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Ossip Zadkine Auction Price Results

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Ossip Zadkine (1890-1967) Les mains Végétales, vers 1970

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Description: Ossip Zadkine (1890-1967) Les mains Végétales, vers 1970 Bronze cast with brown patina Numbered 1/6 Inscribed "Zadkine" 30 5/16 x 12 3/16 x 20 7/8 in Ossip Zadkine (1890-1967) Les mains Végétales, vers 1970 épreuve en bronze à patine brune Numérotée 1/6 Inscrit "Zadkine" Bronze cast with brown patina Numbered 1/6 Inscribed "Zadkine" 77 x 31 x 53 cm - 30 5/16 x 12 3/16 x 20 7/8 in

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Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928

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Description: Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928 Signed O. Zadkine and dated 28 (ll) Gouache on paper 21 1/2 x 27 1/2 inches

Condition Report: Slightly toned. Mat burn at edges. Glue stains in recto along margins. 1/4 inch tear at left center edge and another at top center edge. !/8 inch loss of pigment in trees. Hinged at top, verso with linen tape. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ossip Zadkine, Abstract Figures, 2 Lithographs, 1968

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Description: 2 lithographs on JapanFrance, 1968Ossip Zadkine (1890-1967) - Belarusian-French painter, sculptor and graphic artist; exponent of cubism2 prints aside from the edition of 65 numbered copies, from the portfolio ‘Europäische Graphik VI’Image dimensions: 45 x 26 cm and 47 x 27 cm; sheet dimensions: 65 x 50 cm eachGood conditionEstimate by Auctionata Expert: 400 EuroCondition:The prints are in good condition. The edges are in some places slightly creased, otherwise overall of good impression. The image dimensions are c. 45 x 26 cm and 47 x 27 cm, the sheet dimensions 65 x 50 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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No Image Available

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Description: Ossip ZADKINE (1890 - 1967) Au café 16 x 13, 5 cm Eau forte annotée «épreuve d'essai» signée. Légèrement insolée, quelques mouillures, bonnes marges

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) OISEAU D'OR Sculpture en bronze doré

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) OISEAU D'OR Sculpture en bronze doré signé et numéroté sur le côté "Zadkine 4/5", cachet du fondeur à l'arrière "Susse Fondeur Paris" h: 85,50 cm Provenance : Ancienne collection Nicolas Marc du Plantier, Paris Collection particulière, Paris (acquis auprès de la veuve du précédent en 1976) Bibliographie : L'art vivant, Paris, octobre 1926, reproduit p. 742 (le modèle en plâtre illustré) Ionel Jianou, "Zadkine", Paris, 1979, n°95, p. 66 (daté 1921) Musée Zadkine, n°32a, Paris, 1989 reproduit p. 51 (le modèle en plâtre illustré) Sylvain Lecombre, "Ossip Zadkine, l'oeuvre sculpté", Paris, 1994, n°139b, reproduit p. 182 (le modèle en plâtre illustré) Commentaire : Epreuve réalisée en 1970 avec l'autorisation de Valentine Prax, veuve de l'artiste, d'après le plâtre peint et doré ayant appartenu à Nicolas Marc du Plantier et aujourd'hui dans les collections du Musée Zadkine, Paris. "OISEAU D'OR"; SCUPTURE WITH GILDED PATINA; SIGNED AND NUMBERED ON THE SIDE, FOUNDRY MARK ON THE BACK

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Ossip Zadkine (1890-1967)Tête d'homme

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Description: Ossip Zadkine (1890-1967) Tête d'homme Crayon de couleur bleu sur papier Signé OZ en bas à droite 35 x 25 cm Provenance : collection particulière, Italie Un certificat d'authenticitéde Madame Noëlle Chabert, Conservateur en chef du patrimoine, sera remis à l'acquéreur

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Osip ZADKINE   Sans titre

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Description: Osip ZADKINE Sans titre Lithographie sur papier signée en bas à droite et numérotée 80/350 53 x 68,5 cm (Petites tâches)

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) PORTRAIT DE JEUNE HOMME, 1934 Dessin au crayon sur papier

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) PORTRAIT DE JEUNE HOMME, 1934 Dessin au crayon sur papier dédicacé, signé et daté en bas à droite, "à Katy Lions en souvenir de la G.Ch o.Zadkine 17.7.34" h: 63 w: 48,50 cm Commentaire : Cette oeuvre est enregistrée dans les archives du Musée Zadkine à Paris.

