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Jim Lambie Auction Price Results

Jim Lambie (1964-)  Please Register/Login to access your Invaluable Alerts

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Jim LAMBIE (Né en 1964) LAMPE

Lot 95: Jim LAMBIE (Né en 1964) LAMPE "DUBTRONIC", 2005 Base en béton, métal laqué noir et céramique émaillée rose

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Description: Jim LAMBIE (Né en 1964) LAMPE "DUBTRONIC", 2005 Base en béton, métal laqué noir et céramique émaillée rose Edition du New Museum Edition limitée à 30 exemplaires + 5 EA h: 40 w: 20 d: 18 cm Provenance : Collection d'un couple d'amateurs parisiens

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JIM LAMBIE The Doors (Hunky Dory), 2002

Lot 2: JIM LAMBIE The Doors (Hunky Dory), 2002

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Description: JIM LAMBIE The Doors (Hunky Dory), 2002

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No Image Available

Lot 2: JIM LAMBIE Green Door, 2004 Gloss household paint on wood with meta. . Overall dimensions 78 1/2 x 79 &fr... This work is accompanied by a certifica...

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Description: JIM LAMBIE Green Door, 2004 Gloss household paint on wood with meta. . Overall dimensions 78 1/2 x 79 &fr... This work is accompanied by a certifica...

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Barry, 2001

Lot 2: Barry, 2001

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Description: Barry, 2001Cut record cover with ribbon and metallic adhesive tape. 12 1/4 x 24 5/8 in. (31.1 x 62.5 cm).  Signed, titled and dated "Jim Lambie 'Barry' 2001" on the reverse. 

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JIM LAMBIE

Lot 3: JIM LAMBIE

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Description: B. 1964PSYCHEDELICSOULSTICKapproximately 90 by 5 by 5cm.; 35 3/8 by 2 by 2in.bamboo cane, wire, coloured thread, and mixed mediaExecuted in 2006, this work is unique.PROVENANCEDonated by the artist, courtesy of Sadie Coles HQ and The Modern Institute/Toby Webster LtdNOTEPlastic bags, buttons, discarded gloves, belts, magazine cut-outs, threads of wool -- Jim Lambie draws his materials from the attic, the market stall or the jumble sale; from the clutter and visual noise of our daily lives. He arranges these in simple configurations -- a line, a circle -- or manipulates them through simple gestures such as cutting, tying or sticking. This economy of means is in inverse proportion to the sheer punk splendour of his work, which combines colour and line to inject a psychedelic rush of energy into the prosaic and the everyday.Lambie's works often start from, or at least contain, a hard edge that is then broken down and opened out. The outer perimeter of a vinyl record might be pulled inwards by the coloured threads with which it has been covered, rainbow rays that simultaneously draw the eye into the centre and vibrate with the energy of an explosion caught mid air. Others are slower in rhythm: seven punctured plastic bags of different colours hang low on hooks, eking coloured paint that streaks the walls before congealing into formless pools of colour on the gallery's floor. With each of Lambie's works, a physical object sets the parameters for his intervention, and is then abstracted to a point where it hovers between sculpture and image. Perhaps his best-known work is Lambie's Zobop, an ongoing series of patterned floors. These are made with strips of differently coloured adhesive vinyl, applied to follow the contours of the walls in ever-decreasing concentric configurations that eventually cover the entire floor. To a certain extent, Zobop explains the architecture of the space by mapping out its shape, while incorporating itself by fusing with, rather than resting on, the floor. Yet the overall effect is to prize open the solidity of bricks and mortar, which the artist renders almost illegible through a syncopated, vortex-like configuration of colour and line. This disruptive force redefines rather than illustrates the space, transforming it into a psychologically charged environment that speaks of an altogether different use.While Lambie's work spans a number of artistic references -- drip painting, Fluxus, Minimalism, Op Art to name but a few -- his language is more closely aligned with the mental dreamscapes of Surrealism, marked out with the attendant props of a pop cultural iconography that shapes our waking world. Music appears especially important; indeed Zobop is reminiscent of the multi-coloured dance floors of the 1970s and 80s. Other works may consist of record decks covered in coloured glitter, record covers cut and opened into Rorschach images, or speakers covered in mirrors and sparkling, tight fitting tank-tops. Objects such as these have been manipulated in a way that deprives them of their functionality, conjuring up and rendering manifest the experiences and emotions that music can generate in its ability to transform the mundane. Psychedelicsoulstick, created by the artist especially for this auction, is part of an ongoing series, which began in 1998. It consists of a bamboo stick that has been tied up with different coloured thread, while mundane, discarded articles such as empy cigarette packets, an old watch or some guitar lead are woven into it like objects in a time capsule. The crafted quality of the work is emphasised in the materials and the process -- fingers that might have plucked on guitars strings or sown garments for the body have created here an object that vibrates like a shimmering rainbow, carrying within its genetic make-up the promise of music to come. A second line snakes it way around the main stick, this one entirely made of tightly wound material. The two elements come together in several places with bulbous forms that resemble a cocoon or chrysalis, here too suggesting the possibility of a transformation that stems from deep within the work. Psychedelicsoulstick recalls André Cadere's Barres de Bois Ronde of the 1970s, which the artist would carry round the city, give to friends or casually prop up against walls, as though not quite belonging, in gallery exhibitions. Cadere hoped that each Barre would offer a starting point for conversation, and would chose the colours of each work according to a system which, however, would also carry within it one mistake. Lambie's soul stick, by contrast, is all mistake; a criss-crossing vortex of interconnecting line and colour that follows no predetermined order but revels instead in chance and coincidence. Like a shamanistic, ritual object, it possesses an extraordinary energy that radiates out and fills a room, amplifying the abstract, in-between and irrational spaces that are Lambie's terrain. Nominated for the Turner Prize in 2005, Jim Lambie has exhibited around the world with recent shows at the 54th Carnegie International in Pittsburgh (2005), the Lyons Biennale (2005) and the Hirshhorn Museum in Washington, DC, in 2006. He was one of a group of artists representing Scotland at the Venice Biennale in 2003. AT

