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International Art Auction

by Waddington's

Platinum House

260 lots with images

December 11, 2012

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 5100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

260 Lots
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Joseph Adam (fl. 1858-1880), Scottish HIGHLAND LANDSCAPE; Oil on canvas; signed on the rock mid right, titled to the nameplate30

Lot 102: Joseph Adam (fl. 1858-1880), Scottish HIGHLAND LANDSCAPE; Oil on canvas; signed on the rock mid right, titled to the nameplate30" x 50" - 76.2 x 127 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Description: Joseph Adam (fl. 1858-1880), Scottish HIGHLAND LANDSCAPE; Oil on canvas; signed on the rock mid right, titled to the nameplate30" x 50" - 76.2 x 127 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Joseph Adam (fl. 1858-1880) In Collaboration with Joseph Denovan Adam (1842-1896),Scottish HIGHLAND LANDSCAPE WITH SHEEP; Oil on canvas; signed

Lot 103: Joseph Adam (fl. 1858-1880) In Collaboration with Joseph Denovan Adam (1842-1896),Scottish HIGHLAND LANDSCAPE WITH SHEEP; Oil on canvas; signed "J. & J.D. Adam" by both artists, father and son, and dated 1868 on the rock lower right30" x 50" - 76.2 x

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Description: Joseph Adam (fl. 1858-1880) In Collaboration with Joseph Denovan Adam (1842-1896), Scottish HIGHLAND LANDSCAPE WITH SHEEP; Oil on canvas; signed "J. & J.D. Adam" by both artists, father and son, and dated 1868 on the rock lower right30" x 50" - 76.2 x 127 cm.

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Joseph Denovan Adam (1842-1896), Scottish TWIXT THE GLOAMIN AND THE MIRK; Oil on canvas; signed lower right, titled to the nameplate48

Lot 104: Joseph Denovan Adam (1842-1896), Scottish TWIXT THE GLOAMIN AND THE MIRK; Oil on canvas; signed lower right, titled to the nameplate48" x 72" - 121.9 x 182.9 cm.

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Description: Joseph Denovan Adam (1842-1896), Scottish TWIXT THE GLOAMIN AND THE MIRK; Oil on canvas; signed lower right, titled to the nameplate48" x 72" - 121.9 x 182.9 cm.

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Joseph Adam (fl. 1858-1880), Scottish FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right18

Lot 105: Joseph Adam (fl. 1858-1880), Scottish FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right18" x 32" - 45.7 x 81.3 cm.

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Description: Joseph Adam (fl. 1858-1880), Scottish FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right18" x 32" - 45.7 x 81.3 cm.

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Joseph Denovan Adam (1842-1896), Scottish YOUNG SHEPHERDESS GUIDING A COW AND CALF; Oil on canvas; signed lower left. Unframed.31.5

Lot 106: Joseph Denovan Adam (1842-1896), Scottish YOUNG SHEPHERDESS GUIDING A COW AND CALF; Oil on canvas; signed lower left. Unframed.31.5" x 37" - 80 x 94 cm.

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Description: Joseph Denovan Adam (1842-1896), Scottish YOUNG SHEPHERDESS GUIDING A COW AND CALF; Oil on canvas; signed lower left. Unframed.31.5" x 37" - 80 x 94 cm.

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J. Douglas Moultray (1831-1911), Scottish LOCH LARRY-NA-KEELY, HEAD OF GLEN OGLE, PERTHSHIRE; Oil on canvas; signed lower left, signed at Edinburgh and titled to the artist's label to the stretcher21

Lot 107: J. Douglas Moultray (1831-1911), Scottish LOCH LARRY-NA-KEELY, HEAD OF GLEN OGLE, PERTHSHIRE; Oil on canvas; signed lower left, signed at Edinburgh and titled to the artist's label to the stretcher21" x 35" - 53.3 x 88.9 cm.Provenance: Mrs. Hugh

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Description: J. Douglas Moultray (1831-1911), Scottish LOCH LARRY-NA-KEELY, HEAD OF GLEN OGLE, PERTHSHIRE; Oil on canvas; signed lower left, signed at Edinburgh and titled to the artist's label to the stretcher21" x 35" - 53.3 x 88.9 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W. Patrick, Montreal circa 1960's;By descent

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William Darling McKay (1844-1924), Scottish ARYSHIRE FLATLANDS WITH CATTLE WATERING; Oil on canvas; signed with initials lower left18

Lot 108: William Darling McKay (1844-1924), Scottish ARYSHIRE FLATLANDS WITH CATTLE WATERING; Oil on canvas; signed with initials lower left18" x 24" - 45.7 x 61 cm.Provenance: Aitken Dott's, Edinburgh

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Description: William Darling McKay (1844-1924), Scottish ARYSHIRE FLATLANDS WITH CATTLE WATERING; Oil on canvas; signed with initials lower left18" x 24" - 45.7 x 61 cm.Provenance: Aitken Dott's, Edinburgh

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David Farquharson (1840-1907), Scottish A HARVEST DAY IN GALLOWAY; Oil on canvas; signed and dated 1877 lower left, signed and dated 1877 at 16 Picardy Place, Edinburgh verso24.25