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Ossip ZADKINE (attrib) (1890-1967)

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Description: wood sculpture 27" x 7.5" excellent condition

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Ossip ZADKINE 1890 - 1967 LE COMPOSITEUR OU L'INSPIRE - 1936

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Description: Ossip ZADKINE 1890 - 1967 LE COMPOSITEUR OU L'INSPIRE - 1936 Bronze à patine brune nuancée vert Signé et annoté sur la tranche de la terrasse "O ZADKINE 1/5 ORIGINAL", cachet du fondeur sur la terrasse "LAMY CIRE PERDUE" Hauteur: 45 cm Provenance : Collection Claude André Puget, Paris Vente Paris, Pierre Bergé & Associés, 5 mai 2006, lot 87 (patine vert antique) A l'actuel propriétaire par cessions successives Expositions : Paris, Petit Palais, "Les Maitres de l'art indépendant 1895-1937", 1937 Cologne, Wallraf Richartz Museum, Mannheim, Städtische Kunsthalle, 1960, n° 16 (daté 1939) Londres, Tate Gallery, Newcastle Upon Tyne, Hatton Art Gallery, Bristol, City Art Gallery, janvier-avril 1961, n° 22 (daté 1939) Bibliographie : I. Jianou, Zadkine, Arted, Paris, 1979, n°192 p. 173 (daté 1930) et n° 235 p. 75, reproduit en noir et blanc pl. 45 (exemplaire en plâtre) S. Lecombre, Ossip Zadkine l'oeuvre sculpté, Paris-Musées, Paris, 1994, n° 282, reproduit en noir et blanc p. 320 (exemplaire en plâtre) Commentaire : BRONZE WITH BROWN PATINA WITH SHADES OF GREEN ; SIGNED, NUMBERED, INSCRIBED AND STAMPED WITH THE FOUNDRY MARK ON THE BASE

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Ossip ZADKINE 1890 - 1967 FEMME A GUITARE - 1923 Gouache, encre et lavis d'encre sur papier

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Description: Ossip ZADKINE 1890 - 1967 FEMME A GUITARE - 1923 Gouache, encre et lavis d'encre sur papier Signé et daté en bas à droite "ZAdkine 23" h: 44,50 w: 53,50 cm Provenance : Collection particulière, Paris À l'actuel propriétaire par cessions successives Expositions : Arles, Espace Van Gogh, Paris, Cloître des Cordeliers, Zadkine gouaches des années 20, mars-septembre 1992, n° 21, reproduit Commentaire : GOUACHE, INK AND INKWASH ON PAPER; SIGNED AND DATED LOWER RIGHT

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Ossip ZADKINE   Fowler   Lithograph in colors on Arches No. 277/300 (slight trace of sunshine), Studio's dry stamp   Ossip Zadkine lower right.   51 , 5 x 31.5 cm.

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Description: Ossip ZADKINE Fowler Lithograph in colors on Arches No. 277/300 (slight trace of sunshine), Studio's dry stamp Ossip Zadkine lower right. 51 , 5 x 31.5 cm.Ossip ZADKINEL'OiseleurLithographie en couleurs sur Arches n° 277 / 300 (légère trace d'insolation), timbre à sec de l'atelierOssip Zadkine en bas à droite.51,5 x 31,5 cm.THE AUCTIONEER IS ONLY RESPONSIBLE FOR THE FRENCH INFORMATION PROVIDED BY THIS CATALOGUE. THE ENGLISH TRANSLATION IS COURTESY TO THE ENGLISH SPEAKERS.

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Ossip ZADKINE (1890-1967) - Personnages  Eau-forte

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Description: Ossip ZADKINE (1890-1967) - Personnages Eau-forte Signé et numéroté 13/100 en bas On y joint l'ouvrage «ZADKINE SCULPTURES» préfacé par Denys Chevalier et édité par Guy Le Prat, qui accompagnait cette eau forte. Exemplaire numéro 13 dédicacé par Zadkine à Yves Revelli.

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ZADKINE Ossip, 1890 -1967 L'Oiseleur Lithographie en couleurs sur Arches n° 277 - 300 (légère trace d'insolation), timbre à sec de...

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Description: ZADKINE Ossip, 1890 -1967L'OiseleurLithographie en couleurs sur Arches n° 277 - 300 (légère trace d'insolation), timbre à sec de l'atelierOssip Zadkine en bas à droite.51,5 x 31,5 cm.

