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Auction Description for Stair: English and Continental

English and Continental

by Stair Galleries

Platinum House

539 lots with images

October 27, 2012

Live Auction

549 Warren Street

Hudson, NY, 12534 USA

Phone: 518 751 1000

Fax: 518 751 1010

Email: information@stairgalleries.com

539 Lots
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ATTRIBUTED TO OSKAR KOKOSCHKA (1886-1980): SOLDIERS R & R

Lot 52: ATTRIBUTED TO OSKAR KOKOSCHKA (1886-1980): SOLDIERS R & R

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Description: ATTRIBUTED TO OSKAR KOKOSCHKA (1886-1980): SOLDIERS R & R Crayon on paper, initialed lower right. 8 x 10 in. (sight), 15 1/4 x 17 1/4 in. (frame). Property from a Connecticut Collector.

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ATTRIBUTED TO GEORGE LUKS: AT THE BAR

Lot 53: ATTRIBUTED TO GEORGE LUKS: AT THE BAR

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Description: ATTRIBUTED TO GEORGE LUKS: AT THE BAR Charcoal, unsigned. With label from Washington Irving Gallery, NY and Hastings Art, Ltd. 13 3/4 x 18 1/2 in. (sight), 21 x 25 1/2 in. (frame). Property from a Connecticut Collector.

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ATTRIBUTED TO JULES PASCIN: FIGURAL GROUP

Lot 54: ATTRIBUTED TO JULES PASCIN: FIGURAL GROUP

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Description: ATTRIBUTED TO JULES PASCIN: FIGURAL GROUP Pencil and watercolor on paper, unsigned. 8 3/4 x 11 1/2 in. (sight), 15 1/4 x 18 1/4 in. (frame).

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JULES PASCIN (1885-1930): AFTERNOON IN THE PARK

Lot 55: JULES PASCIN (1885-1930): AFTERNOON IN THE PARK

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Description: JULES PASCIN (1885-1930): AFTERNOON IN THE PARK Ink and watercolor on paper, signed and with estate stamp lower right. Label from Perls Galleries, New York. 11 1/4 x 18 in. (sight), 19 1/2 x 26 in. (frame).

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FRENCH SCHOOL: ON STAGE

Lot 56: FRENCH SCHOOL: ON STAGE

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Description: FRENCH SCHOOL: ON STAGE Chalk on paper, signed illegibly lower left. 7 x 8 1/2 in. (sight), 15 x 17 1/4 in. (frame).

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ATTRIBUTED TO CONSTANTIN GUYS (1802-1892): SOIRÉE

Lot 57: ATTRIBUTED TO CONSTANTIN GUYS (1802-1892): SOIRÉE

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Description: ATTRIBUTED TO CONSTANTIN GUYS (1802-1892): SOIRÉE Ink on paper, unsigned. 7 1/8 x 9 5/8 in. (sight), 13 x 15 12 in. (frame).

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ATTRIBUTED TO EDOUARD VUILLARD: INTERIOR SCENE

Lot 58: ATTRIBUTED TO EDOUARD VUILLARD: INTERIOR SCENE

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Description: ATTRIBUTED TO EDOUARD VUILLARD: INTERIOR SCENE Pencil on paper, signed lower right middle. 7 3/4 x 4 1/4 in. (sight), 17 x 13 in. (frame).

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FRENCH SCHOOL: THE STRUGGLE

Lot 59: FRENCH SCHOOL: THE STRUGGLE

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Description: FRENCH SCHOOL: THE STRUGGLE Watercolor on paper, unsigned. 6 x 8 1/2 in. (sight), 11 x 13 1/2 in. (frame).

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ARTHUR BOWEN DAVIES (1862-1928): STANDING FEMALE NUDE

Lot 60: ARTHUR BOWEN DAVIES (1862-1928): STANDING FEMALE NUDE

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Description: ARTHUR BOWEN DAVIES (1862-1928): STANDING FEMALE NUDE Chalk on gray paper, signed lower left. 14 1/4 x 10 3/8 in. (sight), 21 1/2 x 17 1/2 in. (frame). Property from a Connecticut Collector.

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JULES PASCIN (1885-1930): FEMALE NUDE

Lot 61: JULES PASCIN (1885-1930): FEMALE NUDE

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Description: JULES PASCIN (1885-1930): FEMALE NUDE Pencil on paper, unsigned. 7 1/2 x 7 in. (sight), 17 1/2 x 17 in. (frame).

