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Auction Description for Waddington's: International Art Auction
Viewing Notes:
Saturday 8 December from 11am - 5pm Sunday 9 December from 11am - 5pm Monday 10 December from 10am - 12 Noon
Sale Notes:
Featuring over 200 lots of important International paintings, drawings, prints and sculpture from the Old Masters period to the 21st Century, including works by: American, Austrian, Belgian, British, Dutch, Flemish, French, German, Hungarian, Indian, Irish, Israeli, Italian, Mexican, Polish, Russian, Scottish and Spanish artists.

International Art Auction

(260 Lots)

by Waddington's

Platinum House

260 lots with images

December 11, 2012

Live Auction

275 King Street E

2nd Floor

Toronto, ON, M5A 1K2 Canada

Phone: +1 416 504 9100

Fax: +1 416 504 0033

Email: info@waddingtons.ca

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Thomas Sword Good (1789-1872), British A TICKLISH MOMENT; Oil on canvas24

Lot 52: Thomas Sword Good (1789-1872), British A TICKLISH MOMENT; Oil on canvas24" x 20.25" - 61 x 51.4 cm.

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Description: Thomas Sword Good (1789-1872), British A TICKLISH MOMENT; Oil on canvas24" x 20.25" - 61 x 51.4 cm.

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Henry John Boddington (1811-1865), British A SKETCH FROM NATURE PAINTED ON THE SPOT; Oil on canvas; signed and dated 1850 lower right, signed and titled at

Lot 53: Henry John Boddington (1811-1865), British A SKETCH FROM NATURE PAINTED ON THE SPOT; Oil on canvas; signed and dated 1850 lower right, signed and titled at "Marburg Cottages, Hammersmith" and numbered "No. 9" to artist's label to the stretcher14.5" x

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Description: Henry John Boddington (1811-1865), British A SKETCH FROM NATURE PAINTED ON THE SPOT; Oil on canvas; signed and dated 1850 lower right, signed and titled at "Marburg Cottages, Hammersmith" and numbered "No. 9" to artist's label to the stretcher14.5" x 21" - 36.8 x 53.3 cm.Provenance: Private Collection, TorontoExhibited: Royal Society of British Artists, 1851, Cat. No. 61;Norfolk and Norwich Association, 1852, Cat. No. 58, Art Journal, p. 41

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John Frederick Herring Snr. (1795-1865), British THE PRINCESS (WINNER OF THE OAKS, 1844); Oil on panel; signed lower right, titled to the wainscoting lower right9.75

Lot 54: John Frederick Herring Snr. (1795-1865), British THE PRINCESS (WINNER OF THE OAKS, 1844); Oil on panel; signed lower right, titled to the wainscoting lower right9.75" x 12" - 24.8 x 30.5 cm.

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Description: John Frederick Herring Snr. (1795-1865), British THE PRINCESS (WINNER OF THE OAKS, 1844); Oil on panel; signed lower right, titled to the wainscoting lower right9.75" x 12" - 24.8 x 30.5 cm.

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John Frederick Herring (1815-1907), British NOONDAY REST ON A SUSSEX FARM; Oil on canvas; signed lower right, titled to a typed label verso18

Lot 55: John Frederick Herring (1815-1907), British NOONDAY REST ON A SUSSEX FARM; Oil on canvas; signed lower right, titled to a typed label verso18" x 30" - 45.7 x 76.2 cm.Provenance: Continental Galleries of Fine Art, Montreal sold as a John Frederick

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Description: John Frederick Herring (1815-1907), British NOONDAY REST ON A SUSSEX FARM; Oil on canvas; signed lower right, titled to a typed label verso18" x 30" - 45.7 x 76.2 cm.Provenance: Continental Galleries of Fine Art, Montreal sold as a John Frederick Herring senior

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William Shayer the Elder (1787-1879), British GYPSIES RESTING (WITH A TRAVELER AND HIS WHITE HORSE); Oil on canvas; signed in the grass under the rock on which the elder man sits lower left25

Lot 56: William Shayer the Elder (1787-1879), British GYPSIES RESTING (WITH A TRAVELER AND HIS WHITE HORSE); Oil on canvas; signed in the grass under the rock on which the elder man sits lower left25" x 25" - 63.5 x 63.5 cm.Provenance: The Cooling Galleries

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Description: William Shayer the Elder (1787-1879), British GYPSIES RESTING (WITH A TRAVELER AND HIS WHITE HORSE); Oil on canvas; signed in the grass under the rock on which the elder man sits lower left25" x 25" - 63.5 x 63.5 cm.Provenance: The Cooling Galleries Ltd., London and Toronto;Frederick W. Thom Ltd., Toronto

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William Shayer the Elder (1787-1879), British GYPSY WOMAN TENDING TO HER CHILDREN IN A WOODLAND; Oil on canvas; signed on the log lower left25

