Jan Weenix Auction Price Results

Lot 1: Jan Weenix 1640-1719. Efterföljare till.

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Description: Jan Weenix 1640-1719. Efterföljare till. Jaktstilleben med rapphönor på sockel. Olja på duk, 64 x 52. Uppfodrad, smärre retuscher. Follower of. Oil on relined canvas, 64 x 52 cm.

Lot 4: CIRCLE OF JAN BAPTIST WEENIX THE YOUNGER, (DUTCH 1640-1719), TROPHIES OF THE HUNT

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Description: CIRCLE OF JAN BAPTIST WEENIX THE YOUNGER (dutch 1640-1719) TROPHIES OF THE HUNT Oil on canvas 38 x 32 in. (96.5 x 81.3cm) provenance: Property of a Midwestern Museum.

Condition Report: The painting has been glue lined onto a pre-primed canvas and stretched on what is presumably its original stretcher, now modified with a modern, plywood cross-member. It is slack and undulates on the stretcher with corner draws in the upper left corner. The painting exhibits age crackle over all. Though some of the paint is cupped and tented, it is stable. There is some minor dirt and staining in the paint layer. In UV there painting exhibits a heavy green fluorescence indicating a thick layer of a somewhat aged natural resin varnish. There is little retouching. In visible light that varnish is moderately discolored and has poor saturation. The painting would benefit greatly from cleaning. It is in very nice condition for a painting of its age. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman's Conditions of Sale.

Lot 4: JAN WEENIX (AMSTERDAM 1642 - 1719) Cacatoès blanc

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Description: JAN WEENIX (AMSTERDAM 1642 - 1719) Cacatoès blanc et gibier devant un buisson en fleurs Toile H_138 cm L_113,5 cm Signé en bas à droite J. Weenix f. Etiquette n° 118 au revers de la toile Provenance : Vente Prince Sapieha, Paris, Hôtel Drouot (Me Lair-Dubreuil), 15 juin 1904, °111, reproduit (6 000 Frs à Mr. David Leroux) ; Chez Opdebeek, Bruxelles en 1959.

Lot 5: Weenix Jan. Amsterdam 1640 - Amsterdam 1719

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Description: Weenix Jan. Amsterdam 1640 - Amsterdam 1719 circle. Pair of Paintings: Still-Life with Birds and a Rabbit Oil/canv., each 60,5 x 73,5 cm, some splits, rest. - Works of the artist in almost each of the most important public collections of the world. - Lit.: Thieme-Becker et. al.

Lot 7: JAN WEENIX (Dutch, 1640/41-1719) STAMFORD, CT

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Description: JAN WEENIX (Dutch, 1640/41-1719) STAMFORD, CT JAN WEENIX (1640/41-1719) OIL ON CANVAS. MEASURES 48.25 by 31.4 INCHES.

Lot 8: JAN WEENIX 1640/41-1719, Holland, tillskriven

Description: JAN WEENIX 1640/41-1719, Holland, tillskriven Oljemålning på pannå. Memento mori med fåglar. 1600-tal. Pannån lagad och förstärkt, äldre retuscher. 64.5 x 48 cm. Proveniens: Bibliotekarien och Dr Folke Dahl, Lunds Universitetsbibliotek, Lund (1905-1970), därefter i arv till nuvarande ägare. Jan Weenix 1640/41-1719, Holland, attributed. Oil on panel, Memento mori with birds. The panel repaired and strengthened. Old retouches. 64.5 x 48 cm. Provenance: The legacy from Librarian and Dr Folke Dahl, Lunds Universitetsbilbliotek, Lund (1905...

Lot 9: WEENIX, Jan (style) (1640-1719, Dutch)

Description: Still life of game Oil Painting (30x37in).

Lot 9: WEENIX, Jan (style) (1640-1719, Dutch)

Description: Still life of game Oil Painting (30x37in).

Lot 9: WEENIX, Jan (style) (1640-1719, Dutch)

Description: Still life of game Oil Painting (30x37in).

Lot 9: WEENIX, Jan (style) (1640-1719, Dutch)

Description: Still life of game Oil Painting (30x37in).