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MARCEL GROMAIRE (1892-1971): STANDING FEMALE NUDE

Lot 62: MARCEL GROMAIRE (1892-1971): STANDING FEMALE NUDE

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Description: MARCEL GROMAIRE (1892-1971): STANDING FEMALE NUDE Pen and ink on paper, signed and dated 1950 lower left. With label from Lucien Goldschmidt, Inc., New York. 12 3/4 x 9 3/4 in. (sight), 25 1/4 x 18 1/4 in. (frame).

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AMERICAN SCHOOL: NUDE STUDY

Lot 63: AMERICAN SCHOOL: NUDE STUDY

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Description: AMERICAN SCHOOL: NUDE STUDY Ink on paper, signed Burdick lower right. 9 1/2 x 7 1/2 in. (sight), 17 x 15 in. (frame). Property from a Connecticut Collector.

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MILTON AVERY (1885-1965): STUDY OF RECLINING NUDES

Lot 64: MILTON AVERY (1885-1965): STUDY OF RECLINING NUDES

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Description: MILTON AVERY (1885-1965): STUDY OF RECLINING NUDES Ink and pencil on paper, signed lower right. 16 x 12 in. (sheet), 24 x 20 in. (frame). Property from a Connecticut Collector.

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ITALIAN SCHOOL (FOLLOWER OF F. GUARDI): PANORAMIC VIEW

Lot 65: ITALIAN SCHOOL (FOLLOWER OF F. GUARDI): PANORAMIC VIEW

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Description: ITALIAN SCHOOL (FOLLOWER OF F. GUARDI): PANORAMIC VIEW Ink and wash on paper. With label from H. Shickman Gallery, New York. 5 1/4 x 7 1/2 in. (sight), 11 x 13 1/4 in. (frame).

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SAMUEL PROUT (1783-1852): ROMAN ARCHES

Lot 66: SAMUEL PROUT (1783-1852): ROMAN ARCHES

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Description: SAMUEL PROUT (1783-1852): ROMAN ARCHES Pen and sepia ink with wash. Together with Edward Lear (1812-1888): View of Souli, Greece, inscribed and dated, lower left, Suli/May 5, 1849, pen and brown ink with gray wash. Prout 3 1/4 x 4 3/4 in., Lear 5 1/4 x 3 in. Provenance: Davis Galleries, New York; Mrs. Helen Danforth, Providence, gift to Hugh J. Gorley, III, Waterville, Maine. Lear: Charles Ryskamp, New York (his sale: Sotheby's, New York, January 25, 2011, part of lot 106).

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ATTRIBUTED TO ISRAEL SILVESTRE: SURVEYING A FORTIFIED TOWN

Lot 67: ATTRIBUTED TO ISRAEL SILVESTRE: SURVEYING A FORTIFIED TOWN

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Description: ATTRIBUTED TO ISRAEL SILVESTRE: SURVEYING A FORTIFIED TOWN Brown ink on paper, signed lower right. 3 1/2 x 8 3/4 in. (sheet), 8 1/4 x 13 1/2 in. (frame).

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ACHILLE BENOUVILLE (1815-1891): TWO ITALIAN VIEWS

Lot 68: ACHILLE BENOUVILLE (1815-1891): TWO ITALIAN VIEWS

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Description: ACHILLE BENOUVILLE (1815-1891): TWO ITALIAN VIEWS Pencil and chalk on paper, both with estate stamp. 11 1/2 x 18 1/4 in. (sight), 18 5/8 x 25 1/2 in. (frame) and 10 3/4 x 14 3/4 in. (sight), 18 x 22 in. (frame).

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STYLE OF JOHN CONSTABLE: LAKE WINDERMERE

Lot 69: STYLE OF JOHN CONSTABLE: LAKE WINDERMERE

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Description: STYLE OF JOHN CONSTABLE: LAKE WINDERMERE Sepia ink and wash on paper, dated 1806 upper right. Label from the Little Gallery, London. 4 3/4 x 7 1/2 in. (sight), 12 x 14 1/2 in. (frame).