Lot 57: William Shayer the Elder (1787-1879), British GYPSY WOMAN TENDING TO HER CHILDREN IN A WOODLAND; Oil on canvas; signed on the log lower left25" x 37" - 63.5 x 94 cm.Provenance: The Cooling Galleries Ltd., London and Toronto;Frederick W. Thom Ltd.,

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Description: William Shayer the Elder (1787-1879), British GYPSY WOMAN TENDING TO HER CHILDREN IN A WOODLAND; Oil on canvas; signed on the log lower left25" x 37" - 63.5 x 94 cm.Provenance: The Cooling Galleries Ltd., London and Toronto;Frederick W. Thom Ltd., Toronto

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William Shayer the Elder (1787-1879), British GIPSEYS ENCAMPING; Oil on canvas; signed and dated 1851 lower left, signed, titled, dated 1851 and numbered No. 7 to artist label to the stretcher37.25

Lot 58: William Shayer the Elder (1787-1879), British GIPSEYS ENCAMPING; Oil on canvas; signed and dated 1851 lower left, signed, titled, dated 1851 and numbered No. 7 to artist label to the stretcher37.25" x 30" - 94.6 x 76.2 cm.

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Description: William Shayer the Elder (1787-1879), British GIPSEYS ENCAMPING; Oil on canvas; signed and dated 1851 lower left, signed, titled, dated 1851 and numbered No. 7 to artist label to the stretcher37.25" x 30" - 94.6 x 76.2 cm.

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William Shayer the Elder (1787-1879), British UNLOADING THE CATCH; Oil on canvas; signed lower left, titled to old label verso19.24

Lot 59: William Shayer the Elder (1787-1879), British UNLOADING THE CATCH; Oil on canvas; signed lower left, titled to old label verso19.24" x 24" - 48.9 x 61 cm.

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Description: William Shayer the Elder (1787-1879), British UNLOADING THE CATCH; Oil on canvas; signed lower left, titled to old label verso19.24" x 24" - 48.9 x 61 cm.

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Henry and Charles Shayer (19th Century), British RUSTIC SCENE IN A WOODED GLADE; Oil on canvas; signed

Lot 60: Henry and Charles Shayer (19th Century), British RUSTIC SCENE IN A WOODED GLADE; Oil on canvas; signed "H. & C. Shayer" lower left31" x 41.5" - 78.7 x 105.4 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Description: Henry and Charles Shayer (19th Century), British RUSTIC SCENE IN A WOODED GLADE; Oil on canvas; signed "H. & C. Shayer" lower left31" x 41.5" - 78.7 x 105.4 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Richard H. Hilder (1813-1852), British VILLAGERS COMING AND GOING ALONG A COUNTRY ROAD; Oil on canvas; signed lower right, signed verso14.5

Lot 61: Richard H. Hilder (1813-1852), British VILLAGERS COMING AND GOING ALONG A COUNTRY ROAD; Oil on canvas; signed lower right, signed verso14.5" x 18.25" - 36.8 x 46.4 cm.Provenance: By descent through the family of Scottish-British origin;With Wallack

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Description: Richard H. Hilder (1813-1852), British VILLAGERS COMING AND GOING ALONG A COUNTRY ROAD; Oil on canvas; signed lower right, signed verso14.5" x 18.25" - 36.8 x 46.4 cm.Provenance: By descent through the family of Scottish-British origin;With Wallack Galleries, Ottawa

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Attributed to Edward Robert Smythe (1810-1899), British RUSTICS AND THEIR DOG GATHERING WATER ON WASH DAY; Oil on canvas; signed E. Smyth lower left13.75

Lot 62: Attributed to Edward Robert Smythe (1810-1899), British RUSTICS AND THEIR DOG GATHERING WATER ON WASH DAY; Oil on canvas; signed E. Smyth lower left13.75" x 17.5" - 34.9 x 44.5 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada,

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Description: Attributed to Edward Robert Smythe (1810-1899), British RUSTICS AND THEIR DOG GATHERING WATER ON WASH DAY; Oil on canvas; signed E. Smyth lower left13.75" x 17.5" - 34.9 x 44.5 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada, sold as E. Smyth

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James Vivien de Fleury (19th Century), British THE LAKE OF LUZARIO IN LOMBARDY; Oil on canvas; signed and dated 1855 lower right, titled to an old typeset printed label verso24

Lot 63: James Vivien de Fleury (19th Century), British THE LAKE OF LUZARIO IN LOMBARDY; Oil on canvas; signed and dated 1855 lower right, titled to an old typeset printed label verso24" x 40" - 61 x 101.6 cm.

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Description: James Vivien de Fleury (19th Century), British THE LAKE OF LUZARIO IN LOMBARDY; Oil on canvas; signed and dated 1855 lower right, titled to an old typeset printed label verso24" x 40" - 61 x 101.6 cm.