Lot 109: David Farquharson (1840-1907), Scottish A HARVEST DAY IN GALLOWAY; Oil on canvas; signed and dated 1877 lower left, signed and dated 1877 at 16 Picardy Place, Edinburgh verso24.25" x 37.25" - 61.6 x 94.6 cm.Provenance: Continental Galleries of Fine

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Description: David Farquharson (1840-1907), Scottish A HARVEST DAY IN GALLOWAY; Oil on canvas; signed and dated 1877 lower left, signed and dated 1877 at 16 Picardy Place, Edinburgh verso24.25" x 37.25" - 61.6 x 94.6 cm.Provenance: Continental Galleries of Fine Art, Montreal;Purchased by the present owner's parents, Montreal in circa 1938

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David Farquharson (1840-1907),Scottish ARGYLL HIGHLANDERS; Oil on canvas; signed and dated 1899 lower left, signed, titled and dated to an old artist label to the stretcher and titled to the gallery labels verso14

Lot 110: David Farquharson (1840-1907),Scottish ARGYLL HIGHLANDERS; Oil on canvas; signed and dated 1899 lower left, signed, titled and dated to an old artist label to the stretcher and titled to the gallery labels verso14" x 24" - 35.6 x 61 cm.Provenance: N.

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Description: David Farquharson (1840-1907), Scottish ARGYLL HIGHLANDERS; Oil on canvas; signed and dated 1899 lower left, signed, titled and dated to an old artist label to the stretcher and titled to the gallery labels verso14" x 24" - 35.6 x 61 cm.Provenance: N. Mitchell Fine Art Galleries, London; Johnson Art Galleries, Montreal;With Gilhooly Gallery Ltd., Ottawa

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John McGhie (1867-1952), Scottish GIRLS ON THE BEACH; Oil on canvas; signed lower right28

Lot 111: John McGhie (1867-1952), Scottish GIRLS ON THE BEACH; Oil on canvas; signed lower right28" x 36" - 71.1 x 91.4 cm.

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Description: John McGhie (1867-1952), Scottish GIRLS ON THE BEACH; Oil on canvas; signed lower right28" x 36" - 71.1 x 91.4 cm.

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Joseph Henderson (1832-1908), Scottish BEACH SCENE WITH FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right16

Lot 112: Joseph Henderson (1832-1908), Scottish BEACH SCENE WITH FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right16" x 24" - 40.6 x 61 cm.

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Description: Joseph Henderson (1832-1908), Scottish BEACH SCENE WITH FIGURES TENDING FISHING BOATS; Oil on canvas; signed lower right16" x 24" - 40.6 x 61 cm.

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Robert McGregor (1847-1922), Scottish YOUNG GIRL PLAYING MOTHER AT MEALTIME; Oil on canvas; signed lower left14.25

Lot 113: Robert McGregor (1847-1922), Scottish YOUNG GIRL PLAYING MOTHER AT MEALTIME; Oil on canvas; signed lower left14.25" x 10" - 36.2 x 25.4 cm.

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Description: Robert McGregor (1847-1922), Scottish YOUNG GIRL PLAYING MOTHER AT MEALTIME; Oil on canvas; signed lower left14.25" x 10" - 36.2 x 25.4 cm.

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Stephen Reid (1873-1948), Scottish THE VAGABONDS; Oil on canvas; signed and dated 28 lower right, titled and ascribed to the artist at London to the stretcher28

Lot 114: Stephen Reid (1873-1948), Scottish THE VAGABONDS; Oil on canvas; signed and dated 28 lower right, titled and ascribed to the artist at London to the stretcher28" x 36" - 71.1 x 91.4 cm.

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Description: Stephen Reid (1873-1948), Scottish THE VAGABONDS; Oil on canvas; signed and dated 28 lower right, titled and ascribed to the artist at London to the stretcher28" x 36" - 71.1 x 91.4 cm.

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David Londono Manzur (1929- ),Colombian DARK HAIRED GIRL BY THE SEA; Oil on canvas; signed

Lot 115: David Londono Manzur (1929- ),Colombian DARK HAIRED GIRL BY THE SEA; Oil on canvas; signed "David" and dated 1955 lower right31.75" x 23.5" - 80.6 x 59.7 cm.Note: At typed note verso reports that in June 1977, Canadian artist A.J. Casson (1898-1988),

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Description: David Londono Manzur (1929- ), Colombian DARK HAIRED GIRL BY THE SEA; Oil on canvas; signed "David" and dated 1955 lower right31.75" x 23.5" - 80.6 x 59.7 cm.Note: At typed note verso reports that in June 1977, Canadian artist A.J. Casson (1898-1988), who joined the Group of Seven in 1926, restored a small portion of the painting. He retouched an area on the right of the canvas and removed some small paper pieces glued to the canvas that were thought to be "missing paint chips"

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David Londono Manzur (1929- ), Colombian BAREAS DEBAJO DEL AQUA; Oil on canvas; signed and dated 1958 lower left, titled to exhibition  label verso38

Lot 116: David Londono Manzur (1929- ), Colombian BAREAS DEBAJO DEL AQUA; Oil on canvas; signed and dated 1958 lower left, titled to exhibition label verso38" x 49.75" - 96.5 x 126.4 cm.Exhibited: Salon Anual De Artistas Colombianos, Bogata, 1958, No. 076

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Description: David Londono Manzur (1929- ), Colombian BAREAS DEBAJO DEL AQUA; Oil on canvas; signed and dated 1958 lower left, titled to exhibition label verso38" x 49.75" - 96.5 x 126.4 cm.Exhibited: Salon Anual De Artistas Colombianos, Bogata, 1958, No. 076

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David Londono Manzur (1929- ), Colombian THE CRUCIFIXION; Oil on canvas; signed, inscribed indistinctly

Lot 117: David Londono Manzur (1929- ), Colombian THE CRUCIFIXION; Oil on canvas; signed, inscribed indistinctly "Paro Hugh"? and dated 1955 lower left42" x 28" - 106.7 x 71.1 cm.

