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James Rizzi Auction Price Results

James Rizzi (1950)  Please Register/Login to access your Invaluable Alerts

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One Mans Floor Is Another Mans Ceiling By J Rizzi

Lot 51: One Mans Floor Is Another Mans Ceiling By J Rizzi

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Description: One Mans Floor Is Another Mans Ceiling. Paper cut out serigraph in three dimensional form By James Rizzi

Condition Report: Excellent

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James Rizzi THE BANNANA; LOVERS; HOT TIME SUMMER IN THE CITY; SUNDAY IN CENTRAL PARK Four hand-colored etchings

Lot 73: James Rizzi THE BANNANA; LOVERS; HOT TIME SUMMER IN THE CITY; SUNDAY IN CENTRAL PARK Four hand-colored etchings

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Description: James Rizzi (b. 1950) THE BANNANA; LOVERS; HOT TIME SUMMER IN THE CITY; SUNDAY IN CENTRAL PARK Four hand-colored etchings, 1976 (2) and 1977 (2), respectively, signed, dated, titled and numbered out of editions of 100 in pencil, framed. Largest 15 5/8 x 10 inches; 397 x 254 mm.

Condition Report: Lightstain, otherwise in apparently good condition (unexamined out of the frames). Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Rizzi SUNRISE; NOON; MIDNIGHT; SUNSET Four three-dimensional hand-colored intaglio multiples

Lot 74: James Rizzi SUNRISE; NOON; MIDNIGHT; SUNSET Four three-dimensional hand-colored intaglio multiples

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Description: James Rizzi SUNRISE; NOON; MIDNIGHT; SUNSET Four three-dimensional hand-colored intaglio multiples, 1977, signed, dated, titled and numbered 1/50 in pencil, framed. Each 6 x 4 inches; 152 x 102 mm.

Condition Report: Lightstain, the third with some pale discoloration in the margins Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Rizzi IT'S SO HARD TO BE A SAINT WHEN YOU ARE LIVING IN THE CITY Three-dimensional hand-colored intaglio multiple

Lot 75: James Rizzi IT'S SO HARD TO BE A SAINT WHEN YOU ARE LIVING IN THE CITY Three-dimensional hand-colored intaglio multiple

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Description: James Rizzi IT'S SO HARD TO BE A SAINT WHEN YOU ARE LIVING IN THE CITY Three-dimensional hand-colored intaglio multiple, 1977, signed, dated, titled and inscribed #8 in pencil, framed. 13 1/4 x 19 3/4 inches; 337 x 502 mm.

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Rizzi A DAY IN THE LIFE OF THE CITY Three-dimensional hand-colored intaglio multiple

Lot 76: James Rizzi A DAY IN THE LIFE OF THE CITY Three-dimensional hand-colored intaglio multiple

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Description: James Rizzi A DAY IN THE LIFE OF THE CITY Three-dimensional hand-colored intaglio multiple, 1977, signed, dated, titled and inscribed #4 in pencil, framed. 16 x 11 3/4 inches; 406 x 298 mm.

Condition Report: Lightstain, otherwise in apparently good condition, with (full?) margins (unexamined out of the frame). Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Rizzi, Signed Poster 'Centennial Olympic Games', 1996

Lot 78: James Rizzi, Signed Poster 'Centennial Olympic Games', 1996

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Description: Offset Print on paper USA, Atlanta, 1996 James Rizzi (1950-2011) - American Pop-Art artist Lower right signed in felt pen 'Rizzi' With copy of the original certificate From a limited edition of 999 Dimensions: 100 x 74 cm Very good condition In his very own joyfulness Rizzi has with this poster created a colourful homage to the Olympics This colourful poster by the American Pop-Art artist James Rizzi was created on the occasion of the Centennial Olympic Games in Atlanta. The poster is rendered in the distinctive style of the artist, in bright colours and of almost childish simplicity and has an overall joyful appearance. Next to the title sits lower right the handwritten signature of the artist 'Rizzi'. The poster by James Rizzi is in very good condition. It is slightly wavy. The overall dimensions are 100 x 74 cm. The poster is one of a limited edition of 999. This artwork comes with a copy of the original certificate of authenticity. James Rizzi (1950-2011) Born in 1950 in New York, James Rizzi studied art from 1969 until 1974 at the University of Florida in Gainesville. Already shortly after he finished his studies, Rizzi's works gained increasing popularity by gallery owners as well private collectors. The artist also created many public projects in his distinctive, naïve style, such as the Happy RIZZI House in Brunswig on the occasion of the Expo 2000.

