 x 210 mm). [23497] |200| {R100}

Condition Report: Notice the undulating, feminine, anthropomorphic form.

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