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Auction Description for Waddington's: International Art Auction
Viewing Notes:
Saturday 8 December from 11am - 5pm Sunday 9 December from 11am - 5pm Monday 10 December from 10am - 12 Noon
Sale Notes:
Featuring over 200 lots of important International paintings, drawings, prints and sculpture from the Old Masters period to the 21st Century, including works by: American, Austrian, Belgian, British, Dutch, Flemish, French, German, Hungarian, Indian, Irish, Israeli, Italian, Mexican, Polish, Russian, Scottish and Spanish artists.

International Art Auction

(260 Lots)

by Waddington's

Platinum House

260 lots with images

December 11, 2012

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

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Jan Hendrik Weissenbruch (1824-1903), Dutch COWS BY A RIVER WITH DISTANT WINDMILL; Oil on canvas laid down on panel; signed lower right16.75

Lot 152: Jan Hendrik Weissenbruch (1824-1903), Dutch COWS BY A RIVER WITH DISTANT WINDMILL; Oil on canvas laid down on panel; signed lower right16.75" x 12" - 42.5 x 30.5 cm.

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Description: Jan Hendrik Weissenbruch (1824-1903), Dutch COWS BY A RIVER WITH DISTANT WINDMILL; Oil on canvas laid down on panel; signed lower right16.75" x 12" - 42.5 x 30.5 cm.

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Willem Maris (1844-1910), Dutch MILKING TIME; Oil on canvas; signed lower right, titled to gallery label verso15.5

Lot 153: Willem Maris (1844-1910), Dutch MILKING TIME; Oil on canvas; signed lower right, titled to gallery label verso15.5" x 20.5" - 39.4 x 52.1 cm.Provenance: E.J. Wisselingh & Co., Amsterdam

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Description: Willem Maris (1844-1910), Dutch MILKING TIME; Oil on canvas; signed lower right, titled to gallery label verso15.5" x 20.5" - 39.4 x 52.1 cm.Provenance: E.J. Wisselingh & Co., Amsterdam

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Johannes Hubertus Leonardus de Haas (1832-1908), Dutch COWS IN A SUNLIT FIELD; Oil on panel; signed lower left22

Lot 154: Johannes Hubertus Leonardus de Haas (1832-1908), Dutch COWS IN A SUNLIT FIELD; Oil on panel; signed lower left22" x 27.5" - 55.9 x 69.9 cm.

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Description: Johannes Hubertus Leonardus de Haas (1832-1908), Dutch COWS IN A SUNLIT FIELD; Oil on panel; signed lower left22" x 27.5" - 55.9 x 69.9 cm.

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Hendrik Willebrord Jansen (1855-1908), Dutch FARMER LOADING A HORSE-DRAWN CART WHILE NEIGHBOURS CHAT; Oil on canvas; signed lower right25

Lot 155: Hendrik Willebrord Jansen (1855-1908), Dutch FARMER LOADING A HORSE-DRAWN CART WHILE NEIGHBOURS CHAT; Oil on canvas; signed lower right25" x 33" - 63.5 x 83.8 cm.

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Description: Hendrik Willebrord Jansen (1855-1908), Dutch FARMER LOADING A HORSE-DRAWN CART WHILE NEIGHBOURS CHAT; Oil on canvas; signed lower right25" x 33" - 63.5 x 83.8 cm.

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Willem Bastiaan Tholen (1860-1931), Dutch ON THE ZUIDER ZEE; Watercolour; signed and dated 96 lower left, titled to remains of gallery label verso backing26.25

Lot 156: Willem Bastiaan Tholen (1860-1931), Dutch ON THE ZUIDER ZEE; Watercolour; signed and dated 96 lower left, titled to remains of gallery label verso backing26.25" x 30" - 66.7 x 76.2 cm.Provenance: French Galleries, Glasgow & Dundee

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Description: Willem Bastiaan Tholen (1860-1931), Dutch ON THE ZUIDER ZEE; Watercolour; signed and dated 96 lower left, titled to remains of gallery label verso backing26.25" x 30" - 66.7 x 76.2 cm.Provenance: French Galleries, Glasgow & Dundee

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Adrian Van Porten (19th Century),Dutch FISHING BOATS APPROACHING CITY HARBOUR WITH WINDMILLS; FISHING BOATS IN CALM WATERS; Pair of oils on canvas; each signed lower right. Circa 1865.18.75

Lot 157: Adrian Van Porten (19th Century),Dutch FISHING BOATS APPROACHING CITY HARBOUR WITH WINDMILLS; FISHING BOATS IN CALM WATERS; Pair of oils on canvas; each signed lower right. Circa 1865.18.75" x 12.25" - 47.6 x 31.1 cm.Provenance: Gafit Limited, London

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Description: Adrian Van Porten (19th Century), Dutch FISHING BOATS APPROACHING CITY HARBOUR WITH WINDMILLS; FISHING BOATS IN CALM WATERS; Pair of oils on canvas; each signed lower right. Circa 1865.18.75" x 12.25" - 47.6 x 31.1 cm.Provenance: Gafit Limited, London and Paris

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William Raymond Dommersen (1850-1927), Dutch LES PLACE DES HALLES, PARIS; Oil on canvas laid down on masonite; signed lower right, titled to the stretcher19.5

Lot 158: William Raymond Dommersen (1850-1927), Dutch LES PLACE DES HALLES, PARIS; Oil on canvas laid down on masonite; signed lower right, titled to the stretcher19.5" x 30" - 49.5 x 76.2 cm.