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Description: David Londono Manzur (1929- ), Colombian THE CRUCIFIXION; Oil on canvas; signed, inscribed indistinctly "Paro Hugh"? and dated 1955 lower left42" x 28" - 106.7 x 71.1 cm.

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Charles DeWolf Brownell (1822-1909), American WRECK OF THE CASPIAN-NEAR MARIEL, N. COAST OF CUBA, JAN. 1857; Oil on canvas; signed and dated 1865 lower right, titled on the relined canvas verso24

Lot 118: Charles DeWolf Brownell (1822-1909), American WRECK OF THE CASPIAN-NEAR MARIEL, N. COAST OF CUBA, JAN. 1857; Oil on canvas; signed and dated 1865 lower right, titled on the relined canvas verso24" x 36" - 61 x 91.4 cm.Provenance: Kennedy Galleries,

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Description: Charles DeWolf Brownell (1822-1909), American WRECK OF THE CASPIAN-NEAR MARIEL, N. COAST OF CUBA, JAN. 1857; Oil on canvas; signed and dated 1865 lower right, titled on the relined canvas verso24" x 36" - 61 x 91.4 cm.Provenance: Kennedy Galleries, Inc., N.Y. stock number 121051.7

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Edmund Darch Lewis (1835-1910), American PANORAMIC VIEW OF A CITY FROM THE HILLS (CUBA?); Oil on panel laid down on canvas; signed and dated 1872 lower right28

Lot 119: Edmund Darch Lewis (1835-1910), American PANORAMIC VIEW OF A CITY FROM THE HILLS (CUBA?); Oil on panel laid down on canvas; signed and dated 1872 lower right28" x 50" - 71.1 x 127 cm.

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Description: Edmund Darch Lewis (1835-1910), American PANORAMIC VIEW OF A CITY FROM THE HILLS (CUBA?); Oil on panel laid down on canvas; signed and dated 1872 lower right28" x 50" - 71.1 x 127 cm.

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Danis Osuna Milo (1977- ), Cuban PORTRAIT OF A COUNTRY MAN SMOKING A CIGAR; Oil on canvas; signed and dated 08 lower left. Unframed.27

Lot 120: Danis Osuna Milo (1977- ), Cuban PORTRAIT OF A COUNTRY MAN SMOKING A CIGAR; Oil on canvas; signed and dated 08 lower left. Unframed.27" x 35.5" - 68.6 x 90.2 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: At 14

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Description: Danis Osuna Milo (1977- ), Cuban PORTRAIT OF A COUNTRY MAN SMOKING A CIGAR; Oil on canvas; signed and dated 08 lower left. Unframed.27" x 35.5" - 68.6 x 90.2 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: At 14 years of age, Danis Osuna Milo was recruited to an art school, where he lived and was educated until he was able to attend University level studies. Graduating from Carlo Hidalgo Institute of Art in 2001, he has since held many exhibitions in Cuba, and has been the recipient of many awards. His portrait studies have been well received Internationally, as they represent a subtle narrative of Cuban life.

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Humberto (El Negro) Hernandez (1958- ), Cuban MARINA I, 2006; Oil on canvas; signed lower left, titled and dated verso. Unframed.31

Lot 121: Humberto (El Negro) Hernandez (1958- ), Cuban MARINA I, 2006; Oil on canvas; signed lower left, titled and dated verso. Unframed.31" x 38.5" - 78.7 x 97.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: The

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Description: Humberto (El Negro) Hernandez (1958- ), Cuban MARINA I, 2006; Oil on canvas; signed lower left, titled and dated verso. Unframed.31" x 38.5" - 78.7 x 97.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: The inhabitants of this region of Cuba gather and store electric energy from lightening storms via wires erected close to buildings and store this energy in batteries for later use.Humberto "El Negro" Hernandez was born and raised in a fishing village in Puerto Esperanza, Cuba. Studying in Havana, at the National School of Art and the Superior Institute of Teaching, Hernandez has exhibited his work Internationally. His paintings are viewed as tumultuous renditions of his childhood recollections, and often focus on life and reality in the small Seaside village.