Lot 11: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A hunting still life with a dead hare, a hind, a brace of partridge and other birds with a spaniel, a gun, and a powder horn by a classical urn, a hunt servant and a staghound beyond oil on canvas 87 x 781/4 in. (221 x 198.7 cm.) NOTES Son and pupil of his father, Jan-Baptist Weenix (1621-1660/1), the artist's early activities in the 1660s and 70s were largely concerned with the production of Italianate landscapes and harbour scenes in a style reminiscent both of his father and Nicolaes Berchem. After around 1680, Jan abandoned these subjects in favour of flower pieces and the hunting still lifes for which he is best known. Along with his cousin Melchior d'Hondecoeter, who painted similar hunting still lifes, their pictures became highly prized in the seventeenth century. By the outset of the eighteenth century the genre had become increasingly popular for stately decorations. From circa 1702 to 1714 Weenix served as court painter to the Elector Palatine Johann Wilhelm von der Pfalz of D쳌sseldorf, for whom he painted twelve large hunting scenes designed as wall panels for the Elector's lodge, Schloss Bensberg, near Cologne (Munich, Bayerische Staatsgem„ldesammlungen). Goethe, when he saw the series in situ in 1774, claimed that Weenix had surpassed nature in visually rendering every tactile value of the subject.

Lot 11: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A hunting still life with a dead hare, a hind, a brace of partridge and other birds with a spaniel, a gun, and a powder horn by a classical urn, a hunt servant and a staghound beyond oil on canvas 87 x 781/4 in. (221 x 198.7 cm.) NOTES Son and pupil of his father, Jan-Baptist Weenix (1621-1660/1), the artist's early activities in the 1660s and 70s were largely concerned with the production of Italianate landscapes and harbour scenes in a style reminiscent both of his father and Nicolaes Berchem. After around 1680, Jan abandoned these subjects in favour of flower pieces and the hunting still lifes for which he is best known. Along with his cousin Melchior d'Hondecoeter, who painted similar hunting still lifes, their pictures became highly prized in the seventeenth century. By the outset of the eighteenth century the genre had become increasingly popular for stately decorations. From circa 1702 to 1714 Weenix served as court painter to the Elector Palatine Johann Wilhelm von der Pfalz of D쳌sseldorf, for whom he painted twelve large hunting scenes designed as wall panels for the Elector's lodge, Schloss Bensberg, near Cologne (Munich, Bayerische Staatsgem„ldesammlungen). Goethe, when he saw the series in situ in 1774, claimed that Weenix had surpassed nature in visually rendering every tactile value of the subject.

Lot 11: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A hunting still life with a dead hare, a hind, a brace of partridge and other birds with a spaniel, a gun, and a powder horn by a classical urn, a hunt servant and a staghound beyond oil on canvas 87 x 781/4 in. (221 x 198.7 cm.) NOTES Son and pupil of his father, Jan-Baptist Weenix (1621-1660/1), the artist's early activities in the 1660s and 70s were largely concerned with the production of Italianate landscapes and harbour scenes in a style reminiscent both of his father and Nicolaes Berchem. After around 1680, Jan abandoned these subjects in favour of flower pieces and the hunting still lifes for which he is best known. Along with his cousin Melchior d'Hondecoeter, who painted similar hunting still lifes, their pictures became highly prized in the seventeenth century. By the outset of the eighteenth century the genre had become increasingly popular for stately decorations. From circa 1702 to 1714 Weenix served as court painter to the Elector Palatine Johann Wilhelm von der Pfalz of D쳌sseldorf, for whom he painted twelve large hunting scenes designed as wall panels for the Elector's lodge, Schloss Bensberg, near Cologne (Munich, Bayerische Staatsgem„ldesammlungen). Goethe, when he saw the series in situ in 1774, claimed that Weenix had surpassed nature in visually rendering every tactile value of the subject.

Lot 11: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A hunting still life with a dead hare, a hind, a brace of partridge and other birds with a spaniel, a gun, and a powder horn by a classical urn, a hunt servant and a staghound beyond oil on canvas 87 x 781/4 in. (221 x 198.7 cm.) NOTES Son and pupil of his father, Jan-Baptist Weenix (1621-1660/1), the artist's early activities in the 1660s and 70s were largely concerned with the production of Italianate landscapes and harbour scenes in a style reminiscent both of his father and Nicolaes Berchem. After around 1680, Jan abandoned these subjects in favour of flower pieces and the hunting still lifes for which he is best known. Along with his cousin Melchior d'Hondecoeter, who painted similar hunting still lifes, their pictures became highly prized in the seventeenth century. By the outset of the eighteenth century the genre had become increasingly popular for stately decorations. From circa 1702 to 1714 Weenix served as court painter to the Elector Palatine Johann Wilhelm von der Pfalz of D쳌sseldorf, for whom he painted twelve large hunting scenes designed as wall panels for the Elector's lodge, Schloss Bensberg, near Cologne (Munich, Bayerische Staatsgem„ldesammlungen). Goethe, when he saw the series in situ in 1774, claimed that Weenix had surpassed nature in visually rendering every tactile value of the subject.