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ZADKINE Ossip, 1890 -1967 L'oeuvre gravé et lithographié de Zadkine Ouvrage de Christophe CZWIKLITZER, 1967, exemplaire n° 339 - 3...

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Description: ZADKINE Ossip, 1890 -1967L'oeuvre gravé et lithographié de ZadkineOuvrage de Christophe CZWIKLITZER, 1967, exemplaire n° 339 - 375 dans son emboîtage usagé,avec en frontispice une eau-forte de l'artiste signée, livre signé par l'artiste et l'auteur.Eau-forte : 28 x 20,5 cm.

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Micheline CATTY (1926) (élève d' Ossip ZADKINE (1890-1967)),

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Description: Micheline CATTY (1926) (élève d' Ossip ZADKINE (1890-1967)), "Le Tipère amarré"", gouache, aquarelle et feutre sur papier, signé en bas à droite, 50 x 64 cm"

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Ossip Zadkine (1890-1967) Petite fleur Sculpture en bronze à patine brune Monogrammée :

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Description: Ossip Zadkine (1890-1967) Petite fleur Sculpture en bronze à patine brune Monogrammée : " O. Z. " Date de création : 1959 Fonderie Bisceglia, n° 2/10 ; édition interrompue au troisième exemplaire, le premier est conservé au musée des Beaux-Arts de Montréal. H 14 x L 14 x P 10 cm Bibliographie : - S. Lecombre, Ossip Zadkine, l'œuvre sculpté, Paris, Paris Musées, 1994, p. 574, n° 511.

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Ossip ZADKINE 1890 - 1967 O BATAILLES ! LA TERRE TREMBLE COMME UNE MANDOLINE - 1967COMME UNE MANDOLINE – 1967

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Description: Ossip ZADKINE 1890 - 1967 O BATAILLES ! LA TERRE TREMBLE COMME UNE MANDOLINE - 1967 COMME UNE MANDOLINE – 1967 Eau-forte en noir signée et justifiée « HC » h: 44,60 w: 32 cm

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Ossip Zadkine (1890-1967) Les confidences Sculpture en bronze à patine brun foncé Signée :

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Description: Ossip Zadkine (1890-1967) Les confidences Sculpture en bronze à patine brun foncé Signée : " O ZADKINE " Date de création du modèle: 1944, fonte de 1973 Fonderie Susse Frères, n° 3/8 ; l'exemplaire 2/8 est conservé au musée Zadkine, à Paris H 78 x L 20 x P 18 cm Bibliographie : - S. Lecombre, Ossip Zadkine, l'œuvre sculpté, Paris, Paris Musées, 1994, p. 419 n 385 .

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Ossip ZADKINE 1890 - 1967 LE GUITARISTE – 1966

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Description: Ossip ZADKINE 1890 - 1967 LE GUITARISTE – 1966 Eau-forte en couleurs signée et dédicacée h: 66 w: 5 cm

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GANZO (R.) - ZADKINE (O.). Lespugue. [Paris], Marcel Sautier, [1966], in-8°, en ff., couverture, chemise et étui d'éditeur.

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Description: GANZO (R.) - ZADKINE (O.). Lespugue. [Paris], Marcel Sautier, [1966], in-8°, en ff., couverture, chemise et étui d'éditeur. 6 eaux-fortes originales d'Ossip Zadkine (1890-1967) L'un des 19 exemplaires sur japon nacré, numérotés de 7 à 25, contenant : - une suite en premier état des 6 eaux-fortes sur japon nacré, chaque épreuve est signée. - une suite de l'état définitif en bistre des 6 eaux-fortes sur japon nacré, chaque épreuve est signée. L'exemplaire est enrichi d'un prière d'insérer et d'un extrait des Poètes contemporains de Léon-Gabriel Gros, collé sur la chemise : « Je ne crois pas qu'il y ait d'exemple de poème s'achevant ainsi en glorification de la Poésie [...]. » Trace de report sur le premier plat de couverture. Édition limitée à 200 exemplaires, tous signés par l'auteur et l'artiste. Dimensions : 254 x 166 mm.