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Enrique Toledo (1966- ), Cuban MAN ON HORSEBACK; Oil on canvas; signed and dated 09 lower right. Unframed.51

Lot 122: Enrique Toledo (1966- ), Cuban MAN ON HORSEBACK; Oil on canvas; signed and dated 09 lower right. Unframed.51" x 39" - 129.5 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Enrique Toledo earned a Bachelor of

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Description: Enrique Toledo (1966- ), Cuban MAN ON HORSEBACK; Oil on canvas; signed and dated 09 lower right. Unframed.51" x 39" - 129.5 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Enrique Toledo earned a Bachelor of Fine Arts and has been exhibiting his works throughout Latin and North American since the mid-1990s. His extensive schooling in modern art is prevalent throughout his paintings, yet it is his penchance for fantasy that sets him apart from his contemporaries. Toledo's world is one of kings and queens, magic and fairy tales, where fantasy meets reality on large-scale canvas'.

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Osmany Soler Mena (1974- ), Cuban UNTITLED (ABSTRACT ANIMAL), 2007; Oil on canvas; signed with artist's device and dated verso. Unframed.27.25

Lot 123: Osmany Soler Mena (1974- ), Cuban UNTITLED (ABSTRACT ANIMAL), 2007; Oil on canvas; signed with artist's device and dated verso. Unframed.27.25" x 43" - 69.2 x 109.2 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote:

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Description: Osmany Soler Mena (1974- ), Cuban UNTITLED (ABSTRACT ANIMAL), 2007; Oil on canvas; signed with artist's device and dated verso. Unframed.27.25" x 43" - 69.2 x 109.2 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Osmany Soler Mena studied art at the Acadamia de Art Vicentina de la Torra, and upon graduation has exhibited Internationally, not only in painting, but also in ceramics and bronze. Mena uses prehistoric archetypes to represent his vision, and his paintings often use human, animal and fantasy themes.

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Walter Cruz (1969- ), Uruguayan/Cuban ACTIVIDAD CULTURAL 1, 2006; Oil on canvas; signed and dated 2006 lower left, titled verso. Unframed.31

Lot 124: Walter Cruz (1969- ), Uruguayan/Cuban ACTIVIDAD CULTURAL 1, 2006; Oil on canvas; signed and dated 2006 lower left, titled verso. Unframed.31" x 39" - 78.7 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Born

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Description: Walter Cruz (1969- ), Uruguayan/Cuban ACTIVIDAD CULTURAL 1, 2006; Oil on canvas; signed and dated 2006 lower left, titled verso. Unframed.31" x 39" - 78.7 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Born in Uruguay, Walter Cruz studied art in Argentina at the National Museum of Fine Arts, Buenos Aires. Working in Cuba, Cruz has had numerous exhibits of his work, which range from landscapes to portraits. Cruz is most interested in the cultural aspect of Cuban life, and through his refined techniques he expresses the faces of the country, whether they be alone on a street corner, or in a crowd of hundreds.

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Julio Ferrer (1973- ), Cuban LAUNDRY; Acrylic on canvas; signed and dated 2005 lower left. Unframed.31.5

Lot 125: Julio Ferrer (1973- ), Cuban LAUNDRY; Acrylic on canvas; signed and dated 2005 lower left. Unframed.31.5" x 39" - 80 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of the National School of Fine

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Description: Julio Ferrer (1973- ), Cuban LAUNDRY; Acrylic on canvas; signed and dated 2005 lower left. Unframed.31.5" x 39" - 80 x 99.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of the National School of Fine Arts in Havana, Julio Ferrer is a member of the Cuban pop art movement and has won numerous awards for his work. His paintings offer a traditional narrative of daily Cuban life, but are tinged with a sarcastic humor and a vignette, almost comic book, style that sets him apart from his contemporaries. The artist currently resides in Hamilton, Ontario where he continues to work and exhibit.

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Ramon Ramirez Ruiz (1973- ), Cuban INDUSTRIAL (FROM THE POLLUTION SERIES); Acrylic and charcoal on canvas; signed and dated 07 lower right. Unframed.31

Lot 126: Ramon Ramirez Ruiz (1973- ), Cuban INDUSTRIAL (FROM THE POLLUTION SERIES); Acrylic and charcoal on canvas; signed and dated 07 lower right. Unframed.31" x 39.5" - 78.7 x 100.3 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio,

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Description: Ramon Ramirez Ruiz (1973- ), Cuban INDUSTRIAL (FROM THE POLLUTION SERIES); Acrylic and charcoal on canvas; signed and dated 07 lower right. Unframed.31" x 39.5" - 78.7 x 100.3 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Ramon Ramirez Ruiz is a contemporary Cuban artist, known in the International art world for his "Pollution Series". In this series he takes a dark and futuristic look at industry and its detriment to the future of the world and it's inhabitants.

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Julian Morales (1937-1990),Cuban UNTITLED (ABSTRACT STAIN GLASS WINDOW); Oil on board; signed and dated 88 lower right.54

Lot 127: Julian Morales (1937-1990),Cuban UNTITLED (ABSTRACT STAIN GLASS WINDOW); Oil on board; signed and dated 88 lower right.54" x 46" - 137.2 x 116.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Julian Morales was one

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Description: Julian Morales (1937-1990), Cuban UNTITLED (ABSTRACT STAIN GLASS WINDOW); Oil on board; signed and dated 88 lower right.54" x 46" - 137.2 x 116.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Julian Morales was one of the founders of the Hermanos Salz brigade of Plastic Arts (UNEAC), and has a gallery in Camaguey, Cuba named after him. Morales was an experimental artist who worked with various mediums and materials to create works that explored shape and colour through vivid, abstract imagery.