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Edwin Hayes (1820-1904), English/Irish CASTLE ... CO. CORK (WITH FISHING BOATS AT REST IN A NARROW HARBOUR); Oil on board; signed lower left, indistinctly titled at Co. Cork by the artist verso9

Lot 64: Edwin Hayes (1820-1904), English/Irish CASTLE ... CO. CORK (WITH FISHING BOATS AT REST IN A NARROW HARBOUR); Oil on board; signed lower left, indistinctly titled at Co. Cork by the artist verso9" x 13.5" - 22.9 x 34.3 cm.Provenance: Leslie Lewis, No.

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Description: Edwin Hayes (1820-1904), English/Irish CASTLE ... CO. CORK (WITH FISHING BOATS AT REST IN A NARROW HARBOUR); Oil on board; signed lower left, indistinctly titled at Co. Cork by the artist verso9" x 13.5" - 22.9 x 34.3 cm.Provenance: Leslie Lewis, No. 1070, London stamp verso

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William Callow (1812-1908), British CAERNARFON CASTLE, GWYNEDD, NORTH-WEST WALES; Watercolour on watercolour board; signed lower right10

Lot 65: William Callow (1812-1908), British CAERNARFON CASTLE, GWYNEDD, NORTH-WEST WALES; Watercolour on watercolour board; signed lower right10" x 16" - 25.4 x 40.6 cm.Provenance: Celf Gain (Fine Art), Wrexham framer's label versoExhibited: This may be the

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Description: William Callow (1812-1908), British CAERNARFON CASTLE, GWYNEDD, NORTH-WEST WALES; Watercolour on watercolour board; signed lower right10" x 16" - 25.4 x 40.6 cm.Provenance: Celf Gain (Fine Art), Wrexham framer's label versoExhibited: This may be the watercolour "Carnarvon Castle-Early Morning" exhibited at The Royal Society of Painters in Water-colours, Summer 1883, Cundall, p. 162Literature: H.M. Cundall, William Callow RWS., FRGS: An Autobiography, p. 162

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Thomas Bush Hardy (1842-1897), British EBB TIDE SCHEVENINGEN; Watercolour; signed and titled lower left, numbered no. 105 to label verso9.5

Lot 66: Thomas Bush Hardy (1842-1897), British EBB TIDE SCHEVENINGEN; Watercolour; signed and titled lower left, numbered no. 105 to label verso9.5" x 28.5" - 24.1 x 72.4 cm.Provenance: MacKenzie & Co., Matthews Art Gallery, Toronto, with them February

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Description: Thomas Bush Hardy (1842-1897), British EBB TIDE SCHEVENINGEN; Watercolour; signed and titled lower left, numbered no. 105 to label verso9.5" x 28.5" - 24.1 x 72.4 cm.Provenance: MacKenzie & Co., Matthews Art Gallery, Toronto, with them February 1924;Dr. G.A. MacGowan, Toronto;By descent To Robert George MacGowan, Ontario

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Myles Birket Foster (1825-1899), British FISHERMAN AT THE PIER; Watercolour heightened with white on watercolour board; signed with initial monogram lower leftSight 6.75

Lot 67: Myles Birket Foster (1825-1899), British FISHERMAN AT THE PIER; Watercolour heightened with white on watercolour board; signed with initial monogram lower leftSight 6.75" x 9.75" - 17.1 x 24.8 cm.

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Description: Myles Birket Foster (1825-1899), British FISHERMAN AT THE PIER; Watercolour heightened with white on watercolour board; signed with initial monogram lower leftSight 6.75" x 9.75" - 17.1 x 24.8 cm.

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Henry Robert Robertson (1839-1921), British YOUNG MARINER BLOWING BUBBLES; Oil on canvas; signed with adjoined monogram initials and dated 1872 lower right21

Lot 68: Henry Robert Robertson (1839-1921), British YOUNG MARINER BLOWING BUBBLES; Oil on canvas; signed with adjoined monogram initials and dated 1872 lower right21" x 17" - 53.3 x 43.2 cm.

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Description: Henry Robert Robertson (1839-1921), British YOUNG MARINER BLOWING BUBBLES; Oil on canvas; signed with adjoined monogram initials and dated 1872 lower right21" x 17" - 53.3 x 43.2 cm.