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Watercolor/pen and ink

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Description: Ossip Zadkine, "Woman with Flowers," gouache on paper

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Original model for Zadkine's masterpiece entirely made by hand

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Description: SCULPTURE - ZADKINE, Ossip (Russian 1890 - 1967). The Destroyed City. Ossip Zadkine (1890 - 1967) The Destroyed City (model) reinforced plaster, height 130 cm. Unique handmade copy fabricated by the artist in 1948. Presumably painted over in one layer white after moulds were made. Unrecorded. Not in the catalogue raisonné (probably assumed to be lost or destroyed by the bronze foundry). The present sculpture was produced in 1948 and based on a metal frame on which plaster was applied. It is the only plaster model of Zadkine's masterpiece ever on the market and now - 66 years later - up for sale for the very first time.Two other copies in plaster are known, only one of which survives. The first one, a model by the name of "Ontwerp voor een monument voor een verwoeste stad" ("Design of a monument for a destroyed city"), perished in 1947 on its way back from the first exhibitions where it was shown, in Prague and Berlin respectively. Zadkine made a new copy that was exhibited, among other places, in the Stedelijk Museum Amsterdam, and was introduced by Sandberg to the director of the Bijenkorf, G. van der Wal. This copy remains part of the Bijenkorf collection to this day. Van der Wal was immediately convinced of the power of the design to serve as a war monument for the city of Rotterdam and decided to finance the project on behalf of the Bijenkorf (only after 25 years, in 1978, when the plaque was attached, it became known that the Bijenkorf was the driving force behind the monument). For this to become reality, first the city of Rotterdam had to endorse the plan for the monumental sculpture. Van der Wal, who was himself a collector of sculptures, decided that a plaster model would not suffice for this purpose and, after consulting Zadkine, ordered a bronze cast at the bronze foundry "Binder" in Haarlem, which he placed in the canteen of the city hall. Afterwards, he handed mayor Van Walsem his very extensive documentation, and gave his blessing to convince both the administration and the people. Only in 1951 would the local administration give its consent, when almost all, sometimes uncommonly violent, resistance had quieted down. The monument would become 6 meters in height, 3000 kilograms in weight and was to be placed on a stone pedestal at the Leuvehaven. For the final sculpture, Zadkine created a smaller plaster model of 2.25 meters in height, that was exhibited for the first time in December of the same year. The artist considered "The Destroyed City", on its way to become the largest war memorial in the world, to be his magnum opus. Nevertheless, after a while, the size of the model became so cumbersome in his studio, that he wanted to chop it up in pieces. Van der Wal, who owned the rights to the sculpture, intervened and made a bronze cast of it in 1956. The latest phase of the preparation of the monument was not without its difficulties either. Because a work of this size could not be casted in the Netherlands, the famous French sculpture foundry "Rudier" would cast the six-meter-high plaster model (which was ready by 1952) in bronze. Unfortunately, Rudier suffered a stroke while driving his car on the Champs Elysées. He managed to reach his house, but on arrival, fell out of the car dead. This was more than just a personal drama. Rudier had written in his testament that his company would no longer cast bronzes after his death. His company, however, was the only one that was capable of casting sculptures au sable ('in sand') on this scale. The order had to be transferred to another foundry, "Susse", that worked with the much more expensive method au cire perdu ('in lost wax'). In April of 1953 the monument was finished in Paris. It was unveiled in Rotterdam in May of the same year. In the end, 6 copies were cast in bronze in the same foundry in 1957 (and another 5 épreuves d'artiste) after the Bijenkorf model of 1948, signed "O. Zadkine 1947". Several of these copies are public property, and are exhibited in the Musée d'Art Moderne de Bruxelles, the Baltimore Museum of Art and the Musée Zadkine. Although there can be no misunderstanding about the fact that the sculpture that is presently for sale is originating from the first phase of the creation of the monument, the provenance and the meaning of this remarkably beautiful plaster sculpture is once more carefully examined and described. The model was left behind by the artist to be destructed at the bronze foundry "Binder" in Haarlem, where the presentation model in bronze was casted that Van der Wal presented in Rotterdam in early 1949. There it was discovered in 1955 by Mrs. Van Taalingen-Dols from Aerdenhout who passionately - "destruction would be a mortal sin" - requested Zadkine by letter to save the copy for him. She vowed to never make reproductions of it and take good care of it "at home". Zadkine agreed and Binder handed her the sculpture that would be part of her home in Aerdenhout until her death in 1980. It was inherited by her daughter who took it with her to Rotterdam, where she sold it to the current owner in 1990. Mrs. Van Taalingen-Dols, who is perhaps best remembered today for her book De strijd om een mensenleven ('The battle to preserve a human life') (1960), was well known for her resistance work during the Second World War, by fighting the deportation of Dutch Jews on legal grounds. Her expeditiousness in this matter, according to Lou de Jong, may be illustrated by the fact that she succeeded in infiltrating the group of closest collaborators of Eichmann, and successfully prevented the deportation of her college professor, Prof. Meijers, to the "work camps" in Eastern Europe. The couple Van Taalingen paid Zadkine a visit in his studio in Paris in 1957. As requested by the artist, the loan was paid off by paying FF 10.000 in cash (according to an oral statement ten years later to the daughter and later owner Mrs. Suermondt). Mrs. Van Taalingen is now the legal owner of the sculpture. Although Zadkine's wish to destroy the plaster model was presumably in the first place aimed at preventing illegal copies, it also illustrates the prevailing appreciation at that time for copies in plaster. Or, better put, the complete lack of that appreciation. Only in the last few years, the interest in plaster models is on the rise. Not only because they are (much) closer to the artist, but also because of their esthetic superiority: they show much more details and contrast. If that is true for cast copies that were produced on the basis of a clay archmodel, it applies even more so to this sculpture that was completely handcrafted by Zadkine. A model, furthermore, on which he knew the fate of the monument would depend and, in a way, his whole artistic legacy. This is the copy in which Zadkine combined all the emotion he felt during the conception, all his creative power and all his craftsmanship to convince and conquer Rotterdam, and ultimately the whole world.