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Description: William Raymond Dommersen (1850-1927), Dutch LES PLACE DES HALLES, PARIS; Oil on canvas laid down on masonite; signed lower right, titled to the stretcher19.5" x 30" - 49.5 x 76.2 cm.

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Arnold Marc Gorter (1866-1933), Dutch CALM WATERS; Oil on canvas; signed lower right18

Lot 159: Arnold Marc Gorter (1866-1933), Dutch CALM WATERS; Oil on canvas; signed lower right18" x 22" - 45.7 x 55.9 cm.

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Description: Arnold Marc Gorter (1866-1933), Dutch CALM WATERS; Oil on canvas; signed lower right18" x 22" - 45.7 x 55.9 cm.

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Cornelis Vreedenburgh (1880-1946), Dutch SILVER MORNING; Oil on canvas; signed lower right, titled to gallery label verso16.5

Lot 160: Cornelis Vreedenburgh (1880-1946), Dutch SILVER MORNING; Oil on canvas; signed lower right, titled to gallery label verso16.5" x 26.25" - 41.9 x 66.7 cm.Provenance: Watson Art Galleries, Montreal;Presented to Mel Canfield on his retirement from

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Description: Cornelis Vreedenburgh (1880-1946), Dutch SILVER MORNING; Oil on canvas; signed lower right, titled to gallery label verso16.5" x 26.25" - 41.9 x 66.7 cm.Provenance: Watson Art Galleries, Montreal;Presented to Mel Canfield on his retirement from Building Products Ltd. on December 31st, 1946

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Evert Pieters (1856-1932), Dutch MOTHER AND HER CHILDREN IN A SPRING ORCHARD; Oil on canvas; signed lower left, signed, dated 1926 at Laren and inscribed by the artist:

Lot 161: Evert Pieters (1856-1932), Dutch MOTHER AND HER CHILDREN IN A SPRING ORCHARD; Oil on canvas; signed lower left, signed, dated 1926 at Laren and inscribed by the artist: "this picture is paint (sic) in Holland by my self (sic)" verso30" x 36" - 76.2 x

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Description: Evert Pieters (1856-1932), Dutch MOTHER AND HER CHILDREN IN A SPRING ORCHARD; Oil on canvas; signed lower left, signed, dated 1926 at Laren and inscribed by the artist: "this picture is paint (sic) in Holland by my self (sic)" verso30" x 36" - 76.2 x 91.4 cm.

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Evert Pieters (1856-1932), Dutch GATHERING OF THE FAGGOTS; Watercolour; signed lower rightSight 27

Lot 162: Evert Pieters (1856-1932), Dutch GATHERING OF THE FAGGOTS; Watercolour; signed lower rightSight 27" x 18" - 68.6 x 45.7 cm.

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Description: Evert Pieters (1856-1932), Dutch GATHERING OF THE FAGGOTS; Watercolour; signed lower rightSight 27" x 18" - 68.6 x 45.7 cm.

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Bernard de Hoog (1867-1943), Dutch BABY'S MEALTIME; Oil on canvas; signed lower right, titled to gallery label verso20

Lot 163: Bernard de Hoog (1867-1943), Dutch BABY'S MEALTIME; Oil on canvas; signed lower right, titled to gallery label verso20 " x 24" - 50.8 x 61 cm.Provenance: Continental Galleries of Fine Art, Montreal

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Description: Bernard de Hoog (1867-1943), Dutch BABY'S MEALTIME; Oil on canvas; signed lower right, titled to gallery label verso20 " x 24" - 50.8 x 61 cm.Provenance: Continental Galleries of Fine Art, Montreal

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Bernard de Hoog (1867-1943), Dutch VISITING THE NEW MOTHER; Oil on canvas; signed lower left39

Lot 164: Bernard de Hoog (1867-1943), Dutch VISITING THE NEW MOTHER; Oil on canvas; signed lower left39" x 31" - 99.1 x 78.7 cm.Provenance: Private Collection, Burlington, purchased at Frederick W. Thom Ltd., Toronto, in 1973

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Description: Bernard de Hoog (1867-1943), Dutch VISITING THE NEW MOTHER; Oil on canvas; signed lower left39" x 31" - 99.1 x 78.7 cm.Provenance: Private Collection, Burlington, purchased at Frederick W. Thom Ltd., Toronto, in 1973

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Lammert van der Tonge (1871-1937), Dutch MOTHER'S TENDER MOMENT; Oil on canvas; signed lower right29

Lot 165: Lammert van der Tonge (1871-1937), Dutch MOTHER'S TENDER MOMENT; Oil on canvas; signed lower right29" x 23.5" - 73.7 x 59.7 cm.

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Description: Lammert van der Tonge (1871-1937), Dutch MOTHER'S TENDER MOMENT; Oil on canvas; signed lower right29" x 23.5" - 73.7 x 59.7 cm.

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Karel Appel (1921-2006), Dutch LES AMOUREUX, 1959; Colour lithograph; signed, dated 59 and numbered 11/150 in pencil. L'Oeuvre Gravee publishers.image 18

Lot 166: Karel Appel (1921-2006), Dutch LES AMOUREUX, 1959; Colour lithograph; signed, dated 59 and numbered 11/150 in pencil. L'Oeuvre Gravee publishers.image 18" x 24" - 45.7 x 61 cm.