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David James (Active c.1883-1897), British MORNING TIDE WITH CLOUDS LIFTING; Oil on canvas; signed and dated '99 lower right25

Lot 69: David James (Active c.1883-1897), British MORNING TIDE WITH CLOUDS LIFTING; Oil on canvas; signed and dated '99 lower right25" x 50" - 63.5 x 127 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Description: David James (Active c.1883-1897), British MORNING TIDE WITH CLOUDS LIFTING; Oil on canvas; signed and dated '99 lower right25" x 50" - 63.5 x 127 cm.Provenance: Frederick W. Thom Ltd., Toronto

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Edward Benjamin Herberte (1857-1893), British THE MEET; Oil on canvas; signed and dated 1884 lower left, signed and titled to gallery label verso24

Lot 70: Edward Benjamin Herberte (1857-1893), British THE MEET; Oil on canvas; signed and dated 1884 lower left, signed and titled to gallery label verso24" x 36" - 61 x 91.4 cm.Provenance: Frost and Reed, Registered Stock Number. 3690

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Description: Edward Benjamin Herberte (1857-1893), British THE MEET; Oil on canvas; signed and dated 1884 lower left, signed and titled to gallery label verso24" x 36" - 61 x 91.4 cm.Provenance: Frost and Reed, Registered Stock Number. 3690

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Richard Beavis (1824-1896), British GARDE IMPERIALE CHEVALS-LEGERS LANCIERS; Oil on canvas laid down on masonite; signed lower right, titled lower left24.5

Lot 71: Richard Beavis (1824-1896), British GARDE IMPERIALE CHEVALS-LEGERS LANCIERS; Oil on canvas laid down on masonite; signed lower right, titled lower left24.5" x 17" - 62.2 x 43.2 cm.

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Description: Richard Beavis (1824-1896), British GARDE IMPERIALE CHEVALS-LEGERS LANCIERS; Oil on canvas laid down on masonite; signed lower right, titled lower left24.5" x 17" - 62.2 x 43.2 cm.

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Robert Alexander Hillingford (1828-1904), British THE MESSENGER; Oil on canvas; signed lower right, signed and titled on the remains of the artist's handwritten label to the stretcher12.25

Lot 72: Robert Alexander Hillingford (1828-1904), British THE MESSENGER; Oil on canvas; signed lower right, signed and titled on the remains of the artist's handwritten label to the stretcher12.25" x 16" - 31.1 x 40.6 cm.

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Description: Robert Alexander Hillingford (1828-1904), British THE MESSENGER; Oil on canvas; signed lower right, signed and titled on the remains of the artist's handwritten label to the stretcher12.25" x 16" - 31.1 x 40.6 cm.

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George Hillyard Swinstead (1860-1926), British PICKING CHERRIES; Oil on canvas; signed lower right35

Lot 73: George Hillyard Swinstead (1860-1926), British PICKING CHERRIES; Oil on canvas; signed lower right35" x 25.75" - 88.9 x 65.4 cm.

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Description: George Hillyard Swinstead (1860-1926), British PICKING CHERRIES; Oil on canvas; signed lower right35" x 25.75" - 88.9 x 65.4 cm.

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George Dunlop Leslie (1835-1921), British CLARISSA; Oil on canvas, the selvages wrapped on a panel backing; signed and titled to the exhibition label verso30

Lot 74: George Dunlop Leslie (1835-1921), British CLARISSA; Oil on canvas, the selvages wrapped on a panel backing; signed and titled to the exhibition label verso30" x 40" - 76.2 x 101.6 cm.Exhibited: Royal Academy Winter Exhibition, 1922

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Description: George Dunlop Leslie (1835-1921), British CLARISSA; Oil on canvas, the selvages wrapped on a panel backing; signed and titled to the exhibition label verso30" x 40" - 76.2 x 101.6 cm.Exhibited: Royal Academy Winter Exhibition, 1922

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Jose Weiss (1859-1919), British SUSSEX; Oil on canvas; signed lower right, titled and numbered

Lot 75: Jose Weiss (1859-1919), British SUSSEX; Oil on canvas; signed lower right, titled and numbered "No. 2985" on an old typed label to the stretcher, further inscribed indistinctly: "Illustrated in the Jose ... Album, Illustrated July 19th ...17

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Description: Jose Weiss (1859-1919), British SUSSEX; Oil on canvas; signed lower right, titled and numbered "No. 2985" on an old typed label to the stretcher, further inscribed indistinctly: "Illustrated in the Jose ... Album, Illustrated July 19th ...17 (1917?)"32" x 40" - 81.3 x 101.6 cm.

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Alfred Fontville de Breanski Jr. (1877-1955), British HIGH LANDSCAPE WITH CATTLE WATERING; Oil on canvas laid down on masonite board; signed lower left24

Lot 76: Alfred Fontville de Breanski Jr. (1877-1955), British HIGH LANDSCAPE WITH CATTLE WATERING; Oil on canvas laid down on masonite board; signed lower left24" x 36" - 61 x 91.4 cm.Provenance: Remains of an Eaton's Gallery, Canada label to the frame verso

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Description: Alfred Fontville de Breanski Jr. (1877-1955), British HIGH LANDSCAPE WITH CATTLE WATERING; Oil on canvas laid down on masonite board; signed lower left24" x 36" - 61 x 91.4 cm.Provenance: Remains of an Eaton's Gallery, Canada label to the frame verso