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Elior Victores (1976- ), Cuban BASEBALL PLAYER; Mixed-media on canvas; signed and dated 03 upper right. Unframed.47

Lot 128: Elior Victores (1976- ), Cuban BASEBALL PLAYER; Mixed-media on canvas; signed and dated 03 upper right. Unframed.47" x 78.25" - 119.4 x 198.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Elior Victores spent five

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Description: Elior Victores (1976- ), Cuban BASEBALL PLAYER; Mixed-media on canvas; signed and dated 03 upper right. Unframed.47" x 78.25" - 119.4 x 198.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Elior Victores spent five years studying at the Academie Oscar Fernandez Morera in Sancti Spiritus, Cuba. After graduation he studied under various Master's throughout Cuba. Victores is known for a narrative that combines a realistic portrait with an elusive, dreamlike quality. He works are reminiscent of "film noir" scenes, and reflect a dark and modern look at City life.

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Joel Jover Llenderrosos (1953- ),Cuban LA MODELO I; Mixed-media on canvas; signed and dated 07 lower right, titled verso. Unframed.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of the Camaguey Professional

Lot 129: Joel Jover Llenderrosos (1953- ),Cuban LA MODELO I; Mixed-media on canvas; signed and dated 07 lower right, titled verso. Unframed.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of the Camaguey Professional

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Description: Joel Jover Llenderrosos (1953- ), Cuban LA MODELO I; Mixed-media on canvas; signed and dated 07 lower right, titled verso. Unframed.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of the Camaguey Professional School of Art in 1970, Joel Jover Llenderrosos has been exhibition his works throughout Cuba, Europe, North, South and Central America. As a recipient of numerous national awards, Llenderrosos uses a thematic approach with his imagery to portray the various religious and spiritual doctrines of Cuban culture.

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Juan Ramon Valdes Gomez (Yiki) (1968- ), Cuban Y TE DOY (AND I GIVE YOU); Oil on canvas; signed Yiki and dated 2009 lower right, titled verso. Unframed.41

Lot 130: Juan Ramon Valdes Gomez (Yiki) (1968- ), Cuban Y TE DOY (AND I GIVE YOU); Oil on canvas; signed Yiki and dated 2009 lower right, titled verso. Unframed.41" x 28" - 104.1 x 71.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio,

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Description: Juan Ramon Valdes Gomez (Yiki) (1968- ), Cuban Y TE DOY (AND I GIVE YOU); Oil on canvas; signed Yiki and dated 2009 lower right, titled verso. Unframed.41" x 28" - 104.1 x 71.1 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: A graduate of Havana's Superior School of Art, Juan Ramon Valdes Gomez has completed numerous exhibitions throughout Cuba, and was exhibited at the National Gallery "Museo Nacional de Bellas Artes" in Havana in 1991. Influenced by cubism and modernism, Gomez is a member of the 20th Century "Vanguardia" movement, a collective of artist's whose style rejected the conventions of Cuba's national art academy. The artist has worked with paint, sculpture and ceramics to express a pictorial and emotional landscape of young, Cuban life.

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Osmany Soler Mena (1974- ), Cuban UNTITLED (BUFFALO), 2006; Oil on canvas; signed with artist's device and dated verso. Unframed.78

Lot 131: Osmany Soler Mena (1974- ), Cuban UNTITLED (BUFFALO), 2006; Oil on canvas; signed with artist's device and dated verso. Unframed.78" x 44" - 198.1 x 111.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Osmany Soler

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Description: Osmany Soler Mena (1974- ), Cuban UNTITLED (BUFFALO), 2006; Oil on canvas; signed with artist's device and dated verso. Unframed.78" x 44" - 198.1 x 111.8 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Osmany Soler Mena studied art at the Acadamia de Art Vicentina de la Torra, and upon graduation has exhibited Internationally, not only in painting, but also in ceramics and bronze. Mena uses prehistoric archetypes to represent his vision, and his paintings often use human, animal and fantasy themes.

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Kadir Lopez (1972- ),Cuban LAUNDRY DAY; Oil on canvas; signed and dated 1972 lower left. Unframed.39

Lot 132: Kadir Lopez (1972- ),Cuban LAUNDRY DAY; Oil on canvas; signed and dated 1972 lower left. Unframed.39" x 51" - 99.1 x 129.5 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Kadir Lopez is a fixture in the Contemporary

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Description: Kadir Lopez (1972- ), Cuban LAUNDRY DAY; Oil on canvas; signed and dated 1972 lower left. Unframed.39" x 51" - 99.1 x 129.5 cm.Provenance: Casuccio Gallery, Toronto;The Estate of John Casuccio, TorontoNote: Kadir Lopez is a fixture in the Contemporary Cuban art world, and he is known for using 1950's publicity signs as the base for his works. Lopez has exhibited Internationally and uses his paintings and installations to create a sense of nostalgia for his home country. In a 2011 Huffington Post article, Bruce Helander chose Lopez as on of his "Top Ten Artists to Watch".

