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Liam Gillick Auction Price Results

Liam Gillick (1964)  Please Register/Login to access your Invaluable Alerts

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Liam GILLICK (né en 1964) BIG CONFERENCE CENTRE LEGISLATION SCREEN, 1998 Double écran en aluminium anodisé, plexiglas coloré

Lot 108: Liam GILLICK (né en 1964) BIG CONFERENCE CENTRE LEGISLATION SCREEN, 1998 Double écran en aluminium anodisé, plexiglas coloré

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Description: Liam GILLICK (né en 1964) BIG CONFERENCE CENTRE LEGISLATION SCREEN, 1998 Double écran en aluminium anodisé, plexiglas coloré Pièce unique Double screen in anodized aluminium, coloured plexiglas Unique piece h: 240 w: 360 cm Provenance : Galerie Air de Paris, Paris Collection particulière, Monaco Expositions : Paris, Galerie Air de Paris, "Up on the twenty second floor", 1998 Bibliographie : Liam Gillick, Oktagon, Herausgeber Editeur, 2000, reproduit en couleur p.81

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Liam Gillick (Né en 1964) Mirrored Revision

Lot 291: Liam Gillick (Né en 1964) Mirrored Revision

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Description: Liam Gillick (Né en 1964) Mirrored Revision Screen, 2004 Aluminium, miroir et plexiglas. H_40 cm L_200 cm P_20 cm

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Literally No Place, 2001

Lot 3: Literally No Place, 2001

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Description: Literally No Place, 2001The complete set of five Plexiglas and three aluminium plates in colors, all 10 x 8 1/4 x 1/8 in. (25.4 x 21 x .3 cm)  signed and numbered 66/70 in black ink on the accompanying certificate (there was also an edition of 25 in Roman numerals), published by Parkett Editions, Zurich and New York, a few of the Plexiglas plates with very minor scuffing, otherwise all in very good condition, contained in original foam-lined cardboard box.

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LIAM GILLICK

Lot 3: LIAM GILLICK

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Description: Literally No Place signed and numbered 66/70 in black ink on the accompanying certificate (there was also an edition of 25 in Roman numerals), published by Parkett Editions, Zurich and New York, a few of the Plexiglas plates with very minor scuffing, otherwise all in very good condition, contained in original foam-lined cardboard box.

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LIAM GILLICK

Lot 7: LIAM GILLICK

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Description: B. 1964END OF PRODUCTION BLACKmeasurements100 by 100 by 100cm.alternate measurements39 3/8 by 39 3/8 by 39 3/8 in.powder-coated aluminiumExecuted in 2005.PROVENANCEDonated by the artist, courtesy of Esther Schipper, Eva Presenhuber and Corvi-MoraNOTEThis sculpture balances lightness and mass, opacity and transparency, rational austerity and beauty. Its unreflective black colour contrasts sharply with the brightness of a white wall to etch itself onto our field of vision. Four out of six sides of this perfect cube are made from vertical and horizontal bands. Made of matt-coated metal these elegant bars provide the structure for the cube while also making it diaphanous. Their flatness gives this three-dimensional form a two-dimensional, graphic quality; this pattern of irregular stripes is reminiscent of a bar code. British artist Liam Gillick transforms sculpture into object, environment and situation. He is renowned for two ongoing series, called 'What If Scenarios' and 'Discussion Islands' that comprise multi-coloured architectural installations. He is also known for his books, films and artefacts. Gillick is part of a group of artists, including Dominique Gonzalez Foerster, Pierre Huyghe, Philippe Parreno and Rirkrit Tiravanija, who also work collaboratively. They regard the viewer as a participant and the space of art as a place for debate. This approach inspired an influential interactive exhibition called Utopia Station at the 50th Venice Biennale in 2003. Gillick's work forms part of the Tate Collection and has been exhibited around the world.Liam Gillick's work draws on the contemporary, urban landscape. Although the architecture of our time has grown from the utopian ethos of Modernism, it is also enthralled to consumerism and inscribed by the power of the multi-national. This paradox is central to Gillick's work.The open cube placed directly on the floor evokes the work of the minimalist sculptor, Donald Judd. Like Judd, Gillick's work is also made in factories. But where Judd insisted on the literal, non-associative quality of industrial materials and geometric forms, Gillick's work is a reflection on our society. The title of this piece plays on the way colour-charts, used for paints or inks, define the range available in one colour. Instead of a name such as 'charcoal black' Gillick's title incorporates a truth about manufacturing. End of Production Black reflects the death of industry in the west, with its migration to third world countries where labour is cheap. His vision is not however, a bleak one. In his artist's writings, Gillick picks up on the jargon of business and bureaucracy and reinvests it with real possibility. Perhaps this elegant sculpture with its fusion of delicacy and strength, horizontal and vertical elements, darkness and light, can also be thought of as an actual 'think tank'. IB

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LIAM GILLICK

Lot 21: LIAM GILLICK

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Description: Discussion Island Research Screen Signed, titled and dated “Liam Gillick Discussion Island Research Screen 99” on the underside.

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Contemporary Art: LIAM GILLICK Reversal Platform,

Lot 25: Contemporary Art: LIAM GILLICK Reversal Platform,

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Description: Contemporary Art: LIAM GILLICK Reversal Platform, 1998

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No Image Available

Lot 28: GILLICK, Liam (1964-, British)

Description: Single leaning corner rail, nylon covered steel executed 1989 Sculpture (1x59x)?in.

