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Auction Description for Waddington's: International Art Auction
Viewing Notes:
Saturday 8 December from 11am - 5pm Sunday 9 December from 11am - 5pm Monday 10 December from 10am - 12 Noon
Sale Notes:
Featuring over 200 lots of important International paintings, drawings, prints and sculpture from the Old Masters period to the 21st Century, including works by: American, Austrian, Belgian, British, Dutch, Flemish, French, German, Hungarian, Indian, Irish, Israeli, Italian, Mexican, Polish, Russian, Scottish and Spanish artists.

International Art Auction

(260 Lots)

by Waddington's

Platinum House

260 lots with images

December 11, 2012

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

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David B. Schmitt (1700-1755), German/Flemish MOUNTED HORSEMEN TRAVERSING THE COUNTRYSIDE; Oil on cradled panel; signed bottom center16.5

Lot 202: David B. Schmitt (1700-1755), German/Flemish MOUNTED HORSEMEN TRAVERSING THE COUNTRYSIDE; Oil on cradled panel; signed bottom center16.5" x 20" - 41.9 x 50.8 cm.

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Description: David B. Schmitt (1700-1755), German/Flemish MOUNTED HORSEMEN TRAVERSING THE COUNTRYSIDE; Oil on cradled panel; signed bottom center16.5" x 20" - 41.9 x 50.8 cm.

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Eduard von Grutzner (1846-1925), German MONK TESTING THE VINTAGE; Oil on panel; signed upper right10.25

Lot 203: Eduard von Grutzner (1846-1925), German MONK TESTING THE VINTAGE; Oil on panel; signed upper right10.25" x 8.25" - 26 x 21 cm.

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Description: Eduard von Grutzner (1846-1925), German MONK TESTING THE VINTAGE; Oil on panel; signed upper right10.25" x 8.25" - 26 x 21 cm.

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Ludwig Knaus (1829-1910), German BOY IN A FARMYARD WITH PIGEONS; BOY WITH TURNIPS IN A ROOT CELLAR; Pair of oils on canvas; each signed lower leftEach approximately 30

Lot 204: Ludwig Knaus (1829-1910), German BOY IN A FARMYARD WITH PIGEONS; BOY WITH TURNIPS IN A ROOT CELLAR; Pair of oils on canvas; each signed lower leftEach approximately 30" x 23" - 76.2 x 58.4 cm.

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Description: Ludwig Knaus (1829-1910), German BOY IN A FARMYARD WITH PIGEONS; BOY WITH TURNIPS IN A ROOT CELLAR; Pair of oils on canvas; each signed lower leftEach approximately 30" x 23" - 76.2 x 58.4 cm.

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Dietz Edzard (1893-1963), German JEUNNE FEMME (WITH A PINK ROSE); Oil on canvas; signed lower left13

Lot 205: Dietz Edzard (1893-1963), German JEUNNE FEMME (WITH A PINK ROSE); Oil on canvas; signed lower left13" x 9.5" - 33 x 24.1 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Description: Dietz Edzard (1893-1963), German JEUNNE FEMME (WITH A PINK ROSE); Oil on canvas; signed lower left13" x 9.5" - 33 x 24.1 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Max Ernst (1891-1976), German LE ROI, LA REINE, LE FOU, 1929-1930; Bronze with black patination; signed, numbered 22/35, and stamped with A. Valsuani-Perdue foundry stamp to the base5.6

Lot 206: Max Ernst (1891-1976), German LE ROI, LA REINE, LE FOU, 1929-1930; Bronze with black patination; signed, numbered 22/35, and stamped with A. Valsuani-Perdue foundry stamp to the base5.6" x 11.5" x 3.8" - 14.2 x 29.2 x 9.7 cm.

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Description: Max Ernst (1891-1976), German LE ROI, LA REINE, LE FOU, 1929-1930; Bronze with black patination; signed, numbered 22/35, and stamped with A. Valsuani-Perdue foundry stamp to the base5.6" x 11.5" x 3.8" - 14.2 x 29.2 x 9.7 cm.

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Max Ernst (1891-1976), German OHNE TITEL (FROM JACQUES PREVERT, LES CHIENS ONT SOIF), 1964 [LEPPIEN/SPIES 98]; Colour etching on Japon paper; signed and numbered 50/50 in pencil to margin. The signed frontispiece of the deluxe edition of the book,

Lot 207: Max Ernst (1891-1976), German OHNE TITEL (FROM JACQUES PREVERT, LES CHIENS ONT SOIF), 1964 [LEPPIEN/SPIES 98]; Colour etching on Japon paper; signed and numbered 50/50 in pencil to margin. The signed frontispiece of the deluxe edition of the book,

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Description: Max Ernst (1891-1976), German OHNE TITEL (FROM JACQUES PREVERT, LES CHIENS ONT SOIF), 1964 [LEPPIEN/SPIES 98]; Colour etching on Japon paper; signed and numbered 50/50 in pencil to margin. The signed frontispiece of the deluxe edition of the book, published by Au Pont des Arts, Paris in 1964Plate 14.4" x 8.5" - 36.7 x 21.7 cm.

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Max Ernst (1891-1976), German FORET ET SOLEIL-DER BRETTERWALD (ALTER COLLAGE), 1956 [LEPPIEN/SPIES, A2]; Colour lithograph; signed in the plate lower right, signed and numbered 42/200 in pencil to margin.Image 21.5

Lot 208: Max Ernst (1891-1976), German FORET ET SOLEIL-DER BRETTERWALD (ALTER COLLAGE), 1956 [LEPPIEN/SPIES, A2]; Colour lithograph; signed in the plate lower right, signed and numbered 42/200 in pencil to margin.Image 21.5" x 17.5" - 54.6 x 44.5 cm.