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Description: Karel Appel (1921-2006), Dutch LES AMOUREUX, 1959; Colour lithograph; signed, dated 59 and numbered 11/150 in pencil. L'Oeuvre Gravee publishers.image 18" x 24" - 45.7 x 61 cm.

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17th Century French School VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST; Oil on canvas35

Lot 167: 17th Century French School VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST; Oil on canvas35" x 27" - 88.9 x 68.6 cm.

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Description: 17th Century French School VIRGIN AND CHILD WITH SAINT JOHN THE BAPTIST; Oil on canvas35" x 27" - 88.9 x 68.6 cm.

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Attributed to Jean de Court (Active 1555-1585), French PORTRAIT OF A YOUNG WOMAN; Oil on panel10

Lot 168: Attributed to Jean de Court (Active 1555-1585), French PORTRAIT OF A YOUNG WOMAN; Oil on panel10" x 8" - 25.4 x 20.3 cm.Provenance: Christie's sale, n.d.; a black stencil No. "96 HP" stamped verso;Private Collection, Philadelphia; By descentNote: The

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Description: Attributed to Jean de Court (Active 1555-1585), French PORTRAIT OF A YOUNG WOMAN; Oil on panel10" x 8" - 25.4 x 20.3 cm.Provenance: Christie's sale, n.d.; a black stencil No. "96 HP" stamped verso;Private Collection, Philadelphia; By descentNote: The Limoges enamellers signing 'Jean de Court' and 'Jean Court dit Vigier' are probably the same person, and probably identical with the court painter Jean de Court who was employed by the French royal court in 1558 and worked for Mary Stuart in 1562.

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Attributed to Eugene Delacroix (1798-1863), French HEADS FROM THE MARRIAGE AT CANA (AFTER PAOLO VERONESE); Oil on canvas; given to

Lot 169: Attributed to Eugene Delacroix (1798-1863), French HEADS FROM THE MARRIAGE AT CANA (AFTER PAOLO VERONESE); Oil on canvas; given to "Delacroix" "After Veronese" and titled to an old faded, pen and ink inscribed label to the stretcher, "Robaut 1931"

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Description: Attributed to Eugene Delacroix (1798-1863), French HEADS FROM THE MARRIAGE AT CANA (AFTER PAOLO VERONESE); Oil on canvas; given to "Delacroix" "After Veronese" and titled to an old faded, pen and ink inscribed label to the stretcher, "Robaut 1931" inscribed in black crayon to the frame verso, titled "A Group" "By Eugene Delacroix After Paolo Veronese", by the Wilstach Gallery, their inventory number: "W '12-1-9" to the nameplates on the frame recto, Wilstach Gallery stamp to the canvas verso and with their printed gallery label to the frame and the gallery stamp to the stretcher, an indistinct red wax collector's seal to the frame verso25.5" x 31.75" - 64.8 x 80.6 cm.Provenance: The Late John G. Johnson, Esq., presented to The W.P. Wilstach Collection, Philadelphia, Pennsylvania in 1912 as "Eugene Delacroix", Robaut No. 1931, their inventory number: "W '12-1-9";Sold The Memorial Hall, Philadelphia, Samuel T. Freeman Auction House on October 30, 1954, lot 218 as "Eugene Delacroix (After Veronese)";From whom purchased by the late Herman V. Baker, Philadelphia;Private Collection, Philadelphia; by descentLiterature: "Catalogue of the W.P. Wilstach Collection", Fairmont Park, Philadelphia, Pennsylvania, 1922, no. 91, p.38 as "Eugene Delacroix";The Memorial Hall, Philadelphia, Samuel T. Freeman Auction House, copy of the catalogue entry, October 30, 1954, lot 218, as "Eugene Delacroix (After Veronese)", Robaut No. 1931, illustrated;Lee Johnson, The Paintings of Eugene Delacroix A Critical Catalogue 1816-1831, Volume I. Text, 1981, "Copies After the Masters, Catalogue No. 14-15, p.13" and discussions for L17Note: This copy of a very small portion of the group of illustrious guests seated at the left in Veronese's large picture (21 feet x 32 feet) of "The Marriage At Cana (Cana of Galilee)" of 1563 in the Louvre was presented to the Wilstach Collection by John G. Johnson in 1912 as a work by Eugene Delacroix, Robaut No. 1931. This work is recorded in the "Catalogue of the W.P. Wilstach Collection", No. 91, described as "Eugene Delacroix": "A Group - Five bust length figures. Alfonso D'Aralos, as the bridegroom, and Eleanora of Austria, the bride. To the right is the Sultan."Since the sale in 1824, the attribution to Delacroix was challenged as doubtful, encouraging an alternative "Attribution to Gericault". According to Thore Ann ED, lot 156 in Delacroix's posthumous sale, listed in the catalogue as "Autre fragment du meme tableau" was in fact by Theodore Gericault and had been bought by Delacroix at the former's sale in 1824. It was sold to M. Lehmann at Delacroix's posthumous sale and catalogued by Robaut, without a reproduction, as No. 1931. Conversely, No. 1931, which is held in a Private Collection in Paris, represents the same heads as this copy but includes additional heads: the head of a dwarf (to the left) and six figures immediately above, the dimensions being .84m x 1.00 m., much larger than this lot. Robaut made an error for No. 1931 as well he erred on another copy from the "Marriage at Cana" from Delacroix's posthumous sale in February 1864, lot 155, he described it as "Tete du jouer de viole des Noces de Cana" without having seen it. On June 10 1820, Delacroix's friend, Edouard Soulier "found Delacroix up a ladder copying heads in the "Marriage of Cana". Though only two copies of details from the "Marriage at Cana" are listed in the catalogue of the posthumous sale, three, all attributed to Delacroix, are contained in Inv. Delacroix (nos. 60, 78, 198). Thus if the subject was correct in all three cases, one study is lost. One of these copies measured 63 x 80 cm., the approximate size of this lot. This may be the lost copy.