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Walter J. Watson (1879-1979), British LOCHAILORT, INVERNESS-SHIRE; LOCH SHIEL, INVERNESSHIRE, N.B.; Pair of oils on canvas; each signed and dated 1921 lower right and lower left respectively, each signed and titled versoEach 16

Lot 77: Walter J. Watson (1879-1979), British LOCHAILORT, INVERNESS-SHIRE; LOCH SHIEL, INVERNESSHIRE, N.B.; Pair of oils on canvas; each signed and dated 1921 lower right and lower left respectively, each signed and titled versoEach 16 " x 26" - 40.6 x 66

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Description: Walter J. Watson (1879-1979), British LOCHAILORT, INVERNESS-SHIRE; LOCH SHIEL, INVERNESSHIRE, N.B.; Pair of oils on canvas; each signed and dated 1921 lower right and lower left respectively, each signed and titled versoEach 16 " x 26" - 40.6 x 66 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W. Patrick, Montreal, circa 1960's;By descent

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Daniel Sherrin (1868-1940), British THE END OF THE DAY; Oil on canvas; signed lower left20

Lot 78: Daniel Sherrin (1868-1940), British THE END OF THE DAY; Oil on canvas; signed lower left20" x 30" - 50.8 x 76.2 cm.

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Description: Daniel Sherrin (1868-1940), British THE END OF THE DAY; Oil on canvas; signed lower left20" x 30" - 50.8 x 76.2 cm.

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Arthur Trevor Haddon (1864-1941), British MARKET DAY, GIRONA, SPAIN; Oil on canvas; signed lower left, titled to label verso18.75

Lot 79: Arthur Trevor Haddon (1864-1941), British MARKET DAY, GIRONA, SPAIN; Oil on canvas; signed lower left, titled to label verso18.75" x 15.5" - 47.6 x 39.4 cm.

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Description: Arthur Trevor Haddon (1864-1941), British MARKET DAY, GIRONA, SPAIN; Oil on canvas; signed lower left, titled to label verso18.75" x 15.5" - 47.6 x 39.4 cm.

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Noel Harry Leaver (1889-1951),British A STREET IN TUNISIA (CAIRO STREET); Watercolor on Whatman's watercolour sketching board; signed lower left, titled twice verso14

Lot 80: Noel Harry Leaver (1889-1951),British A STREET IN TUNISIA (CAIRO STREET); Watercolor on Whatman's watercolour sketching board; signed lower left, titled twice verso14" x 20.25" - 35.6 x 51.4 cm.Provenance: The Robert Simpson Company Limted, Canada in

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Description: Noel Harry Leaver (1889-1951), British A STREET IN TUNISIA (CAIRO STREET); Watercolor on Whatman's watercolour sketching board; signed lower left, titled twice verso14" x 20.25" - 35.6 x 51.4 cm.Provenance: The Robert Simpson Company Limted, Canada in the early 20th Century

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Walter Langley (1852-1922), British OLD WOMAN BY THE HEARTH; Watercolour; signed lower rightSight 9.75

Lot 81: Walter Langley (1852-1922), British OLD WOMAN BY THE HEARTH; Watercolour; signed lower rightSight 9.75" x 7" - 24.8 x 17.8 cm.Provenance: John A. Cooling, London

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Description: Walter Langley (1852-1922), British OLD WOMAN BY THE HEARTH; Watercolour; signed lower rightSight 9.75" x 7" - 24.8 x 17.8 cm.Provenance: John A. Cooling, London

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Paul Knight (1883-1904), British AN OLD GRANDMOTHER KNITTING; Oil on canvas; signed and dated /98 lower right, titled to an old unidentified label verso24

Lot 82: Paul Knight (1883-1904), British AN OLD GRANDMOTHER KNITTING; Oil on canvas; signed and dated /98 lower right, titled to an old unidentified label verso24" x 17.75" - 61 x 45.1 cm.

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Description: Paul Knight (1883-1904), British AN OLD GRANDMOTHER KNITTING; Oil on canvas; signed and dated /98 lower right, titled to an old unidentified label verso24" x 17.75" - 61 x 45.1 cm.

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George Goodwin Kilburne (1839-1924), British THE GOVERNESS; Watercolour; signed lower left, titled to old printed label versoSight 10.25

Lot 83: George Goodwin Kilburne (1839-1924), British THE GOVERNESS; Watercolour; signed lower left, titled to old printed label versoSight 10.25" x 14.25" - 26 x 36.2 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W. Patrick,

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Description: George Goodwin Kilburne (1839-1924), British THE GOVERNESS; Watercolour; signed lower left, titled to old printed label versoSight 10.25" x 14.25" - 26 x 36.2 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W. Patrick, Montreal circa 1960's;By descent

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George Goodwin Kilburne (1839-1924), British THE DOCTOR'S VISIT; Watercolour; signed lower right, titled to an unidentified label versoSight 14.5

Lot 84: George Goodwin Kilburne (1839-1924), British THE DOCTOR'S VISIT; Watercolour; signed lower right, titled to an unidentified label versoSight 14.5" x 21" - 36.8 x 53.3 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W.