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Description: Max Ernst (1891-1976), German FORET ET SOLEIL-DER BRETTERWALD (ALTER COLLAGE), 1956 [LEPPIEN/SPIES, A2]; Colour lithograph; signed in the plate lower right, signed and numbered 42/200 in pencil to margin.Image 21.5" x 17.5" - 54.6 x 44.5 cm.

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Max Ernst (1891-1976), German MAXIMILIANA OU L'EXERCISE ILLEGAL DE L'ASTRONOMIE, 1964; LA FORET BLEUE, 1962 [LEPPIEN/SPIES 89]; UNTITLED; The first title: a sepia etching; signed and indistinctly inscribed in pencil to margin, the second title: a

Lot 209: Max Ernst (1891-1976), German MAXIMILIANA OU L'EXERCISE ILLEGAL DE L'ASTRONOMIE, 1964; LA FORET BLEUE, 1962 [LEPPIEN/SPIES 89]; UNTITLED; The first title: a sepia etching; signed and indistinctly inscribed in pencil to margin, the second title: a

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Description: Max Ernst (1891-1976), German MAXIMILIANA OU L'EXERCISE ILLEGAL DE L'ASTRONOMIE, 1964; LA FORET BLEUE, 1962 [LEPPIEN/SPIES 89]; UNTITLED; The first title: a sepia etching; signed and indistinctly inscribed in pencil to margin, the second title: a colour lithograph; signed and numbered 52/75 in pencil to margin, the third: an etching; signed and inscribed bon a tirer in pencil to marginEach plate or image respectively 5.3" x 4.3" - 13.5 x 11 cm.; 12.2" x 9.6" - 31 x 24.3 cm.; 5.3" x 4.3" - 13.5 x 11 cm.

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Josef Albers (1888-1976), German/American EA; Colour lithograph; signed with initials, titled, dated '73 and numbered 51/100 in pencilSheet 15

Lot 210: Josef Albers (1888-1976), German/American EA; Colour lithograph; signed with initials, titled, dated '73 and numbered 51/100 in pencilSheet 15" x 22" - 38.1 x 55.9 cm.

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Description: Josef Albers (1888-1976), German/American EA; Colour lithograph; signed with initials, titled, dated '73 and numbered 51/100 in pencilSheet 15" x 22" - 38.1 x 55.9 cm.

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Willi Baumeister (1889-1955), German RIESEN; Charcoal drawing on grey paper; signed and dated 47 in pencil lower rightSheet 18.75

Lot 211: Willi Baumeister (1889-1955), German RIESEN; Charcoal drawing on grey paper; signed and dated 47 in pencil lower rightSheet 18.75" x 24.75" - 47.6 x 62.9 cm.

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Description: Willi Baumeister (1889-1955), German RIESEN; Charcoal drawing on grey paper; signed and dated 47 in pencil lower rightSheet 18.75" x 24.75" - 47.6 x 62.9 cm.

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Willi Baumeister (1889-1955), German FORMEN IN BRAUN (WALDMENSCH-TERTIAR-GESTALT), 1936/38 [SPIELMANN/FELICITAS BAUMEISTER 44]; STEINTRAUBE, II-TRAUBE, 1952 [SPIELMANN 167]; Two lithographs, the first title with colour; signed, dated 1933 and

Lot 212: Willi Baumeister (1889-1955), German FORMEN IN BRAUN (WALDMENSCH-TERTIAR-GESTALT), 1936/38 [SPIELMANN/FELICITAS BAUMEISTER 44]; STEINTRAUBE, II-TRAUBE, 1952 [SPIELMANN 167]; Two lithographs, the first title with colour; signed, dated 1933 and

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Description: Willi Baumeister (1889-1955), German FORMEN IN BRAUN (WALDMENSCH-TERTIAR-GESTALT), 1936/38 [SPIELMANN/FELICITAS BAUMEISTER 44]; STEINTRAUBE, II-TRAUBE, 1952 [SPIELMANN 167]; Two lithographs, the first title with colour; signed, dated 1933 and inscribed indistinctly, T.P.? in pencil to margin, the second title, signed dated 53 and inscribed Probedruck in pencil to marginEach image respectively 15.2" x 11.8" - 38.7 x 30 cm.; 19" x 13" - 48.3 x 33 cm.

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Rolf Szymanski (1928- ), German FIGUR MIT GR. PELZMASKE, 1974; SCHRITTE DER FRAU; Two works on paper: the former, a pen and ink, crayon and watercolour heightened with white; signed lower right, titled in German and dated (Feb. 1974) in pencil along

Lot 213: Rolf Szymanski (1928- ), German FIGUR MIT GR. PELZMASKE, 1974; SCHRITTE DER FRAU; Two works on paper: the former, a pen and ink, crayon and watercolour heightened with white; signed lower right, titled in German and dated (Feb. 1974) in pencil along

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Description: Rolf Szymanski (1928- ), German FIGUR MIT GR. PELZMASKE, 1974; SCHRITTE DER FRAU; Two works on paper: the former, a pen and ink, crayon and watercolour heightened with white; signed lower right, titled in German and dated (Feb. 1974) in pencil along the bottom edge, the latter, a charcoal drawing heightened with white on orange-toned paper; signed and dated 74 lower rightEach sheet respectively 17.5" x 12" - 44.5 x 30.5 cm.; 9.5" x 6" - 24.1 x 15.2 cm.

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Pal Fried (1893-1976), Hungarian/American GEORGETTE; Oil on canvas; signed lower left24

Lot 214: Pal Fried (1893-1976), Hungarian/American GEORGETTE; Oil on canvas; signed lower left24" x 30" - 61 x 76.2 cm.Provenance: Arnot Gallery/Herbert Arnot Inc., New York, inventory number 9333 purchased directly from the artist on April 22, 1952;Sold to

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Description: Pal Fried (1893-1976), Hungarian/American GEORGETTE; Oil on canvas; signed lower left24" x 30" - 61 x 76.2 cm.Provenance: Arnot Gallery/Herbert Arnot Inc., New York, inventory number 9333 purchased directly from the artist on April 22, 1952;Sold to "Roberts (Gallery)" on December 5, 1952;Private Collection, by descent from their parents who acquired the painting over 50 years ago

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Pal Fried (1893-1976), Hungarian/American BALLERINA TYING HER SHOE; Oil on canvas; signed upper right30

Lot 215: Pal Fried (1893-1976), Hungarian/American BALLERINA TYING HER SHOE; Oil on canvas; signed upper right30" x 24" - 76.2 x 61 cm.