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CHARLES EARLE (1832-1893): ON THE TERRACE, HADDON HALL

Lot 70: CHARLES EARLE (1832-1893): ON THE TERRACE, HADDON HALL

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Description: CHARLES EARLE (1832-1893): ON THE TERRACE, HADDON HALL Watercolor, signed lower right. With labels from Christopher Wood, London and Shephard Gallery, NY. 22 x 13 1/2 in. (sight), 31 x 21 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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GEORGE SAMUEL ELGOOD (1851-1943): HIS OWN GARDEN AT KNOCKWOOD, KENT

Lot 71: GEORGE SAMUEL ELGOOD (1851-1943): HIS OWN GARDEN AT KNOCKWOOD, KENT

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Description: GEORGE SAMUEL ELGOOD (1851-1943): HIS OWN GARDEN AT KNOCKWOOD, KENT Watercolor on paper, signed and dated 1903 lower center. With label from Christopher Wood, London. 12 1/2 x 19 in. (sight), 21 x 27 1/2 in. (frame). Notes: The greatest master of the garden picture, is undoubtedly George Samuel Elgood. He was a professional watercolourist, a memeber of the Royal Institute of Painters in Watercolour, a painter of landscapes, Italian scenery and buildings, but it is as a garden painter that he will be remembered. He held no less than twelve one-man exhibitions at the Fine Art Society up to the First World War, and most of the works exhibited were of gardens. His output was greater than that of any other garden painter, except possibly Beatrice Parsons, and he was also an extremely knowledgeable gardener himself. He held very strong personal views about gardens and their design; he also shared many of Gertrude Jekyll's ideas about design and color, which made him the ideal illustrator for her books. Elgood's genius lay in his extraordinary knack of combining form and colour in gardens in a harmonious and natural way. His pictures never look forced or exaggerated, and are entirely believable as truthful views of the gardens as they were at that time. His work always shows a clear sense of design, reflecting his love of Italian gardens, and his architectural training." Literature: Penelope Hobhouse and Christopher Wood, Painted Gardens, English Watercolours 1850-1914, 1988, pp. 15-23, plate 7. Estate of Katherine W. Mellon, Stonington, CT.

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GEORGE SAMUEL ELGOOD (1851-1943): BERKELEY CASTLE, GLOUCESTER, THE BOWLING GREEN

Lot 72: GEORGE SAMUEL ELGOOD (1851-1943): BERKELEY CASTLE, GLOUCESTER, THE BOWLING GREEN

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Description: GEORGE SAMUEL ELGOOD (1851-1943): BERKELEY CASTLE, GLOUCESTER, THE BOWLING GREEN Watercolor on paper, signed and dated 1887 lower right. With label from Christopher Wood, London. 15 1/4 x 24 in. (sight), 24 1/2 x 32 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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ERNEST A. ROWE (1863-1922): HAMPTON COURT PALACE

Lot 73: ERNEST A. ROWE (1863-1922): HAMPTON COURT PALACE

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Description: ERNEST A. ROWE (1863-1922): HAMPTON COURT PALACE Watercolor on paper, signed lower right. 9 7/8 x 13 5/8 in. (sight), 18 1/4 x 21 3/4 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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THOMAS H. HUNN (1857-1928): PRIVY GARDENS AT HAMPTON COURT

Lot 74: THOMAS H. HUNN (1857-1928): PRIVY GARDENS AT HAMPTON COURT

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Description: THOMAS H. HUNN (1857-1928): PRIVY GARDENS AT HAMPTON COURT Watercolor and pencil on paper, signed lower right. 9 5/8 x 13 7/8 in. (sight), 19 1/8 x 22 7/8 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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THOMAS MACKEY (1851-1920): COUNTRY BORDER GARDEN

Lot 75: THOMAS MACKEY (1851-1920): COUNTRY BORDER GARDEN

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Description: THOMAS MACKEY (1851-1920): COUNTRY BORDER GARDEN Watercolor on paper, signed and dated 1903 lower right. 6 3/4 x 10 1/2 in. (sight), 12 1/4 x 16 1/4 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): THE SUNDIAL, PETWOOD

Lot 76: BEATRICE PARSONS (1870-1955): THE SUNDIAL, PETWOOD

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Description: BEATRICE PARSONS (1870-1955): THE SUNDIAL, PETWOOD Watercolor on paper, signed lower right. With label from Hirschl & Adler Galleries, New York. 11 1/2 x 15 1/2 in. (sight), 18 x 22 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): SPRING WOODS, GRAVETYE MANOR