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Jim Lambie

Lot 3: Jim Lambie

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Description: Night Divides the Day

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JIM LAMBIE

Lot 12: JIM LAMBIE

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Description: Psychedelic Soul Stick This work is accompanied by a certificate of authenticity.

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Minina Moca

Lot 19: Minina Moca

Description: Jim Lambie (b. 1964) Minina Moca signed, titled and dated 'Minina Moca Jim Lambie '00' (on masking tape affixed to the reverse)vinyl record, yarn and glue diameter: 12 in. (30.4 cm.) Executed in 2000.

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Jim Lambie , b. 1964 Instant Karma oil on canvas collage on poster

Lot 24: Jim Lambie , b. 1964 Instant Karma oil on canvas collage on poster

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Description: oil on canvas collage on poster

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Jim Lambie

Lot 30: Jim Lambie

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Description: The Only Inn In Town Signed and dated "Jim Lambie 2005" lower right.

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Jim Lambie (born 1964)

Lot 57: Jim Lambie (born 1964)

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Description: Dubtronic, 2005 signed and numbered 'Jim Lambie 18/30' (on the inside of the block)concrete block, ceramic, metal, blue electric power cord and light bulbs16 x 17 3/4 x 8 1/2in. (40.6 x 45.1 x 21.6cm)This work is number eighteen from an edition of thirty.

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JIM LAMBIE

Lot 88: JIM LAMBIE

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Description: Non-Stop Rock ’n’ Soul Signed, titled and dated ‘Jim Lambie 2007 NON-STOP ROCK 'N' SOUL' on the record label on the reverse.

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Untitled (Sunglasses), 2001

Lot 101: Untitled (Sunglasses), 2001

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Description: Untitled (Sunglasses), 2001Colored sunglass lenses and metallic tape on metallic paper.  36 x 28 1/2 in. (91.4 x 72.4 cm). 

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JIM LAMBIE

Lot 110: JIM LAMBIE

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Description: JIM LAMBIE B.1964 MASTER BLASTER magazine paper collage 150 by 300cm.; 59 1/8 by 118 1/8 in. Executed in 2004.

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JIM LAMBIE

Lot 111: JIM LAMBIE

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Description: JIM LAMBIE B.1964 THE DOORS (YOU MAKE ME REAL) wood, enamel paint and mirrored perspex 85 by 198.1 by 114.3cm.; 33 1/2 by 78 by 45in. Executed in 2006.