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Description: Pal Fried (1893-1976), Hungarian/American BALLERINA TYING HER SHOE; Oil on canvas; signed upper right30" x 24" - 76.2 x 61 cm.

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Peter Kalman (1877-1948), Hungarian DIE VORLESERIN; Oil on board; signed lower right23.5

Lot 216: Peter Kalman (1877-1948), Hungarian DIE VORLESERIN; Oil on board; signed lower right23.5" x 22" - 59.7 x 55.9 cm.

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Description: Peter Kalman (1877-1948), Hungarian DIE VORLESERIN; Oil on board; signed lower right23.5" x 22" - 59.7 x 55.9 cm.

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Antonietta Brandeis (1849-1910), Hungarian THE PONTE VECCHIO, FLORENCE; Oil on panel; signed lower right8.5

Lot 217: Antonietta Brandeis (1849-1910), Hungarian THE PONTE VECCHIO, FLORENCE; Oil on panel; signed lower right8.5" x 12" - 21.6 x 30.5 cm.

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Description: Antonietta Brandeis (1849-1910), Hungarian THE PONTE VECCHIO, FLORENCE; Oil on panel; signed lower right8.5" x 12" - 21.6 x 30.5 cm.

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Muhammed Abdur Rahman Chughtai (1894-1975), Pakistani PIECE OF CORN (FACE STUDY SERIES); Watercolour; titled and dated circa 1950 at Lahore and certified by the artist's son, Arif Rahman Chughtai on 2nd Oct. 2012 and stamped by the Chughtai Museum

Lot 218: Muhammed Abdur Rahman Chughtai (1894-1975), Pakistani PIECE OF CORN (FACE STUDY SERIES); Watercolour; titled and dated circa 1950 at Lahore and certified by the artist's son, Arif Rahman Chughtai on 2nd Oct. 2012 and stamped by the Chughtai Museum

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Description: Muhammed Abdur Rahman Chughtai (1894-1975), Pakistani PIECE OF CORN (FACE STUDY SERIES); Watercolour; titled and dated circa 1950 at Lahore and certified by the artist's son, Arif Rahman Chughtai on 2nd Oct. 2012 and stamped by the Chughtai Museum Trust, Lahore, Pakistan verso12.25" x 11" - 31.1 x 27.9 cm.Note: The artist's son notes that this study is part of a series of about 50 profiles of people executed by his father during the 1950's.

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Maqbool (Maqbul) Fida Husain (1915-2011), Indian MOTHER AND CHILD: A TRIBUTE TO MOTHER TERESA THE GREAT HUMANIST OF OUR TIME; Ten photolithographs heightened with colour aquatint plus one lithograph title page; each signed, dated 1980 and numbered

Lot 219: Maqbool (Maqbul) Fida Husain (1915-2011), Indian MOTHER AND CHILD: A TRIBUTE TO MOTHER TERESA THE GREAT HUMANIST OF OUR TIME; Ten photolithographs heightened with colour aquatint plus one lithograph title page; each signed, dated 1980 and numbered

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Description: Maqbool (Maqbul) Fida Husain (1915-2011), Indian MOTHER AND CHILD: A TRIBUTE TO MOTHER TERESA THE GREAT HUMANIST OF OUR TIME; Ten photolithographs heightened with colour aquatint plus one lithograph title page; each signed, dated 1980 and numbered 34/300 in pencil to margins, the title page, also signed, dated 4/III/'81 and inscribed: "Aquatint done on each of ten lithos by artist himself" in sepia ink lower right20.7" x 15.7" - 52.6 x 39.9 cm.Note: The proceeds of this sale will go to benefit a student at Tosorontio Public School in Lisle, Ontario who has been battling cancer for much of his young life

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Ruth Schloss (1922- ),Israeli ANXIETY; Oil on masonite; signed in Roman lower left, inscribed in Hebrew lower right, titled and certified by the Traclin Art Gallery on their label verso22

Lot 220: Ruth Schloss (1922- ),Israeli ANXIETY; Oil on masonite; signed in Roman lower left, inscribed in Hebrew lower right, titled and certified by the Traclin Art Gallery on their label verso22" x 17" - 55.9 x 43.2 cm.Provenance: Traclin Art Gallery, Haifa

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Description: Ruth Schloss (1922- ), Israeli ANXIETY; Oil on masonite; signed in Roman lower left, inscribed in Hebrew lower right, titled and certified by the Traclin Art Gallery on their label verso22" x 17" - 55.9 x 43.2 cm.Provenance: Traclin Art Gallery, Haifa purchased in October, 1970 inscribed to the gallery label verso

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Reuven Rubin (1893-1974), Romanian/Israeli NEGER AGLOW; Colour lithograph; signed in Hebrew and in Roman and numbered 20/200 in pencilImage 20

Lot 221: Reuven Rubin (1893-1974), Romanian/Israeli NEGER AGLOW; Colour lithograph; signed in Hebrew and in Roman and numbered 20/200 in pencilImage 20" x 25.25" - 50.8 x 64.1 cm.Provenance: Pucker/Safrai Gallery, Boston, Mass.

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Description: Reuven Rubin (1893-1974), Romanian/Israeli NEGER AGLOW; Colour lithograph; signed in Hebrew and in Roman and numbered 20/200 in pencilImage 20" x 25.25" - 50.8 x 64.1 cm.Provenance: Pucker/Safrai Gallery, Boston, Mass.