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Description: George Goodwin Kilburne (1839-1924), British THE DOCTOR'S VISIT; Watercolour; signed lower right, titled to an unidentified label versoSight 14.5" x 21" - 36.8 x 53.3 cm.Provenance: Mrs. Hugh Green, London from whom purchased by Dr. and Mrs. John W. Patrick, Montreal circa 1960's;By descent

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Charles Sillem Lidderdale (1831-1885), British GIRL WITH LACE SCARF; Oil on canvas; signed with monogram lower right, titled to gallery label verso24.75

Lot 85: Charles Sillem Lidderdale (1831-1885), British GIRL WITH LACE SCARF; Oil on canvas; signed with monogram lower right, titled to gallery label verso24.75" x 18" - 62.9 x 45.7 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada;Sir

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Description: Charles Sillem Lidderdale (1831-1885), British GIRL WITH LACE SCARF; Oil on canvas; signed with monogram lower right, titled to gallery label verso24.75" x 18" - 62.9 x 45.7 cm.Provenance: The Fine Art Galleries, The T. Eaton Company Ltd., Canada;Sir James and Lady Dunn, Saint Andrews by the Sea, N.B.;Tim Isaac Art and Antiques, Saint John, N.B. from whom purchased by the present Private Collection, N.B.

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William Bromley III (fl. 1835-1888), British COUNTRY COURTSHIP; Oil on canvas; signed and dated 1891 lower left26

Lot 86: William Bromley III (fl. 1835-1888), British COUNTRY COURTSHIP; Oil on canvas; signed and dated 1891 lower left26" x 20" - 66 x 50.8 cm.Provenance: The Boydell Galleries, Liverpool

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Description: William Bromley III (fl. 1835-1888), British COUNTRY COURTSHIP; Oil on canvas; signed and dated 1891 lower left26" x 20" - 66 x 50.8 cm.Provenance: The Boydell Galleries, Liverpool

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Henry John Yeend King (1855-1924), British LADY IN AN AUTUMN GARDEN; Oil on panel; signed lower right16

Lot 87: Henry John Yeend King (1855-1924), British LADY IN AN AUTUMN GARDEN; Oil on panel; signed lower right16" x 12" - 40.6 x 30.5 cm.

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Description: Henry John Yeend King (1855-1924), British LADY IN AN AUTUMN GARDEN; Oil on panel; signed lower right16" x 12" - 40.6 x 30.5 cm.

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Percy Tarrant (Active 1879-1930), British SUNRISE AND SUNSET; Oil on canvas; signed lower right, titled to the nameplate to the frame36

Lot 88: Percy Tarrant (Active 1879-1930), British SUNRISE AND SUNSET; Oil on canvas; signed lower right, titled to the nameplate to the frame36" x 28" - 91.4 x 71.1 cm.Provenance: With the present family collection for many years, probably purchased in

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Description: Percy Tarrant (Active 1879-1930), British SUNRISE AND SUNSET; Oil on canvas; signed lower right, titled to the nameplate to the frame36" x 28" - 91.4 x 71.1 cm.Provenance: With the present family collection for many years, probably purchased in England by the grandparents

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Arthur David McCormick (1860-1943), British THE BOYHOOD OF SIR FRANCIS DRAKE; Oil on canvas; signed lower right, titled to the plaque recto22

Lot 89: Arthur David McCormick (1860-1943), British THE BOYHOOD OF SIR FRANCIS DRAKE; Oil on canvas; signed lower right, titled to the plaque recto22" x 30" - 55.9 x 76.2 cm.

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Description: Arthur David McCormick (1860-1943), British THE BOYHOOD OF SIR FRANCIS DRAKE; Oil on canvas; signed lower right, titled to the plaque recto22" x 30" - 55.9 x 76.2 cm.

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Marcus Stone (1840-1921), British NELL GWYNN & THE OLD SOLDIER; Oil on canvas; signed and dated /67 lower right16

Lot 90: Marcus Stone (1840-1921), British NELL GWYNN & THE OLD SOLDIER; Oil on canvas; signed and dated /67 lower right16" x 24" - 40.6 x 61 cm.

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Description: Marcus Stone (1840-1921), British NELL GWYNN & THE OLD SOLDIER; Oil on canvas; signed and dated /67 lower right16" x 24" - 40.6 x 61 cm.