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Jim Lambie

Lot 111: Jim Lambie

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Description: Untitled (Sunglasses) This work is unique.

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Hair Dryer

Lot 119: Hair Dryer

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Description: Jim Lambie (b. 1964) Hair Dryer mirrored glass, acrylic and printed paper collage on board in artist's frame 24¾ x 34½ in. (62.9 x 87.6 cm.) Executed in 2005.

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JIM LAMBIE

Lot 121: JIM LAMBIE

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Description: Split Endz (wig mix)

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Jim Lambie (Scottish, b. 1964) Untitled, 2000; Cut

Lot 123: Jim Lambie (Scottish, b. 1964) Untitled, 2000; Cut

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Description: Jim Lambie (Scottish, b. 1964) Untitled, 2000; Cut paper with collage (framed); Signed and dated; 13 1/4'' x 7 1/4'' (sheet, irregular); Provenance: Fundacja Galerii Foksal, Warsaw, Private Collection, San Francisco

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Kebabylon, 2002

Lot 126: Kebabylon, 2002

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Description: Kebabylon, 2002Hairbands and fabric-backed adhesive tape.   Installation dimensions variable; 54 x 39 3/4 x 39 3/8 in. (137.2 x 101 x 100 cm).   This work is accompanied by a certificate of authenticity. 

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Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004

Lot 131: Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004

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Description: Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004Hand-cut boxer shorts with gloss paint, tape and two cans of paint. Each: 31.8 x 25.4 x 9.5 cm. (12 1/2 x 10 x 3 3/4 in). 

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JIM LAMBIE

Lot 139: JIM LAMBIE

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Description: PROPERTY FROM A PRIVATE EUROPEAN COLLECTION Wigwambamwamwig

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JIM LAMBIE

Lot 140: JIM LAMBIE

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Description: B.1964 I BELIEVE IN MIRACLES mirror, plastic skull and gloss paint 122 by 72 by 72cm.; 48 by 28 3/8 by 28 3/8 in. Executed in 2003, this work is unique.

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JIM LAMBIE

Lot 141: JIM LAMBIE

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Description: Two works: (i) Sandhead (Blue); (ii) Sandhead (Sand)

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JIM LAMBIE

Lot 142: JIM LAMBIE

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Description: Digital This work is unique.

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JIM LAMBIE Two Works: (i) Sandhead (Blue); (ii)

Lot 144: JIM LAMBIE Two Works: (i) Sandhead (Blue); (ii)

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Description: JIM LAMBIE Two Works: (i) Sandhead (Blue); (ii) Sandhead (Sand), 2004

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JIM LAMBIE Eye Shadow, 2002

Lot 145: JIM LAMBIE Eye Shadow, 2002

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Description: JIM LAMBIE Eye Shadow, 2002

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Mobile Disco

Lot 158: Mobile Disco

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Description: Jim Lambie (b. 1964) Mobile Disco record deck, glitter, wire, tape 37 x 18½ x 16 in. (93.9 x 46.9 x 40.6 cm.) Executed in 1999.

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Jim Lambie

Lot 160: Jim Lambie

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Description: PROPERTY FROM THE SUSAN D. GOODMAN COLLECTION Untitled (Dizzie)

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m - JIM LAMBIE

Lot 166: m - JIM LAMBIE

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Description: B. 1964SIMPLE DREAMS60 by 30cm.; 23 5/8 by 11 3/4 in.signed and dated 2000 on the reversecut album coverPROVENANCEModern Institute, Glasgow Acquired directly from the above by the present owner

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JIM LAMBIE

Lot 198: JIM LAMBIE

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Description: Blacktronic This work is accompanied by a certificate of authenticity signed by the artist.

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JIM LAMBIE

Lot 211: JIM LAMBIE

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Description: Zobop (Broad Band) This work is from an edition of three and is accompanied by the artist's installation instructions.

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JIM LAMBIE

Lot 212: JIM LAMBIE

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Description: Untitled

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Jim Lambie

Lot 215: Jim Lambie

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Description: foil, vinyl tape and paper collage on board,54 1/2 by 54 in. 138.4 by 137.2 cm.,Executed in 2009.