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Giorgio de Chirico (1888-1978), Italian AUTORITRATTO, 1970 [BRANDANI 112]; GLADIATORE; The former, a colour lithograph; signed, titled and numbered

Lot 222: Giorgio de Chirico (1888-1978), Italian AUTORITRATTO, 1970 [BRANDANI 112]; GLADIATORE; The former, a colour lithograph; signed, titled and numbered "p.d.a." in pencil to margin; the latter, a colour offset-lithograph; signed and numbered "p.d.a." in

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Description: Giorgio de Chirico (1888-1978), Italian AUTORITRATTO, 1970 [BRANDANI 112]; GLADIATORE; The former, a colour lithograph; signed, titled and numbered "p.d.a." in pencil to margin; the latter, a colour offset-lithograph; signed and numbered "p.d.a." in pencil to margin22" x 13.75" - 55.9 x 34.9 cm.; 18.5" x 14.75" - 47 x 37.5 cm.

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Vincenzo Migliaro (1858-1938), Italian WOMAN OF NAPLES IN AN ARCHWAY; Oil on panel; signed lower right, titled indistinctly in Italian and dated 23.8.53 verso4.75

Lot 223: Vincenzo Migliaro (1858-1938), Italian WOMAN OF NAPLES IN AN ARCHWAY; Oil on panel; signed lower right, titled indistinctly in Italian and dated 23.8.53 verso4.75" x 4" - 12.1 x 10.2 cm.Provenance: Family collection, Naples;By descent to the present

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Description: Vincenzo Migliaro (1858-1938), Italian WOMAN OF NAPLES IN AN ARCHWAY; Oil on panel; signed lower right, titled indistinctly in Italian and dated 23.8.53 verso4.75" x 4" - 12.1 x 10.2 cm.Provenance: Family collection, Naples;By descent to the present Private Collection, Canada

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Domenico Morelli (1826-1901), Italian SENORA NAPOLETANO, CIRCA 1880'S; Oil on canvas; signed lower right30

Lot 224: Domenico Morelli (1826-1901), Italian SENORA NAPOLETANO, CIRCA 1880'S; Oil on canvas; signed lower right30" x 20" - 76.2 x 50.8 cm.

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Description: Domenico Morelli (1826-1901), Italian SENORA NAPOLETANO, CIRCA 1880'S; Oil on canvas; signed lower right30" x 20" - 76.2 x 50.8 cm.

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Angelo Brombo (1893-1962), Italian GONDALIER AND PASSERSBY ON A VENETIAN BACKWATER; Oil on canvas; signed lower left. Unframed.19.5

Lot 225: Angelo Brombo (1893-1962), Italian GONDALIER AND PASSERSBY ON A VENETIAN BACKWATER; Oil on canvas; signed lower left. Unframed.19.5" x 27" - 49.5 x 68.6 cm.

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Description: Angelo Brombo (1893-1962), Italian GONDALIER AND PASSERSBY ON A VENETIAN BACKWATER; Oil on canvas; signed lower left. Unframed.19.5" x 27" - 49.5 x 68.6 cm.

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Consalvo Carelli (1818-1900), Italian VIEW OF NAPOLI WITH MOUNT VASUVIUS; PISCATORI OFF THE COAST; Pair of oils on canvas; each inscribed C. Carelli and dated 1880 verso20

Lot 226: Consalvo Carelli (1818-1900), Italian VIEW OF NAPOLI WITH MOUNT VASUVIUS; PISCATORI OFF THE COAST; Pair of oils on canvas; each inscribed C. Carelli and dated 1880 verso20" x 31" - 50.8 x 78.7 cm.

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Description: Consalvo Carelli (1818-1900), Italian VIEW OF NAPOLI WITH MOUNT VASUVIUS; PISCATORI OFF THE COAST; Pair of oils on canvas; each inscribed C. Carelli and dated 1880 verso20" x 31" - 50.8 x 78.7 cm.

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Paulo Folchi (19th/20th Century), Italian TWO MIDDLE EASTERN BAZAAR SCENES: POTTERY MERCHANT AND A TAPESTRY MERCHANT SHOWING THEIR WARES; Pair of watercolours; each signed lower rightEach sight 9.5

Lot 227: Paulo Folchi (19th/20th Century), Italian TWO MIDDLE EASTERN BAZAAR SCENES: POTTERY MERCHANT AND A TAPESTRY MERCHANT SHOWING THEIR WARES; Pair of watercolours; each signed lower rightEach sight 9.5" x 13.5" - 24.1 x 34.3 cm.Provenance: Dr. and Mrs.

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Description: Paulo Folchi (19th/20th Century), Italian TWO MIDDLE EASTERN BAZAAR SCENES: POTTERY MERCHANT AND A TAPESTRY MERCHANT SHOWING THEIR WARES; Pair of watercolours; each signed lower rightEach sight 9.5" x 13.5" - 24.1 x 34.3 cm.Provenance: Dr. and Mrs. John W. Patrick, Montreal circa 1960's;By descent

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After Giovanni Martinelli (1610-1659), Italian MUSIC (A PERSONIFICATION OF MUSIC HOLDING A CYLINDRICAL RECORDER); Oil on canvas. Nineteenth Century.29

Lot 228: After Giovanni Martinelli (1610-1659), Italian MUSIC (A PERSONIFICATION OF MUSIC HOLDING A CYLINDRICAL RECORDER); Oil on canvas. Nineteenth Century.29" x 22.75" - 73.7 x 57.8 cm.Note: The original canvas, circa 1600-1659, by the Martinelli is in the

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Description: After Giovanni Martinelli (1610-1659), Italian MUSIC (A PERSONIFICATION OF MUSIC HOLDING A CYLINDRICAL RECORDER); Oil on canvas. Nineteenth Century.29" x 22.75" - 73.7 x 57.8 cm.Note: The original canvas, circa 1600-1659, by the Martinelli is in the Galleria Corsini, Florence

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Emilio Fossati (19th/20th Century), Italian GONDALIERS ON THE GRAND CANAL, VENICE; Oil on canvas laid down on masonite; signed lower left15.25

Lot 229: Emilio Fossati (19th/20th Century), Italian GONDALIERS ON THE GRAND CANAL, VENICE; Oil on canvas laid down on masonite; signed lower left15.25" x 30.25" - 38.7 x 76.8 cm.