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Circle of Eugene Delacroix (1798-1863), French HEAD OF A REVOLUTIONARY; Oil on canvas; bears strengthened initials lower left18

Lot 170: Circle of Eugene Delacroix (1798-1863), French HEAD OF A REVOLUTIONARY; Oil on canvas; bears strengthened initials lower left18" x 14.25" - 45.7 x 36.2 cm.Provenance: Ex. Coll. John MacLennan, Art Dealer, Detroit from whom purchased by the present

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Description: Circle of Eugene Delacroix (1798-1863), French HEAD OF A REVOLUTIONARY; Oil on canvas; bears strengthened initials lower left18" x 14.25" - 45.7 x 36.2 cm.Provenance: Ex. Coll. John MacLennan, Art Dealer, Detroit from whom purchased by the present Private Collection, Montreal in 1964 as an Honore Daumier

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Theodore Gericault (1791-1824), French CHARIOT CHARGE DE SOLDATS BLESSES, 1818 [ELTEIL 11]; Lithograph, the rare second (final) state on wove paperImage 11.25

Lot 171: Theodore Gericault (1791-1824), French CHARIOT CHARGE DE SOLDATS BLESSES, 1818 [ELTEIL 11]; Lithograph, the rare second (final) state on wove paperImage 11.25" x 11.25" - 28.6 x 28.6 cm.Provenance: Private Collection, Lindsay, Ontario purchased at

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Description: Theodore Gericault (1791-1824), French CHARIOT CHARGE DE SOLDATS BLESSES, 1818 [ELTEIL 11]; Lithograph, the rare second (final) state on wove paperImage 11.25" x 11.25" - 28.6 x 28.6 cm.Provenance: Private Collection, Lindsay, Ontario purchased at Sotheby's, New York, lot 418, April 30 and May 1, 1998

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Attributed to Charles Bargue (1826-1883), French PORTRAIT OF AN OFFICER IN ARMOUR BEFORE A LANDSCAPE; Oil on canvas; strengthened signature lower right21.5

Lot 172: Attributed to Charles Bargue (1826-1883), French PORTRAIT OF AN OFFICER IN ARMOUR BEFORE A LANDSCAPE; Oil on canvas; strengthened signature lower right21.5" x 17" - 54.6 x 43.2 cm.

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Description: Attributed to Charles Bargue (1826-1883), French PORTRAIT OF AN OFFICER IN ARMOUR BEFORE A LANDSCAPE; Oil on canvas; strengthened signature lower right21.5" x 17" - 54.6 x 43.2 cm.

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Bernard Louis Borione (1865-?), French CAVALIER RELAXING; Oil on panel; signed at

Lot 173: Bernard Louis Borione (1865-?), French CAVALIER RELAXING; Oil on panel; signed at "Paris" lower left22" x 17.5" - 55.9 x 44.5 cm.

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Description: Bernard Louis Borione (1865-?), French CAVALIER RELAXING; Oil on panel; signed at "Paris" lower left22" x 17.5" - 55.9 x 44.5 cm.

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Ferdinand Victor Leon Roybet (1840-1920), French CAVALIER WITH PLUMMED HAT IN AN INTERIOR; Oil on panel; signed lower left23

Lot 174: Ferdinand Victor Leon Roybet (1840-1920), French CAVALIER WITH PLUMMED HAT IN AN INTERIOR; Oil on panel; signed lower left23" x 17" - 58.4 x 43.2 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Description: Ferdinand Victor Leon Roybet (1840-1920), French CAVALIER WITH PLUMMED HAT IN AN INTERIOR; Oil on panel; signed lower left23" x 17" - 58.4 x 43.2 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Etienne Prosper Berne-Bellecour (1838-1910), French SOLDIER AT THE LOVER'S DOOR; Oil on cradled panel; signed lower right14.5

Lot 175: Etienne Prosper Berne-Bellecour (1838-1910), French SOLDIER AT THE LOVER'S DOOR; Oil on cradled panel; signed lower right14.5" x 9.75" - 36.8 x 24.8 cm.

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Description: Etienne Prosper Berne-Bellecour (1838-1910), French SOLDIER AT THE LOVER'S DOOR; Oil on cradled panel; signed lower right14.5" x 9.75" - 36.8 x 24.8 cm.