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Frantisek Kudlac (1909-1990), Czechoslovakian FOLK DANCE; Oil on canvas; signed lower right23

Lot 133: Frantisek Kudlac (1909-1990), Czechoslovakian FOLK DANCE; Oil on canvas; signed lower right23" x 59" - 58.4 x 149.9 cm.

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Description: Frantisek Kudlac (1909-1990), Czechoslovakian FOLK DANCE; Oil on canvas; signed lower right23" x 59" - 58.4 x 149.9 cm.

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Circle of Sir Peter Paul Rubens (1577-1640), Flemish THE FALL OF MAN WITH A 'RING OF LOVE'; Oil on canvas36

Lot 134: Circle of Sir Peter Paul Rubens (1577-1640), Flemish THE FALL OF MAN WITH A 'RING OF LOVE'; Oil on canvas36" x 47" - 91.4 x 119.4 cm.Provenance: Sotheby's, N.Y., 1982;Private Collection, Canada

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Description: Circle of Sir Peter Paul Rubens (1577-1640), Flemish THE FALL OF MAN WITH A 'RING OF LOVE'; Oil on canvas36" x 47" - 91.4 x 119.4 cm.Provenance: Sotheby's, N.Y., 1982;Private Collection, Canada

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Follower of Sir Peter Paul Rubens (1577-1640), Flemish CHRIST BEING NAILED TO THE CROSS BETWEEN THE TWO THIEVES; Oil on cradled panel20.5

Lot 135: Follower of Sir Peter Paul Rubens (1577-1640), Flemish CHRIST BEING NAILED TO THE CROSS BETWEEN THE TWO THIEVES; Oil on cradled panel20.5" x 27.5" - 52.1 x 69.9 cm.Provenance: Family collection for at least a century, Montreal;By descent to the

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Description: Follower of Sir Peter Paul Rubens (1577-1640), Flemish CHRIST BEING NAILED TO THE CROSS BETWEEN THE TWO THIEVES; Oil on cradled panel20.5" x 27.5" - 52.1 x 69.9 cm.Provenance: Family collection for at least a century, Montreal;By descent to the present, Private Collection since 1983

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** Rubens (After Peter Paul Rubens (1577-1650)), (19th Century), Flemish CHERUB PULLING A DONKEY IN AN AUTUMNAL LANDSCAPE; Oil on canvas; signed and dated 1848 lower right29.75

Lot 136: ** Rubens (After Peter Paul Rubens (1577-1650)), (19th Century), Flemish CHERUB PULLING A DONKEY IN AN AUTUMNAL LANDSCAPE; Oil on canvas; signed and dated 1848 lower right29.75" x 24.75" - 75.6 x 62.9 cm.

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Description: ** Rubens (After Peter Paul Rubens (1577-1650)), (19th Century), Flemish CHERUB PULLING A DONKEY IN AN AUTUMNAL LANDSCAPE; Oil on canvas; signed and dated 1848 lower right29.75" x 24.75" - 75.6 x 62.9 cm.

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Circle of Jacob Gerritsz Cuyp (1594-1651),Dutch AN ELDERLY WOMAN IN A CARTWHEEL RUFF WITH COAT OF ARMS; Oil on canvas28.25

Lot 137: Circle of Jacob Gerritsz Cuyp (1594-1651),Dutch AN ELDERLY WOMAN IN A CARTWHEEL RUFF WITH COAT OF ARMS; Oil on canvas28.25" x 24" - 71.8 x 61 cm.Provenance: The Estate of Katrina Wilson, TorontoNote: Attributed to a Court painter of the Orange family

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Description: Circle of Jacob Gerritsz Cuyp (1594-1651), Dutch AN ELDERLY WOMAN IN A CARTWHEEL RUFF WITH COAT OF ARMS; Oil on canvas28.25" x 24" - 71.8 x 61 cm.Provenance: The Estate of Katrina Wilson, TorontoNote: Attributed to a Court painter of the Orange family (early 17th Century)

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After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF FRANS SNYDERS (SNYDERSA); Oil on canvas, cut to an oval30

Lot 138: After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF FRANS SNYDERS (SNYDERSA); Oil on canvas, cut to an oval30" x 24.5" - 76.2 x 62.2 cm.Provenance: Britnell's Art Galleries, TorontoNote: A detail taken from Van Dyck's "Double Portrait of the

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Description: After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF FRANS SNYDERS (SNYDERSA); Oil on canvas, cut to an oval30" x 24.5" - 76.2 x 62.2 cm.Provenance: Britnell's Art Galleries, TorontoNote: A detail taken from Van Dyck's "Double Portrait of the Painter Frans Snyders and His Wife" c. 1621

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After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF EDWARD, FOURTH EARL OF DORSET, DIED 1652; Oil on canvas; titled lower left. Unframed.50

Lot 139: After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF EDWARD, FOURTH EARL OF DORSET, DIED 1652; Oil on canvas; titled lower left. Unframed.50" x 42" - 127 x 106.7 cm.Provenance: Ex. Coll. The Chichester Estate to a label on the

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Description: After Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF EDWARD, FOURTH EARL OF DORSET, DIED 1652; Oil on canvas; titled lower left. Unframed.50" x 42" - 127 x 106.7 cm.Provenance: Ex. Coll. The Chichester Estate to a label on the stretcherExhibited: "On loan The Chichester Estate", n.p., inscribed to the stretcher