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Description: Emilio Fossati (19th/20th Century), Italian GONDALIERS ON THE GRAND CANAL, VENICE; Oil on canvas laid down on masonite; signed lower left15.25" x 30.25" - 38.7 x 76.8 cm.

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Leonardo Cungi, Also Known as Cugni/Congi (fl. 1540's- d.Rome, June 1569), Italian THE EVANGELIST ST. MARK WRITING HIS GOSPEL DICTATED TO HIM BY AN ANGEL, MID 1500'S; Sepia pen and ink with graphite sketching lines heightened with sepia watercolour

Lot 230: Leonardo Cungi, Also Known as Cugni/Congi (fl. 1540's- d.Rome, June 1569), Italian THE EVANGELIST ST. MARK WRITING HIS GOSPEL DICTATED TO HIM BY AN ANGEL, MID 1500'S; Sepia pen and ink with graphite sketching lines heightened with sepia watercolour

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Description: Leonardo Cungi, Also Known as Cugni/Congi (fl. 1540's- d.Rome, June 1569), Italian THE EVANGELIST ST. MARK WRITING HIS GOSPEL DICTATED TO HIM BY AN ANGEL, MID 1500'S; Sepia pen and ink with graphite sketching lines heightened with sepia watercolour wash on grey paper; signed lower left in ink, numbered 2 in pencil lower right corner. In a sculpted arch. Matted.Arched 8.75" x 14.75" - 22.2 x 37.5 cm.Provenance: Family Collection, France;By descent to the present Private Collection, MontrealLiterature: Oxford Grove Art, The Concise Grove Dictionary, 2002;Oratorio di San Francesco, http://www.keytoumbria com/Perugia/Oratorio_S_Francesco.html;Note: This work is likely the drawing cited in Benezit from the Kaleman sale sold in 1858 in Paris as "Un apotre et un ange (dessin a la plume et au bistre sur papier gris)". Leonardo was born in Borgo San Sepolcro in the province of Arezzo in Tuscany. He was one of three Italian painters that worked in the 16th Century including his brother Giovanni Battista Cungi (fl. 1539-46) and Leonardo's son, Francesco di Leonardo Cungi born in 1587. Leonardo worked in Rome after Raphael's death and painted there in direct contact with Michelangelo's followers. His works are closely related to Michelangelo's and Raphael's style. The arched form of this work suggests that this was a preliminary drawing for a fresco. Its form also suggests that it may have been intended for a small oratory or a chapel with four lunettes containing figures of all four evangelists and it may be part of a series. In regards to the prose and style, the contrasting axes of the shoulders and knees are indicative of a Mannerist aesthetic close to Raphael's final Roman period, after he had fully absorbed Leonardo Da Vinci's sfumato effects. The soft sfumato approach to the drawing is a hallmark of Leonardo Da Vinci's style (a common practice by the mid 16th Century) while the more descriptive and fussy approach to the drapery in Leonardo Cungi's drawing recalls Raphael's late style and the style of Michelangelo's followers. In fact, F.F.Mancini notes that the style of Leonardo Cungi has been aptly described as a fusion of themes from Michelangelo with the expressive modes of Raphael as exemplified in Cungi's oil of 1558, the "Ascension of Christ", in the Oratory of San Francesco at Perugia. The style of this work owes a great deal to the art of Perino del Vara and Raffaellino del Colle, who was also from san Sepolcro.Vasari mentioned Leonardo Cungi among the painters who decorated the Vatican Belvedere in the 1560s. This was an important collaborative project involving Pirro Ligorio, Taddeo and Federico Zuccaro, Federico Barocci and Santi di Tito and may be the work for which Cungi received a payment from the papal datary in 1566. In 1569 Cungi was asked to complete the ceiling gilding in the nave of S Giovanni in Laterano for Pope Pius IV, a project first assigned to Daniele da Volterra. Cungi died before the commission was completed, and it was undertaken by Cesare Trapasso ( fl 1570s). Vasari recognized a drawing by Cungi of Michelangelo's fresco of the Last Judgement in the Sistine Chapel in the collection of Perino del Vaga at Perino's death in 1547. According to Giovanni Battista Armenini, the drawing would have formed part of Perino's collection of drawings sold by his daughter to the Mantuan antiquary and collector Jacopo Strada in 1566. Vasari assembled other designs by Cungi in his Libro dei disegni. A number of Cungi's drawings of the Last Judgement and of Michelangelo's Pauline Chapel frescoes survive (Florence, Uffizi) as do several other sheets (Cleveland, OH, Mus. A.; Paris, Louvre). See http://www.answers.com/topic/leonardo-cungi-1#ixzz2AvaakXup

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After Leonardo da Vinci (1452-1519), Italian MONA LISA; Oil on canvas31

Lot 230A: After Leonardo da Vinci (1452-1519), Italian MONA LISA; Oil on canvas31" x 24.5" - 78.7 x 62.2 cm.

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Description: After Leonardo da Vinci (1452-1519), Italian MONA LISA; Oil on canvas31" x 24.5" - 78.7 x 62.2 cm.

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Attributed to Placido Costanzi (born c.1690-1759), Italian THE RISEN CHRIST; Oil on canvas38

Lot 231: Attributed to Placido Costanzi (born c.1690-1759), Italian THE RISEN CHRIST; Oil on canvas38" x 28" - 96.5 x 71.1 cm.

