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Duncan Grant Auction Price Results

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Duncan Grant (1885-1978) Standing Man, 1930

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Description: Duncan Grant (1885-1978) Standing Man, 1930 watercolour and charcoal on paper 13 x 7 3/4 in., 33 x 19.7 cm

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Attributed to Duncan Grant (1885-1978) - Still life, with two vases of flowers

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Description: blue ballpoint pen on thin wove paper 9 7/8 x 8 in., 25 x 20.5 cm

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Duncan Grant (1885-1978) Four studies of nude

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Description: Duncan Grant (1885-1978) Four studies of nude figures, ball point pen on paper, c.1965, each c.16.5 x 20.5cm. (6 1/2 x 8 in). Provenance: Louise Hallett Gallery, London; Private Collection, London (acquired from the former). IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Duncan Grant (1885-1978) Don Kneeling, charcoal

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Description: Duncan Grant (1885-1978) Don Kneeling, charcoal heightened with white chalk, initialled and dated lower left, '49, 26 x 34cm (10 1/4 x 13 1/4 in). Donald Robert Paul Roche (1916-2007) was a British poet, novelist, and professor of English, and a critically acclaimed translator of Greek and Latin classics. Roche was a close associate of the Bloomsbury group, and met Duncan Grant in 1946. Duncan Grant went on to live with Roche and his family until his death in 1978. Provenance: the estate of Eardley Knollys (1902-1991), artist, dealer and critic who ran the Storran Gallery, Piccadilly, between 1938 and 1944. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Duncan Grant(1885-1978);F.E. McWilliam (1909-1992) - Interior; Women of Belfast

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Description: two lithographs printed in colours, 1973, each signed in pencil, numbered 46/90, from the Penwith Portfolio, each on wove paper, with full margins, sheet 775 x 570 mm (30 1/2 x 22 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Duncan Grant (1885-1978) - Standing woman

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Description: lithograph printed in colours, 1973-1974, signed and numbered 281/350, printed by Curwen Press, with full margins, on wove paper, 773 x 570 mm (30 3/8 x 22 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Duncan Grant (1885-1978) - Washerwoman

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Description: lithograph printed in colours, 1973-4, signed and inscribed Artists Proof in pencil, a proof aside from the edition of 20, on wove paper, with full margins, 732 x 522 mm (28 7/8 x 20 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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DUNCAN GRANT (SCOTTISH 1885-1978) WASHERWOMAN 72.9cm x 52.1cm (28.7in x 20.5in)

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Description: DUNCAN GRANT (SCOTTISH 1885-1978) WASHERWOMAN Lithograph, signed in pencil and numbered 63/350 72.9cm x 52.1cm (28.7in x 20.5in)

Condition Report: Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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Duncan Grant (1885-1978) - Still Life with Flowers

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Description: Oil on canvas Signed and dated t' lower left 49 x 39 cm. (19 1/4 x 15 3/8 in) Provenance: Paul Roche (1916-2007), thence by descent; Sale. Christie's, South Kensington, Modern British and Irish Art , 16th October 2013, lot 7; Private collection, UK. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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DUNCAN GRANT (1885-1978) Jeune homme allongé nu de dos, 1935 Huile sur toile Signée en bas à gauche H_61 cm L_76,5 cm

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Description: DUNCAN GRANT (1885-1978) Jeune homme allongé nu de dos, 1935 Huile sur toile Signée en bas à gauche H_61 cm L_76,5 cm

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DUNCAN GRANT (1885-1978) Paul reclining, 1953 Fusain sur papier Monogrammé et datée 25 mars 1953 en bas à droite H_59 cm L_42 cm...

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Description: DUNCAN GRANT (1885-1978) Paul reclining, 1953 Fusain sur papier Monogrammé et datée 25 mars 1953 en bas à droite H_59 cm L_42 cm

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DUNCAN GRANT (1885-1978) Nature morte au verre Toile marouflée sur carton Signée au dos H_45 cm L_27 cm

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Description: DUNCAN GRANT (1885-1978) Nature morte au verre Toile marouflée sur carton Signée au dos H_45 cm L_27 cm

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Duncan Grant (1885-1978) - Stilll life with flowers

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Description: Oil on canvas Signed and dated 74 lower left 49 x 39 cm. (19 1/4 x 15 3/8 in) Provenance: Paul Roche (1916-2007). Sale: Christie's, South Kensington, Modern British and Irish Art , 16th October 2013, lot 7. Private Collection, UK. This work comes from Duncan Grant's studio in Charleston - the artist's country home which he shared with Vanessa Bell and her children. The piece of cloth that is depicted in the background behind the flower vase shows the head of an actor and was produced by the Japanese artist Toshusai Sharaku. Grant captured this 'theme' in several of his interiors and still-lifes. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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DUNCAN GRANT (BRITISH 1885 - 1978)