Lot 77: BEATRICE PARSONS (1870-1955): SPRING WOODS, GRAVETYE MANOR

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Description: BEATRICE PARSONS (1870-1955): SPRING WOODS, GRAVETYE MANOR Watercolor on paper, signed lower right. With label from Christopher Wood, London. 9 x 12 1/2 in. (sight), 16 x 19 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): BLUE BELLS IN THE WOODS

Lot 78: BEATRICE PARSONS (1870-1955): BLUE BELLS IN THE WOODS

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Description: BEATRICE PARSONS (1870-1955): BLUE BELLS IN THE WOODS Watercolor on paper, signed lower right. With label from Christopher Wood, London. 13 1/2 x 17 1/2 in. (sight), 24 1/2 x 28 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): THE LAWN-AYSCOUGHFEE HALL, LINCOLNSHIRE

Lot 79: BEATRICE PARSONS (1870-1955): THE LAWN-AYSCOUGHFEE HALL, LINCOLNSHIRE

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Description: BEATRICE PARSONS (1870-1955): THE LAWN-AYSCOUGHFEE HALL, LINCOLNSHIRE Watercolor on paper, signed lower left. With labels from Christopher Wood, London and Dowdeswell & Dowdeswells, London. 10 x 14 3/4 in. (sight), 18 1/2 x 22 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): BORDERS AT BLICKING HALL, NORFOLK

Lot 80: BEATRICE PARSONS (1870-1955): BORDERS AT BLICKING HALL, NORFOLK

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Description: BEATRICE PARSONS (1870-1955): BORDERS AT BLICKLING HALL, NORFOLK Watercolor on paper, signed lower right. With label from Christopher Wood, London. 14 x 17 3/4 in. (sight), 22 1/2 x 25 1/2 in. (frame). Notes: Beatrice Parsons painted Lady Lothian's parterre in the first years of the 20th Century. The painting shows foreground plants which are easily identified: a judicious mixture of hardy perennials and colourful annuals, obviously chosen for late-summer effects. In 1872 W.A. Nesfield was called in by the Countess of Lothian to lay out a new parterre, at the same time that Sir Digby Wyatt completed the walled terrace and steps to the east, and the central fountain basin and statues were brought from the ruined Elizabethan mansion, Oxnead Hall, near by. Nesfield, brother-in-law of the architect Anthony Salvin, often collaborated with Sir James Barry in so-called Italianate garden style, using elaborate patterns of low box hedging to enclose beds of coloured gravels or annuals. Literature: Country Life, May 22, 1986. Penelope Hobhouse & Christopher Wood, Painted Gardens English Watercolours 1850-1914, 1988, pp. 104 - 105, plate 64. Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS: THE PERGOLA, PETWOOD

Lot 81: BEATRICE PARSONS: THE PERGOLA, PETWOOD

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Description: BEATRICE PARSONS (1870-1955): THE PERGOLA, PETWOOD Watercolor on paper, signed lower right. 13 1/2 x 9 1/2 in. (sight), 22 x 17 1/4 in. (frame). Provenance: Christopher Wood, London. Estate of Katherine W. Mellon, Stonington, CT.

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BEATRICE PARSONS (1870-1955): LILIES, AGAPANTHUS AND YUCCA BY A POOL

Lot 82: BEATRICE PARSONS (1870-1955): LILIES, AGAPANTHUS AND YUCCA BY A POOL

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Description: BEATRICE PARSONS (1870-1955): LILIES, AGAPANTHUS AND YUCCA BY A POOL Watercolor on paper, signed lower right. With label from Christopher Wood, London. 9 x 12 in. (sight), 18 x 20 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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JEAN-BAPTISTE PILLEMENT (1728-1808): STUDIES OF TREES AND BUSHED ALONG A RIVER

Lot 83: JEAN-BAPTISTE PILLEMENT (1728-1808): STUDIES OF TREES AND BUSHED ALONG A RIVER

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Description: JEAN-BAPTISTE PILLEMENT (1728-1808): STUDIES OF TREES AND BUSHES ALONG A RIVER Black chalk on three joined sheets of paper laid down, numbered in pencil upper left 4, 5 and 6. 6 1/8 x 4 1/8 in. (sheet). Provenance: P.D. Colnaghi, London, 1985; Charles Ryskamp, until 2011. Exhibited: London and New York, P. & D. Colnaghi, Claude to Corot: The Development of Landscape Painting in France, 1990, p. 222-23, cat. no. 48, plate 48 (lent by Charles Ryskamp; catalogue entry by B.T. Maloney).