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Description: Attributed to Placido Costanzi (born c.1690-1759), Italian THE RISEN CHRIST; Oil on canvas38" x 28" - 96.5 x 71.1 cm.

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Attributed to Paolo Veronese (1528-1588), Italian YOUNG WARRIOR, CIRCA 1570'S; Oil on canvas. Accompanied by a copy of a handwritten letter from William Suida, signed and dated July 5, 1945, New York24.5

Lot 232: Attributed to Paolo Veronese (1528-1588), Italian YOUNG WARRIOR, CIRCA 1570'S; Oil on canvas. Accompanied by a copy of a handwritten letter from William Suida, signed and dated July 5, 1945, New York24.5" x 19.5" - 62.2 x 49.5 cm.Provenance: The

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Description: Attributed to Paolo Veronese (1528-1588), Italian YOUNG WARRIOR, CIRCA 1570'S; Oil on canvas. Accompanied by a copy of a handwritten letter from William Suida, signed and dated July 5, 1945, New York24.5" x 19.5" - 62.2 x 49.5 cm.Provenance: The Rodman Wanamaker Collection, Philadelphia from whom purchased by Dr. F. Aram, New York in 1939;Purchased by the present Private Collection, Montreal in 1965Note: In the accompanying written statement William Suida (1877-1959), opines that this work is an original by Paolo Veronesse. It can be dated to the 1570's based on the pleated collar and its similarity to the collar worn by King Henri III's during his visit to Venice in 1574 and his portrait in the Ducal Palace. The costumes are similar to Paolo Veronesse's figures of young hunters in the Villa Barbaro Giacomelli in Maser and in the Villa Chiericati near Vicenza. Suida also remarks on the young warrior's noble gracefulness and exquisite colorism (sic) as hallmarks of Veronesse's matured style.

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Janis Ferdinands Tidemanis (1897-1964), Latvian DANCERS, NO. 2; Oil on masonite; unsigned, titled and numbered verso. Unframed.23.75

Lot 233: Janis Ferdinands Tidemanis (1897-1964), Latvian DANCERS, NO. 2; Oil on masonite; unsigned, titled and numbered verso. Unframed.23.75" x 30" - 60.3 x 76.2 cm.Provenance: Ex. Coll. Adolf Kristapsons, Toronto, acquired directly from the artist, his

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Description: Janis Ferdinands Tidemanis (1897-1964), Latvian DANCERS, NO. 2; Oil on masonite; unsigned, titled and numbered verso. Unframed.23.75" x 30" - 60.3 x 76.2 cm.Provenance: Ex. Coll. Adolf Kristapsons, Toronto, acquired directly from the artist, his friend, circa 1963;By descent to his daughter, Toronto

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Janis Ferdinands Tidemanis (1897-1964), Latvian STILL LIFE OF FLOWERS; Oil on masonite; signed lower right32

Lot 234: Janis Ferdinands Tidemanis (1897-1964), Latvian STILL LIFE OF FLOWERS; Oil on masonite; signed lower right32" x 26" - 81.3 x 66 cm.Provenance: Ex. Coll. Adolf Kristapsons, Toronto, acquired directly from the artist, his friend, in the late 1950's;By

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Description: Janis Ferdinands Tidemanis (1897-1964), Latvian STILL LIFE OF FLOWERS; Oil on masonite; signed lower right32" x 26" - 81.3 x 66 cm.Provenance: Ex. Coll. Adolf Kristapsons, Toronto, acquired directly from the artist, his friend, in the late 1950's;By descent to his daughter, Toronto

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Janis Ferdinands Tidemanis (1867-1964),Latvian HORSE IN A LANDSCAPE; Oil on canvas; signed and dated 1954 lower right26

Lot 235: Janis Ferdinands Tidemanis (1867-1964),Latvian HORSE IN A LANDSCAPE; Oil on canvas; signed and dated 1954 lower right26" x 22" - 66 x 55.9 cm.Provenance: Family collection, Latvia brought to the US after 1950 from whom purchased by the present owner,

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Description: Janis Ferdinands Tidemanis (1867-1964), Latvian HORSE IN A LANDSCAPE; Oil on canvas; signed and dated 1954 lower right26" x 22" - 66 x 55.9 cm.Provenance: Family collection, Latvia brought to the US after 1950 from whom purchased by the present owner, Milwaukee

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Janis Ferdinands Tidemanis (1897-1964), Latvian PORTRAITE DE C. PULEY; Oil on canvas; signed lower right, titled to label verso23.5

Lot 236: Janis Ferdinands Tidemanis (1897-1964), Latvian PORTRAITE DE C. PULEY; Oil on canvas; signed lower right, titled to label verso23.5" x 19.75" - 59.7 x 50.2 cm.

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Description: Janis Ferdinands Tidemanis (1897-1964), Latvian PORTRAITE DE C. PULEY; Oil on canvas; signed lower right, titled to label verso23.5" x 19.75" - 59.7 x 50.2 cm.

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Diego Rivera (1886-1957), Mexican PORTRAIT OF A WOMAN, 1932; Lithograph; signed with initial and dated 32 in the plate lower left, signed, dated 1932 and numbered 5/10 in pencilSheet 18.9

Lot 237: Diego Rivera (1886-1957), Mexican PORTRAIT OF A WOMAN, 1932; Lithograph; signed with initial and dated 32 in the plate lower left, signed, dated 1932 and numbered 5/10 in pencilSheet 18.9" x 11.2" - 48 x 28.5 cm.Est. $3,000/5,000Provenance: Gifted

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Description: Diego Rivera (1886-1957), Mexican PORTRAIT OF A WOMAN, 1932; Lithograph; signed with initial and dated 32 in the plate lower left, signed, dated 1932 and numbered 5/10 in pencilSheet 18.9" x 11.2" - 48 x 28.5 cm.Est. $3,000/5,000Provenance: Gifted from Jane Breed, N.Y., to her brother, Bruce Webster, New York City;Private Collection, TorontoNote: This lot is accompanied by a copy of a handwritten letter from Flora Shefrin (wife of the Canadian representative of the United Nations) and 4 black and white photographs of Jane Breed. It is reported that the sitter depicted in this lithograph is Jane Breed. This lithograph was gifted by Jane to her brother Bruce Webster, a professor of medicine at Cornell Medical University in New York City. His roommate was Dick Breed, her brother. She married a Mexican and later died in New York having developed cancer of the throat and she could not speak.