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JAMES RIZZI - Color silkscreen, lithograph, and collage

Lot 120: JAMES RIZZI - Color silkscreen, lithograph, and collage

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Description: James Rizzi (American, 1950-2011). "Don't You Think You've Had Enough? No! [3-D]". Color silkscreen, lithograph, and collage. 1997. Signed and editioned in pencil, lower margin; titled in the plate. Edition of 350. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. One of Rizzi's famous three-dimensional ("3-D") constructions. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. His technique evolved to this: to create a 3-D work, double the number of sheets are printed. The first of each pair is used as the background, the second to produce the 3-D effect. The buildings, cars, or other objects to be raised from the plane of the background are painstakingly cut out from the second sheet using curved nail scissors. They are then adhered onto the background in their original position using double-sided adhesive foam pads that vary in thickness from 5 to 15 mm. As no two objects can be cut out in precisely the same way, each of the prints can be said to be truly individual. Published by John Szoke Editions, New York. Overall size: 6 5/8 x 8 in. (168 x 203 mm). Image size: 4 x 5 in. (102 x 127 mm). [27751] |400| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen, lithograph, and collage

Lot 121: JAMES RIZZI - Color silkscreen, lithograph, and collage

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Description: James Rizzi (American, 1950-2011). "Head Trip [3-D]". Color silkscreen, lithograph, and collage. 1995. Signed and editioned in pencil, lower left; titled and dated in the plate. Edition of 100. Light cream wove paper. Full margins. Fine impression. Fine condition. One of Rizzi's famous three-dimensional ("3-D") constructions. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. His technique evolved to this: to create a 3-D work, double the number of sheets are printed. The first of each pair is used as the background, the second to produce the 3-D effect. The buildings, cars, or other objects to be raised from the plane of the background are painstakingly cut out from the second sheet using curved nail scissors. They are then adhered onto the background in their original position using double-sided adhesive foam pads that vary in thickness from 5 to 15 mm. As no two objects can be cut out in precisely the same way, each of the prints can be said to be truly individual. Published by John Szoke Editions, New York. Overall size: 14 5/8 x 15 in. (371 x 381 mm). Image size: 11 3/8 x 12 1/16 in. (289 x 306 mm). [27752] |800| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen, lithograph, and collage

Lot 122: JAMES RIZZI - Color silkscreen, lithograph, and collage

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Description: James Rizzi (American, 1950-2011). "La Grande Odalisque [3-D - after Ingres]". Color silkscreen, lithograph, and collage. 1998. Signed and editioned in pencil, lower right; titled and dated in the plate. Edition of 350. Light cream wove paper. Full margins. Fine impression. Fine condition. One of Rizzi's famous three-dimensional ("3-D") constructions. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. His technique evolved to this: to create a 3-D work, double the number of sheets are printed. The first of each pair is used as the background, the second to produce the 3-D effect. The buildings, cars, or other objects to be raised from the plane of the background are painstakingly cut out from the second sheet using curved nail scissors. They are then adhered onto the background in their original position using double-sided adhesive foam pads that vary in thickness from 5 to 15 mm. As no two objects can be cut out in precisely the same way, each of the prints can be said to be truly individual. Published by John Szoke Editions, New York. Overall size: 9 1/4 x 14 5/8 in. (235 x 371 mm). Image size: 6 1/2 x 10 7/8 in. (165 x 276 mm). [27661] |600| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen, lithograph, and collage

Lot 123: JAMES RIZZI - Color silkscreen, lithograph, and collage

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Description: James Rizzi (American, 1950-2011). "Liberty Leading the People [3-D - after Delacroix]". Color silkscreen, lithograph, and collage. 1998. Signed and editioned in pencil, lower right; titled and dated in the plate. Edition of 350. Light cream wove paper. Full margins. Fine impression. Fine condition. One of Rizzi's famous three-dimensional ("3-D") constructions. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. His technique evolved to this: to create a 3-D work, double the number of sheets are printed. The first of each pair is used as the background, the second to produce the 3-D effect. The buildings, cars, or other objects to be raised from the plane of the background are painstakingly cut out from the second sheet using curved nail scissors. They are then adhered onto the background in their original position using double-sided adhesive foam pads that vary in thickness from 5 to 15 mm. As no two objects can be cut out in precisely the same way, each of the prints can be said to be truly individual. Published by John Szoke Editions, New York. Overall size: 10 1/4 x 14 1/2 in. (260 x 368 mm). Image size: 7 3/4 x 9 5/8 in. (197 x 244 mm). [27662] |600| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen and lithograph