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Description: Mother & Child, ca.1940 Watercolor, gouache, oil, on paper Dimensions: framed H23 3/8" x W19 5/8", (sight) H 14 1/4" x W11" Condition: good Provenance: Gallery Label, The Bloomsbury Workshop, London, WC

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DUNCAN GRANT | The Italian Handkerchief

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Description: oil on canvas

Condition Report: Not examined out of the frame. Original canvas. The canvas appears sound. There are some very fine, scattered lines of craquelure in places, including running horizontally across the centre of the work, and along the lower horizontal edge, in line with the stretcher bars beneath. There are a couple of flecks of loss to the brown pigment towards the left side of the tablecloth. Subject to the above, the work appears to be in good overall condition. Ultraviolet light reveals scattered flecks of retouching across the work, which have been sensitively executed. The work is presented in a simple gilt wooden frame, held under glass. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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CIRCLE OF DUNCAN GRANT (BRITISH 1885-1978), 'RECLINING NUDE STUDY', mid 20th century, oil on board, unsigned, (60.5 x 76.5cm)

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Description: CIRCLE OF DUNCAN GRANT (BRITISH 1885-1978), 'RECLINING NUDE STUDY', mid 20th century, oil on board, unsigned, (60.5 x 76.5cm)

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Duncan Grant (Scottish 1885 - 1978) Lithograph, Interior, Signed & Numbered 84/90 in Pencil, 40 x 33

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Description: Duncan Grant (Scottish 1885 - 1978) Lithograph, Interior, Signed & Numbered 84/90 in Pencil, 40 x 33

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GRANT, Duncan (British 1885-1978) Vanessa Bell &

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Description: GRANT, Duncan (British 1885-1978) Vanessa Bell & Daughter Angelica, 1918; & Lydia Lopovka. Double sided work - framed to display both images. Provenance: The Bloomsbury Workshop, 1992. Pencil 27x20cm 20x27cm (double sided)

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Duncan Grant (1885-1978): The Ugly Sisters

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Description: Duncan Grant (1885-1978): The Ugly Sisters Oil on paper laid down on board, unsigned, with hand-painted frame, with labels from The Mayor Gallery, London; and Alfred Stiles & Sons, Ltd., London. 19 1/2 x 35 in., 22 x 37 3/4 in. (frame). Property from a Florida Collector

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DUNCAN GRANT (SCOTTISH, 1885-1978) THE BIRDS 31cm x 25cm (12.25in x 10in)

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Description: DUNCAN GRANT (SCOTTISH, 1885-1978) THE BIRDS Oil on panel 31cm x 25cm (12.25in x 10in)

Condition Report: Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. In particular parts may have been replaced or renewed and lots may not be authentic or of satisfactory quality. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. Lots are available for inspection prior to the sale and you are strongly advised to examine any lot in which you are interested prior to the sale. Our condition report has not been prepared by a professional conservator, restorer or engineer.

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DUNCAN GRANT | Self-Portrait

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Description: oil on paper laid on board

Condition Report: The sheet and board appear sound. There is a pinhole apparent in each of the upper corners, thought to be in keeping with the Artist's working method, the right hand edge has been unevenly cut, with some light creases, and there is a small area of loss in the lower right corner, all of which are not visible in the current frame. There is a light scuff apparent to the top of the hat and a very tiny further scuff visible to the figure's nose. There is some light surface dirt and one or two spots of studio detritus. Subject to the above, the work appears to be in very good overall condition. Ultraviolet light reveals some areas of fluorescence, which are thought to be in keeping with the artist's materials. The work is presented in a painted wooden frame with linen slip. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work."In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

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DUNCAN GRANT MIXED MEDIA (United Kingdom,

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Description: DUNCAN GRANT MIXED MEDIA (United Kingdom, 1885-1978) "Portrait of Pat Gilbert-Read" in ink wash and graphite, 1965. Image measures 15" by 12", paper label attached verso stating that the drawing was "Presented to Pat Gilbert-Read by the artist. Victoria Square, London, England. It was drawn to illustrate a brochure..." In wood frame.