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Ossip ZADKINE (1890-1967)   LA CHANTEUSE NUE

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Description: Ossip ZADKINE (1890-1967) LA CHANTEUSE NUE 1954 Bronze à patine noire Signé et numéroté 2/10 sur la terrasse Tirage à 10 exemplaires plus 2 épreuves d’artiste effectués chez Susse Fondeur à partir de 1954 35 x 11,5 x 9,5 cm Répertorié sous le numéro 453 de l’ouvrage de Sylvain Lecombre, Ossip Zadkine, l’OEuvre scupté, éd. Paris Musées, 1994, p. 511 L’exemplaire 10/10 est conservé au Musée Zadkine. Ossip ZADKINE Son OEuvre représente l’un des temps forts de l’art contemporain en incarnant son esprit d’indépendance, l’aventure et son agitation féconde. Elle se caractérise surtout par la tension nerveuse portée à son paroxysme, sa grande audace, son caractère poignant et son style monumental. Son attitude est révolutionnaire, dans le plus pur sens du terme. La plupart de ses sculptures peuvent être classées selon les thèmes suivants: portraits et forme humaine, le thème biblique, le thème mythologique, les thèmes musicaux et poétiques, le thème de la guerre, et enfin les oeuvres qui célèbrent les grands artistes créatifs. Zadkine est souvent revenu, après des périodes prolongées, à un sujet appartenant à un cycle donné, car ces méthodes de travail l’amènent à alterner les thèmes et les procédures, évitant ainsi la monotonie et la répétition. *

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Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928

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Description: Ossip Zadkine Russian/French, 1890-1967 Untitled, 1928 Signed O. Zadkine and dated 28 (ll) Gouache on paper 21 1/2 x 27 1/2 inches (54.6 x 69.9 cm)

Condition Report: Slightly toned. Mat burn at edges. Glue stains in recto along margins. 1/4 inch tear at left center edge. Hinged at top, verso with linen tape. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ossip ZADKINE (1890-1967) .   Deux personnages.   Encre .   Signée en bas à droite .   28 x 17 cm à vue .

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Description: Ossip ZADKINE (1890-1967) . Deux personnages. Encre . Signée en bas à droite . 28 x 17 cm à vue .