Lot 12: JAN WEENIX AMSTERDAM 1642 (?) - 1719

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Description: signed and date centre right: J.Weenix.f/1706oil on canvasA STILL LIFE OF GAME BIRDS, GROUSE, A HARE AND A KINGFISHER, WITH A BASKET OF FRUIT AT THE FOOT OF A STONE URN, AN ORNAMENTAL GARDEN WITH A FOUNTAIN BEYOND

Lot 12: WEENIX, JAN (1640-1719)

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Description: Nature morte med jagbytte Oil/canvas 48x41 inches (122x103 cm) signed.

Lot 12: WEENIX, JAN (1640-1719)

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Description: Nature morte med jagbytte Oil/canvas 48x41 inches (122x103 cm) signed.

Lot 12: WEENIX, JAN (1640-1719)

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Description: Nature morte med jagbytte Oil/canvas 48x41 inches (122x103 cm) signed.

Lot 12: WEENIX, JAN (1640-1719)

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Description: Nature morte med jagbytte Oil/canvas 48x41 inches (122x103 cm) signed.

Lot 12: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A sunflower, roses, parrot tulips, a carnation and other flowers in a glass vase on a partly draped marble table oil on canvas, unframed 361/2 x 333/4 in. (92.5 x 78 cm.) PROVENANCE Cavaliere Meazza, Milan, 1884. Count Grigory Stroganov (1829-1910), Palazzo Stroganov, Via Gregoriana, Rome, 1911. LITERATURE Catalogue de la collection de M. le Ch‚valier Meazza, Milan, 1884, no. 116, p. 47, as Jean Baptiste Monnoyer. A. Mu¤oz, PiŠces de Choix de la Collection du Comte Gr‚goire Stroganoff … Rome. Seconde Partie. Moyen Age - R‚naissance - 쳌poque Moderne, Rome, 1911, p. 96, pl. LXXV, as Jean Baptiste Monnoyer. NOTES Fred Meijer has identified this as one of the rare early flower still lifes by Jan Weenix and dates the picture to the early 1680s. He compares the style to that of Weenix's early Hunting Still Life in the Staedelsches Kunstistitut, Frankfurt (no. 863), dated 1681. We are grateful to Mr. Fred Meijer of the RKD for the attribution and for his assistance in the cataloguing of this lot.

Lot 12: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A sunflower, roses, parrot tulips, a carnation and other flowers in a glass vase on a partly draped marble table oil on canvas, unframed 361/2 x 333/4 in. (92.5 x 78 cm.) PROVENANCE Cavaliere Meazza, Milan, 1884. Count Grigory Stroganov (1829-1910), Palazzo Stroganov, Via Gregoriana, Rome, 1911. LITERATURE Catalogue de la collection de M. le Ch‚valier Meazza, Milan, 1884, no. 116, p. 47, as Jean Baptiste Monnoyer. A. Mu¤oz, PiŠces de Choix de la Collection du Comte Gr‚goire Stroganoff … Rome. Seconde Partie. Moyen Age - R‚naissance - 쳌poque Moderne, Rome, 1911, p. 96, pl. LXXV, as Jean Baptiste Monnoyer. NOTES Fred Meijer has identified this as one of the rare early flower still lifes by Jan Weenix and dates the picture to the early 1680s. He compares the style to that of Weenix's early Hunting Still Life in the Staedelsches Kunstistitut, Frankfurt (no. 863), dated 1681. We are grateful to Mr. Fred Meijer of the RKD for the attribution and for his assistance in the cataloguing of this lot.

Lot 12: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A sunflower, roses, parrot tulips, a carnation and other flowers in a glass vase on a partly draped marble table oil on canvas, unframed 361/2 x 333/4 in. (92.5 x 78 cm.) PROVENANCE Cavaliere Meazza, Milan, 1884. Count Grigory Stroganov (1829-1910), Palazzo Stroganov, Via Gregoriana, Rome, 1911. LITERATURE Catalogue de la collection de M. le Ch‚valier Meazza, Milan, 1884, no. 116, p. 47, as Jean Baptiste Monnoyer. A. Mu¤oz, PiŠces de Choix de la Collection du Comte Gr‚goire Stroganoff … Rome. Seconde Partie. Moyen Age - R‚naissance - 쳌poque Moderne, Rome, 1911, p. 96, pl. LXXV, as Jean Baptiste Monnoyer. NOTES Fred Meijer has identified this as one of the rare early flower still lifes by Jan Weenix and dates the picture to the early 1680s. He compares the style to that of Weenix's early Hunting Still Life in the Staedelsches Kunstistitut, Frankfurt (no. 863), dated 1681. We are grateful to Mr. Fred Meijer of the RKD for the attribution and for his assistance in the cataloguing of this lot.