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Duncan Grant (Scottish 1885 - 1978) Lithograph, Interior, Signed & Numbered 84/90 in Pencil, 40 x 33

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Description: Duncan Grant (Scottish 1885 - 1978) Lithograph, Interior, Signed & Numbered 84/90 in Pencil, 40 x 33

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Duncan Grant (British 1885-1978)/Mountain Scene, Scotland/signed and dated 74/watercolour, 27cm x 35cm/Provenance: The Southover Gallery, Lewes

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Description: Duncan Grant (British 1885-1978)/Mountain Scene, Scotland/signed and dated 74/watercolour, 27cm x 35cm/Provenance: The Southover Gallery, Lewes

Condition Report: Artist's Resale Rights may apply to this Lot.

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Duncan Grant (British 1885-1978) /Chicken/inscribed on a label to the reverse 'Sketch of Hen given by Deidre Feb 1980 taken from one of Duncan Grant's sketchbooks'/pencil, 13cm x 12cm

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Description: Duncan Grant (British 1885-1978) /Chicken/inscribed on a label to the reverse 'Sketch of Hen given by Deidre Feb 1980 taken from one of Duncan Grant's sketchbooks'/pencil, 13cm x 12cm

Condition Report: Artist's Resale Rights may apply to this Lot.

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DUNCAN GRANT OIL ON PANEL (United Kingdom,

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Description: DUNCAN GRANT OIL ON PANEL (United Kingdom, 1885-1978) Still life with vase of flowers 14" by 21.50". Signed D. Grant '46 lower right. On reverse in pencil "Duncan Grant circa 1946 given to Pat Gilbert Read by Paul Roch, 1971". In wood frame.

Condition Report: 221A: The painting is in very good condition.

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•DUNCAN GRANT (1885-1978)

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Description: •DUNCAN GRANT (1885-1978) "The Pout Neuf, Paris 1951", signed and dated (lower left), James Bourlet & Sons exhibition label for British painters in France, Bristol 1953 verso, gouache, 14.5" x 21.5". See illustration. Provenance: The Hon. Richard Smith, and thence by descent. Private collection, Channel Islands.

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Style of Duncan Grant (1885-1978) - Oil painting- Study of nude male standi

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Description: Style of Duncan Grant (1885-1978) - Oil painting- Study of nude male standing in front of a mirror, thought to be Paul Roche, board 22ins x 15ins, unsigned, inscribed to reverse “Paul” by Duncan Grant, in gilt moulded frame

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* Duncan Grant [1885-1978]- Male nude:- drawing in charcoal and wash 55 x 3

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Description: * Duncan Grant [1885-1978]- Male nude:- drawing in charcoal and wash 55 x 37.5cm. * Provenance. Paul Roche Collection. Martin Roche (according to label on reverse). We are grateful to Richard Shone for his assistance in cataloguing this work.

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LIMITED EDITION DUNCAN GRANT LITHOGRAPH

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Description: LIMITED EDITION DUNCAN GRANT LITHOGRAPH

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DUNCAN GRANT (1885-1987) 'RECLINING NUDE'. Watercolour. Signed lower right. 38 x 57cm.

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Description: DUNCAN GRANT (1885-1987) 'RECLINING NUDE'. Watercolour. Signed lower right. 38 x 57cm.

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GRANT, Duncan (British 1885-1978)

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Description: Vanessa Bell & Daughter Angelica, 1918; & Lydia Lopovka. Double sided work - framed to display both images. Provenance: The Bloomsbury Workshop, 1992.

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Duncan Grant (British, 1885-1978)

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Description: Medium: Watercolor on paper, manner of grant Measures: 10.5 x 14 inches Signed lower right Provenance: Private collection, UK

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GRANT, Duncan (British 1885-1978)

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Description: GRANT, Duncan (British 1885-1978) Vanessa Bell & Daughter Angelica, 1918; & Lydia Lopovka. Double sided work - framed to display both images. Provenance: The Bloomsbury Workshop, 1992. Pencil 27x20cm 20x27cm (double sided)

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§ Duncan Grant (Scottish, 1885-1978) Mediterranean Street Scene with a Cloche Bell Tower oil on canvas

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Description: § Duncan Grant (Scottish, 1885-1978) Mediterranean Street Scene with a Cloche Bell Tower oil on canvas signed lower left "D Grant '27" h:53 w: 83 cm Provenance: From the Estate of the 2nd Viscount Runciman of Doxford Other Notes: An important member of the Bloomsbury Group, Duncan Grant regularly visited France on painting trips where his distinctive Colourist style continued to develop

Condition Report: Painting is framed. May benefit from a light clean

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§ Duncan Grant (Scottish, 1885-1978) Illustration for

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Description: § Duncan Grant (Scottish, 1885-1978) Illustration for " O Pale Galilean" by Paul Roche, 1954 watercolour h:38 w: 25 cm The present watercolour is either a try-out by Duncan Grant for a cover design or an illustration to Paul Roche's novel "O Pale Galilean" (Harvill Press, London, 1954). In the end, the book had a simple two- colour design of a fountain on its jacket and chapter heading vignettes by Grant. The scene shown here is an incident from the book.