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WILLIAM HENRY HUNT (1790-1864): STILL LIFE OF PEONIES IN A VASE BESIDE A NEST OF BIRDS EGGS

Lot 84: WILLIAM HENRY HUNT (1790-1864): STILL LIFE OF PEONIES IN A VASE BESIDE A NEST OF BIRDS EGGS

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Description: WILLIAM HENRY HUNT (1790-1864): STILL LIFE OF PEONIES IN A VASE BESIDE A NEST OF BIRDS EGGS Watercolor, signed lower right. With label from Hirschl & Adler Galleries, New York. 11 x 14 7/8 in. (sight), 20 1/2 x 24 1/4 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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CHINESE SCHOOL: ROSES AND MOUNTAIN LAUREL

Lot 85: CHINESE SCHOOL: ROSES AND MOUNTAIN LAUREL

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Description: CHINESE SCHOOL: ROSES AND MOUNTAIN LAUREL Watercolor on pith paper. 13 7/8 x 16 in. (sight), 21 x 23 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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FRENCH SCHOOL: FLORAL STUDY

Lot 86: FRENCH SCHOOL: FLORAL STUDY

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Description: FRENCH SCHOOL: FLORAL STUDY Red chalk on laid paper, signed A Pichon and inscribed, en Juilliet 1764. 11 1/2 x 15 3/4 in. (sight), 21 5/8 x 25 7/8 in. (frame). Provenance: Jill Newhouse Gallery, NY. Estate of Katherine W. Mellon, Stonington, CT.

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JAMES HOLLAND (1799-1870): STUDY OF A JONQUIL

Lot 87: JAMES HOLLAND (1799-1870): STUDY OF A JONQUIL

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Description: JAMES HOLLAND (1799-1870): STUDY OF A JONQUIL Watercolor on paper, signed lower right. with label from Thomas Agnew & Sons, Bond St., London. 11 x 8 1/4 in. (sight), 18 x 15 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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JOHN WILLIAM HILL (1812-1879): STUDY OF AUTUMN LEAVES

Lot 88: JOHN WILLIAM HILL (1812-1879): STUDY OF AUTUMN LEAVES

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Description: JOHN WILLIAM HILL (1812-1879): STUDY OF AUTUMN LEAVES Watercolor on paper, signed and dated 1871 lower right. With label from Hirschl & Adler Galleries, New York. 13 3/4 x 17 3/4 in. (sight), 22 x 26 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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HENRY RYLAND (1856-1924): STUDY OF BAY LEAVES

Lot 89: HENRY RYLAND (1856-1924): STUDY OF BAY LEAVES

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Description: HENRY RYLAND (1856-1924): STUDY OF BAY LEAVES Black chalk on green paper, initialed H.R. lower right. With labels from Christopher Wood, London and Shepherd Gallery, New York. 20 1/2 x 14 1/2 in. (sight) and 27 x 20 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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GEORGE S. ELGOOD (1841-1943): VIEW OF MONTACUTE HOUSE, SOMERSET

Lot 90: GEORGE S. ELGOOD (1841-1943): VIEW OF MONTACUTE HOUSE, SOMERSET

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Description: GEORGE S. ELGOOD (1841-1943): VIEW OF MONTACUTE HOUSE, SOMERSET Watercolor on paper, signed and dated 1886 lower right. 13 x 19 3/8 in. (sight), 21 1/4 x 27 1/2 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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NICOLE HORNBY (20TH C.): MORNING GLORIES & ROSES

Lot 91: NICOLE HORNBY (20TH C.): MORNING GLORIES & ROSES

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Description: NICOLE HORNBY (20TH C.): MORNING GLORIES & ROSES Two watercolors on paper, signed lower right. Larger 13 1/2 x 10 1/4 in. (sight), 19 x 16 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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LILIAN STANNARD (1877-1944): BORDER AND ARBOR ON THE COAST

Lot 92: LILIAN STANNARD (1877-1944): BORDER AND ARBOR ON THE COAST

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Description: LILIAN STANNARD (1877-1944): BORDER AND ARBOR ON THE COAST Watercolor on paper, signed lower left. 8 3/4 x 13 3/4 in. (sight), 17 3/4 x 21 1/4 in. (frame). Provenance: Philips, London, December 23, 1985, lot 22. Estate of Katherine W. Mellon, Stonington, CT.