Lot 12: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A sunflower, roses, parrot tulips, a carnation and other flowers in a glass vase on a partly draped marble table oil on canvas, unframed 361/2 x 333/4 in. (92.5 x 78 cm.) PROVENANCE Cavaliere Meazza, Milan, 1884. Count Grigory Stroganov (1829-1910), Palazzo Stroganov, Via Gregoriana, Rome, 1911. LITERATURE Catalogue de la collection de M. le Ch‚valier Meazza, Milan, 1884, no. 116, p. 47, as Jean Baptiste Monnoyer. A. Mu¤oz, PiŠces de Choix de la Collection du Comte Gr‚goire Stroganoff … Rome. Seconde Partie. Moyen Age - R‚naissance - 쳌poque Moderne, Rome, 1911, p. 96, pl. LXXV, as Jean Baptiste Monnoyer. NOTES Fred Meijer has identified this as one of the rare early flower still lifes by Jan Weenix and dates the picture to the early 1680s. He compares the style to that of Weenix's early Hunting Still Life in the Staedelsches Kunstistitut, Frankfurt (no. 863), dated 1681. We are grateful to Mr. Fred Meijer of the RKD for the attribution and for his assistance in the cataloguing of this lot.

Lot 14: [ Painting by ] Jan Weenix Umkreis

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Description: [ Painting by ] Jan Weenix Umkreis

Lot 15: Jan Weenix (Amsterdam 1640-1719)

Description: Grapes, pears, apples, walnuts and a salver on a partially drapped ledgeoil on canvas81 x 68.5 cm. (31 5/8 x 27 in.)unframed

Lot 15: WEENIX, JAN (1640-1719)

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Description: Nature morte au lievre devant un parc Huile/toile 70.5x64.5 cm.

Lot 15: WEENIX, JAN (1640-1719)

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Description: Nature morte au lievre devant un parc Huile/toile 70.5x64.5 cm.

Lot 15: WEENIX, JAN (1640-1719)

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Description: Nature morte au lievre devant un parc Huile/toile 70.5x64.5 cm.

Lot 15: WEENIX, JAN (1640-1719)

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Description: Nature morte au lievre devant un parc Huile/toile 70.5x64.5 cm.

Lot 15: Jan Weenix (Amsterdam 1640-1719)

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Description: A spaniel and a pigeon with a brace of partridge, a cock pheasant and a hare, a horn, and a satchel with a stone urn on a ledge with roses in a wooded landscape partly signed and dated 'enix f 1697-' (lower left) oil on canvas 361/4 x 60.5/8 in. (92.1 x 154 cm.).

Lot 15: Jan Weenix (Amsterdam 1640-1719)

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Description: A spaniel and a pigeon with a brace of partridge, a cock pheasant and a hare, a horn, and a satchel with a stone urn on a ledge with roses in a wooded landscape partly signed and dated 'enix f 1697-' (lower left) oil on canvas 361/4 x 60.5/8 in. (92.1 x 154 cm.).

Lot 15: Jan Weenix (Amsterdam 1640-1719)

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Description: A spaniel and a pigeon with a brace of partridge, a cock pheasant and a hare, a horn, and a satchel with a stone urn on a ledge with roses in a wooded landscape partly signed and dated 'enix f 1697-' (lower left) oil on canvas 361/4 x 60.5/8 in. (92.1 x 154 cm.).

Lot 15: Jan Weenix (Amsterdam 1640-1719)

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Description: A spaniel and a pigeon with a brace of partridge, a cock pheasant and a hare, a horn, and a satchel with a stone urn on a ledge with roses in a wooded landscape partly signed and dated 'enix f 1697-' (lower left) oil on canvas 361/4 x 60.5/8 in. (92.1 x 154 cm.).