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Rufino Tamayo (1899-1991), Mexican FEMME EN ROUGE (FROM MUJERES), 1969 [PEREDA 108]; Colour lithograph; signed and numbered 99/150 in pencil to margin. Published by Touchstone Publishers, New York. Printed by Atelier Desjobert, Paris.Image 27

Lot 238: Rufino Tamayo (1899-1991), Mexican FEMME EN ROUGE (FROM MUJERES), 1969 [PEREDA 108]; Colour lithograph; signed and numbered 99/150 in pencil to margin. Published by Touchstone Publishers, New York. Printed by Atelier Desjobert, Paris.Image 27" x

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Description: Rufino Tamayo (1899-1991), Mexican FEMME EN ROUGE (FROM MUJERES), 1969 [PEREDA 108]; Colour lithograph; signed and numbered 99/150 in pencil to margin. Published by Touchstone Publishers, New York. Printed by Atelier Desjobert, Paris.Image 27" x 20.75" - 68.6 x 52.7 cm.

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Xavier Esqueda (1943- ), Mexican LOS DEFECTOS DEL AMOR (THE DEFECTS OF LOVE) 1972; Oil on canvas; signed and dated 72 lower right, titled to exhibition label verso47.5

Lot 239: Xavier Esqueda (1943- ), Mexican LOS DEFECTOS DEL AMOR (THE DEFECTS OF LOVE) 1972; Oil on canvas; signed and dated 72 lower right, titled to exhibition label verso47.5" x 39" - 120.7 x 99.1 cm.Provenance: Instituto Nacional De Bellas Artes, Mexico;

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Description: Xavier Esqueda (1943- ), Mexican LOS DEFECTOS DEL AMOR (THE DEFECTS OF LOVE) 1972; Oil on canvas; signed and dated 72 lower right, titled to exhibition label verso47.5" x 39" - 120.7 x 99.1 cm.Provenance: Instituto Nacional De Bellas Artes, Mexico; Gallery Moos Ltd., TorontoExhibited: Instituto Nacional De Bellas Artes, Mexico, Cat. No. 19;Confederation Art Gallery and Museum, Charlottetown, P.E.I.;The Art Gallery of Hamilton, Ontario, n.d.

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Wladislaw Karol Szerner (1870-1936), Polish COSSACK HORSEMEN MEETING ON ROUTE; Oil on canvas; signed lower right17

Lot 240: Wladislaw Karol Szerner (1870-1936), Polish COSSACK HORSEMEN MEETING ON ROUTE; Oil on canvas; signed lower right17" x 14" - 43.2 x 35.6 cm.

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Description: Wladislaw Karol Szerner (1870-1936), Polish COSSACK HORSEMEN MEETING ON ROUTE; Oil on canvas; signed lower right17" x 14" - 43.2 x 35.6 cm.

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Nicolai Cikovsky (1894-1987), Russian/American STILL LIFE; Oil on canvas; signed lower right, titled to gallery and exhibition labels verso30

Lot 241: Nicolai Cikovsky (1894-1987), Russian/American STILL LIFE; Oil on canvas; signed lower right, titled to gallery and exhibition labels verso30" x 36" - 76.2 x 91.4 cm.Provenance: ACA Galleries, New York, No. 7201Exhibited: National Academy of Design,

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Description: Nicolai Cikovsky (1894-1987), Russian/American STILL LIFE; Oil on canvas; signed lower right, titled to gallery and exhibition labels verso30" x 36" - 76.2 x 91.4 cm.Provenance: ACA Galleries, New York, No. 7201Exhibited: National Academy of Design, Annual Exhibition 1972 while with ACA Galleries, New York

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Mikhail Aleksandrov (1949- ), Russian WHO ARE YOU; Oil on canvas; signed and titled lower right27.5

Lot 242: Mikhail Aleksandrov (1949- ), Russian WHO ARE YOU; Oil on canvas; signed and titled lower right27.5" x 21.5" - 69.9 x 54.6 cm.

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Description: Mikhail Aleksandrov (1949- ), Russian WHO ARE YOU; Oil on canvas; signed and titled lower right27.5" x 21.5" - 69.9 x 54.6 cm.

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Anatolij Timofeevic Zverev (1931-1986), Russian MAN IN HAT; FIGURE WITH A BOX; COASTAL VIEW; ANIMAL; Four ink drawings; the first titled, signed with cyrillic initials upper right, the others, signed verso backingsVarious small sizes 8.75

Lot 243: Anatolij Timofeevic Zverev (1931-1986), Russian MAN IN HAT; FIGURE WITH A BOX; COASTAL VIEW; ANIMAL; Four ink drawings; the first titled, signed with cyrillic initials upper right, the others, signed verso backingsVarious small sizes 8.75" x 6.75" -

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Description: Anatolij Timofeevic Zverev (1931-1986), Russian MAN IN HAT; FIGURE WITH A BOX; COASTAL VIEW; ANIMAL; Four ink drawings; the first titled, signed with cyrillic initials upper right, the others, signed verso backingsVarious small sizes 8.75" x 6.75" - 22.2 x 17.1 cm.; 11.5" x 7.5" - 29.2 x 19.1 cm.