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s - JIM LAMBIE

Lot 219: s - JIM LAMBIE

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Description: B. 1964LOVE RADARSmeasurementseach approximately 42 in.alternate measurements106.7 cm.rubber and wood handlebars with lanyards and screw mountsCondition Note: In good condition aside from surface dirt on lanyards.We are pleased to provide you with a general report of the condition of the property described in our catalogue. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSION CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE CATALOGUE.Executed in 2001PROVENANCEThe Modern Institute, Glasgow

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JIM LAMBIE

Lot 221: JIM LAMBIE

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Description: 3 Minutes

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JIM LAMBIE

Lot 222: JIM LAMBIE

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Description: Psychedelic Soul Stick

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JIM LAMBIE

Lot 224: JIM LAMBIE

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Description: Supernature

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JIM LAMBIE

Lot 225: JIM LAMBIE

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Description: Psychedelic Soul Stick

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No Image Available

Lot 229: Modern & Contemporary Art by Jim Lambie *

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Description: Modern & Contemporary Art by Jim Lambie *

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JIM LAMBIE (NE EN 1964)

Lot 234: JIM LAMBIE (NE EN 1964)

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Description: JIM LAMBIE (NE EN 1964) The fall (blood orange) signé et daté 'Jim Lambie 2005' (en haut à gauche) peinture à l'émail et collage sur papier 42 x 59 cm. (16½ x 23¼ in.) Réalisé en 2005.

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Jim Lambie

Lot 234: Jim Lambie

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Description: Proceeds of the sale of this lot to Benefit Disaster Relief for the Victims of the Samoan Tsunami Bananarama Signed, titled and dated “Jim Lambie Bananarama 2009” on the reverse.

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JIM LAMBIE (NE EN 1964)

Lot 235: JIM LAMBIE (NE EN 1964)

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Description: JIM LAMBIE (NE EN 1964) The fall (strange fruit) signé et daté 'Jim Lambie 2005' (en bas à droite) peinture à l'émail et collage sur papier 42 x 59.5 cm. (16½ x 23 3/8 in.) Réalisé en 2005.

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JIM LAMBIE

Lot 236: JIM LAMBIE

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Description: JIM LAMBIE B.1964 WILD CHILD signed, titled and dated 2008 on the reverse collage on paper 35 by 24 in. 89 by 61 cm

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JIM LAMBIE

Lot 257: JIM LAMBIE

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Description: Sandhead (Green)

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JIM LAMBIE Cigarette Burns, 2000 Magazine page and cigarette burns. 11.25 x 9in. (28.6 x 22.9cm).

Lot 260: JIM LAMBIE Cigarette Burns, 2000 Magazine page and cigarette burns. 11.25 x 9in. (28.6 x 22.9cm).

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Description: JIM LAMBIE Cigarette Burns, 2000 Magazine page and cigarette burns. 11.25 x 9in. (28.6 x 22.9cm).

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JIM LAMBIE Untitled, 2000 Assembly of metal and plastic earrings ... 53 x 5.5 x 5.5in. (134.6 x 14 x 14cm).

Lot 263: JIM LAMBIE Untitled, 2000 Assembly of metal and plastic earrings ... 53 x 5.5 x 5.5in. (134.6 x 14 x 14cm).

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Description: JIM LAMBIE Untitled, 2000 Assembly of metal and plastic earrings ... 53 x 5.5 x 5.5in. (134.6 x 14 x 14cm).

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Hot + Spicy, 2003

Lot 270: Hot + Spicy, 2003

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Description: Hot + Spicy, 2003Mirror, household gloss and glitter on wood.   2 3/4 x 12 1/8 x 21 7/8 in. (7 x 30.8 x 55.6 cm).  This work is accompanied by a certificate of authenticity signed by the artist.

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JIM LAMBIE

Lot 294: JIM LAMBIE

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Description: Non-Stop Rock ’n’ Soul Signed, titled and dated ‘Jim Lambie 2007 NON-STOP ROCK ’N’ SOUL’ on the record label on the reverse.

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Jim Lambie

Lot 296: Jim Lambie

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Description: Flowers of Romance

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