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LIAM GILLICK

Lot 39: LIAM GILLICK

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Description: LIAM GILLICK N. 1964 THE WAHT IF? SCENARIO. FABRIC DESIGN # 004 SIGNED, TITLED AND DATED 1996 ON THE LABEL, COLOUR PRINT firmato, intitolato e datato 1996 sull'etichetta a retro stampa a colori cm 42x59,5

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Liam Gillick (BRITISH, B. 1964)

Lot 61: Liam Gillick (BRITISH, B. 1964)

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Description: Liam Gillick (BRITISH, B. 1964) Untitled installation, vinyl letters to be attached to a wall dimensions variable Executed in 2009. This work is unique.

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Liam Gillick (b. 1964) they get around (a

Lot 73: Liam Gillick (b. 1964) they get around (a

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Description: Liam Gillick (b. 1964) they get around (a postscript to erasmus is late), 1996 framed printed sheet with pencil annotations, signed Liam Gillick and dated 6/96 in pencil, various other printed papers with pencil annotations, a complete copy of Erasmus Is Late, signed and dated, floppy disk, in two archive boxes (as isued), 10 x 13 in., 25.4 x 33 cm (each); with 1972, pen and ink on paper, signed and dated 1997, 8¼ x 11¾ in., 21 x 29.7 cm (2)

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Liam Gillick, (b.1964) poetry must be made by all!

Lot 75: Liam Gillick, (b.1964) poetry must be made by all!

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Description: Liam Gillick, (b.1964) poetry must be made by all! transform the world, 2004 coloured cast acrylic and aluminium multiple, signed in black ink and numbered 23/100 on the printed justification leaf, 2 x 12 in., 5 x 30cm.

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 - Liam Gillick , b. 1964 
 Resisted Production 
 painted aluminium and transparent Plexiglas

Lot 105: - Liam Gillick , b. 1964 Resisted Production painted aluminium and transparent Plexiglas

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Description: painted aluminium and transparent Plexiglas

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Liam Gillick (BRITISH, B. 1964)

Lot 108: Liam Gillick (BRITISH, B. 1964)

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Description: Liam Gillick (BRITISH, B. 1964) Mmm... money pie inkjet print on paper 29.5 x 21 cm. Executed in 2009.

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                                        Liam Gillick (b. 1964)

Lot 133: Liam Gillick (b. 1964)

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Description: Liam Gillick (b. 1964) Greenrooms, Bars and Communes Helvetica Bold vinyl on wall installation dimensions variable Executed in 2007

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 - Liam Gillick , b. 1964 Articulated Wall Structure 10 painted aluminium elements
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 - Liam Gillick , b. 1964 Five Short Texts painted aluminium and transparent plexiglas

Lot 181: - Liam Gillick , b. 1964 Five Short Texts painted aluminium and transparent plexiglas

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Description: painted aluminium and transparent plexiglas

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                                          Liam Gillick (b. 1964)

Lot 182: Liam Gillick (b. 1964)

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Description: Liam Gillick (b. 1964) Interior Day. Slow Lights. matt black vinyl on wall dimensions variable Executed in 2013.

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Liam Gillick

Lot 185: Liam Gillick

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Description: Isolation Screen (The What if? Scenario)

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LIAM GILLICK

Lot 199: LIAM GILLICK

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Description: Resolution Platform Incised ‘Resolution Platform Liam Gillick 2001’ in the aluminium. This work is unique.

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Liam Gillick (b. 1964)

Lot 201: Liam Gillick (b. 1964)

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Description: Literally no placefive Plexiglas and aluminium plates in different colourseach plate: 8 x 10in. (20.3 x 25.4cm.)Executed in 2001, this work is from an edition of seventy produced in collaboration with Parkett Magazine

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LIAM GILLICK

Lot 221: LIAM GILLICK

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Description: Literally

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Poetry must be made by all! Transform the world, 2004

Lot 250: Poetry must be made by all! Transform the world, 2004

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Description: Poetry must be made by all! Transform the world, 2004Brushed aluminum and Plexiglas. 29.2 x 5.1 x 1.9 cm. (11 1/2 x 2 x 3/4 in.)  Signed and numbered on the certificate of authenticity. This work is from an edition of 100.

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LIAM GILLICK

Lot 250: LIAM GILLICK

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Description: OBEDIENS

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LIAM GILLICK

Lot 251: LIAM GILLICK

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Description: CONVEYAUNCE

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Liam Gillick (British, 1964) 'Poetry Must Be Made By All! Transform the World', 2004 5 x 30 x 20cm.

Lot 266: Liam Gillick (British, 1964) 'Poetry Must Be Made By All! Transform the World', 2004 5 x 30 x 20cm.

Description: 'Poetry Must Be Made By All! Transform the World', 2004aluminium and perspex with screws 5 x 30 x 20cm.

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Frequency Platform, 2001

Lot 597: Frequency Platform, 2001

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Description: Frequency Platform, 2001Anodised aluminium and coloured Plexiglas. 3 x 120 x 120 cm. (1 1/4 x 47 1/4 x 47 1/4 in). 

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                                          Liam Gillick (b. 1964)

Lot 647: Liam Gillick (b. 1964)

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Description: Liam Gillick (b. 1964) Platformed powder-coated aluminum and colored Plexiglas 2 x 40 x 80 in. (5 x 101.6 x 203.2 cm.) Executed in 2003.

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