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) ENSEMBLE DE 2 OUVRAGES

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) ENSEMBLE DE 2 OUVRAGES - Robert GANZO, Lespugue. S.l. (Paris), Marcel Sautier, s.d. (1966). In-8°(250 x 165), en feuilles, couverture rempliée, chemise, étui. Illustré de 6 eaux-fortes hors-texte dont une à double page Edition à 200 exemplaires, celui-ci n° 34, un des 175 sur papier d'Auvergne signé par l'auteur et l'artiste - Les Travaux d'Hercule. Paris, Czwiklitzer, s.d. In-8° (250 x 165), chagrin noir estampé d'une composition sur le front,dos lisse, non rogné, étui.(légèrement fendu) Illustré de 3 lithographies signées en frontispice, variantes de couleurs de "La belle nue" CZW 130 - texte en français, anglais et allemand Edition à 150 exemplaires Provenance : Collection Christophe Czwiklitzer

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Ossip ZADKINE et Guillaume APOLLINAIRE (Vitebsk, 1890- Paris, 1967) SEPT CALLIGRAMMES

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Description: Ossip ZADKINE et Guillaume APOLLINAIRE (Vitebsk, 1890- Paris, 1967) SEPT CALLIGRAMMES Paris, Christophe Czwiklitzer, 1967. In-4 (450 x 315), en feuilles, couverture de toile noire imprimée et rempliée, étui et chemise entoilés noirs. 10 eaux-fortes originales à pleine page, 5 imprimées en noir sur fond blanc, 5 imprimées en blanc sur fond noir, toutes signées et justifiées "11 / 75". La suite des 10 mêmes planches sur Japon nacré, signées et numérotées 11/13 Edition à 75 exemplaires en français, celui-ci N° 11/75, un des 13 de tête accompagné de la suite. Provenance : Collection Christophe Czwiklitzer

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OSSIP ZADKINE ETCHING AND AQUATINT (New

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Description: OSSIP ZADKINE ETCHING AND AQUATINT (New York/France, 1890-1967) Three Figures. Image measures 16" X 11.5", pencil signed "O. Zadkine" lower right, dated (19)57 and numbered 1/4. In a gilt wood and gesso frame.

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OSSIP ZADKINE (1890-1967)   LES OISEAUX DU LAC STYMPHALE, 1960

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Description: OSSIP ZADKINE (1890-1967) LES OISEAUX DU LAC STYMPHALE, 1960 (Czwiklitzer, 99) Planche numéro 10 provenant de l'album "Les travaux d'Hercule" Lithographie en couleurs réhaussée au pastel Signée dans la planche Contresignée et numérotée 3/350 au crayon Christophe Czwiklitzer Editeur, Cologne 68,5 x 53 cm

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OSSIP ZADKINE (1890-1967)   COMBAT AVEC L'OISEAU DE STYMPHALE, 1960

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Description: OSSIP ZADKINE (1890-1967) COMBAT AVEC L'OISEAU DE STYMPHALE, 1960 (Czwiklitzer, 101) Planche numéro12 provenant de l'album "Les travaux d'Hercule" Lithographie en couleurs réhaussée au pastel Signée dans la planche Contresignée et numérotée 3/350 au crayon Christophe Czwiklitzer Editeur, Cologne 53 x 68,5 cm

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O.Zadkine, Merveilleux Radeau, Set of 13 Lithographs, 1966/74

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Description: 7 lithographs on BFK Rives (thereof 1 trial proof), and 6 lithographs on JapanGermany, 1966; published 1974Ossip Zadkine (1890-1967) – Belarus-French painter, sculptor and graphic artist; representive of CubismEach inscribed ‘e.a.’ (except the proof) in pencil; further two blindstampa ‘O.Z. Atelier Ossip Zadkine’ and ‘WK’ (Wolfgang Ketterer)Trial proof signed ‘Zadkine’ and inscribed ‘Probe’ in pencilPlate 9 aside from the portfolio edition ‘Europäische Graphik IX’, published by Edition Galerie Wolfgang Ketterer in collaboration with the publisher Felix H. Man, München 1974Catalogue raisonné: Czwiklitzer 170; Ketterer Editionsverzeichnis 208Sheet dimensions (BFK Rives): 65 x 50.5 cm; sheet dimensions (Japan): 75.5 x 53.5 cmGood conditionEstimate by Auctionata Expert: 1,600 Euro Condition:The lithographs are in a good condition consistent with age, with faint handling creases, especially in the margins. The trial proof with stronger creases. The sheet dimensions (BFK Rives are) 65 x 50.5 cm, and 75.5 x 53.5 cm (Japan). Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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OSSIP ZADKINE (1890-1967) Le repos, 1942 Gouache sur papier Signée et datée en bas à droite H_70 cm L_52 cm (à vue)

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Description: OSSIP ZADKINE (1890-1967) Le repos, 1942 Gouache sur papier Signée et datée en bas à droite H_70 cm L_52 cm (à vue)

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Ossip Zadkine, Abstract Figures, 2 Lithographs, 1968