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Edouard Jean Baptiste Detaille (1848-1912), French OFFICER OF THE FRENCH HORSE ARTILLERY SMOKING A PIPE; Oil on board; signed and dated Avril 1910 lower left28.75

Lot 176: Edouard Jean Baptiste Detaille (1848-1912), French OFFICER OF THE FRENCH HORSE ARTILLERY SMOKING A PIPE; Oil on board; signed and dated Avril 1910 lower left28.75" x 21" - 73 x 53.3 cm.Provenance: "Miss Dolly"/Los Angeles inscribed in ink verso

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Description: Edouard Jean Baptiste Detaille (1848-1912), French OFFICER OF THE FRENCH HORSE ARTILLERY SMOKING A PIPE; Oil on board; signed and dated Avril 1910 lower left28.75" x 21" - 73 x 53.3 cm.Provenance: "Miss Dolly"/Los Angeles inscribed in ink verso

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Eugene Pavy (1880-1905), French HALT IN A TUNISIAN MARKET TOWN; Oil on panel; signed and dated 1888 lower left8.5

Lot 177: Eugene Pavy (1880-1905), French HALT IN A TUNISIAN MARKET TOWN; Oil on panel; signed and dated 1888 lower left8.5" x 10.75" - 21.6 x 27.3 cm.Provenance: Albert Amor, London;Dominion Gallery, Montreal;Frederick W. Thom Ltd., Toronto;By descent to the

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Description: Eugene Pavy (1880-1905), French HALT IN A TUNISIAN MARKET TOWN; Oil on panel; signed and dated 1888 lower left8.5" x 10.75" - 21.6 x 27.3 cm.Provenance: Albert Amor, London;Dominion Gallery, Montreal;Frederick W. Thom Ltd., Toronto;By descent to the present Private Collection

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Narcisse Berchere (1819-1891), French A MID-DAY HALT; Oil on panel; signed and dated 1868 lower right, titled to an inscribed label verso10

Lot 178: Narcisse Berchere (1819-1891), French A MID-DAY HALT; Oil on panel; signed and dated 1868 lower right, titled to an inscribed label verso10" x 12.5" - 25.4 x 31.8 cm.Literature: Likely the same work cited in Bernard Prost's, Catalogue illustre des

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Description: Narcisse Berchere (1819-1891), French A MID-DAY HALT; Oil on panel; signed and dated 1868 lower right, titled to an inscribed label verso10" x 12.5" - 25.4 x 31.8 cm.Literature: Likely the same work cited in Bernard Prost's, Catalogue illustre des oeuvres de N. Berchere, 1885, p. 29Note: This work is likely the same oil on panel of 1868 entitled "Repos de Midi" recorded, without dimensions, in Prost's Catalogue illustre des oeuvres de N. Berchere. Artistes Modernes. P., Libr. D'Art L. Baschet, Ed., 1885, p. 29, col. I-I.15.This lot will be included in the forthcoming catalogue being prepared by Bernard E.A. Jeanson, Narcisse Berchere: un paysagiste francais together under the same entry as Prost's, "Repos de midi, 1868".We are grateful to Bernard E.A. Jeanson for his assistance in cataloguing this lot.

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Leon Richet (1847-1907), French WOMAN BY A FARM IN THE BARBIZON COUNTRYSIDE; Oil on canvas; signed lower right11.75

Lot 179: Leon Richet (1847-1907), French WOMAN BY A FARM IN THE BARBIZON COUNTRYSIDE; Oil on canvas; signed lower right11.75" x 15.75" - 29.8 x 40 cm.

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Description: Leon Richet (1847-1907), French WOMAN BY A FARM IN THE BARBIZON COUNTRYSIDE; Oil on canvas; signed lower right11.75" x 15.75" - 29.8 x 40 cm.

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Louis Gabriel Eugene Isabey (1803-1886), French TOWN SCENE WITH RUSTIC WATCHING OVER HIS HORSES; Oil on canvas; signed and dated 1839 lower right17.75

Lot 180: Louis Gabriel Eugene Isabey (1803-1886), French TOWN SCENE WITH RUSTIC WATCHING OVER HIS HORSES; Oil on canvas; signed and dated 1839 lower right17.75" x 14.5" - 45.1 x 36.8 cm.Provenance: Private Collection, Toronto

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Description: Louis Gabriel Eugene Isabey (1803-1886), French TOWN SCENE WITH RUSTIC WATCHING OVER HIS HORSES; Oil on canvas; signed and dated 1839 lower right17.75" x 14.5" - 45.1 x 36.8 cm.Provenance: Private Collection, Toronto

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Eugene Modeste Edmond Le Poitevin (1806-1870), French MAREE BASSE EN BRETAGNE; Oil on canvas; signed with initial monogram to the wood post lower right and to the ship's sail, upper right, titled to gallery label verso18.25

Lot 181: Eugene Modeste Edmond Le Poitevin (1806-1870), French MAREE BASSE EN BRETAGNE; Oil on canvas; signed with initial monogram to the wood post lower right and to the ship's sail, upper right, titled to gallery label verso18.25" x 25.5" - 46.4 x 64.8

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Description: Eugene Modeste Edmond Le Poitevin (1806-1870), French MAREE BASSE EN BRETAGNE; Oil on canvas; signed with initial monogram to the wood post lower right and to the ship's sail, upper right, titled to gallery label verso18.25" x 25.5" - 46.4 x 64.8 cm.Provenance: Dominion Gallery, Montreal

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Paul Cesar Helleu (1859-1927), French PORTRAIT STUDY OF A YOUNG GIRL; Charcoal and sanguineSight 12.5