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Follower of Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF A MAN AS THE GOD OF MARS WEARING AN ARTICULATED GORGET WITH BLUE SASH AND A HELMET WITH RED PLUM; Oil on canvas25.25

Lot 140: Follower of Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF A MAN AS THE GOD OF MARS WEARING AN ARTICULATED GORGET WITH BLUE SASH AND A HELMET WITH RED PLUM; Oil on canvas25.25" x 19" - 64.1 x 48.3 cm.Provenance: Remains of a gallery label,

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Description: Follower of Sir Anthony van Dyck (1599-1641), Flemish PORTRAIT OF A MAN AS THE GOD OF MARS WEARING AN ARTICULATED GORGET WITH BLUE SASH AND A HELMET WITH RED PLUM; Oil on canvas25.25" x 19" - 64.1 x 48.3 cm.Provenance: Remains of a gallery label, London, to the frame;With Haynes Art Gallery Toronto in the early 20th Century;Acquired by the grandfather, a doctor in Meaford, Ontario, circa 1930 and with the family by descent

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After Jacob Jordaens (1593-1678), Flemish MERCURY, ARGUS AND LO; Oil on braced oak panel29.5

Lot 141: After Jacob Jordaens (1593-1678), Flemish MERCURY, ARGUS AND LO; Oil on braced oak panel29.5" x 41.25" - 74.9 x 104.8 cm.Provenance: Private Collection, MontrealNote: After the larger, early 1620's original oil by Jordaens, measuring 77" x 92 1/2" in

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Description: After Jacob Jordaens (1593-1678), Flemish MERCURY, ARGUS AND LO; Oil on braced oak panel29.5" x 41.25" - 74.9 x 104.8 cm.Provenance: Private Collection, MontrealNote: After the larger, early 1620's original oil by Jordaens, measuring 77" x 92 1/2" in the Lyons Museum

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Follower of Nicolaes Maes (1632-1693), Dutch PORTRAIT OF A CLERGYMAN; Oil on canvas30

Lot 142: Follower of Nicolaes Maes (1632-1693), Dutch PORTRAIT OF A CLERGYMAN; Oil on canvas30" x 25" - 76.2 x 63.5 cm.

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Description: Follower of Nicolaes Maes (1632-1693), Dutch PORTRAIT OF A CLERGYMAN; Oil on canvas30" x 25" - 76.2 x 63.5 cm.

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Attributed to Johann Cornelius Mertz (1819-1891), Dutch REMBRANDT IN HIS STUDIO; Oil on panel33.75

Lot 143: Attributed to Johann Cornelius Mertz (1819-1891), Dutch REMBRANDT IN HIS STUDIO; Oil on panel33.75" x 27.25" - 85.7 x 69.2 cm.

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Description: Attributed to Johann Cornelius Mertz (1819-1891), Dutch REMBRANDT IN HIS STUDIO; Oil on panel33.75" x 27.25" - 85.7 x 69.2 cm.

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Attributed to Jan Jozef Horemans (1714-1792), Flemish INTERIOR OF A KITCHEN WITH A PEASANT FAMILY; Oil on canvas; given to

Lot 144: Attributed to Jan Jozef Horemans (1714-1792), Flemish INTERIOR OF A KITCHEN WITH A PEASANT FAMILY; Oil on canvas; given to "Horemans", and titled to an old unidentified printed label verso15.5" x 12" - 39.4 x 30.5 cm.Provenance: Unidentified auction

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Description: Attributed to Jan Jozef Horemans (1714-1792), Flemish INTERIOR OF A KITCHEN WITH A PEASANT FAMILY; Oil on canvas; given to "Horemans", and titled to an old unidentified printed label verso15.5" x 12" - 39.4 x 30.5 cm.Provenance: Unidentified auction label, lot 47

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Follower of Cornelis Norbertus Gijsbrechts (Gysbrechts) (Active 1659-1675),German/Dutch A TROMPE L'OEIL OF A PAINTING OF A WOMAN WITH A FLUTE PINNED TO A WOODEN CABINET DOOR WITH A FLY; Oil on canvas; possibly dated

Lot 145: Follower of Cornelis Norbertus Gijsbrechts (Gysbrechts) (Active 1659-1675),German/Dutch A TROMPE L'OEIL OF A PAINTING OF A WOMAN WITH A FLUTE PINNED TO A WOODEN CABINET DOOR WITH A FLY; Oil on canvas; possibly dated "November 1758" on the Frankfurter