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Description: 2 lithographs on JapanFrance, 1968Ossip Zadkine (1890-1967) - Belarusian-French painter, sculptor and graphic artist; exponent of cubism2 prints aside from the edition of 65 numbered copies, from the portfolio ‘Europäische Graphik VI’Image dimensions: 45 x 26 cm and 47 x 27 cm; sheet dimensions: 65 x 50 cm eachGood conditionEstimate by Auctionata Expert: 400 EuroCondition:The prints are in good condition. The edges are in some places slightly creased, otherwise overall of good impression. The image dimensions are c. 45 x 26 cm and 47 x 27 cm, the sheet dimensions 65 x 50 cm. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance. Auctionata charges the resale rights tax pursuant to Section 26 of the German Copyright Act (UrhG) towards the buyer in case of the sale of an original work of art or photography prior to 70 years having lapsed since the death of their creator. Therefore, Auctionata charges when purchasing a good – if a protection as an original work of art or photography is given – starting from a hammer price of EUR 400 an additional amount, which is calculated according to Section 26 (2) German Copyright Act (UrhG) and which does not exceed the amount of EUR 12,500. You can find more information about resale rights tax in Auctionata´s table of fees and T&C.

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OSSIP ZADKINE (1980-1967)  - LES ANGES AUX PORTES DE JÉRUSALEM, 1961

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Description: OSSIP ZADKINE (1980-1967) LES ANGES AUX PORTES DE JÉRUSALEM, 1961 Mine de plomb, pastel gras sur papier calque Signée et datée en bas à droite Dessin réalisé pour l'illustration de l'Apocalypse de Saint-Jean, Joseph Forêt éditeur. 55,5 x 45 cm – 21.3 x 17.2 in. Signed and dated lower right, pencil, pastel on paper

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Ossip ZADKINE (d'après) & PINTON FRèRES (Aubusson) 1890 - 1967

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Description: Ossip ZADKINE (d'après) & PINTON FRèRES (Aubusson) 1890 - 1967 " LE MINOTAURE " - Circa 1962 Tapisserie en laine beige, verdâtre et marron, tissée par Pinton Frères à Aubusson. Signée " O.Zadkine " en haut à gauche dans la trame, monogramme du lissier en bas à droite et bolduc au revers. 205 3 155 cm (80.71 3 61.02 in.) A WOOL TAPESTRY " LE MINOTAURE " BY OSSIP ZADKINE AND PINTON FRERES MANUFACTURER IN AUBUSSON; SIGNATURE OF THE ARTIST AND MONOGRAM OF PINTON FRERES IN WEAVE; REVERSE WITH BOLDUC

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Ossip Zadkine [LOVERS] Color lithograph

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Description: Ossip Zadkine [LOVERS] Color lithograph, 1964, signed, dated and numbered 42/210 in pencil, some dampstaining at bottom sheet edge. 22 x 16 5/8 inches

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) LAC DE COME, 1925 Gouache sur papier

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) LAC DE COME, 1925 Gouache sur papier signé et daté en bas à gauche "O.Zadkine 25" "LAC DE COME, 1925"; GOUACHE ON PAPER; SIGNED LOWER LEFT h: 44 w: 63 cm Provenance : Guillaume Campo, Anvers Par cessions successives à l'actuel propriétaire

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**Ossip Zadkine 1890-1967 (Russian, French) Couple, c.1923 gouache on paper

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Description: Ossip Zadkine 1890-1967 (Russian, French) Couple, c.1923 gouache on paper h:57 w: 45 cm. Provenance: Private collection, Tokyo. Private European collection. Other Notes: Accompanied by a certificate of authenticity issued by Zadkine Research Center, Brussels, signed by Richard Oudenhuysen, dated October 7, 2013.

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OSSIP ZADKINE, (RUSSIAN/FRENCH 1890-1967),

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Description: OSSIP ZADKINE (russian/french 1890-1967) "L'HOMME CHAT" Pencil signed and numbered 70/200 in the image. Etching. 13 1/2 x 9 3/4 in. (image)

Condition Report: Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale.

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**Ossip Zadkine 1890-1967 (Russian, French) Maternite gouache on paper

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Description: Ossip Zadkine 1890-1967 (Russian, French) Maternite gouache on paper h:62 w:42 cm. signed and dated lower right Provenance: Fujikawa Gallery, Osaka (acquired from the artist, 1954). Private European collection.