Lot 182: Paul Cesar Helleu (1859-1927), French PORTRAIT STUDY OF A YOUNG GIRL; Charcoal and sanguineSight 12.5" x 10" - 31.8 x 25.4 cm.Provenance: Folio Fine Art Ltd., London, Stock No. D7185/6

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Description: Paul Cesar Helleu (1859-1927), French PORTRAIT STUDY OF A YOUNG GIRL; Charcoal and sanguineSight 12.5" x 10" - 31.8 x 25.4 cm.Provenance: Folio Fine Art Ltd., London, Stock No. D7185/6

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Edouard Manet (1832-1883), French LOLA DE VALENCE, 1863 [HARRIS 72, GUERIN 23]; Etching, drypoint and aquatint, the third (final) state with letters. Issued at

Lot 183: Edouard Manet (1832-1883), French LOLA DE VALENCE, 1863 [HARRIS 72, GUERIN 23]; Etching, drypoint and aquatint, the third (final) state with letters. Issued at "sa publication of Societe des Aquafortistes", 1863, with the blindstamp of the publisher

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Description: Edouard Manet (1832-1883), French LOLA DE VALENCE, 1863 [HARRIS 72, GUERIN 23]; Etching, drypoint and aquatint, the third (final) state with letters. Issued at "sa publication of Societe des Aquafortistes", 1863, with the blindstamp of the publisher Cadart & Luquet, on laid paperPlate 9" x 6" - 22.9 x 15.2 cm.Provenance: Ex. Coll. of an unidentified collector (initials ABT verso)Sotheby's, New York, April 30 and May 1, 1998, lot 452 from whom purchased by the present Private Collection, Lindsay, Ontario

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J.A. Carda (19th Century), French? GIRL FEEDING CHICKENS WITH CAT; Oil on panel; signed indistinctly lower left10

Lot 184: J.A. Carda (19th Century), French? GIRL FEEDING CHICKENS WITH CAT; Oil on panel; signed indistinctly lower left10" x 7.5" - 25.4 x 19.1 cm.Provenance: A wax collector seal of French origin verso

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Description: J.A. Carda (19th Century), French? GIRL FEEDING CHICKENS WITH CAT; Oil on panel; signed indistinctly lower left10" x 7.5" - 25.4 x 19.1 cm.Provenance: A wax collector seal of French origin verso

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Paul Seignac (1826-1904), French CHERRIES RIPE; Oil on canvas; signed lower right30.5

Lot 185: Paul Seignac (1826-1904), French CHERRIES RIPE; Oil on canvas; signed lower right30.5" x 24" - 77.5 x 61 cm.

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Description: Paul Seignac (1826-1904), French CHERRIES RIPE; Oil on canvas; signed lower right30.5" x 24" - 77.5 x 61 cm.

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Francois Charles Cachoud (1866-1943), French LA ROUTE NUIT; Oil on canvas; signed lower right, signed and titled to the stretcher26

Lot 186: Francois Charles Cachoud (1866-1943), French LA ROUTE NUIT; Oil on canvas; signed lower right, signed and titled to the stretcher26" x 32.5" - 66 x 82.6 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada, stock number 655, the

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Description: Francois Charles Cachoud (1866-1943), French LA ROUTE NUIT; Oil on canvas; signed lower right, signed and titled to the stretcher26" x 32.5" - 66 x 82.6 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada, stock number 655, the early 20th Century gallery label

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** Bouvard (19th/20th Century), French VENICE; Oil on canvas; signed Bouvard lower right11

Lot 187: ** Bouvard (19th/20th Century), French VENICE; Oil on canvas; signed Bouvard lower right11" x 14" - 27.9 x 35.6 cm.

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Description: ** Bouvard (19th/20th Century), French VENICE; Oil on canvas; signed Bouvard lower right11" x 14" - 27.9 x 35.6 cm.

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Felix Ziem (1821-1911), French GONDOLE DEVANT LES GESUATI, AU CLAIR DE LUNE; Oil on panel; signed lower left19.5

Lot 188: Felix Ziem (1821-1911), French GONDOLE DEVANT LES GESUATI, AU CLAIR DE LUNE; Oil on panel; signed lower left19.5" x 28.75" - 49.5 x 73 cm.Provenance: Coll. of the artist, Sidney Arbouin, Loissy;By descent through his family to his granddaughter,

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Description: Felix Ziem (1821-1911), French GONDOLE DEVANT LES GESUATI, AU CLAIR DE LUNE; Oil on panel; signed lower left19.5" x 28.75" - 49.5 x 73 cm.Provenance: Coll. of the artist, Sidney Arbouin, Loissy;By descent through his family to his granddaughter, Nelita Geoffroy-Dechaume, Loissy in 1984;From whom purchased by the present, Private Collection, Montreal in 1984Literature: Reproduced in colour in Anne Burdin-Hellebranth's Catalogue Raisonne, Felix Ziem 1821-1911, no. 679, pg. 271; Illustrated in Venice and the Fabulous Orient of Marco Polo with a variant title: "Venice, Clair de lune sur la Lagune" in a colour advertisement for Puccini's opera "Turandot".