Lot 17: f - JAN WEENIX AMSTERDAM 1642 (?) - 1719

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Description: PROPERTY FROM A PRIVATE COLLECTIONSTILL LIFE OF GAME, INCLUDING A HARE, GREY PARTRIDGES, A PIGEON, A MUSKET, A POWDER BAG, TRAPPING NETS AND SUMMER FLOWERS BEFORE A STONE FRIEZE, THE WATER GARDENS OF A VILLA BEYONDmeasurements note112 by 94.5 cm.; 44 by 37 1/4 in.signed and dated upper right on the stone frieze: J.Weenix/ f.1703labelled with inventory number lower left: 36oil on canvas, extended by 8cm. along the top edge, in a fine English carved and gilt wood framePROVENANCEPurchased by Sir John Thorold, 9th Bt. (1734-1807), of Syston Park, Lincolnshire;Thence by descent until sold in these Rooms, 8 July 1999, lot 31, where purchased by the present owner (for £270,000).NOTEBy the first decade of the eighteenth century Weenix was at the height of his powers and firmly established as the dominant exponent of the game-piece in Holland. For much of this period (1702-14) Weenix was Court painter to the Elector Palatine, Johann Wilhelm von der Pfalz at Schloß Bensberg near Düsseldorf for whom he painted the twelve large hunting scenes designed as wall panels for the hunting lodge at Schloß Bensberg (now in the Bayerische Staatgemäldesammlungen, Munich). Goethe, when he saw these in situ in 1774, claimed that Weenix had surpassed nature in visually rendering every tactile value of his subject.As Sullivan has observed (S.A. Sullivan, The Dutch Game Piece, New Jersey 1984, pp. 61-2), the refinement and elegance of Weenix's work at the turn of the century clearly reflected the growing influence of French taste upon Dutch art. The elegant gardens and statuary in the background, for example, are already present in a Game Piece of 1682(?) in the Staatliche Kunsthalle, Karlsruhe (Sullivan, op. cit., fig. 124). The classical frieze depicted here was another of these elements, and may have been derived from paintings of his father, Jan Baptist Weenix.

Lot 20: STUDIO OF JAN WEENIX AMSTERDAM 1642 (?) - 1719

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Description: oil on canvas

Lot 20: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A young couple with goats and sheep in an Italianate landscape signed and dated 'J: Weenix:1662:' (lower left) oil on canvas 271/2 x 45.5/8 in. (69.9 x 115.9 cm.) NOTES Weenix's early career is characterized by his elegant compositions conceived in the style of the Dutch Italianate landscapists, in particular that of his father, the painter Jan Baptist Weenix. This picture, signed and dated 1662, is firmly rooted in this tradition. Although many of his compositions executed before 1680 were influenced by his father, Jan's figures are generally clothed in elegant costume and are more refined and detailed.

Lot 20: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A young couple with goats and sheep in an Italianate landscape signed and dated 'J: Weenix:1662:' (lower left) oil on canvas 271/2 x 45.5/8 in. (69.9 x 115.9 cm.) NOTES Weenix's early career is characterized by his elegant compositions conceived in the style of the Dutch Italianate landscapists, in particular that of his father, the painter Jan Baptist Weenix. This picture, signed and dated 1662, is firmly rooted in this tradition. Although many of his compositions executed before 1680 were influenced by his father, Jan's figures are generally clothed in elegant costume and are more refined and detailed.

Lot 20: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A young couple with goats and sheep in an Italianate landscape signed and dated 'J: Weenix:1662:' (lower left) oil on canvas 271/2 x 45.5/8 in. (69.9 x 115.9 cm.) NOTES Weenix's early career is characterized by his elegant compositions conceived in the style of the Dutch Italianate landscapists, in particular that of his father, the painter Jan Baptist Weenix. This picture, signed and dated 1662, is firmly rooted in this tradition. Although many of his compositions executed before 1680 were influenced by his father, Jan's figures are generally clothed in elegant costume and are more refined and detailed.

Lot 20: Jan Weenix (Amsterdam c. 1642-1719)

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Description: A young couple with goats and sheep in an Italianate landscape signed and dated 'J: Weenix:1662:' (lower left) oil on canvas 271/2 x 45.5/8 in. (69.9 x 115.9 cm.) NOTES Weenix's early career is characterized by his elegant compositions conceived in the style of the Dutch Italianate landscapists, in particular that of his father, the painter Jan Baptist Weenix. This picture, signed and dated 1662, is firmly rooted in this tradition. Although many of his compositions executed before 1680 were influenced by his father, Jan's figures are generally clothed in elegant costume and are more refined and detailed.