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HENRY RYLAND (1856-1924): A PEEK INTO THE GARDEN

Lot 93: HENRY RYLAND (1856-1924): A PEEK INTO THE GARDEN

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Description: HENRY RYLAND (1856-1924): A PEEK INTO THE GARDEN Watercolor on paper, signed lower right. 15 x 21 1/2 in. (sight), 24 x 30 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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THERESA SYLVESTER STANNARD (1898-1947): THE GARDEN WALK

Lot 94: THERESA SYLVESTER STANNARD (1898-1947): THE GARDEN WALK

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Description: THERESA SYLVESTER STANNARD (1898-1947): THE GARDEN WALK Watercolor on paper, signed lower left. With label from Hirschl & Adler Galleries, New York. 9 3/4 x 13 3/4 in. (sight), 16 1/2 x 20 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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THERESA SYLVESTER STANNARD (1898-1947): WHERE BLOOM SWEETEST FLOWERS

Lot 95: THERESA SYLVESTER STANNARD (1898-1947): WHERE BLOOM SWEETEST FLOWERS

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Description: THERESA SYLVESTER STANNARD (1898-1947): WHERE BLOOM SWEETEST FLOWERS Watercolor on paper, signed lower left. 20 1/2 x 13 1/2 in. (sight), 30 1/2 x 22 3/4 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN CLAY POT

Lot 96: JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN CLAY POT

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Description: JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN CLAY POT Gouache on paper, signed lower right. With label from Coe Kerr Gallery, NY. 30 x 22 in. (sight), 37 x 29 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN GLAZED SPANISH POT

Lot 97: JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN GLAZED SPANISH POT

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Description: JOSÉ ESCOFET (b. 1930): PINK ROSE TREE IN GLAZED SPANISH POT Gouache on paper, signed lower right. 30 x 22 in. (sight), 37 x 29 in. (frame). Estate of Katherine W. Mellon, Stonington, CT.

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CHINESE SCHOOL: FLORA AND FAUNA WALLPAPER PANEL

Lot 98: CHINESE SCHOOL: FLORA AND FAUNA WALLPAPER PANEL

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Description: CHINESE SCHOOL: FLORA AND FAUNA WALLPAPER PANEL Watercolor on paper and mounted to board. 64 1/4 x 57 1/4 in.

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STYLE OF JOHN CONSTABLE: WHITEHEAD MILL

Lot 99: STYLE OF JOHN CONSTABLE: WHITEHEAD MILL

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Description: STYLE OF JOHN CONSTABLE: WHITEHEAD MILL Pencil on paper, titled lower left and dated lower right. With label from the Little Gallery, London. 2 3/4 x 3 1/4 in. (sheet), 9 x 9 1/2 in. (frame).

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COLIN CAMPBELL COOPER (1856-1937): THE GLORIA PORCH, SANTIAGO DE COMPASTELLA

Lot 100: COLIN CAMPBELL COOPER (1856-1937): THE GLORIA PORCH, SANTIAGO DE COMPASTELLA

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Description: COLIN CAMPBELL COOPER (1856-1937): THE GLORIA PORCH, SANTIAGO DE COMPOSTELA Watercolor on paper, signed lower left. 17 3/4 x 13 3/4 in. (sight), 22 x 18 in. (frame). Exhibited: National Arts Club, 1932.

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ROBERT BALLING BRANDEGEE: FALLEN APPLE IN A LANDSCAPE

Lot 101: ROBERT BALLING BRANDEGEE: FALLEN APPLE IN A LANDSCAPE

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Description: ROBERT BOLLING BRANDEGEE (1849-1922): FALLEN APPLE IN A LANDSCAPE Watercolor on paper, signed and dated 1868 lower left. With label from Hirschl & Adler Galleries, New York. 8 1/2 x 8 1/2 in. (sight), 14 1/2 x 14 1/2 in. (frame). Exhibited: Berry-Hill May 6 - June 26, 1993. Estate of Katherine W. Mellon, Stonington, CT.

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