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Oliver Rhys (fl. 1876-1893), German/British LA CONCHITA; Oil on canvas; signed and dated 1890 lower right, titled to gallery label verso24

Lot 91: Oliver Rhys (fl. 1876-1893), German/British LA CONCHITA; Oil on canvas; signed and dated 1890 lower right, titled to gallery label verso24" x 18" - 61 x 45.7 cm.Provenance: The Walter Klinkhoff Gallery, Montreal

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Description: Oliver Rhys (fl. 1876-1893), German/British LA CONCHITA; Oil on canvas; signed and dated 1890 lower right, titled to gallery label verso24" x 18" - 61 x 45.7 cm.Provenance: The Walter Klinkhoff Gallery, Montreal

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John Haynes Williams (1836-1908),British LA RUBIA (BEAUTY IN YELLOW HOLDING A FAN); Oil on canvas; signed and dated 1877 lower left19

Lot 92: John Haynes Williams (1836-1908),British LA RUBIA (BEAUTY IN YELLOW HOLDING A FAN); Oil on canvas; signed and dated 1877 lower left19" x 14.5" - 48.3 x 36.8 cm.Provenance: Presented to George Shaw (President of C.J.A.), Vancouver in 1966 as a

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Description: John Haynes Williams (1836-1908), British LA RUBIA (BEAUTY IN YELLOW HOLDING A FAN); Oil on canvas; signed and dated 1877 lower left19" x 14.5" - 48.3 x 36.8 cm.Provenance: Presented to George Shaw (President of C.J.A.), Vancouver in 1966 as a retirement gift;By descent to the present Private Collection in April 1973

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David Hockney (1937- ), British UNTITLED (FROM PICASSOID PICASSO'S SERIES OF DRAWINGS); Pen and ink heightened with red crayon on paper; signed with initials and dated at Paris 1973 lower right. Unframed.Sheet 14

Lot 93: David Hockney (1937- ), British UNTITLED (FROM PICASSOID PICASSO'S SERIES OF DRAWINGS); Pen and ink heightened with red crayon on paper; signed with initials and dated at Paris 1973 lower right. Unframed.Sheet 14" x 17" - 35.6 x 43.2 cm.

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Description: David Hockney (1937- ), British UNTITLED (FROM PICASSOID PICASSO'S SERIES OF DRAWINGS); Pen and ink heightened with red crayon on paper; signed with initials and dated at Paris 1973 lower right. Unframed.Sheet 14" x 17" - 35.6 x 43.2 cm.

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Henry Moore (1898-1986), British FOUR GREY LADIES, 1973 [CRAMER 281]; Colour lithograph; signed, dated 73 and numbered 49/50 in pencil to margin. Published by J.E. Wolfensberger, Zurich.12

Lot 94: Henry Moore (1898-1986), British FOUR GREY LADIES, 1973 [CRAMER 281]; Colour lithograph; signed, dated 73 and numbered 49/50 in pencil to margin. Published by J.E. Wolfensberger, Zurich.12" x 16.25" - 30.5 x 41.3 cm.

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Description: Henry Moore (1898-1986), British FOUR GREY LADIES, 1973 [CRAMER 281]; Colour lithograph; signed, dated 73 and numbered 49/50 in pencil to margin. Published by J.E. Wolfensberger, Zurich.12" x 16.25" - 30.5 x 41.3 cm.

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Graham Sutherland (1903-1980), British LA TOUR DES OSIEAUX; Colour lithograph; signed and numbered 48/175 in pencil. Unframed.Sheet 25.5

Lot 95: Graham Sutherland (1903-1980), British LA TOUR DES OSIEAUX; Colour lithograph; signed and numbered 48/175 in pencil. Unframed.Sheet 25.5" x 19.5" - 64.8 x 49.5 cm.

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Description: Graham Sutherland (1903-1980), British LA TOUR DES OSIEAUX; Colour lithograph; signed and numbered 48/175 in pencil. Unframed.Sheet 25.5" x 19.5" - 64.8 x 49.5 cm.

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Keith Vaughan (1912-1977), British MARTYRDOM OF ST. SEBASTIAN; Mixed-media on heavy paper; a pencil sketch of the subject verso45

Lot 96: Keith Vaughan (1912-1977), British MARTYRDOM OF ST. SEBASTIAN; Mixed-media on heavy paper; a pencil sketch of the subject verso45" x 27.75" - 114.3 x 70.5 cm.

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Description: Keith Vaughan (1912-1977), British MARTYRDOM OF ST. SEBASTIAN; Mixed-media on heavy paper; a pencil sketch of the subject verso45" x 27.75" - 114.3 x 70.5 cm.

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Bernard Dunstan (1920- ), British THE SITTING ROOM; Oil on board; signed and titled at 10 High Park Rd, Kew, Surrey to artist's label verso8.75

Lot 97: Bernard Dunstan (1920- ), British THE SITTING ROOM; Oil on board; signed and titled at 10 High Park Rd, Kew, Surrey to artist's label verso8.75" x 13.75" - 22.2 x 34.9 cm.Provenance: Alex Fraser Galleries, VancouverExhibited: New English Art Club,

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Description: Bernard Dunstan (1920- ), British THE SITTING ROOM; Oil on board; signed and titled at 10 High Park Rd, Kew, Surrey to artist's label verso8.75" x 13.75" - 22.2 x 34.9 cm.Provenance: Alex Fraser Galleries, VancouverExhibited: New English Art Club, n.d.