Lot 20: Jan Weenix (Dutch, 1640-1719) A portrait of a lady, full-length, seated in a garden with her dog 35 x 29 1/2in (88.9 x 74.9cm)

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Description: A portrait of a lady, full-length, seated in a garden with her dog oil on canvas35 x 29 1/2in (88.9 x 74.9cm)

Lot 21: Circle of Jan Weenix (1640/4-1719)

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Description: Weenix, J. A river Landscape with Huntsmen on a Track and a Carriage beyond bears initials and date 'J.W. 1670' oil on panel 15 x 25in. (38.7 x 64.1cm.) PROVENANCE with Leonard Koetser, London, 1975, no. 20, as Abraham Teniers. Anon. Sale, Sotheby Parke Bernet, New York, June 4, 1980, lot 18, where purchased by the present owner.

Lot 21: Circle of Jan Weenix (1640/4-1719)

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Description: Weenix, J. A river Landscape with Huntsmen on a Track and a Carriage beyond bears initials and date 'J.W. 1670' oil on panel 15 x 25in. (38.7 x 64.1cm.) PROVENANCE with Leonard Koetser, London, 1975, no. 20, as Abraham Teniers. Anon. Sale, Sotheby Parke Bernet, New York, June 4, 1980, lot 18, where purchased by the present owner.

Lot 21: Circle of Jan Weenix (1640/4-1719)

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Description: Weenix, J. A river Landscape with Huntsmen on a Track and a Carriage beyond bears initials and date 'J.W. 1670' oil on panel 15 x 25in. (38.7 x 64.1cm.) PROVENANCE with Leonard Koetser, London, 1975, no. 20, as Abraham Teniers. Anon. Sale, Sotheby Parke Bernet, New York, June 4, 1980, lot 18, where purchased by the present owner.

Lot 21: Circle of Jan Weenix (1640/4-1719)

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Description: Weenix, J. A river Landscape with Huntsmen on a Track and a Carriage beyond bears initials and date 'J.W. 1670' oil on panel 15 x 25in. (38.7 x 64.1cm.) PROVENANCE with Leonard Koetser, London, 1975, no. 20, as Abraham Teniers. Anon. Sale, Sotheby Parke Bernet, New York, June 4, 1980, lot 18, where purchased by the present owner.

Lot 23: Jan WEENIX (Amsterdam 1640-1719) Jeune femme

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Description: Jan WEENIX (Amsterdam 1640-1719) Jeune femme portant des fleurs Jeune garçon agenouillé portant un chien dans un parc Toile 122 x 103 cm Signé à droite sur la base de la frise en pierre J. Weenixf...

Lot 25: JAN WEENIX (AMSTERDAM 1640-1719)

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Description: JAN WEENIX (AMSTERDAM 1640-1719) Gibier sur une table en marbre huile sur toile 106 x 89,5 cm.

Lot 29: WEENIX, Jan (1640-1719, Dutch)

Description: Figures by ruins, coastal landscape with vessel in background, s.indis.d. panel Oil Painting (26x19in).

Lot 29: WEENIX, Jan (1640-1719, Dutch)

Description: Figures by ruins, coastal landscape with vessel in background, s.indis.d. panel Oil Painting (26x19in).

Lot 29: WEENIX, Jan (1640-1719, Dutch)

Description: Figures by ruins, coastal landscape with vessel in background, s.indis.d. panel Oil Painting (26x19in).

Lot 29: WEENIX, Jan (1640-1719, Dutch)

Description: Figures by ruins, coastal landscape with vessel in background, s.indis.d. panel Oil Painting (26x19in).

Lot 29: WEENIX, Jan (1640-1719)

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Description: Still life of fruit with an elk scraring pigeons beneath an urn Oil/canvas 80,3 x 98,0 inches (204.0 x 249.0cm) reverse Illustrated.

Lot 29: WEENIX, Jan (1640-1719)

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Description: Still life of fruit with an elk scraring pigeons beneath an urn Oil/canvas 80,3 x 98,0 inches (204.0 x 249.0cm) reverse Illustrated.

Lot 29: WEENIX, Jan (1640-1719)

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Description: Still life of fruit with an elk scraring pigeons beneath an urn Oil/canvas 80,3 x 98,0 inches (204.0 x 249.0cm) reverse Illustrated.

Lot 29: WEENIX, Jan (1640-1719)

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Description: Still life of fruit with an elk scraring pigeons beneath an urn Oil/canvas 80,3 x 98,0 inches (204.0 x 249.0cm) reverse Illustrated.