Lot 124: JAMES RIZZI - Color silkscreen and lithograph

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Description: James Rizzi (American, 1950-2011). "Nagano in 98". Color silkscreen and lithograph. 1998. Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. Overall size: 15 9/16 x 18 7/8 in. (395 x 479 mm). Image size: 13 1/16 x 16 1/16 in. (332 x 408 mm). [27758] |200| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen and lithograph

Lot 125: JAMES RIZZI - Color silkscreen and lithograph

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Description: James Rizzi (American, 1950-2011). "The Big Apple Is Big on Broadway". Color silkscreen and lithograph. 1999. Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Very good to fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. Overall size: 14 5/8 x 15 3/8 in. (371 x 391 mm). Image size: 11 7/8 x 12 1/4 in. (302 x 311 mm). [27761] |200| {R100}

Condition Report: Very good to fine condition

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JAMES RIZZI - Color silkscreen and lithograph

Lot 126: JAMES RIZZI - Color silkscreen and lithograph

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Description: James Rizzi (American, 1950-2011). "The Big Apple Is Big on Coney Island [printed on paper]". Color silkscreen and lithograph. 1999. Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Printed on pale cream watermarked BFK Rives wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. Overall size: 14 x 13 1/8 in. (356 x 333 mm). Image size: 10 7/8 x 10 in. (276 x 254 mm). [27764] |200| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen and lithograph

Lot 127: JAMES RIZZI - Color silkscreen and lithograph

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Description: James Rizzi (American, 1950-2011). "Uptown - Downtown - Eastside - Westside". Color silkscreen and lithograph. 1995. Signed in pencil four times (each corner); titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. Overall size: 19 5/8 x 29 3/8 in. (498 x 746 mm). Image size: 15 7/8 x 26 in. (403 x 660 mm). [27756] |250| {R100}

Condition Report: Fine condition

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JAMES RIZZI - Color silkscreen

Lot 128: JAMES RIZZI - Color silkscreen

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Description: James Rizzi (American, 1950-2011). "When the Cows Come to the Big Apple". Color silkscreen. 2000. Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. Overall size: 25 1/2 x 35 7/16 in. (648 x 900 mm). Image size: 19 5/8 x 30 in. (498 x 762 mm). [27753] |250| {R100}

Condition Report: Fine condition

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James Rizzi

Lot 129: James Rizzi "Junkyard Dogs" WN3475

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Description: Artist: James Rizzi Title: Junkyard Dogs Year: 1997 Medium: Original serigraph in colors on paper Edition: From the SP limited edtion of 10 Size: 22" x 30" Signature: Hand signed in pencil by the artist COA provided. Guaranteed authentic WN2475

Condition Report: Good Condition WN2475

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James Rizzi

Lot 156: James Rizzi

Description: (New York City 1950 - 2011) 'Birds in a junk yard' Signed l.l. Titled in the stone l.m. and dated 1996 in the stone l.r. Colour lithograph, 70.3 x 44.5 cm (measured within mount)

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James Rizzi

Lot 157: James Rizzi

Description: (New York City 1950 - 2011) 'Be a good sport' Titled in the stone l.m. and dated 1998 in the stone l.r. Colour lithograph, 32.7 x 42.7 cm (measured within mount)

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James Rizzi

Lot 158: James Rizzi

Description: (New York City 1950 - 2011) 'The big apple is big on good food' Titled in the stone l.l. and dated 1999 in the stone l.r. Colour lithograph, 19.8 x 21.8 cm (measured within mount)

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James Rizzi

Lot 159: James Rizzi

Description: (New York City 1950 - 2011) 'Touch someone with your thoughts...' Titled in the stone l.m. and dated 2001 in the stone l.r. Colour lithograph, 64.6 x 98.5 cm (measured within mount)