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Circle of Juan de Arellano (1614-1676), Spanish STILL LIFE OF FLOWERS WITH MORNING GLORIES, PARROT TULIPS, ROSES, VINES AND OTHER BLOOMS; Oil on canvas laid down on board; signed lower right36

Lot 244: Circle of Juan de Arellano (1614-1676), Spanish STILL LIFE OF FLOWERS WITH MORNING GLORIES, PARROT TULIPS, ROSES, VINES AND OTHER BLOOMS; Oil on canvas laid down on board; signed lower right36" x 26" - 91.4 x 66 cm.

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Description: Circle of Juan de Arellano (1614-1676), Spanish STILL LIFE OF FLOWERS WITH MORNING GLORIES, PARROT TULIPS, ROSES, VINES AND OTHER BLOOMS; Oil on canvas laid down on board; signed lower right36" x 26" - 91.4 x 66 cm.

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Maximino Pena Munoz (1863-1940), Spanish SIESTA; Oil on canvas; signed and dated 1893 lower right19.75

Lot 245: Maximino Pena Munoz (1863-1940), Spanish SIESTA; Oil on canvas; signed and dated 1893 lower right19.75" x 27.75" - 50.2 x 70.5 cm.

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Description: Maximino Pena Munoz (1863-1940), Spanish SIESTA; Oil on canvas; signed and dated 1893 lower right19.75" x 27.75" - 50.2 x 70.5 cm.

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Pablo Picasso (1881-1973), Spanish UNTITLED, 1967 [BLOCH 1452]; Etching; stamped signature and numbered 12/50 in pencil to margin8.9

Lot 246: Pablo Picasso (1881-1973), Spanish UNTITLED, 1967 [BLOCH 1452]; Etching; stamped signature and numbered 12/50 in pencil to margin8.9" x 13.2" - 22.6 x 33.5 cm.Provenance: Gerome Gash, Florida, acquired in the early 1990's

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Description: Pablo Picasso (1881-1973), Spanish UNTITLED, 1967 [BLOCH 1452]; Etching; stamped signature and numbered 12/50 in pencil to margin8.9" x 13.2" - 22.6 x 33.5 cm.Provenance: Gerome Gash, Florida, acquired in the early 1990's

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Joan Miro (1893-1983), Spanish ESCLADE DE LA BUTTE, 1976 [DUPIN 932]; Colour etching and aquatint; signed and numbered 45/50 in pencil to marginPlate 18.9

Lot 247: Joan Miro (1893-1983), Spanish ESCLADE DE LA BUTTE, 1976 [DUPIN 932]; Colour etching and aquatint; signed and numbered 45/50 in pencil to marginPlate 18.9" x 16.9" - 48 x 42.9 cm.

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Description: Joan Miro (1893-1983), Spanish ESCLADE DE LA BUTTE, 1976 [DUPIN 932]; Colour etching and aquatint; signed and numbered 45/50 in pencil to marginPlate 18.9" x 16.9" - 48 x 42.9 cm.

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Joan Miro (1893-1983), Spanish HOMENTAGE A JOAN PRATS, PL. 7, 1971 [MAEGHT 717]; Colour lithograph; signed and  numbered HC 14/15 in pencilImage 21.3

Lot 248: Joan Miro (1893-1983), Spanish HOMENTAGE A JOAN PRATS, PL. 7, 1971 [MAEGHT 717]; Colour lithograph; signed and numbered HC 14/15 in pencilImage 21.3" x 29.5" - 54.1 x 74.9 cm.

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Description: Joan Miro (1893-1983), Spanish HOMENTAGE A JOAN PRATS, PL. 7, 1971 [MAEGHT 717]; Colour lithograph; signed and numbered HC 14/15 in pencilImage 21.3" x 29.5" - 54.1 x 74.9 cm.

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Joan Miro (1893-1983), Spanish DOROTHEA TANNING, 1974 [MOURLOT 929]; Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris.12.5

Lot 249: Joan Miro (1893-1983), Spanish DOROTHEA TANNING, 1974 [MOURLOT 929]; Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris.12.5" x 15.5" - 31.8 x 39.4 cm.Provenance: Private Collection,

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Description: Joan Miro (1893-1983), Spanish DOROTHEA TANNING, 1974 [MOURLOT 929]; Colour lithograph; signed and numbered HC in pencil, aside from the edition of 60. Published by XXe Siecle, Paris.12.5" x 15.5" - 31.8 x 39.4 cm.Provenance: Private Collection, Toronto, purchased in a gallery in Palm Springs, California in the late 1980's

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Salvador Dali (1904-1989), Spanish ALICE'S ADVENTURES IN WONDERLAND (FOLIO WITH 13 WORKS), 1969 [FIELD 69-5, M&L; 321-333]; by Lewis Carroll, Maecenaes Press, Random House, New York, 1969, in Publisher's original cardboard shipping box, stamped:

Lot 250: Salvador Dali (1904-1989), Spanish ALICE'S ADVENTURES IN WONDERLAND (FOLIO WITH 13 WORKS), 1969 [FIELD 69-5, M&L; 321-333]; by Lewis Carroll, Maecenaes Press, Random House, New York, 1969, in Publisher's original cardboard shipping box, stamped:

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Description: Salvador Dali (1904-1989), Spanish ALICE'S ADVENTURES IN WONDERLAND (FOLIO WITH 13 WORKS), 1969 [FIELD 69-5, M&L 321-333]; by Lewis Carroll, Maecenaes Press, Random House, New York, 1969, in Publisher's original cardboard shipping box, stamped: "Random House Inc., Westminster, Maryland/Random House Canada Ltd., Toronto" with blue printed lettered spine: "Dali Alice" and numbered "1598" in black felt marker. Containing one etching printed in colours (the title-page) and 12 heliogravures, the etching signed in the plate, the opposite title-page signed by Dali in pencil, this being numbered "1598" (of the 2500 copies) on the box exterior. Published in a white linen hardcover case with tan morocco spine and draw strings.Overall 18.5" x 13.5" - 47 x 34.3 cm.

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