Condition Report: Unframed and paper is stuck down to the mount.

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§ Duncan Grant (Scottish, 1885-1978) - Design for a Bowl, 1930s

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Description: § Duncan Grant (Scottish, 1885-1978) Design for a Bowl, 1930s pencil and gouache h:11 w: 14 cm Provenance: Purchased in 1997 from The Bloomsbury Workshop, 12 Galen Place, London, WC1

Condition Report: Some small creases and abrasions to the paper surface. A black spot to the lower right corner. Some browning spots, with a large one lower left. Surface dirt to the left hand wide, which looks like it may possibly be clay. Unclear whether this was intentional by the artist or not.

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Duncan Grant (1885-1978) - A lead glazed pottery dish brightly painted in colours with an abstract d

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Description: Duncan Grant (1885-1978) - A lead glazed pottery dish brightly painted in colours with an abstract design within a dot motif to the rim, 9ins diameter ("DG" monogram in blue to underside) Provenance : This dish was given to the vendor by Duncan Grant. It had been used as a cat bowl in the garden by the back door at Charleston. The vendor acquired it in the early 1970s when she used to visit Charleston and talk with Duncan Grant.

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DUNCAN GRANT (1885-1975). YOU CAN BE SURE OF SHELL / ST. IVES HUNTINGTON. Circa 1935. 29x44 inches, 76x113 cm. Vincent Brooks, Day & So

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Description: DUNCAN GRANT (1885-1975) YOU CAN BE SURE OF SHELL / ST. IVES HUNTINGTON. Circa 1935. 29 3/4x44 1/2 inches, 76x113 cm. Vincent Brooks, Day & Son, Ltd., London. Condition B+ / A-: minor repaired tears in margins; vertical fold. Framed.

Condition Report: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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§ Duncan Grant  - The White Coffee Pot - signed lower right

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Description: § Duncan Grant (British, 1885-1978) The White Coffee Pot signed lower right "D Grant", inscribed with title on the reverse, and with a sketch of a girl on the reverse oil on board, in a green and gold painted frame h:81 w:60 cm Provenance: The Bloomsbury Workshop, 12 Galen Place, London, WC1. Born in 1885, Duncan Grant spent his early life in India, returning to Britain in 1893. Grant was encouraged by the French painter Simon Bussy, who later introduced Grant to Matisse in 1909. Grant, along with Maynard Keynes, Roger Fry and Vanessa Bell (whom Grant had a daughter with, Angelica Garnett), was a central figure of the organisation of artists and writers called Bloomsbury.

Condition Report: Perhaps a little dirty but fine.

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Duncan Grant (Scottish, 1885-1978) Nudes

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Description: Duncan Grant (Scottish, 1885-1978) Two Male Nude Studies pencil and charcoal h:48 w:64 cm Provenance: From the collection of Clarissa Roche Private collection, Cambridge

Condition Report: Under glass and with torn edges, some foxing, "fixed" written in the corner.

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Duncan Grant (Scottish, 1885-1978) Ornamental urns in Charleston garden

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Description: Duncan Grant (Scottish, 1885-1978) Ornamental urns in Charleston garden oil on canvas, signed and dated 'D Grant \ 72' lower left, 'No 2' in red chalk verso 20 1/2 x 17 1/2in. (52 x 44.5cm.) * Charleston was the East Sussex home of Duncan Grant and his wife Vanessa Bell (sister of Virginia Woolf), both pivotal figures within the Bloomsbury Group. Grant was also a founding member of the Camden Town Group in 1911, exhibited with the Grafton Group in 1913 and became a member of the London Group in 1919. He was represented at the Venice Biennale in 1926 and 1932, and his work was included in the Coronation Exhibition of Contemporary British Artists at Agnew and Sons, London, in 1937. The Tate Gallery held a retrospective of his work in 1959 and an exhibition at the Tate Gallery was held in 1975 in honour of his 90th birthday, together with an exhibition at the Scottish National Gallery of Modern Art. The urns in this painting can be seen in a photograph on the cover of 'The Garden at Charleston: A Bloomsbury Garden through the Seasons' by Sue Snell, pub. 2010 by Frances Lincoln.