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James Rizzi

Lot 187A: James Rizzi "Girls Out Shopping" WN1650

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Description: Artist: James Rizzi Title: Girls Out Shopping Year: 1995 Medium: Original 3-D construction serigraph on paper Edition: Limited edition of 50 Size: 14" x 10" Signature: Hand signed in pencil COA provided. Guaranteed authentic WN1650

Condition Report: Good Condition WN1650

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James Rizzi TOO MANY PEOPLE IN THE CITY Three-dimensional color lithograph multiple

Lot 193: James Rizzi TOO MANY PEOPLE IN THE CITY Three-dimensional color lithograph multiple

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Description: James Rizzi (1950-2011) TOO MANY PEOPLE IN THE CITY Three-dimensional color lithograph multiple, 1989, signed and numbered 335/350 in pencil, in apparently good condition, with full margins, framed (unexamined out of the frame). 10 x 8 inches; 254 x 203 mm. C 

Condition Report: Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Doyle New York shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.

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James Rizzi, (b. 1950),

Lot 230: James Rizzi, (b. 1950), "Big Apple", layered lithograph collage, Inside frame 12 1/4" x 11 3/4".

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Description: James Rizzi (b. 1950) "Big Apple" layered lithograph collage pencil signed, dated '85, and numbered 76/150. Inside frame 12 1/4" x 11 3/4".

Condition Report: A statement of "Very good condition" means, that in our opinion, there are no significant damages and there has been no repair. Any condition statement is given as a courtesy to the client. We are offering our professional opinion. We attempt to submit condition reports in the description. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Antique Helper, Inc., et al shall have no responsibility for any error or omission regarding an item's condition.

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James Rizzi, (b. 1950),

Lot 231: James Rizzi, (b. 1950), "The Lift", layered lithograph collage, 6 1/4"Sq.

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Description: James Rizzi (b. 1950) "The Lift" layered lithograph collage pencil signed, dated '87, and numbered 94/175. 6 1/4"Sq.

Condition Report: A statement of "Very good condition" means, that in our opinion, there are no significant damages and there has been no repair. Any condition statement is given as a courtesy to the client. We are offering our professional opinion. We attempt to submit condition reports in the description. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Antique Helper, Inc., et al shall have no responsibility for any error or omission regarding an item's condition.

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James Rizzi (*1950): Rizz Houses

Lot 232: James Rizzi (*1950): Rizz Houses

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Description: James Rizzi (*1950): Rizz Houses. Signiert unten Mitte. Filzstiftzeichnung in Schwarz auf weißem Papier. Measures: 24,1 × 22,5 cm. Signed in the lower middle. Drawing with felt-tip pen in black on white paper.

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James Rizzi, (b.1950),

Lot 232: James Rizzi, (b.1950), "Waiting On Line", layered lithograph collage, 4" x 112 3/4".

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Description: James Rizzi (b.1950) "Waiting On Line" layered lithograph collage Pencil signed and numbered 82/175. 4" x 112 3/4".

Condition Report: A statement of "Very good condition" means, that in our opinion, there are no significant damages and there has been no repair. Any condition statement is given as a courtesy to the client. We are offering our professional opinion. We attempt to submit condition reports in the description. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Antique Helper, Inc., et al shall have no responsibility for any error or omission regarding an item's condition.

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James Rizzi, (b.1950),

Lot 233: James Rizzi, (b.1950), "Room with a View", layered lithograph collage, 13" x 10".

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Description: James Rizzi (b.1950) "Room with a View" layered lithograph collage pencil signed, dated '88, and numbered 214/250. 13" x 10".

Condition Report: A statement of "Very good condition" means, that in our opinion, there are no significant damages and there has been no repair. Any condition statement is given as a courtesy to the client. We are offering our professional opinion. We attempt to submit condition reports in the description. However, the absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Antique Helper, Inc., et al shall have no responsibility for any error or omission regarding an item's condition.