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Auguste Rodin (1840-1917), French ETUDE DE MAIN, 1890-1910; Black patinated bronze; signed

Lot 189: Auguste Rodin (1840-1917), French ETUDE DE MAIN, 1890-1910; Black patinated bronze; signed "A. Rodin"; inscribed with foundry mark "Georges Rudier Fondeur Paris". Cast in an edition of 12, this being number 4/12. Mounted on a marble base and a

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Description: Auguste Rodin (1840-1917), French ETUDE DE MAIN, 1890-1910; Black patinated bronze; signed "A. Rodin"; inscribed with foundry mark "Georges Rudier Fondeur Paris". Cast in an edition of 12, this being number 4/12. Mounted on a marble base and a revolving marble stand, stamped "Dominion Gallery Montreal". Together with the original 64 page catalogue "1967-Cinquantenaire De La Mort D'Auguste Rodin 1840-1917" from the Dominion Gallery, Montreal. Preface written by Madame Cecile Goldscheider-Conservateur du musee Rodin, Paris.3.6" x 1.7" x 1.6" - 9.2 x 4.4 x 4 cm.Provenance: Dominion Gallery, Montreal from whom purchased by the Welch Family in 1967 at the exhibition, 1967- Cinquantenaire De La Mort D'Auguste Rodin 1840-1917Exhibited: Dominion Gallery, Montreal, 1967- Cinquantenaire De La Mort D'Auguste Rodin 1840-1917, 2 May to 15 June 1967 and coinciding with the Canadian Centennial and Expo 67, the World's Fair in Montreal, this important exhibit on the 50th anniversary of the artist's death organized in collaboration with Musée Rodin, Paris, displayed 74 sculptures, this being Cat. No. 74Literature: Dominion Gallery, Montreal, 1967- Cinquantenaire De La Mort D'Auguste Rodin 1840-1917, p. 41, Cat. No. 74, illustrated (this lot, number 4/12)

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Andre Hambourg (1909-1999), French LE CHALUTIER GRIS AU LARGE; Oil on canvas; signed lower right, signed with initials and titled at

Lot 190: Andre Hambourg (1909-1999), French LE CHALUTIER GRIS AU LARGE; Oil on canvas; signed lower right, signed with initials and titled at "Trouville" verso11" x 13.75" - 27.9 x 34.9 cm.Provenance: Wally Findlay Galleries; Private Collection, TorontoNote:

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Description: Andre Hambourg (1909-1999), French LE CHALUTIER GRIS AU LARGE; Oil on canvas; signed lower right, signed with initials and titled at "Trouville" verso11" x 13.75" - 27.9 x 34.9 cm.Provenance: Wally Findlay Galleries; Private Collection, TorontoNote: This lot has been confirmed by the artist's wife, Madame Nicole Hambourg, Paris

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Raoul Dufy (1877-1953),French BOATS RESTING IN A CITY HARBOUR; Watercolour and ink on paper; signed lower right. Certified by Jean Dufy, the artist's brother on 22-4 (or 9)-60 in the accompanying copy of Jean Dufy's handwritten certification.Sheet 7

Lot 191: Raoul Dufy (1877-1953),French BOATS RESTING IN A CITY HARBOUR; Watercolour and ink on paper; signed lower right. Certified by Jean Dufy, the artist's brother on 22-4 (or 9)-60 in the accompanying copy of Jean Dufy's handwritten certification.Sheet 7"

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Description: Raoul Dufy (1877-1953), French BOATS RESTING IN A CITY HARBOUR; Watercolour and ink on paper; signed lower right. Certified by Jean Dufy, the artist's brother on 22-4 (or 9)-60 in the accompanying copy of Jean Dufy's handwritten certification.Sheet 7" x 7.5" - 17.8 x 19.1 cm.Provenance: Private Collection, Toronto

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Elmyr de Hory (1905-1978), French WOMEN STROLLING IN A GARDEN (IN THE MANNER OF RENOIR); Oil on canvas; signed and dated 1969 verso25

Lot 192: Elmyr de Hory (1905-1978), French WOMEN STROLLING IN A GARDEN (IN THE MANNER OF RENOIR); Oil on canvas; signed and dated 1969 verso25" x 30" - 63.5 x 76.2 cm.

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Description: Elmyr de Hory (1905-1978), French WOMEN STROLLING IN A GARDEN (IN THE MANNER OF RENOIR); Oil on canvas; signed and dated 1969 verso25" x 30" - 63.5 x 76.2 cm.

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Michel de Gallard (1921- ), French LES TOITS DE LA VILLE; Oil on canvas; signed upper right, titled to the stretcher36

Lot 193: Michel de Gallard (1921- ), French LES TOITS DE LA VILLE; Oil on canvas; signed upper right, titled to the stretcher36" x 28.75" - 91.4 x 73 cm.Provenance: Galerie Martel, Montreal

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Description: Michel de Gallard (1921- ), French LES TOITS DE LA VILLE; Oil on canvas; signed upper right, titled to the stretcher36" x 28.75" - 91.4 x 73 cm.Provenance: Galerie Martel, Montreal

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Constantin Guys (1802-1892), French A SCENE AT THE THEATRE; Pen and ink with watercolour wash en grisaille on stiff paperSheet 6

Lot 194: Constantin Guys (1802-1892), French A SCENE AT THE THEATRE; Pen and ink with watercolour wash en grisaille on stiff paperSheet 6" x 8.5" - 15.2 x 21.6 cm.Provenance: Yaneff Gallery, Toronto

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Description: Constantin Guys (1802-1892), French A SCENE AT THE THEATRE; Pen and ink with watercolour wash en grisaille on stiff paperSheet 6" x 8.5" - 15.2 x 21.6 cm.Provenance: Yaneff Gallery, Toronto

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Jean-Gabriel Domergue (1889-1962), French AURORE; Oil on fine canvas laid down on masonite; signed lower right, titled verso13

Lot 195: Jean-Gabriel Domergue (1889-1962), French AURORE; Oil on fine canvas laid down on masonite; signed lower right, titled verso13" x 9.5" - 33 x 24.1 cm.