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Ossip ZADKINE (1890-1967) COMPOSITION, 1964 Aquarelle et gouache sur papier

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Description: Ossip ZADKINE (1890-1967) COMPOSITION, 1964 Aquarelle et gouache sur papier signé et daté "O.Zadkine 64" à l'encre en bas à droite h: 49,50 w: 65 cm Provenance : Gallery Dorsky, New York A l'actuel propriétaire par cessions successives Expositions : Londres, Adam Gallery, "O.Zadkine, sculptures, paintings and prints", novembre 2005

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**Ossip Zadkine 1890-1967 (Russian, French) Dauphin, 1926-1927 alabaster with crystal base

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Description: Ossip Zadkine 1890-1967 (Russian, French) Dauphin, 1926-1927 alabaster with crystal base h:30 w:80 d:18 cm. Provenance: Coll. Mrs. Du Bost, Paris Private collection, Paris Sold at Parke-Bernet, New york, 26 April 1961, no. 31 Literature: S. Lecombre and H.Staub, Ossip Zadkine l'oeuvre sculpte, Musee Zadkine, Paris, 1994, p. 238, no. 192 (on photo). 'Van der Wal Album', no. 116 (on photo) 'Selection', Antwerp, Vol. 3, 1928, P. 16, dated 1926 'Ridder', 1929, p. 9 'Humbourg, 1930, p. 16, dated 1926 'AZ', Brussels, 22 Janaury, 1933 'Jianou', 1979, no. 139, dated 1926

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Ossip Zadkine (1890-1967)

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Description: Ossip Zadkine (1890-1967) "Les Messangers du Jour" Framed Limited Edition Lithograph Published by L'Oeuvre Gravee Signed and numbered in pencil Purchased from PROVENANCE Gerhard Wurzer Gallery Houston TX 23.25"h 19"w

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OSSIP ZADKINE (1890-1967) PRENDS..., 1978 <br> Planche illustrant

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Description: OSSIP ZADKINE (1890-1967) PRENDS..., 1978 Planche illustrant le poème "Prends..." tirée de l'ouvrage "Vingt-deux poèmes" de Jean Cassou Lithographie en noir sur BFK Rives Signée et numérotée 46/115 Timbre sec de l'Editeur Erker Presse Editeur, St Gallen Lithographie: 38,4 x 28 cm Ensemble: 38,4 x 56 cm (avec page de texte en page de gauche)

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Attrib. Ossip Zadkine Watercolor Woman at Window

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Description: Woman at Window

Condition Report: unexamined outside of frame, appears to be in good condition apart from minor fading and discoloration

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**Ossip Zadkine 1890-1967 (Russian, French) Couple, c.1923 gouache on paper

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Description: Ossip Zadkine 1890-1967 (Russian, French) Couple, c.1923 gouache on paper h:57 w: 45 cm. Provenance: Private collection, Tokyo. Private European collection. Other Notes: Accompanied by a certificate of authenticity issued by the Zadkine Research Center, Brussels, signed by Richard Oudenhuysen, dated October 7, 2013.

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OSSIP ZADKINE (Russian/French, 1890-1967) Fête Paysanne 1960 colour lithograph and metallic dust, ed. 33/110

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Description: OSSIP ZADKINE (Russian/French, 1890-1967) Fête Paysanne 1960 colour lithograph and metallic dust, ed. 33/110 signed lower right: O. ZADKine editioned lower left 67.5 x 45.5cm

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Ossip Zadkine, one plate from

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Description: Artist: Ossip Zadkine Title: Untitled Suite: Les Peintres mes Amis par Andre Warnod Year: 1965 Medium: Original etching in colors on paper Edition: From the limited edition of 250 Printer: M. Robbe Publisher: Editions d'Art les Hueres Claires Size: 15 1/4" x 11 1/2" Signature: Signed in the plate COA provided. Guaranteed authentic

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Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) PAYSAGE AMERICAIN, 1944 Gouache sur papier

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Description: Ossip ZADKINE (Vitebsk, 1890- Paris, 1967) PAYSAGE AMERICAIN, 1944 Gouache sur papier signé et daté en bas à droite: "O. Zadkine 44" "PAYSAGE, 1944"; GOUACHE ON PAPER; SIGNED AND DATED LOWER RIGHT h: 41,50 w: 62 cm Provenance : Collection particulière, Paris

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