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Rizzi, James, (*1950 in Brooklyn, New York). When

Lot 234: Rizzi, James, (*1950 in Brooklyn, New York). When

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Description: Rizzi, James, (*1950 in Brooklyn, New York). When the circus comes to Town, 1988. 3D-color lithography. Copy 55/250, signed lower left: JAMES RIZZI, dated lower right: 1988. Clear dimension 20 x 56; printmark 18 x 53 Framed

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Rizzi, James, (*1950 in Brooklyn, New York). Its

Lot 237: Rizzi, James, (*1950 in Brooklyn, New York). Its

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Description: Rizzi, James, (*1950 in Brooklyn, New York). Its time to buy a new tv, 1989. 3D graphics. Copy 141/350, signed lower left: RIZZI, dated lower right: 89. Clear dimension 71 x 96, printmark 66 x 91. Framed

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Rizzi, James, (*1950 in Brooklyn, New York). Lets

Lot 240: Rizzi, James, (*1950 in Brooklyn, New York). Lets

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Description: Rizzi, James, (*1950 in Brooklyn, New York). Lets all meet at Daddy's Club, 1995. 3-color lithograph. Copy 141/350, signed lower left: J: RIZZI, dated lower right: 1995. Clear dimension 24 x 29; print mark 20.5 x 25 Framed

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JAMES RIZZI (AMERICAN 1950-2011)

Lot 242: JAMES RIZZI (AMERICAN 1950-2011)

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Description: Tea Party, 1990 Mixed media hand-cut color lithograph with 3-D constrution. Dimensions: framed H 14 5/8" x W17", (sight) H 8 3/8" x W 18 5/8" Note: All clothing is from the same estate and mostly in very good condition. All clothing sold as is. Please preview the week before the auction or call or email with any questions.

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JAMES RIZZI (1950-2011):

Lot 275: JAMES RIZZI (1950-2011): "LIBERTY"

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Description: JAMES RIZZI (1950-2011): "LIBERTY" Mixed media print in a shadow box frame, signed and dated '85, numbered 132/150. 6 x 4 in. (sight).

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James Rizzi (*1950)

Lot 294: James Rizzi (*1950)

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Description: James Rizzi (*1950): Love Birds (1999). Drawing on paper. Signed and dated. Measures: 17,0 × 24,5 cm.James Rizzi (*1950): Love Birds (1999). Signiert und datiert unten. Filzstiftzeichnung auf dünnem Karton. Measures: 17,0 × 24,5 cm.

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James Rizzi 1950 New York - 2011 New York - 'Love

Lot 306: James Rizzi 1950 New York - 2011 New York - 'Love

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Description: James Rizzi 1950 New York - 2011 New York - 'Love at first sight' - 3D-Farblithografie. 115/350. 8,5 x 14,2 cm (Darstellungsmaß). Sign. r. u.: Rizzi. Im Druck betit. und dat.: Love at first sight. 2001. Unter Glas gerahmt. Ungeöffnet. Rizzi studierte in Gainesville/Florida. Schon früh beschäftigte er sich mit Grafik und Objekten in 3D-Gestaltung. Die Arbeiten haben oft Bezug zu seiner Heimatstadt New York. Rizzi wird als 'Urban Primitive Artist' bezeichnet.

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James Rizzi (*1950)

Lot 337: James Rizzi (*1950)

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Description: James Rizzi (*1950): Fische (1957). Drawing with felt pen on yellow paper. Signed. Verso at the upper border fixed under passepartout. Measures: 10,5 × 22,2 cm.James Rizzi (*1950): Fische. Signiert. Verso an der oberen Blattkante unter Passepartout. Filzstiftzeichnung auf gelbem Papier. Measures: 10,5 × 22,2 cm.

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JAMES RIZZI (b. 1950):

Lot 366: JAMES RIZZI (b. 1950): "TABLE LIFE"

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Description: Etching with hand-coloring, artist proof, dated 1982 lower right.

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James Rizzi, American, b. 1950,

Lot 440: James Rizzi, American, b. 1950, "Golf", 3-D color screenprint, ed. 118/125, 8 x 11 1/2 in., framed

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Description: James Rizzi American, b. 1950 "Golf" 3-D color screenprint, ed. 118/125 signed "James Rizzi" ll, dated 1983 lr 8 x 11 1/2 in., framed

Condition Report: frame wear

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James Rizzi, American, b. 1950,

Lot 534: James Rizzi, American, b. 1950, "Breakin", 3-D color screenprint, ed. 85/150, 5 1/4 x 3 1/2 in., framed

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Description: James Rizzi American, b. 1950 "Breakin" 3-D color screenprint, ed. 85/150 signed "Rizzi" ll 5 1/4 x 3 1/2 in., framed

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James Rizzi

Lot 561: James Rizzi "Junkyard Dogs" WN3475

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Description: Artist: James Rizzi Title: Junkyard Dogs Year: 1997 Medium: Original serigraph in colors on paper Edition: From the SP limited edtion of 10 Size: 22" x 30" Signature: Hand signed in pencil by the artist COA provided. Guaranteed authentic WN2475