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Description: Jean-Gabriel Domergue (1889-1962), French AURORE; Oil on fine canvas laid down on masonite; signed lower right, titled verso13" x 9.5" - 33 x 24.1 cm.

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Francois Gall (1912-1987), French FIGURES ON THE BEACH; Oil on canvas; signed lower right8.5

Lot 196: Francois Gall (1912-1987), French FIGURES ON THE BEACH; Oil on canvas; signed lower right8.5" x 10.5" - 21.6 x 26.7 cm.

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Description: Francois Gall (1912-1987), French FIGURES ON THE BEACH; Oil on canvas; signed lower right8.5" x 10.5" - 21.6 x 26.7 cm.

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Paul Emile Pissarro (1884-1972), French SAULES; Oil on canvas; signed lower left, signed at

Lot 197: Paul Emile Pissarro (1884-1972), French SAULES; Oil on canvas; signed lower left, signed at "11, rue du Square Carpeaux, Paris" and titled to artist's label verso. Accompanied by a photo certificate from Katia Pissarro dated Paris, le 12 fevrier

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Description: Paul Emile Pissarro (1884-1972), French SAULES; Oil on canvas; signed lower left, signed at "11, rue du Square Carpeaux, Paris" and titled to artist's label verso. Accompanied by a photo certificate from Katia Pissarro dated Paris, le 12 fevrier 199523.5" x 28.75" - 59.7 x 73 cm.

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Georges Manzana-Pissarro (1871-1961), French VOILIERS DANS LE PORT D'HONFLEUR; Oil on canvas on masonite board; signed lower right. Accompanied by a photo-certificate from Andre Pacitti dated

Lot 198: Georges Manzana-Pissarro (1871-1961), French VOILIERS DANS LE PORT D'HONFLEUR; Oil on canvas on masonite board; signed lower right. Accompanied by a photo-certificate from Andre Pacitti dated "Paris, le 17 fevrier 1988"14" x 19.5" - 35.6 x 49.5 cm.

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Description: Georges Manzana-Pissarro (1871-1961), French VOILIERS DANS LE PORT D'HONFLEUR; Oil on canvas on masonite board; signed lower right. Accompanied by a photo-certificate from Andre Pacitti dated "Paris, le 17 fevrier 1988"14" x 19.5" - 35.6 x 49.5 cm.

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Maria-Mela Muter (1876-1967), Polish/French MOTHER AND CHILD; Oil on canvas; signed upper right31.75

Lot 199: Maria-Mela Muter (1876-1967), Polish/French MOTHER AND CHILD; Oil on canvas; signed upper right31.75" x 25.5" - 80.6 x 64.8 cm.Provenance: The Estate of Spinkova Sarka, Toronto formerly of Czechoslovakia, acquired in Canada

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Description: Maria-Mela Muter (1876-1967), Polish/French MOTHER AND CHILD; Oil on canvas; signed upper right31.75" x 25.5" - 80.6 x 64.8 cm.Provenance: The Estate of Spinkova Sarka, Toronto formerly of Czechoslovakia, acquired in Canada

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17th Century follower of Sir Peter Paul Rubens (1577-1640) and his School, Flemish PEASANT COUPLE AFTER THE HUNT; Oil on canvas17

Lot 200: 17th Century follower of Sir Peter Paul Rubens (1577-1640) and his School, Flemish PEASANT COUPLE AFTER THE HUNT; Oil on canvas17" x 20" - 43.2 x 50.8 cm.Provenance: Sir John Grotrian, Bt. Knolls Leighton Buzzard, Beds;John Britnell Son, TorontoNote:

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Description: 17th Century follower of Sir Peter Paul Rubens (1577-1640) and his School, Flemish PEASANT COUPLE AFTER THE HUNT; Oil on canvas17" x 20" - 43.2 x 50.8 cm.Provenance: Sir John Grotrian, Bt. Knolls Leighton Buzzard, Beds;John Britnell Son, TorontoNote: Formerly given to Willem van Mieris

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Johann Fredrich Weitsch (1723-1803), German FIGURES AMONG RUINS ALONG AN AQUEDUCT; Oil on panel; given to Johann Friedrich Weitsch on the old handwritten label verso7.25

Lot 201: Johann Fredrich Weitsch (1723-1803), German FIGURES AMONG RUINS ALONG AN AQUEDUCT; Oil on panel; given to Johann Friedrich Weitsch on the old handwritten label verso7.25" x 9.5" - 18.4 x 24.1 cm.Provenance: Indistinct collector's seal: G.C. Garlich?,

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Description: Johann Fredrich Weitsch (1723-1803), German FIGURES AMONG RUINS ALONG AN AQUEDUCT; Oil on panel; given to Johann Friedrich Weitsch on the old handwritten label verso7.25" x 9.5" - 18.4 x 24.1 cm.Provenance: Indistinct collector's seal: G.C. Garlich?, Germany? verso

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