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Duncan Grant - Las Meninas - charcoal

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Description: Duncan Grant (Scottish, 1885-1978) Las Meninas signed lower left "DG after Velazquez" charcoal h:30 w:21 cm Provenance: Private collection, Suffolk.

Condition Report: Condition appears fine.

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Duncan Grant (1885-1978) - Seated nude with bottles and ewers,

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Description: Duncan Grant (1885-1978) - Seated nude with bottles and ewers, linocut, signed with initials and dated V , lower right, numbered 4/10 lower left, 260 x 360mm. (10 1/4 x 14 1/8 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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* Duncan James Corrowr Grant [ 1885-1978]-

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Description: * Duncan James Corrowr Grant [ 1885-1978]- 'Mealtime', Arabs by a roadside, Morocco:- monogrammed and inscribed DG Morocco '68 on reverse of canvas 65 x 91cm. *Provenance Phillips Son & Neale Lot 246, 7th March 1986, sold for £1500. We are grateful to Richard Stone for authenticating this picture. This colourful work was painted in 1968 at Charleston from studies made in Morocco where the artist visited in 1966 and 1968. Other examples are 'Figures Marrakesh' signed and dated '69, 66 x 81cm, sold Christies 1997 and 'Garden at Farah, Tangier' , signed and dated '66, oil on board, 56 x 40cm, sold Sothebys 1994. *Biography. Duncan grant was a British painter and designer of textiles, pottery, theatre sets and costumes. Educated in India and St Paul's London, studied art at Westminster School of Art and Paris under Jacques Emile Blanche. He became the Director of Roger Fry's Omega Workshops and for the rest of his life involved himself with decorative commissions. Around 1916 he became involved with Charleston and the Bloomsbury Group and a lifelong companion of Vanessa Bell. Grant often worked in the South of France spending summers at Cassis between 1927-1938. His early close relationships were with Lytton Strachey and John Maynard Keynes. In 1935, along with other prominent British artists, he was selected to provide paintings and fabrics for the RMS Queen Mary, a not altogether happy commission! In Grant's later years the poet Paul Roche, whom he had known since 1946 and who frequently modelled for Grant, took care of him and helped him maintain his way of life at Charleston. Duncan Grant's remains are buried beside Vanessa Bell's in the churchyard of St. Peter's Church, West Firle, East Sussex, close to Charleston.

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Attributed to Duncan Grant (1885-1978). Design for a Poster, circa 1960s/70s,

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Description: Attributed to Duncan Grant (1885-1978). Design for a Poster, circa 1960s/70s, coloured pastels and gouache on paper, with stencilled title in black ink 'Modern British Art', unsigned, a few minor marginal restorations, 75 x 49.5cm (29.5 x 19.5ins) mount aperture, framed and glazed. Provenance: Formerly with Anthony D'Offay Gallery, London. (1)

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Duncan Grant (1885-1978), Still Life with Teapot

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Description: Duncan Grant (1885-1978), Still Life with Teapot ink with watercolor, signed at lower right "Duncan Grant," inscribed on the verso "D. Grant. Charleston Firle / Lewes, Sussex / Victoria.," matted and framed under Plexiglass. Paper size 22 x 15 in.; SS 19 x 14.5 in.; DOA 26.5 x 22 in. The Estate Collection of Virginia Tomasek, Chapel Hill, NC Fairweather Hardin Gallery, Chicago, IL The Mayor Gallery, London Some toning and scattered foxing; mat burn.

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Duncan Grant (1885-1978) Reclining male nude,

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Description: Duncan Grant (1885-1978) Reclining male nude, charcoal heightened with white chalk on grey paper, signed lower right, 52.5 x 77cm (20 3/4 x 30 1/4 in), unframed. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Duncan James Corrour Grant: Still life. Signed D. Grant. Oil on canvas. 30 x 38 cm.

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Description: Still life. Signed D. Grant. Oil on canvas. 30 x 38 cm.

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DUNCAN GRANT Archer: Design for a Vase.

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Description: DUNCAN GRANT Archer: Design for a Vase. Pen and ink on brown paper, circa 1940s. 230x260 mm; 9x10 1/4 inches. Ex-collection Paesaggio Gallery, West Hartford, Connecticut, with the label on the frame back. With--BREON O'CASEY. Abstract Composition, 1999. 375x565 mm; 14 3/4x22 1/4 inches. Signed and dated in pencil, lower right recto.

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