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After David Roberts (1796-1864),Scottish THE DESTRUCTION OF JERUSALEM BY THE ROMANS UNDER THE COMMAND OF TITUS, A.D. SEPTEMBER 71; Handcoloured lithograph with letters by Louis Haghe. Printed by Hering & Remington, London, in 1851Trimmed to the image

Lot 98: After David Roberts (1796-1864),Scottish THE DESTRUCTION OF JERUSALEM BY THE ROMANS UNDER THE COMMAND OF TITUS, A.D. SEPTEMBER 71; Handcoloured lithograph with letters by Louis Haghe. Printed by Hering & Remington, London, in 1851Trimmed to the image

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Description: After David Roberts (1796-1864), Scottish THE DESTRUCTION OF JERUSALEM BY THE ROMANS UNDER THE COMMAND OF TITUS, A.D. SEPTEMBER 71; Handcoloured lithograph with letters by Louis Haghe. Printed by Hering & Remington, London, in 1851Trimmed to the image 27.4" x 42.1" - 69.5 x 107 cm.

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Daniel MacNee (1806-1882), Scottish PORTRAIT OF HUGH COWAN, BANKER IN AYR (1796-1883), MARRIED ELIZA, DAUGHTER OF PETER MCTAGGART, MERCHANT IN AYR; Oil on canvas; signed and dated 1871 lower right, titled to labels verso56

Lot 99: Daniel MacNee (1806-1882), Scottish PORTRAIT OF HUGH COWAN, BANKER IN AYR (1796-1883), MARRIED ELIZA, DAUGHTER OF PETER MCTAGGART, MERCHANT IN AYR; Oil on canvas; signed and dated 1871 lower right, titled to labels verso56" x 44" - 142.2 x 111.8

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Description: Daniel MacNee (1806-1882), Scottish PORTRAIT OF HUGH COWAN, BANKER IN AYR (1796-1883), MARRIED ELIZA, DAUGHTER OF PETER MCTAGGART, MERCHANT IN AYR; Oil on canvas; signed and dated 1871 lower right, titled to labels verso56" x 44" - 142.2 x 111.8 cm.Provenance: Property of Hugh Francis Cowan; Elizabeth Ann Cowan and Georgian Cowan grandchildren of the sitter

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John Adam P. Houston (1812/13-1884), Scottish JOHNIE ARMSTRONG; Oil on board; signed with initial monogram and dated 1868 lower left; titled and inscribed with an excerpt of the ballad to an old handwritten label verso14

Lot 100: John Adam P. Houston (1812/13-1884), Scottish JOHNIE ARMSTRONG; Oil on board; signed with initial monogram and dated 1868 lower left; titled and inscribed with an excerpt of the ballad to an old handwritten label verso14" x 10" - 35.6 x 25.4

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Description: John Adam P. Houston (1812/13-1884), Scottish JOHNIE ARMSTRONG; Oil on board; signed with initial monogram and dated 1868 lower left; titled and inscribed with an excerpt of the ballad to an old handwritten label verso14" x 10" - 35.6 x 25.4 cm.Provenance: Fine Art Department, LondonNote: The text (verso) reads:The Elliots and Armstrongs did convenerThey were a gallant companieWe'll ride and meet our lawful king,And bring him safe to Gilnockie.Make kinnen and capon ready then,And venison in great plentie;We'll welcome here our noble king;I hope he'll dine at Gilnockie!They ran their horse on the Langholm holm,And brak their spears wi' mickle main;The ladies lookit frae their loft windows:-God bring our men weel hame again !

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Attributed to David Maitland Mackenzie (Active c.1820-c.1840), Scottish GRAVES OF COVENANTERS, EDINBURGH, SCOTLAND; Oil on canvas; possibly signed with initials to the side of the tomb stone, given to D.W. Mackenzie or Andrew Mackenzie and titled and

Lot 101: Attributed to David Maitland Mackenzie (Active c.1820-c.1840), Scottish GRAVES OF COVENANTERS, EDINBURGH, SCOTLAND; Oil on canvas; possibly signed with initials to the side of the tomb stone, given to D.W. Mackenzie or Andrew Mackenzie and titled and

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Description: Attributed to David Maitland Mackenzie (Active c.1820-c.1840), Scottish GRAVES OF COVENANTERS, EDINBURGH, SCOTLAND; Oil on canvas; possibly signed with initials to the side of the tomb stone, given to D.W. Mackenzie or Andrew Mackenzie and titled and further inscribed: "Chapman's 2 May 1884-50" to an old handwritten label to the stretcher28" x 36" - 71.1 x 91.4 cm.

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