Lot 30: WEENIX, Jan (1642-1719)

Description: WEENIX, Jan (1642-1719) Nature morte au renard Oil on canvas Signed and dated on the middle: J Weenix 1690 «Voilà le miroir où la nature nous présente ce que l'avenir nous réserve après la mort.» Lucrèce Specialised in the game still lives, Jan Weenix was largely collected and was renowned within and beyond the United Provinces during the Gold Century. His compositions are inhabited by dead poultry and others hanging up animals around which are positioned fruits and flowers. True to reality in its minor detail, they have a strong impact due to their aestheticism and their mute balance: an invitation to meditate on life's fleetingness. Our painting is a good illustration of his work. The fox is depicted stone dead, alike a hunting trophy; a blood trickle flows from his mouth; the tree-trunk's track appears as a wound. Beside the rotting carcass, wild plants; in the background, a city from the North as proved by the belfry. The whole acts as a memento mori: the vision of death in the undergrowth remind us that life and civilized relationships are artificial and faddish. Following a tradition that dates back to the 4th and the 3rd centuries before Christ with the rhopographies and rhyparographies of Piraïkos, Jan Weenix masters the rules of still life as determined by Charles Sterling: mimesis and symbolic. Sources: COMTE H., Natures mortes de l'Antiquité à nos jours - La vie silencieuse, Paris, Casterman, 1992. STERLING, Charles, La nature morte de l'Antiquité au XXe siècle, nouvelle édition révisée, Paris, Macula, 1985. 97x75cm - 38.25x29.5''

Lot 31: WEENIX, JAN (1640-1719)

Description: Bergere et son troupeau pres d'un chateau en ruine oil/canvas 33x40 inches (84x101 cm) signed (Lower Left).

Lot 31: WEENIX, JAN (1640-1719)

Description: Bergere et son troupeau pres d'un chateau en ruine oil/canvas 33x40 inches (84x101 cm) signed (Lower Left).

Lot 31: WEENIX, JAN (1640-1719)

Description: Bergere et son troupeau pres d'un chateau en ruine oil/canvas 33x40 inches (84x101 cm) signed (Lower Left).

Lot 31: WEENIX, JAN (1640-1719)

Description: Bergere et son troupeau pres d'un chateau en ruine oil/canvas 33x40 inches (84x101 cm) signed (Lower Left).

Lot 31: Jan Weenix

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Description:

Lot 31: Jan Weenix

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Description:

Lot 31: Jan Weenix

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Description:

Lot 31: Jan Weenix

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Lot 33: Jan Weenix (Amsterdam 1640-1719)

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Description: Portrait of Lodewina Schey, standing full-length, in a blue dress, with an attendant bearing flowers oil on canvas 42 x 35 1/2 in. (106.7 x 90.2 cm.)

Lot 33: Jan WEENIX (Amsterdam 1640 - 1719) Jeune femme

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Description: Jan WEENIX (Amsterdam 1640 - 1719) Jeune femme portant des fleurs Jeune garçon agenouillé portant un chien dans un parc Toile 122 x 103 cm Signé à droite sur la base de la frise en pierre J. Weenix...

Lot 34: Jan Weenix (Dutch, 1640-1719) A portrait of a lady, seated small full-length, in a garden with her dog 35 x 29 1/2in (88.9 x 74.9cm)

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Description: A portrait of a lady, seated small full-length, in a garden with her dog oil on canvas35 x 29 1/2in (88.9 x 74.9cm)

Lot 35: A young couple with goats and sheep in an Italianate landscape

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Description: Jan Weenix (Amsterdam 1640/2-1719) A young couple with goats and sheep in an Italianate landscape signed and dated 'J: Weenix: 1662:' (lower left) oil on canvas 69.8 x 116.3 cm.

Lot 37: WEENIX, JAN, 1640-1719 Tillskriven. Jaktstilleben

Description: WEENIX, JAN, 1640-1719 Tillskriven. Jaktstilleben med hare och fåglar i landskap. Duk, dubblerad, 75x61. 40000 (€4,270)

Lot 38: Jan Weenix (Amsterdam 1640-1719)

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Description: A trompe l'oeil casement with a boy and a monkey, a formal Italianate garden beyond with signature 'J Weenix f.' (lower right) oil on canvas 54 x 46 1/8 in. (137.2 x 117 cm.) NOTES We are grateful to Mr. Fred Meijer of the R.K.D. who has confirmed the attribution on the basis of a transparency (written communication, 18 May 2001). He suggests a dating of after 1700 and points out the rarity of such a prominent figure in this type of picture by the artist. Jan was the son of the painter Jan Baptist Weenix, whose influence is readily apparent in his early oeuvre, which concentrates on Italianate genre scenes set in landscapes or exotic ports. After 1680, Jan turned mainly to painting still lifes of dead game and birds, for which he is best known. This genre became increasingly popular and Jan served as court painter to the Elector Palatine Johann Wilhelm of Dusseldorf, for whom he painted twelve large hunting scenes for the Elector's lodge, Schloss Bensberg, near Cologne.