Condition Report: Good Condition WN2475

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JAMES RIZZI (American, 1950-2011)

Lot 1161: JAMES RIZZI (American, 1950-2011) "COOL CATS OUT DRINKING"

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Description: Gouache on paper Housed in a gilt molded wood frame behind glass Titled & signed "J. Rizzi 1993" at bottom SIZE: Sight: 7-1/2" x 9-1/2" Overall: 9-1/2" x 11-1/2" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91835

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JAMES RIZZI (American, 1950-2011)

Lot 1162: JAMES RIZZI (American, 1950-2011) "LOVE IN THE NIGHT"

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Description: Acrylic on canvas Housed in a red painted shadowbox type frame Titled & signed "J. Rizzi 94" below SIZE: 9-3/4" x 7-1/4" Overall: 10-1/2" x 8" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91837

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JAMES RIZZI (American, 1950-2011) TWO CATS TOASTING

Lot 1163: JAMES RIZZI (American, 1950-2011) TWO CATS TOASTING

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Description: Acrylic on canvas Unframed Signed lower right "Rizzi 99" SIZE: 5" x 7" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91839

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JAMES RIZZI (American, 1950-2011)

Lot 1164: JAMES RIZZI (American, 1950-2011) "THIS WAY, THAT WAY"

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Description: Acrylic on canvas mounted to board Housed in a black painted frame with peach color backing All four sides with title, date & signature The back has penned inscription from Jenny SIZE: 10-1/2" x 7-3/4" Overall: 12-3/4" x 10" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91843

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JAMES RIZZI (American, 1950-2011) CUPID IN THE CLOUDS

Lot 1165: JAMES RIZZI (American, 1950-2011) CUPID IN THE CLOUDS

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Description: Gouache on blue paper Unframed but mounted to dark blue paper Signed lower right "J Rizzi 92" SIZE: 7-1/2" x 10-1/2" Overall: 9" x 12" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91856

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JAMES RIZZI (American, 1950-2011)

Lot 1166: JAMES RIZZI (American, 1950-2011) "BE MY VALENTINE"

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Description: Acrylic on canvas mounted to board Housed in a white painted modern frame behind glass Titled & signed "J. Rizzi 1998" below SIZE: Sight: 8-3/4" x 11-3/4" Overall: 10" x 13" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91834

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JAMES RIZZI (American, 1950-2011)

Lot 1167: JAMES RIZZI (American, 1950-2011) "FINGER POINTING"

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Description: Acrylic on canvas mounted to a pink background board behind glass Housed in a black painted wood frame Titled and signed "Rizzi 98" bottom Penned inscription on reverse from Jenny SIZE: 10" x 7-1/2" Overall: 13" x 10" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91844

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JAMES RIZZI (American, 1950-2011)

Lot 1168: JAMES RIZZI (American, 1950-2011) "BIRDS AND FLOWERS"

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Description: Acrylic on canvas Housed in a yellow painted wood frame Signed lower right "J Rizzi 1994" Inscribed on verso "To Franceska Merry Christmas 1998 from James Rizzi" SIZE: 6-3/4" x 9-1/4" Overall: 7-1/2" x 10" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91846

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JAMES RIZZI (American, 1950-2011) LOVE CATS

Lot 1169: JAMES RIZZI (American, 1950-2011) LOVE CATS

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Description: Acrylic on canvas Unframed Signed upper right "Rizzi 98" SIZE: 5" x 5" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91847

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JAMES RIZZI (American, 1950-2011)

Lot 1170: JAMES RIZZI (American, 1950-2011) "HAPPY V DAY"

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Description: Acrylic on canvas Unframed & unmounted Signed in painting upper left "Rizzi 1999" and titled bottom left in painting SIZE: 9" x 12" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91855

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JAMES RIZZI (American, 1950-2011) HAPPY HALLOWEEN

Lot 1171: JAMES RIZZI (American, 1950-2011) HAPPY HALLOWEEN

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Description: Acrylic on canvas Unframed & unmounted Signed lower right "J Rizzi 97" SIZE: 8" x 10" PROVENANCE: Directly from the family of his assistant, Jenny CONDITION: Very good to excellent 9-91860

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