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Description: Follower of Cornelis Norbertus Gijsbrechts (Gysbrechts) (Active 1659-1675), German/Dutch A TROMPE L'OEIL OF A PAINTING OF A WOMAN WITH A FLUTE PINNED TO A WOODEN CABINET DOOR WITH A FLY; Oil on canvas; possibly dated "November 1758" on the Frankfurter newspaper (zeitung) printed advertisement, "Numero 174"36" x 28.75" - 91.4 x 73 cm.Provenance: Collection of the Honourable John Ross, Earlscourt, Toronto, circa 1870-1880;Gifted the grandmother of the Present Private Collection, Ontario who was employed by the Ross familyLiterature: For a discussion on trompe l'oeil painting and comparables see "Deceptions and Illusions, Five Centuries of Trompe L'Oeil Paintings" by Sybille Ebert-Schifferer, the exhibition held in 2002-2003.The newspaper sheet describes an event that took place on October 21, 1758 in Coppenhagen. There is an indistinct name: "Piete (or Pietr/Piete) Andervin" at the end of the text which research has been unable to identify.Note: The John Ross residence known as "Earlscourt" was located near Casa Loma, Toronto, befitting such a prominent Victorian Toronto family. John Ross was a messenger to Queen Victoria and apparently crossed the ocean 67 times in the Queen's service. This work relates to another similar size trompe l'oeil oil on canvas of 1755, "Portrait of Bishop Godefridus..." sold as a "Follower of Cornelis Norbertus Gysbrechts" at Christie's, Amsterdam on March 7, 2000, lot 112 and another trompe l'oeil of a painting pinned to a cabinet door, c. 1755, signed "A. Meister fecit" of similar size at Colnaghi, London. Although this work is later than Gysbrecht's period in the Netherlands in the 1670's, the similarities in the execution of the door, the hinges and composition are strongly related to each other.

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Attributed to Willem van de Velde (1633-1707), Dutch BOATS AT LOW TIDE; Oil on cradled panel21

Lot 146: Attributed to Willem van de Velde (1633-1707), Dutch BOATS AT LOW TIDE; Oil on cradled panel21" x 28" - 53.3 x 71.1 cm.Provenance: Estate Collection, Kingston, Ontario;Private Collection, Toronto

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Description: Attributed to Willem van de Velde (1633-1707), Dutch BOATS AT LOW TIDE; Oil on cradled panel21" x 28" - 53.3 x 71.1 cm.Provenance: Estate Collection, Kingston, Ontario;Private Collection, Toronto

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Jozef Israels (1824-1911), Dutch MOTHER CARES; Watercolour; signed lower right, titled to gallery label verso14.5

Lot 147: Jozef Israels (1824-1911), Dutch MOTHER CARES; Watercolour; signed lower right, titled to gallery label verso14.5" x 9.5" - 36.8 x 24.1 cm.Provenance: Aitken Dott & Son, Edinburgh inscribed to the frame;Reportedly Ex. Coll. Kaufmann's Department

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Description: Jozef Israels (1824-1911), Dutch MOTHER CARES; Watercolour; signed lower right, titled to gallery label verso14.5" x 9.5" - 36.8 x 24.1 cm.Provenance: Aitken Dott & Son, Edinburgh inscribed to the frame;Reportedly Ex. Coll. Kaufmann's Department Store, Pittsburgh;J.J. Gillespie & Co., Fine Art, Pittsburgh, inventory number No. 2195;The Antique Gallery, Pittsburgh purchased by the present Private Collection, Toronto, circa 1988

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Albert Johann Neuhuys (1844-1914), Dutch THE OLD OLD STORY; Oil on canvas; signed lower right27.75

Lot 148: Albert Johann Neuhuys (1844-1914), Dutch THE OLD OLD STORY; Oil on canvas; signed lower right27.75" x 22.25" - 70.5 x 56.5 cm.

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Description: Albert Johann Neuhuys (1844-1914), Dutch THE OLD OLD STORY; Oil on canvas; signed lower right27.75" x 22.25" - 70.5 x 56.5 cm.

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Henricus Johannes Melis (1845-1923), Dutch GRANDFATHER AND HIS DOG PLAYING WITH BABY; Watercolour; signed lower left20

Lot 149: Henricus Johannes Melis (1845-1923), Dutch GRANDFATHER AND HIS DOG PLAYING WITH BABY; Watercolour; signed lower left20" x 15.25" - 50.8 x 38.7 cm.

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Description: Henricus Johannes Melis (1845-1923), Dutch GRANDFATHER AND HIS DOG PLAYING WITH BABY; Watercolour; signed lower left20" x 15.25" - 50.8 x 38.7 cm.

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Johan Marie Henri (Mari) ten Kate (1831-1910), Dutch THE LITTLE ENTERTAINERS; Watercolour; signed lower left16.5

Lot 150: Johan Marie Henri (Mari) ten Kate (1831-1910), Dutch THE LITTLE ENTERTAINERS; Watercolour; signed lower left16.5" x 23" - 41.9 x 58.4 cm.Provenance: Odon Wagner Gallery, Toronto

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Description: Johan Marie Henri (Mari) ten Kate (1831-1910), Dutch THE LITTLE ENTERTAINERS; Watercolour; signed lower left16.5" x 23" - 41.9 x 58.4 cm.Provenance: Odon Wagner Gallery, Toronto

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Anton Mauve (1838-1888), Dutch IN THE SHEEP BARN; Watercolour, ink and gouache; signed lower rightSight 11

Lot 151: Anton Mauve (1838-1888), Dutch IN THE SHEEP BARN; Watercolour, ink and gouache; signed lower rightSight 11" x 14.5" - 27.9 x 36.8 cm.

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Description: Anton Mauve (1838-1888), Dutch IN THE SHEEP BARN; Watercolour, ink and gouache; signed lower rightSight 11" x 14.5" - 27.9 x 36.8 cm.

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