Lot 38: Jan Weenix (Amsterdam 1640-1719)

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Description: A trompe l'oeil casement with a boy and a monkey, a formal Italianate garden beyond with signature 'J Weenix f.' (lower right) oil on canvas 54 x 46 1/8 in. (137.2 x 117 cm.) NOTES We are grateful to Mr. Fred Meijer of the R.K.D. who has confirmed the attribution on the basis of a transparency (written communication, 18 May 2001). He suggests a dating of after 1700 and points out the rarity of such a prominent figure in this type of picture by the artist. Jan was the son of the painter Jan Baptist Weenix, whose influence is readily apparent in his early oeuvre, which concentrates on Italianate genre scenes set in landscapes or exotic ports. After 1680, Jan turned mainly to painting still lifes of dead game and birds, for which he is best known. This genre became increasingly popular and Jan served as court painter to the Elector Palatine Johann Wilhelm of Dusseldorf, for whom he painted twelve large hunting scenes for the Elector's lodge, Schloss Bensberg, near Cologne.

Lot 38: Jan Weenix (Amsterdam 1640-1719)

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Description: A trompe l'oeil casement with a boy and a monkey, a formal Italianate garden beyond with signature 'J Weenix f.' (lower right) oil on canvas 54 x 46 1/8 in. (137.2 x 117 cm.) NOTES We are grateful to Mr. Fred Meijer of the R.K.D. who has confirmed the attribution on the basis of a transparency (written communication, 18 May 2001). He suggests a dating of after 1700 and points out the rarity of such a prominent figure in this type of picture by the artist. Jan was the son of the painter Jan Baptist Weenix, whose influence is readily apparent in his early oeuvre, which concentrates on Italianate genre scenes set in landscapes or exotic ports. After 1680, Jan turned mainly to painting still lifes of dead game and birds, for which he is best known. This genre became increasingly popular and Jan served as court painter to the Elector Palatine Johann Wilhelm of Dusseldorf, for whom he painted twelve large hunting scenes for the Elector's lodge, Schloss Bensberg, near Cologne.

Lot 38: Jan Weenix (Amsterdam 1640-1719)

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Description: A trompe l'oeil casement with a boy and a monkey, a formal Italianate garden beyond with signature 'J Weenix f.' (lower right) oil on canvas 54 x 46 1/8 in. (137.2 x 117 cm.) NOTES We are grateful to Mr. Fred Meijer of the R.K.D. who has confirmed the attribution on the basis of a transparency (written communication, 18 May 2001). He suggests a dating of after 1700 and points out the rarity of such a prominent figure in this type of picture by the artist. Jan was the son of the painter Jan Baptist Weenix, whose influence is readily apparent in his early oeuvre, which concentrates on Italianate genre scenes set in landscapes or exotic ports. After 1680, Jan turned mainly to painting still lifes of dead game and birds, for which he is best known. This genre became increasingly popular and Jan served as court painter to the Elector Palatine Johann Wilhelm of Dusseldorf, for whom he painted twelve large hunting scenes for the Elector's lodge, Schloss Bensberg, near Cologne.

Lot 38: WEENIX, Jan (1640-1719, Dutch)

Description: Nature morte au lievre et au cop sur entablement, prov. Oil Painting (36x43in).

Lot 38: WEENIX, Jan (1640-1719, Dutch)

Description: Nature morte au lievre et au cop sur entablement, prov. Oil Painting (36x43in).

Lot 38: WEENIX, Jan (1640-1719, Dutch)

Description: Nature morte au lievre et au cop sur entablement, prov. Oil Painting (36x43in).

Lot 38: WEENIX, Jan (1640-1719, Dutch)

Description: Nature morte au lievre et au cop sur entablement, prov. Oil Painting (36x43in).

Lot 39: WEENIX, JAN (1640-1719)

Description: Nature morte aux trophees de chasse oil/canvas 41x35 inches (103.5x88 cm).

Lot 39: WEENIX, JAN (1640-1719)

Description: Nature morte aux trophees de chasse oil/canvas 41x35 inches (103.5x88 cm).

Lot 39: WEENIX, JAN (1640-1719)

Description: Nature morte aux trophees de chasse oil/canvas 41x35 inches (103.5x88 cm).

Lot 39: WEENIX, JAN (1640-1719)

Description: Nature morte aux trophees de chasse oil/canvas 41x35 inches (103.5x88 cm).